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>> ANYWAY I MISSED LIKE A DAY OR
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IT WAS LIKE A WEEK OF WORK, AND
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I COULDN'T EVEN PAY THE RENT.
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>> [ SODA CAN OPENS ]
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>> OH, MY BAD, MY BAD.
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>> AND THAT'S, LIKE, WHEN
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EVERYTHING, LIKE, GOT MESSED UP.
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>> [ SLURPS ]
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WHAT?
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THE KITCHEN WAS OUT OF STRAWS.
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>> MR. WRIGHT, YOU SEEM TO BE IN
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PARTICULAR NEED FOR ATTENTION
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TODAY.
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PLEASE, TAKE THE FLOOR.
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>> OH, NO, DAWG.
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I'M GOOD, I'M GOOD.
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>> NO, NO, NO, NO, NO.
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WE WOULD REALLY LIKE TO HEAR
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YOUR PROBLEM.
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>> OH, NO, NO, NO, NO, NO.
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I REALLY DON'T HAVE A PROBLEM,
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BUT I CAN SEE BY LOOKING AT ALL
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Y'ALL THAT Y'ALL DO, SO I AM
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GLAD YOU'RE HERE, ESPECIALLY
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YOU.
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I SAW WHAT YOU DID ON TMZ.
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YOU FILTHY.
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>> HOW MUCH LONGER DO WE HAVE TO
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SIT HERE AND LISTEN TO THIS?
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>> EXACTLY.
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THAT'S WHAT I'M SAYING.
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BORING.
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>> I WAS REFERRING TO YOU.
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>> MALIK, ONE CANNOT FIGHT ONE'S
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ADDICTION UNTIL ONE IS PREPARED
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TO CONFRONT ONE'S PROBLEM.
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>> MMM.
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MM-HMM.
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YOU'RE RIGHT ABOUT THAT, DOC.
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Y'ALL HEAR THAT, HUH?
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NOW, GET ON OUT THERE AND KICK
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SOME ADDICTION ASS.
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>> WERE YOU A JACKASS BEFORE THE
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DRUGS? HMM?
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>> YOU KNOW WHAT?
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I HAVE A MASSIVE HEADACHE RIGHT
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NOW.
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ANY OF Y'ALL DRUGGIES GOT SOME
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ASPIRIN?
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>> YOU CAN HAVE ONE AFTER GROUP.
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LET'S MOVE ON TO SOMEONE ELSE,
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AND WE'LL DEAL WITH YOU LATER.
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BEN, WOULD YOU LIKE TO CONTINUE
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FROM WHERE YOU LEFT OFF THIS
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MORNING?
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>> IF THIS IS ANOTHER ONE OF
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THEM STORIES ABOUT HIM BEING
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MOLESTED BY HIS BABYSITTER, I'M
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GONNA NEED THAT ASPIRIN STAT,
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DOC.
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DOC.
>> ♪
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>> ♪
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>> SO BEFORE WE START THIS
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SUBCOMMITTEE MEETING
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I WANTED TO TALK ABOUT
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SOMETHING THAT I REALLY --
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>> UH-OH!
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WAIT, HOLD UP, Y'ALL.
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Y'ALL AREN'T GONNA BELIEVE WHO
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THIS IS.
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THIS IS RICK DAMN FOX.
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HA!
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YOU KNOW I USED TO DATE RICK,
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RIGHT?
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>> YEAH, UNTIL HE DUMPED YOUR
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ASS.
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>> AIN'T NOBODY DUMP NOBODY,
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OKAY?
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WE JUST GREW APART, JUST LIKE
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BRAD AND JEN.
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AIN'T NO HARD FEELINGS.
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IGNORE.
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>> UH, TASHA, I HATE TO BREAK
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THIS UP, BUT WE REALLY NEED TO
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MOVE ON.
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>> OKAY, GO AHEAD, MOVE ON.
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PLEASE, AIN'T NOBODY TRIPPING
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OVER RICK FOX.
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SHOOT, THAT BEEN A YEAR.
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TASHA MACK GOT HER SOME FRESH
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MEAT!
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[ LAUGHTER ]
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>> OKAY, GOOD.
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SO, I HATE TO BRING THIS OUT
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INTO THE OPEN, BUT IT NEEDS TO
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BE ADDRESSED.
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MIMI, YOU WERE CAUGHT CANOODLING
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WITH ONE OF THE ARIZONA PLAYERS
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AT THE ESPYs.
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>> OOH!
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>> THAT'S RIGHT.
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I SAW YOU FLIPPING YOUR HAIR AND
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BATTING YOUR EYELASHES WITH ONE
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OF THE ENEMIES.
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NOT ON MY WATCH.
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YOU ARE OFFICIALLY EXPELLED FROM
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THE SUNBEAMS UNTIL FURTHER
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NOTICE.
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SERGEANT-AT-ARMS?
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>> HUSTLE IT OUT, HUSSY.
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GO ON.
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>> [ CELLPHONE BUZZING ]
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>> OH, WAIT A MINUTE.
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FOXY FACEBOOKING MY ASS NOW.
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TELL A FRIEND.
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>> WHAT, HE SENT YOU A MESSAGE?
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>> MM-HMM, TALKING ABOUT HE
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GONNA BE IN TOWN AND HE WANT TO
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GO TO DINNER.
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SEE THAT? ONCE YOU GO MACK, YOU
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NEVER GO BACK.
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>> I DON'T KNOW, TASHA.
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MY MAMA ALWAYS SAID, "LEAVE THE
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PAST IN THE PAST."
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THAT WAY, YOU DON'T RE-CONTRACT
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NOTHING.
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>> YEAH, I SAY LEAVE WELL ENOUGH
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ALONE.
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I MEAN, YOU HAVE A NEW MAN, AND
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DANTE IS GREAT.
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HE'S CUTE, HE'S SMART, HE'S
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FUNNY, AND YOU CAN'T HELP BUT
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PINCH HIS CHUBBY-WUBBY,
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ITTY-BITTY, LITTLE BABY CHEEKS.
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>> EH, EH, EH.
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BACK OFF MY BABY'S CHEEKS, ALL
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RIGHT?
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>> TASHA, I'M JUST SAYING DON'T
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RUIN THIS.
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I HAVEN'T SEEN YOU THIS HAPPY
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AND YOUTHFUL SINCE...
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WELL, EVER.
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>> TRUE.
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>> WHICH IS EXACTLY WHY I NEED
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TO GO SHOW RICK'S FLAT-FOOTED,
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PRETTY ASS ALL THAT HE'S
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MISSING.
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>> KNOCK, KNOCK!
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>> UH-OH!
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>> OH, MY GOD, KELLY, WHAT ARE
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YOU DOING HERE?
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>> I HEARD ABOUT YOUR CHARITY
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EVENT, HATS FOR THE HOBOS --
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CATCHY -- AND I WANTED TO MAKE A
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DONATION.
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>> AW!
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>> GIRL, THIS IS A SUNBEAM
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MEETING, NOT A REALITY SHOW.
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PLUS, I DON'T DO FREE SHOWS.
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ASK JUVON.
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>> WELL, I JUST THOUGHT IT WOULD
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BE A GOOD OPPORTUNITY FOR THE
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WORLD TO SEE ALL THE GOOD THAT
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THE SUNBEAMS DO.
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>> OH, IF ONLY THERE WERE MORE
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PEOPLE LIKE YOU, THIS WORLD
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WOULD BE, YOU KNOW, BETTER.
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[ LAUGHTER ]
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>> ALL RIGHT, LADIES.
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I BID YOU ALL ADIEU.
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>> BYE.
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[ LAUGHTER ]
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>> UM, SO, FIRST ORDER OF
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BUSINESS -- CARPOOLING AT THE
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GAMES.
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>> OH!
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DID YOU JUST SAY CARPOOLING?
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UM, JUST AN EENSY SUGGESTION.
