Original subtitles

[ scary music ]

Downloaded from YTS.MX

Official YIFY movies site: YTS.MX

[ crickets chirping ]

[ mysterious, somber music ]

[ cornstalks rustling ]

[ cornstalks rustling louder ]

[ scary, suspenseful music ]

[ something walking through cornstalks ]

Tiffany: COME ON.

[ loud rustling ]

COME ON.

COME ON!

[ mysterious, eerie music ]

HAVE YOU SEEN HER, TOO?

THE WOMAN IN WHITE.

[ cornstalks rustling ]

[ mysterious, eerie music continues ]

[ suspenseful music ]

[ loud, demonic roar ]

[ breathing ]

[ suspenseful, creepy music ]

[ floorboards creaking ]

[ floorboards creaking ]

[ scared breathing ]

Adelaide: HELL NO.

[ rustling in trees ]

[ struggling with window ]

[ suspenseful music ]

[ growling from outside ]

[ louder rustling in trees ]

[ frantic breathing ]

COME ON!

[ loud demonic roar ]

[ scared breathing ]

JEEZ, DON'T DO THAT TO ME ABBY, I ALMOST TOOK YOUR HEAD OFF!

Abigail: I HEARD A SCREAM. IT WOKE ME UP.

YOU HEARD IT, TOO?

IT SOUNDED LIKE A WOMAN.

NOT TO ME...

WHY ARE ALL THE WINDOWS OPEN?

[ ominous music ]

[ spraying ]

[ pot sizzling ]

YOU BETTER FINISH THAT BEFORE DAD GETS UP.

I'M ALMOST DONE.

YOU LIKE SAVING THINGS FOR THE LAST MINUTE, DON'T YOU?

I'M GOING FOR A JOG AT THE RESERVOIR LATER. DO YOU WANT TO MEET ME AFTER SCHOOL?

NO.

YOU HAVEN'T SEEN MOM'S BENCH YET.

NOT READY TO?

NOT YET.

[ footsteps approaching ]

UM... ABBY?

YES?

YOU DO SEE HER, RIGHT?

SEE WHO?

Adelaide: THE GIRL SITTING ACROSS FROM YOU.

WHAT ARE YOU TALKING ABOUT?

SHE'S RIGHT THERE.

Jack: THAT'S NOT FUNNY, ABBY.

[ Abigail and Caroline giggling]

YEAH. NICE ONE, DORK.

Jack: ABBY WAS UP LAST NIGHT WHEN WE CAME IN.

THIS IS CAROLINE. SHE'S GOING TO BE STAYING WITH US FOR A WHILE.

OKAY. DIDN'T KNOW WE WERE A FOSTER HOME, NOW.

IT'S NOT...

Jack: LOOK.

HER FATHER RAN INTO SOME TROUBLE.

SHE NEEDS A PLACE TO STAY. WE HAVE A BIG ENOUGH HOUSE.

WHO'S GOING TO TAKE CARE OF HER WHEN YOU'RE AT WORK?

SHE'S NOT A BABY. NO ONE NEEDS TO WATCH HER.

I JUST FIGURED YOU'D... LOOK IN ON HER ONCE IN A WHILE.

SURE THING, DAD.

ANYTHING ELSE HAPPEN OVERNIGHT THAT YOU WANT TO TELL ME ABOUT?

NOPE. THAT WAS ABOUT IT.

GOOD TO KNOW.

LOOK, I'M SORRY.

Jack: I KNOW IT'S NOT AN IDEAL SITUATION.

BUT SOMETIMES A MAN HAS TO DO WHAT HE HAS TO DO.

GOT TO GO. TREVOR ASKED FOR ME EARLY TODAY.

IS THAT A GOOD THING?

I HOPE SO. BE ABOUT TIME WOULDN'T IT?

LOVE YOU GIRLS.

Abigail: LOVE YOU, TOO. Adelaide: DITTO.

HAVE A GOOD DAY.

[ upbeat, energetic music ] * anta Barbara by Holy Visions*

[ music fades ]

HEY. YOU OKAY?

HEY, KID.

Tiffany: OH, HI. SORRY. UM... I'M OKAY.

I'M JUST A LITTLE OUT OF IT.

I HAVEN'T SEEN YOU HERE IN A WHILE.

I WAS GETTING WORRIED. I... GOT SO USED TO SEEING YOU AND YOUR BIKE ON THE TRAIL.

I HAVEN'T REALLY LEFT MY HOUSE IN A WHILE.

YOU WANT TO TALK ABOUT IT?

THERE WAS A DEATH IN MY FAMILY.

MY SISTER.

OH... WOW, I'M... I'M SORRY.

REALLY SORRY.

I GUESS WE WERE MEANT TO TALK, TODAY.

YOU'RE SITTING WITH MY MOM.

OH, I'M SORRY, I - I - Adelaide: IT'S OKAY.

I'D RATHER IT BE YOU THAN THE DOUCHEY TEENAGERS THAT WERE MAKING OUT THERE YESTERDAY.

HAVE A SEAT.

[ slow somber piano music ]

THAT'S SWEET.

SHE USED TO RUN HERE WITH ME.

WE ALWAYS TALKED ABOUT THE DEDICATIONS.

NEVER THOUGHT I'D BE DOING ONE FOR HER.

NOT SO SOON, ANYWAY.

YOU OKAY?

AS OKAY AS I'LL GET.

I WENT TO A REALLY GOOD SUPPORT GROUP.

I DON'T KNOW WHAT YOUR PARENTS ARE DOING, BUT...

I GO TO ONE AT MY CHURCH.

IT'S - IT'S HELPING, BUT...

YEAH.

IT'LL BE A WHILE. AND THAT'S FINE.

YOU NEVER GET OVER IT.

IT'S LIKE LIVING WITH AN AMPUTATION.

IT'S HARD TO ADJUST AT FIRST AND YOU'LL NEVER BE THE SAME, BUT...

YOU LEARN TO DEAL WITH IT.

WHAT WAS YOUR SISTER LIKE?

SHE WAS...

BEAUTIFUL.

MY BEST FRIEND.

WE WERE ALWAYS TOGETHER.

WE WERE ALWAYS GOING TO BE.

SHE USED TO SAY THAT WHEN SHE MOVED OUT SHE WOULD TAKE ME WITH HER.

WE'D MARRY BROTHERS AND LIVE IN THE SAME

I BET SHE WAS WONDERFUL.

WHAT ABOUT YOUR MOM?

TOTAL BEOTCH.

[ laughing ]

SHE WAS AWESOME.

SHE ALWAYS HELD OUR FAMILY TOGETHER EVEN WHEN TIMES WERE TOUGH.

Adelaide: MY DAD LOST HIS JOB AND THEY CUT OUR CABLE AND...

Adelaide: WE FROZE OUR BUTTS OFF ALL WINTER BECAUSE WE COULDN'T AFFORD HEAT.

BUT SHE ALWAYS MADE SURE WE WERE HAPPY.

SHE HAD A WAY OF ALWAYS MAKING YOU FEEL LIKE YOU WERE NUMBER ONE.

NOT EASY SHOES TO FILL BUT I'M TRYING.

I JUST CAME BACK FROM COLLEGE.

TRANSFERRING SCHOOLS ACTUALLY, SO... I COULD BE WITH MY LITTLE SISTER.

AND MY DAD.

THEY'RE LUCKY TO HAVE YOU.

[ slow, somber piano music continues ]

[ suspenseful music ] [ door creaking ]

[ door creaks ]

CAROLINE!

WHY WOULD YOU DO THAT?

WHAT'S WRONG WITH YOU?

THE BABY WOKE ME UP. IT KEEPS CRYING.

WHAT? WE DON'T HAVE A BABY.

I HEARD IT IN MY ROOM.

SHOW ME.

IT MIGHT BE THE NEIGHBORS. MAYBE THEY HAVE KIDS.

IT SOUNDED LIKE IT WAS COMING FROM INSIDE.

[ scratching sound behind walls ]

[ suspenseful music ]

[ scratching continues ]

WHAT IS THAT?

WAS THAT THE SOUND YOU HEARD?

NO, BUT I DON'T LIKE THAT EITHER.

Jack: WHAT ARE YOU DOING?

[ sighs ]

THERE'S SOMETHING IN THE WALLS.

WHAT?

SHHH.

[ quieter scratching in the walls ]

NAH. THERE'S A HOLE IN THE ROOF. HAVEN'T HAD A CHANCE TO FIX IT.

BUT I DID SET SOME TRAPS UP THERE.

I GUESS A SQUIRREL OR TWO MUST'VE GOTTEN AROUND THEM.

SO...

YOU THINK THAT... THAT NOISE IS FROM SQUIRRELS?

WELL, WHATEVER IT IS, IT'S NOTHING YOU GOT TO WORRY ABOUT.

LOOK, TOMORROW MORNING I'LL GET UP EARLY. I'LL PATCH IT UP.

OKAY?

GOODNIGHT GIRLS.

Abigail: GOODNIGHT.

[ door closes ]

[ scratching resumes ]

[ doors closing ]

Jack: HEY.

MISS YOUR MORNING RUN?

HALF OF IT. I MET THIS GIRL AT THE RESERVOIR - WE TALKED FOR AN HOUR AND A HALF.

[ chuckles ] GET HER NUMBER?

HA HA. [laughs]

NO SHE WAS SITTING ON MOM'S BENCH.

SHE SAID THAT SHE LOST HER SISTER A FEW MONTHS AGO.

SHE'S ONLY TWELVE YEARS OLD.

WHAT HAPPENED?

I DIDN'T ASK. SHE SEEMS YOUNG SO... PROBABLY UNEXPECTED.

THAT'S TERRIBLE.

YEAH...

I'LL BE BACK IN AN HOUR.

DON'T FORGET YOUR KEYS.

[ door closes ]

I'M NOT LETTING YOU SLEEP IN THERE BY YOURSELF.

YOU CAN SLEEP WITH ME UNTIL THE SQUIRRELS ARE GONE.

WE CAN SLEEP HEAD TO TOE. >>WHAT'S THAT?

YOUR HEAD FACING THE DOOR, MY HEAD FACING UP THERE.

OKAY.

[ bed creaking ]

COME ON.

YOUR FEET STINK.

DO YOU WANT TO GO SLEEP WITH THE SQUIRRELS?

