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CGAM-11067HDSPC
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>> UNLOCK THE DOOR!
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THIS IS MANAGEMENT!
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>> HOLD ON, MAN!
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I'M ALMOST DONE!
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>> IF I'M NOT, YOU'RE NOT.
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>> OH!
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>> COME HERE.
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>> OH, RIGHT.
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[ WATER RUNNING ]
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>> WHAT THE HELL WAS THAT?!
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>> IT DEPENDS.
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IS IT STILL MANAGEMENT?
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[ POUNDING ON DOOR ]
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>> LOOK, MAN, IF YOU PRESS
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CHARGES, PEOPLE ARE GONNA THINK
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OF YOUR CLUB AS THE NO-FUN
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PLACE.
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BUT IF YOU LET THE RUMOR
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CIRCULATE THAT THE MALIK WRIGHT
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WAS IN YOUR CLUB HAVING
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RELATIONS WITH A YOUNG WOMAN AND
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BROKE THE SINK, GUARANTEED, YOUR
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CLUB WILL STAY HOT FOR ANOTHER
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SIX MONTHS.
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SO LET'S LET THE INSURANCE
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ADJUSTER HANDLE IT.
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RIGHT? HE'S OUR MAN.
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HE'LL FUDGE THE REPORT.
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YOU GET A BETTER SINK.
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>> FINE.
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I'LL GET THE MOP SO YOU GUYS CAN
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CLEAN THIS UP.
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>> COME ON, MALIK.
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GIVE THE LITTLE MAN A TIP SO WE
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CAN GO.
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>> [ CHUCKLES ]
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NO, OTHERWISE, I'M GONNA HAVE TO
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GO HOME AND FINISH WITH MY
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HUSBAND, AND HE CRIES WHEN HE
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ORGASMS.
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>> OH, MY GOD.
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ALL RIGHT, BABY, LET'S GO.
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>> LET'S GO.
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>> HEY, MALIK, ONE SECOND, MAN.
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>> BABY, GIVE ME A MINUTE.
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>> OH, OKAY.
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WELL, I GUESS I'LL JUST GO IN
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HERE AND TAKE A PEE WHILE YOU
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GUYS TALK CHICKEN.
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>> WHAT'S GOING ON WITH YOU,
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MAN?
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I MEAN, I SEEN YOU GET STUPID
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OVER CHICKS YOU FEELING, BUT
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THIS CHICK?
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>> NO, NO, NO, NO, DAWG, IT'S
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JUST CASUAL.
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CASUAL.
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>> OH, OKAY, COOL, GOOD.
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CASUAL. GOOD.
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'CAUSE I THOUGHT FOR A SECOND
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THAT YOU WERE BANGING YOUR
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BOSS'S WIFE, WHICH, BY THE WAY,
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WAY MORE FORMAL.
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>> YOU KNOW WHAT, TEE TEE?
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I'M GONNA HANDLE THIS RIGHT
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HERE.
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AND YOU HANDLE THIS.
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>> YO, STOP TALKING TO ME LIKE
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I'M STILL YOUR ASSISTANT, MAN.
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>> YOU KNOW WHAT?
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YOUR LITTLE PUNK ASS DIDN'T HAVE
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A PROBLEM WHEN I GAVE YOU THAT
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MONEY FOR THE WING TRUCK,
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DID YOU?
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>> YEAH, YOU DID GIVE IT TO ME,
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AND NOW I'M A BUSINESSMAN.
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ALL RIGHT, SO GET SOMEBODY ELSE
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TO CLEAN UP YOUR MESSES.
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>> OKAY, TEE TEE.
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ALL RIGHT, YOU KNOW WHAT?
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YOU'RE ABSOLUTELY RIGHT, MAN.
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YOU'RE RIGHT.
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I'M GONNA GO GET SOMEBODY TO
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CLEAN UP MY MESS.
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COME ON.
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>> DAMN.
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>> SORRY I'M LATE.
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>> OH, NO PROBLEM.
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JUST WEARING A VEST AND TIE IN A
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DIMLY LIT PARK.
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WHAT COULD GO WRONG?
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EXCUSE ME, YOUNG LADY, WHERE'S
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THE REST OF YOUR SKIRT?
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>> MOM.
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>> SHE HAS SHORTS ON UNDERNEATH.
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>> SO WHAT?
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YOU GOT A BRA ON UNDERNEATH, YET
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I CAN STILL SEE WHAT LIES
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BENEATH.
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>> STOP FIGHTING.
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>> WE'RE NOT FIGHTING.
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WE'RE DEBATING.
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>> HONEY, WE LOVE EACH OTHER.
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>> THEN WHY DID YOU GET A
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DIVORCE?
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>> OKAY, WE TOLERATE EACH OTHER.
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>> YEAH. SEE? LOOK.
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SEE?
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WE'RE TOLERATING.
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>> YOU LOOK LIKE THE JOKER.
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YOUR SMILE'S FAKE.
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>> HEY.
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>> I'LL BE IN THE LITTLE CAR.
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>> [ CLEARS THROAT ]
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YOU KNOW, MAYBE IF YOU PULLED
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BACK ON THE SARCASM, WE CAN GET
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THROUGH ONE OF THESE DROP-OFFS.
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>> OKAY, OKAY.
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WHILE WE'RE ON THE SUBJECT,
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THERE'S A FEW THINGS I'D LIKE
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YOU TO PULL BACK ON, STARTING
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WITH THAT STUPID-ASS REALITY
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SHOW OF YOURS.
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>> OOH.
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YOU STINK OF HATE, JASON.
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>> OH, NO, NO.
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YOU STINK, SMELLY.
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YOU STINK OF DESPERATION WITH
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YOUR DURAN DURAN HAIR AND YOUR
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SPRAY-ON TAN AND YOUR SKANKY
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CLOTHES.
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PROBABLY GET ATTACKED BY A PACK
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OF ESKIMOS.
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>> WHAT?
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>> I DIDN'T WANT TO SAY THE
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OTHER THING 'CAUSE YOU MIGHT
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LIKE IT.
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>> OH. [ LAUGHS ]
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YOU ARE JUST DYING TO HAVE
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CONTROL OVER ME AGAIN.
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WELL, IT'S NEVER GONNA HAPPEN,
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JASON.
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I'M FREE!
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BUT YOU KNOW WHAT WASN'T?
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THIS AND THESE AND THAT.
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AND YOU KNOW WHO PAID FOR ALL OF
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THAT?
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YOU.
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AND YOU'RE GONNA KEEP PAYING FOR
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IT EVEN AFTER YOU'RE DEAD.
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I WON, JASON.
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I WON!
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THAT'S RIGHT, LADIES --
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DIVORCE -- IT'S THE GIFT THAT
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KEEPS ON GIVING.