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MAYBE YOU SHOULD GET ONE OF
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THOSE PARTY BUSES.
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THEY'RE INEXPENSIVE AND, BEST
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OF ALL, YOU CAN DRINK ON THEM.
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>> OH, MY GOD, KELLY.
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THAT'S A GREAT IDEA.
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>> MM-HMM, WE COULD ALWAYS COUNT
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ON YOU FOR SOME CHEAP-ASS IDEAS.
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[ LAUGHTER ]
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>> AW, YOU KNOW WHAT?
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>> HMM?
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>> I GOT A SPECIAL HAT JUST FOR
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YOU, TASHA, TO COVER UP THOSE
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GRAYS.
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>> OH, OKAY.
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WELL, WHY DON'T YOU JUST BUST A
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SKI MASK FOR THOSE CROW'S-FEET
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OF YOURS?
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>> OH, TASHA.
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ALWAYS BRINGING A GUN TO A KNIFE
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FIGHT.
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ALL RIGHT, LADIES.
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I'M GONNA GET OUT OF YOUR HAIR
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NOW.
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CALL ME LATER.
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>> BYE.
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>> BYE.
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>> BYE.
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>> HEY, MAYBE WE SHOULD RENT ONE
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OF THOSE BUSES FOR GIRLS' NIGHT
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OUT.
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>> OH, MY GOD!
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YOU GUYS STILL DO GIRLS' NIGHT
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OUT?
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REMEMBER THE ONE AT BAXTER'S?
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>> OH, I REMEMBER YOUR ASS
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FLATLINED, TOO.
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>> OH, YEAH, AND THEN, AFTER
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THEY REVIVED ME, WE ALL PARTIED
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WITH THE EMTs.
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>> OH, YEAH!
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>> OH, YEAH!
[ LAUGHTER ]
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[ LAUGHTER ]
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>> YO, STEMS!
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HEY, I WANT TO APOLOGIZE TO YOU
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FOR MONOPOLIZING THE
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CONVERSATION IN GROUP TODAY.
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BEING A STAR ATHLETE, SOMETIMES,
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YOU KNOW, THEY WANT TO PUT ALL
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THE ATTENTION ON ME.
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[ CHUCKLES ]
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IT'S A GIFT AND A CURSE, BUT,
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LOOK, I GOT A COUPLE MINUTES
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BEFORE I HIT THIS PARCHEESI
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TABLE, SO IF YOU WANT TO SHARE
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YOUR LITTLE FEELINGS WITH ME,
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SHARE ON.
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>> ARE YOU TRYING TO BONE ME?
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>> OH. NOW, THAT DEPENDS.
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ARE YOU TRYING TO GET BONED?
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>> UM, NO.
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I'M HERE TO GET HELP, BUT
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OBVIOUSLY, YOU'RE NOT.
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>> OKAY. LOOK, SWEETHEART.
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>> IT'S JENNA.
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JUST JENNA.
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>> OKAY.
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JUST JENNA, I'M GONNA LET YOU IN
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ON A LITTLE SECRET.
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I DON'T REALLY HAVE A PROBLEM.
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>> OF COURSE YOU DON'T.
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>> I'M JUST DOING THIS LITTLE
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TIGER WOODS STUNT FOR THE GOOD
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P.R.
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YOU MAY NOT HAVE HEARD, BUT
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RECENTLY, I GOT INTO A LITTLE
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SCUFFLE WITH A COP.
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KILLED HIM.
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>> REALLY?
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>> WELL, I COULD HAVE KILLED
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HIM. [ CHUCKLES ]
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BUT THE POINT IS, I'M JUST DOING
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THIS AS A HOW-TO, SO I FIGURE,
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HEY, I MIGHT AS WELL MAKE IT
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GOOD FOR YOU, MAKE IT GOOD FOR
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ME, AND HAVE A LITTLE FUN.
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YOU KNOW WHAT I'M SAYING?
266
00:05:44,620 --> 00:05:46,280
>> OKAY, TIGER.
267
00:05:46,275 --> 00:05:47,475
YOU KNOW, KICKING AN ADDICTION
268
00:05:47,482 --> 00:05:48,342
ISN'T FUN.
269
00:05:48,344 --> 00:05:49,214
YOU DON'T THINK I'D RATHER BE ON
270
00:05:49,206 --> 00:05:50,896
A RUNWAY IN MILAN?
271
00:05:50,896 --> 00:05:52,516
I'M A DAMN SUPERMODEL, MALIK.
272
00:05:52,517 --> 00:05:53,207
>> YOU KNOW WHAT?
273
00:05:53,206 --> 00:05:54,026
I KNEW I KNEW FROM YOU
274
00:05:54,034 --> 00:05:54,834
SOMEWHERE.
275
00:05:54,827 --> 00:05:56,447
KINGMAGAZINE, MARCH 2010,
276
00:05:56,448 --> 00:05:57,788
POSED WITH A PIT BULL.
277
00:05:57,793 --> 00:05:58,523
>> KING?
278
00:05:58,517 --> 00:05:59,897
OKAY, DON'T KNOW WHAT THAT IS,
279
00:05:59,896 --> 00:06:00,896
BUT I'VE BEEN ON THE COVER OF
280
00:06:00,896 --> 00:06:03,066
ITALIAN VOGUE, W, MODE.
281
00:06:03,068 --> 00:06:03,998
>> OH, WELL, YO, HOLLA AT YOUR
282
00:06:04,000 --> 00:06:04,860
BOY IF YOU WANT THAT KING
283
00:06:04,862 --> 00:06:05,662
HOOKUP.
284
00:06:05,655 --> 00:06:06,715
>> I PREFER NOT TO HOLLA WITH
285
00:06:06,724 --> 00:06:08,594
YOU FOR THE REST OF THE TIME
286
00:06:08,586 --> 00:06:10,756
WE'RE HERE.
287
00:06:10,758 --> 00:06:11,478
>> OKAY, SO WHAT?
288
00:06:11,482 --> 00:06:12,282
WE JUST GONNA HOOK UP WHEN WE
289
00:06:12,275 --> 00:06:13,025
LEAVE?
290
00:06:13,034 --> 00:06:15,244
>> ABSOLUTELY NOT.
291
00:06:15,241 --> 00:06:17,831
>> MALIK, I NEED TO TALK TO YOU.
292
00:06:17,827 --> 00:06:18,617
>> HAS ANYBODY EVER TOLD YOU
293
00:06:18,620 --> 00:06:19,450
YOU'RE ANNOYING?
294
00:06:19,448 --> 00:06:20,928
>> YES, OFTEN, BUT THIS IS NOT
295
00:06:20,931 --> 00:06:22,241
ABOUT ME.
296
00:06:22,241 --> 00:06:23,001
I'M CONCERNED THAT YOU ARE NOT
297
00:06:23,000 --> 00:06:23,900
SERIOUS ABOUT CONFRONTING YOUR
298
00:06:23,896 --> 00:06:25,546
PROBLEM, AND I CANNOT, IN GOOD
299
00:06:25,551 --> 00:06:26,381
CONSCIENCE, ALLOW YOU TO
300
00:06:26,379 --> 00:06:27,379
CONTINUE TO DISRUPT MY OTHER
301
00:06:27,379 --> 00:06:28,859
PATIENTS WHO ARE SERIOUS ABOUT
302
00:06:28,862 --> 00:06:30,072
THEIR RECOVERIES.
303
00:06:30,068 --> 00:06:30,858
>> HMM.
304
00:06:30,862 --> 00:06:32,382
OKAY, NO, NO, NO, I GET IT, DOC.
305
00:06:32,379 --> 00:06:33,339
JUST LAY LOW, STAY AWAY FROM THE
306
00:06:33,344 --> 00:06:35,004
DRUGGIES.
