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These are the user uploaded subtitles that are being translated: 1 00:00:01,900 --> 00:00:03,433 [ scary music ] 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:08,633 --> 00:00:10,300 [ crickets chirping ] 5 00:00:11,500 --> 00:00:12,967 [ mysterious, somber music ] 6 00:00:38,267 --> 00:00:39,900 [ cornstalks rustling ] 7 00:00:58,633 --> 00:01:00,500 [ cornstalks rustling louder ] 8 00:01:04,100 --> 00:01:05,833 [ scary, suspenseful music ] 9 00:01:08,133 --> 00:01:10,467 [ something walking through cornstalks ] 10 00:01:16,467 --> 00:01:17,867 Tiffany: COME ON. 11 00:01:20,767 --> 00:01:21,333 [ loud rustling ] 12 00:01:30,933 --> 00:01:32,500 COME ON. 13 00:01:34,300 --> 00:01:35,900 COME ON! 14 00:01:45,133 --> 00:01:47,233 [ mysterious, eerie music ] 15 00:01:59,900 --> 00:02:03,400 HAVE YOU SEEN HER, TOO? 16 00:02:03,400 --> 00:02:04,900 THE WOMAN IN WHITE. 17 00:02:15,900 --> 00:02:17,100 [ cornstalks rustling ] 18 00:02:30,100 --> 00:02:32,467 [ mysterious, eerie music continues ] 19 00:02:42,467 --> 00:02:44,300 [ suspenseful music ] 20 00:02:54,700 --> 00:02:56,267 [ loud, demonic roar ] 21 00:02:59,167 --> 00:03:01,467 [ breathing ] 22 00:03:03,067 --> 00:03:03,867 [ suspenseful, creepy music ] 23 00:03:44,067 --> 00:03:45,667 [ floorboards creaking ] 24 00:04:02,667 --> 00:04:03,900 [ floorboards creaking ] 25 00:04:12,500 --> 00:04:13,900 [ scared breathing ] 26 00:04:13,900 --> 00:04:15,800 Adelaide: HELL NO. 27 00:04:48,800 --> 00:04:49,900 [ rustling in trees ] 28 00:05:04,267 --> 00:05:05,900 [ struggling with window ] 29 00:05:11,167 --> 00:05:12,867 [ suspenseful music ] 30 00:05:27,467 --> 00:05:29,367 [ growling from outside ] 31 00:05:47,367 --> 00:05:49,000 [ louder rustling in trees ] 32 00:05:50,900 --> 00:05:51,933 [ frantic breathing ] 33 00:05:56,233 --> 00:05:57,900 COME ON! 34 00:05:59,400 --> 00:06:01,000 [ loud demonic roar ] 35 00:06:02,933 --> 00:06:04,567 [ scared breathing ] 36 00:06:18,467 --> 00:06:22,100 JEEZ, DON'T DO THAT TO ME ABBY, I ALMOST TOOK YOUR HEAD OFF! 37 00:06:24,067 --> 00:06:26,533 Abigail: I HEARD A SCREAM. IT WOKE ME UP. 38 00:06:26,533 --> 00:06:29,567 YOU HEARD IT, TOO? 39 00:06:29,567 --> 00:06:31,067 IT SOUNDED LIKE A WOMAN. 40 00:06:31,967 --> 00:06:33,567 NOT TO ME... 41 00:06:37,967 --> 00:06:39,667 WHY ARE ALL THE WINDOWS OPEN? 42 00:06:42,467 --> 00:06:43,900 [ ominous music ] 43 00:07:01,000 --> 00:07:02,000 [ spraying ] 44 00:07:11,333 --> 00:07:12,667 [ pot sizzling ] 45 00:07:19,067 --> 00:07:21,133 YOU BETTER FINISH THAT BEFORE DAD GETS UP. 46 00:07:21,967 --> 00:07:24,000 I'M ALMOST DONE. 47 00:07:24,000 --> 00:07:26,700 YOU LIKE SAVING THINGS FOR THE LAST MINUTE, DON'T YOU? 48 00:07:28,900 --> 00:07:32,733 I'M GOING FOR A JOG AT THE RESERVOIR LATER. DO YOU WANT TO MEET ME AFTER SCHOOL? 49 00:07:33,967 --> 00:07:36,233 NO. 50 00:07:36,233 --> 00:07:38,467 YOU HAVEN'T SEEN MOM'S BENCH YET. 51 00:07:41,267 --> 00:07:42,500 NOT READY TO? 52 00:07:43,200 --> 00:07:44,300 NOT YET. 53 00:07:47,100 --> 00:07:48,533 [ footsteps approaching ] 54 00:07:57,533 --> 00:07:59,600 UM... ABBY? 55 00:08:00,867 --> 00:08:01,900 YES? 56 00:08:02,733 --> 00:08:05,533 YOU DO SEE HER, RIGHT? 57 00:08:06,533 --> 00:08:07,767 SEE WHO? 58 00:08:07,767 --> 00:08:09,800 Adelaide: THE GIRL SITTING ACROSS FROM YOU. 59 00:08:09,800 --> 00:08:11,367 WHAT ARE YOU TALKING ABOUT? 60 00:08:11,367 --> 00:08:12,700 SHE'S RIGHT THERE. 61 00:08:17,200 --> 00:08:19,267 Jack: THAT'S NOT FUNNY, ABBY. 62 00:08:19,267 --> 00:08:21,300 [ Abigail and Caroline giggling] 63 00:08:21,300 --> 00:08:23,900 YEAH. NICE ONE, DORK. 64 00:08:25,200 --> 00:08:27,100 Jack: ABBY WAS UP LAST NIGHT WHEN WE CAME IN. 65 00:08:27,100 --> 00:08:30,233 THIS IS CAROLINE. SHE'S GOING TO BE STAYING WITH US FOR A WHILE. 66 00:08:31,900 --> 00:08:35,433 OKAY. DIDN'T KNOW WE WERE A FOSTER HOME, NOW. 67 00:08:35,433 --> 00:08:37,733 IT'S NOT... 68 00:08:37,733 --> 00:08:38,900 Jack: LOOK. 69 00:08:40,300 --> 00:08:43,367 HER FATHER RAN INTO SOME TROUBLE. 70 00:08:43,367 --> 00:08:47,433 SHE NEEDS A PLACE TO STAY. WE HAVE A BIG ENOUGH HOUSE. 71 00:08:47,433 --> 00:08:49,733 WHO'S GOING TO TAKE CARE OF HER WHEN YOU'RE AT WORK? 72 00:08:49,733 --> 00:08:52,800 SHE'S NOT A BABY. NO ONE NEEDS TO WATCH HER. 73 00:08:54,200 --> 00:08:57,033 I JUST FIGURED YOU'D... LOOK IN ON HER ONCE IN A WHILE. 74 00:08:58,033 --> 00:08:59,900 SURE THING, DAD. 75 00:08:59,900 --> 00:09:02,900 ANYTHING ELSE HAPPEN OVERNIGHT THAT YOU WANT TO TELL ME ABOUT? 76 00:09:02,900 --> 00:09:04,800 NOPE. THAT WAS ABOUT IT. 77 00:09:05,633 --> 00:09:06,900 GOOD TO KNOW. 78 00:09:09,533 --> 00:09:11,933 LOOK, I'M SORRY. 79 00:09:11,933 --> 00:09:15,833 Jack: I KNOW IT'S NOT AN IDEAL SITUATION. 80 00:09:15,833 --> 00:09:19,067 BUT SOMETIMES A MAN HAS TO DO WHAT HE HAS TO DO. 81 00:09:24,567 --> 00:09:27,367 GOT TO GO. TREVOR ASKED FOR ME EARLY TODAY. 82 00:09:28,767 --> 00:09:30,133 IS THAT A GOOD THING? 83 00:09:31,533 --> 00:09:34,800 I HOPE SO. BE ABOUT TIME WOULDN'T IT? 84 00:09:43,200 --> 00:09:44,633 LOVE YOU GIRLS. 85 00:09:44,633 --> 00:09:47,267 Abigail: LOVE YOU, TOO. Adelaide: DITTO. 86 00:09:48,933 --> 00:09:50,567 HAVE A GOOD DAY. 87 00:09:55,567 --> 00:09:58,633 [ upbeat, energetic music ] * anta Barbara by Holy Visions* 88 00:10:27,033 --> 00:10:28,800 [ music fades ] 89 00:10:31,033 --> 00:10:33,300 HEY. YOU OKAY? 90 00:10:38,933 --> 00:10:40,367 HEY, KID. 91 00:10:41,867 --> 00:10:46,433 Tiffany: OH, HI. SORRY. UM... I'M OKAY. 92 00:10:46,433 --> 00:10:48,700 I'M JUST A LITTLE OUT OF IT. 93 00:10:50,433 --> 00:10:53,233 I HAVEN'T SEEN YOU HERE IN A WHILE. 94 00:10:53,233 --> 00:10:57,367 I WAS GETTING WORRIED. I... GOT SO USED TO SEEING YOU AND YOUR BIKE ON THE TRAIL. 95 00:10:58,567 --> 00:11:01,367 I HAVEN'T REALLY LEFT MY HOUSE IN A WHILE. 96 00:11:03,967 --> 00:11:06,700 YOU WANT TO TALK ABOUT IT? 97 00:11:06,700 --> 00:11:09,900 THERE WAS A DEATH IN MY FAMILY. 98 00:11:09,900 --> 00:11:11,167 MY SISTER. 99 00:11:12,067 --> 00:11:16,100 OH... WOW, I'M... I'M SORRY. 100 00:11:17,500 --> 00:11:18,767 REALLY SORRY. 101 00:11:23,933 --> 00:11:26,200 I GUESS WE WERE MEANT TO TALK, TODAY. 102 00:11:27,933 --> 00:11:28,567 YOU'RE SITTING WITH MY MOM. 103 00:11:30,767 --> 00:11:34,667 OH, I'M SORRY, I - I - Adelaide: IT'S OKAY. 104 00:11:34,667 --> 00:11:38,600 I'D RATHER IT BE YOU THAN THE DOUCHEY TEENAGERS THAT WERE MAKING OUT THERE YESTERDAY. 105 00:11:43,100 --> 00:11:44,300 HAVE A SEAT. 106 00:11:54,533 --> 00:11:56,467 [ slow somber piano music ] 107 00:12:10,167 --> 00:12:11,633 THAT'S SWEET. 108 00:12:14,067 --> 00:12:16,300 SHE USED TO RUN HERE WITH ME. 109 00:12:18,100 --> 00:12:20,267 WE ALWAYS TALKED ABOUT THE DEDICATIONS. 110 00:12:20,267 --> 00:12:22,933 NEVER THOUGHT I'D BE DOING ONE FOR HER. 111 00:12:23,833 --> 00:12:25,900 NOT SO SOON, ANYWAY. 112 00:12:29,000 --> 00:12:30,400 YOU OKAY? 113 00:12:31,333 --> 00:12:33,400 AS OKAY AS I'LL GET. 114 00:12:35,100 --> 00:12:36,733 I WENT TO A REALLY GOOD SUPPORT GROUP. 115 00:12:38,333 --> 00:12:39,667 I DON'T KNOW WHAT YOUR PARENTS ARE DOING, BUT... 116 00:12:39,667 --> 00:12:42,900 I GO TO ONE AT MY CHURCH. 117 00:12:42,900 --> 00:12:45,200 IT'S - IT'S HELPING, BUT... 118 00:12:46,400 --> 00:12:48,333 YEAH. 119 00:12:48,333 --> 00:12:53,067 IT'LL BE A WHILE. AND THAT'S FINE. 120 00:12:53,067 --> 00:12:55,700 YOU NEVER GET OVER IT. 121 00:12:55,700 --> 00:12:59,100 IT'S LIKE LIVING WITH AN AMPUTATION. 122 00:13:01,400 --> 00:13:05,100 IT'S HARD TO ADJUST AT FIRST AND YOU'LL NEVER BE THE SAME, BUT... 123 00:13:05,100 --> 00:13:06,700 YOU LEARN TO DEAL WITH IT. 124 00:13:11,400 --> 00:13:13,200 WHAT WAS YOUR SISTER LIKE? 125 00:13:15,400 --> 00:13:17,400 SHE WAS... 126 00:13:17,400 --> 00:13:20,033 BEAUTIFUL. 127 00:13:20,033 --> 00:13:23,400 MY BEST FRIEND. 128 00:13:23,400 --> 00:13:26,400 WE WERE ALWAYS TOGETHER. 129 00:13:26,400 --> 00:13:28,567 WE WERE ALWAYS GOING TO BE. 130 00:13:32,867 --> 00:13:37,600 SHE USED TO SAY THAT WHEN SHE MOVED OUT SHE WOULD TAKE ME WITH HER. 131 00:13:39,167 --> 00:13:42,633 WE'D MARRY BROTHERS AND LIVE IN THE SAME 132 00:13:44,933 --> 00:13:46,700 I BET SHE WAS WONDERFUL. 133 00:13:49,833 --> 00:13:51,333 WHAT ABOUT YOUR MOM? 134 00:13:52,333 --> 00:13:54,567 TOTAL BEOTCH. 135 00:13:54,567 --> 00:13:56,333 [ laughing ] 136 00:13:56,333 --> 00:13:58,933 SHE WAS AWESOME. 137 00:13:58,933 --> 00:14:03,400 SHE ALWAYS HELD OUR FAMILY TOGETHER EVEN WHEN TIMES WERE TOUGH. 138 00:14:03,400 --> 00:14:07,500 Adelaide: MY DAD LOST HIS JOB AND THEY CUT OUR CABLE AND... 139 00:14:07,500 --> 00:14:11,300 Adelaide: WE FROZE OUR BUTTS OFF ALL WINTER BECAUSE WE COULDN'T AFFORD HEAT. 140 00:14:11,300 --> 00:14:14,233 BUT SHE ALWAYS MADE SURE WE WERE HAPPY. 141 00:14:16,433 --> 00:14:20,300 SHE HAD A WAY OF ALWAYS MAKING YOU FEEL LIKE YOU WERE NUMBER ONE. 142 00:14:21,500 --> 00:14:25,300 NOT EASY SHOES TO FILL BUT I'M TRYING. 143 00:14:25,300 --> 00:14:27,767 I JUST CAME BACK FROM COLLEGE. 144 00:14:27,767 --> 00:14:32,167 TRANSFERRING SCHOOLS ACTUALLY, SO... I COULD BE WITH MY LITTLE SISTER. 145 00:14:32,967 --> 00:14:34,100 AND MY DAD. 146 00:14:37,000 --> 00:14:38,900 THEY'RE LUCKY TO HAVE YOU. 147 00:14:46,900 --> 00:14:49,100 [ slow, somber piano music continues ] 148 00:15:07,100 --> 00:15:09,900 [ suspenseful music ] [ door creaking ] 149 00:15:23,800 --> 00:15:24,900 [ door creaks ] 150 00:15:43,933 --> 00:15:45,200 CAROLINE! 151 00:15:47,400 --> 00:15:49,633 WHY WOULD YOU DO THAT? 152 00:15:51,167 --> 00:15:51,633 WHAT'S WRONG WITH YOU? 153 00:15:52,867 --> 00:15:54,933 THE BABY WOKE ME UP. IT KEEPS CRYING. 154 00:15:54,933 --> 00:15:57,467 WHAT? WE DON'T HAVE A BABY. 155 00:15:57,467 --> 00:15:59,200 I HEARD IT IN MY ROOM. 156 00:16:01,533 --> 00:16:02,600 SHOW ME. 157 00:16:15,167 --> 00:16:18,033 IT MIGHT BE THE NEIGHBORS. MAYBE THEY HAVE KIDS. 158 00:16:18,033 --> 00:16:20,600 IT SOUNDED LIKE IT WAS COMING FROM INSIDE. 159 00:16:30,633 --> 00:16:32,100 [ scratching sound behind walls ] 160 00:16:50,500 --> 00:16:51,800 [ suspenseful music ] 161 00:16:54,600 --> 00:16:56,800 [ scratching continues ] 162 00:17:02,033 --> 00:17:03,500 WHAT IS THAT? 163 00:17:11,933 --> 00:17:14,333 WAS THAT THE SOUND YOU HEARD? 164 00:17:14,333 --> 00:17:17,300 NO, BUT I DON'T LIKE THAT EITHER. 165 00:17:21,600 --> 00:17:23,567 Jack: WHAT ARE YOU DOING? 166 00:17:23,567 --> 00:17:25,533 [ sighs ] 167 00:17:25,533 --> 00:17:27,000 THERE'S SOMETHING IN THE WALLS. 168 00:17:27,000 --> 00:17:28,100 WHAT? 169 00:17:29,900 --> 00:17:31,267 SHHH. 170 00:17:31,267 --> 00:17:35,900 [ quieter scratching in the walls ] 171 00:17:35,900 --> 00:17:40,467 NAH. THERE'S A HOLE IN THE ROOF. HAVEN'T HAD A CHANCE TO FIX IT. 172 00:17:40,467 --> 00:17:42,867 BUT I DID SET SOME TRAPS UP THERE. 173 00:17:42,867 --> 00:17:45,500 I GUESS A SQUIRREL OR TWO MUST'VE GOTTEN AROUND THEM. 174 00:17:47,200 --> 00:17:48,933 SO... 175 00:17:48,933 --> 00:17:52,400 YOU THINK THAT... THAT NOISE IS FROM SQUIRRELS? 176 00:17:53,800 --> 00:17:57,900 WELL, WHATEVER IT IS, IT'S NOTHING YOU GOT TO WORRY ABOUT. 177 00:17:57,900 --> 00:18:01,500 LOOK, TOMORROW MORNING I'LL GET UP EARLY. I'LL PATCH IT UP. 178 00:18:01,500 --> 00:18:02,633 OKAY? 179 00:18:08,933 --> 00:18:10,700 GOODNIGHT GIRLS. 180 00:18:10,700 --> 00:18:12,533 Abigail: GOODNIGHT. 181 00:18:12,533 --> 00:18:13,867 [ door closes ] 182 00:18:17,067 --> 00:18:18,500 [ scratching resumes ] 183 00:18:27,500 --> 00:18:29,500 [ doors closing ] 184 00:18:29,500 --> 00:18:31,067 Jack: HEY. 185 00:18:31,067 --> 00:18:33,400 MISS YOUR MORNING RUN? 186 00:18:33,400 --> 00:18:37,333 HALF OF IT. I MET THIS GIRL AT THE RESERVOIR - WE TALKED FOR AN HOUR AND A HALF. 187 00:18:37,333 --> 00:18:39,500 [ chuckles ] GET HER NUMBER? 188 00:18:39,500 --> 00:18:41,567 HA HA. [laughs] 189 00:18:41,567 --> 00:18:44,300 NO SHE WAS SITTING ON MOM'S BENCH. 190 00:18:44,300 --> 00:18:47,867 SHE SAID THAT SHE LOST HER SISTER A FEW MONTHS AGO. 191 00:18:47,867 --> 00:18:50,333 SHE'S ONLY TWELVE YEARS OLD. 192 00:18:50,333 --> 00:18:51,833 WHAT HAPPENED? 193 00:18:51,833 --> 00:18:56,700 I DIDN'T ASK. SHE SEEMS YOUNG SO... PROBABLY UNEXPECTED. 194 00:18:56,700 --> 00:18:58,700 THAT'S TERRIBLE. 