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00:00:36,070 --> 00:00:38,272
HERE YOU GO, SIR.
4
00:00:42,476 --> 00:00:45,379
YOU'RE LOOKING GREAT
TODAY, MR. HANSON.
5
00:00:45,379 --> 00:00:49,083
ALL RIGHT, PEOPLE.
20 SECONDS TO AIR.
6
00:00:49,083 --> 00:00:51,519
15 SECONDS.
WHERE'S LORIE?
7
00:01:06,367 --> 00:01:07,435
5...
8
00:01:07,435 --> 00:01:08,669
4...
9
00:01:08,669 --> 00:01:09,703
3...
10
00:01:09,703 --> 00:01:11,739
2...
11
00:01:11,739 --> 00:01:14,074
AND NOW, PERKELL
HEATING AND COOLING
12
00:01:14,074 --> 00:01:16,110
BRINGS YOU
HE SAID, SHE SAID,
13
00:01:16,110 --> 00:01:17,478
WITH YOUR COMMENTATORS
14
00:01:17,478 --> 00:01:19,780
LORRAINE BRYER
AND DAN HANSON.
15
00:01:19,780 --> 00:01:21,081
THE ISSUE TODAY--
16
00:01:21,081 --> 00:01:23,184
PROPOSITION 41,
THE HIGHWAY MERGER.
17
00:01:23,184 --> 00:01:25,052
GOOD AFTERNOON, DAN.
18
00:01:25,052 --> 00:01:28,055
PROPOSITION 41 ON
THE BALLOT IN OCTOBER
19
00:01:28,055 --> 00:01:31,058
WOULD PROVIDE FOR
A NEW CONNECTING SPUR
20
00:01:31,058 --> 00:01:33,461
TO MERGE HIGHWAYS
710 AND 88.
21
00:01:33,461 --> 00:01:38,466
IN MY VIEW, THIS MERGER
IS LONG OVERDUE.
22
00:01:38,466 --> 00:01:40,268
NOT ONLY WOULD IT
IMPROVE ACCESS,
23
00:01:40,268 --> 00:01:42,670
BUT IT WOULD ALLOW
FOR MAXIMUM GROWTH,
24
00:01:42,670 --> 00:01:44,672
ESPECIALLY IN
THE OUTLYING AREAS.
25
00:01:44,672 --> 00:01:46,874
I KNOW WHAT
YOU'LL SAY, DAN--
26
00:01:46,874 --> 00:01:48,542
THAT PROPOSITION 41
CAN WAIT,
27
00:01:48,542 --> 00:01:50,511
THAT THERE'S NO NEED
FOR IT NOW.
28
00:01:50,511 --> 00:01:52,713
BUT IN TWO
OR THREE YEARS,
29
00:01:52,713 --> 00:01:54,047
IT WILL BE TOO LATE.
30
00:01:54,047 --> 00:01:55,816
WE MUST GO FORWARD
OR WE STOP.
31
00:01:55,816 --> 00:01:57,951
NOW IS THE TIME.
32
00:01:57,951 --> 00:02:00,254
AND THAT'S THE WAY
I SEE IT.
33
00:02:00,254 --> 00:02:02,190
WELL, LORIE,
THERE YOU GO--
34
00:02:02,190 --> 00:02:03,724
OVER-INTELLECTUALIZING
AGAIN.
35
00:02:03,724 --> 00:02:04,725
COMMON SENSE
TELLS US
36
00:02:04,725 --> 00:02:07,328
THAT A MERGER IS
SIMPLY NOT NEEDED.
37
00:02:07,328 --> 00:02:10,331
THESE TWO HIGHWAYS FUNCTION
QUITE WELL INDEPENDENTLY.
38
00:02:10,331 --> 00:02:12,933
A MERGER NOW WOULD ONLY MEAN
INCREASED SPENDING,
39
00:02:12,933 --> 00:02:14,935
TRAFFIC, AND CONGESTION
40
00:02:14,935 --> 00:02:16,670
IN AN ALREADY
CROWDED AREA.
41
00:02:16,670 --> 00:02:19,840
AND THE OUTLYING AREAS
THAT YOU SPEAK OF
42
00:02:19,840 --> 00:02:21,242
HAVE REACHED
A PLATEAU
43
00:02:21,242 --> 00:02:23,677
WHERE FURTHER GROWTH
IS JUST NOT EXPECTED.
44
00:02:23,677 --> 00:02:27,014
THERE'S NOTHING WRONG
WITH THE STATUS QUO, LORIE.
45
00:02:27,014 --> 00:02:28,749
AS MY UNCLE OLAF
USED TO SAY,
46
00:02:28,749 --> 00:02:31,752
"WHY FIX IT
IF IT AIN'T BROKEN?"
47
00:02:31,752 --> 00:02:34,555
AND THAT'S THE WAY
I SEE IT--OW!
48
00:02:34,555 --> 00:02:35,789
CHRIST.
49
00:02:35,789 --> 00:02:38,859
THE OPINIONS EXPRESSED
BY THE COMMENTATORS
50
00:02:38,859 --> 00:02:41,495
ARE NOT NECESSARILY
THOSE OF STATION WBAL.
51
00:02:41,495 --> 00:02:43,997
EXCUSE ME.
EXCUSE ME, PLEASE.
52
00:02:43,997 --> 00:02:45,199
OH. THIS IS IT.
53
00:02:45,199 --> 00:02:47,568
SHE'S GONE TOO FAR
THIS TIME.
54
00:02:47,568 --> 00:02:49,370
WHAT DID YOU
DO TO HER?
55
00:02:49,370 --> 00:02:51,605
SHE GOES NUTS
ON THE AIR,
56
00:02:51,605 --> 00:02:53,974
AND YOU'RE ASKING ME
WHAT I DID TO HER?
57
00:02:53,974 --> 00:02:56,344
YOU MUST
HAVE DONE SOMETHING.
58
00:02:56,344 --> 00:02:58,546
YOU DON'T MAKE A REBUTTAL
WITH A BLUNT OBJECT.
59
00:02:58,546 --> 00:03:00,914
YOU DO THIS.
IT'S TOO DISGUSTING.
60
00:03:00,914 --> 00:03:03,517
I JUST HOPE WELLER
DIDN'T SEE THE SHOW TODAY.
61
00:03:03,517 --> 00:03:05,519
HE'LL BE FINE.
GET BACK TO WORK.
62
00:03:05,519 --> 00:03:07,321
PLEASE.
63
00:03:07,321 --> 00:03:08,722
EMILY,
FIND SOME ASPIRIN.
64
00:03:08,722 --> 00:03:12,025
LOOK AT ALL THOSE
PHONE CALLS, MR. THURMAN.
65
00:03:12,025 --> 00:03:13,594
HUNDREDS OF THEM.
66
00:03:18,366 --> 00:03:20,368
VULTURES.
THEY ALL CAN'T WAIT
67
00:03:20,368 --> 00:03:22,102
TO SEE
WHAT HAPPENS TOMORROW.
68
00:03:22,102 --> 00:03:25,005
YEAH. NEITHER CAN I.
69
00:03:25,005 --> 00:03:26,206
WAIT A MINUTE.
70
00:03:26,206 --> 00:03:27,575
THEY ALL CAN'T WAIT
71
00:03:27,575 --> 00:03:30,010
TO SEE WHAT
HAPPENS TOMORROW.
72
00:03:30,010 --> 00:03:31,612
THIS COULD BE
THE BEST THING
73
00:03:31,612 --> 00:03:33,614
THAT EVER HAPPENED TO US.
IF WE PROMOTE THIS RIGHT...
74
00:03:33,614 --> 00:03:35,649
YOU'LL NEVER BELIEVE
WHO I JUST TALKED TO--
75
00:03:35,649 --> 00:03:37,017
BILL WELLER'S
SECRETARY HERSELF.
76
00:03:37,017 --> 00:03:39,620
YOU DID? THAT MEANS WELLER
SAW THE SHOW TODAY.
77
00:03:39,620 --> 00:03:41,021
SEE, THIS COULD BE GOOD.
THIS COULD BE VERY GOOD.
78
00:03:41,021 --> 00:03:43,223
HE LOVES THIS KIND OF STUFF.
WHAT DID SHE SAY?
79
00:03:43,223 --> 00:03:45,025
SHE SAID
HE WOULD BE CALLING.
80
00:03:45,025 --> 00:03:47,361
DID YOU HEAR THAT?
SHE SAID--
81
00:03:47,361 --> 00:03:49,229
WAIT. BILL WELLER'S
CALLING ME?
82
00:03:49,229 --> 00:03:52,132
ON MY PHONE?
PERSONALLY?
83
00:03:52,132 --> 00:03:54,134
THIS COULD BE BAD,
VERY BAD.
84
00:03:54,134 --> 00:03:56,236
HE NEVER CALLS YOU
PERSONALLY
85
00:03:56,236 --> 00:03:58,339
UNLESS HE REALLY
WANTS TO HURT YOU.
86
00:03:58,339 --> 00:03:59,707
WE'RE SCREWED.
87
00:03:59,707 --> 00:04:00,941
WALLY, SIT DOWN. RELAX.
TAKE A DEEP BREATH.
88
00:04:00,941 --> 00:04:03,143
YOU DON'T KNOW
WHAT HE'S THINKING.
89
00:04:03,143 --> 00:04:05,613
IT MAY NOT BE
THAT BAD.
90
00:04:05,613 --> 00:04:08,382
YOU THINK HE'LL STILL PUT YOU
ON HIS NETWORK
91
00:04:08,382 --> 00:04:10,050
AFTER TODAY'S FIASCO?
92
00:04:10,050 --> 00:04:12,052
LORIE BLEW
THE ENTIRE DEAL.
93
00:04:12,052 --> 00:04:13,854
LOOK. I'LL
TALK TO LORIE.
94
00:04:13,854 --> 00:04:16,457
HE'S SPENDING
A FORTUNE ON YOU TWO,
95
00:04:16,457 --> 00:04:19,259
AND HE WATCHES YOU
BREAK UP ON THE AIR.
96
00:04:19,259 --> 00:04:20,661
WE'RE NOT
BREAKING UP.
97
00:04:20,661 --> 00:04:23,464
THIS IS THE WAY WE ARE,
ME AND LORIE.
98
00:04:23,464 --> 00:04:25,366
THIS IS THE WAY
WE'VE ALWAYS BEEN.
99
00:04:25,366 --> 00:04:27,034
HI. THIS IS
LORIE BRYER.
100
00:04:27,034 --> 00:04:30,270
I'M WITH THE PEOPLE SECTION
OF THE SUN.
101
00:04:30,270 --> 00:04:31,805
[TELEPHONE RINGS]
102
00:04:31,805 --> 00:04:33,307
HANSON.
103
00:04:33,307 --> 00:04:36,009
YES. HELLO. THANK YOU
FOR CALLING ME BACK.
104
00:04:36,009 --> 00:04:37,478
I'M DOING THE OBITUARY
ON PROFESSOR HOLLIS.
105
00:04:37,478 --> 00:04:38,712
COLOR OF THE BRIDE'S...
106
00:04:38,712 --> 00:04:42,282
WHAT TIME IS THE
WEDDING--UH, FUNERAL?
107
00:04:42,282 --> 00:04:43,917
PUCE?
RIGHT. OK.
108
00:04:43,917 --> 00:04:46,420
DOES THE FAMILY HAVE ANY
SPECIAL REQUESTS?
109
00:04:46,420 --> 00:04:48,288
IN LIEU OF FLOWERS.
GREAT.
110
00:04:48,288 --> 00:04:50,090
THANKS VERY MUCH.
111
00:04:50,090 --> 00:04:51,191
BYE-BYE.
112
00:04:51,191 --> 00:04:52,526
PUCE.
113
00:04:52,526 --> 00:04:55,329
WELL, THIS IS DEFINITELY
PULITZER PRIZE MATERIAL.
114
00:04:55,329 --> 00:04:57,798
THIS WILL TURN
JOURNALISM ON ITS EAR.
115
00:04:57,798 --> 00:05:00,267
THERE ARE NO SMALL JOBS
HERE, MISS BRYER.
116
00:05:00,267 --> 00:05:02,603
A NEWSPAPER IS
A DAILY MIRACLE,
117
00:05:02,603 --> 00:05:04,405
AND WE'RE
ALL PART OF IT.
118
00:05:04,405 --> 00:05:06,974
HA HA HA HA HA!
119
00:05:10,310 --> 00:05:12,112
DIANA.
120
00:05:12,112 --> 00:05:13,313
OH, YOU LOOK
INCREDIBLE.
121
00:05:13,313 --> 00:05:14,715
IT'S YOUR HAIR,
RIGHT?
122
00:05:14,715 --> 00:05:17,317
IT'S YOUR CUT.
YOU FOUND YOUR CUT.
123
00:05:17,317 --> 00:05:19,453
WE STILL ON
FOR FRIDAY?
124
00:05:19,453 --> 00:05:20,721
IT'S MY SISTER'S
BIRTHDAY.
125
00:05:20,721 --> 00:05:22,790
CAN WE CHANGE IT
TO SATURDAY?
126
00:05:22,790 --> 00:05:24,324
SURE. ABSOLUTELY.
NO PROBLEM.
127
00:05:24,324 --> 00:05:26,093
MY ENTIRE SCHEDULE
IS AT YOUR DISPOSAL.
128
00:05:27,160 --> 00:05:28,362
SHEILA.
SHEILA. SHEILA.
129
00:05:28,362 --> 00:05:29,763
I'VE GOT A PROBLEM.
130
00:05:29,763 --> 00:05:32,500
CAN WE CHANGE
SATURDAY TO FRIDAY?
131
00:05:32,500 --> 00:05:34,167
IT'S MY SISTER'S
BIRTHDAY.
132
00:05:34,167 --> 00:05:35,235
SURE, DAN.
I CAN DO THAT.
133
00:05:35,235 --> 00:05:39,072
OH, THANK YOU.
THANK YOU.
134
00:05:39,072 --> 00:05:40,173
YOU'RE AN ANGEL.
135
00:05:40,173 --> 00:05:41,709
THANKS.
136
00:05:41,709 --> 00:05:43,343
DAN!
137
00:05:43,343 --> 00:05:44,812
DAN!
138
00:05:44,812 --> 00:05:46,013
SHIT.
139
00:05:49,783 --> 00:05:51,051
DAN!
140
00:05:52,620 --> 00:05:58,158
LOUSY, SELF-CENTERED,
THREE-TIMING JERK.
141
00:05:58,158 --> 00:05:59,159
SCUMBAG.
142
00:05:59,159 --> 00:06:01,729
OH, GOD.
I FELL FOR...
143
00:06:01,729 --> 00:06:02,763
SHH.
144
00:06:02,763 --> 00:06:05,899
NOW I FIND OUT
HE'S GOT A GIRLFRIEND.
145
00:06:05,899 --> 00:06:07,234
YOU ALL RIGHT?
146
00:06:07,234 --> 00:06:08,902
JUST TAKE MY ADVICE.
147
00:06:08,902 --> 00:06:10,203
STAY AWAY FROM HIM.
148
00:06:10,203 --> 00:06:11,639
NEVER GO OUT WITH HIM.
149
00:06:11,639 --> 00:06:14,074
THERE'S NO CHANCE
OF THAT.
150
00:06:14,074 --> 00:06:17,077
I DON'T GO OUT
WITH COWARDLY SCUMBAGS.
151
00:06:17,077 --> 00:06:19,947
I MEAN, WHAT DOES
EVERYBODY SEE IN HIM?
152
00:06:19,947 --> 00:06:22,182
HE'S NOT
THAT GOOD-LOOKING.
153
00:06:22,182 --> 00:06:24,151
HE THINKS
THAT HE'S CHARMING
154
00:06:24,151 --> 00:06:26,153
WITH ALL
THIS BOYISH STUFF,
155
00:06:26,153 --> 00:06:27,354
AND I CAN'T IMAGINE
156
00:06:27,354 --> 00:06:28,889
THE SEX WOULD BE
ANY GOOD.
157
00:06:29,957 --> 00:06:31,992
WELL...
158
00:06:33,561 --> 00:06:35,963
HOW MANY Es
IN SLEAZEBALL?
159
00:06:35,963 --> 00:06:37,164
A NOTE IS GOOD,
160
00:06:37,164 --> 00:06:40,768
BUT YOU NEED TO MAKE
A MUCH MORE DRAMATIC POINT.
161
00:06:40,768 --> 00:06:42,970
YOU OUGHT TO JUST
BREAK SOMETHING.
162
00:06:42,970 --> 00:06:44,171
ONE OF HIS MODELS.
163
00:06:44,171 --> 00:06:46,440
YEAH.
164
00:06:46,440 --> 00:06:49,309
UH, NO, THE WOLFMAN.
165
00:06:49,309 --> 00:06:51,579
THAT'S HIS FAVORITE,
I THINK.
166
00:06:51,579 --> 00:06:54,381
OH, NO.
I COULDN'T DO THAT.
167
00:06:54,381 --> 00:06:56,383
HAVE YOU EVER
HEARD HIM TALK
168
00:06:56,383 --> 00:06:57,585
ABOUT THE WOLFMAN?
169
00:06:57,585 --> 00:07:01,489
IT BROUGHT TEARS
TO MY EYES.
170
00:07:01,489 --> 00:07:04,492
LOOK. JUST DO ME
A FAVOR, OK?
171
00:07:04,492 --> 00:07:06,494
NEXT TIME
YOU SEE HIM,
172
00:07:06,494 --> 00:07:08,328
YOU KICK HIS BUTT
FOR ME.
173
00:07:08,328 --> 00:07:10,163
YOU GOT IT.
174
00:07:10,163 --> 00:07:11,499
OK.
175
00:07:12,966 --> 00:07:14,134
YOU...
176
00:07:14,134 --> 00:07:15,803
DON'T SAY A WORD.
177
00:07:15,803 --> 00:07:18,572
YOU WERE GOING
TO LET HER
TRASH MY WOLFMAN.
178
00:07:18,572 --> 00:07:20,373
WELL, YOU DESERVE IT,
179
00:07:20,373 --> 00:07:22,242
LYING TO THAT POOR GIRL.
180
00:07:22,242 --> 00:07:23,577
AM I RESPONSIBLE
181
00:07:23,577 --> 00:07:26,379
FOR THE PERSONALITY
DISORDERS OF MY DATES?
182
00:07:26,379 --> 00:07:28,315
I TOLD JANET
I SEE OTHER WOMEN.
183
00:07:28,315 --> 00:07:29,416
I DON'T LIE.
184
00:07:29,416 --> 00:07:31,418
WHAT, YOU HELP
LITTLE OLD LADIES
185
00:07:31,418 --> 00:07:32,486
CROSS THE STREET, TOO?
186
00:07:32,486 --> 00:07:35,523
I HAPPEN TO HAVE
17 MERIT BADGES.
187
00:07:35,523 --> 00:07:37,324
AND BY THE WAY,
188
00:07:37,324 --> 00:07:39,326
SEX WITH ME
IS VERY GOOD.
189
00:07:39,326 --> 00:07:40,360
UH-HUH.
190
00:07:40,360 --> 00:07:42,162
I'M SURE.
191
00:07:43,697 --> 00:07:45,633
WHY? HAVE YOU
HEARD SOMETHING?
192
00:07:46,767 --> 00:07:48,502
WHAT HAVE YOU HEARD?
193
00:07:48,502 --> 00:07:49,970
NOTHING.
194
00:07:49,970 --> 00:07:51,839
NOTHING.
195
00:07:55,375 --> 00:07:56,810
OK, EVERYBODY.
196
00:07:56,810 --> 00:07:59,847
I KNOW THERE HAVE BEEN A LOT
OF RUMORS FLOATING AROUND
197
00:07:59,847 --> 00:08:01,982
SINCE MONROE ANNOUNCED
HIS RETIREMENT.
198
00:08:01,982 --> 00:08:04,818
SO, I'VE DECIDED TO GIVE
YOUNG MR. HANSON HERE
199
00:08:04,818 --> 00:08:08,689
A CRACK
AT THAT COLUMN.
200
00:08:08,689 --> 00:08:11,158
CONGRATULATIONS.
201
00:08:12,560 --> 00:08:13,961
HARRY, COME HERE.
202
00:08:13,961 --> 00:08:16,096
[WHISPERING] Listen,
I told you yesterday
203
00:08:16,096 --> 00:08:19,132
I promised the column
to Miss Bryer.
204
00:08:19,132 --> 00:08:21,735
She's the best
writer on the staff.
205
00:08:21,735 --> 00:08:23,470
I want you
to fix this.
206
00:08:23,470 --> 00:08:24,672
AW, CHRIST, ED.
207
00:08:24,672 --> 00:08:26,840
I WISH YOU HADN'T
DONE THAT.
208
00:08:26,840 --> 00:08:30,578
UH, DAN, AND,
UH...MISS BRYER,
209
00:08:30,578 --> 00:08:33,146
IN MY OFFICE
AFTER THIS MEETING.
210
00:08:45,125 --> 00:08:48,361
TECHNICALLY, THE OP-ED PAGE
IS ED'S TERRITORY,
211
00:08:48,361 --> 00:08:49,730
BUT I DO WISH, LORIE,
212
00:08:49,730 --> 00:08:52,132
THAT HE'D TOLD ME HE
PROMISED YOU THE COLUMN.
213
00:08:52,132 --> 00:08:53,400
I DID.
214
00:08:53,400 --> 00:08:54,835
NOW, WHAT WE'VE
DECIDED TO DO
215
00:08:54,835 --> 00:08:57,971
IN A MOST SOLOMON-LIKE
AND QUITE COWARDLY FASHION,
216
00:08:57,971 --> 00:08:59,573
IS TO GIVE YOU
BOTH A SHOT AT IT.
217
00:08:59,573 --> 00:09:01,541
YOU'VE BOTH BEEN FOLLOWING
THIS PUBLIC SCULPTURE THING?
218
00:09:01,541 --> 00:09:04,678
DON'T FEEL YOU HAVE
TO IMITATE MONROE.
219
00:09:04,678 --> 00:09:06,747
USE YOUR OWN STYLE,
OPINIONS.
220
00:09:06,747 --> 00:09:08,582
1,500 WORDS,
ON MY DESK, BY 5:00
221
00:09:08,582 --> 00:09:09,883
FOR PUBLICATION
TOMORROW.
222
00:09:09,883 --> 00:09:12,552
MAY THE BEST
MAN WIN.
223
00:09:12,552 --> 00:09:15,088
OR THE BEST WOMAN.
224
00:09:30,604 --> 00:09:32,239
THIS REALLY SUCKS.
225
00:09:32,239 --> 00:09:33,907
TELL ME ABOUT IT.
226
00:09:33,907 --> 00:09:36,877
OH, PLEASE. DON'T TELL ME
THAT YOU'RE DONE ALREADY.
227
00:09:36,877 --> 00:09:39,680
DO YOU THINK ABOUT IT AT ALL,
OR DO YOU JUST...TYPE?
228
00:09:39,680 --> 00:09:40,881
I DON'T NEED TO THINK.
229
00:09:40,881 --> 00:09:43,383
COMMON SENSE TELLS ME
WHAT TO SAY.
230
00:09:43,383 --> 00:09:45,318
COMMON SENSE, HUH?
231
00:09:45,318 --> 00:09:46,654
I'LL TELL YOU WHAT.
232
00:09:46,654 --> 00:09:47,755
I'LL WAIT
UNTIL YOU'RE DONE.
233
00:09:47,755 --> 00:09:49,056
WE'LL HAND THEM
IN TOGETHER
234
00:09:49,056 --> 00:09:51,859
JUST TO GIVE YOU
A FAIR SHOT.
235
00:09:53,060 --> 00:09:56,429
SO, ALL THOSE YEARS I SPENT
IN JOURNALISM SCHOOL
236
00:09:56,429 --> 00:09:57,665
WERE JUST
A WASTE OF MY TIME?
237
00:09:57,665 --> 00:09:58,699
I DON'T CONSIDER MYSELF
A JOURNALIST.
238
00:09:58,699 --> 00:09:59,833
I WOULDN'T BRAG
ABOUT IT.
239
00:09:59,833 --> 00:10:01,669
I'M A NEWSPAPERMAN.
240
00:10:01,669 --> 00:10:04,738
PITHY.
DUMB, BUT PITHY.
241
00:10:14,748 --> 00:10:17,084
LISTEN--
LISTEN--
242
00:10:18,151 --> 00:10:19,419
GO AHEAD.
243
00:10:19,419 --> 00:10:20,988
AFTER TOMORROW,
244
00:10:20,988 --> 00:10:22,823
ONE OF US IS NEVER
GOING TO SPEAK
245
00:10:22,823 --> 00:10:26,827
TO THE OTHER
ONE AGAIN, SO I...
246
00:10:29,763 --> 00:10:31,631
HOW ABOUT DINNER?
247
00:10:32,833 --> 00:10:34,634
THERE YOU ARE.
248
00:10:34,634 --> 00:10:36,636
AND YOU, SIR.
249
00:10:36,636 --> 00:10:38,038
TO MY NEW COLUMN.
250
00:10:38,038 --> 00:10:42,309
THE PAPER DOESN'T COME OUT
FOR A COUPLE OF HOURS.
251
00:10:42,309 --> 00:10:45,512
HERE. YOU MIGHT AS WELL
TAKE THESE, TOO.
252
00:10:45,512 --> 00:10:47,681
NO. I JUST
WANTED A TASTE.
253
00:10:47,681 --> 00:10:48,682
DAN.
254
00:10:48,682 --> 00:10:49,549
SUSAN.
255
00:10:49,549 --> 00:10:52,485
HI.
256
00:10:52,485 --> 00:10:53,787
OH.
257
00:10:53,787 --> 00:10:55,088
WOW. YOU LOOK
FANTASTIC.
258
00:10:55,088 --> 00:10:57,858
YOUR HAIR LOOKS GREAT.
THAT IS YOU.
259
00:10:57,858 --> 00:10:59,326
THAT IS YOUR CUT.
260
00:10:59,326 --> 00:11:01,394
THANK YOU. AND THANKS
FOR THE FLOWERS.
261
00:11:01,394 --> 00:11:02,562
THAT WAS SO SWEET.
262
00:11:02,562 --> 00:11:04,798
YOU REMEMBERED I MENTIONED
LIKING MUMS.
263
00:11:04,798 --> 00:11:06,767
WELL, YOU GOT THEM.
I'M GLAD.
264
00:11:06,767 --> 00:11:07,868
LISTEN, SUSAN,
THIS IS LORIE.
265
00:11:07,868 --> 00:11:09,102
SHE'S, UH...
266
00:11:09,102 --> 00:11:11,671
SHE'S GOT THE CUBICLE
ACROSS FROM ME.
267
00:11:11,671 --> 00:11:13,874
LISTEN. I DIDN'T MEAN
TO INTERRUPT.
268
00:11:13,874 --> 00:11:16,910
LET'S GET TOGETHER,
GO TO AN ART OPENING?
269
00:11:16,910 --> 00:11:18,812
THAT WOULD BE GREAT.
GIVE ME A CALL.
270
00:11:18,812 --> 00:11:20,413
BUT DON'T CHANGE
YOUR HAIR,
271
00:11:20,413 --> 00:11:21,815
OR THE DEAL'S OFF.
272
00:11:21,815 --> 00:11:22,750
I WON'T.
273
00:11:22,750 --> 00:11:23,751
BYE-BYE.
274
00:11:23,751 --> 00:11:25,252
SEE YA.
275
00:11:28,455 --> 00:11:29,656
DON'T SAY A WORD.
276
00:11:29,656 --> 00:11:31,058
I DO NOT
BELIEVE YOU.
277
00:11:31,058 --> 00:11:33,060
IT'S AMAZING
IT'S LIKE WATCHING
278
00:11:33,060 --> 00:11:35,028
SOME CREEPING
FUNGUS AT WORK.
279
00:11:35,028 --> 00:11:37,030
HEY. SOME PEOPLE
HAVE BEEN KNOWN
280
00:11:37,030 --> 00:11:38,999
TO HAVE A GOOD TIME
WITH ME.
281
00:11:38,999 --> 00:11:41,802
LOOK, ALL I WAS
GOING TO SAY
282
00:11:41,802 --> 00:11:43,804
IS THAT FROM
WHAT I HAVE OBSERVED
283
00:11:43,804 --> 00:11:45,005
OF YOU AND YOUR WOMEN,
284
00:11:45,005 --> 00:11:47,007
THE OVERALL LEVEL
OF HURT, OUTRAGE,
285
00:11:47,007 --> 00:11:49,676
AND DISTRESS
THAT YOU INSPIRE
286
00:11:49,676 --> 00:11:51,678
CAN ONLY
BE TERMED MASSIVE.
287
00:11:51,678 --> 00:11:53,680
DID SHE LOOK HURT
TO YOU?
288
00:11:53,680 --> 00:11:55,682
NO. AS A MATTER
OF FACT,
289
00:11:55,682 --> 00:11:56,884
SHE LOOKED
VERY HAPPY.
