Original subtitles

[RIOTING]

LUDWIG LICHT: This guy, alive.

You understand?

[EXPLOSION]

[RIOTING]

MARTHA BARNER: Are you in trouble?

FAYE MORRIS: Why do you say that?

MARTHA BARNER: What if I can offer you a second chance?

CLIVE BARNER: Gretel, we have company.

[RIOTING]

Have you located the target?

[GUNSHOT FIRING]

Gretel?

Gretel, what the fuck's happening?

[MUSIC PLAYING]

[SPEAKING SWEDISH]

[METAL CLANGING]

GEMAYEL: The one who works as a mukhabarat for money.

LUCIEN GELL: No, I'm with you.

It's a misunderstanding, I'm telling you.

[SPEAKING SWEDISH].

What is you Westerners would like to say?

Ah, that's right--

[MUSIC PLAYING]

--you're on the wrong side of history.

[PUNCHING SOUND]

[THEME MUSIC]

EMT: [SPEAKING SWEDISH].

[MUSIC PLAYING]

FRAN BOWDEN: Lucien?

Gell?

Hydraleaks 1: Police brutality.

ALL: Police brutality.

Police brutality.

Police brutality.

Police brutality.

Police brutality.

[SPEAKING SWEDISH].

What?

[HEAD BUTT SOUND]

[PUNCHING SOUND]

[MUSIC PLAYING]

Fran, you're just like the scarlet pimpernel.

What?

Well, it's just some old movie,

you know, with Leslie Howard.

What have you done, Clive?

I just tried to do my job.

I don't believe that shit goes away on its own.

So I found that fucker, Gell.

Now, the plan was--

FRAN BOWDEN: Without checking with Langley first, or with me?

I felt that time was of the essence, you fucking traitor.

FRAN BOWDEN: Beg your pardon?

He called you as soon as he could, didn't he, yeah?

You've ruined years of work, Clive, years.

No one knows that we were behind the assault

on the embassy.

FRAN BOWDEN: I don't give a fuck about our relationship

with the Syrians.

I'm talking about Lucien.

CLIVE BARNER: And what about Lucian?

He worked for me.

[MUSIC PLAYING]

[CAR DOOR CLOSING]

[COUGHING]

[CAR ENGINE TRYING TO START]

[SPEAKING SWEDISH].

God dang.

[CAR ENGINE TRYING TO START]

[SPEAKING SWEDISH].

CLIVE BARNER: He was working for you?

For us?

Oh.

Is that operation CEO?

I asked you about that three days ago in Copenhagen.

And what did I tell you?

So Gell's on the agency payroll?

This can't fucking be.

Well, I recruited him about 15 years ago

while he was still in college.

My original plan was to have him infiltrate the far right here

in Europe, but then the global war on terror and all

this leaking business happened.

So I tasked him with building a competitor

for the other leak network, a competitor

the agency controlled.

Listen, Hydraleaks just cost us a shitload of damage.

FRAN BOWDEN: Well, that's debatable.

It only leaked information we knew

the other side already had.

And it would leak soon enough anyhow and stuff that others

had no interest in, like what the Iranians were up to,

or the--

the Russians or the Chinese.

So where is Gell now?

Dead.

The Syrians killed him.

Which Syrians?

FRAN BOWDEN: Don't play stupid with me, Clive.

Your Syrians, your heroic freedom fucking fighters.

I gave strict orders that Gell was to be taken alive.

Well, now he's dead.

So if you were handling him, what was he

doing with the mukhabarat?

Lucian was a sick boy.

Very sick.

He had a trait that shouldn't be present in any operative,

personality.

Hey, narcissism is a personality disorder,

it's not a personality.

FRAN BOWDEN: Well, we left him hanging.

An early tactical decision not to have someone

inside Hydraleaks to monitor him.

A risk in order to minimize risk?

That wasn't smart of us.

He got lost.

Well, now he's just another bona fide asshole of a Lucien.

And you, Clive?

I'm well aware of that.

[MUSIC PLAYING]

[SIRENS BLARING]

WOMAN 1: [SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

Bye, Mr. [INAUDIBLE].

[SPEAKING SWEDISH].

FRAN BOWDEN: Will he return to the States immediately?

Uh, we talked about New England in a few years.

So who's taking over?

Almond?

FRAN BOWDEN: That decision has not yet been made.

I could probably work out, especially if you lend

him at least one of your balls.

You've had a good run, Clive.

We owe a lot to you and I'm not gonna smear your good name.

You knew all along.

What I did know was that if I said

you're going to pull off one last success,

you would find Gell for me.

And I kept myself informed about it all.

40 years in the agency and I let you play me,

which is bad enough but to let her as well.

Everybody has a blind spot.

You just have to find it.

Isn't that what you always taught me?

That even the greatest agents have it?

How did you locate Lucien?

I've been looking for almost a year.

I started to think he'd killed himself.

Because he's a legal consultant for A. Morris,

US citizen.

I know who she is, left wing radical.

CLIVE BARNER: Well, I wouldn't go that far.

Possibly a moderate radical.

FRAN BOWDEN: Even worse.

