Original subtitles

[MUSIC PLAYING]

Hydraleak's top man, Lucien Gell,

has been in hiding for nine months.

So if this envelope doesn't hold, where's the 5,000 euros?

You'll see [INAUDIBLE], papa.

What's operation CO?

Never heard of it.

But you asked for my help, Faye.

Go home, OK?

[NON-ENGLISH SPEECH]

Linda?

[SOBBING]

CLIVE BARNER: Lucien Gell has been putting American lives

at risk all over the planet.

And you've been helping him.

And there is a list--

names of people who've been leaking to him.

And you're on the list.

It's on.

[MUSIC PLAYING]

WOMAN (ON TV): [INAUDIBLE]

[MUSIC PLAYING]

[TIRES SCREECH]

[MUSIC PLAYING]

WOMAN (ON INTERCOM): [NON-ENGLISH SPEECH]

PROTESTORS: We free Syria.

We free Syria.

We free Syria.

We free Syria.

We free Syria.

We free Syria.

We free Syria.

We free Syria.

We free Syria.

We free Syria.

We free Syria.

We free Syria.

We free Syria.

We free Syria.

We free Syria.

[INTERPOSING VOICES]

This is going to be complicated.

PROTESTORS: We free Syria.

[MUSIC PLAYING]

Well, then I guess we're--

What?

--fucked, sir.

Fucked?

The hell we are.

What are we supposed to do?

Exactly.

[POP CAN HISSES]

Well, we need to think.

Is Licht still at the scene, sir?

Or shouldn't we send someone else?

I mean, if the courier comes back out, we can--

[PHONE RINGS]

Yeah?

WOMAN (ON PHONE): Ambassador Harriman on line one.

Well, tell him to go fuck himself with his own hairdryer.

WOMAN (ON PHONE): Sir.

CLIVE BARNER: I'll call him back.

You think Harriman could have warned the Syrians or Gell?

How?

Well, included some kind of message in the package.

No.

No, definitely not.

How can you be sure?

I imagine he just wants this to go away.

I'm convinced beyond any doubt, sir.

What could he possibly gain?

Yeah, maybe you're right.

Licht did a great job.

So what, do you think I hired him for sentimental reasons?

[DOOR CLICKS SHUT]

[GUN COCKS]

Faye!

Shit.

Hey.

Hey!

Hey, where is the American woman?

Where is the American woman?

Hey, wake up!

What the hell happened here?

There were two of them.

That's usually not a problem, sir.

Who were they?

I think he's seen your appearance.

Shit.

Something about money.

[INAUDIBLE]

I'm so sorry, sir.

No, it's not your fault. Here.

You're lucky you're still alive.

Did they take the woman with them?

I don't know.

OK, listen, you stay here.

And don't talk to anyone.

OK.

[MUSIC PLAYING]

Hey!

Hey, [NON-ENGLISH].

[NON-ENGLISH SPEECH]

They come.

[NON-ENGLISH SPEECH]

[SNIFFING]

[MUSIC PLAYING]

[SNIFFS]

[SNIFFS]

[SNIFFS]

Shouldn't we handle this through the regular channels,

sir?

Do you use a tanning bed, Almond?

You're brown is a brick all year round.

Actually, yes, I do.

It helps with my eczema.

Uh-huh.

With all due respect, sir, this is rather sensational.

We have to report back to Langley.

The Syrian's protecting Gell and the FBI.

Given what we have in this Marrakesh attack,

it's their case, isn't it?

I'm going to give you some good advice, Almond.

If you want to continue to climb in the company,

you don't run home to mama every time you face a problem.

You solve the problem and bring home the trophy.

Then, she can put it on the mantelpiece

and pat you on the head like a good little boy.

Just need to figure out what the hell is going on.

I mean, what are the Syrians up to with this?

You'd think they'd have enough shit to deal

with on their home turf.

JEANIE JOHNSON: What's next, sir?

Well, nothing's impossible.

[PHONE RINGING]

Yeah?

WOMAN (ON PHONE): Ambassador Harriman again, sir.