290
00:11:56,884 --> 00:12:00,287
BUT, YOU KNOW,
IGNORANCE IS BLISS.
291
00:12:00,287 --> 00:12:02,956
I JUST DON'T UNDERSTAND
WOMEN LIKE THAT.
292
00:12:02,956 --> 00:12:04,792
MAYBE I'M TOO...CEREBRAL.
293
00:12:05,793 --> 00:12:07,828
THAT MEANS
MAYBE I'M TOO BRAINY.
294
00:12:07,828 --> 00:12:09,729
I KNOW
WHAT THAT MEANS.
295
00:12:09,729 --> 00:12:12,232
YOU GOT SOMETHING
ON YOUR FACE.
296
00:12:12,232 --> 00:12:14,802
IT'S A CRUMB
OR SCHMUTZ OR SOMETHING.
297
00:12:14,802 --> 00:12:16,403
STOP THAT.
298
00:12:23,610 --> 00:12:24,878
SO, ABOUT MY COLUMN,
299
00:12:24,878 --> 00:12:26,079
THE PUBLIC
SCULPTURE--
300
00:12:26,079 --> 00:12:27,414
WERE YOU FOR
OR AGAINST IT?
301
00:12:28,481 --> 00:12:29,883
WHAT DO YOU THINK?
302
00:12:29,883 --> 00:12:31,084
I WAS AGAINST IT.
303
00:12:31,084 --> 00:12:32,519
THAT DOESN'T
SURPRISE ME.
304
00:12:32,519 --> 00:12:35,088
THEY'LL PRINT YOURS.
IT'S A MEN'S CLUB.
305
00:12:35,088 --> 00:12:37,090
I WOULD REALLY
LIKE TO WORK
306
00:12:37,090 --> 00:12:38,792
AT THE NEW YORK TIMES.
307
00:12:38,792 --> 00:12:41,061
AT LEAST THERE I COULD
INFLUENCE PEOPLE,
308
00:12:41,061 --> 00:12:43,864
MAYBE CHANGE THE WAY
THEY THINK A LITTLE BIT.
309
00:12:43,864 --> 00:12:46,533
THAT'S WHY I WANT
THIS COLUMN SO BADLY.
310
00:12:46,533 --> 00:12:49,469
I DON'T WANT TO BE STUCK
REPORTING ON WEDDINGS FOREVER.
311
00:12:49,469 --> 00:12:50,737
REALLY?
312
00:12:50,737 --> 00:12:52,205
I THOUGHT ALL WOMEN
LOVE WEDDINGS.
313
00:12:52,205 --> 00:12:56,609
YOU REALLY THINK YOU KNOW
HOW TO GET TO ME.
314
00:12:56,609 --> 00:12:58,545
AS LONG AS WE'RE GOING
TO TALK IN STEREOTYPES...
315
00:12:59,712 --> 00:13:01,748
ALL WOMEN
WANT TO GET MARRIED,
316
00:13:01,748 --> 00:13:03,817
AND ALL MEN
FEAR COMMITMENT.
317
00:13:03,817 --> 00:13:05,919
NO. NO, NO. SEE,
YOU DON'T UNDERSTAND.
318
00:13:05,919 --> 00:13:08,288
IT'S NOT FEAR.
319
00:13:08,288 --> 00:13:09,923
IT'S JUST THAT WE DON'T HAVE
A CHOICE IN THE MATTER.
320
00:13:09,923 --> 00:13:10,991
WE CAN'T COMMIT.
321
00:13:10,991 --> 00:13:12,792
IT'S SOMETHING
DEEP INSIDE,
322
00:13:12,792 --> 00:13:14,928
IN THE ANIMAL
PART OF MEN,
323
00:13:14,928 --> 00:13:16,897
THAT WANTS TO KEEP US
SEPARATE FROM THE PACK.
324
00:13:17,931 --> 00:13:19,299
RIGHT. LIKE YOUR FRIEND
THE WOLFMAN.
325
00:13:19,299 --> 00:13:21,701
EXACTLY. OK, THERE'S
THE PERFECT EXAMPLE.
326
00:13:21,701 --> 00:13:23,036
THE WOLFMAN
IS A TREMENDOUS
327
00:13:23,036 --> 00:13:24,704
SOURCE OF STRENGTH
328
00:13:24,704 --> 00:13:25,906
FOR GUYS LIKE ME.
329
00:13:25,906 --> 00:13:27,908
HE'S STRONG, ALOOF,
330
00:13:27,908 --> 00:13:29,709
DESTINED
TO LIVE ALONE.
331
00:13:29,709 --> 00:13:30,911
HE'S HIS OWN MAN.
332
00:13:30,911 --> 00:13:32,712
HE'S HIS OWN WOLF.
333
00:13:32,712 --> 00:13:33,914
HE'S HIS
OWN WOLFMAN.
334
00:13:33,914 --> 00:13:35,849
HE KNOWS
THAT IT'S IMPOSSIBLE
335
00:13:35,849 --> 00:13:37,717
TO GET CLOSE TO SOMEONE,
336
00:13:37,717 --> 00:13:38,919
BECAUSE
SOONER OR LATER,
337
00:13:38,919 --> 00:13:40,854
THAT FULL MOON IS
GOING TO COME OUT.
338
00:13:41,889 --> 00:13:44,624
BINGO. SOMEBODY IS
GOING TO GET HURT.
339
00:13:44,624 --> 00:13:46,860
SO HE TAKES HIS INTIMACY
WHERE HE CAN FIND IT.
340
00:13:47,727 --> 00:13:50,898
A NIGHT HERE,
A NIGHT THERE.
341
00:13:50,898 --> 00:13:54,902
THOSE OTHER WOMEN FALL
FOR THIS SHIT, HUH?
342
00:13:54,902 --> 00:13:56,103
THIS IS NOT SHIT.
343
00:13:56,103 --> 00:13:57,971
IT'S SOMETHING
I DEEPLY BELIEVE IN.
344
00:13:57,971 --> 00:14:00,473
WELL, IT SOUNDS LIKE
AN EXCUSE TO ME.
345
00:14:00,473 --> 00:14:01,774
SOONER OR LATER,
346
00:14:01,774 --> 00:14:04,044
EVEN THE WOLFMAN
HAS TO MAKE A CHOICE.
347
00:14:04,044 --> 00:14:05,946
READY TO ORDER,
MISS?
348
00:14:05,946 --> 00:14:07,915
OH, YEAH. UM...
349
00:14:07,915 --> 00:14:10,483
I WILL START WITH...
350
00:14:11,551 --> 00:14:12,852
MONOGAMY.
351
00:14:12,852 --> 00:14:14,321
THEN...
352
00:14:14,321 --> 00:14:15,288
COMMITMENT.
353
00:14:15,288 --> 00:14:18,258
AND THEN I WILL
HAVE THE MARRIAGE.
354
00:14:18,258 --> 00:14:20,327
THE MARRIAGE COMES
WITH COMMITMENT, MA'AM,
355
00:14:20,327 --> 00:14:23,730
UNLESS YOU'D LIKE
SOMETHING ON THE SIDE.
356
00:14:23,730 --> 00:14:25,165
OH. NO. NOT ME,
357
00:14:25,165 --> 00:14:26,934
BUT MAYBE
CHILDREN LATER.
358
00:14:26,934 --> 00:14:29,636
GOOD CHOICE, MA'AM.
359
00:14:29,636 --> 00:14:31,671
I UNDERSTAND
THE MONOGAMY
360
00:14:31,671 --> 00:14:32,940
IS VERY GOOD HERE.
361
00:14:32,940 --> 00:14:35,242
AND FOR YOU, SIR?
362
00:14:35,242 --> 00:14:37,310
UH, JUST A SIDE ORDER
OF SEX, PLEASE.
363
00:14:38,178 --> 00:14:40,113
I CAN'T
DO THAT, SIR.
364
00:14:40,113 --> 00:14:42,249
IT ONLY COMES
WITH COMMITMENT.
365
00:14:42,249 --> 00:14:44,017
ALL RIGHT. I'LL MAKE IT
EASY FOR YOU.
366
00:14:45,018 --> 00:14:46,553
I'LL TAKE
THE COMPLETE DINNER.
367
00:14:46,553 --> 00:14:48,755
HOLD THE COMMITMENT,
HOLD THE MONOGAMY.
368
00:14:48,755 --> 00:14:50,023
JUST BRING THE SEX.
369
00:14:50,023 --> 00:14:52,025
THAT WAY, NOBODY
GETS IN TROUBLE,
370
00:14:52,025 --> 00:14:54,127
AND I GET
WHAT I WANT.
371
00:14:54,127 --> 00:14:55,495
YOU WANT ME TO
HOLD THE MONOGAMY?
372
00:14:55,495 --> 00:14:57,164
DAN, READ THE SIGN.
373
00:15:01,868 --> 00:15:05,005
DO YOU NEED ANOTHER
MINUTE TO DECIDE?
374
00:15:07,007 --> 00:15:10,777
I HEAR THE RAVIOLI
HERE IS GREAT.
375
00:15:10,777 --> 00:15:13,380
YEAH. SURE.
RAVIOLI SOUNDS FINE.
376
00:15:14,247 --> 00:15:15,782
WHEN I'M EDITOR,
377
00:15:15,782 --> 00:15:17,250
I'LL GIVE YOU
ANOTHER CHANCE.
378
00:15:17,250 --> 00:15:18,986
WHEN YOU'RE EDITOR,
I'LL BE LONG GONE.
379
00:15:20,020 --> 00:15:22,822
DON'T FEEL SORRY
FOR ME--OH, SHIT.
380
00:15:22,822 --> 00:15:24,024
WHAT'S WRONG?
381
00:15:24,024 --> 00:15:25,625
MY CONTACT
POPPED OUT.
382
00:15:25,625 --> 00:15:27,027
I'M ALWAYS
DOING THAT.
383
00:15:27,027 --> 00:15:28,628
HANG ON. HANG ON.
384
00:15:28,628 --> 00:15:30,030
I'M EXCELLENT
AT THIS.
385
00:15:30,030 --> 00:15:32,032
I HAVE THIS
UNCANNY POWER.
386
00:15:32,032 --> 00:15:33,433
IT'S LIKE MAGIC.
WATCH.
387
00:15:33,433 --> 00:15:34,968
ATTENTION,
EVERYBODY, PLEASE.
388
00:15:34,968 --> 00:15:36,169
NOBODY MOVE.
389
00:15:36,169 --> 00:15:39,272
MY FRIEND HAS JUST
LOST A CONTACT LENS,
390
00:15:39,272 --> 00:15:41,208
SO IF EVERYBODY
COULD JUST STOP
391
00:15:41,208 --> 00:15:42,809
RIGHT WHERE YOU ARE,
392
00:15:42,809 --> 00:15:44,411
JUST LOOK DOWN, AND--
393
00:15:44,411 --> 00:15:45,812
[CRUNCH]
394
00:15:45,812 --> 00:15:47,380
OH, BOY.
395
00:15:51,918 --> 00:15:53,520
WAS THAT IT?
396
00:15:53,520 --> 00:15:54,921
I DON'T KNOW.
397
00:15:54,921 --> 00:15:56,323
I CAN'T SEE.
398
00:15:56,323 --> 00:15:58,691
IT'S OK. WE GOT IT.
399
00:15:58,691 --> 00:16:00,793
THANKS.
400
00:16:00,793 --> 00:16:02,029
THANK YOU.
401
00:16:02,029 --> 00:16:04,564
I'M--I'M
REALLY SORRY.
402
00:16:05,865 --> 00:16:08,001
HOW AM I GOING
TO DRIVE LIKE THIS?
403
00:16:09,169 --> 00:16:12,205
I'LL HAVE TO READ
MY COLUMN WITH ONE EYE.
404
00:16:18,378 --> 00:16:19,512
WHAT?
405
00:16:31,758 --> 00:16:34,761
HA HA HA HA HA!
406
00:16:34,761 --> 00:16:36,496
WHAT?
407
00:16:40,067 --> 00:16:41,668
I'M--I'M SORRY.
408
00:16:41,668 --> 00:16:42,669
WHAT?
409
00:16:42,669 --> 00:16:43,536
IT'S JUST...FUNNY.
410
00:16:43,536 --> 00:16:46,206
DON'T YOU THINK
IT'S...
411
00:17:03,990 --> 00:17:05,792
HEY,
THAT'S STEALING.
412
00:17:07,094 --> 00:17:08,695
WAIT. WAIT, WAIT.
413
00:17:08,695 --> 00:17:10,097
BEFORE WE OPEN THIS,
414
00:17:10,097 --> 00:17:11,498
NO MATTER
WHAT HAPPENS,
415
00:17:11,498 --> 00:17:13,233
I HAD
A GOOD TIME TONIGHT.
416
00:17:14,301 --> 00:17:15,535
OK.
417
00:17:17,270 --> 00:17:18,871
I DON'T BELIEVE IT.
418
00:17:18,871 --> 00:17:20,707
GODDAMN IT.
419
00:17:20,707 --> 00:17:22,109
THIS IS NOT FAIR.
420
00:17:22,109 --> 00:17:24,144
ONLY ONE OF US
WAS SUPPOSED TO WIN.
421
00:17:25,412 --> 00:17:27,547
IT WAS SUPPOSED TO BE
MY COLUMN IN THE FIRST PLACE.
422
00:17:27,547 --> 00:17:29,015
I THINK IT WAS
DAMN NICE OF THEM.
423
00:17:29,015 --> 00:17:30,417
NICE OF THEM?
424
00:17:30,417 --> 00:17:33,019
I'M THE ONE
WHO SHOULD BE UPSET.
425
00:17:33,019 --> 00:17:35,088
LISTEN, BUSTER, THE ONLY REASON
THEY RAN YOUR COLUMN AT ALL
426
00:17:35,088 --> 00:17:37,157
IS BECAUSE
YOU HAVE A PENIS.
427
00:17:38,425 --> 00:17:41,694
WELL, WHY DIDN'T
YOU SHOW THEM YOURS?
428
00:17:45,298 --> 00:17:47,100
HEY, FORGET IT.
429
00:17:47,100 --> 00:17:50,103
I HAD A TERRIBLE
TIME TONIGHT.
430
00:17:56,876 --> 00:17:58,278
HEY, DAN. GOOD JOB.
431
00:17:58,278 --> 00:17:59,879
YOU REALLY
SHOWED HER.
432
00:17:59,879 --> 00:18:01,348
WHAT ARE YOU
TALKING ABOUT?
433
00:18:01,348 --> 00:18:02,615
SHE WAS RIGHT.
HE'S CRAZY.
434
00:18:02,615 --> 00:18:05,118
DID YOU READ THE SAME
COLUMNS I DID?
435
00:18:05,118 --> 00:18:07,220
HEY, PHIL.
THE USUAL.
436
00:18:07,220 --> 00:18:09,088
YOU GOT IT.
437
00:18:10,290 --> 00:18:12,625
SO YOU JUST GOING
TO STARE AT ME
438
00:18:12,625 --> 00:18:13,893
ALL NIGHT,
439
00:18:13,893 --> 00:18:15,828
OR YOU GOING
TO BUY ME A DRINK?
440
00:18:17,197 --> 00:18:20,533
AND ONE OF WHATEVER
THIS YOUNG LADY IS HAVING.
441
00:18:25,605 --> 00:18:27,640
SO YOU'RE THE
LITERARY TYPE, HUH?
442
00:18:27,640 --> 00:18:29,809
WELL, YOU KNOW,
THAT DEPENDS.
443
00:18:29,809 --> 00:18:31,811
WHAT TYPE
DO YOU LIKE?
444
00:18:31,811 --> 00:18:35,315
OH. MEN ABOUT
YOUR HEIGHT,
445
00:18:35,315 --> 00:18:36,916
MEN ABOUT YOUR SIZE.
446
00:18:36,916 --> 00:18:38,117
HMM.
447
00:18:38,117 --> 00:18:40,119
WE HAVE
TO DO SOMETHING
448
00:18:40,119 --> 00:18:41,521
ABOUT YOUR CLOTHES,
THOUGH.
449
00:18:41,521 --> 00:18:43,723
WHAT'S WRONG
WITH MY CLOTHES?
450
00:18:43,723 --> 00:18:45,258
THEY'RE ON.
451
00:18:51,631 --> 00:18:53,032
I MISSED YOU.
452
00:18:53,032 --> 00:18:54,434
HOW WAS PARIS?
453
00:18:54,434 --> 00:18:56,169
WET. YOU SHOULD
HAVE BEEN THERE.
454
00:18:57,036 --> 00:18:58,238
OH, LINDA.
455
00:18:58,238 --> 00:19:00,039
WHAT DO YOU SAY
WE GET OUT OF HERE?
456
00:19:00,039 --> 00:19:01,974
HOLD ON A SECOND,
BIG BOY.
457
00:19:01,974 --> 00:19:04,377
I WANT TO HAVE
MY DRINK.
458
00:19:04,377 --> 00:19:05,978
SO, WHO'S THE GIRL?
459
00:19:05,978 --> 00:19:07,380
YOU TWO A TEAM?
460
00:19:07,380 --> 00:19:08,981
OH, GOD, NO. NO.
461
00:19:08,981 --> 00:19:11,017
THEY WOULDN'T
DO THAT TO ME.
462
00:19:11,017 --> 00:19:13,220
IT'S JUST
A ONE-SHOT DEAL.
463
00:19:13,220 --> 00:19:16,489
I'LL NEVER HAVE TO
WORK WITH HER AGAIN.
464
00:19:16,489 --> 00:19:17,724
GOOD.
465
00:19:17,724 --> 00:19:20,227
AND THAT'S
WHAT WE DECIDED.
466
00:19:20,227 --> 00:19:23,129
WE'LL START WITH
THREE COLUMNS A WEEK.
467
00:19:23,129 --> 00:19:25,332
WE REALLY STUMBLED
ONTO SOMETHING HERE.
468
00:19:25,332 --> 00:19:26,733
PEOPLE LOVE
A GOOD FIGHT.
469
00:19:26,733 --> 00:19:28,401
THAT'S A GREAT LINE
FOR AN AD.
470
00:19:28,401 --> 00:19:29,902
ALL RIGHT, LOOK.
THURSDAY'S ASSIGNMENT--
471
00:19:29,902 --> 00:19:31,538
THERE'S A NEW DANCE THING
AT THE ROYALE.
472
00:19:31,538 --> 00:19:32,939
IT'S CAUSING
A BIG FLAP.
473
00:19:32,939 --> 00:19:34,341
YEAH. THE PORNOGRAPHIC
THING.
474
00:19:34,341 --> 00:19:35,708
IT'S NOT
PORNOGRAPHIC.
475
00:19:35,708 --> 00:19:38,110
THERE'S A BRIEF
NUDE SCENE.
476
00:19:38,110 --> 00:19:39,312
IT'S DONE WITH
TASTE AND INTEGRITY.
477
00:19:39,312 --> 00:19:40,747
YOU'VE SEEN IT?
478
00:19:40,747 --> 00:19:41,914
NO, BUT I KNOW--
479
00:19:41,914 --> 00:19:43,883
DOES THIS POSSIBLY QUALIFY
AS KNEE-JERK LIBERALISM?
480
00:19:43,883 --> 00:19:45,452
DO IT.
481
00:20:29,662 --> 00:20:31,331
THAT SHOULDN'T
BE ALLOWED.
482
00:20:31,331 --> 00:20:32,565
WHO ARE YOU TO SAY?
483
00:20:32,565 --> 00:20:34,166
I THINK I'M A FAIRLY
AVERAGE PERSON.
484
00:20:34,166 --> 00:20:35,468
YOU'RE TELLING ME.
485
00:20:35,468 --> 00:20:36,903
IF IT OFFENDS ME, IT WOULD
OFFEND MOST PEOPLE.
486
00:20:36,903 --> 00:20:38,438
WHY CAN'T YOU LET PEOPLE
MAKE UP THEIR OWN MINDS?
487
00:20:38,438 --> 00:20:39,806
I DO. I JUST GIVE THEM
THE FACTS.
488
00:20:39,806 --> 00:20:44,444
YOU CALL WHAT YOU WRITE
THE FACTS?
489
00:20:44,444 --> 00:20:46,679
WHAT, BOILING DOWN
COMPLEX ISSUES
490
00:20:46,679 --> 00:20:49,749
INTO PITHY LITTLE EPIGRAMS
FROM YOUR UNCLE OLAF?
491
00:20:49,749 --> 00:20:51,351
SAY WHAT YOU LIKE
ABOUT ME,
492
00:20:51,351 --> 00:20:53,986
BUT LEAVE MY UNCLE OLAF
OUT OF THIS.
493
00:20:53,986 --> 00:20:56,255
OH, GIVE ME A BREAK.
494
00:20:56,255 --> 00:20:57,990
UNCLE OLAF IS A CHEAP
LITERARY INVENTION.
495
00:20:57,990 --> 00:20:59,392
HE DOESN'T
EVEN EXIST.
496
00:20:59,392 --> 00:21:02,094
MY UNCLE OLAF IS NOT
CHEAP. HE'S GREAT GUY.
497
00:21:02,094 --> 00:21:03,363
I'LL PROVE TO YOU
HE EXISTS.
498
00:21:03,363 --> 00:21:04,731
WHAT DO YOU WANT
TO BET?
499
00:21:04,731 --> 00:21:06,132
A DRINK.
I WILL BET YOU A DRINK.
500
00:21:06,132 --> 00:21:07,534
YOU'RE ON.
501
00:21:07,534 --> 00:21:09,502
OK.
502
00:21:09,502 --> 00:21:11,103
HE'S NOT HOME.
503
00:21:11,103 --> 00:21:13,205
HE'S GOT
A NEW GIRLFRIEND.
504
00:21:13,205 --> 00:21:15,107
AND TUESDAY NIGHT
IS POLKA NIGHT.
505
00:21:15,107 --> 00:21:16,175
POLKA NIGHT.
506
00:21:16,175 --> 00:21:17,510
I'LL HAVE
A GIN AND TONIC.
507
00:21:17,510 --> 00:21:19,512
NO, HE'S JUST NOT AT HOME.
508
00:21:19,512 --> 00:21:21,113
YOU WANT TO DANCE?
509
00:21:21,113 --> 00:21:22,515
I DON'T DANCE.
510
00:21:22,515 --> 00:21:25,352
I'LL HAVE
A GIN AND TONIC.
511
00:22:01,754 --> 00:22:03,990
WOW. YOU'RE
REALLY GOOD.
512
00:22:06,693 --> 00:22:07,927
OH, GOD.
513
00:22:10,530 --> 00:22:11,931
I KNOW THIS GUY.
514
00:22:11,931 --> 00:22:13,566
OH, HE'S
AN INCREDIBLE DRAG.
515
00:22:14,534 --> 00:22:17,370
HE'S ALWAYS
COMING ON TO ME.
516
00:22:17,370 --> 00:22:19,806
IF HE ASKS ME
TO DANCE,
517
00:22:19,806 --> 00:22:22,775
WOULD YOU JUST GET UP
AND DANCE WITH ME, PLEASE?
518
00:22:22,775 --> 00:22:24,110
PLEASE?
519
00:22:24,110 --> 00:22:26,846
LORIE. HI.
IT'S ME--STEVE.
520
00:22:26,846 --> 00:22:28,581
I HAVEN'T
SEEN YOU HERE
521
00:22:28,581 --> 00:22:30,316
IN A LONG TIME.
522
00:22:30,316 --> 00:22:32,051
YOU LOOKED GREAT
OUT THERE.
523
00:22:32,051 --> 00:22:33,185
EXCUSE ME,
524
00:22:33,185 --> 00:22:34,320
BUT WE WERE IN
THE MIDDLE OF--
525
00:22:34,320 --> 00:22:35,555
WOULD YOU
LIKE TO DANCE?
526
00:22:35,555 --> 00:22:36,923
I REALLY MISS THE WAY
WE MOVE TOGETHER.
527
00:22:37,990 --> 00:22:41,093
SORRY, BUDDY.
SHE'S DANCING WITH ME.
528
00:22:45,998 --> 00:22:46,999
THANKS.
529
00:22:46,999 --> 00:22:48,801
IT'S OK.
530
00:23:17,730 --> 00:23:19,932
WHAT?
WHAT'S WRONG?
531
00:23:19,932 --> 00:23:21,901
I DON'T KNOW.
532
00:23:23,235 --> 00:23:24,370
LOOK...
533
00:23:24,370 --> 00:23:26,773
WHAT I WANTED TO SAY
THE OTHER NIGHT
534
00:23:26,773 --> 00:23:28,307
WAS THAT...
MOST GIRLS,
535
00:23:28,307 --> 00:23:30,710
WHEN THEY TAKE
THEIR CONTACTS OUT,
536
00:23:30,710 --> 00:23:32,311
THEIR EYES
DON'T SPARKLE,
537
00:23:32,311 --> 00:23:33,312
BUT YOURS--
538
00:23:33,312 --> 00:23:34,447
YOURS DO,
539
00:23:34,447 --> 00:23:36,649
AND I--I COULDN'T
SAY THAT
540
00:23:36,649 --> 00:23:37,984
BECAUSE IT WOULD
SOUND STUPID,
541
00:23:37,984 --> 00:23:39,719
AND YOU'D THINK
I WAS CHASING YOU.
542
00:23:39,719 --> 00:23:41,320
I DIDN'T WANT YOU
TO THINK
543
00:23:41,320 --> 00:23:42,789
I WAS CHASING YOU
BECAUSE...
544
00:23:42,789 --> 00:23:44,791
WELL, BECAUSE
I WAS CHASING YOU.
545
00:23:44,791 --> 00:23:46,392
IF YOU SET OUT
TO CONFUSE ME,
546
00:23:46,392 --> 00:23:48,360
YOU COULDN'T HAVE DONE
A BETTER JOB,
547
00:23:48,360 --> 00:23:50,597
AND I WOULD REALLY,
REALLY
548
00:23:50,597 --> 00:23:52,164
LIKE TO KISS YOU
AGAIN,
549
00:23:52,164 --> 00:23:55,768
BUT...NOT IF YOU'RE
GOING TO LAUGH AT ME.
550
00:23:59,806 --> 00:24:02,809
I WON'T LAUGH AT YOU.
551
00:24:11,117 --> 00:24:13,820
[LAUGHING]
552
00:24:14,954 --> 00:24:16,556
I'M SO--
553
00:24:28,568 --> 00:24:29,802
DO YOU WANT TO--
554
00:24:29,802 --> 00:24:30,937
YES.
555
00:24:38,811 --> 00:24:42,414
MR. HANSON!
MUST BE WEDNESDAY.
556
00:24:42,414 --> 00:24:43,816
BIG ORDER DAY, RIGHT?
557
00:24:43,816 --> 00:24:45,217
SETTING THEM UP
FOR THE WEEKEND.
558
00:24:45,217 --> 00:24:48,555
YOU MUST SPEND HALF
YOUR SALARY ON FLOWERS.
559
00:24:48,555 --> 00:24:49,822
MIND YOU,
I'M NOT COMPLAINING.
560
00:24:49,822 --> 00:24:52,424
ACTUALLY, LOU,
JUST ONE ORDER TODAY.
561
00:24:52,424 --> 00:24:53,826
WHAT? ONLY ONE?
562
00:24:53,826 --> 00:24:55,227
YEAH. LET'S SEE...
563
00:24:55,227 --> 00:25:00,667
ROSES OR, I DON'T KNOW,
MAYBE BIRDS OF PARADISE.
564
00:25:00,667 --> 00:25:03,002
WELL, IT ALL DEPENDS
ON THE DESIRED EFFECT.
565
00:25:03,002 --> 00:25:05,572
BREAKING THE ICE,
SEXUAL OVERTURE...
566
00:25:07,940 --> 00:25:10,442
NOT...LOVE?
567
00:25:10,442 --> 00:25:11,911
PLEASE...
568
00:25:12,979 --> 00:25:14,113
MR. HANSON.
569
00:25:15,181 --> 00:25:15,982
COME ON.
570
00:25:15,982 --> 00:25:17,950
TELL ME
IT'S NOT LOVE.
571
00:25:17,950 --> 00:25:19,218
NO.
572
00:25:20,419 --> 00:25:22,221
I DON'T KNOW.
573
00:25:22,221 --> 00:25:24,223
YOU KNOW
WHAT LOVE IS.
574
00:25:24,223 --> 00:25:27,226
IT'S A TIME BOMB
WAITING TO GO OFF.
575
00:25:27,226 --> 00:25:28,427
BELIEVE ME.
576
00:25:28,427 --> 00:25:29,762
THAT'S WHY GOD
MADE OTHER WOMEN--
577
00:25:31,063 --> 00:25:34,634
BECAUSE, NO MATTER HOW GOOD
ANY ONE WOMAN MIGHT BE,
578
00:25:34,634 --> 00:25:36,335
THERE'S ALWAYS ANOTHER ONE
579
00:25:36,335 --> 00:25:37,737
RIGHT AROUND
THE CORNER
580
00:25:37,737 --> 00:25:40,006
THAT COULD BE
EVEN BETTER.