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>> WHO THE HELL YOU TALKING TO?
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>> HI-O!
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>> [ SIGHS ]
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IT'S "HEY-O."
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>> HEY, BABE, GUESS WHAT.
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>> DERWIN KILLED MELANIE?
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>> OH, MY GOD, DID HE?
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>> NO, BUT IT'S COMING.
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THAT GIRL AND HER DAMN
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SHENANIGANS.
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SHE GOT THAT BOY'S HEAD SO FAR
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OUT THE GAME, NOW HE DOESN'T
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WANT TO GO TO MALIK'S VIDEO-GAME
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RELEASE PARTY, WHICH MEANS I GOT
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TO WORK THE CROWD WITHOUT HIM.
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>> OH, WELL, SEE, THAT'S WHAT I
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WANTED TO TALK TO YOU ABOUT.
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I GOT THE CONTRACT TO DO MALIK'S
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PARTY.
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>> GET OUT!
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>> YES, YES, YES.
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>> CONGRATULATIONS.
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>> NOW WE CAN GO TOGETHER.
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YOU DON'T HAVE TO WORK THE CROWD
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BY YOURSELF NOW.
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>> YOU KNOW, IT AIN'T LIKE IT'S
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A PARTY FOR ME.
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YOU KNOW WHAT I'M SAYING?
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IT'S JUST BUSINESS.
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MAYBE YOU OUGHT TO GO WITH
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SOMEBODY ELSE.
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OOH!
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WHAT ABOUT THAT ASHLEY GIRL?
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>> NO, ASHLEY'S WAY TOO CLINGY.
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>> BABY, I TOLD YOU, DIDN'T I?
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I TOLD YOU IT WAS GONNA BE OVER
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THE MINUTE YOU LET HER KEEP HER
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TOOTHBRUSH AT YOUR PLACE.
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WHAT'D I SAY?
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YOU GIVE THEM A TOOTHBRUSH, AND
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THEY'RE GONNA WANT A DRAWER.
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>> YOU'RE RIGHT.
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>> WHAT ABOUT BRANDI?
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EXCEPT THIS TIME, YOU CAN'T BE
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RUDE, AND YOU GOT TO GET HER
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BREAKFAST THE NEXT MORNING.
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>> I AIN'T TALKED TO BRANDI IN
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MONTHS.
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>> OKAY.
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WELL, THEN, WHAT ABOUT --
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>> TASHA, I WANT TO TAKE YOU.
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I WANT TO MEET MALIK.
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>> WHY?
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YOU A FAN?
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>> NO, I'M NOT A FAN.
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HE'S YOUR SON.
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AND I'VE BEEN DATING HIS MOM FOR
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THE PAST SIX MONTHS.
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>> DANTE, LOOK, I THOUGHT WE WAS
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GONNA BE KEEPING THIS LIGHT.
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>> TASHA, IS THIS ABOUT MY AGE?
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>> NO!
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IT'S ABOUT THE FACT THAT I'M
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HAVING A GOOD TIME WITH YOU.
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YOU HAVING A GOOD TIME WITH ME?
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>> YES.
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>> OKAY.
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>> I'M HAVING GREAT TIME WITH
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YOU.
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I DIG YOU.
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I DIG TALKING TO YOU.
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I DIG HANGING OUT WITH YOU.
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YOU KNOW I DIG DIGGING YOU,
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GIRL.
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MMM!
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>> I DIG YOU, TOO, ALL RIGHT?
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BUT FOR THE SAFETY OF WHATEVER
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THIS THING IS THAT WE'RE DOING,
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I JUST THINK WE NEED TO KEEP
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DOING WHAT WE'VE BEEN DOING.
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YOU KNOW WHAT I'M SAYING?
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YOU DO YOU, I DO ME, AND
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OCCASIONALLY WE CAN JUST DO EACH
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OTHER.
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OKAY?
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>> YEAH.
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I'LL FIND SOMEBODY ELSE TO GO
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WITH.
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>> THAT'S THE SPIRIT.
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THAT'S THE SPIRIT!
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>> I GOT TO TELL YOU SOMETHING,
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BUDDY.
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YOU ARE A GOOD KID.
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YOU SEE...
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WELL, KNOW WHAT I NOTICE ABOUT
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YOU?
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YOU GOT SOME BIG HANDS, MAN.
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WIDE-RECEIVER HANDS, JUST LIKE
255
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YOUR DADDY.
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AND THAT NOSE -- THAT NOSE
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THERE?
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SEE, I KNOW THAT NOSE.
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KNOW WHOSE NOSE THAT IS?
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THAT'S GRANNY'S NOSE.
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AND I APOLOGIZE FOR THAT.
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AND YOUR HAIR, OKAY...
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MAY BE A LITTLE DIFFERENT, BUT
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YOU KNOW WHAT?
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WE GOT INDIAN IN OUR FAMILY,
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RIGHT?
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MELANIE...
268
00:06:33,100 --> 00:06:34,500
"JANAY JUST WANTS WHAT WE GOT,
269
00:06:34,500 --> 00:06:36,070
DERWIN."
270
00:06:36,067 --> 00:06:37,227
NO, MELANIE, YOU JUST WANT WHAT
271
00:06:37,233 --> 00:06:38,273
WE GOT.
272
00:06:38,267 --> 00:06:40,227
LISTEN, SON -- LISTEN TO ME.
273
00:06:40,233 --> 00:06:41,733
YOU BEWARE OF WOMEN, ALL RIGHT?
274
00:06:41,733 --> 00:06:42,773
OKAY?
275
00:06:42,767 --> 00:06:44,127
THEY'LL GET YOU WITH THE
276
00:06:44,133 --> 00:06:45,603
OKEYDOKE EVERY TIME.
277
00:06:45,600 --> 00:06:46,300
ALL RIGHT?
278
00:06:46,300 --> 00:06:47,170
>> ALL RIGHT.
279
00:06:47,167 --> 00:06:47,967
OKAY, YEAH.
280
00:06:47,967 --> 00:06:48,927
SEE, YOU KNOW WHAT I'M TALKING
281
00:06:48,933 --> 00:06:49,273
ABOUT.
282
00:06:49,267 --> 00:06:50,227
I JUST DON'T WANT YOU TO FALL
283
00:06:50,233 --> 00:06:51,203
FOR THE BANANA IN THE TAILPIPE
284
00:06:51,200 --> 00:06:52,630
JUST LIKE YOUR DAD.
285
00:06:52,633 --> 00:06:56,403
>> HEY, THERE'S MAMA'S BABY BOY!
286
00:06:56,400 --> 00:06:58,230
COME HERE, COME HERE, COME HERE!