307
00:06:35,000 --> 00:06:36,170
>> ARE YOU AWARE THAT, ON YOUR
308
00:06:36,172 --> 00:06:37,592
ADMISSION SCREENING, YOU TESTED
309
00:06:37,586 --> 00:06:39,066
POSITIVE FOR OPIATES?
310
00:06:39,068 --> 00:06:40,408
>> OPIATE?
311
00:06:40,413 --> 00:06:41,453
NO, YOU BETTER RETEST YOUR TEST,
312
00:06:41,448 --> 00:06:42,688
DOC, 'CAUSE I AIN'T NEVER HAD NO
313
00:06:42,689 --> 00:06:43,449
OPIATES.
314
00:06:43,448 --> 00:06:44,338
NOW, MAYBE A VICODIN EVERY NOW
315
00:06:44,344 --> 00:06:45,284
AND THEN.
316
00:06:45,275 --> 00:06:47,375
>> VICODIN ARE OPIATES.
317
00:06:47,379 --> 00:06:48,619
LOOK, THERE IS NO SHAME IN YOUR
318
00:06:48,620 --> 00:06:49,760
ADDICTION.
319
00:06:49,758 --> 00:06:50,788
WE'RE NOT HERE TO JUDGE YOU,
320
00:06:50,793 --> 00:06:52,483
ONLY TO HELP YOU HEAL.
321
00:06:52,482 --> 00:06:53,452
BUT I'M AFRAID, UNTIL YOU CAN
322
00:06:53,448 --> 00:06:54,618
ADMIT TO YOURSELF THAT YOU HAVE
323
00:06:54,620 --> 00:06:56,690
A PROBLEM, THERE IS NO SENSE IN
324
00:06:56,689 --> 00:06:57,479
YOU BEING HERE.
325
00:06:57,482 --> 00:06:58,552
>> WHOA.
326
00:06:58,551 --> 00:07:00,101
SO WHAT, YOU KICKING ME OUT?
327
00:07:00,103 --> 00:07:01,003
>> NO, MALIK.
328
00:07:01,000 --> 00:07:02,140
YOU ARE WELCOME TO BE HERE.
329
00:07:02,137 --> 00:07:02,967
>> NO, NO, NO, NO, NO.
330
00:07:02,965 --> 00:07:04,025
IT'S ALL GOOD.
331
00:07:04,034 --> 00:07:07,144
HASTA LA VISTA.
332
00:07:07,137 --> 00:07:08,207
>> OUR DOOR WILL ALWAYS BE OPEN
333
00:07:08,206 --> 00:07:09,026
TO YOU, MALIK.
334
00:07:09,034 --> 00:07:10,484
TO YOU, MALIK.
>> YEAH, DON'T WAIT UP.
335
00:07:10,482 --> 00:07:18,312
>> YEAH, DON'T WAIT UP.
336
00:07:18,310 --> 00:07:20,520
>> CECILIA!
337
00:07:20,517 --> 00:07:22,717
MM-HMM.
338
00:07:22,724 --> 00:07:24,104
>> MM-MM-MMM.
339
00:07:24,103 --> 00:07:25,413
DAMN.
340
00:07:25,413 --> 00:07:26,933
ALL THIS FOR THE SUNBEAMS?
341
00:07:26,931 --> 00:07:27,861
>> WELL, YOU KNOW, GIRLS' NIGHT
342
00:07:27,862 --> 00:07:29,342
OUT.
343
00:07:29,344 --> 00:07:30,034
>> YOU BETTER SAVE SOME FOR
344
00:07:30,034 --> 00:07:30,974
DADDY.
345
00:07:30,965 --> 00:07:31,825
>> I TOLD YOU, I'M NOT GONNA
346
00:07:31,827 --> 00:07:32,967
CALL YOU DADDY, OKAY?
347
00:07:32,965 --> 00:07:33,895
NOW, MY PET NAME FOR YOU IS
348
00:07:33,896 --> 00:07:35,996
GONNA BE EITHER CARAMEL CUTIE OR
349
00:07:36,000 --> 00:07:37,340
SIX-PACK PURSE.
350
00:07:37,344 --> 00:07:38,834
MMM!
351
00:07:38,827 --> 00:07:40,237
SO, WHAT YOU TINKERING WITH?
352
00:07:40,241 --> 00:07:41,071
>> OH, THERE WAS AN IGNITION
353
00:07:41,068 --> 00:07:42,308
ISSUE WITH YOUR FIREPLACE, SO I
354
00:07:42,310 --> 00:07:43,930
THOUGHT I'D TAKE CARE OF IT FOR
355
00:07:43,931 --> 00:07:44,761
YOU.
356
00:07:44,758 --> 00:07:45,688
>> WOW.
357
00:07:45,689 --> 00:07:47,759
YOU'RE SO GOOD TO ME, DANTE.
358
00:07:47,758 --> 00:07:49,238
>> NEXT, I'M GONNA UPGRADE YOUR
359
00:07:49,241 --> 00:07:50,141
iTUNES.
360
00:07:50,137 --> 00:07:50,997
>> OOH!
361
00:07:51,000 --> 00:07:51,860
PUT SOME FREDDIE JACKSON ON
362
00:07:51,862 --> 00:07:52,862
THERE?
363
00:07:52,862 --> 00:07:53,662
>> AND THEN BRING IT HOME WITH A
364
00:07:53,655 --> 00:07:54,855
LITTLE JESSE OSBORNE.
365
00:07:54,862 --> 00:07:56,692
>> [ LAUGHS ]
366
00:07:56,689 --> 00:07:57,409
SO, WHAT YOU GONNA GET INTO
367
00:07:57,413 --> 00:07:58,313
TONIGHT?
368
00:07:58,310 --> 00:07:59,240
>> JUST CHILLIN'.
369
00:07:59,241 --> 00:08:00,481
GONNA LAY UP HERE, POP SOME
370
00:08:00,482 --> 00:08:02,722
POPCORN, WATCH A MOVIE.
371
00:08:02,724 --> 00:08:03,724
>> WOW.
372
00:08:03,724 --> 00:08:04,934
SOUNDS REALLY NICE.
373
00:08:04,931 --> 00:08:05,721
>> JUST HURRY HOME.
374
00:08:05,724 --> 00:08:06,594
>> I WILL, I WILL.
375
00:08:06,586 --> 00:08:07,446
LOOK, I'M GONNA BE HOME BEFORE
376
00:08:07,448 --> 00:08:08,758
INTERMISSION, OKAY?
377
00:08:08,758 --> 00:08:09,548
>> I THOUGHT YOU WAS PULLING AN
378
00:08:09,551 --> 00:08:10,861
ALL-NIGHTER.
379
00:08:10,862 --> 00:08:13,662
>> I WAS, BUT I'D RATHER HURRY
380
00:08:13,655 --> 00:08:16,235
HOME TO YOU, OKAY?
381
00:08:16,241 --> 00:08:19,481
BYE.
382
00:08:19,482 --> 00:08:23,412
[ SIGHS ]
383
00:08:23,413 --> 00:08:25,553
>> [ SIGHS, CLEARS THROAT ]
384
00:08:25,551 --> 00:08:30,071
>> [ SIGHS, CLEARS THROAT ]
>> [ SLOW PIANO MUSIC PLAYS ]
385
00:08:30,068 --> 00:08:33,858
>> [ SLOW PIANO MUSIC PLAYS ]
386
00:08:33,861 --> 00:08:35,241
>> [ DANCE MUSIC PLAYS ]
387
00:08:35,241 --> 00:08:39,101
>> Together: SUNBEAMS!
388
00:08:39,102 --> 00:08:39,762
>> MMM.
389
00:08:39,758 --> 00:08:41,718
>> WHOO!
390
00:08:41,724 --> 00:08:42,694
OH, MY GOD.
391
00:08:42,688 --> 00:08:43,898
IT'S KELLY.
392
00:08:43,895 --> 00:08:45,165
SHE'S HERE.