581
00:25:51,017 --> 00:25:52,284
YOU OK?
582
00:25:52,284 --> 00:25:55,688
I'M FINE, I'M FINE,
I'M FINE. I'M OK.
583
00:25:58,958 --> 00:26:00,359
4:15.
MORNING TERRORS.
584
00:26:00,359 --> 00:26:01,560
IT'S OK.
585
00:26:01,560 --> 00:26:04,396
JUST TAKE A COUPLE
OF DEEP BREATHS
586
00:26:04,396 --> 00:26:06,398
AND COME BACK
TO BED, OK?
587
00:26:06,398 --> 00:26:07,800
COME ON.
COME BACK TO BED.
588
00:26:07,800 --> 00:26:09,936
YOU NEVER TAKE
THIS SERIOUSLY.
589
00:26:09,936 --> 00:26:11,804
DOESN'T THIS
EVER HAPPEN TO YOU,
590
00:26:11,804 --> 00:26:13,806
WHERE--WHERE YOU
JUST WAKE UP
591
00:26:13,806 --> 00:26:15,908
AND YOU DON'T FEEL REAL
592
00:26:15,908 --> 00:26:17,944
OR YOU'RE NOT LIVING
THE LIFE
593
00:26:17,944 --> 00:26:19,211
YOU'RE SUPPOSED TO BE
LIVING...
594
00:26:19,211 --> 00:26:22,414
LIKE--LIKE ALL YOUR
CHOICES ARE WRONG?
595
00:26:22,414 --> 00:26:24,416
DAN...
596
00:26:24,416 --> 00:26:26,619
YOU'RE JUST TIRED.
597
00:26:27,820 --> 00:26:29,822
NO, I'M NOT TIRED.
598
00:26:29,822 --> 00:26:31,257
YOU DON'T UNDERSTAND.
599
00:26:32,324 --> 00:26:33,893
I DON'T LOVE YOU.
600
00:26:34,861 --> 00:26:37,964
I MEAN,
I'VE KNOWN YOU LONGER
601
00:26:37,964 --> 00:26:41,500
THAN ANY OTHER WOMAN
IN MY LIFE, BUT...
602
00:26:41,500 --> 00:26:43,870
GOD, I SHOULDN'T BE
GOING TO BED
603
00:26:43,870 --> 00:26:45,772
WITH SOMEBODY
I DON'T LOVE.
604
00:26:45,772 --> 00:26:48,374
DO YOU KNOW
HOW MANY TIMES
605
00:26:48,374 --> 00:26:49,909
YOU'VE WOKEN UP
AT 4:15
606
00:26:49,909 --> 00:26:51,377
WITH DEEP INSIGHTS?
607
00:26:51,377 --> 00:26:53,179
YEAH.
608
00:26:54,513 --> 00:26:56,649
AND THEY'RE
ALWAYS RIGHT.
609
00:27:01,387 --> 00:27:03,355
WHAT ARE YOU SAYING?
610
00:27:10,997 --> 00:27:13,132
I KNOW WHO
I SHOULD BE WITH NOW.
611
00:27:14,200 --> 00:27:15,702
AND...
612
00:27:15,702 --> 00:27:18,337
I ONLY WANT TO GO
TO BED WITH HER.
613
00:27:20,606 --> 00:27:23,009
I'M SORRY, LINDA.
614
00:27:33,119 --> 00:27:34,987
DAN...
615
00:27:37,489 --> 00:27:38,891
YOU KNOW THIS WOMAN,
616
00:27:38,891 --> 00:27:41,627
THE ONE YOU'RE
DUMPING ME FOR?
617
00:27:41,627 --> 00:27:43,763
SHE ISN'T WORTH IT.
618
00:28:10,122 --> 00:28:11,257
HI.
619
00:28:11,257 --> 00:28:12,792
HI.
620
00:28:19,165 --> 00:28:20,900
HOW LONG
HAVE YOU BEEN HERE?
621
00:28:21,768 --> 00:28:24,036
OH, A WHILE.
622
00:28:26,172 --> 00:28:28,374
I BROUGHT YOU
SOME ORANGE JUICE
623
00:28:28,374 --> 00:28:29,375
AND SOME DOUGHNUTS,
624
00:28:29,375 --> 00:28:31,443
BUT I ATE THE DOUGHNUTS.
625
00:28:34,380 --> 00:28:35,414
LOOK...
626
00:28:35,414 --> 00:28:38,818
I DON'T WANT TO BE
WITH ANYONE BUT YOU,
627
00:28:38,818 --> 00:28:40,887
AND I DON'T WANT YOU
628
00:28:40,887 --> 00:28:43,823
TO BE WITH ANYONE ELSE
BUT ME.
629
00:28:43,823 --> 00:28:46,325
PLEASE SAY SOMETHING.
630
00:29:08,580 --> 00:29:10,817
AND THAT'S HOW IT BEGAN.
631
00:29:10,817 --> 00:29:12,218
WAIT A MINUTE.
BACK UP HERE.
632
00:29:12,218 --> 00:29:14,453
THIS LINDA
WE'RE TALKING ABOUT...
633
00:29:14,453 --> 00:29:15,721
IS THIS LINDA METZGER?
634
00:29:15,721 --> 00:29:17,323
YOU SLEPT WITH
LINDA METZGER?
635
00:29:17,323 --> 00:29:18,825
YEAH. YOU KNOW HER?
636
00:29:18,825 --> 00:29:20,126
OF COURSE I KNOW HER.
637
00:29:20,126 --> 00:29:22,461
I TRIED TO SLEEP WITH HER
ALL THROUGH COLLEGE.
638
00:29:22,461 --> 00:29:23,830
THAT'S AMAZING.
HOW DID YOU MEET HER?
639
00:29:23,830 --> 00:29:25,965
WHICH LIFE STORY
DO YOU WANT TO HEAR?
640
00:29:27,133 --> 00:29:28,968
HEY, I MADE A PROMO
FOR TOMORROW'S SHOW.
641
00:29:30,036 --> 00:29:31,370
WAIT TILL YOU SEE THIS.
THIS IS GREAT.
642
00:29:32,571 --> 00:29:33,840
HEY, DAN.
HOW'S THE HEAD?
643
00:29:33,840 --> 00:29:35,975
SHE GOT YOU
PRETTY GOOD, HUH?
644
00:29:35,975 --> 00:29:37,977
HE SLOWED IT DOWN,
TRANSFERRED IT,
645
00:29:38,845 --> 00:29:40,246
THEN SLOWED IT
DOWN AGAIN.
646
00:29:40,246 --> 00:29:42,214
YOU CAN EVEN SEE
THE LETTERING
647
00:29:42,214 --> 00:29:43,215
ON THE MUG.
648
00:29:43,215 --> 00:29:46,018
AS MY UNCLE OLAF
USED TO SAY,
649
00:29:46,018 --> 00:29:48,320
"WHY FIX IT
IF IT AIN'T BROKEN?"
650
00:29:48,320 --> 00:29:50,256
THAT'S THE WAY
I SEE IT.
651
00:29:50,256 --> 00:29:51,858
OW!
652
00:29:51,858 --> 00:29:53,259
YOU NEVER KNOW
653
00:29:53,259 --> 00:29:54,861
WHAT'S GOING TO BE
TOSSED AROUND
654
00:29:54,861 --> 00:29:56,963
ON HE SAID, SHE SAID.
655
00:29:56,963 --> 00:29:58,965
SEE HANSON AND BRYER,
ROUND TWO,
656
00:29:58,965 --> 00:30:01,233
TOMORROW AT NOON
ON CHANNEL 11.
657
00:30:01,233 --> 00:30:03,870
HUH?
658
00:30:03,870 --> 00:30:06,605
I THINK I GOT TO
LIE DOWN AGAIN.
659
00:30:06,605 --> 00:30:09,775
MR. THURMAN, IT'S HIM.
BILL WELLER ON ONE.
660
00:30:09,775 --> 00:30:11,177
JESUS!
661
00:30:13,880 --> 00:30:15,481
HELLO, MR. WELLER.
662
00:30:15,481 --> 00:30:16,883
THIS IS
WALLACE THURMAN,
663
00:30:16,883 --> 00:30:18,484
STATION MANAGER
AT WBAL.
664
00:30:18,484 --> 00:30:19,351
IT'S A PLEASURE
665
00:30:19,351 --> 00:30:21,888
TO BE SPEAKING
TO YOU DIRECTLY.
666
00:30:21,888 --> 00:30:23,289
UH,
HANSON AND BRYER.
667
00:30:23,289 --> 00:30:25,992
NO PROBLEM, SIR.
JUST A MOMENT.
668
00:30:25,992 --> 00:30:28,394
HE WANTS TO TALK
TO YOU AND LORIE
669
00:30:28,394 --> 00:30:29,661
ON THE SPEAKER PHONE.
670
00:30:29,661 --> 00:30:32,031
PUT HIM ON.
I'LL IMPROVISE.
671
00:30:32,031 --> 00:30:33,432
THERE'S ONLY
ONE PROBLEM.
672
00:30:33,432 --> 00:30:36,235
I'VE NEVER USED
THE SPEAKER PHONE.
673
00:30:36,235 --> 00:30:37,703
THANKS.
674
00:30:37,703 --> 00:30:39,038
WHO HAVE I GOT THERE?
675
00:30:39,038 --> 00:30:40,439
HELLO, MR. WELLER.
676
00:30:40,439 --> 00:30:43,775
THIS IS DAN HANSON,
HERE WITH WALLY THURMAN.
677
00:30:43,775 --> 00:30:46,178
THIS IS RAY, OUR
TECHNICAL DIRECTOR.
678
00:30:46,178 --> 00:30:48,580
LORIE BRYER
IS IN THE BATHROOM.
679
00:30:48,580 --> 00:30:49,681
CAN'T BE HELPED.
680
00:30:49,681 --> 00:30:52,018
LET ME CUT
TO THE CHASE.
681
00:30:52,018 --> 00:30:53,352
I'VE BEEN NEGOTIATING
682
00:30:53,352 --> 00:30:56,322
TO BUY YOUR CRUMMY SHOW
FOR MY NETWORK--
683
00:30:56,322 --> 00:30:58,524
WE KNOW, SIR.
LET ME SAY--
684
00:30:58,524 --> 00:31:00,859
THAT STUNT YOU PULLED
THIS AFTERNOON,
685
00:31:00,859 --> 00:31:01,994
YOU AND MISS BRYER...
686
00:31:01,994 --> 00:31:04,430
HA HA HA!
687
00:31:04,430 --> 00:31:06,565
HA HA HA!
688
00:31:06,565 --> 00:31:09,135
THAT WAS PURE MAGIC
689
00:31:09,135 --> 00:31:10,636
FOR ENHANCING RATINGS.
690
00:31:10,636 --> 00:31:13,705
I DON'T CARE IF YOU
HATE EACH OTHER'S GUTS
691
00:31:13,705 --> 00:31:15,207
OR IF YOU FAKED IT.
692
00:31:15,207 --> 00:31:18,377
I ONLY CARE THAT
YOU MILK THIS SITUATION
693
00:31:18,377 --> 00:31:20,146
FOR EVERY NICKEL
IT'S WORTH.
694
00:31:20,146 --> 00:31:21,547
WE'RE EXCITED
YOU'RE EXCITED,
695
00:31:21,547 --> 00:31:22,614
MR. WELLER.
696
00:31:22,614 --> 00:31:23,749
I'M NOT EXCITED, SHERMAN.
697
00:31:23,749 --> 00:31:24,716
THURMAN.
698
00:31:24,716 --> 00:31:25,751
I'M GREEDY.
699
00:31:25,751 --> 00:31:27,086
GREED IS GOOD.
700
00:31:27,086 --> 00:31:29,321
I'M GREEDY
AND I'M DETERMINED.
701
00:31:29,321 --> 00:31:31,723
AND TO MAKE SURE
EVERYTHING IS ALL RIGHT,
702
00:31:31,723 --> 00:31:34,093
I'LL BE THERE
FOR TOMORROW'S SHOW.
703
00:31:34,093 --> 00:31:35,494
DON'T SCREW UP!
704
00:31:35,494 --> 00:31:36,462
[DIAL TONE]
705
00:31:36,462 --> 00:31:38,597
WAIT A MINUTE!
IT WAS ALL A MISTAKE.
706
00:31:39,865 --> 00:31:42,001
WALLY, HE'S GONE.
HE'S GONE.
707
00:31:43,502 --> 00:31:45,637
WHAT--
708
00:31:45,637 --> 00:31:47,039
OH...
709
00:31:52,511 --> 00:31:55,181
OH, COME ON.
710
00:32:02,154 --> 00:32:04,991
THIS IS
RIDICULOUS.
711
00:32:04,991 --> 00:32:05,992
OH, BOY.
712
00:32:05,992 --> 00:32:08,060
LORIE...
713
00:32:08,060 --> 00:32:09,128
LORIE, HONEY.
714
00:32:09,128 --> 00:32:11,130
COME ON,
OPEN UP.
715
00:32:12,298 --> 00:32:15,401
LORIE,
WHAT'S GOING ON?
716
00:32:15,401 --> 00:32:16,202
LORIE?
717
00:32:16,202 --> 00:32:18,237
I KNOW
YOU'RE IN THERE.
718
00:32:18,237 --> 00:32:20,439
PLEASE, HONEY,
TALK TO ME.
719
00:32:20,439 --> 00:32:24,710
I BROUGHT YOU SOME
OF RITA'S SLAW.
720
00:32:24,710 --> 00:32:26,312
TAKE IT AWAY.
721
00:32:26,312 --> 00:32:27,379
COME ON.
722
00:32:27,379 --> 00:32:29,015
I HATE IT.
723
00:32:29,015 --> 00:32:30,749
I THOUGHT
YOU LIKED IT.
724
00:32:30,749 --> 00:32:32,985
I WAS JUST
BEING POLITE.
725
00:32:32,985 --> 00:32:35,721
FOR THREE YEARS?
726
00:32:35,721 --> 00:32:36,922
GO AWAY.
727
00:32:36,922 --> 00:32:39,058
GO AWAY? I LIVE HERE,
REMEMBER?
728
00:32:39,058 --> 00:32:40,993
NOT ANYMORE.
729
00:32:43,595 --> 00:32:45,064
HOW'S YOUR HEAD?
730
00:32:45,064 --> 00:32:46,465
IT HURTS.
IT'S BLEEDING.
731
00:32:46,465 --> 00:32:49,568
THEY THOUGHT
I MIGHT NEED STITCHES.
732
00:32:49,568 --> 00:32:50,969
WELL, I'M SORRY.
733
00:32:50,969 --> 00:32:53,572
I JUST COULDN'T
TAKE IT ANYMORE--
734
00:32:53,572 --> 00:32:56,375
LOOKING UP AT YOUR FAT,
SMUG, FAT FACE.
735
00:32:56,375 --> 00:32:58,910
I COULDN'T HELP MYSELF.
736
00:32:58,910 --> 00:32:59,978
THANKS, HONEY.
737
00:32:59,978 --> 00:33:01,313
THAT'S QUITE
AN APOLOGY.
738
00:33:01,313 --> 00:33:03,082
MY STUFF OUT HERE
IN THE HALL--
739
00:33:03,082 --> 00:33:04,716
WHAT DOES THIS MEAN?
740
00:33:04,716 --> 00:33:08,320
IT MEANS THAT IT TOOK
THIS WHOLE TV THING,
741
00:33:08,320 --> 00:33:10,322
THE SHOW AND ITS SUCCESS,
742
00:33:10,322 --> 00:33:12,324
AND WHAT IT'S DONE TO US,
743
00:33:12,324 --> 00:33:14,126
TO MAKE ME REALIZE
THAT...
744
00:33:14,126 --> 00:33:15,127
WE JUST...
745
00:33:15,127 --> 00:33:16,728
WE WANT DIFFERENT THINGS.
746
00:33:16,728 --> 00:33:18,130
I'VE ALWAYS KNOWN THAT,
747
00:33:18,130 --> 00:33:19,831
BUT I KEPT...
748
00:33:19,831 --> 00:33:21,367
I KEPT THINKING
THAT SOMEDAY
749
00:33:21,367 --> 00:33:23,369
IT WAS GOING TO GET
EASIER, BUT...
750
00:33:24,736 --> 00:33:28,540
I DON'T THINK THAT YOU'RE
EVER GOING TO CHANGE.
751
00:33:28,540 --> 00:33:29,941
WAIT A MINUTE!
752
00:33:29,941 --> 00:33:32,378
COME ON. THINGS ARE
GOING GREAT FOR US.
753
00:33:32,378 --> 00:33:34,246
WE CAN'T BREAK UP
OVER A SILLY FIGHT
754
00:33:34,246 --> 00:33:36,148
IN THE GREEN ROOM.
THERE'S TOO MUCH AT STAKE.
755
00:33:36,148 --> 00:33:37,516
LORIE,
HONEY, PLEASE.
756
00:33:37,516 --> 00:33:40,386
I DON'T WANT IT
TO BE OVER.
757
00:33:41,553 --> 00:33:45,391
YOU USED TO LIKE ME
THE WAY I WAS.
758
00:33:47,559 --> 00:33:49,895
I STILL DO.
759
00:33:49,895 --> 00:33:51,963
I LOVE YOU.
760
00:33:51,963 --> 00:33:55,567
BUT I NEED
MORE FROM YOU.
761
00:33:56,668 --> 00:34:01,006
WELL, I--I JUST
DON'T KNOW WHAT ELSE
762
00:34:01,006 --> 00:34:02,441
I CAN GIVE YOU.
763
00:34:06,512 --> 00:34:07,713
WELL...
764
00:34:24,330 --> 00:34:27,966
IS THAT SOME
OF RITA'S COLESLAW?
765
00:34:27,966 --> 00:34:29,601
YEAH.
766
00:34:29,601 --> 00:34:31,002
DO YOU WANT IT?
767
00:34:31,002 --> 00:34:32,070
YEAH.
768
00:34:32,070 --> 00:34:33,439
HOLD ON.
I'LL BRING IT DOWN.
769
00:34:33,439 --> 00:34:35,574
THANK YOU VERY MUCH.
I--I APPRECIATE IT.
770
00:34:36,642 --> 00:34:37,543
HERE, UH...
771
00:34:37,543 --> 00:34:40,646
LET ME GIVE YOU
A DOLLAR FOR IT.
772
00:34:40,646 --> 00:34:42,047
NO, NO. THAT'S--
773
00:34:42,047 --> 00:34:43,449
NO. IT'S ONLY FAIR.
774
00:34:43,449 --> 00:34:46,652
AND COME ON IN.
YOU LOOK LIKE SHIT.
775
00:34:46,652 --> 00:34:47,986
OK. THANKS.
776
00:34:47,986 --> 00:34:51,857
OH, SO THERE HE IS.
777
00:34:51,857 --> 00:34:53,259
HI, MRS. SPEPK.
778
00:34:53,259 --> 00:34:54,660
NOW, SIT DOWN.
779
00:34:54,660 --> 00:34:57,363
I'LL GET SOMETHING
FOR YOUR HEAD.
780
00:34:57,363 --> 00:34:59,865
THANK YOU,
BUT A BUMP ON MY HEAD
781
00:34:59,865 --> 00:35:01,267
IS NO LONGER
THE PROBLEM.
782
00:35:01,267 --> 00:35:03,202
I KNOW
WHAT THE PROBLEM IS.
783
00:35:03,202 --> 00:35:05,204
YOU SEE, IN MY DAY,
784
00:35:05,204 --> 00:35:06,605
YOUNG PEOPLE
GOT MARRIED
785
00:35:06,605 --> 00:35:08,207
BEFORE THEY
SLEPT TOGETHER.
786
00:35:08,207 --> 00:35:09,308
THAT'S BULLSHIT.
787
00:35:09,308 --> 00:35:10,309
WE SLEPT TOGETHER
788
00:35:10,309 --> 00:35:12,211
BEFORE WE WERE
MARRIED.
789
00:35:12,211 --> 00:35:13,579
WE DID NOT.
790
00:35:13,579 --> 00:35:16,215
YOU DIDN'T MARRY
FOR LOVE BACK THEN EITHER.
791
00:35:16,215 --> 00:35:18,150
LOVE CAME LATER.
792
00:35:18,150 --> 00:35:19,518
I'M STILL WAITING.
793
00:35:20,619 --> 00:35:24,089
THANK YOU VERY MUCH,
MR. AND MRS. SPEPK,
794
00:35:24,089 --> 00:35:26,392
BUT I'VE REALLY--
I'VE GOT TO GO.
795
00:35:26,392 --> 00:35:29,094
YOU REALLY MUST HAVE
DONE IT THIS TIME.
796
00:35:29,094 --> 00:35:30,829
SHE WANTS
THE LOCKS CHANGED.
797
00:35:30,829 --> 00:35:32,231
WHAT? YOU'RE KIDDING?
798
00:35:32,231 --> 00:35:35,334
SHE ASKED YOU TO DO THAT?
799
00:35:35,334 --> 00:35:37,836
GUESS YOU WON'T BE BREAKING
ANY MORE WINDOWS.
800
00:35:37,836 --> 00:35:39,238
WHAT DO YOU MEAN?
801
00:35:39,238 --> 00:35:41,507
REMEMBER THE WINDOW
YOU BROKE?
802
00:35:41,507 --> 00:35:43,975
YEAH. BUT I DIDN'T
BREAK THAT WINDOW.
803
00:35:43,975 --> 00:35:45,211
YES, YOU DID.
804
00:35:45,211 --> 00:35:46,612
DON'T YOU REMEMBER?
805
00:35:46,612 --> 00:35:49,915
MRS. SPEPK, I DID NOT
BREAK THAT WINDOW. LORIE DID.
806
00:35:51,817 --> 00:35:53,519
DAN, WAKE UP.
807
00:35:53,519 --> 00:35:56,021
WHAT THE HELL
ARE YOU DOING?
808
00:35:56,021 --> 00:35:57,923
WE HAVE TO GET OUT
OF HERE.
809
00:35:57,923 --> 00:35:59,325
THE ROOM IS FLOODING.
810
00:35:59,325 --> 00:36:01,026
HONEY, SHH.
811
00:36:01,026 --> 00:36:02,261
THE ROOM
IS NOT FLOODING.
812
00:36:02,261 --> 00:36:04,263
I BROUGHT YOU
A RAINCOAT.
813
00:36:04,263 --> 00:36:05,264
OH, THANKS.
814
00:36:05,264 --> 00:36:06,265
YOU'RE SLEEPING.
815
00:36:06,265 --> 00:36:08,267
LET'S GO BACK
TO BED.
816
00:36:08,267 --> 00:36:09,868
WE HAVE TO GET OUT
OF HERE.
817
00:36:09,868 --> 00:36:11,870
AND WE WILL,
818
00:36:11,870 --> 00:36:13,272
BUT NOT
RIGHT NOW.
819
00:36:13,272 --> 00:36:15,274
I'M GOING
TO CALL A CAB...
820
00:36:15,274 --> 00:36:16,975
A GONDOLA,
821
00:36:16,975 --> 00:36:18,844
AND BY THE TIME
YOU WAKE UP,
822
00:36:18,844 --> 00:36:20,979
HE'LL BE HERE.
823
00:36:20,979 --> 00:36:22,113
ALL RIGHT.
824
00:36:22,113 --> 00:36:23,682
DON'T FORGET YOUR RAINCOAT.
825
00:36:24,550 --> 00:36:26,285
NO, I WON'T.
I GOT IT.
826
00:36:27,152 --> 00:36:29,455
JUST GO
TO SLEEP NOW.
827
00:36:31,022 --> 00:36:32,424
I DO NOT SLEEPWALK.
828
00:36:32,424 --> 00:36:33,959
OTHER PEOPLE
WOULD HAVE TOLD ME.
829
00:36:35,461 --> 00:36:36,962
YOU'RE NOT THE FIRST
OVERNIGHT GUEST I'VE HAD.
830
00:36:38,330 --> 00:36:41,032
I SUPPOSE THE WINDOWS
JUST BROKE THEMSELVES?
831
00:36:41,032 --> 00:36:43,034
PICK UP FOR HANSON,
PLEASE.
832
00:36:43,034 --> 00:36:45,036
TWO PASTRAMIS
ON RYE, RIGHT?
833
00:36:45,036 --> 00:36:46,037
THAT'S IT.
834
00:36:46,037 --> 00:36:48,139
HEY,
YOU'RE THAT GUY.
835
00:36:48,139 --> 00:36:50,242
I SEEN YOUR PICTURE.
836
00:36:50,242 --> 00:36:52,878
AND YOU. YOU TWO--
837
00:36:52,878 --> 00:36:53,879
NO!
838
00:36:53,879 --> 00:36:55,781
OH, GET OUT OF HERE!
839
00:36:55,781 --> 00:36:58,317
RITA.
COME SEE WHO'S HERE.
840
00:36:58,317 --> 00:37:00,919
I GOT TO GET
A PICTURE OF YOU
841
00:37:00,919 --> 00:37:02,888
FOR MY WALL OF FAME.
842
00:37:02,888 --> 00:37:03,822
RITA!
843
00:37:03,822 --> 00:37:05,824
I HEARD YOU
THE FIRST 20 TIMES, POP.
844
00:37:07,158 --> 00:37:08,694
LOOK WHO'S HERE.
IT'S THE PEOPLE WHO ARGUE.
845
00:37:08,694 --> 00:37:10,228
AND GUESS WHAT--
THEY'RE IN LOVE.
846
00:37:10,228 --> 00:37:11,597
HA HA HA.
847
00:37:11,597 --> 00:37:13,131
OH, WELL,
WHAT DO YOU KNOW.
848
00:37:13,131 --> 00:37:15,133
IT'S REALLY NICE TO MEET YOU.
I LOVE YOUR COLUMN.
849
00:37:15,133 --> 00:37:16,802
OH, THANK YOU.
850
00:37:16,802 --> 00:37:19,538
HOLD UP THESE SANDWICHES
FOR THE CAMERA.
851
00:37:19,538 --> 00:37:21,807
GO ON.
STEP BACK OVER THERE.
852
00:37:21,807 --> 00:37:26,044
HOLD THEM UP
REAL NICE AND HIGH.
853
00:37:26,044 --> 00:37:27,045
SMILE BIG.
854
00:37:27,045 --> 00:37:28,314
WAIT A MINUTE.
855
00:37:28,314 --> 00:37:29,915
LOOK AT THAT.
856
00:37:29,915 --> 00:37:31,317
HOLD THIS.
857
00:37:39,124 --> 00:37:41,259
[HONK HONK]
858
00:37:42,328 --> 00:37:43,995
[HONK HONK]
859
00:37:53,071 --> 00:37:54,940
[HONK HONK HONK]
860
00:37:54,940 --> 00:37:56,141
HEY!
861
00:37:56,141 --> 00:37:57,609
LOOK WHAT I GOT!
862
00:37:58,910 --> 00:38:00,912
YOU'RE BEAUTIFUL!
863
00:38:22,300 --> 00:38:23,301
HEY.
864
00:38:23,301 --> 00:38:24,436
WHAT?
865
00:38:24,436 --> 00:38:26,538
I LOVE YOU.
866
00:38:30,609 --> 00:38:32,411
I'M NOT TELLING
YOU THIS
867
00:38:32,411 --> 00:38:35,747
TO GET THE EXACT
SAME RESPONSE FROM YOU.
868
00:38:40,686 --> 00:38:44,523
I FEEL VERY WARMLY
TOWARDS YOU,
869
00:38:44,523 --> 00:38:47,426
AND I--I THINK
IT'S GREAT
870
00:38:47,426 --> 00:38:49,961
THAT...YOU'RE NOT
ASKING ME
871
00:38:49,961 --> 00:38:52,764
TO BE IN EXACTLY
THE SAME PLACE AS YOU
872
00:38:52,764 --> 00:38:54,633
AT EXACTLY
THE SAME TIME.
873
00:38:58,870 --> 00:39:01,373
OK, DAN. I'M ONLY
HEARING YOUR SIDE
874
00:39:01,373 --> 00:39:02,474
OF THE STORY.
875
00:39:02,474 --> 00:39:04,476
I HAVEN'T
TREATED LORIE YET.
876
00:39:04,476 --> 00:39:06,478
BUT I KNOW YOU
WELL ENOUGH
877
00:39:06,478 --> 00:39:08,079
FROM THE OLD DAYS
878
00:39:08,079 --> 00:39:09,481
TO KNOW THAT
ANY CONCERNS
879
00:39:09,481 --> 00:39:11,082
SHE'S GOING TO
HAVE ABOUT YOU
880
00:39:11,082 --> 00:39:12,484
ARE JUSTIFIED.
881
00:39:12,484 --> 00:39:15,320
MM. VERBALIZATION'S
THE KEY HERE.
882
00:39:15,320 --> 00:39:18,490
IN ORDER
TO ACHIEVE A MATURE,
883
00:39:18,490 --> 00:39:21,527
EMPATHIC RESONANCE
WITH YOUR PARTNER,
884
00:39:21,527 --> 00:39:22,994
YOU'VE GOT TO SHARE
YOUR FEELINGS.