[ giggles ]

[ suspenseful music ]

[baby fussing ]

[ baby screams ]

[ suspenseful music ]

[ phone vibrates ] [ trips and falls ]

[ breathing heavy ]

[ crickets chirping ]

THANKS, DAD.

[ eerie, intense music ]

[ eerie, intense music fades ]

[ suspenseful music ]

Mugger 2: WHERE YOU AT?

YOU'RE NOT GOING TO GET OUT OF HERE. SO YOU MIGHT AS WELL JUST COME OUT.

WE CAN MAKE THIS A WHOLE LOT WORSE.

I CAN CUT YOUR TONGUE OUT, SO YOU CAN'T SCREAM.

AND BELIEVE ME YOU'RE GOING TO WANT TO SCREAM A WHOLE LOT.

Mugger 1: YOU FIND HER?

NAH. I'M ABOUT TO.

I CAN SMELL HER PERFUME.

[ laughs and sniffs ]

AND YOU SMELL GOOD.

WHO THE HELL ARE YOU?

Mugger 1: WHAT'S WRONG?

WHERE'D SHE GO?

Mugger 1: WHAT? SHE'S GOT TO BE OVER THERE.

NAH MAN. THERE'S SOMETHING ELSE.

SO WHAT, SHE'S...

Mugger 2: YOU DIDN'T SEE THAT?

Mugger 1: SEE WHAT? >>Mugger 2: THE OTHER CREEPY LOOKING GIRL?

Mugger 1: WHERE?

Mugger 2: SHE CAME OUT OF NOWHERE, SHE'S... SHE'S RIGHT BEHIND THAT TREE.

WHITE DRESS. LONG RED HAIR.

YOU'RE TRIPPIN' MAN.

FORGET THIS.

Mugger 1: WHAT, SO YOU'RE SCARED OF SOME GIRL?

THAT WASN'T SOME GIRL, MAN.

[ menacing music ]

[ scary music ]

[ slow, somber guitar music ]

I'VE SEEN MOST OF THIS BEFORE. [ page turning ]

Virginia: CORRINE SHOWED IT TO YOU?

NO, UM... SHE TEXTED IT TO MY SISTER AND I SAW THE MESSAGES.

HM. YOU'RE RESOURCEFUL. CORRINE TOLD ME THAT ABOUT YOU.

HOW IS CORRINE?

Virginia: SHE'S GOOD. BUSY WITH CLINICAL.

SHE MISSES YOU. A LOT.

MY PARENTS WILL LIGHTEN UP.

I DON'T KNOW WHY THEY BLAME HER BUT...

THE OFFICIAL STORY MAKES IT SEEM LIKE HEATHER WAS... DELUSIONAL.

AND I SUPPOSE YOUR PARENTS THINK CORRINE SHOULD'VE CAUGHT THAT AND STOPPED HER.

THEY'RE WRONG. WE ALL SAW THE SAME THING.

WHAT ABOUT THE OTHER PEOPLE THAT SAW HER?

CORRINE SAID SOMETHING ABOUT THAT IN THE MESSAGES.

[ sighs ]

JUST WHAT I TOLD HER. A FEW OF THE WITNESSES MOVED AWAY.

EIGHT OF THEM DIED. USUALLY WITHIN THREE WEEKS OF THE SUPPOSED ACCIDENTS.

WERE THE DEATHS SUSPICIOUS?

THREE OF THEM DIED IN CAR ACCIDENTS.

TWO OF THEM WERE UNDER UNKNOWN BUT SUSPICIOUS CIRCUMSTANCES.

ONE OF THEM DROWNED.

ANOTHER ONE... WAS BURNED TO DEATH.

Virginia: SOMEHOW HE...

SET HIMSELF ON FIRE. APPARENTLY.

WHOAH.

IT ALSO SEEMS LIKE THERE WERE DEATHS OCCURRING AROUND THESE PEOPLE.

FAMILY MEMBERS. FRIENDS.

IN EVERY CASE WHERE THE WOMAN IN WHITE WAS SEEN.

THE DEEPER I LOOKED INTO IT THE MORE DISTURBING IT GOT.

WHAT DO YOU THINK IT WAS?

SOMETHING I REALLY DON'T WANT TO BE A PART OF.

I'M NOT SURE WHY YOU DO.

ESPECIALLY SINCE YOU GOT AWAY.

THAT'S NOT ENOUGH FOR ME.

I NEED TO KNOW WHY MY SISTER DIED.

[ sighs ]

WHAT CAN I GIVE YOU?

I WANT TO TALK TO ONE OF THE OTHERS.

[ sighs ]

YOU KNOW WHERE DEER PARK IS?

YEAH.

FOUR YEARS AGO, MEGAN POLLACK AND A FRIEND OF HERS NAMED TRACY

AND HER BROTHER, CRASHED INTO A TELEPHONE POLE ON VALLEY BOULEVARD.

THEY SAID THEY WERE AVOIDING A WOMAN WHO CAME OUT OF A NEARBY CORNFIELD.

THE POLICE COULDN'T FIND HER. OF COURSE.

WELL, DID THEY SURVIVE?

NO.

TRACEY AND MEGAN'S BROTHER, GREG I THINK...

DIED IN A CAR ACCIDENT A WEEK LATER.

DROVE RIGHT OFF A BRIDGE.

BUT MEGAN... SHE'S STILL ALIVE. IN DEER PARK.

I COULD SEE IF SHE WOULD BE WILLING TO TALK TO US.

PLEASE.

I'LL CALL YOU AFTER WORK AND LET YOU KNOW.

THANK YOU.

Jack: I'M HOME. >>I'M IN THE KITCHEN, DAD.

Jack: CAN YOU GET THE DOOR FOR ME? >>COMING.

WHAT'S WRONG WITH YOU? >>Caroline: SHHH!'

THAT'S NOT YOUR DAD.

WHAT DO YOU MEAN? >>Caroline: HIS CAR'S NOT IN THE DRIVEWAY.

HE PROBABLY GOT DROPPED OFF. >>Caroline: IT'S NOT HIM, WE HAVE TO HIDE!

OKAY, NOW YOU'RE CREEPING ME OUT. Jack: ABBY?

YOU CAN'T. LOOK!

[ scary music ]

Jack: ABBY.

WE HAVE TO CLOSE THE DOOR.

NO. LET'S JUST HIDE.

I DON'T WANT ANYTHING COMING IN. JUST STAY HERE.

[ door slams shut ]

WHAT IS IT?

[ unearthly scream ] [ door slams open ]

Caroline: COME ON!

[ door opens ]

[ locks door ]

WHAT DO WE DO? >>I DON'T KNOW.

[ footsteps approaching ]

[ eerie music ]

COME ON. KEEP GOING. KEEP GOING.

[ loud footstep, door opens ]

[ gasps ]

[ scratching on wood ]

Abigail: SHHH.

[ scratching stops ]

[ screaming ]

[ eerie music ]

Abigail: IT'S THE SAME EXACT NOISE WE HEARD IN THE WALLS LAST WEEK.

UH HUH.

AND?

I HOPE YOU FIGURED OUT WHAT YOU'RE GOING TO TELL DAD.

WHAT DO YOU MEAN? EXACTLY WHAT WE TOLD YOU.

AS MUCH AS HE'S BEEN WORKING THE LAST THING HE NEEDS TO HEAR IS THAT SOME GHOST

IS SCRATCHING UP HIS CLOSET DOOR. WHAT WERE YOU REALLY DOING?

SHE'S TELLING THE TRUTH.

OH, REALLY? >>Abigail: WHY WOULD WE SCRATCH THE DOOR UP? AND HOW?

CHECK OUR NAILS. FIND THE KNIFE!

OKAY WELL... THERE HAS TO BE SOME KIND OF EXPLANATION.

JUST LIKE HOW ALL THE WINDOWS OPENED ON THEIR OWN?

Abigail: I SAW YOUR FACE LAST WEEK. SOMETHING HAPPENED.

YOU DON'T KNOW THAT. NEITHER DO I. IT WAS JUST... WEIRD.

WE'RE NOT GOING TO DAD WITH ANY CRAZY STORIES.

WHAT ARE WE GOING TO DO ABOUT THE DOOR?

[ door opens and closes ]

Jack: HEY GIRLS.

SO...

HOW'S EVERYONE?

MY ANKLE'S GETTING BETTER.

I THINK I'M GOING TO GET BACK TO JOGGING TOMORROW. AT THE RESERVOIR.

CHECKING IN ON YOUR NEW FRIEND?

THAT TOO. OTHERWISE JUST WAITING FOR THE NEXT SEMESTER TO START, SO...

STILL GETTING USED TO HAVING UNLIMITED TIME ON MY HANDS.

THAT'S QUITE THE LUXURY ISN'T IT?

YEAH, BUT I WON'T APPRECIATE IT UNTIL IT'S GONE.

I WAS THINKING ABOUT GETTING A JOB BUT...

WITH SCHOOL STARTING IN THREE WEEKS THERE REALLY WOULDN'T BE A POINT.

IT WOULD KIND OF TAKE AWAY FROM ME BEING HERE WITH YOU GUYS.

WE WOULDN'T WANT THAT.

EVEN THOUGH SHE WON'T ADMIT IT...

ABBY LIKES IT WHEN YOU'RE HERE.

THEY TREATING YOU GOOD, CAROLINE?

THEY'RE NICE. ABIGAIL LET ME WATCH HER PAINT TODAY BEFORE-

BEFORE WHAT?

NOTHING.

Adelaide: WE THINK ONE OF THE SQUIRRELS GOT IN THE HOUSE.

THEY DID A NUMBER ON THE CLOSET DOOR IN THE GUEST ROOM.

I WAS THINKING MAYBE THEY CAME IN THROUGH ONE OF THE VENTS.

THE GIRLS HEARD SCRATCHING AND GOT REALLY SCARED.

HM. GUESS I BETTER SET THOSE TRAPS SOONER THAN LATER.

SO, DAD. WHAT'S THE GOOD NEWS?

WHAT DO YOU MEAN?

WE ONLY GET TAKEOUT ONCE A WEEK. AND WE ALREADY HAD PIZZA ON TUESDAY.

NOT TO MENTION WHAT YOU HAVE IN THOSE BAGS IN THE LIVING ROOM.

YOU'RE EITHER PLANNING ON KILLING US ALL TONIGHT OR SOMETHING GOOD IS UP.

WELL...