287
00:06:58,233 --> 00:07:00,173
DON'T TRY TO RUN FROM ME.
288
00:07:00,167 --> 00:07:01,497
THANK YOU SO MUCH, DERWIN, FOR
289
00:07:01,500 --> 00:07:02,900
COMING OVER AND RELIEVING RINA.
290
00:07:02,900 --> 00:07:03,630
>> NO PROBLEM.
291
00:07:03,633 --> 00:07:04,903
>> THERE WAS A SHOE SALE AT THE
292
00:07:04,900 --> 00:07:05,300
MALL.
293
00:07:05,300 --> 00:07:06,770
YOU KNOW I COULDN'T RESIST THAT.
294
00:07:06,767 --> 00:07:07,797
>> IS THAT WHERE YOU GOT THE
295
00:07:07,800 --> 00:07:08,170
PURSE?
296
00:07:08,167 --> 00:07:08,897
>> YEAH.
297
00:07:08,900 --> 00:07:10,470
I WISH IT WAS ON SALE, TOO.
298
00:07:10,467 --> 00:07:11,897
>> AH.
299
00:07:11,900 --> 00:07:12,930
LOOKS FAMILIAR.
300
00:07:12,933 --> 00:07:14,073
>> IT'S THE SAME PURSE YOUR GIRL
301
00:07:14,067 --> 00:07:15,197
HAD THE OTHER DAY AT THE ESSENCE
302
00:07:15,200 --> 00:07:15,530
SHOOT.
303
00:07:15,533 --> 00:07:16,903
IT'S JUST A DIFFERENT COLOR,
304
00:07:16,900 --> 00:07:18,130
AND IT LOOKS BETTER ON ME.
305
00:07:18,133 --> 00:07:19,173
AIN'T THAT RIGHT?
306
00:07:19,167 --> 00:07:20,567
IT LOOKS BETTER ON MOMMY.
307
00:07:20,567 --> 00:07:24,297
IT LOOKS BETTER ON MOMMY.
308
00:07:24,300 --> 00:07:26,200
>> JANAY, IS D.J. MINE?
309
00:07:35,167 --> 00:07:36,267
>> ALL RIGHT, GUYS, GREAT
310
00:07:36,267 --> 00:07:37,127
SHOOTING IN THERE.
311
00:07:37,133 --> 00:07:38,173
I'LL SEE YOU LATER FOR MY
312
00:07:38,167 --> 00:07:38,627
WAXING.
313
00:07:38,633 --> 00:07:39,403
HEY, MELANIE.
314
00:07:39,400 --> 00:07:39,830
>> HI.
315
00:07:39,833 --> 00:07:41,173
>> WHAT ARE YOU DOING HERE?
316
00:07:41,167 --> 00:07:42,097
IS EVERYTHING OKAY?
317
00:07:42,100 --> 00:07:42,600
>> YEAH.
318
00:07:42,600 --> 00:07:43,570
WHAT ARE YOU DOING HERE?
319
00:07:43,567 --> 00:07:44,627
>> OH, I JUST CAME TO FIND OUT
320
00:07:44,633 --> 00:07:45,673
THE MOST EXPENSIVE PROCEDURE
321
00:07:45,667 --> 00:07:46,497
JASON CAN GET FOR ME.
322
00:07:46,500 --> 00:07:47,970
I'M NOT GETTING IT, THOUGH.
323
00:07:47,967 --> 00:07:48,797
BUTT IMPLANTS.
324
00:07:48,800 --> 00:07:50,230
THEY FLY THE BUTT FAT IN FROM
325
00:07:50,233 --> 00:07:51,433
BRAZIL.
326
00:07:51,433 --> 00:07:53,133
YOUR TURN.
327
00:07:53,133 --> 00:07:55,203
>> UM...I JUST CAME TO PICK UP
328
00:07:55,200 --> 00:07:56,900
MY APPLICATION FOR THEIR
329
00:07:56,900 --> 00:07:58,230
RESIDENCY PROGRAM.
330
00:07:58,233 --> 00:07:59,573
>> IS HE STILL NOT TALKING TO
331
00:07:59,567 --> 00:08:00,127
YOU?
332
00:08:00,133 --> 00:08:01,403
>> HE DIDN'T EVEN COME HOME LAST
333
00:08:01,400 --> 00:08:01,900
NIGHT.
334
00:08:01,900 --> 00:08:03,100
AND I REFUSE TO SIT AROUND AND
335
00:08:03,100 --> 00:08:04,270
WAIT FOR HIM TO DROP THE "I'M
336
00:08:04,267 --> 00:08:05,127
LEAVING YOU" BOMB.
337
00:08:05,133 --> 00:08:06,333
>> NO, MELANIE, HE'S GONNA COME
338
00:08:06,333 --> 00:08:06,733
AROUND.
339
00:08:06,733 --> 00:08:08,073
>> YEAH, AND IF HE DOESN'T,
340
00:08:08,067 --> 00:08:09,697
KELLY, WHAT IS MY PLAN "B," HUH?
341
00:08:09,700 --> 00:08:10,770
A REALITY SHOW?
342
00:08:10,767 --> 00:08:12,067
>> IF YOU'RE LUCKY.
343
00:08:12,067 --> 00:08:13,167
I MEAN, I KNOW IT ALL LOOKS
344
00:08:13,167 --> 00:08:14,327
SUPER-GLAMOROUS, BUT IT'S NOT
345
00:08:14,333 --> 00:08:15,073
FOR EVERYONE.
346
00:08:15,067 --> 00:08:16,367
THE CAMERA DOESN'T LOVE ALL
347
00:08:16,367 --> 00:08:17,667
SHAPES AND SIZES, MELANIE.
348
00:08:17,667 --> 00:08:18,627
>> EXCUSE ME?
349
00:08:18,633 --> 00:08:19,633
>> DON'T BLAME ME.
350
00:08:19,633 --> 00:08:20,433
IT'S THE BIZ.
351
00:08:20,433 --> 00:08:21,903
LOOK, THE POINT IS YOU SHOULDN'T
352
00:08:21,900 --> 00:08:22,930
BE FOCUSED ON PLAN "B."
353
00:08:22,933 --> 00:08:24,433
YOU'RE STILL ON PLAN "A" -- YOUR
354
00:08:24,433 --> 00:08:25,473
MARRIAGE.
355
00:08:25,467 --> 00:08:26,967
AND YOU SHOULD FIGHT FOR IT.
356
00:08:26,967 --> 00:08:28,467
LOOK, I KNOW IT LOOKS LIKE I
357
00:08:28,467 --> 00:08:30,067
HAVE IT ALL FIGURED OUT, BUT IF
358
00:08:30,067 --> 00:08:31,567
I HAD TO DO IT ALL OVER AGAIN,
359
00:08:31,567 --> 00:08:33,427
I'M NOT SURE I'D CHOOSE DIVORCE.
