Original subtitles

(film whirring)

♪ I've got the taste of tin on my lips ♪

♪ Held by the clatter of wood on your wrist ♪

♪ Mama I like the way that you are ♪

♪ You're in the kitchen the morning comes softly ♪

♪ You won't wake me up but I smell your coffee ♪

♪ And you take our dollars and change them to yen ♪

♪ I'll never forget what you promised me then ♪

♪ Oh my darling ♪

♪ Won't you hold onto this verse ♪

♪ Wherever you go ♪

♪ I will love you first ♪

(phone vibrating)

(phone beeps)

♪ I gotta buy myself a time on my phone ♪

♪ Just to tolerate a day of the norm ♪

♪ So I don't ♪

♪ Get too much done ♪

♪ I bought a car that barely knows how to start ♪

♪ And I should probably work on sorting that out ♪

♪ But I don't ♪

- I'm surprised you're up.

- [Reese] So am I.

- What are you gonna say to your dad today?

- Very little.

Ciao.

♪ We're on the run from the voice in our heads ♪

♪ I bought a house but it came in while I slept ♪

♪ Throw it down ♪

♪ I burn it to the ground ♪

♪ And I got bored being with my new guy ♪

♪ I didn't know how I could tell him goodbye ♪

♪ So I went ♪

♪ And told him I was dead ♪

- Hi Joe.

- [Joe] Hey, Reese, how's the book?

- Almost finished.

- Gonna want mine signed.

- Oh.

- When did you get back?

- [Reese] Yesterday.

- Uh, Louise just called.

She pulled some things for me to see

before she puts them out.

For the charity event.

You should come with me and help me pick something out.

- Oh, no, it's okay.

I'm meeting up with dad.

- You sure?

I haven't seen him.

- Yeah.

You go on.

Tall, non-fat, half-caff, sugar-free,

extra-hot vanilla latte.

- You know me.

How was it?

- It was perfect.

- And who is he?

- How do you do that?

Don't tell my father, you know how he gets.

(Reese laughs)

Oh, is he here?

- His appointment ran late, he'll be here soon.

He's anxious to see you.

Go wait in his office.

- Okay.

(thoughtful music)

- [Gloria] Your father just arrived.

He'll be up in a minute.

Can I get you anything?

- [Reese] Not unless you have a key.

- [Gloria] What was that?

- [Reese] Nothing.

- [Grayson] Hi doll.

- Daddy.

- How are you?

- [Reese] Oh, I missed you.

- I missed you, too.

(Reese laughs)

Sorry you had to wait.

- It's okay.

- [Grayson] So, how was it?

- It was amazing.

I can't wait to go back.

- And I want to hear all about it,

but that's not why I wanted to see you.

- It's not?

- We need to talk about what you're gonna be doing.

- Dad, come on, can we please do this later?

I am so jet-lagged.

- Sweetheart, the bank calling about your account

has become a routine.

- I know, it's so annoying.

- It's time you start thinking about a job.

- Well, what about the advance on my book?

- You really think that can sustain you?

- No, but...

- Reese, I'm making deposits

into your checking account every month.

Where's the money going?

- I don't know.

- [Grayson] That's why you need a budget.

- Dad. - Sweetheart,

even when I have disagreed with your decisions

I have been supportive, you know that,

but this clearly isn't working.

- Wait, dad.

When you were my age, did you have everything figured out?

- When I was your age

I didn't live in the most expensive part of the city.

- So, what are you saying?

You want me to give up my loft?

- No, I'm saying I want you to consider other options

such as moving home while you work

and save up some of your money.

- Dad, that's not fair.

I don't think you appreciate how hard I've been trying.

Just--

- We have a job opening here.

- I can't.

Dad, I can't do that.

- Honey, you'd still have plenty of time to do your writing.

- Daddy, I am so close.

(knocking)

- Yes?

- Your 11 o'clock's waiting in the conference room.

- Thank you, Gloria.

Will you please make two copies of this

and leave them on my desk?

I've got to get to my next appointment.

How about you come by after work.

I'll take you out to dinner.

You can tell me all about your trip

and we can finish our conversation.

- I already have plans.

- Let me know when you have time. (downtrodden music)

(moves into sneaky music)

(phone dings)

- [Reese] Audrey and Reese Donahue, 10 million dollars.

(elevator dings)

(doors clicking)

- Bye honey, have a good day.

- [Reese] Bye, you too.

(troubled music)

- Taxi!

Taxi!

- Look, I don't know what you saw, but until he brings it up

there's nothing that we can do.

- Mom wanted us to have it.

- Well maybe he's saving it as a wedding gift.

- So what am I supposed to do, just wait?

- I don't know. Do you want to go to dad and say by the way,

I was pilfering through your desk the other day.

- Why are you trying to make it sound

like I did something wrong?

- Because you were going through his desk looking for money.

- It's not like I was looking for spare change.

You know what, forget it.

(phone beeps)

- She hung up on me.

- What?

- It's just like she thinks

that she is entitled to anything.

- I don't know why your dad wants her there anyway.

We don't need the drama.

- I wouldn't worry.

She'd be desperate to take that job.

(serious music)

- How's your dad?

- Oh, he's really good.

- Why don't you let him publish you?

- I don't know.

I guess maybe I just wanted to prove

that someone else liked my work,

someone with a different last name.

- You don't have to prove that your work is good.

It is.

- You think so?

- Yes, I do.

I rarely sign a book deal without a completed manuscript.

- Um, actually, I was wondering.

Is it possible for me to get another tiny advance?

- Sure, as soon as you get me the rest.

- Um, ya, of course, it's almost done.

- I have a million things to do this afternoon,

but this was nice.

Will you please say hi to your father for me?

- [Reese] Of course.

- It's been way too long.