885
00:39:24,195 --> 00:39:26,297
YEAH, I BUY THAT.
THAT'S WHY I'M HERE.
886
00:39:26,297 --> 00:39:31,336
NOW, WE HAVE HAD
TREMENDOUS RESULTS.
887
00:39:31,336 --> 00:39:33,605
REAL BREAKTHROUGHS...
888
00:39:34,940 --> 00:39:36,808
WITH THESE.
889
00:39:36,808 --> 00:39:39,578
ERIC, THAT'S A PUPPET.
890
00:39:39,578 --> 00:39:42,347
OOH. MY CLIENTS
EXPRESS THEIR FEELINGS
891
00:39:42,347 --> 00:39:44,916
WITHOUT BECOMING
EXCESSIVELY VULNERABLE.
892
00:39:44,916 --> 00:39:47,953
WE CALL THEM
EMOTIONAL SURROGATES.
893
00:39:47,953 --> 00:39:49,621
UH-HUH.
894
00:39:49,621 --> 00:39:52,558
I LOVE YOU, DAN.
895
00:39:52,558 --> 00:39:55,627
I LOVE YOU.
896
00:39:57,496 --> 00:39:59,164
COME ON. YOU TRY.
897
00:39:59,164 --> 00:40:00,231
NO, NO.
898
00:40:00,231 --> 00:40:02,233
I REALLY DON'T
WANT TO...
899
00:40:02,233 --> 00:40:03,735
COME ON.
900
00:40:13,445 --> 00:40:17,315
[EMBARRASSED LAUGHTER]
901
00:40:17,315 --> 00:40:19,384
I FEEL RIDICULOUS.
902
00:40:19,384 --> 00:40:21,186
COME ON.
903
00:40:26,257 --> 00:40:29,427
I CAN'T.
904
00:40:37,168 --> 00:40:39,805
[GASPING]
905
00:40:39,805 --> 00:40:41,673
OH, GOD.
906
00:40:43,208 --> 00:40:45,176
[CRYING]
907
00:40:47,212 --> 00:40:48,547
DAN?
908
00:40:48,547 --> 00:40:50,482
IT'S OK, HONEY.
I'M OK.
909
00:40:50,482 --> 00:40:51,983
DAN...
910
00:40:56,021 --> 00:40:59,457
I THINK I'D LIKE
SOME CHEESECAKE.
911
00:40:59,457 --> 00:41:01,993
WHAT?
912
00:41:01,993 --> 00:41:04,930
I THINK YOU COULD
USE SOME, TOO.
913
00:41:07,098 --> 00:41:08,466
YEAH...
914
00:41:08,466 --> 00:41:10,569
YEAH, YOU'RE RIGHT.
915
00:41:10,569 --> 00:41:13,104
I COULD DEFINITELY
USE SOME CHEESECAKE.
916
00:41:13,104 --> 00:41:14,472
OK.
917
00:41:23,782 --> 00:41:25,517
YOU'RE NOT GOING
TO REMEMBER
918
00:41:25,517 --> 00:41:27,118
ANY OF THIS, ARE YOU?
919
00:41:29,120 --> 00:41:31,222
LORIE...
920
00:41:31,222 --> 00:41:33,625
I LOVE YOU.
921
00:41:34,693 --> 00:41:36,528
I'M CRAZY ABOUT YOU.
922
00:41:36,528 --> 00:41:38,029
DON'T EVER LEAVE ME,
PLEASE.
923
00:41:39,230 --> 00:41:42,167
I WANT TO SPEND
THE REST OF MY LIFE WITH YOU.
924
00:41:43,401 --> 00:41:46,137
I'LL GO GET US
SOME CHEESECAKE.
925
00:41:53,812 --> 00:41:55,614
I JUST WANT
TO WARN YOU.
926
00:41:55,614 --> 00:41:58,584
DADDY IS NOT GOING
TO APPROVE OF YOU,
927
00:41:58,584 --> 00:42:00,485
BUT MOM,
SHE'S VERY SWEET.
928
00:42:00,485 --> 00:42:01,887
THIS IS SO GREAT
929
00:42:01,887 --> 00:42:03,488
THAT YOU'RE TAKING
YOUR VACATION TIME
930
00:42:03,488 --> 00:42:04,890
TO DO THIS WITH ME.
931
00:42:04,890 --> 00:42:06,491
I WANTED
TO MEET THEM.
932
00:42:06,491 --> 00:42:07,492
IT'S ABOUT TIME.
933
00:42:07,492 --> 00:42:08,493
WHY?
934
00:42:08,493 --> 00:42:10,095
WHAT DOES THAT MEAN?
935
00:42:10,095 --> 00:42:11,496
WELL...N-NOTHING.
936
00:42:11,496 --> 00:42:13,899
IT'S JUST ABOUT TIME
I MET THEM.
937
00:42:13,899 --> 00:42:15,500
THAT'S ALL I MEANT.
938
00:42:15,500 --> 00:42:16,902
WELL, DON'T BE NERVOUS.
939
00:42:16,902 --> 00:42:18,303
THEY'RE VERY NORMAL.
940
00:42:18,303 --> 00:42:21,973
THEY ARE THE MOST
NORMAL FAMILY IN THE WORLD.
941
00:42:21,973 --> 00:42:24,342
YOU JUST CAN'T DISCUSS
BIRTH CONTROL
942
00:42:24,342 --> 00:42:26,244
OUT OF ITS
POLITICAL CONTEXT.
943
00:42:26,244 --> 00:42:27,512
I USE A DIAPHRAGM.
944
00:42:27,512 --> 00:42:29,114
THAT DOESN'T MAKE ME
A CAPITALIST
945
00:42:29,114 --> 00:42:29,915
OR A SOCIALIST.
946
00:42:29,915 --> 00:42:31,382
DIAPHRAGMS
ARE THREATENING.
947
00:42:31,382 --> 00:42:32,483
THEY GIVE
WOMEN POWER.
948
00:42:32,483 --> 00:42:34,786
I'VE USED CONDOMS
ALL MY LIFE.
949
00:42:34,786 --> 00:42:37,355
I'M NOT ASHAMED OF IT.
HOW ABOUT YOU, DAN?
950
00:42:37,355 --> 00:42:38,957
DO YOU USE CONDOMS?
951
00:42:38,957 --> 00:42:40,491
WELL...
952
00:42:40,491 --> 00:42:42,193
ACTUALLY, IT
KIND OF DEPENDS.
953
00:42:43,294 --> 00:42:45,697
HE'S GOT CONDOM
WRITTEN ALL OVER HIM.
954
00:42:48,433 --> 00:42:49,835
WHAT DOES
YOUR FATHER DO, DAN?
955
00:42:49,835 --> 00:42:51,837
I--I THINK
THEY'RE TOO OLD
956
00:42:51,837 --> 00:42:54,272
TO WORRY ABOUT IT.
957
00:42:54,272 --> 00:42:56,507
NO, I MEANT
FOR A LIVING.
958
00:42:56,507 --> 00:42:59,010
OH...HE'S RETIRED.
959
00:42:59,010 --> 00:43:01,647
OH, INDEPENDENTLY
WEALTHY, HUH?
960
00:43:01,647 --> 00:43:03,114
NO, NO. JUST OLD.
961
00:43:03,114 --> 00:43:04,650
I WAS A LATE KID,
962
00:43:04,650 --> 00:43:05,817
KIND OF A SURPRISE
TO THEM.
963
00:43:05,817 --> 00:43:07,686
YOU LIKE CHILDREN, DAN?
964
00:43:07,686 --> 00:43:09,520
YEAH...YEAH.
965
00:43:09,520 --> 00:43:12,123
WELL, YEAH, YEAH,
I THINK I...I...
966
00:43:12,123 --> 00:43:13,358
WHERE'S WENDY?
967
00:43:13,358 --> 00:43:16,261
OH, SHE READ DAN'S
ARTICLE ON ABORTION
968
00:43:16,261 --> 00:43:18,764
AND DECIDED SHE COULD NOT,
IN GOOD CONSCIENCE,
969
00:43:18,764 --> 00:43:20,265
EAT WITH HIM.
970
00:43:20,265 --> 00:43:21,299
THAT'S RUDE.
971
00:43:21,299 --> 00:43:22,634
I DON'T THINK SO.
972
00:43:22,634 --> 00:43:24,736
WHERE DO YOU STAND ON
CAPITAL PUNISHMENT, DAN?
973
00:43:24,736 --> 00:43:26,905
THIS ISN'T
THE TIME OR PLACE--
974
00:43:26,905 --> 00:43:28,539
ALL RIGHT, HE IS FOR
CAPITAL PUNISHMENT,
975
00:43:28,539 --> 00:43:30,942
HE VOTED FOR REAGAN TWICE,
976
00:43:30,942 --> 00:43:33,178
HE MAKES SLIGHTLY MORE THAN
I DO FOR THE SAME JOB--
977
00:43:33,178 --> 00:43:34,880
YOU DIDN'T KNOW
I KNEW, DID YOU?
978
00:43:34,880 --> 00:43:37,515
AND WE USUALLY USE
A SHEIK ELITE
979
00:43:37,515 --> 00:43:39,250
WITH A RESERVOIR TIP.
980
00:43:42,988 --> 00:43:45,356
IS THERE ANYTHING ELSE
YOU'D LIKE TO KNOW?
981
00:43:45,356 --> 00:43:47,025
WE'RE JUST TRYING TO
GET TO KNOW HIM, HONEY.
982
00:43:49,627 --> 00:43:51,730
IT'S NOT LIKE WE'RE
GETTING MARRIED
983
00:43:51,730 --> 00:43:52,931
OR ANYTHING...
984
00:43:52,931 --> 00:43:54,132
IS IT?
985
00:43:54,132 --> 00:43:56,367
NO! NO.
986
00:43:59,871 --> 00:44:03,241
I MEAN NO. NO, NO.
987
00:44:09,347 --> 00:44:10,481
GOOD MORNING.
988
00:44:10,481 --> 00:44:12,483
WELCOME TO
A.M. BALTIMORE.
989
00:44:12,483 --> 00:44:14,352
WE HAVE AS OUR
GUESTS TODAY
990
00:44:14,352 --> 00:44:16,054
DAN HANSON
AND LORIE BRYER,
991
00:44:16,054 --> 00:44:17,455
TWO NEWSPAPER
COLUMNISTS
992
00:44:17,455 --> 00:44:19,524
FROM
THE BALTIMORE SUN,
993
00:44:19,524 --> 00:44:21,092
WHOSE COMPETING
COLUMNS HAVE CAUSED
994
00:44:21,092 --> 00:44:22,160
QUITE A STIR.
995
00:44:22,160 --> 00:44:24,362
GOOD MORNING,
DAN AND LORIE.
996
00:44:24,362 --> 00:44:25,430
WERE YOU SURPRISED
997
00:44:25,430 --> 00:44:27,032
BY THE SUCCESS
OF YOUR COLUMNS?
998
00:44:27,032 --> 00:44:28,366
WELL, NO,
ACTUALLY, I...
999
00:44:28,366 --> 00:44:29,768
WELL, I--I...
1000
00:44:29,768 --> 00:44:31,169
SORRY. GO AHEAD.
1001
00:44:31,169 --> 00:44:32,103
I JUST WONDER
1002
00:44:32,103 --> 00:44:33,705
WHETHER PEOPLE
WOULD PAY ATTENTION
1003
00:44:33,705 --> 00:44:35,440
TO WHAT WE WERE SAYING
1004
00:44:35,440 --> 00:44:37,575
IF THEY WERE
NORMAL EDITORIALS
1005
00:44:37,575 --> 00:44:40,045
WITHOUT THIS WHOLE
COMPETITION THING.
1006
00:44:40,045 --> 00:44:41,847
WE'RE GETTING READ.
THAT'S THE IMPORTANT THING.
1007
00:44:41,847 --> 00:44:43,114
WE MAKE PEOPLE THINK,
RIGHT?
1008
00:44:43,114 --> 00:44:45,416
WELL, MAYBE,
BUT WHAT I'M SAYING IS,
1009
00:44:45,416 --> 00:44:48,720
IS IT WHAT WE SAY,
OR IS IT JUST THE GIMMICK?
1010
00:44:48,720 --> 00:44:49,721
YOU TWO,
1011
00:44:49,721 --> 00:44:52,290
DO YOU EVER
STOP ARGUING?
1012
00:44:52,290 --> 00:44:53,091
NOW WE'VE HEARD--
1013
00:44:53,091 --> 00:44:55,426
TELL US IF
THIS IS RIGHT--
1014
00:44:55,426 --> 00:44:56,962
WE'VE HEARD
THAT YOU TWO
1015
00:44:56,962 --> 00:44:58,363
ARE LIVING TOGETHER.
1016
00:44:58,363 --> 00:45:00,999
WELL, I'D RATHER NOT
GO INTO THAT.
1017
00:45:02,067 --> 00:45:05,336
WELL, NOT YET.
LET ME PUT IT THAT WAY.
1018
00:45:05,336 --> 00:45:06,872
ISN'T THAT GREAT?
1019
00:45:10,742 --> 00:45:12,744
WHAT THE HELL
IS THE MATTER?
1020
00:45:12,744 --> 00:45:14,746
WHY DID THAT
UPSET YOU?
1021
00:45:14,746 --> 00:45:17,082
WHAT IS THIS
"NOT YET" STUFF?
1022
00:45:17,082 --> 00:45:19,284
WELL, WE'VE BEEN TALKING
ABOUT MOVING IN.
1023
00:45:19,284 --> 00:45:22,020
NO. I HAVE BEEN
TALKING ABOUT IT.
1024
00:45:22,020 --> 00:45:24,289
YOU HAVE BEEN
IGNORING ME.
1025
00:45:24,289 --> 00:45:27,192
DOES THAT MEAN THAT
YOU WANT TO MOVE IN?
1026
00:45:27,192 --> 00:45:29,828
WELL, WE NEED
TO TALK ABOUT IT.
1027
00:45:29,828 --> 00:45:33,899
THAT IS SUCH PRIME
DAN HANSON MATERIAL.
1028
00:45:33,899 --> 00:45:36,701
WHAT, DO WE TALK
ABOUT IT AT HOME, ALONE,
1029
00:45:36,701 --> 00:45:39,070
OR DO WE TALK ABOUT IT
1030
00:45:39,070 --> 00:45:42,307
IN FRONT OF 500,000 PEOPLE
THAT WE DON'T KNOW?
1031
00:45:42,307 --> 00:45:43,374
OH, COME ON.
1032
00:45:43,374 --> 00:45:44,976
THAT SHOW DOESN'T
GET 500,000 VIEWERS,
1033
00:45:44,976 --> 00:45:46,377
DOES IT,
DO YOU THINK?
1034
00:45:46,377 --> 00:45:48,113
YOU'RE IMPOSSIBLE.
YOU'RE IMPOSSIBLE.
1035
00:45:48,113 --> 00:45:51,216
EXCUSE ME. I HOPE
I'M NOT INTERRUPTING.
1036
00:45:51,216 --> 00:45:54,119
MY NAME'S WALLY THURMAN.
I'M THE STATION MANAGER.
1037
00:45:54,119 --> 00:45:56,121
YOU TWO ARE BOTH
TERRIFIC.
1038
00:45:56,121 --> 00:45:57,722
WELL, THANK YOU.
THANKS.
1039
00:45:57,722 --> 00:46:00,358
TERRIFIC TOGETHER.
I MEAN, AS A TEAM.
1040
00:46:00,358 --> 00:46:04,329
HAVE YOU EVER CONSIDERED
BEING ON TV REGULARLY?
1041
00:46:04,329 --> 00:46:05,530
YES.
NO.
1042
00:46:05,530 --> 00:46:07,165
WELL, NO.
YES.
1043
00:46:07,165 --> 00:46:08,233
WELL...
1044
00:46:08,233 --> 00:46:11,369
ACTUALLY, WE DO TALK
ABOUT IT QUITE A BIT.
1045
00:46:11,369 --> 00:46:13,138
WE FEEL IT'S
THE NATURAL EVOLUTION
1046
00:46:13,138 --> 00:46:14,739
OF WHAT WE'VE BEEN DOING.
1047
00:46:14,739 --> 00:46:16,207
STAND BY, PLEASE.
1048
00:46:16,207 --> 00:46:17,208
5...
1049
00:46:17,208 --> 00:46:18,209
4...
1050
00:46:18,209 --> 00:46:19,210
3...
1051
00:46:19,210 --> 00:46:20,211
2...
1052
00:46:20,211 --> 00:46:21,012
1.
1053
00:46:21,012 --> 00:46:22,981
HI. I'M DAN HANSON.
1054
00:46:22,981 --> 00:46:24,582
AND I'M LORIE BRYER.
1055
00:46:24,582 --> 00:46:26,184
THIS IS HE SAID...
SHE SAID.
1056
00:46:26,184 --> 00:46:27,752
TODAY'S ISSUE IS GARBAGE.
1057
00:46:27,752 --> 00:46:29,888
OUR DUMPS WILL BE
FILLED IN 10 YEARS,
1058
00:46:29,888 --> 00:46:31,322
AND WHAT DO WE DO THEN?
1059
00:46:31,322 --> 00:46:32,490
SOME PEOPLE FEEL
1060
00:46:32,490 --> 00:46:34,125
IT'S THE GOVERNMENT'S
RESPONSIBILITY.
1061
00:46:34,125 --> 00:46:35,593
MAYBE THEY'RE RIGHT.
1062
00:46:35,593 --> 00:46:37,929
BUT AS MY UNCLE OLAF
USED TO SAY,
1063
00:46:37,929 --> 00:46:40,832
"IF YOU MAKE THE TRASH,
YOU CAN TAKE IT OUT."
1064
00:46:40,832 --> 00:46:44,735
AND THAT'S THE WAY I SEE IT.
1065
00:46:44,735 --> 00:46:46,137
YOU WERE GREAT.
1066
00:46:46,137 --> 00:46:47,672
NO, NO,
YOU WERE.
1067
00:46:47,672 --> 00:46:50,075
YOU EVEN MADE
ME LOOK GOOD.
1068
00:46:50,075 --> 00:46:51,742
LET'S DO IT.
1069
00:46:51,742 --> 00:46:53,544
LET'S MOVE IN TOGETHER.
1070
00:46:57,115 --> 00:47:00,651
* BLAH BLAH
BLAH BLAH MOON *
1071
00:47:00,651 --> 00:47:04,222
* BLAH BLAH BLAH ABOVE
1072
00:47:04,222 --> 00:47:07,758
* BLAH BLAH
BLAH BLAH CROON *
1073
00:47:07,758 --> 00:47:11,062
* BLAH BLAH
BLAH BLAH LOVE *
1074
00:47:11,062 --> 00:47:13,364
* TRA LA LA LA
1075
00:47:13,364 --> 00:47:17,936
* TRA LA LA LA LA
MERRY MONTH OF MAY *
1076
00:47:17,936 --> 00:47:20,405
* TRA LA LA LA
1077
00:47:20,405 --> 00:47:25,243
* TRA LA LA LA LA
'NEATH THE CLOUDS OF GRAY *
1078
00:47:25,243 --> 00:47:28,479
* BLAH BLAH BLAH
YOUR HAIR *
1079
00:47:28,479 --> 00:47:32,183
* BLAH BLAH BLAH
YOUR EYES *
1080
00:47:32,183 --> 00:47:35,786
* BLAH BLAH
BLAH BLAH CARE *
1081
00:47:35,786 --> 00:47:39,024
* BLAH BLAH
BLAH BLAH SKIES *
1082
00:47:39,024 --> 00:47:41,126
* TRA LA LA LA
1083
00:47:41,126 --> 00:47:46,131
* TRA LA LA LA LA
COTTAGE FOR TWO *
1084
00:47:46,131 --> 00:47:49,968
* BLAH BLAH
BLAH BLAH FLY *
1085
00:47:49,968 --> 00:47:52,837
* DARLING, WITH YOU *
1086
00:47:52,837 --> 00:47:54,339
HEY, LARRY.
1087
00:47:54,339 --> 00:47:57,542
[WHISTLES]
1088
00:47:59,077 --> 00:48:01,579
I THINK I'LL CONSIDER
THIS RELATIONSHIP A SUCCESS
1089
00:48:01,579 --> 00:48:04,849
IF I CAN EVER GET YOU
TO CLEAN OUT YOUR COFFEE CUP.
1090
00:48:04,849 --> 00:48:06,751
WHAT DO YOU
WANT TO DO TODAY?
1091
00:48:06,751 --> 00:48:09,754
I THOUGHT
WE'D STAY IN.
1092
00:48:09,754 --> 00:48:11,156
HEY, DAN!
1093
00:48:13,992 --> 00:48:15,693
HEY, GUYS.
1094
00:48:15,693 --> 00:48:17,428
THREE ON THREE
AT THE PARK.
1095
00:48:17,428 --> 00:48:19,364
YEAH!
1096
00:48:19,364 --> 00:48:20,765
UH...
1097
00:48:20,765 --> 00:48:23,034
NO, ACTUALLY,
I'M, UH...
1098
00:48:23,034 --> 00:48:24,569
I'M JUST GOING TO
STAY IN TODAY. THANKS.
1099
00:48:25,636 --> 00:48:28,073
LET'S GET OUT
OF HERE.
1100
00:48:31,342 --> 00:48:34,545
OH, HI, DAN.
HOW ARE YOU TODAY?
1101
00:48:34,545 --> 00:48:36,847
I'M FINE...
1102
00:48:36,847 --> 00:48:39,084
BUT I'M GOING
TO STAY IN.
1103
00:48:39,084 --> 00:48:40,618
OH. [GIGGLES]
1104
00:48:51,296 --> 00:48:52,430
LINDA?
1105
00:48:53,764 --> 00:48:57,568
DAN, HURRY UP! COME ON,
YOU'RE MISSING THE PARTY.
1106
00:49:01,639 --> 00:49:03,308
I'LL BE RIGHT DOWN.
1107
00:49:15,720 --> 00:49:17,055
YOU KNOW...
1108
00:49:20,691 --> 00:49:23,461
I DEFINITELY THINK
WE SHOULD STAY IN TODAY.
1109
00:49:24,729 --> 00:49:25,930
SURE, HONEY.
1110
00:49:25,930 --> 00:49:27,732
WHATEVER YOU SAY.
1111
00:49:28,933 --> 00:49:31,136
I DIDN'T CHANGE ENOUGH?
1112
00:49:31,136 --> 00:49:32,537
OH, COME ON.
1113
00:49:32,537 --> 00:49:35,740
I CHANGED EVERYTHING
IN MY LIFE FOR HER.
1114
00:49:35,740 --> 00:49:37,175
YOU'RE BETTER OFF.
1115
00:49:37,175 --> 00:49:40,011
I THINK OF EVERYTHING
I COULD HAVE DONE
1116
00:49:40,011 --> 00:49:42,080
IF I DIDN'T HAVE TO
COME HOME TO HER.
1117
00:49:42,080 --> 00:49:43,281
WHAT THINGS?
1118
00:49:43,281 --> 00:49:45,950
HOW SHOULD I KNOW?
I DIDN'T DO THEM.
1119
00:49:45,950 --> 00:49:46,951
ALL RIGHT.
1120
00:49:46,951 --> 00:49:48,153
YOU...
1121
00:49:48,153 --> 00:49:49,154
ENOUGH OF THIS.
1122
00:49:49,154 --> 00:49:51,756
YOU GO UP THERE
RIGHT NOW,
1123
00:49:51,756 --> 00:49:53,758
YOU TAKE HER
IN YOUR ARMS
1124
00:49:53,758 --> 00:49:56,061
AND TELL HER
YOU LOVE HER.
1125
00:49:56,061 --> 00:49:58,829
NO, IT'S TOO LATE
FOR THAT, MRS. SPEPK.
1126
00:49:58,829 --> 00:49:59,997
IT'S OVER.
1127
00:49:59,997 --> 00:50:02,333
DAN, YOU CAN'T
BE SERIOUS.
1128
00:50:02,333 --> 00:50:05,570
MR. SPEPK, HERE'S
THE KEYS TO THE APARTMENT.
1129
00:50:05,570 --> 00:50:08,106
TELL LORIE THERE'S NO NEED
TO CHANGE THE LOCKS.
1130
00:50:08,106 --> 00:50:10,708
HERE, TAKE THIS.
1131
00:50:13,778 --> 00:50:15,180
THANKS.
1132
00:50:52,817 --> 00:50:54,519
HI, DAN.
1133
00:50:54,519 --> 00:50:55,820
HI.
1134
00:50:58,823 --> 00:51:00,425
GOD. ARE YOU OK?
1135
00:51:00,425 --> 00:51:01,226
YEAH.
1136
00:51:01,226 --> 00:51:03,828
WALLY TOLD ME
ALL ABOUT IT.
1137
00:51:03,828 --> 00:51:05,830
WOW. NEWS TRAVELS FAST.
1138
00:51:05,830 --> 00:51:06,831
YEAH.
1139
00:51:06,831 --> 00:51:08,966
BOY, YOU LOOK GREAT.
1140
00:51:08,966 --> 00:51:11,035
IT'S REALLY GOOD
TO SEE YOU.
1141
00:51:11,035 --> 00:51:12,937
MAYBE WE SHOULDN'T
BE SITTING HERE.
1142
00:51:12,937 --> 00:51:14,305
WHY?
1143
00:51:14,305 --> 00:51:17,275
WHAT DIFFERENCE
DOES IT MAKE? NEVER MIND.
1144
00:51:17,275 --> 00:51:20,010
SO YOU KNOW WALLY?
I DIDN'T KNOW THAT.
1145
00:51:20,010 --> 00:51:21,246
HE'S BEEN
CHASING ME FOREVER,
1146
00:51:21,246 --> 00:51:22,713
ALMOST AS LONG
AS YOU.
1147
00:51:22,713 --> 00:51:24,249
I NEVER CHASED YOU.
1148
00:51:24,249 --> 00:51:25,816
YOU NEVER HAD TO.
1149
00:51:27,652 --> 00:51:29,053
SO WALLY ASKED ME
1150
00:51:29,053 --> 00:51:31,088
TO TRY AND GET
YOU AND LORIE
1151
00:51:31,088 --> 00:51:32,190
BACK TOGETHER.
1152
00:51:32,190 --> 00:51:33,624
WHAT DID YOU SAY?
1153
00:51:33,624 --> 00:51:35,793
I SAID WE'D HAVE
A COUPLE OF DRINKS,
1154
00:51:35,793 --> 00:51:37,928
AND I'D TRY REAL HARD...
1155
00:51:37,928 --> 00:51:39,197
FOR THE SAKE OF
THE SHOW.
1156
00:51:39,197 --> 00:51:40,365
THERE'S ONE PROBLEM.
1157
00:51:40,365 --> 00:51:42,032
THE SHOW IS NOT
AVAILABLE ANYMORE.
1158
00:51:42,032 --> 00:51:43,601
THAT MEANS YOU ARE,
RIGHT?
1159
00:51:43,601 --> 00:51:46,671
BUT THEY DON'T WANT ME
AS A SINGLE.
1160
00:51:46,671 --> 00:51:48,038
I'M NOT AS PICKY.
1161
00:51:48,038 --> 00:51:50,808
YOU GOT A PLACE
TO STAY?
1162
00:51:50,808 --> 00:51:52,210
WELL, UH, ACTUALLY...
1163
00:51:52,210 --> 00:51:53,478
MY COMPANY PUT ME
1164
00:51:53,478 --> 00:51:55,180
IN ONE OF THOSE
SUITE HOTELS.
1165
00:51:55,180 --> 00:51:57,848
I'VE GOT A SOFA
AND AN EXTRA ROOM.
1166
00:51:57,848 --> 00:51:59,984
I'D LOVE IT IF
YOU'D STAY WITH ME.
1167
00:51:59,984 --> 00:52:00,985
DAN.
1168
00:52:00,985 --> 00:52:02,487
OH, MARK. HI.
1169
00:52:02,487 --> 00:52:04,121
HOW'S THE--
HOW'S THE WOUND?
1170
00:52:04,121 --> 00:52:07,658
IT'S, UH...
IT'S OK.
1171
00:52:07,658 --> 00:52:08,859
YEAH.
1172
00:52:08,859 --> 00:52:13,130
WELL, I'VE GOT TO GET
BACK TO WORK, SO, UH...
1173
00:52:14,465 --> 00:52:17,235
SEE YA.
1174
00:52:17,235 --> 00:52:18,236
WHAT GIVES?
1175
00:52:18,236 --> 00:52:19,770
WHAT HAPPENED
THIS MORNING?
1176
00:52:19,770 --> 00:52:20,671
ALL RIGHT.
1177
00:52:20,671 --> 00:52:22,840
I'M IN THE GREEN ROOM,
RIGHT?
1178
00:52:24,242 --> 00:52:26,711
WHY DO YOU THINK
THEY CALL THIS
1179
00:52:26,711 --> 00:52:27,845
A GREEN ROOM?