OK.

RON HARRIMAN (ON PHONE): Clive.

Yeah?

RON HARRIMAN (ON PHONE): I don't have a hairdryer.

What?

RON HARRIMAN (ON PHONE): Well, you

told my secretary I should go fuck myself with a hairdryer.

People take everything so literally these days.

RON HARRIMAN (ON PHONE): OK, I just want you to know you

don't have the full picture.

Oh, really?

Because I'm pretty sure I'm piecing it together, Ron.

[PHONE CLICKS]

[MUSIC PLAYING]

[SECURITY KEYPAD BEEPING]

[DOOR CLICKS OPEN]

[DOOR CLICKS SHUT]

Miss Montand, it's a pleasure.

[LIPS SMACKING]

Hmm.

Two times?

Which parts from France are you from?

Um, south.

Where, exactly?

Uh, Nice.

Nice?

Nice.

Something to drink, perhaps?

Uh, thank you, yes.

That's very kind.

I can just offer you a water, if it's fine.

That's great, thank you--

perfect.

Please, sit down.

Thank you.

[CLEARS THROAT]

Make yourself at home.

I hope the trip went well under the circumstances.

Yes, I'm sure it will all be worth it.

I've seen your news hour.

You look smaller in real life--

petite.

Television does that.

I know, I'm well aware of the medium's magical powers.

So let's see what our meeting of minds brings.

Are you going for a close up?

Not really.

LUCIEN GELL: Go for it.

I like close ups.

GABRIELLE MONTAND: You do?

Do you mind if I just check my hair?

It's not too vain?

Looks good-- excellent.

Great.

Can I just check it?

OK, good-- well, that's quite close.

I accepted this interview because it's time for me

to meet a broader audience.

Yes, I realize that.

Why don't we start with you asking

me how I feel about being forced underground nine months, now?

Just a second, it's a little bit dark.

Better?

Uh, no, no.

OK, we're rolling.

From a practical perspective, how

would you describe what you've achieved

with Hydraleaks so far?

I would describe it as a powerful

constitutional amendment.

Please explain.

With Hydraleaks, I accomplished

a powerful clarification--

clarification of the essence of freedom of speech,

the right to critique the powers that be,

and the right to expose them.

You've been accused of being--

Don't be so predictable.

Of course I'm being accused of lies,

treason, and manipulation, or whatever-- you name it.

Everybody with a-- should I call it a strong personality?--

provokes reactions.

But your strong personality seems to be eclipsing

the works of Hydraleaks.

Mmm, that's nonsense.

Does that concern you?

It's my role to be the focus of attacks on our organization.

Are you transparent, Lucien?

Well, Gabrielle, we can't play with an open hand

when our opponent is a million times stronger.

A question that's often asked is

where you get your financing.

Yes.

Yes?

Our funds come from many different contributors.

We are a non-profit organization.

Nobody requires the Red Cross to publish

their donor lists, after all.

But Hydraleaks doesn't even publish--

No, that's right.

No, we don't publish anything.

That's one of our core principles.

We have journalists, like yourself,

to publish things that are your duty to make public.

[MUSIC PLAYING]

I need a break.

[MUSIC PLAYING]

Police!

Hands in the air!

Get on the ground, now!

Please, just let me--

no.

Get up.

I need to speak with the ambassador.

I need to speak to Ron Harriman.

Ow!

RON HARRIMAN (ON PHONE): That's all right, gentlemen.

I think I know her.

All clear.

Miss Morris.

I've been trying to reach you.

So I have heard.

I need your help.

I need to get back home.

I cannot empathize with your predicament.

What do you mean?

You made your bed.

Now you lie in it.

- They killed my friends. - Who?

All of them.

Who are you talking about?

You know who I'm talking about.

Listen, I have information on you.

Oh, OK, now I understand.

I had breakfast with Mr. Barner.

He told me there were rumors.

You know as well as I do they're not rumors.

I don't know anything.

Listen, you get me my immunity in exchange for the information

I have on you.

Or you wait 72 hours, And it will go online--

viral.