360
00:08:33,433 --> 00:08:34,773
>> DIDN'T JASON DIVORCE YOU?
361
00:08:34,767 --> 00:08:36,067
>> AFTER I WANTED TO DIVORCE HIM
362
00:08:36,067 --> 00:08:36,667
FIRST.
363
00:08:36,667 --> 00:08:37,467
KEEP UP, MELANIE.
364
00:08:37,467 --> 00:08:38,527
THE POINT IS, YOU'VE GOT TO
365
00:08:38,533 --> 00:08:39,133
FIGHT.
366
00:08:39,133 --> 00:08:40,303
>> OH, AND SPEAKING OF FIGHT,
367
00:08:40,299 --> 00:08:41,369
TELL YOUR LITTLE TASHA IF I
368
00:08:41,366 --> 00:08:42,566
CATCH HER ON THE STREETS, THAT'S
369
00:08:42,567 --> 00:08:45,397
THAT ASS.
370
00:08:45,400 --> 00:08:47,700
[ HIP-HOP MUSIC PLAYS ]
371
00:08:47,700 --> 00:08:49,330
>> AND JUST WHEN I THOUGHT I DID
372
00:08:49,333 --> 00:08:50,803
IT ALL, I GO AND SNATCH UP MY
373
00:08:50,800 --> 00:08:52,270
OWN VIDEO-GAME COVER, Y'ALL.
374
00:08:52,267 --> 00:08:53,927
I'M THE MAN IN THIS BEAST, EVEN
375
00:08:53,933 --> 00:08:55,573
WITH THE HATERS TRYING TO KEEP
376
00:08:55,567 --> 00:08:57,067
ME DOWN -- REPORTERS, SABERS
377
00:08:57,067 --> 00:08:57,567
OWNERS.
378
00:08:57,567 --> 00:08:58,627
>> I STILL CAN'T BELIEVE YOU DID
379
00:08:58,633 --> 00:08:59,273
IT.
380
00:08:59,267 --> 00:09:00,697
DON'T YOU WORRY ABOUT THE CURSE?
381
00:09:00,700 --> 00:09:01,330
>> WHAT CURSE?
382
00:09:01,333 --> 00:09:02,633
NO CURSE IN PUTTING YOUR FACE ON
383
00:09:02,633 --> 00:09:03,773
THE COVER OF NO VIDEO GAME,
384
00:09:03,767 --> 00:09:04,197
DUMBASS.
385
00:09:04,200 --> 00:09:05,300
>> MIKE VICK, COVER, BROKEN
386
00:09:05,300 --> 00:09:06,130
FIBULA.
387
00:09:06,133 --> 00:09:08,103
DONOVAN McNABB, COVER, TORN ACL.
388
00:09:08,100 --> 00:09:09,900
BRETT FAVRE, COVER, TORN BICEP.
389
00:09:09,900 --> 00:09:10,930
EH, YOU KNOW...
390
00:09:10,933 --> 00:09:12,103
MS. PAC-MAN DID IT, AND SHE'S
391
00:09:12,100 --> 00:09:13,400
FINE, SO MAYBE YOU WILL BE, TOO.
392
00:09:13,400 --> 00:09:15,100
>> MAN, YOU ARE JUST JEALOUS
393
00:09:15,100 --> 00:09:16,830
'CAUSE THEY ASKED ME TO DO THE
394
00:09:16,833 --> 00:09:17,973
COVER AND NOT YOU.
395
00:09:17,967 --> 00:09:19,427
>> DUDE, I PASSED ON IT FIVE
396
00:09:19,433 --> 00:09:20,303
YEARS IN A ROW.
397
00:09:20,300 --> 00:09:21,670
MATTER OF FACT, DIDN'T THEY
398
00:09:21,667 --> 00:09:23,567
OFFER YOU A COVER?
399
00:09:23,567 --> 00:09:24,797
>> WHY ARE YOU SUCH A HATER,
400
00:09:24,800 --> 00:09:26,600
DAWG?
401
00:09:33,100 --> 00:09:34,200
>> HELL, YEAH!
402
00:09:34,200 --> 00:09:35,330
DERWIN TURNED THE COVER DOWN
403
00:09:35,333 --> 00:09:36,273
BECAUSE OF THE CURSE.
404
00:09:36,267 --> 00:09:37,527
>> JUST MAKE SURE ALL THE GUESTS
405
00:09:37,533 --> 00:09:38,073
ARE HAPPY.
406
00:09:38,067 --> 00:09:39,367
MAKE SURE MALIK HAS A DRINK IN
407
00:09:39,367 --> 00:09:40,467
HIS HANDS AT ALL TIMES.
408
00:09:40,467 --> 00:09:41,767
WANT TO MAKE SURE HE'S GOOD.
409
00:09:41,767 --> 00:09:42,767
GO CHECK ON HIM FOR ME RIGHT
410
00:09:42,767 --> 00:09:43,267
NOW.
411
00:09:43,267 --> 00:09:44,967
THANK YOU, BABE.
412
00:09:44,967 --> 00:09:45,827
>> ALL RIGHT.
413
00:09:45,833 --> 00:09:47,903
I SEE YOU, PLAYBOY.
414
00:09:47,900 --> 00:09:49,400
GOT YOUR FRESH CUT, GOT THE
415
00:09:49,400 --> 00:09:51,130
BIG-BOY SUIT ON, WITH A LITTLE
416
00:09:51,133 --> 00:09:51,673
SHINE.
417
00:09:51,667 --> 00:09:52,667
ALL RIGHT.
418
00:09:52,667 --> 00:09:53,667
GET 'EM.
419
00:09:53,667 --> 00:09:54,697
>> COME HERE, TASHA.
420
00:09:54,700 --> 00:09:55,570
>> OH, UH...
421
00:09:55,567 --> 00:09:56,797
>> OH, OKAY.
422
00:09:56,800 --> 00:09:57,870
>> MM-HMM.
423
00:09:57,867 --> 00:09:59,297
I SAW YOU WITH MISS THANG ALL UP
424
00:09:59,300 --> 00:10:00,070
IN HER EAR.
425
00:10:00,067 --> 00:10:01,297
NOW, WHICH ONE OF YOUR BUNNIES
426
00:10:01,300 --> 00:10:01,870
WAS THAT?
427
00:10:01,867 --> 00:10:03,597
>> THAT IS NICKI, AND SHE WORKS
428
00:10:03,600 --> 00:10:04,770
FOR ME, ALL RIGHT?
429
00:10:04,767 --> 00:10:07,567
>> OKAY.