393
00:08:45,172 --> 00:08:45,932
I'M GONNA TEXT HER WE'RE IN
394
00:08:45,931 --> 00:08:46,661
V.I.P.
395
00:08:46,655 --> 00:08:48,235
>> OH, NO, YOU DON'T.
396
00:08:48,241 --> 00:08:49,171
DON'T BE BRINGING THAT DESPERATE
397
00:08:49,172 --> 00:08:50,342
GIRL UP IN HERE.
398
00:08:50,344 --> 00:08:52,934
THIS EVENT IS FOR SUNBEAMS ONLY.
399
00:08:52,931 --> 00:08:54,311
AND I BANGED HER HUSBAND.
400
00:08:54,310 --> 00:08:55,720
>> YOU BANG EVERYBODY'S HUSBAND.
401
00:08:55,724 --> 00:08:57,974
>> TRUE, TRUE, BUT THE POINT IS,
402
00:08:57,965 --> 00:08:58,995
WE DON'T NEED KELLY UP IN HERE
403
00:08:59,000 --> 00:09:00,930
WITH ALL THEM DAMN CAMERAS.
404
00:09:00,931 --> 00:09:01,931
I DON'T NEED ME AND MY HUSBAND'S
405
00:09:01,931 --> 00:09:03,761
DIRT BROADCAST ALL OVER SOME
406
00:09:03,758 --> 00:09:05,098
REALITY SHOW.
407
00:09:05,103 --> 00:09:07,143
>> COME ON, SHE'S OUR FRIEND.
408
00:09:07,137 --> 00:09:08,027
AND NOT TO MENTION, SHE'S A
409
00:09:08,034 --> 00:09:09,524
FORMER SUNBEAM PRESIDENT.
410
00:09:09,517 --> 00:09:10,307
>> MNH-MNH.
411
00:09:10,310 --> 00:09:11,620
MAYBE SHE'S ONE OF YOUR FRIENDS,
412
00:09:11,620 --> 00:09:13,590
BUT SHE AIN'T ONE OF US ANYMORE.
413
00:09:13,586 --> 00:09:14,306
>> I AGREE.
414
00:09:14,310 --> 00:09:15,860
SUNBEAMS ARE EXCLUSIVE.
415
00:09:15,862 --> 00:09:17,592
WIVES, DESIGNATED GIRLFRIENDS,
416
00:09:17,586 --> 00:09:19,716
AND RECOGNIZED BABY MAMAS ONLY.
417
00:09:19,724 --> 00:09:20,414
RIGHT?
418
00:09:20,413 --> 00:09:21,283
>> EXACTLY.
419
00:09:21,275 --> 00:09:22,715
>> WELL, TECHNICALLY, BUT --
420
00:09:22,724 --> 00:09:23,864
>> UNH-UNH.
421
00:09:23,862 --> 00:09:24,932
LOOK, MELANIE, YOU'RE THE NEW
422
00:09:24,931 --> 00:09:26,311
SUNBEAM PRESIDENT, AND YOU'RE
423
00:09:26,310 --> 00:09:28,280
BIG ON ENFORCING RULES, SO GET
424
00:09:28,275 --> 00:09:29,335
TO ENFORCING.
425
00:09:29,344 --> 00:09:30,314
TELL YOUR GIRL THIS IS FOR
426
00:09:30,310 --> 00:09:32,590
SUNBEAMS ONLY.
427
00:09:32,586 --> 00:09:36,166
>> [ WHIMPERS ]
428
00:09:36,172 --> 00:09:37,482
>> COME ON, MELANIE.
429
00:09:37,482 --> 00:09:39,552
PARTY PERSON WAITING TO GET IN.
430
00:09:39,551 --> 00:09:41,521
>> UM, KELLY, I-I CAN'T.
431
00:09:41,517 --> 00:09:42,617
>> YOU CAN'T WHAT?
432
00:09:42,620 --> 00:09:45,000
>> WELL, I-I CAN'T --
433
00:09:45,000 --> 00:09:47,450
KELLY, I CAN'T --
434
00:09:47,448 --> 00:09:50,028
KELLY, I CAN'T...
435
00:09:50,034 --> 00:09:51,904
BELIEVE THOSE SHOES!
436
00:09:51,896 --> 00:09:54,276
OH, MY GOD, THEY'RE AMAZING.
437
00:09:54,275 --> 00:09:56,785
WHAT ARE YOU WAITING ON?
438
00:09:56,793 --> 00:09:58,213
>> YOU LOOK GREAT.
439
00:09:58,206 --> 00:09:58,996
>> THANK YOU.
440
00:09:59,000 --> 00:09:59,790
SO DO YOU.
441
00:09:59,793 --> 00:10:00,693
>> THANK YOU.
442
00:10:00,689 --> 00:10:03,029
HI, LADIES.
443
00:10:03,034 --> 00:10:04,524
WHAT ARE WE DRINKING?
444
00:10:04,517 --> 00:10:05,857
>> DO YOU WANT SOME?
445
00:10:05,862 --> 00:10:09,172
>> [ HIP-HOP MUSIC PLAYS ]
446
00:10:09,172 --> 00:10:10,692
>> [ GROANS ]
447
00:10:10,689 --> 00:10:11,969
AH, HIT ME UP WITH ANOTHER ONE.
448
00:10:11,965 --> 00:10:12,785
WHOO!
449
00:10:12,793 --> 00:10:13,763
I'M CELEBRATING TONIGHT, BABY.
450
00:10:13,758 --> 00:10:14,548
MALIK WRIGHT'S BACK IN THE REAL
451
00:10:14,551 --> 00:10:16,211
WORLD.
452
00:10:16,206 --> 00:10:17,026
AND EVEN IF THE WORLD AIN'T ALL
453
00:10:17,034 --> 00:10:19,484
THAT REAL, I'M WITH THAT, ALSO.
454
00:10:19,482 --> 00:10:20,382
HA!
455
00:10:20,379 --> 00:10:21,169
>> HEY, YO, MAN, IT'S ABOUT THAT
456
00:10:21,172 --> 00:10:23,142
TIME, BRO.
457
00:10:23,137 --> 00:10:23,967
>> WHOO, SOMEBODY CALL THE REHAB
458
00:10:23,965 --> 00:10:25,335
PO-PO.
459
00:10:25,344 --> 00:10:26,284
I GOT AN ENABLER.
460
00:10:26,275 --> 00:10:28,515
HE'S ENABLING ME.
461
00:10:28,517 --> 00:10:30,687
>> ARE THOSE FOR SHARING?
462
00:10:30,689 --> 00:10:33,279
>> NO, BABY, THESE WORK-RELATED.
463
00:10:33,275 --> 00:10:35,685
>> WHAT, LIKE PAIN PILLS?
464
00:10:35,689 --> 00:10:36,549
>> YOU KNOW WHAT?
465
00:10:36,551 --> 00:10:37,481
NOBODY GIVES A DAMN WHAT A
466
00:10:37,482 --> 00:10:38,862
FOOTBALL PLAYER GOT TO DO, AS
467
00:10:38,862 --> 00:10:41,242
LONG AS HE ENTERTAINING Y'ALL.
468
00:10:41,241 --> 00:10:44,001
OH, LOOK AT THIS BASTARD.
469
00:10:44,000 --> 00:10:44,900
>> HEY, YO, D., WHAT UP, BIG
470
00:10:44,896 --> 00:10:45,786
DOG?
471
00:10:45,793 --> 00:10:48,483
>> SIT YOUR CHIPPER ASS DOWN.
472
00:10:48,482 --> 00:10:49,312
WRANGLE UP THESE CHICKS AND TAKE
473
00:10:49,310 --> 00:10:50,930
WRANGLE UP THESE CHICKS AND TAKE
THEM TO THE HOUSE.
474
00:10:50,931 --> 00:10:56,451
THEM TO THE HOUSE.
475
00:10:56,448 --> 00:10:58,858
HEY, EVERYBODY!