1180
00:52:27,845 --> 00:52:29,247
I DON'T KNOW.
1181
00:52:29,247 --> 00:52:32,183
PROBABLY SOME OLD
THEATRICAL TRADITION, HUH?
1182
00:52:32,183 --> 00:52:34,885
SOMETHING TO DO WITH
SHAKESPEARE OR SOMETHING.
1183
00:52:36,354 --> 00:52:38,088
OH, CHRIST, LORIE.
1184
00:52:38,088 --> 00:52:39,290
WHAT?
1185
00:52:39,290 --> 00:52:42,493
YOUR CUP.
YOUR GODDAMN CUP.
1186
00:52:46,697 --> 00:52:48,233
SO...
1187
00:52:48,233 --> 00:52:50,535
HAVE YOU HEARD
FROM LINDA?
1188
00:52:52,237 --> 00:52:54,372
WELL, OBVIOUSLY YOU
KNOW I HAVE OR YOU
1189
00:52:54,372 --> 00:52:55,840
WOULDN'T HAVE ASKED.
1190
00:52:55,840 --> 00:52:57,442
DID YOU READ
HER LETTER?
1191
00:52:57,442 --> 00:53:00,345
NO. I MEAN, IT WASN'T
ADDRESSED TO ME.
1192
00:53:01,379 --> 00:53:02,647
IS THAT WHAT'S
BOTHERING YOU?
1193
00:53:02,647 --> 00:53:04,982
WELL, IT JUST
SEEMS STRANGE.
1194
00:53:04,982 --> 00:53:07,485
I MEAN, SHE MOVES
OUT OF TOWN,
1195
00:53:07,485 --> 00:53:10,020
SHE SENDS CHRISTMAS
CARDS TO BOTH OF US,
1196
00:53:10,020 --> 00:53:11,322
AND POSTCARDS,
1197
00:53:11,322 --> 00:53:14,492
SO WHEN A LETTER CAME
ADDRESSED JUST TO YOU,
1198
00:53:14,492 --> 00:53:16,694
IT JUST MADE ME WONDER,
THAT'S ALL.
1199
00:53:16,694 --> 00:53:18,829
WHY IS THIS
BOTHERING YOU NOW?
1200
00:53:18,829 --> 00:53:21,666
WE'RE ON TOP
OF THE WORLD HERE.
1201
00:53:21,666 --> 00:53:25,002
OK. SHE IS COMING
INTO TOWN.
1202
00:53:25,002 --> 00:53:27,805
I MEAN, SHE'S HERE,
IN FACT.
1203
00:53:27,805 --> 00:53:29,274
HAVE YOU SEEN HER?
1204
00:53:29,274 --> 00:53:31,208
NO, I HAVE NOT.
1205
00:53:31,208 --> 00:53:32,577
AS A MATTER OF FACT,
1206
00:53:32,577 --> 00:53:35,480
IF--IF YOU WANT TO
HAVE DRINKS TODAY,
1207
00:53:35,480 --> 00:53:38,249
WE'RE SUPPOSED TO
HAVE DRINKS WITH HER.
1208
00:53:38,249 --> 00:53:41,185
WEREN'T YOU GOING
TO TELL ME?
1209
00:53:41,185 --> 00:53:44,088
HONEY, I JUST DID.
1210
00:53:44,088 --> 00:53:46,624
OH, GOD, DAN.
SOMETIMES, I SWEAR--
1211
00:53:46,624 --> 00:53:48,626
WHAT IS THE MATTER
WITH YOU?
1212
00:53:48,626 --> 00:53:50,127
HOW CAN YOU
BE JEALOUS
1213
00:53:50,127 --> 00:53:51,396
AFTER ALL THIS TIME?
1214
00:53:51,396 --> 00:53:54,632
BECAUSE APPARENTLY I STILL
HAVE REASON TO BE.
1215
00:53:54,632 --> 00:53:57,101
YOU WERE GOING TO SEE HER
WITHOUT TELLING ME.
1216
00:53:57,101 --> 00:53:58,536
I WAS GOING
TO SEE HER,
1217
00:53:58,536 --> 00:53:59,870
NOT SLEEP WITH HER.
1218
00:53:59,870 --> 00:54:02,840
I'M NOT SAYING YOU
PLANNED TO SLEEP WITH HER,
1219
00:54:02,840 --> 00:54:04,041
BUT BY NOT INVITING ME,
1220
00:54:04,041 --> 00:54:07,412
YOU LEAVE YOURSELF THAT
LITTLE MARGIN FOR ERROR
1221
00:54:07,412 --> 00:54:09,347
WHERE UNPLANNED ACCIDENTS
CAN HAPPEN.
1222
00:54:09,347 --> 00:54:10,648
YOU'RE STILL
DIDDLING AROUND.
1223
00:54:10,648 --> 00:54:12,550
NO, I AM NOT
DIDDLING AROUND.
1224
00:54:12,550 --> 00:54:13,751
I DON'T DIDDLE.
1225
00:54:13,751 --> 00:54:15,953
I'M NOT GOING TO BED
WITH LINDA.
1226
00:54:15,953 --> 00:54:18,255
I MAY SPLIT A SALAD
WITH HER. THAT'S ALL.
1227
00:54:18,255 --> 00:54:19,724
I WANT TO GET MARRIED.
1228
00:54:19,724 --> 00:54:20,991
WHAT?
1229
00:54:20,991 --> 00:54:22,126
A MINUTE AGO,
1230
00:54:22,126 --> 00:54:23,994
YOU ACCUSED ME
OF CHEATING ON YOU.
1231
00:54:23,994 --> 00:54:26,063
NOW YOU WANT
TO MARRY ME?
1232
00:54:26,063 --> 00:54:27,432
DON'T YOU THINK
ABOUT IT?
1233
00:54:27,432 --> 00:54:30,901
YEAH. I JUST DON'T KNOW
WHAT I THINK ABOUT IT.
1234
00:54:30,901 --> 00:54:33,103
SOMETIMES I FEEL LIKE
I HAVE REALLY GROWN
1235
00:54:33,103 --> 00:54:35,072
IN THE LAST
THREE YEARS,
1236
00:54:35,072 --> 00:54:36,841
AND YOU HAVE JUST
STOOD STILL.
1237
00:54:36,841 --> 00:54:37,642
NO, THAT IS NOT
1238
00:54:37,642 --> 00:54:38,776
WHAT'S GOING ON
HERE.
1239
00:54:38,776 --> 00:54:40,745
YOU'RE SO AFRAID
OF BEING HURT,
1240
00:54:40,745 --> 00:54:42,747
YOU'RE MAKING
A DEMAND ON ME
1241
00:54:42,747 --> 00:54:44,248
YOU'RE SURE
I CAN'T MEET.
1242
00:54:44,248 --> 00:54:45,516
YOU'RE PUSHING ME
TO WALK.
1243
00:54:45,516 --> 00:54:46,784
IS THAT WHAT YOU WANT?
1244
00:54:46,784 --> 00:54:48,919
YOU JUST DON'T GET IT,
DO YOU?
1245
00:54:48,919 --> 00:54:50,788
I KNOW YOU ARE SCARED
OF TAKING THIS STEP.
1246
00:54:51,856 --> 00:54:53,257
I AM SCARED, TOO.
1247
00:54:53,257 --> 00:54:55,125
BUT THAT'S
THE GREAT THING.
1248
00:54:55,125 --> 00:54:56,661
DON'T YOU SEE?
1249
00:54:56,661 --> 00:54:58,896
WE COULD BE SCARED...
TOGETHER.
1250
00:55:00,665 --> 00:55:05,302
LOOK, I JUST...
I WANT TO BE SURE OF YOU.
1251
00:55:05,302 --> 00:55:08,873
IF THAT MEANS THAT
I'M A LITTLE INSECURE
1252
00:55:08,873 --> 00:55:10,274
OR A LITTLE NEUROTIC,
1253
00:55:10,274 --> 00:55:11,942
WELL, SO BE IT.
1254
00:55:11,942 --> 00:55:14,512
I--I JUST WANT TO KNOW
1255
00:55:14,512 --> 00:55:18,248
THAT IF I'M ON THE AIR
WITH YOU IN FIVE YEARS,
1256
00:55:18,248 --> 00:55:20,385
IT'S BECAUSE
YOU LOVE ME,
1257
00:55:20,385 --> 00:55:24,021
NOT BECAUSE I'M YOUR
BUSINESS PARTNER.
1258
00:55:24,021 --> 00:55:27,425
OH, I DO. I DO.
1259
00:55:27,425 --> 00:55:29,093
COME ON.
1260
00:55:35,966 --> 00:55:37,768
COME ON.
1261
00:55:37,768 --> 00:55:40,371
YOU DON'T WANT
TO GET MARRIED.
1262
00:55:41,739 --> 00:55:44,341
NO, DAN. YOU DON'T
WANT TO GET MARRIED.
1263
00:55:44,341 --> 00:55:46,844
RIGHT? LET ME
HEAR YOU SAY IT.
1264
00:55:46,844 --> 00:55:48,513
TIME, PLEASE.
1265
00:55:48,513 --> 00:55:50,080
HEY, MARK...
1266
00:55:50,080 --> 00:55:51,081
MARK...
1267
00:55:51,081 --> 00:55:52,650
YEAH?
1268
00:55:52,650 --> 00:55:53,918
SETTLE AN ARGUMENT.
1269
00:55:53,918 --> 00:55:57,154
WHY DO THEY CALL THIS
THE GREEN ROOM?
1270
00:55:57,154 --> 00:56:00,391
UM, I DON'T KNOW.
1271
00:56:00,391 --> 00:56:02,059
SEE YOU IN THERE.
1272
00:56:05,663 --> 00:56:08,666
I'M SORRY, BUT...
1273
00:56:08,666 --> 00:56:11,101
I DON'T WANT
TO GET MARRIED.
1274
00:56:47,538 --> 00:56:49,239
COMING THROUGH.
1275
00:56:49,239 --> 00:56:50,240
WATCH IT.
1276
00:56:50,240 --> 00:56:52,510
LORIE, 15 SECONDS
TO AIR.
1277
00:57:16,667 --> 00:57:18,268
PLACES, EVERYBODY.
1278
00:57:18,268 --> 00:57:20,270
QUIET, PLEASE.
1279
00:57:20,270 --> 00:57:21,271
5...
1280
00:57:21,271 --> 00:57:22,272
4...
1281
00:57:22,272 --> 00:57:23,273
3...
1282
00:57:23,273 --> 00:57:24,709
2...
1283
00:57:24,709 --> 00:57:27,678
AND NOW, PERKELL HEATING
AND COOLING BRINGS YOU
1284
00:57:27,678 --> 00:57:29,246
HE SAID, SHE SAID,
1285
00:57:29,246 --> 00:57:30,414
WITH YOUR COMMENTATORS
1286
00:57:30,414 --> 00:57:32,349
LORRAINE BRYER
AND DAN HANSON.
1287
00:57:32,349 --> 00:57:33,984
THE ISSUE TODAY--
1288
00:57:33,984 --> 00:57:36,286
PROPOSITION 41,
THE HIGHWAY MERGER.
1289
00:57:36,286 --> 00:57:38,956
GOOD AFTERNOON, DAN.
1290
00:57:41,091 --> 00:57:44,895
PROPOSITION 41
ON THE BALLOT IN OCTOBER
1291
00:57:44,895 --> 00:57:47,798
WOULD PROVIDE FOR
A NEW CONNECTING SPUR
1292
00:57:47,798 --> 00:57:52,503
TO MERGE HIGHWAYS
710 AND 88.
1293
00:57:52,503 --> 00:57:56,841
IN MY VIEW, THIS MERGER
IS LONG OVERDUE.
1294
00:57:56,841 --> 00:57:59,476
NOT ONLY WOULD IT
IMPROVE ACCESS,
1295
00:57:59,476 --> 00:58:01,846
BUT IT WOULD ALLOW
FOR MAXIMUM GROWTH,
1296
00:58:01,846 --> 00:58:04,815
ESPECIALLY IN
THE OUTLYING AREAS.
1297
00:58:04,815 --> 00:58:07,752
I KNOW WHAT
YOU'LL SAY, DAN.
1298
00:58:07,752 --> 00:58:10,420
THAT PROPOSITION 41
CAN WAIT,
1299
00:58:10,420 --> 00:58:12,990
THAT THERE'S NO NEED
FOR IT NOW.
1300
00:58:12,990 --> 00:58:16,326
BUT IN TWO
OR THREE YEARS...
1301
00:58:16,326 --> 00:58:19,730
IT WILL BE TOO LATE.
1302
00:58:19,730 --> 00:58:26,203
WE MUST GO FORWARD
OR WE STOP.
1303
00:58:26,203 --> 00:58:28,472
NOW IS THE TIME...
1304
00:58:28,472 --> 00:58:32,276
AND THAT'S THE WAY
I SEE IT.
1305
00:58:32,276 --> 00:58:34,745
WELL, LORIE,
THERE YOU GO,
1306
00:58:34,745 --> 00:58:37,381
OVER-INTELLECTUALIZING
AGAIN.
1307
00:58:37,381 --> 00:58:39,049
COMMON SENSE TELLS US
1308
00:58:39,049 --> 00:58:41,786
THAT A MERGER SIMPLY
IS NOT NEEDED.
1309
00:58:41,786 --> 00:58:43,087
THESE TWO HIGHWAYS
1310
00:58:43,087 --> 00:58:45,823
FUNCTION QUITE WELL
INDEPENDENTLY, THANK YOU,
1311
00:58:45,823 --> 00:58:48,726
AND A MERGER NOW WOULD ONLY
MEAN INCREASED SPENDING,
1312
00:58:48,726 --> 00:58:51,696
TRAFFIC, AND CONGESTION
IN AN ALREADY CROWDED AREA.
1313
00:58:51,696 --> 00:58:53,631
AND THE OUTLYING AREAS
THAT YOU SPEAK OF
1314
00:58:53,631 --> 00:58:55,132
HAVE REACHED A PLATEAU
1315
00:58:55,132 --> 00:58:58,268
WHERE FURTHER GROWTH
IS JUST NOT EXPECTED.
1316
00:58:59,804 --> 00:59:02,707
THERE'S NOTHING WRONG
WITH THE STATUS QUO, LORIE.
1317
00:59:02,707 --> 00:59:05,109
AS MY UNCLE OLAF
USED TO SAY,
1318
00:59:05,109 --> 00:59:07,511
"WHY FIX IT
IF IT AIN'T BROKEN?"
1319
00:59:07,511 --> 00:59:11,381
THAT'S THE WAY
I SEE IT--OW!
1320
00:59:11,381 --> 00:59:12,750
DID YOU SEE THAT?
1321
00:59:12,750 --> 00:59:15,653
THE OPINIONS EXPRESSED
BY THE COMMENTATORS
1322
00:59:15,653 --> 00:59:18,923
ARE NOT NECESSARILY
THOSE OF STATION...
1323
00:59:18,923 --> 00:59:20,257
LORIE...
1324
00:59:20,257 --> 00:59:21,659
LORIE...
1325
00:59:21,659 --> 00:59:23,794
ARE--ARE YOU ALL RIGHT?
1326
00:59:23,794 --> 00:59:27,297
OF COURSE I AM.
OF COURSE. YEAH.
1327
00:59:27,297 --> 00:59:29,033
YEAH, I'M FINE.
1328
00:59:29,033 --> 00:59:30,400
ARE YOU SURE?
1329
00:59:30,400 --> 00:59:31,736
YEAH, I'M FINE, MARK.
1330
00:59:31,736 --> 00:59:33,537
DON'T WORRY ABOUT ME.
I'LL BE ALL RIGHT.
1331
00:59:33,537 --> 00:59:36,573
MY KEYS ARE INSIDE.
MY PURSE IS INSIDE.
1332
00:59:36,573 --> 00:59:38,408
MY WHOLE LIFE IS INSIDE.
1333
00:59:38,408 --> 00:59:39,677
WHO CARES? RIGHT?
1334
00:59:39,677 --> 00:59:41,078
I'M NOT GOING BACK
IN THERE.
1335
00:59:41,078 --> 00:59:43,981
DO YOU THINK I HURT HIM
WITH THE CUP?
1336
00:59:43,981 --> 00:59:46,483
WELL, WHO CARES?
I'M GOING TO WALK HOME.
1337
00:59:46,483 --> 00:59:49,787
I FEEL SO GOOD THAT I'M JUST
GOING TO WALK HOME.
1338
00:59:49,787 --> 00:59:52,089
LORIE, I, UM...
1339
00:59:58,829 --> 01:00:01,031
COULD YOU GIVE ME
A RIDE HOME?
1340
01:00:01,031 --> 01:00:02,833
SURE. YOU LOOK LIKE
YOU COULD USE ONE.
1341
01:00:02,833 --> 01:00:04,168
MY CAR'S JUST
OVER HERE.
1342
01:00:04,168 --> 01:00:05,903
WHERE DO THESE GO?
1343
01:00:05,903 --> 01:00:07,838
EVERYTHING GOES
IN THE HALL.
1344
01:00:07,838 --> 01:00:10,374
THE LOUSY RECORDS,
THE TOYS,
1345
01:00:10,374 --> 01:00:11,441
THE MODELS...
1346
01:00:11,441 --> 01:00:12,442
WHAT ABOUT THIS?
1347
01:00:12,442 --> 01:00:16,446
OH, NO.
I WANT THAT.
1348
01:00:16,446 --> 01:00:18,048
YOU'VE KNOWN ME
A LONG TIME,
1349
01:00:18,048 --> 01:00:18,983
RIGHT, CINDY?
1350
01:00:18,983 --> 01:00:21,185
I QUALIFY AS
A RATIONAL PERSON,
1351
01:00:21,185 --> 01:00:22,452
DON'T I?
1352
01:00:22,452 --> 01:00:23,854
YES, SOMEWHAT.
1353
01:00:23,854 --> 01:00:26,190
I MEAN,
I'M NOT CRAZY,
1354
01:00:26,190 --> 01:00:29,026
BUT THERE COMES
A TIME WHEN YOU SAY,
1355
01:00:29,026 --> 01:00:30,194
"YES,
WE GO FORWARD."
1356
01:00:30,194 --> 01:00:32,629
OR "NO, WE MADE
A BIG MISTAKE."
1357
01:00:32,629 --> 01:00:34,899
I FEEL GREAT.
I REALLY DO.
1358
01:00:34,899 --> 01:00:36,366
AAH! WHAT
ARE YOU DOING?
1359
01:00:36,366 --> 01:00:37,735
COME ON! STOP IT.
1360
01:00:37,735 --> 01:00:40,270
I WON'T LET YOU
DO THIS TO YOURSELF
1361
01:00:40,270 --> 01:00:41,271
OR YOUR VCR.
1362
01:00:41,271 --> 01:00:42,673
HE'S NOT WORTH IT.
1363
01:00:42,673 --> 01:00:44,274
YOU NEVER
NEEDED HIM.
1364
01:00:44,274 --> 01:00:45,542
IF YOU WANTED TO,
1365
01:00:45,542 --> 01:00:48,112
YOU COULD'VE HAD
YOUR OWN TV SHOW.
1366
01:00:48,112 --> 01:00:50,848
THAT'S JUST IT.
I NEVER WANTED A TV SHOW.
1367
01:00:50,848 --> 01:00:52,249
I DON'T
EVEN WATCH TV.
1368
01:00:52,249 --> 01:00:53,183
OK.
1369
01:00:53,183 --> 01:00:54,919
THE NEW YORK TIMES
CALLED.
1370
01:00:54,919 --> 01:00:56,486
THEY LOVED MY WORK.
1371
01:00:56,486 --> 01:00:58,689
I'M GOING
TO CALL THEM BACK.
1372
01:00:58,689 --> 01:00:59,824
GOOD.
1373
01:00:59,824 --> 01:01:02,392
I MEAN, TO THINK
I LET HIM DETOUR ME
1374
01:01:02,392 --> 01:01:03,694
FROM MY ORIGINAL
PURPOSE.
1375
01:01:03,694 --> 01:01:05,062
IT'S THREE YEARS GONE.
1376
01:01:05,062 --> 01:01:07,865
SO WHAT. I'M STILL
REASONABLY YOUNG, RIGHT?
1377
01:01:07,865 --> 01:01:09,433
IT'S REALLY BEEN
THREE YEARS?
1378
01:01:09,433 --> 01:01:11,936
I MEAN, ALL THE TIME
I WASTED
1379
01:01:11,936 --> 01:01:13,637
OVERLOOKING
THOSE ROTTEN THINGS.
1380
01:01:13,637 --> 01:01:15,572
I MEAN,
YOU REMEMBER, CINDY.
1381
01:01:15,572 --> 01:01:18,208
IT WAS OBVIOUS
RIGHT FROM THE START.
1382
01:01:35,159 --> 01:01:37,027
UH, WHAT WE'VE
DECIDED TO DO,
1383
01:01:37,027 --> 01:01:39,163
IN A VERY SOLOMON-LIKE
AND QUITE COWARDLY MANNER,
1384
01:01:39,163 --> 01:01:40,998
IS TO GIVE YOU BOTH
A SHOT AT IT.
1385
01:01:40,998 --> 01:01:44,268
YOU HAVE BOTH BEEN FOLLOWING
THIS PUBLIC SCULPTURE THING?
1386
01:01:44,268 --> 01:01:45,302
OH, YEAH.
1387
01:01:45,302 --> 01:01:46,336
HA HA HA.
1388
01:01:46,336 --> 01:01:49,073
DON'T FEEL YOU HAVE
TO IMITATE MONROE.
1389
01:01:49,073 --> 01:01:51,742
USE YOUR OWN STYLE,
YOUR OWN OPINIONS.
1390
01:01:51,742 --> 01:01:53,677
1,500 WORDS,
ON MY DESK,
1391
01:01:53,677 --> 01:01:55,512
BY 5:00
FOR PUBLICATION TOMORROW.
1392
01:01:55,512 --> 01:01:57,514
AND MAY
THE BEST MAN WIN--
1393
01:01:57,514 --> 01:01:59,917
OH, OR THE BEST WOMAN.
1394
01:02:06,123 --> 01:02:07,691
LISTEN.
AFTER TOMORROW,
1395
01:02:07,691 --> 01:02:09,226
ONE OF US IS PROBABLY
1396
01:02:09,226 --> 01:02:12,296
NEVER GOING TO SPEAK
TO THE OTHER AGAIN.
1397
01:02:12,296 --> 01:02:13,964
SO HOW ABOUT DINNER?
1398
01:02:13,964 --> 01:02:15,699
SHOCKING AS
THIS MAY SOUND,
1399
01:02:15,699 --> 01:02:16,967
I'D LIKE TO.
1400
01:02:16,967 --> 01:02:19,136
UNFORTUNATELY,
I HAVE A DATE.
1401
01:02:19,136 --> 01:02:21,705
WELL, IT'S NOT
ACTUALLY A DATE.
1402
01:02:21,705 --> 01:02:23,440
IT'S MORE LIKE
AN OBLIGATION.
1403
01:02:23,440 --> 01:02:24,975
SORRY.
1404
01:02:30,114 --> 01:02:31,315
THANK YOU.
1405
01:02:38,622 --> 01:02:39,623
GUESS WHAT.
1406
01:02:39,623 --> 01:02:40,624
WHAT?
1407
01:02:40,624 --> 01:02:42,192
GUESS.
1408
01:02:42,192 --> 01:02:45,262
THEY'RE PRINTING
THE NEW REPUBLIC PIECE.
1409
01:02:45,262 --> 01:02:46,196
THAT'S GREAT!
1410
01:02:46,196 --> 01:02:47,932
THE ONE ABOUT
THE SANDINISTA
1411
01:02:47,932 --> 01:02:49,166
EDUCATION SYSTEM?
THAT'S TERRIFIC!
1412
01:02:49,166 --> 01:02:51,568
I BROUGHT A COPY
FOR YOU TO SEE.
1413
01:02:51,568 --> 01:02:53,871
OH, I'D LOVE TO.
GREAT.
1414
01:02:55,205 --> 01:02:56,206
NO. I...
1415
01:02:56,206 --> 01:02:59,043
WHAT? IT TAKES
TOO LONG TO START?
1416
01:02:59,043 --> 01:03:00,644
WE'RE DOING IT AGAIN.
1417
01:03:00,644 --> 01:03:02,880
WE ARE RELATING
TO EACH OTHER
1418
01:03:02,880 --> 01:03:05,215
AS WRITERS
AND POLITICAL COLLEAGUES.
1419
01:03:05,215 --> 01:03:07,551
WE ARE NOT RELATING
TO EACH OTHER
1420
01:03:07,551 --> 01:03:09,419
AS A WOMAN AND A MAN.
1421
01:03:09,419 --> 01:03:10,821
OHH.
1422
01:03:15,425 --> 01:03:17,828
ADAM...
1423
01:03:17,828 --> 01:03:19,830
LOOK...
1424
01:03:19,830 --> 01:03:22,132
WHAT I WANTED TO SAY...
1425
01:03:23,733 --> 01:03:26,070
I--I DON'T
THINK THAT WE SHOULD
1426
01:03:26,070 --> 01:03:28,405
SEE EACH OTHER ANYMORE.
1427
01:03:28,405 --> 01:03:32,576
IT'S NOT SEXUAL OR EXCITING
BETWEEN US ANYMORE.
1428
01:03:32,576 --> 01:03:34,744
I THINK THAT
IT WAS...ONCE,
1429
01:03:34,744 --> 01:03:39,049
BUT IT'S JUST NOT
THERE ANYMORE.
1430
01:03:39,049 --> 01:03:40,851
THIS IS VERY HARD
TO SAY--
1431
01:03:40,851 --> 01:03:43,120
IT'S VERY HARD
TO LISTEN TO.
1432
01:03:45,389 --> 01:03:46,723
I KNOW.
1433
01:03:46,723 --> 01:03:48,392
I-I'M SORRY.
1434
01:03:48,392 --> 01:03:50,260
LORIE, I'M NOT
A COMPLETE MORON,
1435
01:03:50,260 --> 01:03:51,161
YOU KNOW.
1436
01:03:51,161 --> 01:03:53,663
I SORT OF SAW
THIS THING COMING.
1437
01:03:53,663 --> 01:03:54,932
BUT I DON'T THINK
1438
01:03:54,932 --> 01:03:57,001
THIS IS ENTIRELY
MY FAULT.
1439
01:03:57,001 --> 01:04:00,670
I'M NOT SAYING
THAT IT IS.
1440
01:04:00,670 --> 01:04:02,206
WELL...
1441
01:04:02,206 --> 01:04:03,807
MAYBE TWO
CEREBRAL PEOPLE
1442
01:04:03,807 --> 01:04:06,343
JUST SHOULDN'T
BE TOGETHER.
1443
01:04:12,416 --> 01:04:14,218
I GOT TO GO.
1444
01:04:14,218 --> 01:04:15,419
NO. DON'T--DON'T GO.
1445
01:04:15,419 --> 01:04:18,822
NO. I PREFER IT,
IF YOU DON'T MIND.
1446
01:04:18,822 --> 01:04:20,157
SEE YA.
1447
01:04:29,967 --> 01:04:32,602
WOW. THAT WAS
A FAST DATE.
1448
01:04:39,343 --> 01:04:41,545
LOOKS LIKE
WE CAN'T GET AWAY
1449
01:04:41,545 --> 01:04:42,947
FROM EACH OTHER.
1450
01:04:42,947 --> 01:04:44,348
MAYBE IT'S FATE.
1451
01:04:44,348 --> 01:04:46,550
THE SEÑORA IS
ORDERING DINNER?
1452
01:04:46,550 --> 01:04:47,451
NO.
1453
01:04:47,451 --> 01:04:48,852
CAESAR SALAD'S
GREAT HERE.
1454
01:04:48,852 --> 01:04:49,853
NO. I'M GOING TO...
1455
01:04:49,853 --> 01:04:50,854
COME ON.
1456
01:04:50,854 --> 01:04:52,456
ALL RIGHT. I'LL...
1457
01:04:52,456 --> 01:04:56,226
I'LL HAVE A CAESAR SALAD
AND A GIN AND TONIC.
1458
01:04:56,226 --> 01:04:57,594
I'LL HAVE ANOTHER
ONE OF THESE.
1459
01:04:57,594 --> 01:04:59,263
ENJOY YOUR MEAL.
1460
01:05:01,966 --> 01:05:03,633
WE HAD A FIGHT.
1461
01:05:05,369 --> 01:05:07,671
WELL,
ACTUALLY WE DIDN'T.
1462
01:05:07,671 --> 01:05:11,308
WE DIDN'T HAVE A FIGHT.
WE--WE BROKE UP.
1463
01:05:11,308 --> 01:05:15,712
I DON'T KNOW WHAT
I'M TELLING YOU THIS FOR.
1464
01:05:15,712 --> 01:05:17,581
I'M REALLY SORRY.
1465
01:05:17,581 --> 01:05:19,216
SO WHO BROKE IT OFF?