430
00:10:07,567 --> 00:10:08,427
>> SHEREE.
431
00:10:08,433 --> 00:10:09,503
HOW ARE YOU, DEAR?
432
00:10:09,500 --> 00:10:10,430
HOW'S EVERYTHING GOING ON DOWN
433
00:10:10,433 --> 00:10:11,033
THERE IN ATLANTA?
434
00:10:11,033 --> 00:10:15,473
>> LIKE YOU CARE, PIG.
435
00:10:15,467 --> 00:10:16,367
>> YOU AND SHEREE?
436
00:10:16,367 --> 00:10:17,797
>> LOOK, WE JUST HUNG OUT A FEW
437
00:10:17,800 --> 00:10:19,200
TIMES, AND, AS YOU CAN SEE, IT
438
00:10:19,200 --> 00:10:21,170
DIDN'T WORK.
439
00:10:21,167 --> 00:10:22,627
WHY?
440
00:10:22,633 --> 00:10:24,673
>> OH, NOTHING.
441
00:10:24,667 --> 00:10:25,997
I MEAN, I JUST NEVER WOULD HAVE
442
00:10:26,000 --> 00:10:27,330
EXPECTED TO SEE YOU WITH SUCH A
443
00:10:27,333 --> 00:10:28,033
MATURE REALITY STAR.
444
00:10:28,033 --> 00:10:29,573
>> DANTE, ARE YOU GONNA BUY ME A
445
00:10:29,567 --> 00:10:30,297
DRINK OR NOT?
446
00:10:30,300 --> 00:10:31,270
>> DON'T YOU SEE I'M RIGHT IN
447
00:10:31,267 --> 00:10:32,227
THE MIDDLE OF SOMETHING RIGHT
448
00:10:32,233 --> 00:10:32,603
HERE?
449
00:10:32,600 --> 00:10:34,100
>> WHAT, THIS OLD BROAD?
450
00:10:34,100 --> 00:10:36,200
>> WHO YOU CALLING OLD?IGHT OVER
451
00:10:36,200 --> 00:10:37,430
THERE AND GET YOURSELF A DRINK,
452
00:10:37,433 --> 00:10:37,973
ALL RIGHT?
453
00:10:37,967 --> 00:10:40,367
>> I'M GOING OVER HERE.
454
00:10:40,367 --> 00:10:40,997
YOU TRYING TO PLAY ME?
455
00:10:41,000 --> 00:10:41,800
>> WHAT ARE YOU TALKING ABOUT?
456
00:10:41,800 --> 00:10:42,500
>> WHAT YOU MEAN, WHAT AM I
457
00:10:42,500 --> 00:10:42,970
TALKING ABOUT?
458
00:10:42,967 --> 00:10:43,997
HELL, YOU DON'T SEE THE
459
00:10:44,000 --> 00:10:44,700
PATTERN HERE?
460
00:10:44,700 --> 00:10:46,070
GOT A DAMN STABLE FULL OF GOLDEN
461
00:10:46,067 --> 00:10:47,797
GIRLS RUNNING AROUND HERE.
462
00:10:47,800 --> 00:10:49,030
BOY, YOU LET ME FIND OUT THAT
463
00:10:49,033 --> 00:10:50,273
YOU BEEN PLAYING ME FOR YOUR
464
00:10:50,267 --> 00:10:51,427
FREAKY OLD-LADY FETISH?
465
00:10:51,433 --> 00:10:52,573
THAT AIN'T EVEN CUTE!
466
00:10:52,567 --> 00:10:53,927
>> LISTEN, TASHA, CALM DOWN.
467
00:10:53,933 --> 00:10:55,233
I AM TELLING YOU NO ONE'S
468
00:10:55,233 --> 00:10:56,103
PLAYING ANYONE.
469
00:10:56,100 --> 00:10:57,170
>> OKAY, AND I'M TELLING YOU,
470
00:10:57,167 --> 00:10:58,927
EVEN A GARBAGE CAN EATS A STEAK.
471
00:11:03,100 --> 00:11:05,270
>> WHAT DOES THAT EVEN MEAN?
472
00:11:05,267 --> 00:11:06,367
>> DO YOU EVEN KNOW HOW CUTE
473
00:11:06,367 --> 00:11:07,227
YOUR KNOCK-KNEES ARE?
474
00:11:07,233 --> 00:11:08,333
>> YEAH, I GET THEM FROM MY
475
00:11:08,333 --> 00:11:09,503
MAMA.
476
00:11:09,500 --> 00:11:11,470
>> TEE, THIS PARTY IS WHACK,
477
00:11:11,467 --> 00:11:12,197
DAWG.
478
00:11:12,200 --> 00:11:12,830
GET THE CAR.
479
00:11:12,833 --> 00:11:14,073
COME TAKE ME HOME RIGHT NOW.
480
00:11:14,067 --> 00:11:15,427
>> DUDE, ARE YOU DRUNK?
481
00:11:15,433 --> 00:11:16,373
>> SILENCE!
482
00:11:16,367 --> 00:11:17,697
AND TAKE ME TO THE CRIB.
483
00:11:17,700 --> 00:11:18,900
>> YO, NO, I'M NOT YOUR FLUNKIE
484
00:11:18,900 --> 00:11:19,500
NO MORE, MAN.
485
00:11:19,500 --> 00:11:20,370
CALL A CAB.
486
00:11:20,367 --> 00:11:21,667
>> ALL I'M GONNA DO IS CALL YOUR
487
00:11:21,667 --> 00:11:22,667
ASS FOR THE NUMBER.
488
00:11:22,667 --> 00:11:23,897
DAWG, LOOK, GOT PARKER BUTT
489
00:11:23,900 --> 00:11:25,270
NAKED AT THE HOUSE, WAITING ON
490
00:11:25,267 --> 00:11:25,567
ME.
491
00:11:25,567 --> 00:11:26,567
TOOK YOUR ADVICE -- KEEPING MY
492
00:11:26,567 --> 00:11:27,427
BUSINESS OUT THE STREET.
493
00:11:27,433 --> 00:11:28,173
NOW COME ON.
494
00:11:28,167 --> 00:11:28,897
>> NO, MAN.
495
00:11:28,900 --> 00:11:30,070
AFTER THIS PARTY, PEOPLE ARE
496
00:11:30,067 --> 00:11:31,197
GONNA BE HUNGRY, AND ME AND MY
497
00:11:31,200 --> 00:11:32,370
WING TRUCK NEED TO BE OUTSIDE,
498
00:11:32,367 --> 00:11:33,467
LOCKED AND LOADED.
499
00:11:33,467 --> 00:11:34,467
>> OH, THE WING TRUCK THAT I
500
00:11:34,467 --> 00:11:35,567
BOUGHT FOR YOU?