I've already set it up.

Miss Morris, I do not respond well to threats.

Do you really want to become an internet sensation

as a traitor?

Never contact me again, Miss Morris--

not ever.

Or you will get a very clear demonstration of what I mean.

You have a nice day, now.

Come on, let's go.

Let's go.

Don't fucking touch me.

Come on.

(SOBBING) Don't touch me.

Let me go.

[MUSIC PLAYING]

[SNIFFLING]

[SNIFFLING]

[TIRES SQUEAL DISTANTLY]

[ENGINE WHIRRS]

[TIRES SQUEAL LOUDLY]

LUDWIG LICHT: Get in, quick.

[TIRES SCREECH]

[GASPING]

[INAUDIBLE]

[SOBS] [SNIFFS] How did you find me?

Easy guess.

They came after me before--

[SOBBING] before I found Linda's body.

Who's Linda?

She was my best friend.

[SOBBING] She was my-- she was my only friend, the one person

that had nothing to do with any of this shit, the one

that I dragged into it.

I told you I wasn't safe in your crappy ass fucking apartment.

They weren't coming for you.

[MUSIC PLAYING]

They were coming for me.

And I'm very, very sorry.

FAYE MORRIS: What do you mean?

Different wars, different enemies.

What's your war about?

What's it always about?

Women?

[SNICKERS] Money.

It's always about money.

[KNOCKING]

CLIVE BARNER: Yeah?

Sir, I kept digging into this operation CO thing.

I can't find anything that makes sense, really.

Just a--

Why?

--a summary of a speech Bowden had given at My6

in London several years ago.

Fran Bowden?

I asked her about this in Copenhagen.

It's only referenced in passing.

Future action must be based on lessons learned from operation

controlled outlet.

According to Fran Bowden, our director

of European operations.

That's it.

Mm-hmm.

Shit.

[CLEARS THROAT] You know, we're racing against the clock, here.

Or the race is already over.

What's that?

Nothing, sir.

[PHONE RINGS]

Yeah?

WOMAN (ON PHONE): Ambassador Harriman on line one.

Again?

WOMAN (ON PHONE): Said it's urgent.

Tell him I died and gone to Heaven.

Or tell him I'll call him tomorrow.

If we can move on to another topic?

Move on.

I've been speaking to a young US drone pilot

from the Creech Air Force Base in Nevada.

I broke his story just this week.

But you could have done so six months ago.

Why didn't you?

This is the young drone pilot's battle damage assessment.

Recognize it?

It was leaked to you over six months ago.

This document's the first usage of a special drone prototype--

a military autonomous weapon system called Superhawk.

Superhawk was developed by a major Pentagon contractor.

Yet the drone's development period ended in a disaster

when it didn't hit a high-value target, but a mosque's

end of Ramadan feast, killing 20 civilians, including children.

When the US Congress vote to approve

super hawk was imminent, the devastated drone pilot--

himself a young father--

leaked the drone's HD footage of the mosque attack

to Hydraleaks-- to you.

So why didn't you then leak it to the rest of the world,

as usual?

[SNICKERS] Your sources are not reliable ones, Gabrielle.

Why didn't you leak it?

You don't know nothing about me.

No one knows anything about me.

Never forget that.

Whose money establishes the criteria

for how you prioritize the leaking of documents, Lucien?

[FIST POUNDING]

Please escort this woman out.

Where do you get your financing?

Where do you get your financing?

[MUSIC PLAYING]

[DOOR SLAMS]

[DOOR SLAMS]

[DOOR SLAMS]

Well, Miss Morris, why the hell

didn't you tell us about the embassy?

What?

CLIVE BARNER: Gell, hiding in the embassy.

Which embassy?

Don't insult me.

OK, I wasn't sure.

I swear.

So tell me about the Syrians.

A man from the Syrian Secret Service--

Mukhabarat.

Yeah, a colonel reached out to us about two years ago.

Then we received an anonymous donation for several hundred

thousand euros.

And Lucian met with a guy.

CLIVE BARNER: Where did they meet?

In Lebanon.