Where is Morris now?

JEANIE J. JOHNSON: With Licht.

Who is this Licht?

An old asset.

He was at the Syrian embassy this evening.

I have no idea where the fuck he is now.

I don't believe this.

I don't know.

Maybe he's come down with some kind of heroic hysteria.

Almond, get me Ms. Morris.

[DOOR SLAMMING SHUT]

LUDWIG LICHT: Faye?

[THROWING UP]

What happened?

Drunk?

Oh, shit.

I told you.

[CHUCKLING]

What are you wearing?

We have to leave now, right this minute.

Get up.

Do you trust me?

- Yeah. - Good.

We have to get the hell out of here.

You understand?

Where's the big boss?

He's out of the picture.

He can't have you anymore.

Listen, you stay here.

I'm getting your stuff.

OK?

OK.

Good.

Fuck.

Come on.

Hurry up.

Come on.

MAN 2: Where are you taking her?

I have orders to move her.

Not that I know of.

That's because we gone totally dark, after the fuck-up.

MAN 2: That was us?

LUDWIG LICHT: Of course not.

Don't make any phone calls.

Nobody will confirm anything right now.

MAN 2: OK.

You go totally dark too.

All right?

Come on.

Let's go.

Hurry.

[CAR DOOR CLOSING]

Where are we going?

I have to say goodbye.

To me?

To you.

No, not yet.

[CAR ENGINE STARTING]

[TIRES SCREECHING]

JACK ALMOND: We've lost Morris.

Licht got her.

FRAN BOWDEN: On your orders?

No.

JEANIE J. JOHNSON: We still have the second track

right placed on his car.

Good work.

The car is still outside his building,

but there's no sign of activity in his apartment.

CLIVE BARNER: In that case, Elvis has left the building.

Any idea where they might be headed?

Well, why don't you ask your prodigy here?

I'm sure she's jam packed with innovation and creativity.

FRAN BOWDEN: She is.

That's why I'm choosing to mentor her.

CLIVE BARNER: Mentor, my ass.

All you want to her is useful cannon fire.

Licht is your pet thug.

Whom does he associate with?

Where are his known hideouts?

Not a clue.

Well, I guess this is goodbye because it sure doesn't

feel like "auf wiedersehen."

[MUSIC PLAYING, DOOR CLOSING]

You're insane to come here.

I thought I was insane enough to be the last one standing.

And that's fucking disaster.

And you?

Uh, until a year ago Gill worked for Bowden.

He shot me.

He what?

I was penetrating my vest.

I passed out and he got away.

Oh no, no, no.

Jamal's men killed him.

I fucking knew it.

So people died, for nothing?

Just because they were angry enough and stupid enough

to let off some steam?

And none of this just because you wanted to fuck us off.

I thought I was doing the right thing.

Anyway, it's finished now.

It's all over.

It was fun while it lasted.

Yeah?

No.

Not really.

This is it then, I guess.

Yeah.

I guess so.

Hope you're right.

Will I--

Let's get the fuck out of here.

Let's go.

[CAR ENGINE STARTING]

[MUSIC PLAYING]

[BEEPING]

MARTHA BARNER: Clive?

CLIVE BARNER: Yeah?

The girl has gone.

She didn't even say goodbye.

[SIGHING]

CLIVE BARNER: Um, listen, uh, uh, don't-- don't take

that personally.

I see.

You're never gonna tell me where she's gone, are you?

CLIVE BARNER: No, I will--

I will tell you, Martha.

I will, when I find out.

You fancy a nightcap?

[MUSIC PLAYING]

Sure.

Why not?

[MUSIC PLAYING]

Is Lucien dead?

[MUSIC PLAYING]

Who killed him?

Not me.

Of course not.

[MUSIC PLAYING]

We need to, um, stop off in Migda.

OK.

[MUSIC PLAYING]

Wait.

OK.

Wait.

That's an entire hard drive.

FAYE MORRIS: Yeah.

More than just a list of whistleblowers?

Do I want to know what's on it?

It's Hydraleaks entire database.

The only copy.

Peeled them down and wiped the servers

before they went to Morocco.

LUDWIG LICHT: Oh.

Faye, delete the list.

I don't care about the rest what's on there,

but those people can't be exposed.

We need whistleblowers.

[MUSIC PLAYING]

Yeah.

Final report, four dead, 10 injured,

and no traces of Licht.

He doesn't seem to have any credit cards,

his car is untouched, and still no sign in his apartment.

Does he have any relatives?

A son, somewhere in the south of Sweden.

FRAN BOWDEN: Huh?

And Ms. Morris?

JEANIE J. JOHNSON: Nothing ma'am.

FRAN BOWDEN: I want you to get everyone involved with this.

We need to find them, now.

LUDWIG LICHT: Your coffee.

FAYE MORRIS: Thanks.

[LIGHTER FLICKING ON]

Faye, you've seen me into my world.

You can still move on, make the right decisions.

And you're still young.

Let's go.

[MUSIC PLAYING]

RADIO HOST: [SPEAKING SWEDISH].

Good morning.

You slept.