AS YOU LADIES HAVE NOTICED, I'VE BEEN SPENDING A LOT OF TIME AWAY FROM HOME.

I'VE BEEN WORKING LONGER, LATER HOURS.

HEAVEN KNOWS I KNOW YOU GIRLS WAKE UP A COUPLE OF TIMES A WEEK AND I'M NOT HERE.

LAST WEEK TREVOR ASKED ME TO START WORKING ON A NEW PROJECT.

HE ASKED ME TO PUT TOGETHER A BUSINESS PROPOSAL HE WANTS TO SHOW INVESTORS.

SO I DID. SHOWED IT TO HIM AND THE BOARD.

AND AS OF TODAY, I GOT A RAISE.

Jack: AND A BONUS UP FRONT.

WAY TO GO, DAD.

SO, UH... HOW MUCH IS THE BONUS?

SIGNIFICANT.

ENOUGH THAT... WE WON'T HAVE TO WORRY ABOUT BUDGETING FOR A WHILE.

DOES THIS MEAN YOU'LL BE HOME MORE?

WELL, YOU'LL STILL SEE ME AT DINNER. YOU SEE ME IN THE MORNING.

BUT UNTIL THIS PROJECT IS OVER, I'VE GOT TO PUT IN HOURS.

WHEN DO YOU SLEEP?

YOU WORRIED ABOUT ME?

[ somber, dreamy music ]

I'M TOO OLD TO GET TUCKED IN, DAD.

YOU'RE NEVER TOO OLD FOR THIS.

YOU OKAY?

YEAH. I'VE JUST BEEN THINKING ABOUT HER A LOT THE PAST WEEK.

ANY PARTICULAR REASON?

I DON'T KNOW. IT'S JUST LIKE I FEEL HER AROUND OR SOMETHING.

I THOUGHT...

MAYBE BECAUSE... CAROLINE WAS SITTING IN HER CHAIR.

I MEAN, NO ONE'S SAT THERE SINCE.

I'M SORRY. MAYBE I SHOULDN'T HAVE LET HER STAY THERE.

NO IT'S FINE. MOM WOULD BE HAPPY...

I THINK THAT... WE'RE TAKING GOOD CARE OF HER.

SHE LIKED HELPING PEOPLE.

SHE DID, DIDN'T SHE?

BUT... I KNOW SHE WOULDN'T BE HAPPY THAT YOU'RE NOT GETTING ENOUGH SLEEP.

YOU WORRIED ABOUT THAT?

I REMEMBER WHAT HAPPENED LAST TIME.

LOOK...

I HAVEN'T TOUCHED A CAN OR A BOTTLE...

ANY KIND OF ALCOHOL, SINCE YOUR MOTHER MADE ME PROMISE NOT TO.

AND YOU WON'T?

SCOUT'S HONOR.

GOODNIGHT, SWEETIE.

[ somber music continues ]

WHAT'S A MATTER?

I'M OKAY. WHAT'S UP?

I GOT A VOICEMAIL FROM MOM'S OLD NUMBER TODAY.

WHEN? HOW DO YOU KNOW?>>I KNOW IT WAS HER.

IT WAS HER NUMBER. I STILL HAVE IT SAVED IN MY PHONE AND I WOULDN'T FORGET IT.

DID YOU LISTEN TO THE MESSAGE?

NO. THE NOTIFICATION WOKE ME UP BUT I WAS TOO AFRAID TO PLAY IT.

LOOK, SOMEONE ELSE PROBABLY HAS MOM'S NUMBER BY NOW.

AND THERE'S A CHANCE IT COULD'VE GOTTEN MIXED UP IN THE CONTACTS.

MAYBE.

SHOULD WE LISTEN TO IT?

[ static ]

Ashley: THIS IS YOUR MOTHER. I'VE MISSED YOU.

Ashley: PLEASE CALL ME BACK.

[ message ends ]

THAT VOICE...

THERE WAS STATIC, AND... [ mysterious music ]

IT WAS REALLY FAST.

BUT, I GOT A CALL FROM THE SAME NUMBER.

CAN I HEAR IT? >>I DELETED IT. I DIDN'T REALIZE IT WAS HER.

[ sighs ]

LIKE I SAID, IT COULD JUST BE A MIX UP WITH THE CONTACTS.

SHOULD WE CALL IT BACK? YOU KNOW, JUST TO SEE WHO IT IS?

IT'S LATE.

THEY CALLED ME A MINUTE AGO.

[ haunting music ]

WHAT?

IT WAS DISCONNECTED.

[ haunting music continues ]

TRY NOT TO THINK ABOUT IT, OKAY?

LET'S GET TO BED.

[ phone ringing ]

[ baby crying ]

[ baby fussing ]

[ scary music ]

[ loud, raspy breathing ]

[ Caroline's frightened breathing ]

[ closet door shifts, breathing continues ]

ABBY.

Caroline: ABBY.

ADELAIDE.

[ raspy breathing continues, closet door rattles ]

[ Caroline screaming ]

[ phone ringing ]

[ Caroline screams ]

Adelaide: STAY THERE!

[ banging on door ] CAROLINE!

[ Caroline screaming ]

Adelaide: CAROLINE, CAROLINE, IT'S OKAY.

[ Caroline screaming ] Adelaide: CAROLINE, NOTHING'S HERE. NOTHING'S GOING TO HURT YOU.

[ Caroline screaming ] Adelaide: NOTHING'S GOING TO HURT YOU.

Adelaide: NOTHING'S GOING TO HURT YOU.PP

I DON'T WANT IT! I DON'T WANT IT!

CAROLINE, IT'S OKAY. CAROLINE IT'S JUST ME. IT'S JUST ME.

NOTHING'S HERE. NOTHING'S GOING TO HURT YOU.

OKAY? LOOK AT ME - LOOK. IT'S JUST ME.

IT'S JUST ME.

IT'S OKAY. NOTHING'S GOING TO HURT YOU. I'M GOING TO PROTECT YOU.

IT'S OKAY. IT'S OKAY.

[ calming music ]

SHE MIGHT HAVE NIGHT TERRORS.

NIGHT TERRORS?

EXTREMELY VIVID NIGHTMARES.

THERE'S NOT REALLY AN EXPLANATION FOR THEM, BUT...

SOMETIMES IF YOU'VE GONE THROUGH A TRAUMATIC EXPERIENCE

YOU HAVE THESE REALLY VIVID DREAMS AT NIGHT.

YOU THINK SOMETHING BAD HAPPENED TO HER?

I DON'T KNOW. DAD HASN'T TOLD ME HER STORY YET.

BUT... MAYBE HE'S TALKING TO HER PARENTS AT WORK?

HAS SHE SAID ANYTHING TO YOU?

NO. AND I DON'T WANT TO BRING IT UP EITHER.

I KINDA LIKE NOT KNOWING.

THE BLISS OF IGNORANCE.

I GUESS, WHEREVER SHE'S FROM SHE'S NOT THERE RIGHT NOW FOR A REASON.

AND I'M NOT THE ONLY ONE MOM RUBBED OFF ON.

DAD WON'T LET HER GO BACK ANYWHERE IF IT'S NOT SAFE.

WHENEVER THAT IS.

I KINDA HOPE THAT'S NOT ANYTIME SOON.

ME TOO.

[ creepy music ]

[ muffled scream ] [ intense, energetic music ]

[ punching Mugger's arm ]

[ muffled crying ]

[ gasping ]

[ muffled screaming ]

[ screams, breathing heavy ]

[ breathing calms ]

[ knock at door ]

YOU OKAY?

UH... YEAH.

OKAY.

[ door closes ]

[ ominous music ]

REALLY? [Adelaide laughs ]

WHAT ARE YOU WATCHING?

SOMETHING STUPID. >>LIKE WHAT?

A GIRL ROLLING AROUND ON THE FLOOR.

[ laughs ] FORGET YOU ABBY.

WHAT'S UP?

Abigail: NOTHING, IT DOESN'T MATTER.

IS THIS ABOUT THE PHONE CALLS?

THAT TOO.

WHY DIDN'T YOU ANSWER?

I WAS SCARED.

I STILL AM, I...

I DON'T KNOW, I DON'T THINK WE'RE SUPPOSED TO ANSWER CALLS LIKE THAT.

BUT WHAT IF IT WAS MOM, SOMEHOW?

THERE'S NO WAY TO KNOW FOR SURE.

WHAT ELSE IS BUGGING YOU?

I HAD A NIGHTMARE.

NOT SURPRISING AFTER LAST NIGHT'S EPISODE WITH CAROLINE.

NO, BUT IT WASN'T LIKE A NORMAL NIGHTMARE.

WHAT DO YOU MEAN? >>Abigail: IT WAS ALMOST LIKE I WAS WATCHING A MOVIE.

I COULD SEE YOU IN YOUR ROOM AND THESE TWO MEN DRESSED IN ALL BLACK CAME IN.

Abigail: THEY CUT YOU AND THEY SPILLED YOUR BLOOD INTO THIS BOWL.

[ eerie music ]

Abigail: THERE WAS A...

WOMAN IN WHITE, AND...

SHE HAD LONG, RED HAIR.

Abigail: I DON'T KNOW, I WOKE UP BEFORE SHE COULD DO ANYTHING.

BUT, THAT'S WHY I CAME INTO YOUR ROOM THIS MORNING.

JUST TO MAKE SURE IT WAS JUST A DREAM.

IT WAS.

[ outdoor noises ] [ music fades ]

Tiffany: THAT MUST HAVE BEEN HORRIBLE.

Adelaide: I'M OKAY. I'M JUST A LITTLE BIT SHAKEN UP.

YOU WATCH ENOUGH CORPSE HUSBAND, URMAKER YOUTUBE VIDEOS...

AND YOU KNOW THAT THIS STUFF HAPPENS. A LOT.

YOU JUST NEVER EXPECT IT TO HAPPEN TO YOU.

WELL, I'M GLAD YOU'RE OKAY.

YOU KNOW, THE RESERVOIR IS A VERY NICE PLACE TO BE.

[ laughs ] IT IS, BUT...

TO BE HONEST. THE MUGGERS WASN'T THE SCARIEST PART OF MY LAST WEEK.

WHAT DO YOU MEAN?

DO YOU BELIEVE IN THE SUPERNATURAL?

YOU'RE GOING TO THINK I'M CRAZY IF I KEEP TALKING.