And then?

And then it took off.

He received even more money, and Lucien--

What was in their pocket?

He rationalized by saying that it was a necessity for us

to have alliances to survive.

Are you still in contact with him?

Gell.

No.

You have any idea where his lodgings might be?

I have no idea.

Listen, I just want my immunity.

Well, give me the list, and I may start to develop some more

tender feelings towards you.

But my patience with traitors is running out.

I'm not a traitor.

Well, in that case, how would you define

your profession, Miss Morris?

Sanitation worker.

Sanitation worker?

Yeah, I clean up all your shit.

Take her back.

Actually, I can't take her back.

Why is that?

Somebody saw her walking.

Ah, shit.

You're kidding me.

I have to take it to another safe house.

The same thing could happen.

I can't risk it at this stage.

Well, you have a big house.

My house?

Ah, yeah, my wife would love that.

[MUSIC PLAYING]

[TIRES SCREECHING]

Where is the card?

I don't know.

Where is the card?

I don't know.

Where is the card?

[MUSIC PLAYING]

[PHONE RINGING]

That better not be GT confusing us with his Burga

police speed dial again.

Jeannie J. Johnson.

CLIVE BARNER (ON PHONE): I got a job for you--

low profile.

JEANIE JOHNSON: Yes, sir.

CLIVE BARNER (ON PHONE): Is Almond there?

Here, sir.

CLIVE BARNER (ON PHONE): Good.

Go through all the surveillance footage

that might cover that Linda girl's street, apartment,

house, door, whatever.

Run anything you find through the agency's

face-analysis program.

I want to know who was there when the girl was killed.

Sir.

I had two dates lined up.

Shit.

No problem, I'll do it.

I'm not falling for that old trick.

You do all the work.

You steal all the credit.

Funny how that works, isn't it?

How come you never get irritated by the old man?

Because I'm learning a great deal from him.

[SNICKERS] I tell you, you're hitching

your wagon to a falling star.

The sooner I get transferred out of his big-bellied shadow,

the better.

[INTERPOSING VOICES]

[LAUGHTER]

FEMALE GUEST 1: Which one of us can relate to Patty?

FEMALE GUEST 2: Well, like, Patty at the beginning,

or Patty at the end?

[LAUGHTER]

FEMALE GUEST 3: To be honest, I think all of us are.

Everyone has a Patty.

FEMALE GUEST 1: Patty inside them.

FEMALE GUEST 4: Yes, exactly.

I mean, they build up this lifestyle, and these friends,

and stuff.

And then, they just get bored with it.

FEMALE GUEST 2: Yeah.

FEMALE GUEST 3: There are moments in every relationship

and marriage where you hit a slump and you're thinking,

is this where I want to be?

Is there someone better, more exciting, someone totally--

[DOORBELL RINGS]

--different from who I'm with?

[LAUGHTER]

Thank you.

MARTHA BARNER: Uh, it's the door [INAUDIBLE]..

Excuse me a moment.

FEMALE GUEST 4: No problem.

MARTHA BARNER: Thank you.

Mrs. Barner?

MARTHA BARNER: If you're looking for my husband,

you need to go through official channels.

Oh, he was supposed to inform you that we're coming.

Hello?

MARTHA BARNER: Just go around to the side door.

There's a separate entrance.

OK.

[SIGHS]

Nice to meet you.

Just go up to the attic and wait for my husband there

to greet you.

All right, thank you.

Mm-hmm.

[KEYS CLANKING]

[SIGHS]

[PHONE RINGS]

FAYE MORRIS: Girlfriend?

Wouldn't go that far.

You should go to sleep.

You'll need it.

I can't sleep.

[LIGHTER CLICKS]

Because of Linda?

Lucien always hated her.

He was scornful about her activism with FEMA

and my admiration of it.

She was in love with me.

And I loved her, too, but as a friend.

Was he jealous?

Lucien?

No.

He thought he was God's gift to womankind, to mankind,

to everything-- everybody.

[LAUGHS]

[LAUGHS] Yeah.

I need to go home to my parents.