476
00:10:58,862 --> 00:11:00,622
Y'ALL SEE WHO IT IS, DON'T YOU?
477
00:11:00,620 --> 00:11:03,660
IT'S DERWIN DING-A-LING DAVIS.
478
00:11:03,655 --> 00:11:05,615
DERWINEUS RAXMUS.
479
00:11:05,620 --> 00:11:07,690
DER, WHERE THE HELL WERE YA?
480
00:11:07,689 --> 00:11:08,449
>> MALIK, WHAT ARE YOU DOING
481
00:11:08,448 --> 00:11:09,308
HERE?
482
00:11:09,310 --> 00:11:10,140
>> DESTROYING HIS CAREER.
483
00:11:10,137 --> 00:11:10,997
>> WELL, DAWG, YOU DON'T NEED TO
484
00:11:11,000 --> 00:11:11,860
WORRY ABOUT WHAT THE HELL I'M
485
00:11:11,862 --> 00:11:12,692
DOING, OKAY?
486
00:11:12,689 --> 00:11:14,339
THE QUESTION IS, WHAT THE HELL
487
00:11:14,344 --> 00:11:15,484
WERE YOU DOING THE OTHER DAY?
488
00:11:15,482 --> 00:11:16,282
'CAUSE I KNOW WHAT YOUR ASS
489
00:11:16,275 --> 00:11:17,305
WASN'T DOING.
490
00:11:17,310 --> 00:11:18,070
YOU WASN'T HAVING MY BACK IN MY
491
00:11:18,068 --> 00:11:19,308
PRESS CONFERENCE.
492
00:11:19,310 --> 00:11:20,030
>> OH, YOU WEREN'T THERE?
493
00:11:20,034 --> 00:11:21,554
I WAS THERE. YOU DIDN'T SEE ME.
494
00:11:21,551 --> 00:11:22,381
>> JUST SHUT UP.
495
00:11:22,379 --> 00:11:23,209
>> OKAY.
496
00:11:23,206 --> 00:11:23,996
>> OH, MAN, THAT'S MY BAD.
497
00:11:24,000 --> 00:11:24,760
I'VE BEEN MEANING TO TALK TO YOU
498
00:11:24,758 --> 00:11:25,548
ABOUT IT.
499
00:11:25,551 --> 00:11:26,311
>> YOU KNOW WHAT, DAWG?
500
00:11:26,310 --> 00:11:27,140
YOU CAN MISS ME WITH ALL THEM
501
00:11:27,137 --> 00:11:27,897
DAMN EXCUSES, OKAY?
502
00:11:27,896 --> 00:11:29,166
I'M DONE WITH YOUR FAKE-ASS
503
00:11:29,172 --> 00:11:30,102
FRIENDSHIP, HOMEY.
504
00:11:30,103 --> 00:11:30,863
>> YOU KNOW WHAT?
505
00:11:30,862 --> 00:11:31,692
MAYBE AFTER REHAB, YOU SHOULD
506
00:11:31,689 --> 00:11:32,999
TRY A LITTLE ANGER MANAGEMENT.
507
00:11:33,000 --> 00:11:34,660
>> GET YOUR HANDS OFF ME, HOMEY.
508
00:11:34,655 --> 00:11:35,445
>> UH, MALIK, WHY DON'T YOU CALM
509
00:11:35,448 --> 00:11:36,278
DOWN?
510
00:11:36,275 --> 00:11:37,065
>> WHY DON'T YOU STOP TELLING ME
511
00:11:37,068 --> 00:11:37,828
WHAT TO DO, DAWG?
512
00:11:37,827 --> 00:11:38,657
>> COME ON, NOW.
513
00:11:38,655 --> 00:11:39,475
>> YO, MAN, I AIN'T YOUR SON,
514
00:11:39,482 --> 00:11:40,482
OKAY?
515
00:11:40,482 --> 00:11:41,142
DON'T PUT YOUR HANDS ON ME
516
00:11:41,137 --> 00:11:41,897
AGAIN.
517
00:11:41,896 --> 00:11:42,656
>> ALL RIGHT, PEOPLE ARE
518
00:11:42,655 --> 00:11:43,445
WATCHING.
519
00:11:43,448 --> 00:11:44,138
>> OH, GREAT, EVERYBODY'S
520
00:11:44,137 --> 00:11:44,967
WATCHING. Y'ALL WATCHING?
521
00:11:44,965 --> 00:11:47,715
SO, LET'S GIVE THEM A SHOW.
522
00:11:47,724 --> 00:11:48,694
>> OH!
523
00:11:48,689 --> 00:11:50,519
OH, THESE CRAZY KIDS.
524
00:11:50,517 --> 00:11:51,207
THESE CRAZY KIDS ARE ALWAYS
525
00:11:51,206 --> 00:11:52,336
ROUGHHOUSING.
526
00:11:52,344 --> 00:11:53,214
IT'S WHAT THEY DO.
527
00:11:53,206 --> 00:11:53,996
[ LAUGHS ]
528
00:11:54,000 --> 00:11:55,380
ALWAYS ROUGHHOUSING.
529
00:11:55,379 --> 00:11:57,029
[ GROANS ]
530
00:11:57,034 --> 00:11:58,214
ALL RIGHT, LAUGH, JUST LAUGH.
531
00:11:58,206 --> 00:11:58,926
>> WHAT?
532
00:11:58,931 --> 00:11:59,621
>> JUST LAUGH.
533
00:11:59,620 --> 00:12:00,480
[ LAUGHTER ]
534
00:12:00,482 --> 00:12:02,212
[ LAUGHTER ]
OH, MAN, THIS IS WHAT WE DO.
535
00:12:02,206 --> 00:12:07,336
OH, MAN, THIS IS WHAT WE DO.
536
00:12:07,344 --> 00:12:12,864
>> [ SLOW PIANO MUSIC PLAYS ]
537
00:12:12,862 --> 00:12:14,242
>> OOH, EXCUSE ME.
538
00:12:14,241 --> 00:12:15,721
I'M GONNA NEED ANOTHER MARTINI
539
00:12:15,724 --> 00:12:17,144
WHILE I'M WAITING, OKAY?
540
00:12:17,137 --> 00:12:18,657
>> MAKE THAT TWO.
541
00:12:18,655 --> 00:12:19,585
>> OH, PERFECT.
542
00:12:19,586 --> 00:12:21,166
YOUR PARTY'S ARRIVED.
543
00:12:21,172 --> 00:12:23,172
>> YEAH, YEAH, UH...
544
00:12:23,172 --> 00:12:24,792
GET ME THAT FRENCH MARTINI,
545
00:12:24,793 --> 00:12:25,933
IMMEDIATELY.
546
00:12:25,931 --> 00:12:27,241
NOW.
547
00:12:27,241 --> 00:12:28,861
>> MAY I?
548
00:12:28,862 --> 00:12:29,692
OR ARE YOU SAVING THIS FOR
549
00:12:29,689 --> 00:12:31,589
SOMEONE ELSE?
550
00:12:31,586 --> 00:12:33,166
YOU KNOW WHAT'S FUNNY?
551
00:12:33,172 --> 00:12:35,622
YOUR CELLPHONE WAS OFF, WHICH
552
00:12:35,620 --> 00:12:36,930
MUST HAVE BEEN WHY RICK FOX
553
00:12:36,931 --> 00:12:38,281
CALLED THE HOUSE.
554
00:12:38,275 --> 00:12:39,235
APPARENTLY, HE COULDN'T REACH
555
00:12:39,241 --> 00:12:40,211
YOU, EITHER.
556
00:12:40,206 --> 00:12:41,686
OH, BY THE WAY, HE'S NOT COMING.
557
00:12:41,689 --> 00:12:42,619
THEY PUSHED UP THE "DANCING WITH
558
00:12:42,620 --> 00:12:44,030
THE STARS" TOUR, SO HE SAID
559
00:12:44,034 --> 00:12:45,104
HE'LL CATCH UP WITH YOU SOME
560
00:12:45,103 --> 00:12:46,033
OTHER TIME.