NO NO NO NO NO. BUT... WHAT DO YOU MEAN BY SUPERNATURAL?

UNEXPLAINED PHENOMENA. GHOSTS...

I DON'T BELIEVE IN GHOSTS.

OKAY...

BUT I DO BELIEVE IN GOD, AND IN SPIRITS.

ANGELS AND DEMONS.

YOU BELIEVE IN GOD, BUT YOU DON'T BELIEVE IN GHOSTS.

BETTER THAN BELIEVING IN GHOSTS AND NOT GOD.

TOUCHE.

SO, WHY DO YOU ASK? IS YOUR HOUSE HAUNTED?

ACTUALLY, I'M BEGINNING TO THINK IT MIGHT BE.

IT'S LITTLE THINGS HERE AND THERE BUT IT'S ADDING UP.

OUR WINDOWS ARE OPENING ON THEIR ON.

THINGS ARE IN PLACES THAT I KNOW I DIDN'T PUT THEM.

AND MY SISTERS ARE STARTING TO SEE THINGS...

SISTERS? I - I THOUGHT...

OH, I MEANT CAROLINE.

SHE'S LIVING WITH US, SHE'S OUR FOSTER SISTER FOR NOW.

GOT IT.

BUT, SOMETHING REALLY FREAKED THEM OUT YESTERDAY.

ARE YOU SURE THERE'S NOT A RATIONAL EXPLANATION?

THAT'S WHAT I WAS THINKING BUT THEN I HAD THE MOST VIVID, FREAKY NIGHTMARE.

AND IN THE MORNING, I COULD TELL THERE WAS SOMETHING WRONG WITH MY SISTER.

THEN SHE TOLD ME THAT SHE HAD A NIGHTMARE, TOO.

DETAIL FOR DETAIL, IT WAS EXACTLY WHAT I DREAMED.

EXACTLY.

THAT HAS TO MEAN SOMETHING DOESN'T IT?

DREAMS ARE FROM OUR SUBCONSCIOUS.

SO, FOR TWO PEOPLE TO HAVE THE EXACT SAME DREAM...

PERHAPS OUR SUBCONSCIOUS SELVES GOT MIXED UP.

OR SOMETHING INTERFERED. SOMETHING SUPERNATURAL.

POSSIBLY. WAS THERE SOMETHING IN THE DREAM THAT MIGHT BE HAUNTING THE HOUSE?

WHAT DID YOU SEE?

WELL, THE MUGGERS WERE IN IT.

AND...

THERE WAS THIS WOMAN.

LONG, RED HAIR. WHITE DRESS. [ scary music ]

FREAKY NAILS.

HAVE YOU SEEN HER BEFORE?

Adelaide: IN A HORROR MOVIE, MAYBE. >>BUT NEVER IN PERSON.

HELL NO. I WOULD'VE REMEMBERED THAT.

THAT'S MY SISTER, NOW.

[ ominous music ]

WHAT IS IT?

[ ominous music continues ]

[ phone ringing ]

[ phone beeps ]

[ static ] Ashley: ABIGAIL, WHY WON'T YOU ANSWER ME?

Ashley: I NEED TO TELL YOU SOMETHING - VERY IMPORTANT.

YOU HAVE TO BE CAREFUL. CAROLINE ISN'T WHAT YOU THINK SHE IS.

I WANT YOU TO BE SAFE.

Adelaide: WHAT DID YOU DO? [ Adelaide screams ]

[ eerie music ]

Adelaide: I HEARD IT'S DANGEROUS TO ANSWER MESSAGES OR PHONE CALLS FROM THOSE NUMBERS.

IT PROBABLY IS.

YOU DON'T THINK I'M JUST BEING SUPERSTITIOUS?

WHAT COULD HAPPEN?

I HAD SOME EXPERIENCE WITH THE SUPERNATURAL A WHILE AGO.

MY PASTOR SHOWED ME SOMETHING THAT THE JEWS USED TO BELIEVE IN ONE OF THEIR RABBINICAL BOOKS.

Tiffany: THEY SAID IT WAS FORBIDDEN TO GREET A FRIEND OUTSIDE AFTER DARK.

BECAUSE THE DEMONS COULD IMPERSONATE PEOPLE.

AND THAT IF YOU TALKED TO THEM,

YOU WERE ALLOWING THEM TO COME AFTER YOU.

THAT SOUNDS A LITTLE FAR OUT.

MAYBE, BUT I THINK YOU'RE RIGHT NOW TO ANSWER THE CALL.

Tiffany: IF IT IS SOMETHING, I DON'T THINK IT'S YOUR MOM.

Tiffany: AND IF IT'S NOT HER - WHATEVER IT IS - IT'S USING HER NUMBER FOR A REASON THAT ISN'T GOOD.

YOU THINK LISTENING TO MESSAGES FROM IT COULD BE DANGEROUS?

I WOULDN'T LISTEN IF YOU PAID ME.

I HAVE TO TALK TO ABBY.

OKAY, WELL WILL YOU BE BACK TOMORROW?

YEAH, BUT JUST IN CASE DO YOU HAVE A CELL PHONE?

YEAH.

HOW ABOUT YOU TAKE MY NUMBER DOWN?

LESS CREEPY THAT WAY AND THEN WE CAN TALK WHENEVER YOU WANT?

SURE.

[ somber piano music ]

[ door opens and closes ]

WHAT'S THIS FOR?

FOR YOU. TO HELP YOU FEEL BETTER.

THANK YOU.

I THINK MY DAD USED TO BRING ONE TO ME AND MY MOM WHENEVER WE HAD BAD DAY.

THAT'S A GOOD IDEA.

SHE WAS PRETTY.

SHE WAS.

WERE YOU GUYS CLOSE? YOUR FAMILY?

WE HAD SOME... ROUGH TIMES.

Abigail: ESPECIALLY WHEN DAD WAS WORKING OVERTIME.

HE WAS GONE A LOT?

HE WAS. AND SOMETIMES IF HE WASN'T GONE...

WE WISHED HE WAS.

HE'S A GOOD DAD BUT, WHEN HE GETS STRESSED AND STARTS DRINKING...

HE'S DIFFERENT.

HE AND MOM GOT INTO A REALLY BIG FIGHT ONE DAY.

Abigail: AND HE PROMISED HE WOULD CHANGE. AND HE DID, BUT...

THEN SHE LEFT US.

YOU MISS HER TODAY?

EVERYDAY. BUT TODAY'S A LITTLE WORSE.

WHY?

Abigail: I'M NOT SURE.

I GUESS I'M JUST REMINDED OF HER MORE.

WOULDN'T MEMORIES OF HER MAKE YOU FEEL BETTER? THE GOOD MEMORIES?

Abigail: SOMETIMES THEY DO, BUT... SOMETIMES IT JUST MAKES IT WORSE.

I GUESS BECAUSE IN THE BACK OF MY MIND, I KNOW THAT...

Abigail: WE'LL NEVER MAKE ANY NEW MEMORIES.

Abigail: SHE WON'T SEE ME GROW UP. GRADUATE. HAVE KIDS OF MY OWN SOME DAY.

SHE WON'T SEE ANY OF IT.

WHAT ABOUT YOUR PICTURES?

WHAT ABOUT THEM? >>WELL, YOU COPY OLD PICTURES.

THOSE ARE MEMORIES, SO DRAW NEW ONES. WHATEVER YOU WANT THEM TO BE.

THAT'S A GOOD IDEA. JUST... DRAW NEW MEMORIES.

[ footsteps running to door and door opens ]

[ somber piano music continues ]

[ door opens ]

WHAT ARE YOU DOING?

MAKING YOU FEEL BETTER.

[ Abigail laughs ]

[ eerie music ]

Megan: TRACEY AND I WERE GOOFING AROUND IN THE BACK. MY BROTHER WAS AT THE WHEEL.

Megan: HE WAS OUR DESIGNATED DRIVER. WE WERE BOTH PRETTY WASTED.

Megan: NEXT THING I KNOW HE CURSES AND THE CAR SWERVES.

Megan: WE GET THROWN AROUND LIKE RAG DOLLS IN THE BACK

Megan: AND END UP GOING RIGHT INTO A TELEPHONE POLE.

Megan: I LOOKED UP AND SAW HER WALKING OFF INTO THE CORNFIELD.

STAGGERING. BLOOD ALL OVER HER.

IT WAS AWFUL.

GREG SAID SHE JUST SHOWED UP IN THE MIDDLE OF THE ROAD - THAT HE TRIED TO AVOID HER BUT...

WE MUST HAVE HIT HER SO WE ALL GOT OUT AND LOOKED FOR HER.

THE BLOOD...

Megan: THE BLOOD WENT ON FOREVER.

WE NEVER FOUND HER SO WE CALLED THE POLICE.

WHEN THEY GOT THERE THE BLOOD WAS GONE.

THEY THOUGHT WE WERE PLAYING SOME KIND OF PRANK AT FIRST, BUT...

FROM HOW SCARED WE ALL WERE THEY MUST HAVE BELIEVED US SO...

THEY TOLD US TO BE CAREFUL AND THAT THEY'D CALL US IF THEY FOUND ANYTHING.

IT WAS QUIET THAT NIGHT AT HOME, BUT...

THE NEXT DAY TRACEY FOUND THIS DRESS IN HER CLOSET THAT SHE'D NEVER SEEN BEFORE.

AND IT LOOKED JUST LIKE THE ONE THE GIRL HAD BEEN WEARING.

Megan: WEIRD THINGS STARTED HAPPENING AROUND ALL OF US. WE KEPT SEEING THINGS.

Megan: SEEING HER.

WE THOUGHT, MAYBE... MAYBE SHE WANTED REVENGE BUT...

IT WAS MORE THAN THAT.

I THINK SHE PICKED US.

TO KILL US.

ALL OF US.

AND WHAT HAPPENED?

ONE NIGHT I WOKE UP AND THERE WAS SOMETHING...

PUSHING DOWN ON MY CHEST.

I FELT HANDS AROUND MY THROAT, SQUEEZING.

BUT, I DIDN'T SEE ANYTHING.

JUST AS I WAS ABOUT TO FADE OUT, MY BROTHER RAN IN AND SCREAMED.

WHATEVER IT WAS LET GO, BUT...

WHEN WE LOOKED OUT THE WINDOW WE SAW HER WATCHING US.