1466
01:05:19,216 --> 01:05:20,450
I DID.
1467
01:05:20,450 --> 01:05:21,418
SEE, SOMETIMES
1468
01:05:21,418 --> 01:05:22,953
THAT'S THE MORE
PAINFUL POSITION.
1469
01:05:22,953 --> 01:05:24,688
IT'S ALWAYS
EASIER TO LOVE
1470
01:05:24,688 --> 01:05:25,956
THAN BE LOVED,
1471
01:05:25,956 --> 01:05:27,958
AND HURTING SOMEONE
CAN FEEL WORSE
1472
01:05:27,958 --> 01:05:29,159
THAN BEING HURT.
1473
01:05:29,159 --> 01:05:30,995
AND GOD KNOWS,
I'M ALWAYS TERRIFIED
1474
01:05:30,995 --> 01:05:33,263
TO GIVE BAD NEWS
TO A WOMAN.
1475
01:05:33,263 --> 01:05:34,898
MAYBE THAT'S
WEAK OF ME.
1476
01:05:34,898 --> 01:05:36,366
I DON'T KNOW.
1477
01:05:36,366 --> 01:05:37,567
YEAH.
1478
01:05:39,336 --> 01:05:42,839
SO, HOW DO YOU
KNOW SO MUCH?
1479
01:05:42,839 --> 01:05:45,942
BELIEVE ME,
I'VE BEEN THERE.
1480
01:05:45,942 --> 01:05:46,943
DAN!
1481
01:05:46,943 --> 01:05:48,545
SUSAN.
1482
01:05:48,545 --> 01:05:50,080
HI.
1483
01:05:51,548 --> 01:05:53,217
EXCUSE ME.
1484
01:05:55,952 --> 01:05:57,354
WOW. YOU LOOK
FANTASTIC.
1485
01:05:57,354 --> 01:05:59,356
YOU REALLY DO.
THAT DRESS--
1486
01:05:59,356 --> 01:06:00,557
THAT'S
YOUR COLOR.
1487
01:06:00,557 --> 01:06:01,958
THAT IS YOU.
1488
01:06:01,958 --> 01:06:04,361
THANKS. AND THANK YOU
FOR THE FLOWERS.
1489
01:06:04,361 --> 01:06:05,962
THEY WERE
SO BEAUTIFUL.
1490
01:06:05,962 --> 01:06:07,431
THANKS.
YOU GOT THEM.
1491
01:06:07,431 --> 01:06:08,498
GOOD.
1492
01:06:08,498 --> 01:06:10,634
NEXT WEEK, LET'S GO
TO THE ROLLER DERBY.
1493
01:06:10,634 --> 01:06:11,701
SOUNDS GOOD.
1494
01:06:11,701 --> 01:06:13,970
BUT WEAR THAT DRESS
OR THE DEAL'S OFF.
1495
01:06:13,970 --> 01:06:14,971
I WILL.
1496
01:06:14,971 --> 01:06:17,607
OH, SHIT.
MY TIT POPPED OUT.
1497
01:06:17,607 --> 01:06:20,577
I HATE IT WHEN
THAT HAPPENS, DON'T YOU?
1498
01:06:20,577 --> 01:06:21,578
BYE.
1499
01:06:21,578 --> 01:06:23,247
SEE YOU LATER.
1500
01:06:24,981 --> 01:06:27,984
CLASSY...
WITH A CAPITAL "K."
1501
01:06:27,984 --> 01:06:30,954
AND YOU.
LOOK AT YOU.
1502
01:06:30,954 --> 01:06:33,457
MR. SMOOTH.
1503
01:06:33,457 --> 01:06:37,094
YOU KNOW, I CAN'T BELIEVE
THAT I WAS LETTING MYSELF
1504
01:06:37,094 --> 01:06:40,230
GET SUCKED INTO
THIS RAP OF YOURS.
1505
01:06:40,230 --> 01:06:43,500
"IT'S BETTER TO LOVE
THAN TO BE LOVED."
1506
01:06:43,500 --> 01:06:46,636
THIS--YOU WERE
COMING ON TO ME.
1507
01:06:46,636 --> 01:06:48,905
THIS WAS A PASS.
1508
01:06:48,905 --> 01:06:50,374
YOU CALL
THAT A PASS?
1509
01:06:50,374 --> 01:06:51,941
YOU MEN
ARE ALL ALIKE.
1510
01:06:51,941 --> 01:06:54,178
YOU DON'T TAKE
ANY OF US SERIOUSLY.
1511
01:06:54,178 --> 01:06:55,379
NO, NO. WAIT, WAIT.
1512
01:06:55,379 --> 01:06:57,581
I WAS--
I WAS JUST THINKING.
1513
01:06:57,581 --> 01:06:59,749
WAS THAT A PASS?
1514
01:06:59,749 --> 01:07:01,985
OH, MY GOD.
1515
01:07:01,985 --> 01:07:03,587
YOU'RE RIGHT.
1516
01:07:03,587 --> 01:07:04,988
THAT WAS A PASS.
1517
01:07:04,988 --> 01:07:06,390
I'M SORRY. I...
1518
01:07:06,390 --> 01:07:08,992
BUT WHAT WAS I
SUPPOSED TO DO?
1519
01:07:08,992 --> 01:07:11,095
THERE YOU WERE
SITTING THERE,
1520
01:07:11,095 --> 01:07:12,596
VULNERABLE...
1521
01:07:12,596 --> 01:07:14,364
ATTRACTIVE.
1522
01:07:15,999 --> 01:07:19,136
OH, DARN IT.
1523
01:07:19,136 --> 01:07:21,037
DARN IT. DARN IT.
DARN IT.
1524
01:07:21,037 --> 01:07:22,406
THERE I GO AGAIN.
1525
01:07:22,406 --> 01:07:23,873
I'M OUT OF CONTROL.
1526
01:07:23,873 --> 01:07:26,009
I CAN'T NOT MAKE
A PASS AT YOU.
1527
01:07:26,009 --> 01:07:27,077
ANYWAY--
1528
01:07:27,077 --> 01:07:29,079
I'M THROUGH
WITH ALL OF YOU
1529
01:07:29,079 --> 01:07:30,147
FOR A WHILE.
1530
01:07:30,147 --> 01:07:31,281
THERE ARE THINGS
1531
01:07:31,281 --> 01:07:33,850
THAT ARE MORE
IMPORTANT TO ME NOW.
1532
01:07:33,850 --> 01:07:34,984
LIKE WHAT?
1533
01:07:34,984 --> 01:07:37,053
LIKE THE CHANCE
TO SAY SOMETHING,
1534
01:07:37,053 --> 01:07:38,588
TO REACH PEOPLE.
1535
01:07:38,588 --> 01:07:40,590
WHAT EVERY JOURNALIST
WANTS--
1536
01:07:40,590 --> 01:07:44,161
TO WORK AT
THE NEW YORK TIMES.
1537
01:07:44,161 --> 01:07:46,630
FOR NOW, I WILL SETTLE
FOR THIS COLUMN.
1538
01:07:46,630 --> 01:07:47,431
MY COLUMN.
1539
01:07:47,431 --> 01:07:49,032
THERE YOU ARE,
MA'AM.
1540
01:07:49,032 --> 01:07:51,335
I'LL MAKE UP A LITTLE
PLATE FOR YOU.
1541
01:07:51,335 --> 01:07:52,736
I DON'T LIKE TO FEEL
1542
01:07:52,736 --> 01:07:55,172
LIKE I'M HAVING DINNER
WITH A SHARK.
1543
01:07:55,172 --> 01:07:56,173
A LITTLE PASTA.
1544
01:07:56,173 --> 01:07:57,507
SAUCE. SALAD.
1545
01:07:57,507 --> 01:07:58,642
TOMATO.
1546
01:08:00,510 --> 01:08:01,578
OK?
1547
01:08:01,578 --> 01:08:03,247
THERE. HAVE FUN.
1548
01:08:04,781 --> 01:08:06,716
TO MY COLUMN.
1549
01:08:07,751 --> 01:08:10,053
NOT SO FAST.
PAPER DOESN'T COME OUT
1550
01:08:10,053 --> 01:08:12,222
FOR ANOTHER
COUPLE OF HOURS.
1551
01:08:17,794 --> 01:08:19,829
[TELEPHONE RINGS]
1552
01:08:21,931 --> 01:08:24,468
[RING]
1553
01:08:26,503 --> 01:08:27,804
[RING]
1554
01:08:27,804 --> 01:08:29,606
HELLO?
1555
01:08:29,606 --> 01:08:30,874
OH, HI, CINDY.
1556
01:08:32,041 --> 01:08:33,943
YES, I KNOW!
ISN'T IT GREAT?
1557
01:08:33,943 --> 01:08:36,613
OH, THANKS. YEAH.
1558
01:08:36,613 --> 01:08:39,082
DON'T YOU THINK IT'S
KIND OF A MINOR VICTORY,
1559
01:08:39,082 --> 01:08:41,718
I MEAN, HAVING HIS
PRINTED, TOO?
1560
01:08:41,718 --> 01:08:43,119
YEAH. YOU'RE RIGHT.
1561
01:08:43,119 --> 01:08:45,289
I MEAN, REACTIONARY
WRITING LIKE HIS
1562
01:08:45,289 --> 01:08:48,091
IS ONLY GOING TO
MAKE ME LOOK BETTER.
1563
01:08:48,091 --> 01:08:50,927
NO. I JUST--I JUST GOT IN.
1564
01:08:50,927 --> 01:08:54,698
WHY? DID YOU TRY
CALLING EARLIER?
1565
01:08:54,698 --> 01:08:55,965
ADAM?
1566
01:08:55,965 --> 01:08:57,701
OH...
1567
01:08:57,701 --> 01:08:58,868
GOD.
1568
01:08:58,868 --> 01:09:01,971
NO. UH,
THAT WAS HOURS AGO.
1569
01:09:01,971 --> 01:09:05,041
WELL, UH, I WAS...
1570
01:09:05,041 --> 01:09:07,377
ACTUALLY, I WAS
HAVING DINNER
1571
01:09:07,377 --> 01:09:10,514
WITH MR. REACTIONARY
HIMSELF.
1572
01:09:13,583 --> 01:09:14,384
WELL, YEAH.
1573
01:09:14,384 --> 01:09:16,820
HE DID CRUSH
MY CONTACT LENS,
1574
01:09:16,820 --> 01:09:20,590
BUT IT WAS--
IT WAS OK.
1575
01:09:20,590 --> 01:09:21,725
YEAH.
1576
01:09:21,725 --> 01:09:22,726
WELL, NO,
1577
01:09:22,726 --> 01:09:24,394
ACTUALLY, I...
1578
01:09:24,394 --> 01:09:27,864
I HAD A GOOD TIME.
1579
01:09:27,864 --> 01:09:29,999
NO. NO!
1580
01:09:29,999 --> 01:09:31,368
LOOK, DON'T WORRY.
1581
01:09:31,368 --> 01:09:33,637
THIS IS
A ONE-SHOT DEAL.
1582
01:09:33,637 --> 01:09:36,773
I WON'T LET HIM
SPIN HIS WEB AROUND ME.
1583
01:09:56,293 --> 01:09:59,796
[THEME FROM
SLEEPING BEAUTY PLAYS]
1584
01:10:17,847 --> 01:10:19,549
SHH!
1585
01:10:30,594 --> 01:10:31,661
HI, LORIE.
1586
01:10:31,661 --> 01:10:33,397
I HAVEN'T SEEN YOU HERE
IN A LONG TIME.
1587
01:10:33,397 --> 01:10:35,131
WOULD YOU
LIKE TO DANCE?
1588
01:10:35,131 --> 01:10:36,400
THAT'S GOOD.
COULD YOU MAYBE
1589
01:10:36,400 --> 01:10:39,336
TONE IT DOWN
JUST A LITTLE BIT?
1590
01:10:39,336 --> 01:10:40,670
NEXT SLOW SONG,
1591
01:10:40,670 --> 01:10:43,039
GUY AT THE BAR--
DON'T LOOK.
1592
01:10:43,039 --> 01:10:44,574
WHAT'S YOUR
NAME AGAIN?
1593
01:10:44,574 --> 01:10:45,575
STEVE.
1594
01:10:45,575 --> 01:10:47,644
THANK YOU.
HERE'S 5 BUCKS.
1595
01:10:47,644 --> 01:10:50,146
OH, NO. YOU DON'T HAVE
TO PAY ME, SUGAR.
1596
01:10:50,146 --> 01:10:51,548
WELL,
KEEP IT ANYWAY.
1597
01:10:51,548 --> 01:10:54,083
COULD YOU BUTTON
UP YOUR SHIRT THERE?
1598
01:10:54,083 --> 01:10:55,419
THANK YOU.
1599
01:11:03,159 --> 01:11:04,494
HI.
1600
01:11:14,338 --> 01:11:15,339
GREAT MUSIC.
1601
01:11:15,339 --> 01:11:17,006
OH, IT'S FANTASTIC.
1602
01:11:33,022 --> 01:11:35,425
WHAT ARE YOU
LOOKING AT?
1603
01:11:35,425 --> 01:11:36,826
I KNOW THAT GUY.
1604
01:11:36,826 --> 01:11:39,429
HE IS SUCH
AN INCREDIBLE DRAG.
1605
01:11:39,429 --> 01:11:41,064
HE'S ALWAYS
COMING ON TO ME.
1606
01:11:41,064 --> 01:11:42,599
IF ASKS ME TO DANCE,
1607
01:11:42,599 --> 01:11:44,434
WOULD YOU JUST DANCE
WITH ME, PLEASE?
1608
01:11:44,434 --> 01:11:45,469
OH, PLEASE.
1609
01:11:45,469 --> 01:11:47,504
LO-OR-ORIE!
1610
01:11:47,504 --> 01:11:49,639
HI. IT'S ME.
STEVE.
1611
01:11:50,640 --> 01:11:53,410
I HAVEN'T
SEEN YOU IN A LONG,
1612
01:11:53,410 --> 01:11:55,445
LONG TIME.
1613
01:11:55,445 --> 01:11:56,880
YOU LOOK GREAT.
1614
01:11:56,880 --> 01:11:57,881
HI. I'M DAN.
1615
01:11:57,881 --> 01:11:59,015
WAIT, WAIT, WAIT.
1616
01:11:59,015 --> 01:12:00,417
WOULD YOU LIKE
TO DANCE?
1617
01:12:00,417 --> 01:12:02,018
I REALLY
MISS THE WAY
1618
01:12:02,018 --> 01:12:03,152
WE MOVE TOGETHER.
1619
01:12:03,152 --> 01:12:04,153
SORRY,
1620
01:12:04,153 --> 01:12:06,956
BUT I--I HAVE
THIS DANCE.
1621
01:12:16,466 --> 01:12:18,067
THANKS.
YOU SAVED ME.
1622
01:12:18,067 --> 01:12:19,469
NO SWEAT.
1623
01:12:24,307 --> 01:12:26,443
WELL...
1624
01:12:26,443 --> 01:12:27,844
WELL...
1625
01:12:27,844 --> 01:12:29,713
LISTEN, I HAD FUN.
1626
01:12:33,316 --> 01:12:34,651
GOOD NIGHT.
1627
01:13:02,479 --> 01:13:03,680
WHAT'S WRONG?
1628
01:13:03,680 --> 01:13:05,148
LOOK, I DON'T WANT
1629
01:13:05,148 --> 01:13:07,451
TO HAVE TO PLAY
GAMES ANYMORE,
1630
01:13:07,451 --> 01:13:10,019
AND I DON'T WANT
TO HAVE TO FLIRT
1631
01:13:10,019 --> 01:13:11,888
AND DO
ALL THAT SHIT.
1632
01:13:11,888 --> 01:13:14,591
WHAT I'M TRYING TO
SAY IS--IS THAT...
1633
01:13:14,591 --> 01:13:16,493
YOU'RE A GOOD GUY.
1634
01:13:16,493 --> 01:13:17,661
I MEAN,
1635
01:13:17,661 --> 01:13:18,962
YOUR POLITICS ARE
ENTIRELY SCREWED UP
1636
01:13:18,962 --> 01:13:21,130
AND YOU'RE NOT
THE GREATEST WRITER,
1637
01:13:21,130 --> 01:13:22,532
BUT YOU'RE
NOT A PSYCHO,
1638
01:13:22,532 --> 01:13:25,869
AND YOU'RE CUTE,
IN A WAY, AND...
1639
01:13:29,172 --> 01:13:31,140
DON'T YOU
EVER GET LONELY?
1640
01:13:33,777 --> 01:13:37,013
I MEAN, I KNOW YOU HAVE
A LOT OF WOMEN,
1641
01:13:37,013 --> 01:13:42,118
BUT DON'T YOU JUST GET
LONELY ANYWAY?
1642
01:13:42,118 --> 01:13:45,388
YOU KNOW,
AND--AND SCARED?
1643
01:13:45,388 --> 01:13:47,423
LIKE--LIKE YOUR
WHOLE LIFE IS--
1644
01:13:47,423 --> 01:13:48,792
IS GOING BY.
1645
01:13:48,792 --> 01:13:52,962
YOUR DAYS AND
YOUR NIGHTS AND...
1646
01:13:52,962 --> 01:13:58,067
NOBODY'S AROUND
TO SEE IT EXCEPT...YOU.
1647
01:14:04,007 --> 01:14:05,975
I--I WOULD JUST--
1648
01:14:05,975 --> 01:14:09,012
I WOULD JUST LIKE
TO BE WITH YOU...
1649
01:14:09,012 --> 01:14:10,446
TONIGHT.
1650
01:14:33,236 --> 01:14:35,972
YOU'RE SHAKING.
1651
01:14:35,972 --> 01:14:37,440
DON'T TELL ME
1652
01:14:37,440 --> 01:14:39,909
YOU'VE NEVER DONE
THIS BEFORE.
1653
01:14:39,909 --> 01:14:42,846
NOT WITH YOU.
1654
01:14:59,028 --> 01:15:03,867
* DO YOU WANNA DANCE
AND HOLD MY HAND *
1655
01:15:05,068 --> 01:15:08,304
* TELL ME, BABY,
I'M YOUR LOVER MAN *
1656
01:15:08,304 --> 01:15:10,707
* OH, BABY
1657
01:15:10,707 --> 01:15:14,077
* DO YOU WANNA DANCE
1658
01:15:15,579 --> 01:15:18,715
* WE COULD DANCE
UNDER THE MOONLIGHT *
1659
01:15:19,916 --> 01:15:23,186
* KISS ME, BABY,
ALL THROUGH THE NIGHT *
1660
01:15:23,186 --> 01:15:25,855
* OH, BABY
1661
01:15:25,855 --> 01:15:29,859
* DO YOU WANNA DANCE
1662
01:15:29,859 --> 01:15:32,261
* DO YOU WANNA DANCE
1663
01:15:32,261 --> 01:15:34,297
* TAKE A CHANCE
1664
01:15:34,297 --> 01:15:37,233
* COME ON, PRETTY BABY,
AND MAKE ROMANCE *
1665
01:15:37,233 --> 01:15:40,036
* OH, BABY *
1666
01:15:44,941 --> 01:15:47,543
AND WILL YOU, OLGA,
HAVE THIS MAN OLAF
1667
01:15:47,543 --> 01:15:48,812
TO BE YOUR HUSBAND
1668
01:15:48,812 --> 01:15:51,480
AND TO LIVE WITH HIM
IN HOLY MARRIAGE
1669
01:15:51,480 --> 01:15:53,516
ACCORDING
TO THE WORD OF GOD?
1670
01:15:53,516 --> 01:15:55,084
JA. I DO.
1671
01:15:55,084 --> 01:15:58,655
I NOW PRONOUNCE THEM
TO BE HUSBAND AND WIFE.
1672
01:15:58,655 --> 01:16:00,256
YOU OWE ME
A DRINK.
1673
01:16:00,256 --> 01:16:01,524
WHAT GOD HAS
PUT TOGETHER,
1674
01:16:01,524 --> 01:16:04,060
LET NO ONE
PUT ASUNDER.
1675
01:16:17,874 --> 01:16:19,676
I'M SO PLEASED
TO HAVE YOU HERE TODAY.
1676
01:16:20,910 --> 01:16:23,680
THERE'S AN OLD SWEDISH
SAYING--HOW DOES IT GO?
1677
01:16:23,680 --> 01:16:25,949
[SPEAKING SWEDISH]
1678
01:16:28,217 --> 01:16:31,220
WELL, WHICH--WHICH
TRANSLATES LOOSELY TO...
1679
01:16:31,220 --> 01:16:32,622
"HAPPINESS IS EASY
1680
01:16:32,622 --> 01:16:35,892
IF YOU JUST TAKE OFF
YOUR OVERCOAT."
1681
01:16:35,892 --> 01:16:40,664
WELL, TODAY I TOOK OFF
MY OVERCOAT.
1682
01:16:43,232 --> 01:16:44,934
BUT ENOUGH SPEECHES.
1683
01:16:44,934 --> 01:16:49,105
LET'S DO THE CHICKEN
DANCE, HUH?
1684
01:16:49,105 --> 01:16:50,273
COME ON.
1685
01:16:52,909 --> 01:16:55,311
OH, THIS IS
HUNKY-DORY.
1686
01:17:40,489 --> 01:17:42,291
WANT TO DANCE?
1687
01:17:42,291 --> 01:17:43,760
NO. NO, NO, NO.
1688
01:17:43,760 --> 01:17:45,494
COME ON. PLEASE?
1689
01:17:45,494 --> 01:17:47,430
I MEAN--THEY'RE
JUST--NO.
1690
01:17:47,430 --> 01:17:48,765
BECAUSE THEN--AAH!
1691
01:17:53,703 --> 01:17:55,038
YOU'RE GREAT!
1692
01:17:56,505 --> 01:17:58,407
WHAT'S SO FUNNY?
1693
01:18:30,106 --> 01:18:31,107
HEY.
1694
01:18:31,107 --> 01:18:32,108
WHAT?
1695
01:18:32,108 --> 01:18:33,442
I LOVE YOU.
1696
01:18:44,921 --> 01:18:47,924
I MEAN, I'M NOT--
I'M NOT TELLING YOU THIS
1697
01:18:47,924 --> 01:18:49,725
SO THAT I'LL GET
1698
01:18:49,725 --> 01:18:52,228
THE EXACT SAME
RESPONSE FROM YOU.
1699
01:18:57,533 --> 01:18:59,769
I'M JUST
TELLING YOU THIS
1700
01:18:59,769 --> 01:19:02,772
BECAUSE THESE
ARE MY FEELINGS, YOU KNOW?
1701
01:19:02,772 --> 01:19:05,809
IF YOU CAN'T EXPRESS
YOUR FEELINGS,
1702
01:19:05,809 --> 01:19:09,012
WHAT'S THE POINT
OF HAVING THEM, RIGHT?
1703
01:19:14,951 --> 01:19:16,685
AND I FEEL REALLY GOOD
1704
01:19:16,685 --> 01:19:18,087
ABOUT TELLING YOU THIS,
YOU KNOW?
1705
01:19:19,422 --> 01:19:22,525
YOU REALLY DON'T HAVE TO
SAY ANYTHING IN RESPONSE.
1706
01:19:28,564 --> 01:19:31,134
REALLY. YOU DON'T
HAVE TO.
1707
01:19:42,979 --> 01:19:45,815
HA HA HA HA HA!
1708
01:19:53,756 --> 01:19:56,525
HERE YOU GO, SWEETIE.
1709
01:19:56,525 --> 01:19:58,194
THANK YOU.
1710
01:19:59,929 --> 01:20:02,731
HE PROBABLY DOESN'T
EVEN REMEMBER.
1711
01:20:02,731 --> 01:20:05,801
I MEAN, HE ALWAYS FORGETS
THE DETAILS.
1712
01:20:05,801 --> 01:20:10,206
YOU KNOW, ALL HE REMEMBERS
IS THE END RESULT.
1713
01:20:10,206 --> 01:20:13,076
I REMEMBER EVERY MOMENT
WE SPENT TOGETHER--
1714
01:20:13,076 --> 01:20:15,711
YOU KNOW,
ALL THE LITTLE THINGS,
1715
01:20:15,711 --> 01:20:17,914
LIKE THE TIME I FIXED
HIS CARBURETOR.
1716
01:20:17,914 --> 01:20:19,348
HE WAS SO IMPRESSED.
1717
01:20:19,348 --> 01:20:22,151
OR THE TIME
HE BROKE THE WINDOW.
1718
01:20:22,151 --> 01:20:23,953
REMEMBER? YOU HAD
TO CALL THE REPAIRMAN.
1719
01:20:23,953 --> 01:20:24,954
WHAT WINDOW?
1720
01:20:24,954 --> 01:20:27,556
OH, YEAH.
I REMEMBER.
1721
01:20:27,556 --> 01:20:29,358
I'M SURE HE DOESN'T.
1722
01:20:31,094 --> 01:20:33,262
WELL, ENOUGH OF THIS.
1723
01:20:33,262 --> 01:20:36,665
YOU KNOW, FROM NOW ON,
NO MORE LOOKING BACK.
1724
01:20:36,665 --> 01:20:39,335
DO YOU THINK
THAT GUY WATERBURY
1725
01:20:39,335 --> 01:20:42,305
AT THE NEW YORK TIMES
REMEMBERS ME?
1726
01:20:42,305 --> 01:20:45,875
BY THIS TIME NEXT WEEK,
I COULD HAVE A NEW JOB.
1727
01:20:45,875 --> 01:20:48,577
I THINK HIS NUMBER'S
STILL IN MY ROLODEX
1728
01:20:48,577 --> 01:20:51,580
BACK AT THE...STUDIO,
1729
01:20:51,580 --> 01:20:53,582
ALONG WITH MY CAR--
1730
01:20:53,582 --> 01:20:55,818
MY WHOLE LIFE.
1731
01:20:55,818 --> 01:20:58,154
LORIE, WHAT SHOULD
I DO WITH THESE?
1732
01:20:58,154 --> 01:21:00,689
THAT GOES IN THE BOX
WITH THE FILES.
1733
01:21:00,689 --> 01:21:02,525
THANK YOU, MARK.
I APPRECIATE IT.
1734
01:21:02,525 --> 01:21:04,027
YOU'RE SAVING MY LIFE.
1735
01:21:04,027 --> 01:21:06,529
THAT'S THE WAY
I SEE IT--OW!
1736
01:21:06,529 --> 01:21:09,132
YOU NEVER KNOW WHAT'S
GOING TO BE TOSSED AROUND
1737
01:21:09,132 --> 01:21:11,234
ON HE SAID, SHE SAID.
1738
01:21:11,234 --> 01:21:13,236
SEE HANSON AND BRYER,
ROUND TWO,
1739
01:21:13,236 --> 01:21:15,939
TOMORROW AT NOON
ON CHANNEL 11.
1740
01:21:15,939 --> 01:21:18,807
WALLY, WHAT IN
THE HELL IS GOING ON
1741
01:21:18,807 --> 01:21:20,209
WITH THESE
COMMERCIALS?
1742
01:21:20,209 --> 01:21:22,912
I CAN'T TALK MORE
RIGHT NOW.
1743
01:21:22,912 --> 01:21:26,015
HE CAN TELL YOU
ALL ABOUT IT.
1744
01:21:26,015 --> 01:21:29,118
YEAH. DO WHAT YOU CAN.
GOT TO GO. BYE.
1745
01:21:29,118 --> 01:21:31,687
WALLY, YOU ARE
ADVERTISING A SHOW
1746
01:21:31,687 --> 01:21:34,657
THAT IS NOT GOING
TO BE ON. OK?
1747
01:21:34,657 --> 01:21:36,792
LOOK AT THESE
PHONE MESSAGES.
1748
01:21:36,792 --> 01:21:38,995
"GOOD FOR LORIE.
IT'S ABOUT TIME."
1749
01:21:38,995 --> 01:21:40,396
YOU'RE A HERO.
1750
01:21:40,396 --> 01:21:42,731
YOU DID SOMETHING
MOST WOMEN
1751
01:21:42,731 --> 01:21:45,101
WOULD LOVE TO DO
TO THEIR HUSBANDS.
1752
01:21:45,101 --> 01:21:47,270
I DON'T WANT
TO BE A HERO,
1753
01:21:47,270 --> 01:21:48,904
AND HE...IS NOT
MY HUSBAND.
1754
01:21:48,904 --> 01:21:50,906
THE LAST THING
HE'LL EVER BE
1755
01:21:50,906 --> 01:21:52,108
IS MY HUSBAND.
1756
01:21:52,108 --> 01:21:54,310
ALL RIGHT? DO YOU
UNDERSTAND THAT?
1757
01:21:54,310 --> 01:21:57,280
TOTALLY. BUT THEY ALL
WANT TO SEE
1758
01:21:57,280 --> 01:21:58,714
WHAT YOU'LL DO
TOMORROW.
1759
01:21:58,714 --> 01:22:01,450
WELLER WANTS TO SEE.
THAT'S WHY HE'S COMING.