561
00:12:46,034 --> 00:12:47,664
>> DANTE, LOOK, THIS IS NOT WHAT
562
00:12:47,655 --> 00:12:49,095
IT LOOKS LIKE.
563
00:12:49,103 --> 00:12:50,663
>> REALLY?
564
00:12:50,655 --> 00:12:51,515
'CAUSE IT LOOKS TO ME LIKE YOU
565
00:12:51,517 --> 00:12:52,717
GOT ALL CARRIE BRADSHAWED UP TO
566
00:12:52,724 --> 00:12:53,694
GO OUT ON A DATE WITH YOUR
567
00:12:53,689 --> 00:12:55,999
EX-BOYFRIEND.
568
00:12:56,000 --> 00:12:56,930
>> I JUST NEEDED TO SHOW RICK
569
00:12:56,931 --> 00:12:59,521
THAT I MOVED ON, THAT'S IT.
570
00:12:59,517 --> 00:13:00,717
>> AND WHAT BETTER WAY TO SHOW
571
00:13:00,724 --> 00:13:03,004
HIM THAN AT 10:00 AT NIGHT OVER
572
00:13:03,000 --> 00:13:04,790
COCKTAILS IN -- IN YOUR
573
00:13:04,793 --> 00:13:07,973
PEEK-A-BOO DRESS?
574
00:13:07,965 --> 00:13:09,925
>> YOU DON'T UNDERSTAND, OKAY?
575
00:13:09,931 --> 00:13:10,931
THE BREAKUP I HAD WITH RICK, IT
576
00:13:10,931 --> 00:13:12,551
WAS TRAUMATIZING, AND I JUST
577
00:13:12,551 --> 00:13:16,001
NEEDED TO FIND SOME CLOSURE.
578
00:13:16,000 --> 00:13:16,830
>> WHY COULDN'T YOU HAVE TOLD ME
579
00:13:16,827 --> 00:13:17,687
THIS?
580
00:13:17,689 --> 00:13:18,549
>> BECAUSE I DIDN'T THINK YOU
581
00:13:18,551 --> 00:13:19,411
WOULD UNDERSTAND, DANTE.
582
00:13:19,413 --> 00:13:20,413
COME ON, IT'S RICK FOX.
583
00:13:20,413 --> 00:13:21,383
>> AND?
584
00:13:21,379 --> 00:13:23,339
I'M DANTE YOUNG.
585
00:13:23,344 --> 00:13:25,244
THAT'S YOUR PROBLEM.
586
00:13:25,241 --> 00:13:26,171
YOU CONSISTENTLY UNDERESTIMATE
587
00:13:26,172 --> 00:13:27,482
ME.
588
00:13:27,482 --> 00:13:29,072
YEAH.
589
00:13:29,068 --> 00:13:30,998
YOU UNDERESTIMATE MY MATURITY,
590
00:13:31,000 --> 00:13:33,170
YOU UNDERESTIMATE MY COMMITMENT,
591
00:13:33,172 --> 00:13:34,792
AND FRANKLY, YOU UNDERESTIMATE
592
00:13:34,793 --> 00:13:35,793
THE FACT THAT I TOLERATE YOUR
593
00:13:35,793 --> 00:13:39,663
NONSENSE.
594
00:13:39,655 --> 00:13:41,025
ON SECOND THOUGHT, I WON'T BE
595
00:13:41,034 --> 00:13:42,344
NEEDING THAT COCKTAIL AFTER ALL,
596
00:13:42,344 --> 00:13:43,694
NEEDING THAT COCKTAIL AFTER ALL,
MAN.
597
00:13:43,689 --> 00:13:48,689
MAN.
598
00:13:48,689 --> 00:13:52,479
HERE'S YOUR KEY.
599
00:13:52,482 --> 00:13:53,282
LOOKS LIKE I WON'T BE NEEDING
600
00:13:53,275 --> 00:13:55,235
LOOKS LIKE I WON'T BE NEEDING
THAT, EITHER.
601
00:13:55,241 --> 00:14:04,001
THAT, EITHER.
602
00:14:04,000 --> 00:14:06,590
>> [ DANCE MUSIC PLAYS ]
603
00:14:06,586 --> 00:14:07,336
>> MELANIE, YOU'RE LOSING YOUR
604
00:14:07,344 --> 00:14:08,904
PARTY.
605
00:14:08,896 --> 00:14:09,756
IN THE FUTURE, I'VE GOT TWO
606
00:14:09,758 --> 00:14:12,478
WORDS FOR YOU -- CHEESE DOODLES.
607
00:14:12,482 --> 00:14:13,382
>> NO. WAIT, WAIT, WAIT.
608
00:14:13,379 --> 00:14:14,099
COME ON.
609
00:14:14,103 --> 00:14:15,693
COME ON, STAY.
610
00:14:15,689 --> 00:14:16,859
PLEASE, BE A GOOD SPORT.
611
00:14:16,862 --> 00:14:18,212
IT'S STILL EARLY!
612
00:14:18,206 --> 00:14:19,966
>> HMM, SOMEBODY'S PARTY IS A
613
00:14:19,965 --> 00:14:20,995
BUST.
614
00:14:21,000 --> 00:14:21,860
[ LAUGHS ]
615
00:14:21,862 --> 00:14:23,172
BUT DON'T WORRY, SWEETIE.
616
00:14:23,172 --> 00:14:24,102
MY FIRST YEAR AS SUNBEAM
617
00:14:24,103 --> 00:14:25,523
PRESIDENT WAS ROUGH, TOO.
618
00:14:25,517 --> 00:14:26,587
JUST GIVE IT A LITTLE TIME.
619
00:14:26,586 --> 00:14:27,336
I'M SURE YOU'LL GET THE HANG OF
620
00:14:27,344 --> 00:14:28,174
IT.
621
00:14:28,172 --> 00:14:29,412
>> WHAT?
622
00:14:29,413 --> 00:14:30,243
>> I SAID, "I'M SURE YOU'LL GET
623
00:14:30,241 --> 00:14:31,211
THE HANG OF IT."
624
00:14:31,206 --> 00:14:32,136
>> EXCUSE ME.
625
00:14:32,137 --> 00:14:32,967
>> I SAID --
626
00:14:32,965 --> 00:14:34,965
>> NO, I HEARD YOU, KELLY.
627
00:14:34,965 --> 00:14:36,235
THIS IS NOT MY FAULT, AND THIS
628
00:14:36,241 --> 00:14:38,621
IS NOT YOUR ALCOHOL.
629
00:14:38,620 --> 00:14:39,660
THIS IS RESERVED FOR SUNBEAM
630
00:14:39,655 --> 00:14:40,445
MEMBERS ONLY.
631
00:14:40,448 --> 00:14:41,308
IN CASE YOU HAVEN'T NOTICED, YOU
632
00:14:41,310 --> 00:14:43,070
ARE NO LONGER A SUNBEAM.
633
00:14:43,068 --> 00:14:44,098
>> COME ON, MELANIE.
634
00:14:44,103 --> 00:14:45,483
JUST BECAUSE YOUR PARTY'S LAME
635
00:14:45,482 --> 00:14:46,342
DOESN'T MEAN YOU HAVE TO THROW A
636
00:14:46,344 --> 00:14:47,144
TANTRUM.
637
00:14:47,137 --> 00:14:48,337
>> NO ONE'S THROWING A TANTRUM.
638
00:14:48,344 --> 00:14:51,454
NO ONE, NO ONE, NO ONE.
639
00:14:51,448 --> 00:14:52,278
AND PEOPLE DIDN'T LEAVE BECAUSE
640
00:14:52,275 --> 00:14:53,475
THE PARTY IS LAME.