AND THE WORD 'TRADE' WAS WRITTEN THERE IN BLOOD.

GREG HELD ME WHILE I CRIED, TOLD ME EVERYTHING WAS GOING TO BE OKAY.

THAT HE'D PROTECT ME.

I WAS SO SCARED BUT, FROM THE LOOK IN HIS EYES I KNEW HE WAS GOING TO DO WHATEVER-

-IT TOOK TO KEEP ME SAFE, BUT...

I DIDN'T EXPECT HIM TO DO WHAT HE DID.

HE... [ crying ]

HE TOOK TRACEY OUT INTO THE CORNFIELD AND HE KILLED HER.

TO TRADE HER FOR ME.

AND THEN ON HIS WAY HOME I GUESS HE COULDN'T LIVE WITH HIMSELF, HE...

WE KNOW. IT'S OKAY.

[ crying ]

YOU SAID YOU KNEW SHE WASN'T OUT FOR REVENGE.

WHY DID YOU THINK THAT?

WE DIDN'T HIT ANYONE THAT NIGHT. GREG WAS SURE THAT HE HAD MISSED HER.

AND THE BLOOD DISAPPEARED BY THE TIME THE COPS GOT THERE.

WE KNEW THERE WAS SOMETHING ELSE TO IT.

IT WASN'T ABOUT GETTING US BACK FOR KILLING HER OR ANYTHING LIKE THAT.

WE WERE JUST IN THE WRONG PLACE AT THE WRONG TIME AND WE PAID FOR IT.

YOU HAVEN'T SEEN ANYTHING SINCE THEN?

Megan: ONLY WHEN I LOOK.

Megan: I SEE FLASHES OUT OF THE CORNER OF MY EYES, SHADOWS...

THINGS LIKE THAT, BUT... OTHERWISE NO.

I THINK SHE GOT WHAT SHE WANTED.

[ somber piano music ]

Abigail: ALRIGHT, UH - PUT A LITTLE MORE PRESSURE HERE TO MAKE IT DARKER.

LIKE... THAT.

I KNOW HOW TO MAKE IT LOOK EVEN BETTER.

HOW? ME DO IT FOR YOU?

YEP!

YOU'RE NEVER GOING TO LEARN THAT WAY.

THAT'S LOOKING PRETTY GOOD CAROLINE.

THANKS!

DID YOU EVER DRAW AT HOME?

I DON'T THINK SO.

WHAT DID YOU DO WITH YOUR SISTERS?

OR BROTHERS?

I DON'T THINK I HAVE ANY.

YOU DON'T... THINK?

I DON'T REALLY KNOW YET.

THAT'S OKAY, CAROLINE. IT'S FINE, THAT'S NOT BAD.

Abigail: LOOK JUST STAY RIGHT HERE AND DRAW.

WE'LL BE RIGHT BACK. I NEED TO GO TELL ADDIE SOMETHING.

WHAT WAS THAT ALL ABOUT?

SHE DOESN'T REMEMBER ANYTHING.

OBVIOUSLY, THAT'S NOT COOL.

DAD SAID HER MEMORY WOULD COME BACK OVER TIME.

Adelaide: WE CAN HOPE SO BUT SHE NEEDS A DOCTOR.

A PSYCHIATRIST. SOMEONE MEDICAL WHO KNOWS HOW TO DEAL WITH THIS SORT OF THING.

AMNESIA IS NO JOKE.

THIS IS BIGGER THAN HER PARENTS JUST NOT BEING ABLE TO TAKE CARE OF HER FOR A FEW DAYS.

HER PARENTS WANTED HER HERE!

I KNOW, BUT... MAYBE THAT'S NOT THE RIGHT THING TO DO.

THAT'S NOT OUR CHOICE TO MAKE. IT'S UP TO DAD. AND THEM.

[ sighs ]

LOOK, JUST DON'T BRING IT UP IN FRONT OF HER.

OKAY? NOT NOW. SHE JUST GETS TOO UPSET.

FAIR ENOUGH.

YOU WANT TO TELL ME WHAT HAPPENED EARLIER?

I DIDN'T WANT TO SHOW YOU IN FRONT OF HER BECAUSE OF THE NIGHT TERRORS.

Ashley: YOU HAVE TO BE CAREFUL. CAROLINE ISN'T WHAT YOU THINK SHE IS.

I WANT YOU TO BE SAFE.

Adelaide: WHAT DID YOU DO?

THAT WAS MOM.

HOW DID YOU DO THAT? >>I DIDN'T.

YOU HAD TO.

THAT SOUNDED LIKE MY VOICE AT THE END AND IT SOUNDED LIKE MOM-

I DIDN'T DO ANYTHING.

I THINK SHE'S TRYING TO REACH US.

BUT... >>WE HAVE TO TRY TO CONTACT HER.

HOW WOULD WE DO THAT?

I DON'T KNOW...

WE COULD TRY AN EVP.

ELECTRONIC VOICE PHENOMENON.

YEAH, WE COULD TAKE A RECORDING AND PLAY IT BACK. SEE IF SHE ANSWERS.

I DON'T THINK THAT'S A GOOD IDEA.

WHY NOT?

LET'S JUST THINK ABOUT IT.

MOM WASN'T THE ONE GIVING US NIGHTMARES AND YOU DEFINITELY DIDN'T SEE HER IN THE CLOSET.

SOMETHING ELSE IS HERE TOO.

AND IF WE OPEN A DOOR FOR MOM THEN... WE COULD BE LETTING IT IN.

WE'LL FIGURE IT OUT, BUT...

LET'S JUST TAKE OUR TIME.

OKAY?

WE NEED TO FIND OUT MORE ABOUT ANNA KUARI.

WHY WOULD YOU WANT TO?

DIDN'T YOU HEAR WHAT SHE SAID?

WHAT?

ONLY WHEN SHE LOOKS.

I DON'T KNOW EVERYTHING THAT HAPPENED WITH YOU AND CORRINE AND YOUR SISTER.

BUT WHATEVER IT WAS, YOU SURVIVED.

I HATE THAT YOUR SISTER DIDN'T. WE ALL DO.

CORRINE DOESN'T EVEN THINK SHE'LL EVER GET OVER IT.

BUT WHATEVER YOU'RE AFTER...

IT'S NOT GOING TO END WELL.

AS CRAZY AS IT SOUNDS, IF THIS IS A REAL ENTITY

SHE ALREADY KNOWS YOU'RE LOOKING FOR HER [ somber music ]

AND I'M ABSOLUTELY POSITIVE HEATHER WOULD NOT WANT YOU DOING THIS.

SO WE SHOULD JUST LET THIS KEEP HAPPENING?

THAT THING THAT KILLED MY SISTER IS GOING TO KILL MORE PEOPLE.

BUT NO I SURVIVED SO I SHOULD JUST BE HAPPY AND MOVE ON WITH MY LIFE IS THAT IT?

WHAT ELSE CAN YOU DO?

I DON'T KNOW.

BUT IF I DON'T DO SOMETHING OTHER PEOPLE I KNOW ARE GOING TO GET HURT.

WHO?

I MET SOMEONE.

SHE MIGHT HAVE SEEN ANNALISA IN ONE OF HER NIGHTMARES.

I'M NOT CERTAIN BUT IF IT IS HER,

I WANT TO HELP.

ANNA KUARI?

YES.

CORRINE'S MOM TOLD HER ABOUT THE FOREIGNER WHO USED TO LIVE AROUND HERE WHEN IT HAPPENED.

HE WORSHIPPED ANNA KUARI.

HE INSTIGATED EVERYTHING.

SHE TOLD ME A LITTLE BIT ABOUT THAT.

THERE WAS A MAN. SUNDEEP CHALISANI.

HE DIED SIX MONTHS AFTER ANNALISA'S DISAPPEARANCE.

FOUL PLAY WAS SUSPECTED BUT NOTHING EVER CAME OF IT.

I COULD LOOK HIM UP.

SEE WHAT I CAN FIND.

Adelaide: [ voice over ] I DON'T KNOW EXACTLTY WHAT DAD BUT SOMETHING'S GOING ON HERE.

Adelaide: WE BOTH HAD THE SAME NIGHTMARE. THE VOICE AND THE SOUNDS IN THE RECORDING.

WHAT HAPPENED WITH THE WINDOWS LAST WEEK. THE GIRLS KEEP SEEING AND HEARING THINGS.

SOMETHING IS UP.

I THINK IT'S MOM. MAYBE SHE'S TRYING TO REACH US.

Adelaide: WHATEVER SAID HER NAME SOUNDED LIKE MOM.

YOU HEARD IT.

AND THERE'S SOMETHING ELSE HERE, TOO.

WE SAW IT IN THE CLOSET YESTERDAY.

OKAY.

CAN I GO TO BED NOW?

DAD!

I'M SORRY GIRLS. [ laughs ]

THIS IS RIDICULOUS.

WELL HOW WOULD YOU EXPLAIN WHAT'S BEEN HAPPENING TO US?

OR THE MESSAGE?

YOU'RE JUST GOING TO DISMISS EVERYTHING WITHOUT EXPLANATION?

OH, I'VE GOT EXPLANATIONS.

LOOK...

ABIGAIL HEARD YOU TALKING TO THE POLICE OFFICER IN HER SLEEP.

YOU BOTH HAD A NIGHTMARE ABOUT A PRETTY SCARY REAL-LIFE SITUATION.

THE VOICEMAILS...

Jack: 21ST CENTURY. EVERYTHING GOES THROUGH THE AIR.

IT'S BOUND TO GET MIXED UP.

ABIGAIL AND CAROLINE HAVE VERY ACTIVE IMAGINATIONS.

I'M SURE SOMETHING IN THEIR CLOSET LOOKED LIKE A GHOST.

THE FOOSTEPS?

PROBABLY THE HOUSE SETTLING. OR THE CONSTRUCTION FROM DOWN THE STREET.

DID I MISS ANYTHING?

I DIDN'T TELL THE POLICE OFFICER WHAT SHE LOOKED LIKE.

WHAT?

ABBY DREAMED OF A GIRL WITH RED HAIR, WEARING A WHITE DRESS.

I DIDN'T TELL THE OFFICER THAT.

I JUST TOLD HIM THAT ONE OF THE MEN SAW A WOMAN I COULDN'T SEE.

HUH.

Adelaide: AND WHAT ABOUT THE WINDOWS THAT NIGHT?