195 00:18:58,700 --> 00:19:00,600 YEAH... 196 00:19:00,600 --> 00:19:02,267 I'LL BE BACK IN AN HOUR. 197 00:19:03,867 --> 00:19:04,400 DON'T FORGET YOUR KEYS. 198 00:19:06,933 --> 00:19:08,433 [ door closes ] 199 00:19:08,433 --> 00:19:10,767 I'M NOT LETTING YOU SLEEP IN THERE BY YOURSELF. 200 00:19:10,767 --> 00:19:12,833 YOU CAN SLEEP WITH ME UNTIL THE SQUIRRELS ARE GONE. 201 00:19:12,833 --> 00:19:15,467 WE CAN SLEEP HEAD TO TOE. >>WHAT'S THAT? 202 00:19:15,467 --> 00:19:17,967 YOUR HEAD FACING THE DOOR, MY HEAD FACING UP THERE. 203 00:19:19,267 --> 00:19:20,400 OKAY. 204 00:19:23,667 --> 00:19:31,933 [ bed creaking ] 205 00:19:31,933 --> 00:19:33,433 COME ON. 206 00:19:51,733 --> 00:19:54,333 YOUR FEET STINK. 207 00:19:55,667 --> 00:19:58,033 DO YOU WANT TO GO SLEEP WITH THE SQUIRRELS? 208 00:19:58,033 --> 00:19:59,067 [ giggles ] 209 00:20:09,967 --> 00:20:12,600 [ suspenseful music ] 210 00:20:20,233 --> 00:20:21,700 [baby fussing ] 211 00:20:26,233 --> 00:20:28,267 [ baby screams ] 212 00:20:28,267 --> 00:20:29,600 [ suspenseful music ] 213 00:20:51,000 --> 00:20:53,000 [ phone vibrates ] [ trips and falls ] 214 00:20:55,000 --> 00:20:55,900 [ breathing heavy ] 215 00:20:55,900 --> 00:20:56,600 [ crickets chirping ] 216 00:21:04,200 --> 00:21:05,667 THANKS, DAD. 217 00:21:41,667 --> 00:21:43,767 [ eerie, intense music ] 218 00:22:30,767 --> 00:22:32,367 [ eerie, intense music fades ] 219 00:22:36,367 --> 00:22:38,333 [ suspenseful music ] 220 00:22:39,333 --> 00:22:40,933 Mugger 2: WHERE YOU AT? 221 00:22:44,633 --> 00:22:49,400 YOU'RE NOT GOING TO GET OUT OF HERE. SO YOU MIGHT AS WELL JUST COME OUT. 222 00:22:49,400 --> 00:22:52,700 WE CAN MAKE THIS A WHOLE LOT WORSE. 223 00:22:52,700 --> 00:22:55,900 I CAN CUT YOUR TONGUE OUT, SO YOU CAN'T SCREAM. 224 00:22:57,633 --> 00:23:00,533 AND BELIEVE ME YOU'RE GOING TO WANT TO SCREAM A WHOLE LOT. 225 00:23:07,133 --> 00:23:09,167 Mugger 1: YOU FIND HER? 226 00:23:09,167 --> 00:23:11,867 NAH. I'M ABOUT TO. 227 00:23:13,667 --> 00:23:15,233 I CAN SMELL HER PERFUME. 228 00:23:18,167 --> 00:23:20,067 [ laughs and sniffs ] 229 00:23:22,067 --> 00:23:23,633 AND YOU SMELL GOOD. 230 00:23:40,533 --> 00:23:42,167 WHO THE HELL ARE YOU? 231 00:23:43,567 --> 00:23:43,900 Mugger 1: WHAT'S WRONG? 232 00:23:47,967 --> 00:23:50,067 WHERE'D SHE GO? 233 00:23:50,067 --> 00:23:52,033 Mugger 1: WHAT? SHE'S GOT TO BE OVER THERE. 234 00:23:52,033 --> 00:23:54,100 NAH MAN. THERE'S SOMETHING ELSE. 235 00:23:55,567 --> 00:23:56,800 SO WHAT, SHE'S... 236 00:23:56,800 --> 00:23:58,500 Mugger 2: YOU DIDN'T SEE THAT? 237 00:23:58,500 --> 00:24:01,433 Mugger 1: SEE WHAT? >>Mugger 2: THE OTHER CREEPY LOOKING GIRL? 238 00:24:02,967 --> 00:24:05,100 Mugger 1: WHERE? 239 00:24:05,100 --> 00:24:07,900 Mugger 2: SHE CAME OUT OF NOWHERE, SHE'S... SHE'S RIGHT BEHIND THAT TREE. 240 00:24:08,933 --> 00:24:10,700 WHITE DRESS. LONG RED HAIR. 241 00:24:11,833 --> 00:24:13,100 YOU'RE TRIPPIN' MAN. 242 00:24:15,700 --> 00:24:17,800 FORGET THIS. 243 00:24:17,800 --> 00:24:19,633 Mugger 1: WHAT, SO YOU'RE SCARED OF SOME GIRL? 244 00:24:19,633 --> 00:24:21,300 THAT WASN'T SOME GIRL, MAN. 245 00:24:46,700 --> 00:24:48,000 [ menacing music ] 246 00:25:16,000 --> 00:25:17,400 [ scary music ] 247 00:25:22,400 --> 00:25:24,767 [ slow, somber guitar music ] 248 00:25:39,567 --> 00:25:42,267 I'VE SEEN MOST OF THIS BEFORE. [ page turning ] 249 00:25:44,067 --> 00:25:45,967 Virginia: CORRINE SHOWED IT TO YOU? 250 00:25:45,967 --> 00:25:49,667 NO, UM... SHE TEXTED IT TO MY SISTER AND I SAW THE MESSAGES. 251 00:25:49,667 --> 00:25:55,367 HM. YOU'RE RESOURCEFUL. CORRINE TOLD ME THAT ABOUT YOU. 252 00:25:55,367 --> 00:25:57,233 HOW IS CORRINE? 253 00:25:57,233 --> 00:26:00,233 Virginia: SHE'S GOOD. BUSY WITH CLINICAL. 254 00:26:00,233 --> 00:26:02,967 SHE MISSES YOU. A LOT. 255 00:26:02,967 --> 00:26:05,067 MY PARENTS WILL LIGHTEN UP. 256 00:26:06,567 --> 00:26:08,833 I DON'T KNOW WHY THEY BLAME HER BUT... 257 00:26:11,133 --> 00:26:15,867 THE OFFICIAL STORY MAKES IT SEEM LIKE HEATHER WAS... DELUSIONAL. 258 00:26:15,867 --> 00:26:20,167 AND I SUPPOSE YOUR PARENTS THINK CORRINE SHOULD'VE CAUGHT THAT AND STOPPED HER. 259 00:26:20,167 --> 00:26:23,600 THEY'RE WRONG. WE ALL SAW THE SAME THING. 260 00:26:28,633 --> 00:26:32,367 WHAT ABOUT THE OTHER PEOPLE THAT SAW HER? 261 00:26:32,367 --> 00:26:35,967 CORRINE SAID SOMETHING ABOUT THAT IN THE MESSAGES. 262 00:26:35,967 --> 00:26:37,433 [ sighs ] 263 00:26:37,433 --> 00:26:42,233 JUST WHAT I TOLD HER. A FEW OF THE WITNESSES MOVED AWAY. 264 00:26:42,233 --> 00:26:48,167 EIGHT OF THEM DIED. USUALLY WITHIN THREE WEEKS OF THE SUPPOSED ACCIDENTS. 265 00:26:48,167 --> 00:26:50,867 WERE THE DEATHS SUSPICIOUS? 266 00:26:52,867 --> 00:26:55,900 THREE OF THEM DIED IN CAR ACCIDENTS. 267 00:26:55,900 --> 00:27:01,833 TWO OF THEM WERE UNDER UNKNOWN BUT SUSPICIOUS CIRCUMSTANCES. 268 00:27:01,833 --> 00:27:03,433 ONE OF THEM DROWNED. 269 00:27:04,733 --> 00:27:09,000 ANOTHER ONE... WAS BURNED TO DEATH. 270 00:27:09,000 --> 00:27:10,500 Virginia: SOMEHOW HE... 271 00:27:12,100 --> 00:27:14,333 SET HIMSELF ON FIRE. APPARENTLY. 272 00:27:14,933 --> 00:27:17,000 WHOAH. 273 00:27:17,000 --> 00:27:20,033 IT ALSO SEEMS LIKE THERE WERE DEATHS OCCURRING AROUND THESE PEOPLE. 274 00:27:20,033 --> 00:27:22,667 FAMILY MEMBERS. FRIENDS. 275 00:27:22,667 --> 00:27:26,367 IN EVERY CASE WHERE THE WOMAN IN WHITE WAS SEEN. 276 00:27:26,367 --> 00:27:30,333 THE DEEPER I LOOKED INTO IT THE MORE DISTURBING IT GOT. 277 00:27:31,633 --> 00:27:34,500 WHAT DO YOU THINK IT WAS? 278 00:27:34,500 --> 00:27:39,167 SOMETHING I REALLY DON'T WANT TO BE A PART OF. 279 00:27:41,167 --> 00:27:44,100 I'M NOT SURE WHY YOU DO. 280 00:27:44,100 --> 00:27:46,467 ESPECIALLY SINCE YOU GOT AWAY. 281 00:27:47,267 --> 00:27:49,533 THAT'S NOT ENOUGH FOR ME. 282 00:27:49,533 --> 00:27:52,033 I NEED TO KNOW WHY MY SISTER DIED. 283 00:27:54,233 --> 00:27:55,700 [ sighs ] 284 00:27:58,300 --> 00:28:00,900 WHAT CAN I GIVE YOU? 285 00:28:00,900 --> 00:28:03,967 I WANT TO TALK TO ONE OF THE OTHERS. 286 00:28:03,967 --> 00:28:06,467 [ sighs ] 287 00:28:06,467 --> 00:28:08,600 YOU KNOW WHERE DEER PARK IS? 288 00:28:08,600 --> 00:28:09,700 YEAH. 289 00:28:11,800 --> 00:28:16,167 FOUR YEARS AGO, MEGAN POLLACK AND A FRIEND OF HERS NAMED TRACY 290 00:28:16,167 --> 00:28:21,567 AND HER BROTHER, CRASHED INTO A TELEPHONE POLE ON VALLEY BOULEVARD. 291 00:28:21,567 --> 00:28:27,267 THEY SAID THEY WERE AVOIDING A WOMAN WHO CAME OUT OF A NEARBY CORNFIELD. 292 00:28:27,267 --> 00:28:30,267 THE POLICE COULDN'T FIND HER. OF COURSE. 293 00:28:31,967 --> 00:28:32,967 WELL, DID THEY SURVIVE? 294 00:28:34,167 --> 00:28:35,900 NO. 295 00:28:35,900 --> 00:28:40,567 TRACEY AND MEGAN'S BROTHER, GREG I THINK... 296 00:28:40,567 --> 00:28:43,067 DIED IN A CAR ACCIDENT A WEEK LATER. 297 00:28:44,367 --> 00:28:48,600 DROVE RIGHT OFF A BRIDGE. 298 00:28:48,600 --> 00:28:52,500 BUT MEGAN... SHE'S STILL ALIVE. IN DEER PARK. 299 00:28:53,900 --> 00:28:57,033 I COULD SEE IF SHE WOULD BE WILLING TO TALK TO US. 300 00:28:57,033 --> 00:28:58,333 PLEASE. 301 00:29:01,067 --> 00:29:03,200 I'LL CALL YOU AFTER WORK AND LET YOU KNOW. 302 00:29:03,933 --> 00:29:05,267 THANK YOU. 303 00:29:09,667 --> 00:29:12,233 Jack: I'M HOME. >>I'M IN THE KITCHEN, DAD. 304 00:29:13,733 --> 00:29:16,400 Jack: CAN YOU GET THE DOOR FOR ME? >>COMING. 305 00:29:24,500 --> 00:29:26,733 WHAT'S WRONG WITH YOU? >>Caroline: SHHH!' 306 00:29:26,733 --> 00:29:28,233 THAT'S NOT YOUR DAD. 307 00:29:28,233 --> 00:29:31,567 WHAT DO YOU MEAN? >>Caroline: HIS CAR'S NOT IN THE DRIVEWAY. 308 00:29:31,567 --> 00:29:34,867 HE PROBABLY GOT DROPPED OFF. >>Caroline: IT'S NOT HIM, WE HAVE TO HIDE! 309 00:29:34,867 --> 00:29:37,800 OKAY, NOW YOU'RE CREEPING ME OUT. Jack: ABBY? 310 00:29:41,800 --> 00:29:44,100 YOU CAN'T. LOOK! 311 00:29:49,700 --> 00:29:51,033 [ scary music ] 312 00:29:57,700 --> 00:29:58,867 Jack: ABBY. 313 00:30:06,567 --> 00:30:08,567 WE HAVE TO CLOSE THE DOOR. 314 00:30:08,567 --> 00:30:11,500 NO. LET'S JUST HIDE. 315 00:30:11,500 --> 00:30:13,867 I DON'T WANT ANYTHING COMING IN. JUST STAY HERE. 316 00:30:35,367 --> 00:30:36,667 [ door slams shut ] 317 00:30:48,567 --> 00:30:49,700 WHAT IS IT? 318 00:30:56,500 --> 00:30:58,567 [ unearthly scream ] [ door slams open ] 319 00:30:58,567 --> 00:30:59,700 Caroline: COME ON! 320 00:31:03,100 --> 00:31:04,100 [ door opens ] 321 00:31:06,100 --> 00:31:07,633 [ locks door ] 322 00:31:07,633 --> 00:31:09,333 WHAT DO WE DO? >>I DON'T KNOW. 323 00:31:24,533 --> 00:31:25,900 [ footsteps approaching ] 324 00:31:34,967 --> 00:31:36,367 [ eerie music ] 325 00:31:36,367 --> 00:31:39,533 COME ON. KEEP GOING. KEEP GOING. 326 00:31:39,533 --> 00:31:42,700 [ loud footstep, door opens ] 327 00:31:43,700 --> 00:31:45,867 [ gasps ] 328 00:31:45,867 --> 00:31:47,767 [ scratching on wood ] 329 00:31:52,367 --> 00:31:53,467 Abigail: SHHH. 330 00:31:56,067 --> 00:31:58,667 [ scratching stops ] 331 00:32:28,367 --> 00:32:29,867 [ screaming ] 332 00:32:36,033 --> 00:32:37,700 [ eerie music ] 333 00:32:48,433 --> 00:32:51,200 Abigail: IT'S THE SAME EXACT NOISE WE HEARD IN THE WALLS LAST WEEK. 334 00:32:52,000 --> 00:32:53,267 UH HUH. 335 00:32:54,933 --> 00:32:56,567 AND? 336 00:32:56,567 --> 00:32:59,133 I HOPE YOU FIGURED OUT WHAT YOU'RE GOING TO TELL DAD. 337 00:32:59,133 --> 00:33:02,067 WHAT DO YOU MEAN? EXACTLY WHAT WE TOLD YOU. 338 00:33:02,067 --> 00:33:05,700 AS MUCH AS HE'S BEEN WORKING THE LAST THING HE NEEDS TO HEAR IS THAT SOME GHOST 339 00:33:05,700 --> 00:33:09,200 IS SCRATCHING UP HIS CLOSET DOOR. WHAT WERE YOU REALLY DOING? 340 00:33:09,200 --> 00:33:10,933 SHE'S TELLING THE TRUTH. 341 00:33:10,933 --> 00:33:14,867 OH, REALLY? >>Abigail: WHY WOULD WE SCRATCH THE DOOR UP? AND HOW? 342 00:33:14,867 --> 00:33:18,000 CHECK OUR NAILS. FIND THE KNIFE! 343 00:33:18,000 --> 00:33:21,700 OKAY WELL... THERE HAS TO BE SOME KIND OF EXPLANATION. 344 00:33:21,700 --> 00:33:24,833 JUST LIKE HOW ALL THE WINDOWS OPENED ON THEIR OWN? 345 00:33:24,833 --> 00:33:28,667 Abigail: I SAW YOUR FACE LAST WEEK. SOMETHING HAPPENED. 346 00:33:28,667 --> 00:33:33,567 YOU DON'T KNOW THAT. NEITHER DO I. IT WAS JUST... WEIRD. 347 00:33:33,567 --> 00:33:36,933 WE'RE NOT GOING TO DAD WITH ANY CRAZY STORIES. 348 00:33:36,933 --> 00:33:39,100 WHAT ARE WE GOING TO DO ABOUT THE DOOR? 349 00:33:41,933 --> 00:33:44,500 [ door opens and closes ] 350 00:33:48,000 --> 00:33:49,500 Jack: HEY GIRLS. 351 00:33:54,900 --> 00:33:57,333 SO... 352 00:33:57,333 --> 00:33:59,333 HOW'S EVERYONE? 353 00:33:59,333 --> 00:34:01,267 MY ANKLE'S GETTING BETTER. 354 00:34:01,267 --> 00:34:04,367 I THINK I'M GOING TO GET BACK TO JOGGING TOMORROW. AT THE RESERVOIR. 355 00:34:04,367 --> 00:34:06,533 CHECKING IN ON YOUR NEW FRIEND? 356 00:34:06,533 --> 00:34:11,100 THAT TOO. OTHERWISE JUST WAITING FOR THE NEXT SEMESTER TO START, SO... 357 00:34:11,100 --> 00:34:14,100 STILL GETTING USED TO HAVING UNLIMITED TIME ON MY HANDS. 358 00:34:14,100 --> 00:34:16,367 THAT'S QUITE THE LUXURY ISN'T IT? 359 00:34:16,367 --> 00:34:19,633 YEAH, BUT I WON'T APPRECIATE IT UNTIL IT'S GONE. 360 00:34:19,633 --> 00:34:21,600 I WAS THINKING ABOUT GETTING A JOB BUT... 361 00:34:21,600 --> 00:34:24,833 WITH SCHOOL STARTING IN THREE WEEKS THERE REALLY WOULDN'T BE A POINT. 362 00:34:24,833 --> 00:34:28,167 IT WOULD KIND OF TAKE AWAY FROM ME BEING HERE WITH YOU GUYS. 363 00:34:28,167 --> 00:34:29,833 WE WOULDN'T WANT THAT. 364 00:34:29,833 --> 00:34:32,433 EVEN THOUGH SHE WON'T ADMIT IT... 365 00:34:32,433 --> 00:34:34,033 ABBY LIKES IT WHEN YOU'RE HERE. 366 00:34:36,633 --> 00:34:38,133 THEY TREATING YOU GOOD, CAROLINE? 367 00:34:38,133 --> 00:34:41,400 THEY'RE NICE. ABIGAIL LET ME WATCH HER PAINT TODAY BEFORE- 368 00:34:45,300 --> 00:34:46,567 BEFORE WHAT? 369 00:34:47,967 --> 00:34:49,033 NOTHING. 370 00:34:51,133 --> 00:34:53,633 Adelaide: WE THINK ONE OF THE SQUIRRELS GOT IN THE HOUSE. 371 00:34:53,633 --> 00:34:56,300 THEY DID A NUMBER ON THE CLOSET DOOR IN THE GUEST ROOM. 372 00:34:56,300 --> 00:34:58,933 I WAS THINKING MAYBE THEY CAME IN THROUGH ONE OF THE VENTS. 373 00:34:58,933 --> 00:35:01,800 THE GIRLS HEARD SCRATCHING AND GOT REALLY SCARED. 374 00:35:01,800 --> 00:35:05,033 HM. GUESS I BETTER SET THOSE TRAPS SOONER THAN LATER. 375 00:35:09,367 --> 00:35:12,067 SO, DAD. WHAT'S THE GOOD NEWS? 376 00:35:12,067 --> 00:35:14,500 WHAT DO YOU MEAN? 377 00:35:14,500 --> 00:35:17,367 WE ONLY GET TAKEOUT ONCE A WEEK. AND WE ALREADY HAD PIZZA ON TUESDAY. 