But you know, sometimes--

sometimes, children overestimate their--

their significance.

My old man was in Siberia.

The Russians released him in '53.

My mother-- she had been waiting for him for 11 years.

And then, when he returned to her,

they barely spoke to each other.

FAYE MORRIS: They made you, at least.

They were capable of that.

Yeah, people usually are.

He just wasn't the same person anymore.

When I was little, I convinced my dad

of being a die-hard Nazi.

But then, I realized that perhaps I

should have asked him.

Should I tell my son I work for the other side?

Of course you should.

He is a good kid, maybe partly due to the belief

that I am an asshole.

But it shaped him.

What good would come of telling him?

And do I even have the right?

Of course you do.

[SNICKERS SOFTLY] I guess that's what

having kids does to you.

Makes you realize that you're no longer the most

important person on earth.

It's just for a day or two.

Why here?

Well, it's delicate.

Well, at least you never brought home prisoners before.

They're not prisoners, they're--

MARTHA BARNER: What?

Highly educated.

MARTHA BARNER: Really?

[SIGHS] What are you doing?

Are you sulking?

Is that what you're doing?

Never mind.

Because I'm not exactly laughing.

Martha, you seldom do.

Clive, I don't have that much to laugh--

To laugh about.

Yeah, I know.

[SIGHS]

Why don't you put an olive in my gin and tonic these days?

I thought you were afraid of gaining weight.

You don't gain weight from an olive.

Well, I guess that depends on how many you drink.

I mean-- eat.

Is this where I'm supposed to laugh?

Martha, you do whatever you want.

[PHONE RINGING]

Oh, [INAUDIBLE].

Johnson, what do you got for me?

[MUSIC PLAYING]

[KNOCKING]

Hey, Ludwig?

He's sleeping.

[SIGHS] Ludwig.

Yeah?

I got to talk to you.

Come on.

What's going on?

Go to sleep.

Hey, do you have a light?

[LIGHTER CLICKS]

Thank you.

You could take five.

So we ran the street surveillance footage

from CIA photo analysis.

You want to know who killed your girlfriend's girlfriend?

Cultural attaches at the Syrian embassy.

Lucien Gell had Linda killed.

LUDWIG LICHT: Are you getting her immunity?

CLIVE BARNER: Well, it's up to the Justice Department

and the cops, not me.

LUDWIG LICHT: But did you talk to them?

CLIVE BARNER: Nope.

Listen, when all of this is over,

I expect you to do right by her--

just so you know.

Really?

And why is that?

Because she deserves it.

Oh, yeah, yeah.

Yeah.

Look, there's so many cynics in this world--

Hmm. LUDWIG LICHT: --Gell, you, me.

But she's not like that.

Just make sure she never has to be, OK?

We're on a mission, Ludwig, you and me.

I'm going to send you a memo, because you

seem to have forgotten that.

You're on a mission.

I'm just a hired gun.

And I prefer not to destroy decent people--

especially Faye--

first of all, I like her--

unless I have a goddamn reason.

Well, I've given you plenty of damn good reasons.

You have whole envelopes full of them.

You keep that in mind.

I'm the only friend you have these days, remember?

And I'm all about damage control.

Well, I'll remember it when you fucking prove it.

I think I already did.

Yeah?

Well, we'll see.

[PHONE RINGING]

We're going to show them, Ludwig, when we catch Gell

like a fucking rat that he is.

Yeah, OK, I gotta go.

[MUSIC PLAYING]

[GUN COCKS]

[GUN COCKS]

[GUN COCKS]

MAN (ON RADIO): [NON-ENGLISH SPEECH]

[LIGHTER CLICKS]

[NON-ENGLISH SPEECH]

[DOG BARKING]

[NON-ENGLISH SPEECH]

[GUN SHOT]

[GRUNTS]

[GLASS CLANKS]

[MUSIC PLAYING]

[GRUNT]

[CHOKING GASPS]

[GRUNTING]

[THUD]

[GASPING]

[GROANING]

[PANTING]

[MUSIC PLAYING]

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