I CLOSED THEM ALL. TURNED AROUND. AND THEY WERE OPEN AGAIN.

I DON'T KNOW.

BUT WHATEVER THE EXPLANATION.

DOESN'T MEAN THE HOUSE IS HAUNTED.

LET'S NOT GET AHEAD OF OURSELVES.

HOW DO YOU KNOW IT'S NOT MOM? WHY WOULDN'T SHE BE TRYING TO TALK TO US?

OR WARN US?

Jack: LOOK, MAYBE SHE IS HONEY.

BUT I DON'T THINK THERE'S ANYTHING ELSE THERE.

AND I WOULDN'T GO LOOKING FOR MESSAGES FROM MOM.

Jack: WHETHER I BELIEVE IT OR NOT, I THINK IT'S DANGEROUS.

CAN'T WE CALL SOMEONE TO MAKE SURE?

LIKE WHO, THE GHOSTBUSTERS?

WE'RE SCARED, DAD. ALL OF US.

YOU CAN CALL PEOPLE WHO CAN INVESTIGATE THESE THINGS.

YEAH, THAT'LL GO OVER GREAT IN THIS NEIGHBORHOOD.

LOOK, IT'S LATE AND I HAVE A LONG DAY TOMORROW.

I WANT TO GET SOME SLEEP.

I WANT YOU GIRLS TO DROP THIS.

I DON'T WANT TO HEAR ANY MORE TALK ABOUT GHOSTS OR HAUNTINGS. OKAY?

I HAVE ENOUGH STUFF TO WORRY ABOUT.

WHAT ARE YOU SCARED OF?

NOTHING. I'M TIRED.

ARE YOU SURE?

YEAH.

GOODNIGHT.

[ unsettling music ]

[ object slams ]

[ breathing heavy ]

[ screams ]

[ frightened breathing ]

[ suspenseful music ]

[ quiet demonic breathing ]

WHAT IS THAT NOISE?

I DON'T KNOW.

SHOULD WE GO GET ADDIE?

[ demonic breathing gets louder ]

[ demonic breathing ]

[ demonic roar ] [ girls screaming ]

[ creepy music ]

ABIGAIL?

ABIGAIL IS THAT YOU?

CAROLINE?

IF YOU GUYS ARE PLAYING A GAME YOU NEED TO STOP.

NOW.

I HAVE A KNIFE, YOU CAN'T JUMP OUT AT ME.

[ steps creaking ]

ABIGAIL?

[ eerie, suspenseful music ]

[ metallic cling ]

Quiet Voice: DON'T LOOK.

ABBY?

I'M GOING TO KILL BOTH OF YOU, SERIOUSLY.

Caroline: YOU CAN'T ANSWER HER. IT'LL HEAR YOU.

Abigail: IT KNOWS WE'RE HERE ANYWAY. WE CAN'T LEAVE HER OUT THERE WITH IT.

Abigail: WHAT IF IT GETS HER?

Caroline: IT'LL GET ALL OF US IF YOU MAKE A NOISE.

GIRLS?

Caroline: DO NOT ANSWER. IT'S RIGHT BEHIND HER. CAN'T YOU SEE IT?

Abigail: IT'S GOING TO KILL HER.

Abigail: LOOK.

Abigail: LOOK.

Abigail: LOOK!

[ breathing heavy ]

COME ON OUT OF THERE.

I WON'T LET ANYTHING HURT YOU.

Caroline: THEY'RE IN THERE.

[ demonic roar ]

Abigail: ADDY!

ADDY, ARE YOU OKAY?

[ guttural growl ] WE HAVE TO GET OUT OF HERE, NOW!

GO! GO! GO!

[ door closes and locks ]

[ Adelaide breathing heavy ]

I CAN'T. I CAN'T. I CAN'T.

[ crying ]

IT TOUCHED ME. THEY'RE NOT SUPPOSED TO DO THAT.

[ panicked breathing ]

[ Adelaide crying ]

Caroline: RELAX.

BREATHE.

BREATHE.

DON'T LOOK.

WE'RE SAFE IN HERE.

[ mystical, peaceful music ]

[ serene, methodical music ]

[ pages shuffling ]

[ phone vibrating ]

Tiffany: HEY.

LISTEN, REMEMBER WE TALKED ABOUT SUNDEEP?

Tiffany: YEAH.

I WENT TO HIS HOUSE LAST NIGHT.

WITHOUT ME?

I WASN'T GOING TO TAKE YOU THERE, IT'S TOO DANGEROUS.

ALL THE MORE REASON I SHOULD COME.

I WON'T ARGUE WITH THAT.

LISTEN, I FOUND A BOOK INSIDE THE HOUSE

WITH STRANGE SYMBOLS AND IMAGES WRITTEN IN HINDI.

I HAVE A COWORKER WHO KNOWS LIKE A MILLION LANGUAGES.

SO I ASKED HER IF SHE COULD LOOK OVER IT THIS MORNING.

LIKE I THOUGHT, IT'S A BOOK ABOUT HINDU DEITIES AND CUSTOMS.

AND ANNA KUARI?

THERE WAS A PASSAGE ABOUT HER.

IT WAS A SMALL ONE SO SHE TRANSLATED IT FOR ME.

'ANNA KUARI REQUIRES A BLOOD SACRIFICE

IN ORDER TO BLESS THE HARVEST OF HER WORSHIPERS.

SHE THEN TAKES UP RESIDENCY IN THE HOME OF THE PERSON WHO MADE THE OFFERING.

IN THE FORM OF A SMALL CHILD.

[ ominous music ]

WHILE SHE'S IN THE HOME SHE BLESSES THAT PERSON WITH PROSPERITY.

BE IT CROPS OR I GUESS IN MORE MODERN INTERPRETATIONS

GENERAL INCOME.

SHE STAYS FOR A WHILE

AND EVENTUALLY KILLS THE INHABITANTS OF THE HOME BEFORE MOVING ON.

UM... SO...

IT SOUNDS LIKE IN YOUR CASE SHE COULDN'T MAKE IT THAT FAR.

BECAUSE HEATHER DIDN'T SACRIFICE CORRINE OR ANYONE ELSE.

WHICH IS WHAT ANNA WANTED.

SHE GAVE HERSELF.

SO, I THINK THIS... SPIRIT

ATTACHES ITSELF TO WHOEVER MADE THE OFFERING AND INHABITS THE HOME THAT WAY.

IN THE FORM OF A SMALL CHILD.

WELL, YES ACCORDING TO THIS, BUT...

HOW CAN WE KNOW WHAT PARTS ARE REAL AND WHAT PARTS HAVE BEEN EMBELLISHED?

RIGHT?

[ ominous music continues ]

[ somber, slow guitar music ]

Tiffany: I'VE BEEN TRYING TO FIND OUT MORE ABOUT HER.

THE DEMON.

YOU'RE SURE THAT'S WHAT'S BEHIND THIS?

I KNOW YOU DON'T BELIEVE IN GHOSTS, BUT...

I'M POSITIVE.

THEY DIDN'T FIGURE IT OUT UNTIL IT WAS TOO LATE, BUT...

IT WAS NEVER ABOUT ANNALISA.

JUST ANNA KUARI.

YOU THINK I SHOULD TRY TO CONTACT IT? OUIJA BOARD, OR...

ONLY IF YOU WANT TO MAKE IT WORSE.

Adelaide: WELL, WE HAVE TO DO SOMETHING.

Adelaide: MY DAD'S NOT GOING TO HIRE A PARANORMAL INVESTIGATOR, AND...

UNLESS WE HAVE SOME KIND OF PROOF, HE'S NOT GOING TO GET A PRIEST IN HERE, EITHER.

WELL, WHY DON'T YOU JUST DO THE INVESTIGATION YOURSELF?

GOOD QUESTION.

Tiffany: SET UP A CAMERA AND IF ANYTHING SHOWS UP, THERE'S YOUR EVIDENCE.

FAIR ENOUGH.

[ chatting ]

[ mysterious, eerie music ]

HELLO.

HI.

Adelaide: YOU GUYS STILL SLEEPING IN THE >>YES.

THIS WAY, CHAMP.

I NEED TO SEE A PHOTO OF YOUR FATHER.

YOU'RE SURE IT WAS THEM?

POSITIVE. IT WAS LAST THURSDAY NIGHT.

THE SAME NIGHT HE BROUGHT HER HOME. AT THREE IN THE MORNING.

SHE DID THE SAME THING TO US.

WE HIT HER OUT ON THAT ROAD. UM, VALLEY BOULEVARD.

SHE FOLLOWED US HOME.

SO THIS IS BECAUSE OF MY DAD.

I THINK SO.

WHY HASN'T HE SAID ANYTHING?

HE'S JUST SCARED. THAT'S PROBABLY WHY HE DOESN'T BELIEVE YOU.

HE'S TRYING TO RUN FROM IT.

JEEZ.

HEATHER WAS THE ONE WHO HIT HER.

Tiffany: SO SHE WANTED HEATHER TO MAKE THE SACRIFICE.

Tiffany: IF THAT'S HOW SHE ALWAYS WORKS,

WE NEED TO FIND OUT WHAT SHE'S TELLING YOUR DAD.

AND WHERE CAROLINE CAME FROM.

THAT'S NOT GOING TO BE EASY.

WELL, WE DON'T HAVE A CHOICE.

IF WE DON'T, SOMEONE'S GOING TO DIE.

[ typing ]

HEY, HONEY.

WHAT ARE YOU DOING HERE?

WE NEED TO TALK.

LOOK...

I JUST WORKED THROUGH LUNCH. I'M GOING TO BE HERE THE REST OF THE NIGHT.

I TOLD YOU THAT YOU HAVE TO CALL BEFORE YOU COME HERE.

I KNOW ABOUT THE WOMAN IN WHITE.

I KNOW YOU WERE IN THE CORNFIELD WITH CAROLINE.

WHAT ARE YOU TALKING ABOUT?

WHATEVER'S GOING ON AT HOME IS CONNECTED TO HER, DAD.

YOU WERE ON THE ROAD, YOU HIT HER, AND NOW SHE'S AFTER US.

NO, SHE'S NOT...

NOT ANYMORE, SHE'S...

YOU GIRLS ARE GOING TO BE JUST FINE.

I DON'T GET WHY YOU'RE HIDING THINGS FROM US.