641
00:14:53,482 --> 00:14:54,522
THEY LEFT BECAUSE YOU MADE THEM
642
00:14:54,517 --> 00:14:57,207
FEEL UNCOMFORTABLE.
643
00:14:57,206 --> 00:14:58,336
>> OH, SO THE CAMERAS ARE
644
00:14:58,344 --> 00:14:59,484
BUGGING PEOPLE?
645
00:14:59,482 --> 00:15:00,282
[ SCOFFS ]
646
00:15:00,275 --> 00:15:01,165
>> IT'S NOT JUST ABOUT THE
647
00:15:01,172 --> 00:15:02,412
CAMERAS, KELLY.
648
00:15:02,413 --> 00:15:03,553
YOU SHOWED UP AT THE SUNBEAM
649
00:15:03,551 --> 00:15:04,901
MEETING UNINVITED, AND I LET IT
650
00:15:04,896 --> 00:15:07,096
SLIDE IN THE NAME OF CHARITY.
651
00:15:07,103 --> 00:15:08,213
BUT NOW YOU SHOW UP AT OUR PARTY
652
00:15:08,206 --> 00:15:09,306
AGAIN UNINVITED, AND YOU'RE NO
653
00:15:09,310 --> 00:15:11,210
LONGER A SUNBEAM ANYMORE.
654
00:15:11,206 --> 00:15:12,206
YOU ARE STARTING TO LOOK
655
00:15:12,206 --> 00:15:13,616
PATHETIC, AND EVERYONE'S SAYING
656
00:15:13,620 --> 00:15:16,070
IT.
657
00:15:16,068 --> 00:15:18,098
>> ARE YOU SERIOUS?
658
00:15:18,103 --> 00:15:19,213
IS THAT HOW YOU GUYS TALK ABOUT
659
00:15:19,206 --> 00:15:21,206
ME BEHIND MY BACK?
660
00:15:21,206 --> 00:15:22,206
WHY NOT JUST HAVE THE COURAGE TO
661
00:15:22,206 --> 00:15:25,756
SAY IT TO MY FACE?
662
00:15:25,758 --> 00:15:27,998
>> OKAY.
663
00:15:28,000 --> 00:15:29,340
WELL, TRUTHFULLY, I THINK YOU'RE
664
00:15:29,344 --> 00:15:30,664
HANGING ON TO THE SUNBEAMS AND
665
00:15:30,655 --> 00:15:32,165
SABERS AND, IN SOME WEIRD WAY,
666
00:15:32,172 --> 00:15:34,382
JASON.
667
00:15:34,379 --> 00:15:35,379
I THINK MAYBE YOU NEED TO MOVE
668
00:15:35,379 --> 00:15:38,409
ON.
669
00:15:38,413 --> 00:15:39,903
>> WELL, I GUESS SNOOKI WAS
670
00:15:39,896 --> 00:15:40,996
RIGHT.
671
00:15:41,000 --> 00:15:41,900
THIS IS WHAT HAPPENS WHEN YOU
672
00:15:41,896 --> 00:15:42,996
GET FAMOUS.
673
00:15:43,000 --> 00:15:44,070
SOME FRIENDS MAKE THE JOURNEY
674
00:15:44,068 --> 00:15:45,168
WITH YOU, AND SOME ARE SO
675
00:15:45,172 --> 00:15:46,452
JEALOUS, YOU'VE GOT TO LEAVE
676
00:15:46,448 --> 00:15:47,928
THEM BEHIND.
677
00:15:47,931 --> 00:15:49,001
COME ON, DANNY.
678
00:15:49,000 --> 00:15:50,000
TIME TO LEAVE THESE HATERS
679
00:15:50,000 --> 00:15:51,280
TIME TO LEAVE THESE HATERS
BEHIND.
680
00:15:51,275 --> 00:15:56,925
BEHIND.
681
00:15:56,931 --> 00:15:58,171
BEHIND.
DANNY!
682
00:15:58,172 --> 00:16:01,382
DANNY!
683
00:16:01,379 --> 00:16:03,449
>> MALIK.
684
00:16:03,448 --> 00:16:07,378
MALIK.
685
00:16:07,379 --> 00:16:08,999
>> J., WHAT ARE YOU DOING?
686
00:16:09,000 --> 00:16:10,140
>> HELLO.
687
00:16:10,137 --> 00:16:11,997
>> [ CAMERA SHUTTER CLICKS ]
688
00:16:12,000 --> 00:16:12,860
>> YOU THINK THIS IS A JOKE?
689
00:16:12,862 --> 00:16:14,932
>> JASON PITTS EXCLUSIVE.
690
00:16:14,931 --> 00:16:15,971
>> JASON, THIS IS NOT GOOD, MAN.
691
00:16:15,965 --> 00:16:16,825
I COULD LOSE MY CAREER OVER
692
00:16:16,827 --> 00:16:17,587
THIS.
693
00:16:17,586 --> 00:16:19,026
>> YEAH, YEAH, YOU COULD.
694
00:16:19,034 --> 00:16:19,834
DON'T FORGET YOUR ENDORSEMENTS.
695
00:16:19,827 --> 00:16:21,407
THEY'LL BE THE FIRST TO GO.
696
00:16:21,413 --> 00:16:22,143
>> MAN, THIS IS TERRIBLE, MAN.
697
00:16:22,137 --> 00:16:22,997
GET IN THERE, WAKE HIM UP.
698
00:16:23,000 --> 00:16:24,310
>> STOP, STOP, RELAX.
699
00:16:24,310 --> 00:16:25,030
RELAX, EVERYTHING'S GONNA WORK
700
00:16:25,034 --> 00:16:26,104
OUT...
701
00:16:26,103 --> 00:16:28,073
ASSUMING HE DOESN'T SUE YOU
702
00:16:28,068 --> 00:16:29,098
OR DIE.
703
00:16:29,103 --> 00:16:29,863
'CAUSE HE'S STILL OUT, MAN.
704
00:16:29,862 --> 00:16:30,722
THESE THINGS ARE NORMALLY LIKE,
705
00:16:30,724 --> 00:16:31,554
ONE, TWO, AND YOU'RE UP.
706
00:16:31,551 --> 00:16:33,001
IT'S BEEN 10 MINUTES.
707
00:16:33,000 --> 00:16:33,790
I THINK THE MEDICAL TERM AT THIS
708
00:16:33,793 --> 00:16:36,283
POINT IS COMA.
709
00:16:36,275 --> 00:16:37,065
>> OH, MY GOD.
710
00:16:37,068 --> 00:16:37,928
WHY DO I HIT SO HARD?
711
00:16:37,931 --> 00:16:38,901
>> I'M GOING TO KILL YOU!
712
00:16:38,896 --> 00:16:39,996
>> HEY!
713
00:16:40,000 --> 00:16:40,790
>> WHOA! WHOA!
714
00:16:40,793 --> 00:16:41,593
>> GREAT NEWS -- NOT A COMA.
715
00:16:41,586 --> 00:16:42,336
THAT'S GOOD.
716
00:16:42,344 --> 00:16:43,974
STOP, STOP. RELAX.
717
00:16:43,965 --> 00:16:44,755
CHILL OUT, CHILL OUT.
718
00:16:44,758 --> 00:16:45,548
ALL RIGHT, SETTLE DOWN, SETTLE
719
00:16:45,551 --> 00:16:46,551
DOWN, SETTLE DOWN, SETTLE DOWN.
720
00:16:46,551 --> 00:16:47,691
>> HE SUCKER-PUNCHED ME.
721
00:16:47,689 --> 00:16:48,659
>> YOU WAS IN MID-SWING.
722
00:16:48,655 --> 00:16:49,545
I DIDN'T SUCKER-PUNCH YOU.
723
00:16:49,551 --> 00:16:50,381
>> EXACTLY WHAT A SUCKER-PUNCHER
724
00:16:50,379 --> 00:16:51,209
WOULD SAY.