378 00:35:17,367 --> 00:35:20,200 NOT TO MENTION WHAT YOU HAVE IN THOSE BAGS IN THE LIVING ROOM. 379 00:35:20,200 --> 00:35:24,467 YOU'RE EITHER PLANNING ON KILLING US ALL TONIGHT OR SOMETHING GOOD IS UP. 380 00:35:24,467 --> 00:35:27,667 WELL... 381 00:35:27,667 --> 00:35:32,167 AS YOU LADIES HAVE NOTICED, I'VE BEEN SPENDING A LOT OF TIME AWAY FROM HOME. 382 00:35:32,167 --> 00:35:35,500 I'VE BEEN WORKING LONGER, LATER HOURS. 383 00:35:37,733 --> 00:35:42,800 HEAVEN KNOWS I KNOW YOU GIRLS WAKE UP A COUPLE OF TIMES A WEEK AND I'M NOT HERE. 384 00:35:42,800 --> 00:35:47,900 LAST WEEK TREVOR ASKED ME TO START WORKING ON A NEW PROJECT. 385 00:35:47,900 --> 00:35:51,067 HE ASKED ME TO PUT TOGETHER A BUSINESS PROPOSAL HE WANTS TO SHOW INVESTORS. 386 00:35:51,067 --> 00:35:54,633 SO I DID. SHOWED IT TO HIM AND THE BOARD. 387 00:35:54,633 --> 00:35:59,000 AND AS OF TODAY, I GOT A RAISE. 388 00:35:59,000 --> 00:36:01,367 Jack: AND A BONUS UP FRONT. 389 00:36:01,367 --> 00:36:03,633 WAY TO GO, DAD. 390 00:36:03,633 --> 00:36:06,300 SO, UH... HOW MUCH IS THE BONUS? 391 00:36:09,000 --> 00:36:10,933 SIGNIFICANT. 392 00:36:10,933 --> 00:36:15,100 ENOUGH THAT... WE WON'T HAVE TO WORRY ABOUT BUDGETING FOR A WHILE. 393 00:36:18,100 --> 00:36:20,000 DOES THIS MEAN YOU'LL BE HOME MORE? 394 00:36:21,500 --> 00:36:26,367 WELL, YOU'LL STILL SEE ME AT DINNER. YOU SEE ME IN THE MORNING. 395 00:36:26,367 --> 00:36:30,767 BUT UNTIL THIS PROJECT IS OVER, I'VE GOT TO PUT IN HOURS. 396 00:36:30,767 --> 00:36:32,400 WHEN DO YOU SLEEP? 397 00:36:33,433 --> 00:36:34,800 YOU WORRIED ABOUT ME? 398 00:36:38,700 --> 00:36:40,533 [ somber, dreamy music ] 399 00:36:43,533 --> 00:36:46,233 I'M TOO OLD TO GET TUCKED IN, DAD. 400 00:36:46,233 --> 00:36:47,967 YOU'RE NEVER TOO OLD FOR THIS. 401 00:36:52,567 --> 00:36:53,700 YOU OKAY? 402 00:36:55,700 --> 00:37:01,233 YEAH. I'VE JUST BEEN THINKING ABOUT HER A LOT THE PAST WEEK. 403 00:37:01,233 --> 00:37:02,867 ANY PARTICULAR REASON? 404 00:37:04,767 --> 00:37:07,300 I DON'T KNOW. IT'S JUST LIKE I FEEL HER AROUND OR SOMETHING. 405 00:37:10,200 --> 00:37:11,667 I THOUGHT... 406 00:37:11,667 --> 00:37:16,067 MAYBE BECAUSE... CAROLINE WAS SITTING IN HER CHAIR. 407 00:37:16,067 --> 00:37:19,133 I MEAN, NO ONE'S SAT THERE SINCE. 408 00:37:19,133 --> 00:37:23,267 I'M SORRY. MAYBE I SHOULDN'T HAVE LET HER STAY THERE. 409 00:37:23,267 --> 00:37:26,833 NO IT'S FINE. MOM WOULD BE HAPPY... 410 00:37:26,833 --> 00:37:29,733 I THINK THAT... WE'RE TAKING GOOD CARE OF HER. 411 00:37:31,333 --> 00:37:32,867 SHE LIKED HELPING PEOPLE. 412 00:37:32,867 --> 00:37:34,733 SHE DID, DIDN'T SHE? 413 00:37:36,933 --> 00:37:41,567 BUT... I KNOW SHE WOULDN'T BE HAPPY THAT YOU'RE NOT GETTING ENOUGH SLEEP. 414 00:37:41,567 --> 00:37:43,467 YOU WORRIED ABOUT THAT? 415 00:37:43,467 --> 00:37:45,900 I REMEMBER WHAT HAPPENED LAST TIME. 416 00:37:48,933 --> 00:37:50,300 LOOK... 417 00:37:50,300 --> 00:37:52,800 I HAVEN'T TOUCHED A CAN OR A BOTTLE... 418 00:37:52,800 --> 00:37:56,633 ANY KIND OF ALCOHOL, SINCE YOUR MOTHER MADE ME PROMISE NOT TO. 419 00:37:57,833 --> 00:38:00,467 AND YOU WON'T? 420 00:38:00,467 --> 00:38:02,733 SCOUT'S HONOR. 421 00:38:02,733 --> 00:38:04,133 GOODNIGHT, SWEETIE. 422 00:38:17,933 --> 00:38:20,167 [ somber music continues ] 423 00:38:23,767 --> 00:38:25,200 WHAT'S A MATTER? 424 00:38:25,200 --> 00:38:28,433 I'M OKAY. WHAT'S UP? 425 00:38:28,433 --> 00:38:31,067 I GOT A VOICEMAIL FROM MOM'S OLD NUMBER TODAY. 426 00:38:32,867 --> 00:38:36,100 WHEN? HOW DO YOU KNOW?>>I KNOW IT WAS HER. 427 00:38:36,100 --> 00:38:40,433 IT WAS HER NUMBER. I STILL HAVE IT SAVED IN MY PHONE AND I WOULDN'T FORGET IT. 428 00:38:40,433 --> 00:38:42,767 DID YOU LISTEN TO THE MESSAGE? 429 00:38:42,767 --> 00:38:48,300 NO. THE NOTIFICATION WOKE ME UP BUT I WAS TOO AFRAID TO PLAY IT. 430 00:38:48,300 --> 00:38:51,733 LOOK, SOMEONE ELSE PROBABLY HAS MOM'S NUMBER BY NOW. 431 00:38:51,733 --> 00:38:54,400 AND THERE'S A CHANCE IT COULD'VE GOTTEN MIXED UP IN THE CONTACTS. 432 00:38:55,200 --> 00:38:56,800 MAYBE. 433 00:38:56,800 --> 00:38:58,200 SHOULD WE LISTEN TO IT? 434 00:39:06,900 --> 00:39:08,067 [ static ] 435 00:39:13,467 --> 00:39:18,100 Ashley: THIS IS YOUR MOTHER. I'VE MISSED YOU. 436 00:39:18,100 --> 00:39:19,800 Ashley: PLEASE CALL ME BACK. 437 00:39:21,400 --> 00:39:22,633 [ message ends ] 438 00:39:26,033 --> 00:39:28,567 THAT VOICE... 439 00:39:28,567 --> 00:39:31,833 THERE WAS STATIC, AND... [ mysterious music ] 440 00:39:31,833 --> 00:39:33,467 IT WAS REALLY FAST. 441 00:39:35,867 --> 00:39:38,900 BUT, I GOT A CALL FROM THE SAME NUMBER. 442 00:39:38,900 --> 00:39:43,400 CAN I HEAR IT? >>I DELETED IT. I DIDN'T REALIZE IT WAS HER. 443 00:39:44,800 --> 00:39:45,833 [ sighs ] 444 00:39:48,933 --> 00:39:53,100 LIKE I SAID, IT COULD JUST BE A MIX UP WITH THE CONTACTS. 445 00:39:55,400 --> 00:39:58,400 SHOULD WE CALL IT BACK? YOU KNOW, JUST TO SEE WHO IT IS? 446 00:39:59,833 --> 00:40:01,767 IT'S LATE. 447 00:40:01,767 --> 00:40:03,567 THEY CALLED ME A MINUTE AGO. 448 00:40:11,967 --> 00:40:13,900 [ haunting music ] 449 00:40:25,000 --> 00:40:26,267 WHAT? 450 00:40:29,467 --> 00:40:31,367 IT WAS DISCONNECTED. 451 00:40:34,633 --> 00:40:35,900 [ haunting music continues ] 452 00:40:53,833 --> 00:40:55,900 TRY NOT TO THINK ABOUT IT, OKAY? 453 00:40:55,900 --> 00:40:57,200 LET'S GET TO BED. 454 00:40:59,733 --> 00:41:01,133 [ phone ringing ] 455 00:41:17,033 --> 00:41:19,233 [ baby crying ] 456 00:41:31,233 --> 00:41:32,800 [ baby fussing ] 457 00:41:47,833 --> 00:41:49,267 [ scary music ] 458 00:42:05,967 --> 00:42:08,200 [ loud, raspy breathing ] 459 00:42:24,567 --> 00:42:26,800 [ Caroline's frightened breathing ] 460 00:42:32,800 --> 00:42:34,667 [ closet door shifts, breathing continues ] 461 00:42:36,667 --> 00:42:38,867 ABBY. 462 00:42:38,867 --> 00:42:39,900 Caroline: ABBY. 463 00:42:43,267 --> 00:42:44,600 ADELAIDE. 464 00:42:47,400 --> 00:42:49,067 [ raspy breathing continues, closet door rattles ] 465 00:42:58,733 --> 00:43:00,833 [ Caroline screaming ] 466 00:43:00,833 --> 00:43:02,333 [ phone ringing ] 467 00:43:04,333 --> 00:43:05,900 [ Caroline screams ] 468 00:43:09,500 --> 00:43:10,833 Adelaide: STAY THERE! 469 00:43:11,867 --> 00:43:13,000 [ banging on door ] CAROLINE! 470 00:43:19,000 --> 00:43:20,500 [ Caroline screaming ] 471 00:43:25,233 --> 00:43:27,700 Adelaide: CAROLINE, CAROLINE, IT'S OKAY. 472 00:43:27,700 --> 00:43:30,400 [ Caroline screaming ] Adelaide: CAROLINE, NOTHING'S HERE. NOTHING'S GOING TO HURT YOU. 473 00:43:30,400 --> 00:43:32,867 [ Caroline screaming ] Adelaide: NOTHING'S GOING TO HURT YOU. 474 00:43:32,867 --> 00:43:35,033 Adelaide: NOTHING'S GOING TO HURT YOU.PP 475 00:43:35,033 --> 00:43:38,033 I DON'T WANT IT! I DON'T WANT IT! 476 00:43:38,033 --> 00:43:41,667 CAROLINE, IT'S OKAY. CAROLINE IT'S JUST ME. IT'S JUST ME. 477 00:43:41,667 --> 00:43:43,667 NOTHING'S HERE. NOTHING'S GOING TO HURT YOU. 478 00:43:43,667 --> 00:43:45,633 OKAY? LOOK AT ME - LOOK. IT'S JUST ME. 479 00:43:45,633 --> 00:43:47,667 IT'S JUST ME. 480 00:43:47,667 --> 00:43:50,567 IT'S OKAY. NOTHING'S GOING TO HURT YOU. I'M GOING TO PROTECT YOU. 481 00:43:51,967 --> 00:43:54,567 IT'S OKAY. IT'S OKAY. 482 00:43:56,867 --> 00:43:58,067 [ calming music ] 483 00:44:04,267 --> 00:44:06,300 SHE MIGHT HAVE NIGHT TERRORS. 484 00:44:06,300 --> 00:44:07,733 NIGHT TERRORS? 485 00:44:07,733 --> 00:44:10,567 EXTREMELY VIVID NIGHTMARES. 486 00:44:10,567 --> 00:44:13,867 THERE'S NOT REALLY AN EXPLANATION FOR THEM, BUT... 487 00:44:13,867 --> 00:44:17,767 SOMETIMES IF YOU'VE GONE THROUGH A TRAUMATIC EXPERIENCE 488 00:44:17,767 --> 00:44:21,833 YOU HAVE THESE REALLY VIVID DREAMS AT NIGHT. 489 00:44:21,833 --> 00:44:24,767 YOU THINK SOMETHING BAD HAPPENED TO HER? 490 00:44:24,767 --> 00:44:28,333 I DON'T KNOW. DAD HASN'T TOLD ME HER STORY YET. 491 00:44:28,333 --> 00:44:32,500 BUT... MAYBE HE'S TALKING TO HER PARENTS AT WORK? 492 00:44:32,500 --> 00:44:34,567 HAS SHE SAID ANYTHING TO YOU? 493 00:44:34,567 --> 00:44:38,000 NO. AND I DON'T WANT TO BRING IT UP EITHER. 494 00:44:38,000 --> 00:44:40,700 I KINDA LIKE NOT KNOWING. 495 00:44:40,700 --> 00:44:42,500 THE BLISS OF IGNORANCE. 496 00:44:44,333 --> 00:44:49,267 I GUESS, WHEREVER SHE'S FROM SHE'S NOT THERE RIGHT NOW FOR A REASON. 497 00:44:49,267 --> 00:44:52,700 AND I'M NOT THE ONLY ONE MOM RUBBED OFF ON. 498 00:44:52,700 --> 00:44:55,933 DAD WON'T LET HER GO BACK ANYWHERE IF IT'S NOT SAFE. 499 00:44:55,933 --> 00:44:59,400 WHENEVER THAT IS. 500 00:44:59,400 --> 00:45:01,700 I KINDA HOPE THAT'S NOT ANYTIME SOON. 501 00:45:04,067 --> 00:45:05,833 ME TOO. 502 00:45:14,833 --> 00:45:16,600 [ creepy music ] 503 00:45:55,933 --> 00:45:58,500 [ muffled scream ] [ intense, energetic music ] 504 00:46:04,700 --> 00:46:05,900 [ punching Mugger's arm ] 505 00:46:08,700 --> 00:46:09,800 [ muffled crying ] 506 00:46:24,000 --> 00:46:25,333 [ gasping ] 507 00:46:26,933 --> 00:46:27,867 [ muffled screaming ] 508 00:46:52,167 --> 00:46:53,567 [ screams, breathing heavy ] 509 00:46:57,167 --> 00:46:58,600 [ breathing calms ] 510 00:47:06,300 --> 00:47:07,500 [ knock at door ] 511 00:47:08,933 --> 00:47:10,133 YOU OKAY? 512 00:47:11,900 --> 00:47:14,100 UH... YEAH. 513 00:47:17,933 --> 00:47:20,533 OKAY. 514 00:47:20,533 --> 00:47:21,933 [ door closes ] 515 00:47:26,933 --> 00:47:28,600 [ ominous music ] 516 00:48:05,900 --> 00:48:07,233 REALLY? [Adelaide laughs ] 517 00:48:07,233 --> 00:48:08,767 WHAT ARE YOU WATCHING? 518 00:48:08,767 --> 00:48:10,933 SOMETHING STUPID. >>LIKE WHAT? 519 00:48:10,933 --> 00:48:13,100 A GIRL ROLLING AROUND ON THE FLOOR. 520 00:48:13,100 --> 00:48:15,100 [ laughs ] FORGET YOU ABBY. 521 00:48:17,200 --> 00:48:18,633 WHAT'S UP? 522 00:48:18,633 --> 00:48:21,333 Abigail: NOTHING, IT DOESN'T MATTER. 523 00:48:21,333 --> 00:48:23,667 IS THIS ABOUT THE PHONE CALLS? 524 00:48:23,667 --> 00:48:25,533 THAT TOO. 525 00:48:25,533 --> 00:48:27,200 WHY DIDN'T YOU ANSWER? 526 00:48:27,200 --> 00:48:29,100 I WAS SCARED. 527 00:48:29,100 --> 00:48:31,033 I STILL AM, I... 528 00:48:31,033 --> 00:48:34,267 I DON'T KNOW, I DON'T THINK WE'RE SUPPOSED TO ANSWER CALLS LIKE THAT. 529 00:48:34,267 --> 00:48:37,333 BUT WHAT IF IT WAS MOM, SOMEHOW? 530 00:48:37,333 --> 00:48:39,200 THERE'S NO WAY TO KNOW FOR SURE. 531 00:48:41,500 --> 00:48:43,267 WHAT ELSE IS BUGGING YOU? 532 00:48:44,067 --> 00:48:46,467 I HAD A NIGHTMARE. 533 00:48:46,467 --> 00:48:50,400 NOT SURPRISING AFTER LAST NIGHT'S EPISODE WITH CAROLINE. 534 00:48:50,400 --> 00:48:53,100 NO, BUT IT WASN'T LIKE A NORMAL NIGHTMARE. 535 00:48:53,100 --> 00:48:58,000 WHAT DO YOU MEAN? >>Abigail: IT WAS ALMOST LIKE I WAS WATCHING A MOVIE. 536 00:48:58,000 --> 00:49:02,233 I COULD SEE YOU IN YOUR ROOM AND THESE TWO MEN DRESSED IN ALL BLACK CAME IN. 537 00:49:02,233 --> 00:49:05,367 Abigail: THEY CUT YOU AND THEY SPILLED YOUR BLOOD INTO THIS BOWL. 538 00:49:05,367 --> 00:49:06,600 [ eerie music ] 539 00:49:06,600 --> 00:49:07,933 Abigail: THERE WAS A... 540 00:49:07,933 --> 00:49:10,133 WOMAN IN WHITE, AND... 541 00:49:10,133 --> 00:49:11,900 SHE HAD LONG, RED HAIR. 542 00:49:13,900 --> 00:49:15,967 Abigail: I DON'T KNOW, I WOKE UP BEFORE SHE COULD DO ANYTHING. 543 00:49:15,967 --> 00:49:19,133 BUT, THAT'S WHY I CAME INTO YOUR ROOM THIS MORNING. 544 00:49:19,133 --> 00:49:21,433 JUST TO MAKE SURE IT WAS JUST A DREAM. 545 00:49:24,633 --> 00:49:25,800 IT WAS. 546 00:49:30,233 --> 00:49:32,433 [ outdoor noises ] [ music fades ] 547 00:49:33,900 --> 00:49:36,233 Tiffany: THAT MUST HAVE BEEN HORRIBLE. 548 00:49:36,233 --> 00:49:40,333 Adelaide: I'M OKAY. I'M JUST A LITTLE BIT SHAKEN UP. 549 00:49:42,233 --> 00:49:45,667 YOU WATCH ENOUGH CORPSE HUSBAND, URMAKER YOUTUBE VIDEOS... 550 00:49:45,667 --> 00:49:49,467 AND YOU KNOW THAT THIS STUFF HAPPENS. A LOT. 551 00:49:49,467 --> 00:49:52,567 YOU JUST NEVER EXPECT IT TO HAPPEN TO YOU. 552 00:49:52,567 --> 00:49:55,033 WELL, I'M GLAD YOU'RE OKAY. 553 00:49:56,933 --> 00:50:00,033 YOU KNOW, THE RESERVOIR IS A VERY NICE PLACE TO BE. 554 00:50:00,033 --> 00:50:03,467 [ laughs ] IT IS, BUT... 555 00:50:03,467 --> 00:50:08,333 TO BE HONEST. THE MUGGERS WASN'T THE SCARIEST PART OF MY LAST WEEK. 556 00:50:10,033 --> 00:50:11,100 WHAT DO YOU MEAN? 557 00:50:12,600 --> 00:50:14,633 DO YOU BELIEVE IN THE SUPERNATURAL? 