YOU BROUGHT CAROLINE HOME LAST WEEK WITHOUT WARNING BECAUSE A FRIEND NEEDED HELP.

THAT'S WHEN ALL OF THIS STARTED.

ALL OF WHAT?

IT'S NOT IN OUR HEADS.

SOMETHING PUSHED ME LAST NIGHT, ALMOST THREW ME ACROSS THE ROOM.

I HAD TO BRING THE GIRLS IN THE CAR TO COME HERE WITH ME BECAUSE I'M TERRIFIED

OF LEAVING THEM AT HOME.

THERE'S SOMETHING THERE, DAD. AND IT'S EVIL.

AND IF YOU DON'T LET US DO SOMETHING ABOUT IT THEN ONE OF US MIGHT SERIOUSLY GET HURT.

THIS THING KILLS PEOPLE.

YOU GIRLS ARE GOING TO BE JUST FINE.

I PROMISE YOU. WHATEVER'S GOING ON...

I'M GOING TO LOOK INTO IT.

I'M GOING TO TAKE CARE OF IT.

WHAT HAPPENED IN THE CORNFIELD?

[ phone ringing ]

YES, MARY?

BE RIGHT THERE.

THANK YOU.

Jack: LOOK...

Jack: WE'LL TALK TOMORROW MORNING.

OKAY? IT'S A LONG NIGHT. I'M TIRED.

LET ME GET HOME, LET ME GET SOME REST.

AND I PROMISE YOU, WE'LL TALK ABOUT IT.

OKAY?

[ rhythmic, mysterious music ]

SO WHAT IF IT DOESN'T COME OUT TONIGHT BECAUSE WE'RE WATCHING FOR IT?

THEN WE'LL SET THIS UP EVERY NIGHT SO IT DOESN'T COME BACK.

[ laughing ] DAD BELIEVES US, WE'LL WORK IT OUT EITHER WAY.

THIS IS JUST FOR INSURANCE.

REALLY? [ girls laugh ]

YOU'RE ONE OF US NOW, HUH?

ABBY DOESN'T PUT EVERYONE IN HER PICTURES, YOU KNOW?

I HELPED HER, TOO.

I CAN TELL. [ Adelaide and Abigail laugh ]

WELL, NO MATTER WHAT HAPPENS WHEN YOU GO BACK TO YOUR OTHER HOME.

YOU'RE ALWAYS WELCOME HERE.

Adelaide: YOU KNOW THAT?

I DON'T WANT TO GO BACK.

YOU JUST DON'T REMEMBER IT.

I'M SURE THAT EVERYONE THERE MISSES YOU AND ONCE YOU REMEMBER THEM YOU'LL MISS THEM, TOO.

I LIKE IT HERE.

EXCEPT FOR ALL THE CREEPIES.

WELL, WE'LL GET RID OF THE CREEPIES AND THEN YOU'LL SEE WHAT IT'S LIKE HERE WITHOUT THEM.

I'D LIKE THAT.

GOODNIGHT, YOU TWO.

GOODNIGHT.

[ rhythmic music ]

[ suspenseful buildup music ]

[ suspenseful buildup music fades out ]

[ slow, somber music ]

MOM?

Ashley: ABIGAIL, IT'S ME.

Ashley: COME TO THE CORNFIELD TOMORROW ON VALLEY BOULEVARD. ALONE.

Ashley: AND DON'T TELL ANYONE ELSE THEY'RE NOT ALLOWED TO SEE ME. JUST YOU.

MOM!

Ashley: I DON'T HAVE LONG HONEY.

Ashley: I LOVE YOU.

[ corn stalks rustling in the wind ]

[ surreal, mysterious music ]

[ gasps ]

MOM?

MOM?

MOM!

MOM?

[ thunder crackling ]

[ scary music ]

[ scary, suspenseful music ]

[ screaming ]

[ breathing heavy ]

[ somber music ]

[ phone buzzing ]

[ crying ]

[ somber music fades ]

[ lap top being handled ]

[ unsettling, eerie music ]

[ Abigail breathing heavy ]

[ screaming ]

NOOO!

Adelaide: NOOO!

[ Adelaide breathing heavy ]

WHAT DID YOU DO?

[ Adelaide crying ]

Abigail: WHAT'S WRONG?

I... I HAD A BAD DREAM.

[ unsettling, eerie music continues ]

[ ominous music ]

[ eerie music ]

[ ominous music ]

[ ceiling creaking ]

[ attic door opening ]

[ steps creaking ]

[ door creaking ]

[ guttural growling ]

[ demonic roar ]

[ screaming ]

[ heavy breathing ]

[ screaming ]

[ hissing ]

[ door creaking, Virginia breathing heavy ]

HEY BUDDY.

Tiffany: I GOT YOUR TEXT. I'M ON MY WAY TO YOUR AREA.

OKAY. UH...

LISTEN, I HAVE TO TELL YOU ABOUT SOMETHING I FOUND OUT.

I DON'T KNOW FOR SURE, BUT...

AFTER THAT VIDEO I'D FEEL WEIRD IF I DIDN'T SAY SOMETHING.

CAROLINE MIGHT NOT BE WHAT YOU THINK SHE IS.

[ footsteps ]

WHY WOULD YOU DO THIS?

REALLY?

WHY WOULD YOU MAKE SOMETHING LIKE THIS?

DAD, I DIDN'T.

I DON'T KNOW THE FIRST THING ABOUT SPECIAL EFFECTS AND EDITING.

I DON'T KNOW HOW THAT GOT ON THERE. IT WASN'T ANY OF US.

THE CAMERA IN THEIR ROOM DIDN'T SHOW ANYTHING, JUST MINE.

THE DATE... WASN'T LAST NIGHT.

WHAT?

IT'S TOMORROW.

DO YOU THINK IT'S A WARNING?

I DON'T...

I DON'T KNOW WHAT TO THINK ANYMORE.

WHERE DID CAROLINE COME FROM?

SHE HAD NOTHING TO DO WITH THIS. SHE'S JUST A LITTLE GIRL.

DID YOU HEAR WHAT I SAID?

ABOUT THE SACRIFICE?

Adelaide: YES! THAT IT TAKES RESIDENCE IN THE HOME IN THE FORM OF A SMALL CHILD.

AFTER...

AFTER A SACRIFICE.

Adelaide: DAD?

Adelaide: WHAT HAPPENED THAT NIGHT?

YOU NEED TO TELL ME. RIGHT NOW!

RIGHT NOW!

AS LONG AS YOU KEEP ACTING LIKE YOU DON'T KNOW ANYTHING, SOMEONE IS GOING TO GET KILLED!

CALM DOWN.

NO!

YOU'VE KEPT ME IN THE DARK LONG ENOUGH.

I WANT ANSWERS.

IT STARTED A COUPLE OF DAYS BEFORE I BROUGHT CAROLINE HERE.

YOUR AND MOM'S ANNIVERSARY.

[ suspenseful music ]

I WAS HAVING A ROUGH TIME.

I LEFT WORK. TOOK A DRIVE.

WASN'T REALLY GOING ANYWHERE IN PARTICULAR.

I WAS JUST TRYING TO GET AWAY.

TRYING TO OUTRUN REALITY.

EVERYTHING.

I GOT OUT OF THE CAR.

THERE WAS NOTHING.

JUST... A TRAIL OF BLOOD.

LEADING INTO THE CORNFIELD.

I WALKED AT LEAST A QUARTER MILE.

COULDN'T FIND HER.

Jack: SO I CAME HOME.

Jack: WOKE UP...

Jack: AROUND 2AM. AND I KNEW THERE WAS SOMETHING IN THE HOUSE.

I COULD FEEL IT IN THE THICKNESS OF THE AIR.

Jack: THE WAY MY SKIN CRAWLED.

Jack: THEN I SAW HER.

Jack: STANDING IN THE HALLWAY OUTSIDE YOUR DOORS.

Jack: SHE ASKED ME TO GIVE A LIFE TO SAVE YOURS.

Jack: TO MAKE UP FOR WHAT I DID TO HER.

Jack: SO I WENT BACK...

TO THE CORNFIELD.

I WAS WAITING...

HOPING THAT MAYBE A CAR WOULD DRIVE BY.

I'D RUN HIM OFF THE ROAD.

KILL THEM.

BUT THERE WAS ALREADY A TRUCK THERE.

[ something running through corn stalks ]

Victor: I'M SORRY. HAVE YOU SEEN A LITTLE GIRL?

DID - DID SHE COME BACK DOWN THIS WAY?

WHAT?

WHAT LITTLE GIRL?

DANG IT!

WHAT HAPPENED?

Victor: I DON'T KNOW. I MAY NEED YOU TO CALL THE POLICE. I DON'T HAVE A CELLPHONE.

I WAS DRIVING THROUGH HERE WITH MY DAUGHTER CAROLINE.

Victor: AND I TOOK MY EYES OFF THE ROAD FOR A SECOND.

AND WHEN I LOOKED BACK UP THERE WAS A GIRL STANDING THERE.

I WAS CERTAIN WE HIT HER.

BUT SHE GOT OFF THE ROAD SO FAST I CAN'T BE SURE.

I LEFT CAROLINE HERE AND I WENT TO GO LOOK FOR HER-

AND NOW I CAN'T FIND HER!

HOW OLD IS SHE?

EIGHT YEARS OLD.

Victor: CAROLINE!

CALL THE POLICE WILL YA?

I'M SORRY.

[ gunshot ]

[ emotional music ]

Jack: I HAD TO DO IT. TO KEEP YOU GIRLS SAFE.

I COULDN'T LOSE YOU. NOT AFTER YOUR MOTHER.

YOU KILLED HIM.

YES, I DID.

AND I'LL REGRET IT FOR AS LONG AS I LIVE.

BUT IF I HAD TO DO IT ALL OVER AGAIN.

TO KEEP THAT WITCH AWAY FROM YOU GIRLS.

I WOULD.

WHAT ARE WE GOING TO DO?

I DON'T KNOW.

I THOUGHT I GAVE HER WHAT SHE WANTED.

I THOUGHT IT WAS OVER.

I SHOULDN'T HAVE BROUGHT HER HERE.

Jack: I WASN'T EVEN SURE THAT WAS WHO HE WAS LOOKING FOR.

HIS DAUGHTER'S PROBABLY STILL OUT THERE IN THE CORNFIELD.