That's good.

I will drop you off in Rostock.

From there you'll take a taxi.

I will give you some money and an address

to a store down town.

When we get there you will wait until they open,

then you ask for Daniel.

Tell him Finn Bull sent you.

Finn Bull?

Right.

LUDWIG LICHT: Daniel is an old colleague of mine.

Makes passports, driver's license, and so on.

What kind of life will I have if I do as you say?

A free life.

Not so bad, huh?

You know what Lucien used to say?

I've already sold my soul to the devil once.

If I do it once more, maybe it balances out.

Never knew what he meant by that, until now.

What are you talking about?

No.

No.

Don't even think about it.

You don't have what it takes.

Don't make any deals with those people.

You don't know that I don't have what it takes.

Perhaps not, but I know them.

Stay away from that world.

It will consume you, believe me.

In a few years you won't recognize

your own face in the mirror.

Delete that list and never--

never become like me.

[CAR DOORS CLOSING]

Should be enough.

What will happen to you now?

Nothing.

FAYE MORRIS: Are you sure?

Yeah, sure.

That's the beauty of it.

It's just fate and memory.

[BIRDS CHIRPING]

Goodbye, [SWEDISH].

You should go.

[MUSIC PLAYING]

[CAR DOOR CLOSING]

[CAR DOOR CLOSING]

[SPEAKING SWEDISH].

WALTER LICHT: [SPEAKING SWEDISH]..

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SWEDISH] OK?

[SPEAKING SWEDISH].

Then come on.

[MUSIC PLAYING]

[DOOR OPENING]

[MUSIC PLAYING]

[LAUGHTER]

[DOOR SQUEAKING CLOSED]

[MUSIC PLAYING]

ACTOR: The last thing I want is for people

to remember me as a--

as a rebel.

I want to be remembered as an engineer, as a social engineer.

And the term-- the-- the term has been used

in a derogatory way, but that speaks more about the times

we live in than anything else.

TV INTERVIEWER: Do you think your mission is

accomplished in a way, that you achieve

everything that you planned? ACTOR: No.

No.

Not at all.

No.

I, uh-- I've only just begun my mission.

For somebody truly dedicated, life is a lot in store.

TV INTERVIEWER: Let me ask you something.

Are you feeling unsafe?

Think this is-- this is a personal question

I feel completely safe.

TV HOST: From a documentary made about Lucien Gell in 2015.

Gell passed away recently under unknown circumstance.

Lucien Gell founded Hydraleaks in 2006,

but came to international attention in 2010

when Hydraleaks published a series of leaks.

[MUSIC PLAYING]

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

LUDWIG LICHT: [SPEAKING SWEDISH]..

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

LUDWIG LICHT: [SPEAKING SWEDISH]..

WALTER LICHT: [SPEAKING SWEDISH]..

[SPEAKING SWEDISH].

[MUSIC PLAYING]

[SPEAKING SWEDISH].

[SPEAKING SWEDISH].

[CAR DOOR CLOSING]

[SPEAKING SWEDISH].

FRAN BOWDEN: Thank you.

[CAR DOOR CLOSING]

[SPEAKING SWEDISH].

Fran Bowden.

I've heard a lot of good things about you, Licht.

I seriously doubt that. FRAN BOWDEN: No.

No.

You've served just well during this ordeal

although I'm afraid to report that Mr.

Barner is no longer with us.

It has come to my attention that we have not

taken as good care of you as we should have

since the fall of the wall.

I want you to come back to the agency, full-time, full pay.

I think it would be in our mutual interest.

Really?

FRAN BOWDEN: Yes.

What do you know?

Nothing.

Not a goddamn thing.

A little dramatic perhaps.

LUDWIG LICHT: You think so?

My suggestion is that--

I'm done.

I'm completely done.

I can't solve the world's problems,

but I can try to solve my own.

That actually sounds a bit dramatic.

Yes?

Goodbye.

By the way, the wall didn't just fall, the people tore it down.

[MUSIC PLAYING]

MAN 3: [SPEAKING SWEDISH].

MAN 4: [SPEAKING SWEDISH].

[SPEAKING SWEDISH].

MAN 4: [SPEAKING SWEDISH].

MAN 3: [SPEAKING SWEDISH].

MAN 4: [SPEAKING SWEDISH].

MAN 3: [SPEAKING SWEDISH].

[SPEAKING SWEDISH].

From now on Hydraleaks wants to democratize

the process of leaking and whistleblowing.

At the same time, we also want to promote

transparency, stepping away from our more opaque past.

We would also like to introduce our new leader, Faye Morris.

[APPLAUSE]

MAN 5: Questions at the end, please.

[SPEAKING SWEDISH].

WOMAN 2: Whistleblowing needs protection,

and we will provide protection, and we will supply a platform,

and we will supply--

[SPEAKING SWEDISH].

WOMAN 2: --democracy, and we will supply protection--

WALTER LICHT: Papa?

WOMAN 2: --because we all want freedom

and we want a better future, a better society.

We want to fight corruption for the truth, for a better world,

for more fair world and for democracy.

[MUSIC PLAYING]

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