558 00:50:17,233 --> 00:50:20,000 YOU'RE GOING TO THINK I'M CRAZY IF I KEEP TALKING. 559 00:50:20,000 --> 00:50:23,700 NO NO NO NO NO. BUT... WHAT DO YOU MEAN BY SUPERNATURAL? 560 00:50:25,400 --> 00:50:27,433 UNEXPLAINED PHENOMENA. GHOSTS... 561 00:50:27,433 --> 00:50:29,500 I DON'T BELIEVE IN GHOSTS. 562 00:50:29,500 --> 00:50:30,967 OKAY... 563 00:50:30,967 --> 00:50:34,533 BUT I DO BELIEVE IN GOD, AND IN SPIRITS. 564 00:50:34,533 --> 00:50:36,733 ANGELS AND DEMONS. 565 00:50:38,733 --> 00:50:40,233 YOU BELIEVE IN GOD, BUT YOU DON'T BELIEVE IN GHOSTS. 566 00:50:41,933 --> 00:50:43,833 BETTER THAN BELIEVING IN GHOSTS AND NOT GOD. 567 00:50:44,733 --> 00:50:45,867 TOUCHE. 568 00:50:46,967 --> 00:50:50,367 SO, WHY DO YOU ASK? IS YOUR HOUSE HAUNTED? 569 00:50:51,867 --> 00:50:55,367 ACTUALLY, I'M BEGINNING TO THINK IT MIGHT BE. 570 00:50:56,967 --> 00:50:59,467 IT'S LITTLE THINGS HERE AND THERE BUT IT'S ADDING UP. 571 00:50:59,467 --> 00:51:01,833 OUR WINDOWS ARE OPENING ON THEIR ON. 572 00:51:01,833 --> 00:51:04,500 THINGS ARE IN PLACES THAT I KNOW I DIDN'T PUT THEM. 573 00:51:04,500 --> 00:51:07,367 AND MY SISTERS ARE STARTING TO SEE THINGS... 574 00:51:07,367 --> 00:51:10,200 SISTERS? I - I THOUGHT... 575 00:51:10,200 --> 00:51:12,600 OH, I MEANT CAROLINE. 576 00:51:12,600 --> 00:51:15,433 SHE'S LIVING WITH US, SHE'S OUR FOSTER SISTER FOR NOW. 577 00:51:15,433 --> 00:51:17,667 GOT IT. 578 00:51:17,667 --> 00:51:21,800 BUT, SOMETHING REALLY FREAKED THEM OUT YESTERDAY. 579 00:51:21,800 --> 00:51:25,300 ARE YOU SURE THERE'S NOT A RATIONAL EXPLANATION? 580 00:51:25,300 --> 00:51:30,667 THAT'S WHAT I WAS THINKING BUT THEN I HAD THE MOST VIVID, FREAKY NIGHTMARE. 581 00:51:30,667 --> 00:51:34,533 AND IN THE MORNING, I COULD TELL THERE WAS SOMETHING WRONG WITH MY SISTER. 582 00:51:34,533 --> 00:51:37,567 THEN SHE TOLD ME THAT SHE HAD A NIGHTMARE, TOO. 583 00:51:37,567 --> 00:51:41,433 DETAIL FOR DETAIL, IT WAS EXACTLY WHAT I DREAMED. 584 00:51:41,433 --> 00:51:42,667 EXACTLY. 585 00:51:44,167 --> 00:51:46,367 THAT HAS TO MEAN SOMETHING DOESN'T IT? 586 00:51:48,167 --> 00:51:50,033 DREAMS ARE FROM OUR SUBCONSCIOUS. 587 00:51:50,033 --> 00:51:52,967 SO, FOR TWO PEOPLE TO HAVE THE EXACT SAME DREAM... 588 00:51:52,967 --> 00:51:56,833 PERHAPS OUR SUBCONSCIOUS SELVES GOT MIXED UP. 589 00:51:56,833 --> 00:52:01,233 OR SOMETHING INTERFERED. SOMETHING SUPERNATURAL. 590 00:52:01,233 --> 00:52:05,900 POSSIBLY. WAS THERE SOMETHING IN THE DREAM THAT MIGHT BE HAUNTING THE HOUSE? 591 00:52:05,900 --> 00:52:07,233 WHAT DID YOU SEE? 592 00:52:08,233 --> 00:52:10,500 WELL, THE MUGGERS WERE IN IT. 593 00:52:10,500 --> 00:52:12,367 AND... 594 00:52:12,367 --> 00:52:14,000 THERE WAS THIS WOMAN. 595 00:52:15,200 --> 00:52:20,100 LONG, RED HAIR. WHITE DRESS. [ scary music ] 596 00:52:20,100 --> 00:52:21,400 FREAKY NAILS. 597 00:52:23,033 --> 00:52:24,767 HAVE YOU SEEN HER BEFORE? 598 00:52:24,767 --> 00:52:29,833 Adelaide: IN A HORROR MOVIE, MAYBE. >>BUT NEVER IN PERSON. 599 00:52:29,833 --> 00:52:32,800 HELL NO. I WOULD'VE REMEMBERED THAT. 600 00:52:38,933 --> 00:52:41,600 THAT'S MY SISTER, NOW. 601 00:52:47,600 --> 00:52:48,900 [ ominous music ] 602 00:52:56,000 --> 00:52:57,433 WHAT IS IT? 603 00:53:03,833 --> 00:53:05,167 [ ominous music continues ] 604 00:53:37,167 --> 00:53:40,200 [ phone ringing ] 605 00:53:56,733 --> 00:53:57,900 [ phone beeps ] 606 00:54:02,067 --> 00:54:04,867 [ static ] Ashley: ABIGAIL, WHY WON'T YOU ANSWER ME? 607 00:54:04,867 --> 00:54:08,633 Ashley: I NEED TO TELL YOU SOMETHING - VERY IMPORTANT. 608 00:54:08,633 --> 00:54:12,200 YOU HAVE TO BE CAREFUL. CAROLINE ISN'T WHAT YOU THINK SHE IS. 609 00:54:12,200 --> 00:54:14,133 I WANT YOU TO BE SAFE. 610 00:54:14,133 --> 00:54:17,567 Adelaide: WHAT DID YOU DO? [ Adelaide screams ] 611 00:54:17,567 --> 00:54:19,000 [ eerie music ] 612 00:54:39,533 --> 00:54:43,333 Adelaide: I HEARD IT'S DANGEROUS TO ANSWER MESSAGES OR PHONE CALLS FROM THOSE NUMBERS. 613 00:54:43,333 --> 00:54:45,067 IT PROBABLY IS. 614 00:54:45,067 --> 00:54:47,700 YOU DON'T THINK I'M JUST BEING SUPERSTITIOUS? 615 00:54:47,700 --> 00:54:49,800 WHAT COULD HAPPEN? 616 00:54:49,800 --> 00:54:54,167 I HAD SOME EXPERIENCE WITH THE SUPERNATURAL A WHILE AGO. 617 00:54:54,167 --> 00:54:59,233 MY PASTOR SHOWED ME SOMETHING THAT THE JEWS USED TO BELIEVE IN ONE OF THEIR RABBINICAL BOOKS. 618 00:54:59,233 --> 00:55:03,000 Tiffany: THEY SAID IT WAS FORBIDDEN TO GREET A FRIEND OUTSIDE AFTER DARK. 619 00:55:03,000 --> 00:55:07,867 BECAUSE THE DEMONS COULD IMPERSONATE PEOPLE. 620 00:55:07,867 --> 00:55:10,433 AND THAT IF YOU TALKED TO THEM, 621 00:55:10,433 --> 00:55:13,400 YOU WERE ALLOWING THEM TO COME AFTER YOU. 622 00:55:13,400 --> 00:55:15,167 THAT SOUNDS A LITTLE FAR OUT. 623 00:55:15,167 --> 00:55:19,200 MAYBE, BUT I THINK YOU'RE RIGHT NOW TO ANSWER THE CALL. 624 00:55:19,200 --> 00:55:23,000 Tiffany: IF IT IS SOMETHING, I DON'T THINK IT'S YOUR MOM. 625 00:55:23,000 --> 00:55:28,267 Tiffany: AND IF IT'S NOT HER - WHATEVER IT IS - IT'S USING HER NUMBER FOR A REASON THAT ISN'T GOOD. 626 00:55:28,267 --> 00:55:31,433 YOU THINK LISTENING TO MESSAGES FROM IT COULD BE DANGEROUS? 627 00:55:31,433 --> 00:55:35,567 I WOULDN'T LISTEN IF YOU PAID ME. 628 00:55:35,567 --> 00:55:37,867 I HAVE TO TALK TO ABBY. 629 00:55:37,867 --> 00:55:41,133 OKAY, WELL WILL YOU BE BACK TOMORROW? 630 00:55:41,133 --> 00:55:44,100 YEAH, BUT JUST IN CASE DO YOU HAVE A CELL PHONE? 631 00:55:44,100 --> 00:55:45,467 YEAH. 632 00:55:45,467 --> 00:55:47,333 HOW ABOUT YOU TAKE MY NUMBER DOWN? 633 00:55:47,333 --> 00:55:52,367 LESS CREEPY THAT WAY AND THEN WE CAN TALK WHENEVER YOU WANT? 634 00:55:52,367 --> 00:55:53,833 SURE. 635 00:55:56,933 --> 00:55:59,933 [ somber piano music ] 636 00:55:59,933 --> 00:56:02,200 [ door opens and closes ] 637 00:56:13,200 --> 00:56:14,667 WHAT'S THIS FOR? 638 00:56:14,667 --> 00:56:16,700 FOR YOU. TO HELP YOU FEEL BETTER. 639 00:56:19,300 --> 00:56:21,500 THANK YOU. 640 00:56:21,500 --> 00:56:25,567 I THINK MY DAD USED TO BRING ONE TO ME AND MY MOM WHENEVER WE HAD BAD DAY. 641 00:56:27,267 --> 00:56:29,000 THAT'S A GOOD IDEA. 642 00:56:31,367 --> 00:56:32,800 SHE WAS PRETTY. 643 00:56:34,133 --> 00:56:35,933 SHE WAS. 644 00:56:35,933 --> 00:56:39,633 WERE YOU GUYS CLOSE? YOUR FAMILY? 645 00:56:39,633 --> 00:56:42,367 WE HAD SOME... ROUGH TIMES. 646 00:56:42,367 --> 00:56:44,700 Abigail: ESPECIALLY WHEN DAD WAS WORKING OVERTIME. 647 00:56:44,700 --> 00:56:46,600 HE WAS GONE A LOT? 648 00:56:46,600 --> 00:56:49,933 HE WAS. AND SOMETIMES IF HE WASN'T GONE... 649 00:56:49,933 --> 00:56:52,100 WE WISHED HE WAS. 650 00:56:52,100 --> 00:56:56,933 HE'S A GOOD DAD BUT, WHEN HE GETS STRESSED AND STARTS DRINKING... 651 00:56:56,933 --> 00:56:58,833 HE'S DIFFERENT. 652 00:56:58,833 --> 00:57:01,633 HE AND MOM GOT INTO A REALLY BIG FIGHT ONE DAY. 653 00:57:01,633 --> 00:57:05,700 Abigail: AND HE PROMISED HE WOULD CHANGE. AND HE DID, BUT... 654 00:57:05,700 --> 00:57:08,333 THEN SHE LEFT US. 655 00:57:08,333 --> 00:57:10,867 YOU MISS HER TODAY? 656 00:57:10,867 --> 00:57:15,700 EVERYDAY. BUT TODAY'S A LITTLE WORSE. 657 00:57:15,700 --> 00:57:17,167 WHY? 658 00:57:17,167 --> 00:57:18,567 Abigail: I'M NOT SURE. 659 00:57:18,567 --> 00:57:21,400 I GUESS I'M JUST REMINDED OF HER MORE. 660 00:57:21,400 --> 00:57:25,467 WOULDN'T MEMORIES OF HER MAKE YOU FEEL BETTER? THE GOOD MEMORIES? 661 00:57:25,467 --> 00:57:30,267 Abigail: SOMETIMES THEY DO, BUT... SOMETIMES IT JUST MAKES IT WORSE. 662 00:57:30,267 --> 00:57:33,900 I GUESS BECAUSE IN THE BACK OF MY MIND, I KNOW THAT... 663 00:57:33,900 --> 00:57:36,200 Abigail: WE'LL NEVER MAKE ANY NEW MEMORIES. 664 00:57:36,200 --> 00:57:41,400 Abigail: SHE WON'T SEE ME GROW UP. GRADUATE. HAVE KIDS OF MY OWN SOME DAY. 665 00:57:41,400 --> 00:57:43,167 SHE WON'T SEE ANY OF IT. 666 00:57:44,167 --> 00:57:46,333 WHAT ABOUT YOUR PICTURES? 667 00:57:46,333 --> 00:57:49,767 WHAT ABOUT THEM? >>WELL, YOU COPY OLD PICTURES. 668 00:57:49,767 --> 00:57:54,300 THOSE ARE MEMORIES, SO DRAW NEW ONES. WHATEVER YOU WANT THEM TO BE. 669 00:57:54,300 --> 00:58:02,933 THAT'S A GOOD IDEA. JUST... DRAW NEW MEMORIES. 670 00:58:02,933 --> 00:58:06,933 [ footsteps running to door and door opens ] 671 00:58:06,933 --> 00:58:11,500 [ somber piano music continues ] 672 00:58:11,500 --> 00:58:12,900 [ door opens ] 673 00:58:18,967 --> 00:58:20,700 WHAT ARE YOU DOING? 674 00:58:20,700 --> 00:58:22,367 MAKING YOU FEEL BETTER. 675 00:58:23,767 --> 00:58:24,300 [ Abigail laughs ] 676 00:58:31,300 --> 00:58:33,600 [ eerie music ] 677 00:58:43,300 --> 00:58:47,167 Megan: TRACEY AND I WERE GOOFING AROUND IN THE BACK. MY BROTHER WAS AT THE WHEEL. 678 00:58:47,167 --> 00:58:51,733 Megan: HE WAS OUR DESIGNATED DRIVER. WE WERE BOTH PRETTY WASTED. 679 00:58:51,733 --> 00:58:54,733 Megan: NEXT THING I KNOW HE CURSES AND THE CAR SWERVES. 680 00:58:54,733 --> 00:58:57,167 Megan: WE GET THROWN AROUND LIKE RAG DOLLS IN THE BACK 681 00:58:57,167 --> 00:59:02,233 Megan: AND END UP GOING RIGHT INTO A TELEPHONE POLE. 682 00:59:02,233 --> 00:59:06,000 Megan: I LOOKED UP AND SAW HER WALKING OFF INTO THE CORNFIELD. 683 00:59:06,000 --> 00:59:10,133 STAGGERING. BLOOD ALL OVER HER. 684 00:59:10,133 --> 00:59:12,333 IT WAS AWFUL. 685 00:59:12,333 --> 00:59:15,733 GREG SAID SHE JUST SHOWED UP IN THE MIDDLE OF THE ROAD - THAT HE TRIED TO AVOID HER BUT... 686 00:59:15,733 --> 00:59:18,600 WE MUST HAVE HIT HER SO WE ALL GOT OUT AND LOOKED FOR HER. 687 00:59:19,400 --> 00:59:20,800 THE BLOOD... 688 00:59:21,900 --> 00:59:25,667 Megan: THE BLOOD WENT ON FOREVER. 689 00:59:25,667 --> 00:59:28,033 WE NEVER FOUND HER SO WE CALLED THE POLICE. 690 00:59:28,033 --> 00:59:30,533 WHEN THEY GOT THERE THE BLOOD WAS GONE. 691 00:59:30,533 --> 00:59:33,600 THEY THOUGHT WE WERE PLAYING SOME KIND OF PRANK AT FIRST, BUT... 692 00:59:33,600 --> 00:59:37,133 FROM HOW SCARED WE ALL WERE THEY MUST HAVE BELIEVED US SO... 693 00:59:37,133 --> 00:59:41,667 THEY TOLD US TO BE CAREFUL AND THAT THEY'D CALL US IF THEY FOUND ANYTHING. 694 00:59:41,667 --> 00:59:44,067 IT WAS QUIET THAT NIGHT AT HOME, BUT... 695 00:59:44,067 --> 00:59:48,333 THE NEXT DAY TRACEY FOUND THIS DRESS IN HER CLOSET THAT SHE'D NEVER SEEN BEFORE. 696 00:59:48,333 --> 00:59:51,500 AND IT LOOKED JUST LIKE THE ONE THE GIRL HAD BEEN WEARING. 697 00:59:51,500 --> 00:59:55,400 Megan: WEIRD THINGS STARTED HAPPENING AROUND ALL OF US. WE KEPT SEEING THINGS. 698 00:59:55,400 --> 00:59:57,033 Megan: SEEING HER. 699 00:59:57,033 --> 01:00:01,000 WE THOUGHT, MAYBE... MAYBE SHE WANTED REVENGE BUT... 700 01:00:01,000 --> 01:00:03,400 IT WAS MORE THAN THAT. 701 01:00:03,400 --> 01:00:05,567 I THINK SHE PICKED US. 702 01:00:07,167 --> 01:00:09,133 TO KILL US. 703 01:00:09,133 --> 01:00:11,700 ALL OF US. 704 01:00:11,700 --> 01:00:13,100 AND WHAT HAPPENED? 705 01:00:14,933 --> 01:00:16,367 ONE NIGHT I WOKE UP AND THERE WAS SOMETHING... 706 01:00:16,367 --> 01:00:18,867 PUSHING DOWN ON MY CHEST. 707 01:00:18,867 --> 01:00:21,900 I FELT HANDS AROUND MY THROAT, SQUEEZING. 708 01:00:21,900 --> 01:00:23,900 BUT, I DIDN'T SEE ANYTHING. 709 01:00:25,633 --> 01:00:28,167 JUST AS I WAS ABOUT TO FADE OUT, MY BROTHER RAN IN AND SCREAMED. 710 01:00:28,167 --> 01:00:30,667 WHATEVER IT WAS LET GO, BUT... 711 01:00:30,667 --> 01:00:34,200 WHEN WE LOOKED OUT THE WINDOW WE SAW HER WATCHING US. 712 01:00:34,200 --> 01:00:38,133 AND THE WORD 'TRADE' WAS WRITTEN THERE IN BLOOD. 713 01:00:39,933 --> 01:00:42,467 GREG HELD ME WHILE I CRIED, TOLD ME EVERYTHING WAS GOING TO BE OKAY. 714 01:00:42,467 --> 01:00:44,633 THAT HE'D PROTECT ME. 715 01:00:44,633 --> 01:00:48,667 I WAS SO SCARED BUT, FROM THE LOOK IN HIS EYES I KNEW HE WAS GOING TO DO WHATEVER- 716 01:00:48,667 --> 01:00:50,967 -IT TOOK TO KEEP ME SAFE, BUT... 717 01:00:50,967 --> 01:00:55,500 I DIDN'T EXPECT HIM TO DO WHAT HE DID. 718 01:00:55,500 --> 01:00:57,800 HE... [ crying ] 719 01:00:57,800 --> 01:01:01,367 HE TOOK TRACEY OUT INTO THE CORNFIELD AND HE KILLED HER. 720 01:01:01,367 --> 01:01:03,467 TO TRADE HER FOR ME. 721 01:01:05,933 --> 01:01:10,533 AND THEN ON HIS WAY HOME I GUESS HE COULDN'T LIVE WITH HIMSELF, HE... 722 01:01:10,533 --> 01:01:13,267 WE KNOW. IT'S OKAY. 723 01:01:14,567 --> 01:01:15,900 [ crying ] 724 01:01:20,700 --> 01:01:25,167 YOU SAID YOU KNEW SHE WASN'T OUT FOR REVENGE. 