501
00:11:35,567 --> 00:11:36,767
>> YEAH, THAT ONE.
502
00:11:36,767 --> 00:11:37,727
>> I CAN TAKE HIM.
503
00:11:37,733 --> 00:11:39,273
I NEED TO PUT SOME WORK IN ON MY
504
00:11:39,267 --> 00:11:40,327
DISSERTATION, ANYWAY.
505
00:11:40,333 --> 00:11:41,303
>> YEAH, LET YOUR LITTLE
506
00:11:41,300 --> 00:11:42,230
WING-TERN TAKE ME.
507
00:11:42,233 --> 00:11:43,373
>> HEY, LOOK, HER NAME IS
508
00:11:43,367 --> 00:11:44,367
ALISON, ALL RIGHT?
509
00:11:44,367 --> 00:11:45,727
AND SHE USED TO BE MY INTERN,
510
00:11:45,733 --> 00:11:47,833
AND NOW SHE'S MY LIFE PARTNER.
511
00:11:47,833 --> 00:11:48,433
>> OKAY.
512
00:11:48,433 --> 00:11:49,573
THAT TERM IS USUALLY RESERVED
513
00:11:49,567 --> 00:11:50,867
FOR GAY PEOPLE, BUT SHE CAN TAKE
514
00:11:50,867 --> 00:11:51,527
ME ANYWAY.
515
00:11:51,533 --> 00:11:52,503
COME ON, NOW.
516
00:11:52,500 --> 00:11:54,100
LET'S GO.
517
00:11:54,100 --> 00:11:57,070
HEY, I APPRECIATE YOU, BABY.
518
00:11:57,067 --> 00:11:58,297
>> YOU ON YOUR OWN FROM NOW ON,
519
00:11:58,300 --> 00:11:58,770
MAN.
520
00:11:58,767 --> 00:12:02,927
AND F.Y.I., WE ARE GAY!
521
00:12:02,933 --> 00:12:04,733
AS IN HAPPY!
522
00:12:27,367 --> 00:12:29,327
[ DOOR OPENS, CLOSES ]
523
00:12:29,333 --> 00:12:30,903
>> HOO.
524
00:12:30,900 --> 00:12:32,630
ROUND TWO.
525
00:12:39,900 --> 00:12:41,530
COME ON, DERWIN.
526
00:12:41,533 --> 00:12:43,733
I'M READY FOR IT ALL.
527
00:12:43,733 --> 00:12:46,403
SILENT TREATMENT, YELLING, MORE
528
00:12:46,400 --> 00:12:50,170
HOLES IN THE WALL.
529
00:12:50,167 --> 00:12:52,067
OH, MY GOD.
530
00:12:59,833 --> 00:13:03,403
>> HE'S NOT MINE, IS HE?
531
00:13:03,400 --> 00:13:08,200
>> [ BREATHES DEEPLY ]
532
00:13:08,200 --> 00:13:10,200
NO.
533
00:13:10,200 --> 00:13:12,170
HE'S NOT.
534
00:13:20,867 --> 00:13:24,797
>> THAT LITTLE KID IS MY HEART.
535
00:13:24,800 --> 00:13:28,630
I DON'T KNOW WHAT TO DO.
536
00:13:28,633 --> 00:13:31,073
[ Crying ] OH, GOD!
537
00:13:35,133 --> 00:13:36,933
[ TELEVISION PLAYING ]
538
00:13:43,067 --> 00:13:44,427
>> THE HELL YOU DOING HERE?
539
00:13:44,433 --> 00:13:46,073
WHAT, RUBY DEE TURN YOU DOWN FOR
540
00:13:46,067 --> 00:13:47,267
A BOOTY CALL?
541
00:13:47,267 --> 00:13:48,697
>> I NEVER WENT OUT WITH ANYONE
542
00:13:48,700 --> 00:13:50,270
NAMED RUBY.
543
00:13:50,267 --> 00:13:51,467
LOOK, TASHA, WHY YOU ACTING LIKE
544
00:13:51,467 --> 00:13:52,067
THIS, HUH?
545
00:13:52,067 --> 00:13:53,197
YOU'RE THE ONE THAT SAID YOU
546
00:13:53,200 --> 00:13:54,300
WANTED TO KEEP IT LIGHT WHEN I
547
00:13:54,300 --> 00:13:55,430
TOLD YOU I WANTED TO BE WITH
548
00:13:55,433 --> 00:13:56,473
YOU.
549
00:13:56,467 --> 00:13:59,597
IS YOUR HEARING AID NOT WORKING?
550
00:13:59,600 --> 00:14:00,870
>> OLD JOKES ON A WOMAN AIN'T
551
00:14:00,867 --> 00:14:01,227
FUNNY.
552
00:14:01,233 --> 00:14:02,633
THEY AIN'T NEVER BEEN FUNNY,
553
00:14:02,633 --> 00:14:04,333
AIN'T GONNA NEVER BE FUNNY.
554
00:14:04,333 --> 00:14:05,803
>> TASH, COME ON, TALK TO ME.
555
00:14:05,800 --> 00:14:09,930
WHAT'S UP?
556
00:14:09,933 --> 00:14:12,733
>> I THOUGHT I WAS SPECIAL.
557
00:14:12,733 --> 00:14:13,973
I MEAN, I THOUGHT YOU HAD ALL
558
00:14:13,967 --> 00:14:15,327
THESE LITTLE YOUNG GIRLS RUNNING
559
00:14:15,333 --> 00:14:16,603
AROUND BUT I'D BE THE ONLY REAL
560
00:14:16,600 --> 00:14:17,370
WOMAN IN YOUR LIFE.
561
00:14:17,367 --> 00:14:17,927
>> [ SCOFFS ]
562
00:14:17,933 --> 00:14:19,203
SO THAT'S WHAT THIS IS ABOUT?
563
00:14:19,200 --> 00:14:20,400
SO LET ME GET THIS STRAIGHT --
564
00:14:20,400 --> 00:14:21,670
IT'S OKAY FOR ME TO HIT ANYTHING
565
00:14:21,667 --> 00:14:22,867
THAT SHOPS AT FOREVER 21, BUT
566
00:14:22,867 --> 00:14:24,067
LOEHMANN'S, THAT'S OFF LIMITS
567
00:14:24,067 --> 00:14:26,527
NOW.
568
00:14:26,533 --> 00:14:27,873
I'M SORRY.
569
00:14:27,867 --> 00:14:29,427
THE OLD JOKES AIN'T FUNNY, AIN'T
570
00:14:29,433 --> 00:14:30,433
NEVER BEEN FUNNY.