725
00:16:51,206 --> 00:16:52,096
YOU'RE SHADY-ASS FIGHTER, AND
726
00:16:52,103 --> 00:16:53,343
YOU A SHADIER FRIEND.
727
00:16:53,344 --> 00:16:54,174
>> MALIK, HOW MANY TIMES I GOT
728
00:16:54,172 --> 00:16:55,032
TO TELL YOU THAT I'M SORRY
729
00:16:55,034 --> 00:16:55,904
'CAUSE I DIDN'T MAKE THE PRESS
730
00:16:55,896 --> 00:16:56,686
CONFERENCE?
731
00:16:56,689 --> 00:16:57,449
LISTEN, I HAD A CHOICE TO MAKE.
732
00:16:57,448 --> 00:16:58,718
IT WAS EITHER YOU OR ME,
733
00:16:58,724 --> 00:17:00,104
AND I CHOSE MY CAREER.
734
00:17:00,103 --> 00:17:00,903
I REMEMBER BACK IN THE DAY, YOU
735
00:17:00,896 --> 00:17:01,896
WOULD'VE DID THE SAME DAMN
736
00:17:01,896 --> 00:17:03,166
THING, UNTIL YOU LOST YOUR
737
00:17:03,172 --> 00:17:04,412
COTTON-PICKING MIND.
738
00:17:04,413 --> 00:17:05,553
>> NO, NO, NO, NO, NO, NO, NO!
739
00:17:05,550 --> 00:17:06,410
SETTLE DOWN, SETTLE DOWN, SETTLE
740
00:17:06,413 --> 00:17:07,243
DOWN, CALMING DOWN, WE'RE
741
00:17:07,241 --> 00:17:08,031
CALMING DOWN.
742
00:17:08,034 --> 00:17:08,904
>> YOU KNOW IT'S CHANGED, J.
743
00:17:08,896 --> 00:17:10,166
>> WE'RE GOOD. WE'RE GOOD.
744
00:17:10,172 --> 00:17:11,102
GOOD.
745
00:17:11,103 --> 00:17:12,003
ALL RIGHT.
746
00:17:12,000 --> 00:17:13,280
THIS IS WHAT WE'RE GONNA DO.
747
00:17:13,275 --> 00:17:14,995
VERY CALMLY AND QUIETLY, TAKE
748
00:17:15,000 --> 00:17:16,340
YOUR ASS BACK TO REHAB --
749
00:17:16,344 --> 00:17:18,214
YOUR ASS BACK TO REHAB --
>> I AIN'T GOING NOWHERE, MAN.
750
00:17:18,205 --> 00:17:25,375
>> I AIN'T GOING NOWHERE, MAN.
751
00:17:25,378 --> 00:17:26,068
>> MALIK, OPEN THE --
752
00:17:26,068 --> 00:17:26,788
>> GO TO HELL!
753
00:17:26,792 --> 00:17:27,592
>> OKAY.
754
00:17:27,586 --> 00:17:31,406
>> UM, MALIK, LISTEN TO ME.
755
00:17:31,413 --> 00:17:32,663
WE ARE TAKING YOU BACK TO REHAB,
756
00:17:32,655 --> 00:17:33,755
'CAUSE IF YOU DON'T GO, THEY ARE
757
00:17:33,758 --> 00:17:35,408
GONNA PUT YOU IN JAIL.
758
00:17:35,413 --> 00:17:36,623
YOU UNDERSTAND?
759
00:17:36,620 --> 00:17:37,660
JAIL.
760
00:17:37,655 --> 00:17:38,475
THAT'S GONNA BE THE END OF YOUR
761
00:17:38,482 --> 00:17:39,242
CAREER, AND I KNOW THAT'S NOT
762
00:17:39,241 --> 00:17:40,001
WHAT YOU WANT.
763
00:17:40,000 --> 00:17:40,790
>> I DON'T CARE WHAT THEY DO TO
764
00:17:40,793 --> 00:17:41,523
ME.
765
00:17:41,517 --> 00:17:42,167
>> YEAH, WE GET IT, MAN.
766
00:17:42,172 --> 00:17:42,902
YOU DON'T CARE.
767
00:17:42,896 --> 00:17:43,656
YOU DON'T CARE ABOUT ANYTHING
768
00:17:43,655 --> 00:17:45,065
THESE DAYS -- THE TEAM, JAIL,
769
00:17:45,068 --> 00:17:48,998
YOUR CAREER, TEE TEE.
770
00:17:49,000 --> 00:17:49,720
>> LISTEN, MALIK, I DON'T KNOW
771
00:17:49,724 --> 00:17:50,554
WHAT'S GOING ON WITH YOU, BUT
772
00:17:50,551 --> 00:17:51,901
THIS IS NOT THE $40-MILLION KID
773
00:17:51,896 --> 00:17:54,066
THAT WE ALL KNOW AND LOVE.
774
00:17:54,068 --> 00:17:55,478
>> I'M GOOD, MAN.
775
00:17:55,482 --> 00:17:56,212
DON'T WORRY ABOUT ME.
776
00:17:56,206 --> 00:17:59,376
I'M GOOD. I'M GOOD.
777
00:17:59,379 --> 00:18:04,139
GOD, MAN.
778
00:18:04,137 --> 00:18:06,137
>> YOU DON'T SOUND GOOD, MAN.
779
00:18:06,137 --> 00:18:06,927
LOOK, WE'RE YOUR FRIENDS, WE
780
00:18:06,931 --> 00:18:07,791
WANT TO BE THERE FOR YOU, BUT
781
00:18:07,793 --> 00:18:09,973
YOU NEED SOME REAL HELP.
782
00:18:09,965 --> 00:18:10,755
>> YEAH, MALIK.
783
00:18:10,758 --> 00:18:11,658
WHETHER YOU LIKE IT OR NOT, WE
784
00:18:11,655 --> 00:18:14,785
ARE TAKING YOU BACK TO REHAB.
785
00:18:14,793 --> 00:18:16,243
MALIK.
786
00:18:16,241 --> 00:18:18,241
>> COME ON, MAN.
787
00:18:18,241 --> 00:18:22,141
>> COME ON, MAN.
>> ♪
788
00:18:22,137 --> 00:18:37,787
>> ♪
789
00:18:37,793 --> 00:18:38,903
♪ I DON'T WANT TO LIVE
790
00:18:38,896 --> 00:18:41,236
♪ LIKE THIS NO MORE
791
00:18:41,241 --> 00:18:43,311
♪ HEAVEN IS KNOCKING
792
00:18:43,310 --> 00:18:44,340
♪ ON MY DOOR
793
00:18:44,344 --> 00:18:47,484
♪ TAKE ME AWAY, AWAY, AWAY
794
00:18:47,482 --> 00:18:50,452
♪ TAKE ME AWAY, AWAY, AWAY
795
00:18:50,448 --> 00:18:51,928
♪ I DON'T WANT TO LIVE
796
00:18:51,931 --> 00:18:54,001
♪ LIKE THIS NO MORE
797
00:18:54,000 --> 00:18:56,000
♪ HEAVEN IS KNOCKING
798
00:18:56,000 --> 00:18:57,100
♪ ON MY DOOR
799
00:18:57,103 --> 00:19:00,283
♪ TAKE ME AWAY, AWAY, AWAY
800
00:19:00,275 --> 00:19:03,095
♪ TAKE ME AWAY, AWAY
801
00:19:03,103 --> 00:19:04,663
♪ 'CAUSE I JUST WANT TO GO
802
00:19:04,655 --> 00:19:06,065
♪ 'CAUSE I JUST WANT TO GO
♪ AH, AH, GO ♪
803
00:19:06,068 --> 00:19:14,338
♪ AH, AH, GO ♪
804
00:19:14,344 --> 00:19:20,314
♪ AH, AH, GO ♪
>> ♪
805
00:19:20,364 --> 00:19:24,914
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