725 01:01:25,167 --> 01:01:28,200 WHY DID YOU THINK THAT? 726 01:01:28,200 --> 01:01:32,100 WE DIDN'T HIT ANYONE THAT NIGHT. GREG WAS SURE THAT HE HAD MISSED HER. 727 01:01:32,100 --> 01:01:34,933 AND THE BLOOD DISAPPEARED BY THE TIME THE COPS GOT THERE. 728 01:01:34,933 --> 01:01:37,767 WE KNEW THERE WAS SOMETHING ELSE TO IT. 729 01:01:37,767 --> 01:01:42,600 IT WASN'T ABOUT GETTING US BACK FOR KILLING HER OR ANYTHING LIKE THAT. 730 01:01:42,600 --> 01:01:48,500 WE WERE JUST IN THE WRONG PLACE AT THE WRONG TIME AND WE PAID FOR IT. 731 01:01:48,500 --> 01:01:51,433 YOU HAVEN'T SEEN ANYTHING SINCE THEN? 732 01:01:52,533 --> 01:01:54,133 Megan: ONLY WHEN I LOOK. 733 01:01:54,133 --> 01:01:57,200 Megan: I SEE FLASHES OUT OF THE CORNER OF MY EYES, SHADOWS... 734 01:01:57,200 --> 01:02:01,000 THINGS LIKE THAT, BUT... OTHERWISE NO. 735 01:02:01,000 --> 01:02:02,900 I THINK SHE GOT WHAT SHE WANTED. 736 01:02:11,367 --> 01:02:23,900 [ somber piano music ] 737 01:02:31,200 --> 01:02:35,000 Abigail: ALRIGHT, UH - PUT A LITTLE MORE PRESSURE HERE TO MAKE IT DARKER. 738 01:02:35,000 --> 01:02:38,200 LIKE... THAT. 739 01:02:38,200 --> 01:02:41,167 I KNOW HOW TO MAKE IT LOOK EVEN BETTER. 740 01:02:41,167 --> 01:02:42,767 HOW? ME DO IT FOR YOU? 741 01:02:42,767 --> 01:02:43,800 YEP! 742 01:02:43,800 --> 01:02:45,700 YOU'RE NEVER GOING TO LEARN THAT WAY. 743 01:02:47,067 --> 01:02:49,900 THAT'S LOOKING PRETTY GOOD CAROLINE. 744 01:02:49,900 --> 01:02:51,200 THANKS! 745 01:02:51,200 --> 01:02:53,833 DID YOU EVER DRAW AT HOME? 746 01:02:55,233 --> 01:03:00,167 I DON'T THINK SO. 747 01:03:00,167 --> 01:03:03,200 WHAT DID YOU DO WITH YOUR SISTERS? 748 01:03:03,200 --> 01:03:04,300 OR BROTHERS? 749 01:03:09,933 --> 01:03:12,733 I DON'T THINK I HAVE ANY. 750 01:03:12,733 --> 01:03:15,567 YOU DON'T... THINK? 751 01:03:16,900 --> 01:03:19,700 I DON'T REALLY KNOW YET. 752 01:03:19,700 --> 01:03:22,933 THAT'S OKAY, CAROLINE. IT'S FINE, THAT'S NOT BAD. 753 01:03:22,933 --> 01:03:24,900 Abigail: LOOK JUST STAY RIGHT HERE AND DRAW. 754 01:03:24,900 --> 01:03:27,700 WE'LL BE RIGHT BACK. I NEED TO GO TELL ADDIE SOMETHING. 755 01:03:29,400 --> 01:03:31,133 WHAT WAS THAT ALL ABOUT? 756 01:03:31,133 --> 01:03:32,967 SHE DOESN'T REMEMBER ANYTHING. 757 01:03:32,967 --> 01:03:36,133 OBVIOUSLY, THAT'S NOT COOL. 758 01:03:36,133 --> 01:03:39,000 DAD SAID HER MEMORY WOULD COME BACK OVER TIME. 759 01:03:39,000 --> 01:03:42,200 Adelaide: WE CAN HOPE SO BUT SHE NEEDS A DOCTOR. 760 01:03:42,200 --> 01:03:46,267 A PSYCHIATRIST. SOMEONE MEDICAL WHO KNOWS HOW TO DEAL WITH THIS SORT OF THING. 761 01:03:46,267 --> 01:03:48,567 AMNESIA IS NO JOKE. 762 01:03:48,567 --> 01:03:52,567 THIS IS BIGGER THAN HER PARENTS JUST NOT BEING ABLE TO TAKE CARE OF HER FOR A FEW DAYS. 763 01:03:52,567 --> 01:03:54,600 HER PARENTS WANTED HER HERE! 764 01:03:54,600 --> 01:03:58,900 I KNOW, BUT... MAYBE THAT'S NOT THE RIGHT THING TO DO. 765 01:03:58,900 --> 01:04:02,967 THAT'S NOT OUR CHOICE TO MAKE. IT'S UP TO DAD. AND THEM. 766 01:04:07,267 --> 01:04:09,400 [ sighs ] 767 01:04:09,400 --> 01:04:11,300 LOOK, JUST DON'T BRING IT UP IN FRONT OF HER. 768 01:04:11,300 --> 01:04:13,267 OKAY? NOT NOW. SHE JUST GETS TOO UPSET. 769 01:04:15,667 --> 01:04:16,800 FAIR ENOUGH. 770 01:04:18,833 --> 01:04:22,233 YOU WANT TO TELL ME WHAT HAPPENED EARLIER? 771 01:04:22,233 --> 01:04:25,233 I DIDN'T WANT TO SHOW YOU IN FRONT OF HER BECAUSE OF THE NIGHT TERRORS. 772 01:04:25,233 --> 01:04:29,567 Ashley: YOU HAVE TO BE CAREFUL. CAROLINE ISN'T WHAT YOU THINK SHE IS. 773 01:04:29,567 --> 01:04:30,933 I WANT YOU TO BE SAFE. 774 01:04:30,933 --> 01:04:33,267 Adelaide: WHAT DID YOU DO? 775 01:04:33,267 --> 01:04:34,900 THAT WAS MOM. 776 01:04:34,900 --> 01:04:37,633 HOW DID YOU DO THAT? >>I DIDN'T. 777 01:04:37,633 --> 01:04:39,900 YOU HAD TO. 778 01:04:39,900 --> 01:04:41,433 THAT SOUNDED LIKE MY VOICE AT THE END AND IT SOUNDED LIKE MOM- 779 01:04:41,433 --> 01:04:43,133 I DIDN'T DO ANYTHING. 780 01:04:44,733 --> 01:04:46,367 I THINK SHE'S TRYING TO REACH US. 781 01:04:46,367 --> 01:04:48,167 BUT... >>WE HAVE TO TRY TO CONTACT HER. 782 01:04:48,167 --> 01:04:49,933 HOW WOULD WE DO THAT? 783 01:04:49,933 --> 01:04:52,233 I DON'T KNOW... 784 01:04:52,233 --> 01:04:54,267 WE COULD TRY AN EVP. 785 01:04:54,267 --> 01:04:56,300 ELECTRONIC VOICE PHENOMENON. 786 01:04:56,300 --> 01:05:00,767 YEAH, WE COULD TAKE A RECORDING AND PLAY IT BACK. SEE IF SHE ANSWERS. 787 01:05:00,767 --> 01:05:02,567 I DON'T THINK THAT'S A GOOD IDEA. 788 01:05:02,567 --> 01:05:03,967 WHY NOT? 789 01:05:03,967 --> 01:05:06,667 LET'S JUST THINK ABOUT IT. 790 01:05:06,667 --> 01:05:10,100 MOM WASN'T THE ONE GIVING US NIGHTMARES AND YOU DEFINITELY DIDN'T SEE HER IN THE CLOSET. 791 01:05:10,100 --> 01:05:12,033 SOMETHING ELSE IS HERE TOO. 792 01:05:12,033 --> 01:05:16,600 AND IF WE OPEN A DOOR FOR MOM THEN... WE COULD BE LETTING IT IN. 793 01:05:20,700 --> 01:05:23,233 WE'LL FIGURE IT OUT, BUT... 794 01:05:23,233 --> 01:05:25,167 LET'S JUST TAKE OUR TIME. 795 01:05:25,667 --> 01:05:26,967 OKAY? 796 01:05:39,367 --> 01:05:42,267 WE NEED TO FIND OUT MORE ABOUT ANNA KUARI. 797 01:05:44,267 --> 01:05:46,733 WHY WOULD YOU WANT TO? 798 01:05:46,733 --> 01:05:49,233 DIDN'T YOU HEAR WHAT SHE SAID? 799 01:05:49,233 --> 01:05:51,233 WHAT? 800 01:05:51,233 --> 01:05:53,933 ONLY WHEN SHE LOOKS. 801 01:05:56,433 --> 01:06:01,000 I DON'T KNOW EVERYTHING THAT HAPPENED WITH YOU AND CORRINE AND YOUR SISTER. 802 01:06:01,000 --> 01:06:05,867 BUT WHATEVER IT WAS, YOU SURVIVED. 803 01:06:05,867 --> 01:06:09,400 I HATE THAT YOUR SISTER DIDN'T. WE ALL DO. 804 01:06:09,400 --> 01:06:12,900 CORRINE DOESN'T EVEN THINK SHE'LL EVER GET OVER IT. 805 01:06:12,900 --> 01:06:15,133 BUT WHATEVER YOU'RE AFTER... 806 01:06:15,133 --> 01:06:18,933 IT'S NOT GOING TO END WELL. 807 01:06:18,933 --> 01:06:22,533 AS CRAZY AS IT SOUNDS, IF THIS IS A REAL ENTITY 808 01:06:22,533 --> 01:06:25,467 SHE ALREADY KNOWS YOU'RE LOOKING FOR HER [ somber music ] 809 01:06:25,467 --> 01:06:29,967 AND I'M ABSOLUTELY POSITIVE HEATHER WOULD NOT WANT YOU DOING THIS. 810 01:06:31,767 --> 01:06:33,500 SO WE SHOULD JUST LET THIS KEEP HAPPENING? 811 01:06:33,500 --> 01:06:37,067 THAT THING THAT KILLED MY SISTER IS GOING TO KILL MORE PEOPLE. 812 01:06:37,067 --> 01:06:43,233 BUT NO I SURVIVED SO I SHOULD JUST BE HAPPY AND MOVE ON WITH MY LIFE IS THAT IT? 813 01:06:43,233 --> 01:06:45,367 WHAT ELSE CAN YOU DO? 814 01:06:45,367 --> 01:06:47,100 I DON'T KNOW. 815 01:06:47,100 --> 01:06:51,200 BUT IF I DON'T DO SOMETHING OTHER PEOPLE I KNOW ARE GOING TO GET HURT. 816 01:06:52,533 --> 01:06:54,333 WHO? 817 01:06:54,333 --> 01:06:56,433 I MET SOMEONE. 818 01:06:56,433 --> 01:07:01,367 SHE MIGHT HAVE SEEN ANNALISA IN ONE OF HER NIGHTMARES. 819 01:07:01,367 --> 01:07:05,267 I'M NOT CERTAIN BUT IF IT IS HER, 820 01:07:05,267 --> 01:07:07,000 I WANT TO HELP. 821 01:07:14,033 --> 01:07:15,467 ANNA KUARI? 822 01:07:15,467 --> 01:07:16,433 YES. 823 01:07:21,733 --> 01:07:27,267 CORRINE'S MOM TOLD HER ABOUT THE FOREIGNER WHO USED TO LIVE AROUND HERE WHEN IT HAPPENED. 824 01:07:27,267 --> 01:07:30,733 HE WORSHIPPED ANNA KUARI. 825 01:07:30,733 --> 01:07:33,967 HE INSTIGATED EVERYTHING. 826 01:07:33,967 --> 01:07:36,500 SHE TOLD ME A LITTLE BIT ABOUT THAT. 827 01:07:37,933 --> 01:07:40,900 THERE WAS A MAN. SUNDEEP CHALISANI. 828 01:07:40,900 --> 01:07:45,267 HE DIED SIX MONTHS AFTER ANNALISA'S DISAPPEARANCE. 829 01:07:45,267 --> 01:07:48,900 FOUL PLAY WAS SUSPECTED BUT NOTHING EVER CAME OF IT. 830 01:07:51,200 --> 01:07:53,633 I COULD LOOK HIM UP. 831 01:07:53,633 --> 01:07:56,767 SEE WHAT I CAN FIND. 832 01:07:56,767 --> 01:07:59,667 Adelaide: [ voice over ] I DON'T KNOW EXACTLTY WHAT DAD BUT SOMETHING'S GOING ON HERE. 833 01:07:59,667 --> 01:08:03,900 Adelaide: WE BOTH HAD THE SAME NIGHTMARE. THE VOICE AND THE SOUNDS IN THE RECORDING. 834 01:08:03,900 --> 01:08:08,167 WHAT HAPPENED WITH THE WINDOWS LAST WEEK. THE GIRLS KEEP SEEING AND HEARING THINGS. 835 01:08:08,167 --> 01:08:09,733 SOMETHING IS UP. 836 01:08:09,733 --> 01:08:12,900 I THINK IT'S MOM. MAYBE SHE'S TRYING TO REACH US. 837 01:08:12,900 --> 01:08:15,500 Adelaide: WHATEVER SAID HER NAME SOUNDED LIKE MOM. 838 01:08:15,500 --> 01:08:17,500 YOU HEARD IT. 839 01:08:17,500 --> 01:08:19,300 AND THERE'S SOMETHING ELSE HERE, TOO. 840 01:08:19,300 --> 01:08:20,300 WE SAW IT IN THE CLOSET YESTERDAY. 841 01:08:21,600 --> 01:08:23,233 OKAY. 842 01:08:23,233 --> 01:08:24,933 CAN I GO TO BED NOW? 843 01:08:24,933 --> 01:08:26,800 DAD! 844 01:08:26,800 --> 01:08:28,767 I'M SORRY GIRLS. [ laughs ] 845 01:08:28,767 --> 01:08:30,533 THIS IS RIDICULOUS. 846 01:08:30,533 --> 01:08:33,100 WELL HOW WOULD YOU EXPLAIN WHAT'S BEEN HAPPENING TO US? 847 01:08:33,100 --> 01:08:34,767 OR THE MESSAGE? 848 01:08:34,767 --> 01:08:38,167 YOU'RE JUST GOING TO DISMISS EVERYTHING WITHOUT EXPLANATION? 849 01:08:38,167 --> 01:08:41,367 OH, I'VE GOT EXPLANATIONS. 850 01:08:41,367 --> 01:08:42,800 LOOK... 851 01:08:42,800 --> 01:08:46,167 ABIGAIL HEARD YOU TALKING TO THE POLICE OFFICER IN HER SLEEP. 852 01:08:46,167 --> 01:08:49,633 YOU BOTH HAD A NIGHTMARE ABOUT A PRETTY SCARY REAL-LIFE SITUATION. 853 01:08:49,633 --> 01:08:51,700 THE VOICEMAILS... 854 01:08:51,700 --> 01:08:54,533 Jack: 21ST CENTURY. EVERYTHING GOES THROUGH THE AIR. 855 01:08:54,533 --> 01:08:56,567 IT'S BOUND TO GET MIXED UP. 856 01:08:56,567 --> 01:08:59,967 ABIGAIL AND CAROLINE HAVE VERY ACTIVE IMAGINATIONS. 857 01:08:59,967 --> 01:09:03,233 I'M SURE SOMETHING IN THEIR CLOSET LOOKED LIKE A GHOST. 858 01:09:03,233 --> 01:09:05,567 THE FOOSTEPS? 859 01:09:05,567 --> 01:09:09,667 PROBABLY THE HOUSE SETTLING. OR THE CONSTRUCTION FROM DOWN THE STREET. 860 01:09:09,667 --> 01:09:11,533 DID I MISS ANYTHING? 861 01:09:14,100 --> 01:09:16,800 I DIDN'T TELL THE POLICE OFFICER WHAT SHE LOOKED LIKE. 862 01:09:18,233 --> 01:09:19,633 WHAT? 863 01:09:19,633 --> 01:09:23,433 ABBY DREAMED OF A GIRL WITH RED HAIR, WEARING A WHITE DRESS. 864 01:09:23,433 --> 01:09:25,633 I DIDN'T TELL THE OFFICER THAT. 865 01:09:25,633 --> 01:09:28,967 I JUST TOLD HIM THAT ONE OF THE MEN SAW A WOMAN I COULDN'T SEE. 866 01:09:29,967 --> 01:09:31,733 HUH. 867 01:09:31,733 --> 01:09:33,867 Adelaide: AND WHAT ABOUT THE WINDOWS THAT NIGHT? 868 01:09:33,867 --> 01:09:37,767 I CLOSED THEM ALL. TURNED AROUND. AND THEY WERE OPEN AGAIN. 869 01:09:37,767 --> 01:09:40,433 I DON'T KNOW. 870 01:09:40,433 --> 01:09:42,567 BUT WHATEVER THE EXPLANATION. 871 01:09:42,567 --> 01:09:44,900 DOESN'T MEAN THE HOUSE IS HAUNTED. 872 01:09:44,900 --> 01:09:46,733 LET'S NOT GET AHEAD OF OURSELVES. 873 01:09:46,733 --> 01:09:50,300 HOW DO YOU KNOW IT'S NOT MOM? WHY WOULDN'T SHE BE TRYING TO TALK TO US? 874 01:09:50,300 --> 01:09:51,933 OR WARN US? 875 01:09:51,933 --> 01:09:54,333 Jack: LOOK, MAYBE SHE IS HONEY. 876 01:09:54,333 --> 01:09:56,867 BUT I DON'T THINK THERE'S ANYTHING ELSE THERE. 877 01:09:56,867 --> 01:10:00,633 AND I WOULDN'T GO LOOKING FOR MESSAGES FROM MOM. 878 01:10:00,633 --> 01:10:04,867 Jack: WHETHER I BELIEVE IT OR NOT, I THINK IT'S DANGEROUS. 879 01:10:04,867 --> 01:10:07,467 CAN'T WE CALL SOMEONE TO MAKE SURE? 880 01:10:07,467 --> 01:10:09,533 LIKE WHO, THE GHOSTBUSTERS? 881 01:10:09,533 --> 01:10:12,967 WE'RE SCARED, DAD. ALL OF US. 882 01:10:12,967 --> 01:10:16,333 YOU CAN CALL PEOPLE WHO CAN INVESTIGATE THESE THINGS. 883 01:10:16,333 --> 01:10:19,933 YEAH, THAT'LL GO OVER GREAT IN THIS NEIGHBORHOOD. 884 01:10:19,933 --> 01:10:24,467 LOOK, IT'S LATE AND I HAVE A LONG DAY TOMORROW. 885 01:10:24,467 --> 01:10:26,767 I WANT TO GET SOME SLEEP. 886 01:10:26,767 --> 01:10:28,867 I WANT YOU GIRLS TO DROP THIS. 887 01:10:28,867 --> 01:10:31,800 I DON'T WANT TO HEAR ANY MORE TALK ABOUT GHOSTS OR HAUNTINGS. OKAY? 888 01:10:31,800 --> 01:10:34,167 I HAVE ENOUGH STUFF TO WORRY ABOUT. 889 01:10:36,567 --> 01:10:37,900 WHAT ARE YOU SCARED OF? 890 01:10:41,200 --> 01:10:44,300 NOTHING. I'M TIRED. 891 01:10:45,200 --> 01:10:46,900 ARE YOU SURE? 892 01:10:48,967 --> 01:10:50,533 YEAH. 893 01:10:51,633 --> 01:10:52,867 GOODNIGHT. 894 01:10:53,867 --> 01:10:55,300 [ unsettling music ] 895 01:11:38,333 --> 01:11:39,900 [ object slams ] 896 01:12:05,000 --> 01:12:06,900 [ breathing heavy ] 897 01:12:32,400 --> 01:12:33,933 [ screams ] 898 01:12:33,933 --> 01:12:35,867 [ frightened breathing ] 899 01:12:40,367 --> 01:12:42,033 [ suspenseful music ] 900 01:12:45,033 --> 01:12:47,100 [ quiet demonic breathing ] 901 01:13:17,600 --> 01:13:19,433 WHAT IS THAT NOISE? 