571
00:14:30,433 --> 00:14:32,603
BUT THE REAL PROBLEM IS YOU NEED
572
00:14:32,600 --> 00:14:34,700
TO FORGET ABOUT MY AGE AND JUST
573
00:14:34,700 --> 00:14:36,830
ADMIT THAT YOU HAVE FEELINGS FOR
574
00:14:36,833 --> 00:14:38,633
ME.
575
00:14:42,067 --> 00:14:44,167
>> OKAY.
576
00:14:44,167 --> 00:14:46,097
I HAVE FEELINGS FOR YOU.
577
00:14:46,100 --> 00:14:47,970
YOU HAPPY, DAMN IT?
578
00:14:47,967 --> 00:14:49,497
>> WHEN YOU PUT IT LIKE THAT...
579
00:14:49,500 --> 00:14:50,870
WELL, YEAH, I AM.
580
00:14:50,867 --> 00:14:52,727
BUT YOU ARE NOT SOME COUGAR THAT
581
00:14:52,733 --> 00:14:54,533
I'M TEST-DRIVING.
582
00:14:54,533 --> 00:14:55,973
AND THE FACT THAT I'VE BEEN HERE
583
00:14:55,967 --> 00:14:57,297
EVERY DAY FOR THE PAST MONTH,
584
00:14:57,300 --> 00:14:58,700
THAT SHOULD LET YOU KNOW YOU'RE
585
00:14:58,700 --> 00:15:00,070
THE ONE I CAN'T STOP THINKING
586
00:15:00,067 --> 00:15:01,627
ABOUT.
587
00:15:01,633 --> 00:15:03,903
YOU'RE THE ONE I CONNECT WITH.
588
00:15:03,900 --> 00:15:10,070
YOU'RE THE ONE WITH MY HEART.
589
00:15:10,067 --> 00:15:11,327
LOOK, NOW THAT BOTH OF OUR
590
00:15:11,333 --> 00:15:12,973
FEELINGS ARE OUT THERE, WHAT DO
591
00:15:12,967 --> 00:15:14,667
YOU WANT TO DO?
592
00:15:18,633 --> 00:15:19,703
ALL RIGHT, YOU KNOW WHAT?
593
00:15:19,700 --> 00:15:21,070
I'M LEAVING.
594
00:15:21,067 --> 00:15:22,267
MM-HMM.
595
00:15:22,267 --> 00:15:24,467
BUT YOU -- YOU'RE GONNA LOSE
596
00:15:24,467 --> 00:15:25,727
SOMETHING GOOD.
597
00:15:25,733 --> 00:15:27,833
YOU KNOW YOU WANT TO STOP ME.
598
00:15:27,833 --> 00:15:31,173
[ GROWLS ]
599
00:15:31,167 --> 00:15:32,927
>> DANTE...
600
00:15:38,400 --> 00:15:39,070
MEN.
601
00:15:39,067 --> 00:15:40,127
YOU'D BE SURPRISED HOW GOOD IT
602
00:15:40,133 --> 00:15:40,703
FEELS.
603
00:15:40,700 --> 00:15:41,700
>> JASON PITTS?
604
00:15:41,700 --> 00:15:42,900
JASON JUST WALKED IN.
605
00:15:42,900 --> 00:15:45,300
GET HIM!
606
00:15:45,300 --> 00:15:47,670
GO TO KELLY.
607
00:15:47,667 --> 00:15:48,827
>> I AM NOT GIVING YOU A
608
00:15:48,833 --> 00:15:50,133
REACTION TO THAT, NOT AFTER THIS
609
00:15:50,133 --> 00:15:51,233
EMPOWERING MOMENT WE WERE
610
00:15:51,233 --> 00:15:52,103
HAVING.
611
00:15:52,100 --> 00:15:53,900
>> GO BACK TO JASON.
612
00:15:53,900 --> 00:15:54,900
UH, MR. PITTS --
613
00:15:54,900 --> 00:15:56,130
>> PLEASE, PLEASE -- JASON.
614
00:15:56,133 --> 00:15:56,973
CALL ME JASON.
615
00:15:56,967 --> 00:15:58,267
>> JASON, WOULD YOU MIND SIGNING
616
00:15:58,267 --> 00:15:59,497
THIS RELEASE SO WE CAN FILM YOU
617
00:15:59,500 --> 00:16:00,200
FOR OUR SHOW?
618
00:16:00,200 --> 00:16:01,470
>> OH, YOU -- YOU GUYS ARE
619
00:16:01,467 --> 00:16:02,197
FILMING?
620
00:16:02,200 --> 00:16:03,200
OH, I DIDN'T EVEN --
621
00:16:03,200 --> 00:16:04,430
YEAH, SURE, YEAH, OF COURSE.
622
00:16:04,433 --> 00:16:05,773
>> JASON, WHAT ARE YOU DOING?
623
00:16:05,767 --> 00:16:06,767
WE ARE IN THE MIDDLE OF SHOOTING
624
00:16:06,767 --> 00:16:07,227
MY SHOW.
625
00:16:07,233 --> 00:16:08,603
>> LADIES, WOULD YOU CARE TO
626
00:16:08,600 --> 00:16:10,130
JOIN ME AND PEACHES, MY SPECIAL
627
00:16:10,133 --> 00:16:11,473
FRIEND HERE, IN OUR PRIVATE
628
00:16:11,467 --> 00:16:12,067
CABANA?
629
00:16:12,067 --> 00:16:13,267
WE'RE HAVING MANI-PEDIS AND
630
00:16:13,267 --> 00:16:14,897
CHAMPAGNE, OF COURSE.
631
00:16:14,900 --> 00:16:16,200
>> NO, THEY WOULD NOT LIKE TO
632
00:16:16,200 --> 00:16:16,700
JOIN YOU.
633
00:16:16,700 --> 00:16:17,370
>> OH, MY GOD.
634
00:16:17,367 --> 00:16:18,567
THEY HAVE THE BEST MANIS AND
635
00:16:18,567 --> 00:16:19,267
PEDIS HERE!
636
00:16:19,267 --> 00:16:21,627
EEE!
637
00:16:21,633 --> 00:16:22,703
NICE VEST, BY THE WAY.
638
00:16:22,700 --> 00:16:23,770
>> OH, THIS OLD THING?
639
00:16:23,767 --> 00:16:25,967
[ LAUGHS ] KNOW, IT'S VERY IMMAE
640
00:16:25,967 --> 00:16:27,167
AND DESPERATE OF YOU TO TRY TO
641
00:16:27,167 --> 00:16:28,397
STEAL MY SHOW.
642
00:16:28,400 --> 00:16:29,800
>> KEL, COME ON.
643
00:16:29,800 --> 00:16:31,200
I'M NOT -- I'M NOT TRYING TO
644
00:16:31,200 --> 00:16:32,100
STEAL YOUR SHOW.