SHE MIGHT BE HIS DAUGHTER. WE DON'T KNOW ANYTHING.

NO, WE DON'T.

I NEED TO GET SOME AIR.

YOU'VE GOT TO KEEP AN EAR ON THEM. TO MAKE SURE.

I WILL.

TRUST ME.

Jack: I WON'T LET YOU. [ loud crash downstairs ]

[ eerie, twisted music ]

[ crickets ]

I THOUGHT I GAVE YOU EVERYTHING YOU WANTED.

YOU STILL TRIED TO TAKE THEM AWAY FROM ME.

THAT WAS YOUR PLAN ALL ALONG, WASN'T IT?

PUT BLOOD IN MY HANDS!

PRETEND TO BE A SWEET, INNOCENT CHILD.

AND PLAY ON MY SYMPATHY.

STAY IN MY HOUSE! EAT MY FOOD!

AND THEN...

YOU WERE GOING TO TAKE THEM FROM ME.

MY DAUGHTERS!

NOT YOURS.

YOU WITCH!

IT'S NOT GOING TO HAPPEN.

IT'S NOT GOING TO HAPPEN, WITCH.

I WON'T LET YOU.

I WON'T LET YOU!

[ eerie, evil music continues ]

IF CAROLINE IS BEHIND THIS THEN SHE COULD KILL ALL OF US AND GET AWAY WITH IT.

NO ONE KNEW SHE WAS WITH US, NO ONE EVEN KNOWS WHERE SHE'S FROM.

THAT'S TRUE, BUT...

WHY WOULD SHE SHOW THAT TO YOU? ON THE VIDEO?

TO SCARE US?

SHE DID A PRETTY GOOD JOB.

NO.

SHE'S A DECEIVER. THAT'S WHAT MY PASTOR SAID.

SHE DID THE SAME THING TO HEATHER AND CORRINE.

Tiffany: SHE TRIES TO TRICK YOU.

WHAT ARE YOU SAYING?

I DON'T THINK SHE WOULD SHOW YOU WHAT SHE'S TRYING TO DO.

I THINK SHE WOULD SHOW YOU WHAT SHE WANTS YOU TO THINK.

MAYBE CAROLINE REALLY JUST IS THAT GUY'S DAUGHTER.

THEN WHAT WOULD HER REAL PLAN BE?

DEMONS DON'T JUST WANT TO TAKE OVER HOUSES.

THEY ALSO WANT TO POSSESS SOMEONE. THAT'S HOW THEY HURT PEOPLE.

WHO WOULD IT POSSESS?

WELL, YOUR DAD MADE A SACRIFICE TO IT.

IF IT WANTED SOMEONE THAT'S PROBABLY WHO THEY WOULD GO TO.

AND THAT WAY NO ONE WOULD KNOW.

HE'LL KILL EVERYONE.

AND IF THEY FIND OUT ABOUT CAROLINE AND HER DAD, THEY'LL THINK HE JUST SNAPPED.

MURDER-SUICIDE.

MY DAD WOULDN'T HURT US. HE MIGHT KILL TO PROTECT US, BUT-

I HOPE YOU'RE RIGHT. IF I WERE YOU I WOULDN'T LEAVE IT TO CHANCE.

[ suspenseful, music ]

DAD!

[ steps creaking ]

DAD!

DAD!

[ scary music ]

[ screaming ]

[ intense, scary music ]

CAROLINE!

[ bones cracking ]

[ Abigail crying ]

Abigail: CAROLINE!

[ door opens ] Abigail: CAROLINE!

[ suspenseful, climactic music ]

HELLO?

Abigail: SHE TOOK HER! SHE TOOK HER!

WHAT ARE YOU TALKING ABOUT? WHO TOOK WHO?

Abigail: THE WOMAN IN WHITE! SHE TOOK CAROLINE!

WHERE DID SHE TAKE HER?

Abigail: I DON'T KNOW!

THE CORNFIELD.

[ suspenseful, climactic music continues ]

[ wind in the cornfield ]

Adelaide: CAROLINE!

[ rustling in the stalks ]

Adelaide: CAROLINE!

[ something crashing around in the corn stalks ]

Adelaide: DAD? [ eerie, evil music ]

WHERE'S CAROLINE?

I DON'T KNOW.

WHAT DID YOU DO?

Adelaide: DAD?

Adelaide: DAD!

DAD, SNAP OUT OF IT! >>Tiffany: ADDIE!

DAD! DAD! >>Tiffany: ADDIE, ADDIE PLEASE DON'T-

[ Tiffany screams ]

[ Jack hits Tiffany ]

[ Tiffany falls through the corn ]

[ Adelaide crashing through stalks ]

[ tribal drums music ]

[ Adelaide grunts, hits the ground hard ]

[ suspenseful music ]

[ Adelaide grunting and coughing ]

[ Adelaide coughing ]

DAD. DAD PLEASE!

DAD, PLEASE. YOU DON'T KNOW WHAT YOU'RE DOING!

WHAT THE HELL ARE YOU DOING?

Adelaide: DAD! [ rising suspenseful music ]

[ screaming ]

[ knife falls in the dirt ]

[ breathing heavy ] [ emotional music ]

[ stabbing sound, Jack grunts ]

[ coughing ]

DAD? DAD!

[ heavy, emotional music ]

DAD.

[ mysterious, somber music ]

[ sad, slow guitar music ]

[ doorbell ]

I'M GOING TO GO GET THAT.

I WAS WORRIED.

YOU WEREN'T ANSWERING MY CALLS, I THOUGHT MAYBE YOUR -

YOUR PARENTS WOULDN'T LET YOU OUT OF THE HOUSE OR SOMETHING.

THEY'RE FINE. [ sighs ]

UNLESS I'M STAYING OVERNIGHT SOMEWHERE

THEY WON'T LET ME OUT OF THE HOUSE AFTER DARK.

PROBABLY A GOOD IDEA.

BETTER THAN A CHIP IMPLANT. THEY WERE TALKING ABOUT THAT.

[ laughing ]

SO... WHERE HAVE YOU BEEN?

I WAS SCARED.

OF WHAT?

REJECTION.

WHY?

BECAUSE OF WHAT I DID.

YOU SAVED MY LIFE.

YOU YOU PROBABLY SAVED MY SISTER'S LIFE.

I KILLED HIM.

SAVING US.

I COULD NEVER REJECT YOU.

OR BLAME YOU.

HE WAS GOING TO KILL ME. THEN YOU.

THEN HE WAS GOING TO COME BACK HERE TO GET ABIGAIL.

SOMETHING GOT INTO HIM.

THERE WAS NO STOPPING IT.

[ somber guitar music ]

HOW'S ABIGAIL?

TERRIBLE.

FINDING OUT DAD WAS GONE WAS BAD ENOUGH, BUT...

WHEN SHE HEARD WE COULDN'T FIND CAROLINE...

SHE JUST ABOUT DIED INSIDE.

Tiffany: MY FRIEND.

A REPORTER.

SHE COULDN'T FIND ANYTHING.

THE BLOOD IN THE CORNFIELD... WASN'T HERS.

AND THEY DIDN'T FIND A BODY.

SO...

SHE'S JUST...

GONE.

I THINK SO.

HOW ARE YOU HOLDING UP?

I'M...SATISFIED.

I WANTED TO STOP HER, EVEN THOUGH I KNEW I COULDN'T.

HOW CAN YOU KILL SOMETHING THAT NEVER LIVED?

BUT... HELPING YOU...

EVEN THOUGH I COULDN'T SAVE EVERYONE...

IT GAVE ME PEACE.

MY SISTER WILL NEVER COME BACK.

BUT...

KEEPING ANNA KUARI FROM TAKING AWAY ANOTHER BIG SISTER FROM SOMEONE WAS...

NICE.

AWAY FROM TWO SOMEONE'S I MIGHT ADD.

[ mysterious, sad music ]

Pastor Tony: IF ANYTHING ELSE HAPPENS, JUST GIVE US A CALL.

SO WE'RE SAFE?

Pastor Tony: YES.

ALTHOUGH AS YOU KNOW THESE SPIRITS WILL TAKE...

ANY DOORWAY THEY CAN FIND TO COME BACK INTO YOUR LIFE, SO...

IT'S IMPORTANT THAT YOU TWO ARE DILIGENT NOT TO OPEN ONE FOR THEM.

TRUST ME WE WILL BE IN CHURCH EVERYDAY.

THANK YOU FOR COMING ON SUCH SHORT NOTICE.

Adelaide: WE REALLY APPRECIATE IT.

IT FEELS BETTER KNOWING THAT WE'RE COMING BACK TO... A SAFE HOME.

ARE YOU TWO GOING TO VISIT RELATIVES?

NO, WE'RE JUST HEADING OUT OF TOWN FOR A LITTLE BIT. ABBY AND ME.

A CHANGE OF SCENERY MIGHT BE GOOD FOR US.

DEFINITELY.

HOW'S HER ELBOW?

IT WOULD HELP IF SHE ACTUALLY WORE HER SLING.

BUT... SHE DOESN'T SEEM TO CARE MUCH ABOUT ANYTHING.

ANYMORE.

UNDERSTANDABLE.

YOU TWO HAVE BEEN THROUGH... A LOT.

Pastor Tony: I WANT YOU TO CHECK IN WITH US WHEN YOU GET BACK.

AND IF YOU GUYS NEED ANYTHING. ANYTHING AT ALL. WE'RE HERE.

[ mysterious, sad music ]

[ creepy music ]

[ mysterious, sad music continues ]

WHAT'S WRONG?

SOFIA ABIGAIL MEYERS.

LAST SEEN WITH HER FATHER, VICTOR.

A CONVICTED FELON SUSPECTED OF KIDNAPPING HER.

HER MOTHER JENNIFER PLACED A RESTRAINING ORDER ON HIM-

-TWO DAYS BEFORE SOFIA DISAPPEARED.

NEITHER HAVE BEEN HEARD FROM SINCE.

[ emotional music ]

CAROLINE: ABBY?

Stephanie: OKAY, I HAVE ONE MORE BAG TO GET. YOU GUYS READY?

Lola & Samantha: YEAH!

SHUT THE TRUNK, HOP IN, AND WE'LL GET ON THE ROAD IN A MINUTE.

[ trunk closes ]

[ eerie music ]

CAPTIONS PROVIDED BY: SHADY DAWN PICTURES