902 01:13:20,033 --> 01:13:21,333 I DON'T KNOW. 903 01:13:23,333 --> 01:13:25,267 SHOULD WE GO GET ADDIE? 904 01:13:35,367 --> 01:13:37,000 [ demonic breathing gets louder ] 905 01:14:09,400 --> 01:14:11,433 [ demonic breathing ] 906 01:14:23,833 --> 01:14:24,900 [ demonic roar ] [ girls screaming ] 907 01:14:27,267 --> 01:14:29,667 [ creepy music ] 908 01:14:35,267 --> 01:14:36,867 ABIGAIL? 909 01:14:40,767 --> 01:14:42,633 ABIGAIL IS THAT YOU? 910 01:14:57,467 --> 01:14:58,967 CAROLINE? 911 01:15:38,267 --> 01:15:41,467 IF YOU GUYS ARE PLAYING A GAME YOU NEED TO STOP. 912 01:15:41,467 --> 01:15:42,867 NOW. 913 01:15:44,633 --> 01:15:47,033 I HAVE A KNIFE, YOU CAN'T JUMP OUT AT ME. 914 01:15:57,033 --> 01:15:59,233 [ steps creaking ] 915 01:16:02,933 --> 01:16:04,600 ABIGAIL? 916 01:16:07,600 --> 01:16:09,133 [ eerie, suspenseful music ] 917 01:16:32,133 --> 01:16:33,633 [ metallic cling ] 918 01:16:40,900 --> 01:16:42,400 Quiet Voice: DON'T LOOK. 919 01:16:55,200 --> 01:16:56,900 ABBY? 920 01:17:22,333 --> 01:17:24,900 I'M GOING TO KILL BOTH OF YOU, SERIOUSLY. 921 01:17:30,533 --> 01:17:33,500 Caroline: YOU CAN'T ANSWER HER. IT'LL HEAR YOU. 922 01:17:35,967 --> 01:17:37,967 Abigail: IT KNOWS WE'RE HERE ANYWAY. WE CAN'T LEAVE HER OUT THERE WITH IT. 923 01:17:37,967 --> 01:17:39,900 Abigail: WHAT IF IT GETS HER? 924 01:17:39,900 --> 01:17:42,600 Caroline: IT'LL GET ALL OF US IF YOU MAKE A NOISE. 925 01:17:44,200 --> 01:17:45,833 GIRLS? 926 01:17:45,833 --> 01:17:49,900 Caroline: DO NOT ANSWER. IT'S RIGHT BEHIND HER. CAN'T YOU SEE IT? 927 01:18:02,300 --> 01:18:03,900 Abigail: IT'S GOING TO KILL HER. 928 01:18:04,933 --> 01:18:06,800 Abigail: LOOK. 929 01:18:06,800 --> 01:18:08,800 Abigail: LOOK. 930 01:18:08,800 --> 01:18:09,900 Abigail: LOOK! 931 01:18:18,900 --> 01:18:19,900 [ breathing heavy ] 932 01:18:40,933 --> 01:18:42,900 COME ON OUT OF THERE. 933 01:18:43,900 --> 01:18:45,833 I WON'T LET ANYTHING HURT YOU. 934 01:19:07,333 --> 01:19:08,900 Caroline: THEY'RE IN THERE. 935 01:19:14,333 --> 01:19:15,900 [ demonic roar ] 936 01:19:22,733 --> 01:19:23,833 Abigail: ADDY! 937 01:19:25,033 --> 01:19:26,300 ADDY, ARE YOU OKAY? 938 01:19:26,300 --> 01:19:28,167 [ guttural growl ] WE HAVE TO GET OUT OF HERE, NOW! 939 01:19:45,467 --> 01:19:46,867 GO! GO! GO! 940 01:19:54,967 --> 01:19:57,367 [ door closes and locks ] 941 01:19:57,367 --> 01:19:59,867 [ Adelaide breathing heavy ] 942 01:19:59,867 --> 01:20:02,600 I CAN'T. I CAN'T. I CAN'T. 943 01:20:04,000 --> 01:20:04,733 [ crying ] 944 01:20:08,133 --> 01:20:10,700 IT TOUCHED ME. THEY'RE NOT SUPPOSED TO DO THAT. 945 01:20:11,933 --> 01:20:13,700 [ panicked breathing ] 946 01:20:17,733 --> 01:20:18,833 [ Adelaide crying ] 947 01:20:36,333 --> 01:20:38,067 Caroline: RELAX. 948 01:20:38,067 --> 01:20:39,633 BREATHE. 949 01:20:41,333 --> 01:20:43,867 BREATHE. 950 01:20:57,900 --> 01:21:00,767 DON'T LOOK. 951 01:21:00,767 --> 01:21:02,333 WE'RE SAFE IN HERE. 952 01:21:03,867 --> 01:21:05,500 [ mystical, peaceful music ] 953 01:22:25,500 --> 01:22:27,467 [ serene, methodical music ] 954 01:23:12,967 --> 01:23:14,500 [ pages shuffling ] 955 01:23:21,133 --> 01:23:22,833 [ phone vibrating ] 956 01:23:26,533 --> 01:23:27,867 Tiffany: HEY. 957 01:23:27,867 --> 01:23:31,400 LISTEN, REMEMBER WE TALKED ABOUT SUNDEEP? 958 01:23:31,400 --> 01:23:33,100 Tiffany: YEAH. 959 01:23:33,100 --> 01:23:36,333 I WENT TO HIS HOUSE LAST NIGHT. 960 01:23:36,333 --> 01:23:38,067 WITHOUT ME? 961 01:23:38,067 --> 01:23:41,200 I WASN'T GOING TO TAKE YOU THERE, IT'S TOO DANGEROUS. 962 01:23:41,200 --> 01:23:43,500 ALL THE MORE REASON I SHOULD COME. 963 01:23:45,100 --> 01:23:47,333 I WON'T ARGUE WITH THAT. 964 01:23:47,333 --> 01:23:50,300 LISTEN, I FOUND A BOOK INSIDE THE HOUSE 965 01:23:50,300 --> 01:23:54,200 WITH STRANGE SYMBOLS AND IMAGES WRITTEN IN HINDI. 966 01:23:54,200 --> 01:23:57,267 I HAVE A COWORKER WHO KNOWS LIKE A MILLION LANGUAGES. 967 01:23:57,267 --> 01:24:00,333 SO I ASKED HER IF SHE COULD LOOK OVER IT THIS MORNING. 968 01:24:00,333 --> 01:24:04,633 LIKE I THOUGHT, IT'S A BOOK ABOUT HINDU DEITIES AND CUSTOMS. 969 01:24:04,633 --> 01:24:06,333 AND ANNA KUARI? 970 01:24:08,133 --> 01:24:09,933 THERE WAS A PASSAGE ABOUT HER. 971 01:24:09,933 --> 01:24:13,600 IT WAS A SMALL ONE SO SHE TRANSLATED IT FOR ME. 972 01:24:13,600 --> 01:24:16,367 'ANNA KUARI REQUIRES A BLOOD SACRIFICE 973 01:24:16,367 --> 01:24:19,167 IN ORDER TO BLESS THE HARVEST OF HER WORSHIPERS. 974 01:24:19,167 --> 01:24:23,200 SHE THEN TAKES UP RESIDENCY IN THE HOME OF THE PERSON WHO MADE THE OFFERING. 975 01:24:23,200 --> 01:24:25,933 IN THE FORM OF A SMALL CHILD. 976 01:24:25,933 --> 01:24:27,933 [ ominous music ] 977 01:24:27,933 --> 01:24:31,333 WHILE SHE'S IN THE HOME SHE BLESSES THAT PERSON WITH PROSPERITY. 978 01:24:31,333 --> 01:24:35,833 BE IT CROPS OR I GUESS IN MORE MODERN INTERPRETATIONS 979 01:24:35,833 --> 01:24:37,100 GENERAL INCOME. 980 01:24:37,100 --> 01:24:39,267 SHE STAYS FOR A WHILE 981 01:24:39,267 --> 01:24:43,767 AND EVENTUALLY KILLS THE INHABITANTS OF THE HOME BEFORE MOVING ON. 982 01:24:45,067 --> 01:24:48,500 UM... SO... 983 01:24:48,500 --> 01:24:52,200 IT SOUNDS LIKE IN YOUR CASE SHE COULDN'T MAKE IT THAT FAR. 984 01:24:52,200 --> 01:24:55,333 BECAUSE HEATHER DIDN'T SACRIFICE CORRINE OR ANYONE ELSE. 985 01:24:55,333 --> 01:24:57,500 WHICH IS WHAT ANNA WANTED. 986 01:24:57,500 --> 01:24:59,500 SHE GAVE HERSELF. 987 01:24:59,500 --> 01:25:02,333 SO, I THINK THIS... SPIRIT 988 01:25:02,333 --> 01:25:07,900 ATTACHES ITSELF TO WHOEVER MADE THE OFFERING AND INHABITS THE HOME THAT WAY. 989 01:25:07,900 --> 01:25:10,967 IN THE FORM OF A SMALL CHILD. 990 01:25:10,967 --> 01:25:14,167 WELL, YES ACCORDING TO THIS, BUT... 991 01:25:14,167 --> 01:25:19,700 HOW CAN WE KNOW WHAT PARTS ARE REAL AND WHAT PARTS HAVE BEEN EMBELLISHED? 992 01:25:19,700 --> 01:25:20,800 RIGHT? 993 01:25:23,000 --> 01:25:25,400 [ ominous music continues ] 994 01:26:23,400 --> 01:26:25,700 [ somber, slow guitar music ] 995 01:27:06,133 --> 01:27:08,433 Tiffany: I'VE BEEN TRYING TO FIND OUT MORE ABOUT HER. 996 01:27:08,433 --> 01:27:10,167 THE DEMON. 997 01:27:10,167 --> 01:27:12,433 YOU'RE SURE THAT'S WHAT'S BEHIND THIS? 998 01:27:12,433 --> 01:27:14,833 I KNOW YOU DON'T BELIEVE IN GHOSTS, BUT... 999 01:27:14,833 --> 01:27:17,400 I'M POSITIVE. 1000 01:27:17,400 --> 01:27:20,667 THEY DIDN'T FIGURE IT OUT UNTIL IT WAS TOO LATE, BUT... 1001 01:27:20,667 --> 01:27:23,433 IT WAS NEVER ABOUT ANNALISA. 1002 01:27:23,433 --> 01:27:25,467 JUST ANNA KUARI. 1003 01:27:25,467 --> 01:27:29,533 YOU THINK I SHOULD TRY TO CONTACT IT? OUIJA BOARD, OR... 1004 01:27:29,533 --> 01:27:31,967 ONLY IF YOU WANT TO MAKE IT WORSE. 1005 01:27:31,967 --> 01:27:34,500 Adelaide: WELL, WE HAVE TO DO SOMETHING. 1006 01:27:34,500 --> 01:27:37,533 Adelaide: MY DAD'S NOT GOING TO HIRE A PARANORMAL INVESTIGATOR, AND... 1007 01:27:37,533 --> 01:27:41,433 UNLESS WE HAVE SOME KIND OF PROOF, HE'S NOT GOING TO GET A PRIEST IN HERE, EITHER. 1008 01:27:43,533 --> 01:27:46,367 WELL, WHY DON'T YOU JUST DO THE INVESTIGATION YOURSELF? 1009 01:27:48,367 --> 01:27:50,200 GOOD QUESTION. 1010 01:27:50,200 --> 01:27:54,500 Tiffany: SET UP A CAMERA AND IF ANYTHING SHOWS UP, THERE'S YOUR EVIDENCE. 1011 01:27:56,200 --> 01:27:58,300 FAIR ENOUGH. 1012 01:27:58,300 --> 01:28:00,133 [ chatting ] 1013 01:28:05,833 --> 01:28:06,967 [ mysterious, eerie music ] 1014 01:28:08,767 --> 01:28:09,900 HELLO. 1015 01:28:11,500 --> 01:28:13,667 HI. 1016 01:28:13,667 --> 01:28:16,500 Adelaide: YOU GUYS STILL SLEEPING IN THE >>YES. 1017 01:28:18,400 --> 01:28:20,000 THIS WAY, CHAMP. 1018 01:28:31,000 --> 01:28:33,100 I NEED TO SEE A PHOTO OF YOUR FATHER. 1019 01:28:39,267 --> 01:28:41,267 YOU'RE SURE IT WAS THEM? 1020 01:28:41,267 --> 01:28:44,233 POSITIVE. IT WAS LAST THURSDAY NIGHT. 1021 01:28:45,967 --> 01:28:48,900 THE SAME NIGHT HE BROUGHT HER HOME. AT THREE IN THE MORNING. 1022 01:28:51,500 --> 01:28:53,900 SHE DID THE SAME THING TO US. 1023 01:28:53,900 --> 01:28:57,767 WE HIT HER OUT ON THAT ROAD. UM, VALLEY BOULEVARD. 1024 01:28:57,767 --> 01:28:59,700 SHE FOLLOWED US HOME. 1025 01:29:01,000 --> 01:29:03,233 SO THIS IS BECAUSE OF MY DAD. 1026 01:29:03,233 --> 01:29:05,133 I THINK SO. 1027 01:29:06,933 --> 01:29:08,833 WHY HASN'T HE SAID ANYTHING? 1028 01:29:08,833 --> 01:29:13,433 HE'S JUST SCARED. THAT'S PROBABLY WHY HE DOESN'T BELIEVE YOU. 1029 01:29:13,433 --> 01:29:15,400 HE'S TRYING TO RUN FROM IT. 1030 01:29:16,200 --> 01:29:17,633 JEEZ. 1031 01:29:19,333 --> 01:29:21,500 HEATHER WAS THE ONE WHO HIT HER. 1032 01:29:21,500 --> 01:29:24,567 Tiffany: SO SHE WANTED HEATHER TO MAKE THE SACRIFICE. 1033 01:29:24,567 --> 01:29:26,633 Tiffany: IF THAT'S HOW SHE ALWAYS WORKS, 1034 01:29:26,633 --> 01:29:29,300 WE NEED TO FIND OUT WHAT SHE'S TELLING YOUR DAD. 1035 01:29:29,300 --> 01:29:32,100 AND WHERE CAROLINE CAME FROM. 1036 01:29:32,100 --> 01:29:34,100 THAT'S NOT GOING TO BE EASY. 1037 01:29:34,100 --> 01:29:36,467 WELL, WE DON'T HAVE A CHOICE. 1038 01:29:36,467 --> 01:29:39,600 IF WE DON'T, SOMEONE'S GOING TO DIE. 1039 01:29:48,600 --> 01:29:50,167 [ typing ] 1040 01:29:57,167 --> 01:29:59,000 HEY, HONEY. 1041 01:30:01,400 --> 01:30:02,767 WHAT ARE YOU DOING HERE? 1042 01:30:04,267 --> 01:30:05,800 WE NEED TO TALK. 1043 01:30:07,133 --> 01:30:09,733 LOOK... 1044 01:30:09,733 --> 01:30:13,200 I JUST WORKED THROUGH LUNCH. I'M GOING TO BE HERE THE REST OF THE NIGHT. 1045 01:30:13,200 --> 01:30:16,300 I TOLD YOU THAT YOU HAVE TO CALL BEFORE YOU COME HERE. 1046 01:30:16,300 --> 01:30:18,900 I KNOW ABOUT THE WOMAN IN WHITE. 1047 01:30:18,900 --> 01:30:21,600 I KNOW YOU WERE IN THE CORNFIELD WITH CAROLINE. 1048 01:30:24,400 --> 01:30:26,433 WHAT ARE YOU TALKING ABOUT? 1049 01:30:26,433 --> 01:30:29,667 WHATEVER'S GOING ON AT HOME IS CONNECTED TO HER, DAD. 1050 01:30:29,667 --> 01:30:32,933 YOU WERE ON THE ROAD, YOU HIT HER, AND NOW SHE'S AFTER US. 1051 01:30:32,933 --> 01:30:35,500 NO, SHE'S NOT... 1052 01:30:35,500 --> 01:30:37,733 NOT ANYMORE, SHE'S... 1053 01:30:40,333 --> 01:30:43,100 YOU GIRLS ARE GOING TO BE JUST FINE. 1054 01:30:43,100 --> 01:30:45,633 I DON'T GET WHY YOU'RE HIDING THINGS FROM US. 1055 01:30:45,633 --> 01:30:50,300 YOU BROUGHT CAROLINE HOME LAST WEEK WITHOUT WARNING BECAUSE A FRIEND NEEDED HELP. 1056 01:30:50,300 --> 01:30:53,567 THAT'S WHEN ALL OF THIS STARTED. 1057 01:30:53,567 --> 01:30:55,167 ALL OF WHAT? 1058 01:30:55,167 --> 01:30:56,733 IT'S NOT IN OUR HEADS. 1059 01:30:56,733 --> 01:31:00,000 SOMETHING PUSHED ME LAST NIGHT, ALMOST THREW ME ACROSS THE ROOM. 1060 01:31:00,000 --> 01:31:03,700 I HAD TO BRING THE GIRLS IN THE CAR TO COME HERE WITH ME BECAUSE I'M TERRIFIED 1061 01:31:03,700 --> 01:31:05,600 OF LEAVING THEM AT HOME. 1062 01:31:05,600 --> 01:31:09,667 THERE'S SOMETHING THERE, DAD. AND IT'S EVIL. 1063 01:31:09,667 --> 01:31:14,100 AND IF YOU DON'T LET US DO SOMETHING ABOUT IT THEN ONE OF US MIGHT SERIOUSLY GET HURT. 1064 01:31:14,100 --> 01:31:16,267 THIS THING KILLS PEOPLE. 1065 01:31:17,567 --> 01:31:21,500 YOU GIRLS ARE GOING TO BE JUST FINE. 1066 01:31:21,500 --> 01:31:25,400 I PROMISE YOU. WHATEVER'S GOING ON... 1067 01:31:25,400 --> 01:31:27,533 I'M GOING TO LOOK INTO IT. 1068 01:31:27,533 --> 01:31:29,600 I'M GOING TO TAKE CARE OF IT. 1069 01:31:31,233 --> 01:31:33,300 WHAT HAPPENED IN THE CORNFIELD? 1070 01:31:40,500 --> 01:31:41,867 [ phone ringing ] 1071 01:31:44,733 --> 01:31:45,900 YES, MARY? 1072 01:31:47,500 --> 01:31:49,700 BE RIGHT THERE. 1073 01:31:49,700 --> 01:31:50,900 THANK YOU. 1074 01:31:53,800 --> 01:31:55,800 Jack: LOOK... 1075 01:31:55,800 --> 01:31:57,200 Jack: WE'LL TALK TOMORROW MORNING. 1076 01:31:57,200 --> 01:32:01,033 OKAY? IT'S A LONG NIGHT. I'M TIRED. 1077 01:32:01,033 --> 01:32:03,800 LET ME GET HOME, LET ME GET SOME REST. 1078 01:32:03,800 --> 01:32:06,800 AND I PROMISE YOU, WE'LL TALK ABOUT IT. 1079 01:32:07,800 --> 01:32:08,867 OKAY? 1080 01:32:14,100 --> 01:32:16,867 [ rhythmic, mysterious music ] 1081 01:33:04,467 --> 01:33:07,633 SO WHAT IF IT DOESN'T COME OUT TONIGHT BECAUSE WE'RE WATCHING FOR IT? 1082 01:33:07,633 --> 01:33:10,233 THEN WE'LL SET THIS UP EVERY NIGHT SO IT DOESN'T COME BACK. 1083 01:33:10,233 --> 01:33:13,800 [ laughing ] DAD BELIEVES US, WE'LL WORK IT OUT EITHER WAY. 1084 01:33:13,800 --> 01:33:15,767 THIS IS JUST FOR INSURANCE. 