645
00:16:32,100 --> 00:16:34,970
I'M JUST REMINDING YOU THAT I AM
646
00:16:34,967 --> 00:16:38,067
THE SHOW.
647
00:16:38,067 --> 00:16:39,167
AND YOU MIGHT WANT TO GET A
648
00:16:39,167 --> 00:16:42,697
REACTION TO THAT.
649
00:16:42,700 --> 00:16:43,870
>> STOP IT!
650
00:16:43,867 --> 00:16:45,127
>> [ LAUGHING ]
651
00:16:45,133 --> 00:16:46,303
THAT'S GOOD TV.
652
00:16:46,300 --> 00:16:47,300
YOU GUYS LIKE CHAMPAGNE?
653
00:16:47,300 --> 00:16:49,400
[ SNAPS FINGERS ]
654
00:16:49,400 --> 00:16:50,370
>> WHAT?
655
00:16:50,367 --> 00:16:53,367
>> I LOVE CHAMPAGNE.
656
00:16:53,367 --> 00:16:57,397
[ GROANS ]
657
00:16:57,400 --> 00:16:59,070
WHERE THIS FOOL AT?
658
00:16:59,067 --> 00:17:00,127
HEY, MALIK, COME ON!
659
00:17:00,133 --> 00:17:03,503
WHERE YOU AT, MAN?
660
00:17:03,500 --> 00:17:06,070
>> WHAT'S UP, TEE TEE?
661
00:17:06,067 --> 00:17:07,627
GOT SOME WINGS FOR ME?
662
00:17:07,633 --> 00:17:08,573
>> WINGS? MAN, YOU GOT A
663
00:17:08,567 --> 00:17:10,397
SANDWICH IN YOUR HAND.
664
00:17:10,400 --> 00:17:11,830
>> SANDWICH?
665
00:17:11,833 --> 00:17:13,303
NOT FOR LONG.
666
00:17:13,300 --> 00:17:14,600
>> YO, YOU SEEN MALIK?
667
00:17:14,599 --> 00:17:16,269
>> MAN, YOU KNOW THIS HOUSE IS
668
00:17:16,267 --> 00:17:17,067
BIG.
669
00:17:17,067 --> 00:17:18,267
COME ON UP HERE AND FIND HIM,
670
00:17:18,267 --> 00:17:19,067
MAN.
671
00:17:19,067 --> 00:17:21,297
>> ALL RIGHT.
672
00:17:21,300 --> 00:17:24,700
MALIK!
673
00:17:24,700 --> 00:17:27,200
>> MALIK, DO YOU SMELL WINGS?
674
00:17:27,200 --> 00:17:28,530
OH, GOD, IF HE GETS IN, I'M
675
00:17:28,532 --> 00:17:29,972
DEFINITELY GETTING OUT.
676
00:17:29,967 --> 00:17:31,497
>> OH, HEY, MY BAD, MAN.
677
00:17:31,500 --> 00:17:34,870
MY BAD.
678
00:17:34,867 --> 00:17:37,467
>> ALISON?
679
00:17:37,467 --> 00:17:39,797
>> UH...
680
00:17:39,800 --> 00:17:40,830
>> SHE CAN'T STAY DOWN THERE ALL
681
00:17:40,833 --> 00:17:41,233
DAY.
682
00:17:41,233 --> 00:17:41,903
TRUST ME.
683
00:17:41,900 --> 00:17:43,470
>> YO, THAT'S NOT JUST SOME
684
00:17:43,467 --> 00:17:44,297
GIRL, MAN!
685
00:17:44,300 --> 00:17:45,700
THAT WAS MY GIRLFRIEND.
686
00:17:45,700 --> 00:17:46,700
>> WELL, I TOLD YOU TO TAKE ME
687
00:17:46,700 --> 00:17:48,430
HOME, DIDN'T I?
688
00:18:01,467 --> 00:18:02,497
>> THANKS, MEL.
689
00:18:02,500 --> 00:18:04,230
>> YOU'RE WELCOME.
690
00:18:15,400 --> 00:18:20,900
[ CELLPHONE RINGING ]
691
00:18:20,900 --> 00:18:21,900
>> HELLO?
692
00:18:21,900 --> 00:18:23,630
>> HEY, IT'S TAMMY.
693
00:18:23,633 --> 00:18:24,373
>> HI.
694
00:18:24,367 --> 00:18:25,567
>> YOU HAVEN'T TOLD HIM YET,
695
00:18:25,567 --> 00:18:27,067
HAVE YOU?
696
00:18:27,067 --> 00:18:27,597
>> WHY?
697
00:18:27,600 --> 00:18:28,900
>> I MADE A MISTAKE.
698
00:18:28,900 --> 00:18:29,830
I RAN IT AGAIN.
699
00:18:29,833 --> 00:18:30,973
I RAN IT A FEW TIMES.
700
00:18:30,967 --> 00:18:33,067
IT IS HIS BABY.
701
00:18:33,067 --> 00:18:34,897
I'M SO SORRY.
702
00:18:34,900 --> 00:18:37,300
I'VE BEEN WORKING ON NO SLEEP.
703
00:18:37,300 --> 00:18:38,470
YOU ARE LUCKY YOU DON'T HAVE TO
704
00:18:38,467 --> 00:18:39,167
DO THIS RESIDENCY.
705
00:18:39,167 --> 00:18:42,497
IT'S KILLING ME.
706
00:18:42,500 --> 00:18:45,600
>> I'LL TALK TO YOU LATER.
707
00:18:45,600 --> 00:18:48,400
OH, MY GOD.
708
00:18:48,400 --> 00:18:51,200
>> WHO WAS THAT?
709
00:18:51,200 --> 00:18:53,300
>> JUST SOMEBODY SELLING STUFF.
710
00:18:53,300 --> 00:18:54,570
DO YOU WANT SOME MORE ICE?
711
00:18:54,567 --> 00:18:55,567
>> OH, NO, NO, I'M GOOD.
712
00:18:55,567 --> 00:18:56,097
I'M GOOD.
713
00:18:56,100 --> 00:18:57,330
CAN I HAVE A KISS?
714
00:18:57,333 --> 00:19:00,603
>> * BUT IT WAS JUST A DREAM
715
00:19:00,600 --> 00:19:03,970
* JUST A MOMENT AGO
716
00:19:03,967 --> 00:19:06,067
* I WAS UP SO HIGH, LOOKING DOWN
717
00:19:06,067 --> 00:19:07,227
AT THE SKY *
718
00:19:07,233 --> 00:19:08,203
* DON'T LET ME FALL
719
00:19:08,253 --> 00:19:12,803
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