1760
01:22:01,450 --> 01:22:03,919
THEN HE'S GOING TO SEE
A LOT OF NOTHING.
1761
01:22:03,919 --> 01:22:07,023
BECAUSE IT'S--
WE--WELL...
1762
01:22:07,023 --> 01:22:08,691
IT'S OVER.
ALL RIGHT?
1763
01:22:08,691 --> 01:22:10,693
DAN AND I, WE...
1764
01:22:12,495 --> 01:22:15,031
WE BROKE UP.
1765
01:22:15,031 --> 01:22:17,633
MY GOD.
1766
01:22:17,633 --> 01:22:19,168
I'M SORRY.
1767
01:22:25,041 --> 01:22:27,643
I'M REALLY SORRY.
1768
01:22:29,712 --> 01:22:33,182
BUT THAT DOESN'T MEAN YOU
CAN'T DO THE SHOW, DOES IT?
1769
01:22:33,182 --> 01:22:34,984
IT MIGHT EVEN MAKE IT
MORE INTERESTING.
1770
01:22:34,984 --> 01:22:37,520
I CAN'T
BELIEVE YOU, WALLY.
1771
01:22:37,520 --> 01:22:38,921
YOU'RE SUCH A MAN.
1772
01:22:38,921 --> 01:22:40,189
THANKS.
1773
01:22:40,189 --> 01:22:43,492
HOW CAN YOU SEPARATE
LOVE AND WORK LIKE THAT?
1774
01:22:43,492 --> 01:22:44,493
WELL--
1775
01:22:44,493 --> 01:22:45,594
IS IT--
1776
01:22:45,594 --> 01:22:46,996
LOVE IS LOVE.
1777
01:22:46,996 --> 01:22:48,597
WORK IS WORK.
1778
01:22:48,597 --> 01:22:49,798
LOVE.
1779
01:22:49,798 --> 01:22:51,000
WORK.
1780
01:22:51,000 --> 01:22:52,935
WORK ISN'T LOVE,
1781
01:22:52,935 --> 01:22:54,003
AND LOVE
SHOULDN'T BE WO--
1782
01:22:54,003 --> 01:22:56,172
OH, ALL RIGHT.
ALL RIGHT.
1783
01:22:56,172 --> 01:22:58,707
LOOK, I'LL MAKE IT
EASY FOR YOU.
1784
01:22:58,707 --> 01:23:01,210
WE'LL TAPE HIS HALF
BEFORE YOU GET THERE.
1785
01:23:01,210 --> 01:23:03,212
YOU'LL NEVER EVEN
HAVE TO SEE HIM.
1786
01:23:03,212 --> 01:23:04,680
I'M THROUGH, WALLY.
1787
01:23:04,680 --> 01:23:07,183
ALL RIGHT. LOOK.
1788
01:23:07,183 --> 01:23:09,618
IT'S NOT UP TO ME
ANYMORE.
1789
01:23:09,618 --> 01:23:12,588
YOU'VE STILL GOT
A CONTRACT WITH WBAL.
1790
01:23:12,588 --> 01:23:15,124
I'M NOT GOING
TO GET TOUGH WITH YOU,
1791
01:23:15,124 --> 01:23:18,127
BUT THE LAWYERS
WILL EAT YOU ALIVE.
1792
01:23:18,127 --> 01:23:20,363
THANK YOU, WALLY.
I APPRECIATE THAT.
1793
01:23:20,363 --> 01:23:21,964
YOU'RE SOME FRIEND.
1794
01:23:21,964 --> 01:23:22,965
LORIE, PLEASE.
1795
01:23:22,965 --> 01:23:24,533
LINDA METZGER
ON LINE ONE.
1796
01:23:24,533 --> 01:23:26,469
TELL HER I'LL
CALL HER BACK.
1797
01:23:26,469 --> 01:23:28,437
LINDA METZGER.
1798
01:23:28,437 --> 01:23:31,274
WHAT, IS SHE CALLING
HERE FOR DAN NOW?
1799
01:23:31,274 --> 01:23:34,077
FOR DAN? NO.
LINDA AND I GO WAY BACK.
1800
01:23:34,077 --> 01:23:35,278
SHE'S NOTHING.
1801
01:23:35,278 --> 01:23:36,912
SHE'S BEEN CHASING
ME SINCE COLLEGE.
1802
01:23:36,912 --> 01:23:38,314
IT'S A FATAL
ATTRACTION THING.
1803
01:23:38,314 --> 01:23:41,784
WELL, SHE MAY
BE NOTHING TO YOU,
1804
01:23:41,784 --> 01:23:44,453
BUT JUST THE MENTION OF HER
NAME MAKES ME WANT TO...
1805
01:23:44,453 --> 01:23:45,854
OHH...
1806
01:23:45,854 --> 01:23:47,723
OH, LINDA.
1807
01:23:50,926 --> 01:23:52,528
WHAT?
1808
01:23:52,528 --> 01:23:53,329
WHAT?
1809
01:23:53,329 --> 01:23:56,065
WHAT DID YOU
JUST SAY?
1810
01:23:56,065 --> 01:24:00,336
UH, I SAID--I SAID,
"OH, LINDA."
1811
01:24:00,336 --> 01:24:03,472
I'M--I'M REALLY SORRY.
1812
01:24:04,940 --> 01:24:06,342
THAT'S ALL RIGHT.
1813
01:24:06,342 --> 01:24:07,943
THAT'S ALL RIGHT.
1814
01:24:07,943 --> 01:24:09,345
I-I'M SORRY.
1815
01:24:09,345 --> 01:24:12,348
NO. I CAN UNDERSTAND
HOW IT COULD HAPPEN.
1816
01:24:12,348 --> 01:24:13,516
WE'RE BOTH WOMEN.
1817
01:24:13,516 --> 01:24:15,351
BOTH OUR NAMES
BEGIN WITH L.
1818
01:24:15,351 --> 01:24:17,520
YOU'RE SLEEPING
WITH BOTH OF US.
1819
01:24:17,520 --> 01:24:19,555
I DON'T SLEEP
WITH HER ANYMORE.
1820
01:24:19,555 --> 01:24:20,956
WHEN DID YOU STOP?
1821
01:24:20,956 --> 01:24:23,359
WHEN YOU AND I
STARTED GOING OUT.
1822
01:24:23,359 --> 01:24:25,661
STARTED? WHAT DOES
THAT MEAN?
1823
01:24:25,661 --> 01:24:30,099
DID YOU SLEEP WITH HER
AFTER YOU SLEPT WITH ME?
1824
01:24:30,099 --> 01:24:33,902
I--I--I--I--I
CAN'T REMEMBER.
1825
01:24:33,902 --> 01:24:36,905
YOU CAN'T REMEMBER?
1826
01:24:36,905 --> 01:24:38,307
THINK. THINK.
1827
01:24:38,307 --> 01:24:39,708
THINK, DAN, THINK.
1828
01:24:39,708 --> 01:24:42,911
WAS THERE SOMEBODY ELSE
IN YOUR BED WITH YOU
1829
01:24:42,911 --> 01:24:44,313
THAT WASN'T ME?
1830
01:24:44,313 --> 01:24:45,714
I DON'T KNOW.
1831
01:24:45,714 --> 01:24:48,917
I MEAN, I'M SURE
WE PROBABLY DID ONCE.
1832
01:24:48,917 --> 01:24:50,519
ALL RIGHT. TWICE.
1833
01:24:53,189 --> 01:24:55,991
WHAT AM I SUPPOSED
TO FEEL BAD ABOUT--
1834
01:24:55,991 --> 01:24:58,427
THAT THE MINUTE
WE TOUCHED,
1835
01:24:58,427 --> 01:25:01,063
ALL MY OTHER INVOLVEMENTS
DIDN'T JUST MELT AWAY?
1836
01:25:01,063 --> 01:25:03,932
NOT ALL
YOUR INVOLVEMENTS.
1837
01:25:03,932 --> 01:25:06,369
JUST ALL YOUR SEXUAL
INVOLVEMENTS.
1838
01:25:06,369 --> 01:25:09,104
WHAT IS
THE BIG DEAL?
1839
01:25:09,104 --> 01:25:11,474
THE BIG DEAL IS THAT
FROM THE MOMENT
1840
01:25:11,474 --> 01:25:13,342
I WENT TO BED WITH YOU,
1841
01:25:13,342 --> 01:25:14,943
SLEEPING
WITH ANOTHER MAN
1842
01:25:14,943 --> 01:25:17,546
BECAME UNTHINKABLE
TO ME.
1843
01:25:17,546 --> 01:25:18,747
BUT FOR YOU,
1844
01:25:18,747 --> 01:25:23,519
SLEEPING WITH ANOTHER WOMAN
REMAINED...THINKABLE.
1845
01:25:23,519 --> 01:25:26,355
YEAH, BUT THAT
WAS IN THE BEGINNING.
1846
01:25:26,355 --> 01:25:27,956
LET'S TALK ABOUT NOW.
1847
01:25:27,956 --> 01:25:29,825
YOU'RE THE ONE WHO--
1848
01:25:29,825 --> 01:25:31,827
THE ONE WHO WHAT?
1849
01:25:31,827 --> 01:25:34,930
THE ONE WHO I'M--
I'M WITH NOW.
1850
01:25:34,930 --> 01:25:37,099
ISN'T THAT
WHAT COUNTS?
1851
01:25:37,099 --> 01:25:38,434
I WANT TO MEET HER.
1852
01:25:38,434 --> 01:25:40,169
HONEY, DO YOU
REALLY THINK
1853
01:25:40,169 --> 01:25:42,305
THAT'S A GOOD IDEA?
1854
01:25:42,305 --> 01:25:44,707
I WANT TO MEET HER.
1855
01:25:44,707 --> 01:25:47,210
I'VE BEEN WORKING
ON OUR NEW FALL LINE.
1856
01:25:47,210 --> 01:25:49,044
LORIE, I HAVE
THE CATALOG RIGHT HERE.
1857
01:25:49,044 --> 01:25:51,247
YOU SHOULD LOOK AT IT.
1858
01:25:51,247 --> 01:25:53,449
I'M SURE WE COULD
FIND YOU SOMETHING
1859
01:25:53,449 --> 01:25:56,051
THAT WOULD BE
FLATTERING.
1860
01:25:56,051 --> 01:25:57,553
HONEY.
1861
01:25:57,553 --> 01:25:58,521
WHAT?
1862
01:25:58,521 --> 01:26:00,989
LORIE AND I HAVE
THIS THIS THING
1863
01:26:00,989 --> 01:26:02,658
THAT WE DO WITH OUR FOOD.
1864
01:26:02,658 --> 01:26:03,626
DAN.
1865
01:26:03,626 --> 01:26:05,428
OH, DON'T BE
EMBARRASSED, LORIE.
1866
01:26:05,428 --> 01:26:07,730
DAN TELLS ME EVERYTHING.
1867
01:26:07,730 --> 01:26:11,033
BUT I'M SURE YOU KNOW
MOST OF HIS SECRETS.
1868
01:26:11,033 --> 01:26:12,167
WELL...
1869
01:26:12,167 --> 01:26:15,304
WELL, MAYBE NOT
ALL OF THEM.
1870
01:26:18,841 --> 01:26:21,944
AAH HA HA HA HA HA!
1871
01:26:23,379 --> 01:26:26,415
WE LOST OUR VIRGINITY
TOGETHER. DID HE TELL YOU?
1872
01:26:26,415 --> 01:26:30,185
WE WERE JUST 14.
JUST KIDS.
1873
01:26:30,185 --> 01:26:32,255
BUT EVEN THEN
HE WAS INCREDIBLE.
1874
01:26:32,255 --> 01:26:33,256
WELL...
1875
01:26:33,256 --> 01:26:35,458
DON'T YOU THINK SO?
1876
01:26:35,458 --> 01:26:38,694
OVER THE YEARS,
I'VE KEPT A DIARY
1877
01:26:38,694 --> 01:26:41,430
OF THE SEXUAL POSITIONS
THAT WORKED THE BEST FOR US.
1878
01:26:41,430 --> 01:26:43,932
JUST A FEW NOTES
AND SOME DRAWINGS.
1879
01:26:43,932 --> 01:26:46,034
WOULD YOU LIKE
TO SEE THEM?
1880
01:26:46,034 --> 01:26:48,704
HONEY, WHAT
DO YOU SAY?
1881
01:26:48,704 --> 01:26:49,605
LET'S SEE.
1882
01:26:49,605 --> 01:26:53,542
HERE'S ONE.
MARCH 17, 1980.
1883
01:26:53,542 --> 01:26:54,377
WHOOPS.
1884
01:26:54,377 --> 01:26:55,911
HA HA HA HA HA!
1885
01:26:57,980 --> 01:26:59,382
DO YOU REMEMBER THAT?
1886
01:26:59,382 --> 01:27:01,984
YEAH. THAT WAS
IN THE KITCHEN.
1887
01:27:01,984 --> 01:27:03,085
RIGHT.
1888
01:27:03,085 --> 01:27:06,088
SEE? YOU CAN SEE
FROM THE DRAWING
1889
01:27:06,088 --> 01:27:08,591
JUST WHERE TO PUT
THE BLENDER.
1890
01:27:08,591 --> 01:27:10,593
OH, LINDA.
1891
01:27:10,593 --> 01:27:15,063
I THINK THIS ONE
WOULD BE JUST CUTE ON YOU.
1892
01:27:15,063 --> 01:27:18,133
HONEY, YOU OK?
1893
01:27:18,133 --> 01:27:19,535
WHY DON'T YOU TWO
1894
01:27:19,535 --> 01:27:22,338
JUST GO TO BED TOGETHER
AND GET IT OVER WITH?
1895
01:27:22,338 --> 01:27:24,673
I'M GOING TO
GET OUT OF HERE.
1896
01:27:29,378 --> 01:27:32,515
LORIE, WHAT KIND
OF A STUNT IS THIS?
1897
01:27:32,515 --> 01:27:35,618
JUST SEEING THE WAY
YOU WERE ACTING,
1898
01:27:35,618 --> 01:27:38,587
I DIDN'T THINK THERE
WAS ROOM FOR ME.
1899
01:27:38,587 --> 01:27:40,756
YOU WERE THE ONE
THAT WANTED TO MEET HER.
1900
01:27:40,756 --> 01:27:43,992
YES. I REALIZE THAT,
BUT I--
1901
01:27:43,992 --> 01:27:47,095
IF YOU CAN BE THAT WAY
WITH SOMEBODY ELSE,
1902
01:27:47,095 --> 01:27:49,031
I CAN'T BE WITH YOU
RIGHT NOW.
1903
01:27:52,100 --> 01:27:54,370
STAND BY, PLEASE.
1904
01:27:56,104 --> 01:27:57,373
OK, KIDS,
DON'T BE NERVOUS.
1905
01:27:57,373 --> 01:27:58,774
IT'S JUST
AN AUDITION TAPE.
1906
01:27:58,774 --> 01:28:00,509
IF IT'S BAD,
WE THROW IT OUT
1907
01:28:00,509 --> 01:28:01,877
AND NO ONE OVER KNOWS,
1908
01:28:01,877 --> 01:28:03,979
BUT IT WON'T BE BAD.
YOU GUYS WILL BE GREAT.
1909
01:28:03,979 --> 01:28:06,982
WALLY, THIS ISN'T
THE COPY I WROTE.
1910
01:28:06,982 --> 01:28:09,051
WE HAD TO TRIM IT.
1911
01:28:09,051 --> 01:28:10,386
IT'S NOT LIKE
NEWSPAPERS.
1912
01:28:10,386 --> 01:28:11,787
WE DON'T HAVE
A LOT OF TIME.
1913
01:28:11,787 --> 01:28:14,390
JUST BOOM, BOOM, AND ON
TO THE NEXT COMMERCIAL.
1914
01:28:14,390 --> 01:28:17,393
I THOUGHT WE'D BE WRITING.
1915
01:28:17,393 --> 01:28:19,261
THIS IS AN OPINION SHOW.
1916
01:28:19,261 --> 01:28:20,663
THEY ARE OUR OPINIONS.
1917
01:28:20,663 --> 01:28:22,931
YOU WILL, DEAR.
IT'S JUST TODAY.
1918
01:28:22,931 --> 01:28:25,601
THEY JUST WANT TO SEE HOW
WE LOOK ON CAMERA, RIGHT?
1919
01:28:25,601 --> 01:28:26,769
RIGHT.
1920
01:28:26,769 --> 01:28:30,339
WHAT DIFFERENCE DOES
IT MAKE IF IT'S OUR COPY?
1921
01:28:30,339 --> 01:28:31,940
HONEY, DON'T BLOW THIS.
1922
01:28:31,940 --> 01:28:32,741
I'M NOT.
1923
01:28:32,741 --> 01:28:35,210
YOU WANT TO KNOW
THE SECRET?
1924
01:28:35,210 --> 01:28:37,346
JUST SMILE
BIG AND PRETTY.
1925
01:28:37,346 --> 01:28:39,848
YEAH. YOU'RE GOING
TO BE GREAT.
1926
01:28:39,848 --> 01:28:40,849
HERE WE GO.
1927
01:28:40,849 --> 01:28:42,250
I GOT TO GO.
1928
01:28:42,250 --> 01:28:43,519
WOW, IT'S TRUE.
1929
01:28:43,519 --> 01:28:45,921
THE CAMERA REALLY
DOES ADD WEIGHT.
1930
01:28:45,921 --> 01:28:48,190
8...7...6...5...4...
1931
01:28:48,190 --> 01:28:50,092
THERE'S A SPOT
ON YOUR DRESS.
1932
01:28:50,092 --> 01:28:52,094
3...2...
1933
01:28:52,094 --> 01:28:54,329
HI, I'M DAN HANSON.
1934
01:28:54,329 --> 01:28:55,431
[TOO LOUD]
AND I'M LORIE BRYER.
1935
01:28:55,431 --> 01:28:56,298
THIS IS HE SAID...
1936
01:28:56,298 --> 01:28:57,366
SHE SAID!
1937
01:28:57,366 --> 01:28:59,835
STOP TAPE, PLEASE.
1938
01:29:06,975 --> 01:29:07,943
LORIE.
1939
01:29:07,943 --> 01:29:09,878
LORIE, HONEY,
IT'S GOING GREAT,
1940
01:29:09,878 --> 01:29:12,047
BUT THIS ISN'T
A GAME SHOW.
1941
01:29:12,047 --> 01:29:14,983
MAYBE IF YOU DIDN'T
SMILE QUITE SO BIG.
1942
01:29:14,983 --> 01:29:15,984
BUT SHE SAID--
1943
01:29:15,984 --> 01:29:18,186
SHE'S GUIDED
MANY GREAT CAREERS.
1944
01:29:18,186 --> 01:29:20,656
THE ENTHUSIASM
IS WONDERFUL.
1945
01:29:20,656 --> 01:29:22,190
WE DON'T NEED TO SEE
SO MANY TEETH.
1946
01:29:22,190 --> 01:29:23,191
OK.
1947
01:29:23,191 --> 01:29:24,593
OTHERWISE,
I'M THRILLED.
1948
01:29:24,593 --> 01:29:25,861
OK, LET'S GO AGAIN.
1949
01:29:25,861 --> 01:29:27,796
YOU'RE DOING THIS
ON PURPOSE.
1950
01:29:27,796 --> 01:29:29,398
I AM NOT.
I'M NERVOUS.
1951
01:29:29,398 --> 01:29:31,133
WHERE IS THIS SPOT?
1952
01:29:31,133 --> 01:29:33,536
ON YOUR BOOB.
YOUR LEFT BOOB.
1953
01:29:33,536 --> 01:29:34,603
HI, I'M DAN HANSON.
1954
01:29:34,603 --> 01:29:36,138
AND I'M LORIE BRYER.
1955
01:29:36,138 --> 01:29:37,205
THIS IS HE SAID...
1956
01:29:37,205 --> 01:29:38,306
SHE SAID.
1957
01:29:38,306 --> 01:29:39,708
OUR ISSUE TODAY
IS GARBAGE.
1958
01:29:39,708 --> 01:29:42,445
OUR DUMPS WILL BE
FILLED IN 10 YEARS.
1959
01:29:42,445 --> 01:29:43,946
WHAT THEN?
1960
01:29:43,946 --> 01:29:45,481
A LOT OF PEOPLE FEEL
1961
01:29:45,481 --> 01:29:47,349
IT'S THE GOVERNMENT'S
RESPONSIBILITY.
1962
01:29:47,349 --> 01:29:48,751
AND MAYBE THEY'RE RIGHT,
1963
01:29:48,751 --> 01:29:51,654
BUT AS MY UNCLE OLAF
USED TO SAY,
1964
01:29:51,654 --> 01:29:53,489
"IF YOU MAKE THE TRASH,
YOU TAKE IT OUT."
1965
01:29:53,489 --> 01:29:55,558
WHAT THE HELL
IS SHE DOING?
1966
01:29:55,558 --> 01:29:56,625
STOP TAPE, PLEASE.
1967
01:29:56,625 --> 01:29:58,861
HONEY, WE'RE BOTH
ON CAMERA.
1968
01:29:58,861 --> 01:30:02,230
IF YOU DIDN'T WANT
TO DO THIS, SAY SO.
1969
01:30:02,230 --> 01:30:04,567
I DID IF YOU RECALL.
1970
01:30:04,567 --> 01:30:06,334
I'M DOING
THE BEST I CAN.
1971
01:30:06,334 --> 01:30:08,537
CAN WE TRY THIS
AGAIN?
1972
01:30:08,537 --> 01:30:10,806
WE ALWAYS DO WHAT
YOU WANT TO DO.
1973
01:30:10,806 --> 01:30:13,008
WHAT ARE YOU
TALKING ABOUT?
1974
01:30:13,008 --> 01:30:15,911
I SPEND ALMOST EVERY NIGHT
AT YOUR PLACE.
1975
01:30:15,911 --> 01:30:17,379
YOU DON'T WANT
TO BE WITH ME?
1976
01:30:17,379 --> 01:30:19,982
YES. IT'S NOT MY APARTMENT.
I FEEL LIKE A STRANGER.
1977
01:30:19,982 --> 01:30:22,718
YOU THINK OF YOURSELF
THAT WAY.
1978
01:30:22,718 --> 01:30:25,020
I DON'T HAVE ANYPLACE
TO PUT MY STUFF.
1979
01:30:25,020 --> 01:30:28,023
AND WHAT ABOUT
ALL OF YOUR MAN THINGS
1980
01:30:28,023 --> 01:30:29,858
ALL OVER THE PLACE?
1981
01:30:29,858 --> 01:30:30,659
MAN THINGS?
1982
01:30:30,659 --> 01:30:32,260
YES. BIG CLUNKY SHOES
1983
01:30:32,260 --> 01:30:35,063
AND THAT BIG
3-D MAP OF THE WORLD.
1984
01:30:35,063 --> 01:30:37,065
YOU'RE THE ONLY MAN
IN NORTH AMERICA
1985
01:30:37,065 --> 01:30:38,333
WHO STILL WEARS PAJAMAS?
1986
01:30:38,333 --> 01:30:39,502
HOLD IT!
1987
01:30:39,502 --> 01:30:42,337
WHY DON'T WE TAKE
A SHORT BREAK
1988
01:30:42,337 --> 01:30:44,940
AND THEN MAYBE
TRY IT AGAIN,
1989
01:30:44,940 --> 01:30:46,274
OK?
1990
01:30:46,274 --> 01:30:47,810
GOOD.
1991
01:30:49,678 --> 01:30:53,482
I DIDN'T MEAN
TO LOOK LIKE A RETARD.
1992
01:30:53,482 --> 01:30:55,618
HEY, IT'S
NO BIG DEAL.
1993
01:30:55,618 --> 01:30:58,621
WE GOT THE BEST JOBS
IN BALTIMORE.
1994
01:30:58,621 --> 01:31:01,624
SO TELEVISION
DOESN'T WANT US.
1995
01:31:01,624 --> 01:31:02,891
IT'S TELEVISION'S
LOSS.
1996
01:31:02,891 --> 01:31:06,094
YOU KNOW, YOU DRAG
ME OUT HERE,
1997
01:31:06,094 --> 01:31:08,864
YOU SCARE ME TO DEATH,
1998
01:31:08,864 --> 01:31:11,500
AND JUST WHEN I THINK I HAVE
ALL THE RIGHT REASONS
1999
01:31:11,500 --> 01:31:14,102
TO BE MAD AT YOU,
2000
01:31:14,102 --> 01:31:16,271
THAT'S WHEN
YOU'RE THE NICEST.
2001
01:31:16,271 --> 01:31:18,841
YOU'RE ONTO
ALL MY TRICKS.
2002
01:31:18,841 --> 01:31:20,509
WELL.
2003
01:31:20,509 --> 01:31:21,910
COME ON.
2004
01:31:28,517 --> 01:31:30,118
I WAS SO AWFUL.
2005
01:31:30,118 --> 01:31:31,453
NO, YOU WEREN'T.
2006
01:31:31,453 --> 01:31:32,454
I WAS.
2007
01:31:32,454 --> 01:31:33,856
I WAS TERRIBLE.
2008
01:31:33,856 --> 01:31:36,058
I COULD HAVE
JUST DIED.
2009
01:31:36,058 --> 01:31:37,059
LORIE.
2010
01:31:37,059 --> 01:31:37,860
WHAT?
2011
01:31:37,860 --> 01:31:39,461
HONEY, LET'S DO IT.
2012
01:31:39,461 --> 01:31:41,063
LET'S MOVE IN
TOGETHER.
2013
01:31:41,063 --> 01:31:42,731
WHAT DO YOU SAY?
2014
01:31:44,833 --> 01:31:48,070
WELL, GUYS, WE WENT
OVER THE TAPE,
2015
01:31:48,070 --> 01:31:51,473
AND BELIEVE IT OR NOT,
YOU LOOK GREAT.
2016
01:31:51,473 --> 01:31:53,609
WHAT DO YOU SAY?
2017
01:31:55,343 --> 01:31:56,879
I SAY YES.
2018
01:31:56,879 --> 01:32:00,482
YOU WERE CRAZY
TO TELL US WE WERE GOOD.
2019
01:32:00,482 --> 01:32:02,651
DID YOU WANT
THE TRUTH?
2020
01:32:02,651 --> 01:32:04,620
I THINK IT'S
A BEAUTIFUL STORY.
2021
01:32:04,620 --> 01:32:06,088
BESIDES, YOU
SHOULD BE GRATEFUL.
2022
01:32:06,088 --> 01:32:07,489
I HELPED YOU.
2023
01:32:07,489 --> 01:32:10,559
NOW THERE ARE OTHER
PEOPLE YOU CAN HELP.
2024
01:32:10,559 --> 01:32:12,094
THIS CAN'T
BE HAPPENING.
2025
01:32:12,094 --> 01:32:13,495
THIS IS A NIGHTMARE.
2026
01:32:13,495 --> 01:32:14,763
WORK WITH ME, GOD.
2027
01:32:14,763 --> 01:32:17,032
LORIE, I'M BEGGING YOU
NOT TO DO THIS.
2028
01:32:17,032 --> 01:32:18,567
BYE, BOSS.
SEE YOU TOMORROW.
2029
01:32:18,567 --> 01:32:19,968
AND YOU. YOU JUDAS.
2030
01:32:19,968 --> 01:32:23,138
YOU MAY NOT HAVE
A JOB TOMORROW!
2031
01:32:23,138 --> 01:32:26,441
I MAY NOT HAVE
A JOB TOMORROW!
2032
01:32:26,441 --> 01:32:29,244
PLEASE.
2033
01:32:29,244 --> 01:32:31,379
WAIT! WAIT!
2034
01:32:31,379 --> 01:32:34,416
COME BACK.
2035
01:32:34,416 --> 01:32:36,384
OH, FORGET
ABOUT WALLY.
2036
01:32:36,384 --> 01:32:38,386
YOU LOOK
A LITTLE RAGGED.
2037
01:32:38,386 --> 01:32:39,387
YOU KNOW,
2038
01:32:39,387 --> 01:32:41,389
I DON'T MIND
HELPING YOU.
2039
01:32:41,389 --> 01:32:43,058
GOOD.
2040
01:32:44,693 --> 01:32:46,294
OH, MY GOD.
2041
01:32:46,294 --> 01:32:48,797
OH, MY GOD,
STOP THE CAR.
2042
01:32:48,797 --> 01:32:50,733
STOP THE CAR.
STOP THE CAR. BACK UP.
2043
01:32:50,733 --> 01:32:52,367
WHAT'S THE MATTER?
2044
01:32:52,367 --> 01:32:53,602
PLEASE, JUST...
2045
01:32:53,602 --> 01:32:55,270
GOD!
2046
01:32:55,270 --> 01:32:56,404
WHAT?
2047
01:32:56,404 --> 01:32:58,006
SHIT! OF ALL
THE RESTAURANTS.
2048
01:32:58,006 --> 01:33:00,408
WOULD YOU
LOOK AT THAT JERK?