1085 01:33:19,367 --> 01:33:21,233 REALLY? [ girls laugh ] 1086 01:33:23,533 --> 01:33:25,433 YOU'RE ONE OF US NOW, HUH? 1087 01:33:27,433 --> 01:33:29,200 ABBY DOESN'T PUT EVERYONE IN HER PICTURES, YOU KNOW? 1088 01:33:29,200 --> 01:33:30,700 I HELPED HER, TOO. 1089 01:33:32,400 --> 01:33:33,433 I CAN TELL. [ Adelaide and Abigail laugh ] 1090 01:33:36,533 --> 01:33:41,033 WELL, NO MATTER WHAT HAPPENS WHEN YOU GO BACK TO YOUR OTHER HOME. 1091 01:33:41,033 --> 01:33:42,767 YOU'RE ALWAYS WELCOME HERE. 1092 01:33:42,767 --> 01:33:44,533 Adelaide: YOU KNOW THAT? 1093 01:33:44,533 --> 01:33:47,133 I DON'T WANT TO GO BACK. 1094 01:33:47,133 --> 01:33:50,033 YOU JUST DON'T REMEMBER IT. 1095 01:33:50,033 --> 01:33:53,967 I'M SURE THAT EVERYONE THERE MISSES YOU AND ONCE YOU REMEMBER THEM YOU'LL MISS THEM, TOO. 1096 01:33:53,967 --> 01:33:55,967 I LIKE IT HERE. 1097 01:33:55,967 --> 01:33:58,933 EXCEPT FOR ALL THE CREEPIES. 1098 01:33:58,933 --> 01:34:02,767 WELL, WE'LL GET RID OF THE CREEPIES AND THEN YOU'LL SEE WHAT IT'S LIKE HERE WITHOUT THEM. 1099 01:34:02,767 --> 01:34:04,833 I'D LIKE THAT. 1100 01:34:04,833 --> 01:34:06,133 GOODNIGHT, YOU TWO. 1101 01:34:06,133 --> 01:34:07,533 GOODNIGHT. 1102 01:34:11,933 --> 01:34:13,833 [ rhythmic music ] 1103 01:34:33,833 --> 01:34:34,900 [ suspenseful buildup music ] 1104 01:34:47,667 --> 01:34:49,167 [ suspenseful buildup music fades out ] 1105 01:34:59,167 --> 01:35:00,800 [ slow, somber music ] 1106 01:35:08,933 --> 01:35:10,633 MOM? 1107 01:35:10,633 --> 01:35:13,667 Ashley: ABIGAIL, IT'S ME. 1108 01:35:13,667 --> 01:35:18,367 Ashley: COME TO THE CORNFIELD TOMORROW ON VALLEY BOULEVARD. ALONE. 1109 01:35:18,367 --> 01:35:22,467 Ashley: AND DON'T TELL ANYONE ELSE THEY'RE NOT ALLOWED TO SEE ME. JUST YOU. 1110 01:35:23,467 --> 01:35:25,333 MOM! 1111 01:35:25,333 --> 01:35:27,967 Ashley: I DON'T HAVE LONG HONEY. 1112 01:35:27,967 --> 01:35:29,500 Ashley: I LOVE YOU. 1113 01:35:48,500 --> 01:35:50,067 [ corn stalks rustling in the wind ] 1114 01:36:08,567 --> 01:36:10,367 [ surreal, mysterious music ] 1115 01:36:10,367 --> 01:36:11,733 [ gasps ] 1116 01:36:31,133 --> 01:36:33,033 MOM? 1117 01:36:33,033 --> 01:36:34,433 MOM? 1118 01:36:35,633 --> 01:36:36,867 MOM! 1119 01:36:39,967 --> 01:36:41,500 MOM? 1120 01:37:25,133 --> 01:37:26,700 [ thunder crackling ] 1121 01:37:38,000 --> 01:37:39,700 [ scary music ] 1122 01:37:52,700 --> 01:37:54,600 [ scary, suspenseful music ] 1123 01:38:20,000 --> 01:38:21,933 [ screaming ] 1124 01:38:21,933 --> 01:38:24,133 [ breathing heavy ] 1125 01:38:45,133 --> 01:38:47,333 [ somber music ] 1126 01:38:47,333 --> 01:38:49,067 [ phone buzzing ] 1127 01:39:08,067 --> 01:39:09,900 [ crying ] 1128 01:39:37,367 --> 01:39:39,700 [ somber music fades ] 1129 01:40:13,700 --> 01:40:15,133 [ lap top being handled ] 1130 01:40:17,133 --> 01:40:18,867 [ unsettling, eerie music ] 1131 01:41:18,967 --> 01:41:21,767 [ Abigail breathing heavy ] 1132 01:41:21,767 --> 01:41:22,833 [ screaming ] 1133 01:41:27,533 --> 01:41:29,600 NOOO! 1134 01:41:29,600 --> 01:41:30,867 Adelaide: NOOO! 1135 01:41:30,867 --> 01:41:32,367 [ Adelaide breathing heavy ] 1136 01:41:32,367 --> 01:41:33,900 WHAT DID YOU DO? 1137 01:41:43,233 --> 01:41:44,900 [ Adelaide crying ] 1138 01:41:55,933 --> 01:41:57,733 Abigail: WHAT'S WRONG? 1139 01:41:57,733 --> 01:42:00,000 I... I HAD A BAD DREAM. 1140 01:42:06,900 --> 01:42:08,400 [ unsettling, eerie music continues ] 1141 01:42:29,900 --> 01:42:31,000 [ ominous music ] 1142 01:42:56,000 --> 01:42:57,400 [ eerie music ] 1143 01:44:18,400 --> 01:44:19,900 [ ominous music ] 1144 01:45:21,867 --> 01:45:22,900 [ ceiling creaking ] 1145 01:45:30,000 --> 01:45:31,833 [ attic door opening ] 1146 01:45:43,933 --> 01:45:45,633 [ steps creaking ] 1147 01:46:01,633 --> 01:46:02,933 [ door creaking ] 1148 01:46:39,967 --> 01:46:41,733 [ guttural growling ] 1149 01:46:46,033 --> 01:46:47,233 [ demonic roar ] 1150 01:46:47,233 --> 01:46:48,400 [ screaming ] 1151 01:46:50,000 --> 01:46:50,400 [ heavy breathing ] 1152 01:46:52,700 --> 01:46:53,900 [ screaming ] 1153 01:46:55,467 --> 01:46:56,900 [ hissing ] 1154 01:46:58,100 --> 01:47:00,067 [ door creaking, Virginia breathing heavy ] 1155 01:47:28,367 --> 01:47:30,000 HEY BUDDY. 1156 01:47:30,000 --> 01:47:33,700 Tiffany: I GOT YOUR TEXT. I'M ON MY WAY TO YOUR AREA. 1157 01:47:33,700 --> 01:47:36,100 OKAY. UH... 1158 01:47:36,100 --> 01:47:39,700 LISTEN, I HAVE TO TELL YOU ABOUT SOMETHING I FOUND OUT. 1159 01:47:39,700 --> 01:47:41,933 I DON'T KNOW FOR SURE, BUT... 1160 01:47:41,933 --> 01:47:45,567 AFTER THAT VIDEO I'D FEEL WEIRD IF I DIDN'T SAY SOMETHING. 1161 01:47:47,067 --> 01:47:50,600 CAROLINE MIGHT NOT BE WHAT YOU THINK SHE IS. 1162 01:47:55,667 --> 01:47:56,833 [ footsteps ] 1163 01:47:58,433 --> 01:48:01,700 WHY WOULD YOU DO THIS? 1164 01:48:02,600 --> 01:48:03,800 REALLY? 1165 01:48:03,800 --> 01:48:05,767 WHY WOULD YOU MAKE SOMETHING LIKE THIS? 1166 01:48:05,767 --> 01:48:08,667 DAD, I DIDN'T. 1167 01:48:08,667 --> 01:48:12,267 I DON'T KNOW THE FIRST THING ABOUT SPECIAL EFFECTS AND EDITING. 1168 01:48:12,267 --> 01:48:16,100 I DON'T KNOW HOW THAT GOT ON THERE. IT WASN'T ANY OF US. 1169 01:48:16,100 --> 01:48:19,367 THE CAMERA IN THEIR ROOM DIDN'T SHOW ANYTHING, JUST MINE. 1170 01:48:22,667 --> 01:48:25,600 THE DATE... WASN'T LAST NIGHT. 1171 01:48:26,800 --> 01:48:27,900 WHAT? 1172 01:48:29,000 --> 01:48:30,433 IT'S TOMORROW. 1173 01:48:32,733 --> 01:48:34,567 DO YOU THINK IT'S A WARNING? 1174 01:48:37,667 --> 01:48:39,133 I DON'T... 1175 01:48:39,133 --> 01:48:41,067 I DON'T KNOW WHAT TO THINK ANYMORE. 1176 01:48:46,067 --> 01:48:48,067 WHERE DID CAROLINE COME FROM? 1177 01:48:49,467 --> 01:48:53,133 SHE HAD NOTHING TO DO WITH THIS. SHE'S JUST A LITTLE GIRL. 1178 01:48:53,133 --> 01:48:54,733 DID YOU HEAR WHAT I SAID? 1179 01:48:55,933 --> 01:48:58,433 ABOUT THE SACRIFICE? 1180 01:48:58,433 --> 01:49:01,667 Adelaide: YES! THAT IT TAKES RESIDENCE IN THE HOME IN THE FORM OF A SMALL CHILD. 1181 01:49:01,667 --> 01:49:02,867 AFTER... 1182 01:49:04,067 --> 01:49:06,467 AFTER A SACRIFICE. 1183 01:49:07,967 --> 01:49:09,933 Adelaide: DAD? 1184 01:49:09,933 --> 01:49:11,900 Adelaide: WHAT HAPPENED THAT NIGHT? 1185 01:49:13,467 --> 01:49:16,333 YOU NEED TO TELL ME. RIGHT NOW! 1186 01:49:17,333 --> 01:49:19,900 RIGHT NOW! 1187 01:49:19,900 --> 01:49:23,733 AS LONG AS YOU KEEP ACTING LIKE YOU DON'T KNOW ANYTHING, SOMEONE IS GOING TO GET KILLED! 1188 01:49:23,733 --> 01:49:24,733 CALM DOWN. 1189 01:49:24,733 --> 01:49:26,233 NO! 1190 01:49:26,233 --> 01:49:29,267 YOU'VE KEPT ME IN THE DARK LONG ENOUGH. 1191 01:49:29,267 --> 01:49:31,167 I WANT ANSWERS. 1192 01:49:39,900 --> 01:49:45,133 IT STARTED A COUPLE OF DAYS BEFORE I BROUGHT CAROLINE HERE. 1193 01:49:45,133 --> 01:49:46,900 YOUR AND MOM'S ANNIVERSARY. 1194 01:49:49,700 --> 01:49:52,033 [ suspenseful music ] 1195 01:49:52,033 --> 01:49:53,833 I WAS HAVING A ROUGH TIME. 1196 01:49:55,833 --> 01:49:59,233 I LEFT WORK. TOOK A DRIVE. 1197 01:49:59,233 --> 01:50:02,900 WASN'T REALLY GOING ANYWHERE IN PARTICULAR. 1198 01:50:02,900 --> 01:50:06,033 I WAS JUST TRYING TO GET AWAY. 1199 01:50:06,033 --> 01:50:08,667 TRYING TO OUTRUN REALITY. 1200 01:50:08,667 --> 01:50:09,900 EVERYTHING. 1201 01:50:21,400 --> 01:50:23,300 I GOT OUT OF THE CAR. 1202 01:50:24,300 --> 01:50:26,100 THERE WAS NOTHING. 1203 01:50:27,500 --> 01:50:30,100 JUST... A TRAIL OF BLOOD. 1204 01:50:31,700 --> 01:50:33,400 LEADING INTO THE CORNFIELD. 1205 01:50:34,600 --> 01:50:37,267 I WALKED AT LEAST A QUARTER MILE. 1206 01:50:38,933 --> 01:50:40,533 COULDN'T FIND HER. 1207 01:50:40,533 --> 01:50:41,900 Jack: SO I CAME HOME. 1208 01:50:43,933 --> 01:50:46,133 Jack: WOKE UP... 1209 01:50:46,133 --> 01:50:51,900 Jack: AROUND 2AM. AND I KNEW THERE WAS SOMETHING IN THE HOUSE. 1210 01:50:51,900 --> 01:50:56,133 I COULD FEEL IT IN THE THICKNESS OF THE AIR. 1211 01:50:57,033 --> 01:51:01,000 Jack: THE WAY MY SKIN CRAWLED. 1212 01:51:01,000 --> 01:51:02,900 Jack: THEN I SAW HER. 1213 01:51:04,133 --> 01:51:09,400 Jack: STANDING IN THE HALLWAY OUTSIDE YOUR DOORS. 1214 01:51:12,300 --> 01:51:22,200 Jack: SHE ASKED ME TO GIVE A LIFE TO SAVE YOURS. 1215 01:51:22,200 --> 01:51:25,033 Jack: TO MAKE UP FOR WHAT I DID TO HER. 1216 01:51:27,900 --> 01:51:31,700 Jack: SO I WENT BACK... 1217 01:51:31,700 --> 01:51:33,400 TO THE CORNFIELD. 1218 01:51:36,533 --> 01:51:38,400 I WAS WAITING... 1219 01:51:38,400 --> 01:51:41,767 HOPING THAT MAYBE A CAR WOULD DRIVE BY. 1220 01:51:41,767 --> 01:51:42,967 I'D RUN HIM OFF THE ROAD. 1221 01:51:44,767 --> 01:51:45,867 KILL THEM. 1222 01:51:47,967 --> 01:51:50,367 BUT THERE WAS ALREADY A TRUCK THERE. 1223 01:51:57,933 --> 01:51:59,433 [ something running through corn stalks ] 1224 01:52:02,467 --> 01:52:05,733 Victor: I'M SORRY. HAVE YOU SEEN A LITTLE GIRL? 1225 01:52:05,733 --> 01:52:07,700 DID - DID SHE COME BACK DOWN THIS WAY? 1226 01:52:08,900 --> 01:52:10,867 WHAT? 1227 01:52:10,867 --> 01:52:12,233 WHAT LITTLE GIRL? 1228 01:52:14,033 --> 01:52:15,267 DANG IT! 1229 01:52:16,667 --> 01:52:19,000 WHAT HAPPENED? 1230 01:52:19,000 --> 01:52:22,633 Victor: I DON'T KNOW. I MAY NEED YOU TO CALL THE POLICE. I DON'T HAVE A CELLPHONE. 1231 01:52:22,633 --> 01:52:25,133 I WAS DRIVING THROUGH HERE WITH MY DAUGHTER CAROLINE. 1232 01:52:25,133 --> 01:52:27,933 Victor: AND I TOOK MY EYES OFF THE ROAD FOR A SECOND. 1233 01:52:27,933 --> 01:52:31,700 AND WHEN I LOOKED BACK UP THERE WAS A GIRL STANDING THERE. 1234 01:52:31,700 --> 01:52:33,233 I WAS CERTAIN WE HIT HER. 1235 01:52:33,233 --> 01:52:37,067 BUT SHE GOT OFF THE ROAD SO FAST I CAN'T BE SURE. 1236 01:52:37,067 --> 01:52:40,267 I LEFT CAROLINE HERE AND I WENT TO GO LOOK FOR HER- 1237 01:52:40,267 --> 01:52:41,367 AND NOW I CAN'T FIND HER! 1238 01:52:44,067 --> 01:52:46,167 HOW OLD IS SHE? 1239 01:52:46,167 --> 01:52:47,200 EIGHT YEARS OLD. 1240 01:52:49,033 --> 01:52:50,600 Victor: CAROLINE! 1241 01:52:52,100 --> 01:52:53,533 CALL THE POLICE WILL YA? 1242 01:53:15,967 --> 01:53:17,333 I'M SORRY. 1243 01:53:17,333 --> 01:53:18,367 [ gunshot ] 1244 01:53:41,967 --> 01:53:43,533 [ emotional music ] 1245 01:53:50,533 --> 01:53:54,467 Jack: I HAD TO DO IT. TO KEEP YOU GIRLS SAFE. 1246 01:53:54,467 --> 01:53:58,233 I COULDN'T LOSE YOU. NOT AFTER YOUR MOTHER. 1247 01:53:59,133 --> 01:54:01,400 YOU KILLED HIM. 1248 01:54:01,400 --> 01:54:02,733 YES, I DID. 1249 01:54:03,933 --> 01:54:07,400 AND I'LL REGRET IT FOR AS LONG AS I LIVE. 1250 01:54:07,400 --> 01:54:09,233 BUT IF I HAD TO DO IT ALL OVER AGAIN. 1251 01:54:09,233 --> 01:54:12,700 TO KEEP THAT WITCH AWAY FROM YOU GIRLS. 1252 01:54:12,700 --> 01:54:13,900 I WOULD. 1253 01:54:16,567 --> 01:54:17,967 WHAT ARE WE GOING TO DO? 1254 01:54:19,267 --> 01:54:21,800 I DON'T KNOW. 1255 01:54:21,800 --> 01:54:25,200 I THOUGHT I GAVE HER WHAT SHE WANTED. 1256 01:54:25,200 --> 01:54:26,833 I THOUGHT IT WAS OVER. 1257 01:54:30,233 --> 01:54:32,800 I SHOULDN'T HAVE BROUGHT HER HERE. 1258 01:54:32,800 --> 01:54:37,267 Jack: I WASN'T EVEN SURE THAT WAS WHO HE WAS LOOKING FOR. 1259 01:54:37,267 --> 01:54:41,733 HIS DAUGHTER'S PROBABLY STILL OUT THERE IN THE CORNFIELD. 1260 01:54:41,733 --> 01:54:45,400 SHE MIGHT BE HIS DAUGHTER. WE DON'T KNOW ANYTHING. 1261 01:54:46,400 --> 01:54:48,767 NO, WE DON'T. 1262 01:54:50,567 --> 01:54:52,467 I NEED TO GET SOME AIR. 1263 01:54:57,067 --> 01:55:01,100 YOU'VE GOT TO KEEP AN EAR ON THEM. TO MAKE SURE. 1264 01:55:04,033 --> 01:55:06,067 I WILL. 1265 01:55:06,067 --> 01:55:07,333 TRUST ME. 1266 01:55:16,900 --> 01:55:19,500 Jack: I WON'T LET YOU. [ loud crash downstairs ] 1267 01:55:25,500 --> 01:55:28,600 [ eerie, twisted music ] 1268 01:55:28,600 --> 01:55:29,933 [ crickets ] 1269 01:55:29,933 --> 01:55:32,533 I THOUGHT I GAVE YOU EVERYTHING YOU WANTED. 1270 01:55:35,767 --> 01:55:39,000 YOU STILL TRIED TO TAKE THEM AWAY FROM ME. 1271 01:55:40,700 --> 01:55:42,433 THAT WAS YOUR PLAN ALL ALONG, WASN'T IT? 1272 01:55:43,167 --> 01:55:46,167 PUT BLOOD IN MY HANDS! 1273 01:55:46,167 --> 01:55:50,433 PRETEND TO BE A SWEET, INNOCENT CHILD. 1274 01:55:50,433 --> 01:55:53,133 AND PLAY ON MY SYMPATHY. 1275 01:55:53,133 --> 01:55:56,033 STAY IN MY HOUSE! EAT MY FOOD! 1276 01:55:57,633 --> 01:55:58,867 AND THEN... 1277 01:56:00,667 --> 01:56:02,567 YOU WERE GOING TO TAKE THEM FROM ME. 1278 01:56:03,267 --> 01:56:04,733 MY DAUGHTERS! 1279 01:56:05,333 --> 01:56:07,133 NOT YOURS. 1280 01:56:07,933 --> 01:56:09,667 YOU WITCH! 1281 01:56:15,933 --> 01:56:17,933 IT'S NOT GOING TO HAPPEN. 1282 01:56:17,933 --> 01:56:19,767 IT'S NOT GOING TO HAPPEN, WITCH. 1283 01:56:20,533 --> 01:56:22,000 I WON'T LET YOU. 1284 01:56:22,000 --> 01:56:23,600 I WON'T LET YOU! 1285 01:56:28,600 --> 01:56:30,000 [ eerie, evil music continues ] 1286 01:56:48,500 --> 01:56:53,000 IF CAROLINE IS BEHIND THIS THEN SHE COULD KILL ALL OF US AND GET AWAY WITH IT. 1287 01:56:53,000 --> 01:56:56,933 NO ONE KNEW SHE WAS WITH US, NO ONE EVEN KNOWS WHERE SHE'S FROM. 1288 01:56:56,933 --> 01:57:00,633 THAT'S TRUE, BUT... 1289 01:57:00,633 --> 01:57:03,700 WHY WOULD SHE SHOW THAT TO YOU? ON THE VIDEO? 1290 01:57:04,800 --> 01:57:06,933 TO SCARE US? 1291 01:57:06,933 --> 01:57:08,933 SHE DID A PRETTY GOOD JOB. 1292 01:57:08,933 --> 01:57:10,633 NO. 1293 01:57:10,633 --> 01:57:14,933 SHE'S A DECEIVER. THAT'S WHAT MY PASTOR SAID. 1294 01:57:14,933 --> 01:57:18,233 SHE DID THE SAME THING TO HEATHER AND CORRINE. 1295 01:57:18,233 --> 01:57:20,833 Tiffany: SHE TRIES TO TRICK YOU. 1296 01:57:20,833 --> 01:57:22,700 WHAT ARE YOU SAYING? 1297 01:57:22,700 --> 01:57:26,100 I DON'T THINK SHE WOULD SHOW YOU WHAT SHE'S TRYING TO DO. 1298 01:57:26,100 --> 01:57:30,067 I THINK SHE WOULD SHOW YOU WHAT SHE WANTS YOU TO THINK. 1299 01:57:30,067 --> 01:57:33,533 MAYBE CAROLINE REALLY JUST IS THAT GUY'S DAUGHTER. 1300 01:57:34,933 --> 01:57:36,700 THEN WHAT WOULD HER REAL PLAN BE? 1301 01:57:36,700 --> 01:57:39,833 DEMONS DON'T JUST WANT TO TAKE OVER HOUSES. 1302 01:57:39,833 --> 01:57:44,067 THEY ALSO WANT TO POSSESS SOMEONE. THAT'S HOW THEY HURT PEOPLE. 1303 01:57:45,867 --> 01:57:47,467 WHO WOULD IT POSSESS? 1304 01:57:48,667 --> 01:57:51,300 WELL, YOUR DAD MADE A SACRIFICE TO IT. 1305 01:57:52,933 --> 01:57:55,933 IF IT WANTED SOMEONE THAT'S PROBABLY WHO THEY WOULD GO TO. 1306 01:57:55,933 --> 01:57:58,733 AND THAT WAY NO ONE WOULD KNOW. 1307 01:57:58,733 --> 01:58:00,467 HE'LL KILL EVERYONE. 1308 01:58:02,767 --> 01:58:06,267 AND IF THEY FIND OUT ABOUT CAROLINE AND HER DAD, THEY'LL THINK HE JUST SNAPPED. 1309 01:58:06,267 --> 01:58:08,000 MURDER-SUICIDE. 1310 01:58:08,000 --> 01:58:13,000 MY DAD WOULDN'T HURT US. HE MIGHT KILL TO PROTECT US, BUT- 1311 01:58:13,000 --> 01:58:17,967 I HOPE YOU'RE RIGHT. IF I WERE YOU I WOULDN'T LEAVE IT TO CHANCE. 1312 01:58:17,967 --> 01:58:20,233 [ suspenseful, music ] 1313 01:58:20,233 --> 01:58:21,333 DAD! 1314 01:58:26,833 --> 01:58:27,933 [ steps creaking ] 1315 01:58:33,733 --> 01:58:34,900 DAD! 1316 01:58:38,933 --> 01:58:40,467 DAD! 1317 01:59:04,167 --> 01:59:05,667 [ scary music ] 1318 01:59:20,167 --> 01:59:22,200 [ screaming ] 1319 01:59:22,200 --> 01:59:23,800 [ intense, scary music ] 1320 01:59:40,100 --> 01:59:41,300 CAROLINE! 1321 01:59:44,333 --> 01:59:45,667 [ bones cracking ] 1322 01:59:50,900 --> 01:59:52,700 [ Abigail crying ] 1323 02:00:04,300 --> 02:00:06,167 Abigail: CAROLINE! 1324 02:00:08,067 --> 02:00:10,100 [ door opens ] Abigail: CAROLINE! 1325 02:00:16,400 --> 02:00:17,833 [ suspenseful, climactic music ] 1326 02:00:19,233 --> 02:00:20,633 HELLO? 1327 02:00:20,633 --> 02:00:22,633 Abigail: SHE TOOK HER! SHE TOOK HER! 1328 02:00:22,633 --> 02:00:25,267 WHAT ARE YOU TALKING ABOUT? WHO TOOK WHO? 1329 02:00:25,267 --> 02:00:27,600 Abigail: THE WOMAN IN WHITE! SHE TOOK CAROLINE! 1330 02:00:28,700 --> 02:00:30,067 WHERE DID SHE TAKE HER? 1331 02:00:30,067 --> 02:00:31,367 Abigail: I DON'T KNOW! 1332 02:00:32,967 --> 02:00:34,800 THE CORNFIELD. 1333 02:00:36,200 --> 02:00:37,633 [ suspenseful, climactic music continues ] 1334 02:00:42,633 --> 02:00:43,867 [ wind in the cornfield ] 1335 02:00:49,167 --> 02:00:50,767 Adelaide: CAROLINE! 1336 02:00:53,267 --> 02:00:54,933 [ rustling in the stalks ] 1337 02:01:10,433 --> 02:01:11,733 Adelaide: CAROLINE! 1338 02:01:29,233 --> 02:01:30,833 [ something crashing around in the corn stalks ] 1339 02:01:52,933 --> 02:01:55,267 Adelaide: DAD? [ eerie, evil music ] 1340 02:01:56,900 --> 02:01:58,533 WHERE'S CAROLINE? 1341 02:02:02,933 --> 02:02:04,633 I DON'T KNOW. 1342 02:02:15,767 --> 02:02:17,467 WHAT DID YOU DO? 1343 02:02:31,967 --> 02:02:33,600 Adelaide: DAD? 1344 02:02:36,500 --> 02:02:37,600 Adelaide: DAD! 1345 02:02:39,100 --> 02:02:40,700 DAD, SNAP OUT OF IT! >>Tiffany: ADDIE! 1346 02:02:40,700 --> 02:02:41,933 DAD! DAD! >>Tiffany: ADDIE, ADDIE PLEASE DON'T- 1347 02:02:41,933 --> 02:02:42,833 [ Tiffany screams ] 1348 02:02:42,833 --> 02:02:43,867 [ Jack hits Tiffany ] 1349 02:02:43,867 --> 02:02:45,100 [ Tiffany falls through the corn ] 1350 02:02:49,133 --> 02:02:51,467 [ Adelaide crashing through stalks ] 1351 02:02:51,467 --> 02:02:52,867 [ tribal drums music ] 1352 02:03:25,467 --> 02:03:26,900 [ Adelaide grunts, hits the ground hard ] 1353 02:03:30,767 --> 02:03:32,600 [ suspenseful music ] 1354 02:03:43,633 --> 02:03:44,900 [ Adelaide grunting and coughing ] 1355 02:03:53,633 --> 02:03:54,800 [ Adelaide coughing ] 1356 02:03:57,833 --> 02:03:59,933 DAD. DAD PLEASE! 1357 02:03:59,933 --> 02:04:01,933 DAD, PLEASE. YOU DON'T KNOW WHAT YOU'RE DOING! 1358 02:04:01,933 --> 02:04:03,867 WHAT THE HELL ARE YOU DOING? 1359 02:04:03,867 --> 02:04:06,900 Adelaide: DAD! [ rising suspenseful music ] 1360 02:04:06,900 --> 02:04:08,000 [ screaming ] 1361 02:04:09,033 --> 02:04:10,333 [ knife falls in the dirt ] 1362 02:04:10,333 --> 02:04:12,100 [ breathing heavy ] [ emotional music ] 1363 02:04:37,700 --> 02:04:38,900 [ stabbing sound, Jack grunts ] 1364 02:04:49,900 --> 02:04:51,567 [ coughing ] 1365 02:05:00,267 --> 02:05:02,733 DAD? DAD! 1366 02:05:13,233 --> 02:05:14,867 [ heavy, emotional music ] 1367 02:05:28,367 --> 02:05:29,733 DAD. 1368 02:05:54,733 --> 02:05:56,233 [ mysterious, somber music ] 1369 02:06:32,233 --> 02:06:33,900 [ sad, slow guitar music ] 1370 02:07:01,700 --> 02:07:02,900 [ doorbell ] 1371 02:07:04,133 --> 02:07:05,633 I'M GOING TO GO GET THAT. 1372 02:07:44,567 --> 02:07:46,233 I WAS WORRIED. 1373 02:07:46,233 --> 02:07:48,667 YOU WEREN'T ANSWERING MY CALLS, I THOUGHT MAYBE YOUR - 1374 02:07:48,667 --> 02:07:51,700 YOUR PARENTS WOULDN'T LET YOU OUT OF THE HOUSE OR SOMETHING. 1375 02:07:51,700 --> 02:07:53,767 THEY'RE FINE. [ sighs ] 1376 02:07:53,767 --> 02:07:55,900 UNLESS I'M STAYING OVERNIGHT SOMEWHERE 1377 02:07:55,900 --> 02:07:59,067 THEY WON'T LET ME OUT OF THE HOUSE AFTER DARK. 1378 02:07:59,067 --> 02:08:00,700 PROBABLY A GOOD IDEA. 1379 02:08:03,400 --> 02:08:06,533 BETTER THAN A CHIP IMPLANT. THEY WERE TALKING ABOUT THAT. 1380 02:08:06,533 --> 02:08:08,933 [ laughing ] 1381 02:08:08,933 --> 02:08:11,900 SO... WHERE HAVE YOU BEEN? 1382 02:08:14,100 --> 02:08:16,067 I WAS SCARED. 1383 02:08:16,067 --> 02:08:18,200 OF WHAT? 1384 02:08:18,200 --> 02:08:20,167 REJECTION. 1385 02:08:20,167 --> 02:08:21,500 WHY? 1386 02:08:25,000 --> 02:08:26,900 BECAUSE OF WHAT I DID. 1387 02:08:28,467 --> 02:08:31,033 YOU SAVED MY LIFE. 1388 02:08:31,033 --> 02:08:34,300 YOU YOU PROBABLY SAVED MY SISTER'S LIFE. 1389 02:08:34,300 --> 02:08:36,000 I KILLED HIM. 1390 02:08:36,000 --> 02:08:37,500 SAVING US. 1391 02:08:38,600 --> 02:08:41,233 I COULD NEVER REJECT YOU. 1392 02:08:41,233 --> 02:08:44,833 OR BLAME YOU. 1393 02:08:44,833 --> 02:08:47,567 HE WAS GOING TO KILL ME. THEN YOU. 1394 02:08:47,567 --> 02:08:50,633 THEN HE WAS GOING TO COME BACK HERE TO GET ABIGAIL. 1395 02:08:51,900 --> 02:08:54,200 SOMETHING GOT INTO HIM. 1396 02:08:55,200 --> 02:08:57,367 THERE WAS NO STOPPING IT. 1397 02:08:57,367 --> 02:08:58,900 [ somber guitar music ] 1398 02:09:05,533 --> 02:09:06,867 HOW'S ABIGAIL? 1399 02:09:08,467 --> 02:09:09,833 TERRIBLE. 1400 02:09:11,233 --> 02:09:14,467 FINDING OUT DAD WAS GONE WAS BAD ENOUGH, BUT... 1401 02:09:14,467 --> 02:09:18,433 WHEN SHE HEARD WE COULDN'T FIND CAROLINE... 1402 02:09:18,433 --> 02:09:20,433 SHE JUST ABOUT DIED INSIDE. 1403 02:09:22,133 --> 02:09:23,700 Tiffany: MY FRIEND. 1404 02:09:23,700 --> 02:09:24,767 A REPORTER. 1405 02:09:26,467 --> 02:09:29,833 SHE COULDN'T FIND ANYTHING. 1406 02:09:29,833 --> 02:09:33,800 THE BLOOD IN THE CORNFIELD... WASN'T HERS. 1407 02:09:33,800 --> 02:09:35,933 AND THEY DIDN'T FIND A BODY. 1408 02:09:36,933 --> 02:09:39,033 SO... 1409 02:09:39,033 --> 02:09:40,667 SHE'S JUST... 1410 02:09:43,067 --> 02:09:44,200 GONE. 1411 02:09:46,900 --> 02:09:48,367 I THINK SO. 1412 02:09:51,767 --> 02:09:53,400 HOW ARE YOU HOLDING UP? 1413 02:09:55,000 --> 02:09:59,433 I'M...SATISFIED. 1414 02:09:59,433 --> 02:10:04,100 I WANTED TO STOP HER, EVEN THOUGH I KNEW I COULDN'T. 1415 02:10:04,100 --> 02:10:06,933 HOW CAN YOU KILL SOMETHING THAT NEVER LIVED? 1416 02:10:06,933 --> 02:10:10,633 BUT... HELPING YOU... 1417 02:10:10,633 --> 02:10:13,467 EVEN THOUGH I COULDN'T SAVE EVERYONE... 1418 02:10:13,467 --> 02:10:15,500 IT GAVE ME PEACE. 1419 02:10:19,500 --> 02:10:21,600 MY SISTER WILL NEVER COME BACK. 1420 02:10:23,600 --> 02:10:25,400 BUT... 1421 02:10:25,400 --> 02:10:31,967 KEEPING ANNA KUARI FROM TAKING AWAY ANOTHER BIG SISTER FROM SOMEONE WAS... 1422 02:10:31,967 --> 02:10:33,333 NICE. 1423 02:10:35,167 --> 02:10:37,500 AWAY FROM TWO SOMEONE'S I MIGHT ADD. 1424 02:10:44,500 --> 02:10:45,900 [ mysterious, sad music ] 1425 02:10:51,933 --> 02:10:54,867 Pastor Tony: IF ANYTHING ELSE HAPPENS, JUST GIVE US A CALL. 1426 02:10:54,867 --> 02:10:56,333 SO WE'RE SAFE? 1427 02:10:56,333 --> 02:10:57,533 Pastor Tony: YES. 1428 02:10:57,533 --> 02:11:00,333 ALTHOUGH AS YOU KNOW THESE SPIRITS WILL TAKE... 1429 02:11:00,333 --> 02:11:04,767 ANY DOORWAY THEY CAN FIND TO COME BACK INTO YOUR LIFE, SO... 1430 02:11:04,767 --> 02:11:07,933 IT'S IMPORTANT THAT YOU TWO ARE DILIGENT NOT TO OPEN ONE FOR THEM. 1431 02:11:07,933 --> 02:11:10,700 TRUST ME WE WILL BE IN CHURCH EVERYDAY. 1432 02:11:12,800 --> 02:11:15,733 THANK YOU FOR COMING ON SUCH SHORT NOTICE. 1433 02:11:15,733 --> 02:11:17,533 Adelaide: WE REALLY APPRECIATE IT. 1434 02:11:17,533 --> 02:11:22,600 IT FEELS BETTER KNOWING THAT WE'RE COMING BACK TO... A SAFE HOME. 1435 02:11:23,833 --> 02:11:25,400 ARE YOU TWO GOING TO VISIT RELATIVES? 1436 02:11:25,400 --> 02:11:29,867 NO, WE'RE JUST HEADING OUT OF TOWN FOR A LITTLE BIT. ABBY AND ME. 1437 02:11:29,867 --> 02:11:33,100 A CHANGE OF SCENERY MIGHT BE GOOD FOR US. 1438 02:11:33,100 --> 02:11:34,933 DEFINITELY. 1439 02:11:34,933 --> 02:11:36,400 HOW'S HER ELBOW? 1440 02:11:36,400 --> 02:11:39,067 IT WOULD HELP IF SHE ACTUALLY WORE HER SLING. 1441 02:11:39,067 --> 02:11:43,267 BUT... SHE DOESN'T SEEM TO CARE MUCH ABOUT ANYTHING. 1442 02:11:43,267 --> 02:11:44,500 ANYMORE. 1443 02:11:45,100 --> 02:11:46,733 UNDERSTANDABLE. 1444 02:11:46,733 --> 02:11:51,467 YOU TWO HAVE BEEN THROUGH... A LOT. 1445 02:11:51,467 --> 02:11:54,833 Pastor Tony: I WANT YOU TO CHECK IN WITH US WHEN YOU GET BACK. 1446 02:11:54,833 --> 02:11:58,033 AND IF YOU GUYS NEED ANYTHING. ANYTHING AT ALL. WE'RE HERE. 1447 02:12:03,667 --> 02:12:05,667 [ mysterious, sad music ] 1448 02:12:15,667 --> 02:12:16,900 [ creepy music ] 1449 02:12:31,300 --> 02:12:33,800 [ mysterious, sad music continues ] 1450 02:12:56,133 --> 02:12:57,900 WHAT'S WRONG? 1451 02:13:01,200 --> 02:13:03,467 SOFIA ABIGAIL MEYERS. 1452 02:13:04,933 --> 02:13:07,100 LAST SEEN WITH HER FATHER, VICTOR. 1453 02:13:07,100 --> 02:13:11,933 A CONVICTED FELON SUSPECTED OF KIDNAPPING HER. 1454 02:13:11,933 --> 02:13:14,767 HER MOTHER JENNIFER PLACED A RESTRAINING ORDER ON HIM- 1455 02:13:14,767 --> 02:13:17,500 -TWO DAYS BEFORE SOFIA DISAPPEARED. 1456 02:13:18,933 --> 02:13:21,100 NEITHER HAVE BEEN HEARD FROM SINCE. 1457 02:13:23,800 --> 02:13:25,200 [ emotional music ] 1458 02:13:31,100 --> 02:13:32,333 CAROLINE: ABBY? 1459 02:13:50,933 --> 02:13:53,967 Stephanie: OKAY, I HAVE ONE MORE BAG TO GET. YOU GUYS READY? 1460 02:13:53,967 --> 02:13:55,933 Lola & Samantha: YEAH! 1461 02:13:55,933 --> 02:13:57,600 SHUT THE TRUNK, HOP IN, AND WE'LL GET ON THE ROAD IN A MINUTE. 1462 02:14:00,933 --> 02:14:01,900 [ trunk closes ] 1463 02:14:14,700 --> 02:14:16,667 [ eerie music ] 1464 02:15:12,667 --> 02:15:16,867 CAPTIONS PROVIDED BY: SHADY DAWN PICTURES 100521