2049
01:33:00,408 --> 01:33:02,410
AND AT OUR TABLE, TOO.
2050
01:33:02,410 --> 01:33:04,012
GOD!
2051
01:33:06,014 --> 01:33:07,816
LORIE, STOP
TORTURING YOURSELF.
2052
01:33:07,816 --> 01:33:11,086
COME ON, LET ME
TAKE YOU HOME.
2053
01:33:14,422 --> 01:33:15,824
NO.
2054
01:33:15,824 --> 01:33:18,493
MARK, COULD YOU
BE A PAL
2055
01:33:18,493 --> 01:33:21,063
AND DO ME
A REALLY BIG FAVOR?
2056
01:33:21,063 --> 01:33:22,297
WHAT?
2057
01:33:48,691 --> 01:33:50,092
WELL?
2058
01:33:52,961 --> 01:33:56,164
HE'S GOING
TO GO TO HER HOTEL.
2059
01:33:56,164 --> 01:33:57,232
HE'S, UH...
2060
01:33:57,232 --> 01:34:00,703
HE'S GOING TO SPEND
THE NIGHT WITH HER.
2061
01:34:06,174 --> 01:34:07,710
TO HELL WITH HIM.
2062
01:34:07,710 --> 01:34:08,844
RIGHT.
2063
01:34:08,844 --> 01:34:10,578
TO HELL WITH HER.
2064
01:34:10,578 --> 01:34:11,980
NO. NO, WAIT.
2065
01:34:11,980 --> 01:34:13,648
WE'RE GOING OVER THERE.
2066
01:34:13,648 --> 01:34:15,117
WHAT? LORIE!
2067
01:34:18,854 --> 01:34:21,623
THE NEXT THING I KNOW,
WHACK--I SAW STARS.
2068
01:34:21,623 --> 01:34:24,026
WE HAVE A RIGHT
TO EAT, TOO, RIGHT?
2069
01:34:24,026 --> 01:34:25,961
I COULD HAVE BEEN
SERIOUSLY INJURED.
2070
01:34:25,961 --> 01:34:27,863
SHE'S LUCKY
I DON'T SUE.
2071
01:34:27,863 --> 01:34:29,331
WE'LL SIT,
HAVE LUNCH.
2072
01:34:29,331 --> 01:34:30,665
TRY THE CAESAR SALAD.
2073
01:34:30,665 --> 01:34:32,801
MAYBE HE'LL CHOKE
ON HIS CROUTONS.
2074
01:34:32,801 --> 01:34:34,803
BLOOD'S POURING
OUT OF MY HEAD.
2075
01:34:34,803 --> 01:34:36,204
SHE GOES STORMING OUT.
2076
01:34:36,204 --> 01:34:37,806
ALL HELL'S
BREAKING LOOSE--
2077
01:34:37,806 --> 01:34:40,408
DAN, SHE'S RIGHT
OVER THERE,
2078
01:34:40,408 --> 01:34:41,844
BY THE DOOR.
2079
01:34:41,844 --> 01:34:44,512
HI! I DIDN'T KNOW
YOU WERE HERE.
2080
01:34:44,512 --> 01:34:46,514
SHE'S GOT SOME NERVE.
2081
01:34:46,514 --> 01:34:47,850
THAT JERK.
2082
01:34:47,850 --> 01:34:49,918
THE CORPSE OF OUR
RELATIONSHIP NOT EVEN COLD...
2083
01:34:49,918 --> 01:34:52,654
OK. I CAN DO THIS, TOO.
2084
01:34:52,654 --> 01:34:53,922
MAY WE JOIN YOU?
2085
01:34:53,922 --> 01:34:55,690
YES, COME ON OVER.
2086
01:34:55,690 --> 01:34:57,425
OK.
SURE.
2087
01:35:02,164 --> 01:35:05,533
LINDA, HOW NICE
TO SEE YOU.
2088
01:35:05,533 --> 01:35:06,735
SIT.
2089
01:35:06,735 --> 01:35:08,270
AND, OF COURSE,
LINDA,
2090
01:35:08,270 --> 01:35:09,671
YOU
REMEMBER MARK.
2091
01:35:09,671 --> 01:35:11,539
SO, HERE WE ARE.
2092
01:35:11,539 --> 01:35:13,909
YES, AREN'T WE, THOUGH?
2093
01:35:14,810 --> 01:35:16,211
ISN'T THIS GREAT,
2094
01:35:16,211 --> 01:35:18,947
THAT WE CAN ALL
GET TOGETHER LIKE THIS
2095
01:35:18,947 --> 01:35:20,816
SO SOON
AFTER OUR BREAKUP?
2096
01:35:20,816 --> 01:35:23,551
OH, DID DAN
TELL YOU, LINDA?
2097
01:35:23,551 --> 01:35:24,953
WE BROKE UP.
2098
01:35:24,953 --> 01:35:26,354
OH, OF COURSE HE DID.
2099
01:35:26,354 --> 01:35:28,857
HE TELLS YOU EVERYTHING,
DOESN'T HE?
2100
01:35:28,857 --> 01:35:31,493
IT'S GREAT YOU CAN BE
SO ADULT ABOUT THIS.
2101
01:35:31,493 --> 01:35:32,895
WELL, THANK YOU, DAN.
2102
01:35:32,895 --> 01:35:34,296
YOU'VE CERTAINLY
BOUNCED BACK.
2103
01:35:34,296 --> 01:35:37,699
WHAT IS IT, FOUR HOURS?
HERE YOU ARE ON SCHEDULE.
2104
01:35:37,699 --> 01:35:39,101
I HAD A CHOICE.
2105
01:35:39,101 --> 01:35:41,503
I COULD SIT AROUND
AND WALLOW
2106
01:35:41,503 --> 01:35:43,872
OR I COULD
KEEP MY DATE.
2107
01:35:43,872 --> 01:35:46,041
WHY DON'T WE
GO SOMEPLACE ELSE?
2108
01:35:46,041 --> 01:35:47,309
NO! THIS IS FINE.
I LOVE THIS PLACE.
2109
01:35:47,309 --> 01:35:50,512
DAN AND I HAD
OUR FIRST DATE HERE
2110
01:35:50,512 --> 01:35:51,914
AT THIS VERY TABLE.
2111
01:35:51,914 --> 01:35:54,116
YES. DO YOU
REMEMBER, DAN?
2112
01:35:54,116 --> 01:35:56,518
I WOULDN'T QUITE
CALL IT A DATE.
2113
01:35:56,518 --> 01:35:57,920
WE HAD DINNER.
2114
01:35:57,920 --> 01:36:00,722
SHE ATE MOST OF MY FOOD,
THEN ASSAULTED ME.
2115
01:36:00,722 --> 01:36:02,825
THAT'S WHY
IT'S FOR THE BEST.
2116
01:36:02,825 --> 01:36:04,326
NOW WE'RE FREE,
AREN'T WE?
2117
01:36:04,326 --> 01:36:06,929
FREE TO PURSUE OUR CAREERS,
TO PURSUE...OTHER PEOPLE,
2118
01:36:06,929 --> 01:36:08,330
ALTHOUGH I DIDN'T THINK
2119
01:36:08,330 --> 01:36:10,833
THE PURSUIT
WOULD START SO SOON.
2120
01:36:10,833 --> 01:36:12,935
LORIE, YOU'VE
GOT IT ALL WRONG.
2121
01:36:12,935 --> 01:36:14,536
THERE'S NOTHING
GOING ON HERE.
2122
01:36:14,536 --> 01:36:15,938
OH, OF COURSE NOT.
2123
01:36:15,938 --> 01:36:19,141
DAN WOULD NEVER--
YOU FLIRTATIOUS ASS!
2124
01:36:19,141 --> 01:36:21,109
YOU HAVEN'T CHANGED
ONE MOMENT
2125
01:36:21,109 --> 01:36:22,744
FROM THE FIRST TIME
I SAW YOU.
2126
01:36:22,744 --> 01:36:23,946
HOW COULD YOU THINK--
2127
01:36:23,946 --> 01:36:26,481
HOW COULD I--
YOU FOLLOWED ME HERE.
2128
01:36:26,481 --> 01:36:28,083
I WAS NOT
FOLLOWING YOU.
2129
01:36:28,083 --> 01:36:29,952
WHO'S SITTING
AT OUR TABLE?
2130
01:36:29,952 --> 01:36:32,988
WHOSE FAT BUTT
IS AT OUR TABLE?
2131
01:36:32,988 --> 01:36:34,890
IT'S NOT OUR TABLE
ANYMORE.
2132
01:36:34,890 --> 01:36:36,491
WHOSE FAULT IS THAT?
2133
01:36:36,491 --> 01:36:37,692
YOURS!
YOURS!
2134
01:36:37,692 --> 01:36:39,027
STAY, STAY!
IT'S YOUR TABLE.
2135
01:36:39,027 --> 01:36:40,628
YOU'RE BOTH BEING
SELF-DESTRUCTIVE.
2136
01:36:40,628 --> 01:36:41,897
I HAVE TO AGREE.
2137
01:36:41,897 --> 01:36:43,031
SHUT UP!
2138
01:36:43,031 --> 01:36:44,867
I THINK
WE SHOULD GO.
2139
01:36:44,867 --> 01:36:46,501
OH, SHE THINKS.
2140
01:36:46,501 --> 01:36:48,036
LEAVE HER
OUT OF THIS.
2141
01:36:48,036 --> 01:36:49,905
LEAVE HER
OUT OF THIS?
2142
01:36:49,905 --> 01:36:52,174
I'D LOVE
TO LEAVE HER...
2143
01:36:53,909 --> 01:36:56,912
DAN, ARE YOU
ALL RIGHT?
2144
01:37:13,261 --> 01:37:15,998
SOME PEOPLE SAY THE NEWS
ISN'T ENTERTAINMENT,
2145
01:37:15,998 --> 01:37:18,366
BUT THEY MIGHT
CHANGE THEIR MINDS
2146
01:37:18,366 --> 01:37:21,636
IF THEY WERE WATCHING
STATION WBAL IN BALTIMORE.
2147
01:37:21,636 --> 01:37:23,906
LINDA. LINDA,
COME HERE.
2148
01:37:23,906 --> 01:37:25,307
COMMENTATOR
LORRAINE BRYER
2149
01:37:25,307 --> 01:37:26,774
DECIDED TO EXPRESS
HER OPINION
2150
01:37:26,774 --> 01:37:28,376
A LITTLE MORE
FORCEFULLY THAN USUAL
2151
01:37:28,376 --> 01:37:31,880
AND THREW A COFFEE CUP
AT HER CO-ANCHOR,
2152
01:37:31,880 --> 01:37:33,348
WHO AT LAST REPORT
2153
01:37:33,348 --> 01:37:36,018
IS IN STABLE,
IF CONFUSED, CONDITION.
2154
01:37:36,018 --> 01:37:38,820
THE SMALL STATION
WAS FLOODED WITH CALLS
2155
01:37:38,820 --> 01:37:41,023
WONDERING WHAT
WILL HAPPEN TOMORROW.
2156
01:37:41,023 --> 01:37:43,125
I'M GLAD YOU
DON'T DRINK COFFEE.
2157
01:37:43,125 --> 01:37:45,493
YES, BUT I DO
DRINK HOT TEA.
2158
01:37:45,493 --> 01:37:46,694
[CLICK]
2159
01:37:46,694 --> 01:37:48,630
WE MADE E.T.!
2160
01:37:48,630 --> 01:37:49,998
THAT IS SO GREAT.
2161
01:37:49,998 --> 01:37:51,900
LORIE WILL TOTALLY
HATE THIS.
2162
01:37:51,900 --> 01:37:54,436
I WONDER IF SHE SAW IT.
2163
01:37:54,436 --> 01:37:56,638
OH, WHAT DIFFERENCE
DOES IT MAKE?
2164
01:37:56,638 --> 01:37:58,040
HEY, DON'T BE BLUE.
2165
01:37:58,040 --> 01:38:00,042
MAYBE IT'S
FOR THE BEST.
2166
01:38:00,042 --> 01:38:02,177
NO, NO. I KNOW.
YOU'RE RIGHT.
2167
01:38:02,177 --> 01:38:03,411
I'M GLAD IT'S OVER.
2168
01:38:03,411 --> 01:38:06,248
I DON'T NEED
TO BE HIT IN THE HEAD.
2169
01:38:06,248 --> 01:38:08,116
NOT THREE TIMES,
ANYWAY.
2170
01:38:10,252 --> 01:38:13,121
WOW, THAT PERFUME
IS, UH...
2171
01:38:15,857 --> 01:38:17,592
SO...
2172
01:38:17,592 --> 01:38:18,994
WHAT DO YOU THINK?
2173
01:38:18,994 --> 01:38:21,997
DO WE GO TO BED
TOGETHER?
2174
01:38:21,997 --> 01:38:23,865
I--I CAN'T SLEEP HERE.
2175
01:38:23,865 --> 01:38:26,201
I DON'T HAVE
MY PAJAMAS.
2176
01:38:26,201 --> 01:38:29,271
I DON'T THINK YOU'RE
GOING TO NEED THEM.
2177
01:38:46,554 --> 01:38:51,293
PART OF ME WANTS TO,
BUT I--I CAN'T.
2178
01:38:51,293 --> 01:38:53,295
DAN, YOU'VE
CHANGED A LOT,
2179
01:38:53,295 --> 01:38:56,131
BUT I THINK
I HAVE, TOO.
2180
01:38:57,699 --> 01:39:01,569
WE'VE ALWAYS HAD A LOT
OF LAUGHS AND GOOD SEX.
2181
01:39:05,307 --> 01:39:09,544
MAYBE WE'RE READY
FOR SOMETHING MORE.
2182
01:39:12,480 --> 01:39:14,649
I THINK I AM.
2183
01:39:16,351 --> 01:39:18,153
OH, LINDA...
2184
01:39:18,153 --> 01:39:20,322
I'M SORRY.
2185
01:39:28,030 --> 01:39:29,231
DAN...
2186
01:39:29,231 --> 01:39:32,100
GO HOME AND
GET YOUR PAJAMAS.
2187
01:39:55,057 --> 01:39:57,459
[KNOCK ON DOOR]
2188
01:40:08,736 --> 01:40:10,138
HI.
2189
01:40:11,473 --> 01:40:12,740
HI.
2190
01:40:20,482 --> 01:40:22,284
I DIDN'T
HAVE MY PAJAMAS,
2191
01:40:22,284 --> 01:40:24,286
AND I HAD
NO PLACE TO WEAR THEM
2192
01:40:24,286 --> 01:40:27,455
SINCE YOU
KICKED ME OUT.
2193
01:40:27,455 --> 01:40:29,924
I THOUGHT YOU WERE
STAYING WITH LINDA.
2194
01:40:29,924 --> 01:40:31,359
NO.
2195
01:40:31,359 --> 01:40:32,560
OH.
2196
01:40:36,431 --> 01:40:40,202
IT'S NOT A GOOD IDEA
FOR YOU TO STAY HERE.
2197
01:40:40,202 --> 01:40:42,304
WHERE WOULD YOU
SUGGEST I STAY?
2198
01:40:42,304 --> 01:40:43,705
WHAT ABOUT A HOTEL?
2199
01:40:43,705 --> 01:40:47,175
IT'S LATE. I DON'T WANT
TO STAY AT A HOTEL.
2200
01:40:47,175 --> 01:40:48,810
ALL RIGHT.
ALL RIGHT.
2201
01:40:48,810 --> 01:40:52,380
YOU CAN...
SLEEP ON THE COUCH.
2202
01:40:52,380 --> 01:40:54,282
BUT JUST
FOR TONIGHT.
2203
01:40:56,318 --> 01:40:58,186
AND DON'T THINK
JUST 'CAUSE--
2204
01:40:58,186 --> 01:40:59,521
BELIEVE ME...
2205
01:40:59,521 --> 01:41:00,722
I WON'T.
2206
01:41:18,906 --> 01:41:19,941
THANKS.
2207
01:41:19,941 --> 01:41:22,310
I HAVE TO GO
WORK ON MY COPY.
2208
01:41:22,310 --> 01:41:24,412
DID THE LAWYER
CALL YOU?
2209
01:41:24,412 --> 01:41:25,913
YEAH.
2210
01:41:25,913 --> 01:41:27,549
ONE MORE SHOW, HUH?
2211
01:41:27,549 --> 01:41:29,317
YEAH.
2212
01:41:31,186 --> 01:41:32,320
WELL...
2213
01:41:32,320 --> 01:41:35,089
I GUESS IT'S ALL
FOR THE BEST.
2214
01:41:35,089 --> 01:41:36,591
DEFINITELY.
2215
01:41:40,428 --> 01:41:42,530
WELL...
2216
01:41:42,530 --> 01:41:43,565
GOOD NIGHT.
2217
01:41:43,565 --> 01:41:45,200
GOOD NIGHT.
2218
01:42:31,846 --> 01:42:33,515
[CRYING]
2219
01:42:33,515 --> 01:42:34,716
DAN?
2220
01:42:34,716 --> 01:42:37,519
IT'S OK, HONEY.
I'M ALL RIGHT.
2221
01:42:37,519 --> 01:42:38,720
DAN?
2222
01:42:42,690 --> 01:42:44,859
I THINK I'D LIKE
SOME CHEESECAKE.
2223
01:42:45,927 --> 01:42:47,329
WHAT?
2224
01:42:48,730 --> 01:42:52,200
I THINK YOU COULD
USE SOME, TOO.
2225
01:42:55,337 --> 01:42:56,738
YOU'RE RIGHT.
2226
01:42:57,839 --> 01:43:00,542
I COULD DEFINITELY
USE SOME CHEESECAKE.
2227
01:43:00,542 --> 01:43:01,743
OK.
2228
01:43:11,686 --> 01:43:14,021
YOU'RE NOT GOING
TO REMEMBER
2229
01:43:14,021 --> 01:43:16,891
ANY OF THIS, ARE YOU?
2230
01:43:16,891 --> 01:43:18,893
LORIE...
2231
01:43:18,893 --> 01:43:20,895
I LOVE YOU.
2232
01:43:20,895 --> 01:43:23,398
I'M CRAZY ABOUT YOU.
2233
01:43:23,398 --> 01:43:26,968
DON'T EVER LEAVE ME,
PLEASE.
2234
01:43:26,968 --> 01:43:30,972
I WANT TO SPEND THE REST
OF MY LIFE WITH YOU.
2235
01:43:33,308 --> 01:43:36,578
I'LL GO GET US
SOME CHEESECAKE.
2236
01:44:18,720 --> 01:44:20,788
THAT'S THE WAY
I SEE IT.
2237
01:44:20,788 --> 01:44:23,591
OK. STOP TAPE.
THAT'S IT.
2238
01:44:37,271 --> 01:44:39,140
MR. WELLER.
2239
01:44:39,140 --> 01:44:42,544
WELL...MISS BRYER.
2240
01:44:43,878 --> 01:44:47,615
I UNDERSTAND IT'S NOT
GOING TO WORK OUT FOR US.
2241
01:44:49,351 --> 01:44:52,019
WELL, I'M SORRY
TO HEAR THAT.
2242
01:44:55,357 --> 01:44:58,125
I WATCHED
THE TAPING JUST NOW.
2243
01:44:58,125 --> 01:45:01,295
IT'S NOT THE SAME
WITHOUT BOTH OF YOU THERE.
2244
01:45:08,870 --> 01:45:10,905
YOU KNOW...
2245
01:45:10,905 --> 01:45:13,841
I REALIZED, STANDING
OUT THERE WATCHING,
2246
01:45:13,841 --> 01:45:17,311
EXACTLY WHY I LOVE
YOUR SHOW SO MUCH.
2247
01:45:17,311 --> 01:45:18,713
IT'S NOT THE ISSUES,
2248
01:45:18,713 --> 01:45:21,816
NOT THE SOCIAL
SIGNIFICANCE,
2249
01:45:21,816 --> 01:45:26,187
BUT IT'S BECAUSE THERE'S
ALWAYS THIS POSSIBILITY
2250
01:45:26,187 --> 01:45:28,690
THAT YOUR WIFE,
YOUR HUSBAND,
2251
01:45:28,690 --> 01:45:31,893
YOUR GIRLFRIEND,
WHATEVER,
2252
01:45:31,893 --> 01:45:35,630
WILL DO EXACTLY WHAT
YOU DID YESTERDAY.
2253
01:45:38,700 --> 01:45:41,603
IT'S WHAT MAKES LIFE
INTERESTING.
2254
01:45:51,813 --> 01:45:53,881
[RUNS WATER]
2255
01:46:06,928 --> 01:46:08,730
STAND BY, PLEASE.
2256
01:46:10,164 --> 01:46:11,332
7...
2257
01:46:11,332 --> 01:46:12,667
6...
2258
01:46:12,667 --> 01:46:13,935
5...
2259
01:46:13,935 --> 01:46:15,036
4...
2260
01:46:15,036 --> 01:46:16,170
3...
2261
01:46:16,170 --> 01:46:17,605
2...
2262
01:46:17,605 --> 01:46:18,906
1.
2263
01:46:18,906 --> 01:46:21,242
AND NOW, PERKELL HEATING
AND COOLING BRINGS YOU...
2264
01:46:21,242 --> 01:46:23,310
I'M SORRY, SIR,
VERY SORRY.
2265
01:46:23,310 --> 01:46:24,311
ME, TOO.
2266
01:46:24,311 --> 01:46:26,347
THEY'RE
A NICE COUPLE.
2267
01:46:26,347 --> 01:46:27,782
TODAY'S TOPIC,
2268
01:46:27,782 --> 01:46:30,351
THE MAYOR'S COUNCIL
ON MENTAL WELL-BEING.
2269
01:46:30,351 --> 01:46:31,352
GOOD AFTERNOON.
2270
01:46:31,352 --> 01:46:34,088
BEFORE I BEGIN TODAY,
2271
01:46:34,088 --> 01:46:37,358
I WOULD LIKE TO APOLOGIZE
TO THE VIEWING PUBLIC
2272
01:46:37,358 --> 01:46:40,227
FOR MY IRRATIONAL
2273
01:46:40,227 --> 01:46:41,763
AND TOTALLY
INAPPROPRIATE BEHAVIOR
2274
01:46:41,763 --> 01:46:43,397
ON YESTERDAY'S SHOW.
2275
01:46:43,397 --> 01:46:47,569
AND I WOULD ALSO LIKE
TO CLEAR SOMETHING UP
2276
01:46:47,569 --> 01:46:50,872
CONCERNING THE PROPOSED
HIGHWAY MERGER.
2277
01:46:50,872 --> 01:46:54,175
I WOULD JUST
LIKE TO SAY THAT...
2278
01:46:54,175 --> 01:46:57,378
MY OPPONENT IS RIGHT.
2279
01:46:57,378 --> 01:47:00,982
THE MERGER IS...
NOT NEEDED.
2280
01:47:00,982 --> 01:47:05,920
SOME THINGS
ARE JUST NOT MEANT TO BE.
2281
01:47:05,920 --> 01:47:08,656
YOU THINK THAT YOU CAN
MAKE THEM GO
2282
01:47:08,656 --> 01:47:10,257
IN THE SAME DIRECTION,
2283
01:47:10,257 --> 01:47:13,828
BUT ALL YOU GET IS...
2284
01:47:13,828 --> 01:47:19,133
CONGESTION AND
INCREASED TRAFFIC AND...
2285
01:47:20,802 --> 01:47:21,803
HURT.
2286
01:47:21,803 --> 01:47:25,006
THE HIGHWAYS
SHOULD BE ALLOWED
2287
01:47:25,006 --> 01:47:27,374
TO RUN THEIR COURSE.
2288
01:47:27,374 --> 01:47:31,946
I WOULD ALSO
LIKE TO SAY...
2289
01:47:31,946 --> 01:47:33,347
DAN...
2290
01:47:33,347 --> 01:47:35,216
WHEREVER YOU ARE...
2291
01:47:37,351 --> 01:47:39,587
LOOK. I CLEANED MY CUP.
2292
01:47:40,655 --> 01:47:43,357
CUT TO THE LOGO.
START DAN'S TAPE.
2293
01:47:43,357 --> 01:47:45,993
OH, MAN.
POOR LORIE.
2294
01:47:45,993 --> 01:47:47,529
GOOD AFTERNOON.
2295
01:47:47,529 --> 01:47:49,897
BEFORE I BEGIN
MY REBUTTAL, LORIE,
2296
01:47:49,897 --> 01:47:52,099
I WOULD LIKE
TO MAKE A STATEMENT
2297
01:47:52,099 --> 01:47:54,602
ABOUT THE PROPOSED
HIGHWAY MERGER.
2298
01:47:54,602 --> 01:47:55,837
I WOULD LIKE
TO GO ON RECORD
2299
01:47:55,837 --> 01:47:58,573
AS REVERSING
MY ORIGINAL OPINION.
2300
01:47:58,573 --> 01:48:00,808
THE HIGHWAYS ARE RIPE
FOR A MERGER.
2301
01:48:02,043 --> 01:48:03,845
THIS PROPOSAL WILL
ENSURE THE FUTURE GROWTH
2302
01:48:03,845 --> 01:48:05,446
THAT IS SORELY NEEDED.
2303
01:48:05,446 --> 01:48:08,015
AS MY UNCLE OLAF
USED TO--
2304
01:48:10,051 --> 01:48:11,352
NO. NO.
2305
01:48:11,352 --> 01:48:14,856
I'M--I'M NOT GOING
TO SAY THAT ANYMORE.
2306
01:48:14,856 --> 01:48:17,424
IT'S NOT MY UNCLE OLAF
TALKING, LORIE.
2307
01:48:17,424 --> 01:48:20,528
IT'S ME.
2308
01:48:20,528 --> 01:48:24,532
AND WHAT
I'M SAYING IS THAT...
2309
01:48:24,532 --> 01:48:27,602
I WOULD LIKE
ANOTHER CHANCE.
2310
01:48:27,602 --> 01:48:30,638
I JUST DON'T WANT
TO BE APART FROM YOU.
2311
01:48:30,638 --> 01:48:33,608
AND THAT'S
THE WAY I SEE IT.
2312
01:48:52,627 --> 01:48:54,696
DOES THIS MEAN...
2313
01:48:56,263 --> 01:48:59,166
PRETTY SCARY, HUH?
2314
01:48:59,166 --> 01:49:00,702
YEAH.
2315
01:49:04,839 --> 01:49:06,373
OH, NO. MY CONTACT.
2316
01:49:06,373 --> 01:49:08,375
IT JUST
POPPED OUT AGAIN.
2317
01:49:08,375 --> 01:49:10,477
HOLD ON.
I'LL FIND IT.
2318
01:49:10,477 --> 01:49:11,779
YOU'LL JUST
CRUSH IT AGAIN.
2319
01:49:11,779 --> 01:49:13,380
I NEVER CRUSHED IT.
2320
01:49:13,380 --> 01:49:15,382
DAN, YOU DID.
2321
01:49:15,382 --> 01:49:18,052
SEE? MAGIC.
2322
01:49:20,788 --> 01:49:22,389
SO WHAT DO YOU THINK
2323
01:49:22,389 --> 01:49:23,658
ABOUT THE
MAYOR'S COUNCIL
2324
01:49:23,658 --> 01:49:24,792
ON MENTAL WELL-BEING?
2325
01:49:24,792 --> 01:49:26,393
WHAT DO YOU THINK
I THINK?
2326
01:49:26,393 --> 01:49:28,796
I KNEW IT.
2327
01:49:28,796 --> 01:49:31,198
YOU WANT THIS
ON THE AIR?
2328
01:49:32,466 --> 01:49:33,801
NO, RAY. NO.
2329
01:49:33,801 --> 01:49:35,202
SOME THINGS
ARE MORE IMPORTANT
2330
01:49:35,202 --> 01:49:37,639
THAN A TELEVISION SHOW.
EVEN I UNDERSTAND THAT.
2331
01:49:37,639 --> 01:49:39,240
THESE KIDS DESERVE
THEIR PRIVACY.
2332
01:49:39,240 --> 01:49:41,408
THEY DON'T NEED THEIR
RELATIONSHIP EXPLOITED
2333
01:49:41,408 --> 01:49:42,977
SO THAT WE CAN...
2334
01:49:42,977 --> 01:49:44,578
CAMERA ONE,
GET ON DAN.
2335
01:49:44,578 --> 01:49:46,848
CAMERA TWO,
PUSH IN CLOSER ON LORIE.
2336
01:50:13,540 --> 01:50:16,377
WELL, I GUESS
SHE WON THAT ONE.
2337
01:50:16,377 --> 01:50:18,145
WHAT ARE YOU
TALKING ABOUT?
2338
01:50:18,145 --> 01:50:19,180
HE WON.
2339
01:50:19,180 --> 01:50:21,816
WHAT'S THE USE
EVEN TALKING TO YOU?
2340
01:50:21,816 --> 01:50:24,719
YOU'RE AN OLD FOOL.
2341
01:50:24,719 --> 01:50:27,121
THAT MAKES YOU
MRS. FOOL.
142886
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