- [Reese] Thanks for squeezing me in.

- Any time.

(phone rings)

- No no no, tonight is great.

Seven o'clock?

All right.

See you then, I love you.

- He made reservations for two.

I shouldn't be here.

- I thought it would be nice for you to have dinner

with me and my father.

I also need you here.

- What's going on? - Nothing.

Hi.

- Allie, good to see you. - Hi.

Good to see you.

(everyone laughing)

- Oh, I am wondering how I got so lucky

as to have two beautiful women here at dinner.

Thank you.

How was Italy?

- It was amazing.

- Yeah?

Well I'm glad that you enjoyed the workshop.

It is one of the best in the world.

And Allie, what are you up to these days?

- I'm still at the same place.

I'm hoping that something will open up

in the marketing department soon.

- I'm sure something will.

You seem to know what you want.

- [Allie] I do.

- Good.

Have you thought about the job offer?

- Well, actually dad, um, there was something

I wanted to talk about with you first.

- [Grayson] All right.

- It's about mom.

- What about your mother?

- Well,

I mean, you know how her foundation's name

is on pretty much every charity event's donor list

for like the next century?

I don't know, it just seems strange

that she didn't leave Audrey and me any money.

- Reese, as generous as your mother was,

it was more important to her that you know who you are,

and money can't help you with that.

(elegant piano music)

- Excuse me, I need to use the restroom.

Allie, you need to go, too, right?

- Yeah.

- Gosh, I just need to think.

- Think about what?

- Okay.

I need to talk to my dad about something,

but I know something that he doesn't know that I know.

- I have to go now.

(door bangs) (lock clicks)

I think your dad has a good point.

You should take the job.

I would jump at it.

- [Grayson] You're not gonna believe

what I ordered us for dessert.

- I'll take the job.

(excited music)

- Hi.

- Sorry I'm a little late.

- That's all right.

(hopeful music)

- Good luck on your new job, Sam.

- [Reese] Hey.

- Well who's Sam?

- A guy.

- A guy that sends you flowers at work?

- Evidently.

- Well I don't remember you mentioning him.

- There's not really anything to mention.

- Well who is he, what does he do?

- He's still at school.

- Where?

- Harvard.

- No wonder you're not interested.

Oh well.

Don't screw it up, okay?

- What?

- [Audrey] The job.

- [Reese] I just didn't choose any of this.

- [Allie] Oh, you mean work?

- No, I mean my life.

- Don't let Audrey get to you.

- It's not just her.

I don't know, it's just--

- Girl, you need to forget about him.

- Who?

- Sexy, Italian guy.

- (laughs) I'd rather think about him than Audrey.

- I can see why.

- Oh, that makes me want gelato.

- I'm known to get gelato.

(Reese grunts)

- Come on.

- Looks like you're working hard.

- My computer's not working.

- Call IT.

- I did.

No one has come yet.

- Oh, just use mine.

We're leaving.

- Thanks.

(shadowy music)

(phone rings)

Hello?

- [Audrey] Lock the door on your way out.

- Yup.

(serious music)

- I don't think she was ready for this.

- Give her some time.

- I didn't need time.

- You have always been a doer.

You get things done.

Reese is a dreamer, a visionary.

You'll see.

Someday you'll need each other.

(elevator dings)

(weighty music)

- [Audrey] Do you have any idea

how much of your work I have been doing?

- I've been doing things.

Why do you keep-- - You have not touched

one of these files.

Okay, I am carrying you this, this, this, this.

- [Reese] No, that's not all of it. That's not being fair.

- [Audrey] How am I not being fair?

You can either fix this or you can leave.

- Been a long day, hasn't it?

- Somehow I saw this going very differently.

- I don't see how.

- You know, when they were kids--

- They grown women now.

- Yeah, well I wish they would act like it.

(emotional music)

(thudding)

- [Allie] What's going on?

- I'm leaving.

I'm going to Italy.

- Reese, how much do you actually know about this guy?

- It's not about him.

- Then why are you leaving?

- This is just something I have to do.

(tense music)

(moves into soaring music)

- The bank called back and they confirmed the transaction.

- I don't understand her.

- Daddy, you wanna see her as this innocent child,

but she's not.

We'll find her.

We'll get the money back.

- We're not tracking your sister down

like she's some kind of criminal.

(suspicious music)

♪ I was driving alone ♪

♪ Pulling my old Airstream ♪

- Are you the private investigator?

- I am.

- I need you to help me find my sister.

- Are you with anyone?

- No, it's just me.

- And you don't know where your sister is?

- If I knew, would I be talking to you right now?

Well, are you gonna help me or not?

- When I find your sister--

- I just need to know what she's doing.

- Okay.

♪ I'd cover my shame ♪

♪ Under the shine of the chrome ♪

♪ Baby moon was a cover ♪

♪ To my cold heart of steel ♪

♪ Reflecting and protecting the way that I feel ♪

- You can just pay when you're ready.

♪ Baby moon ♪

(phone rings)

- [Grayson] Hey?

- Grayson, it's Jerry.

- [Grayson] How's it going?

- What's going on with Reese?

- What, did you hear something?

- Well, Audrey called the office

and made an appointment with one of the guys,

but he got busy.

- So she told you everything?

- Not exactly.

Remember that time when you handed me your car keys?

You thought I was the valet.

- Well, I'm a lot more careful who I give my keys to now.

- Seriously, Grayson, whatever you need, I'm here.

- I appreciate that Jer.

- Oh and uh, tell Audrey that uh, next time, lunch is on me.

(knocking)

- [Grayson] Remember my old college roommate, Jerry Peters?

- No.

- He's a private investigator.

- Well, that's very interesting.

- Audrey, why did you go behind my back

and meet him just now?

- Because I don't understand

how you can just stand by and do nothing.

- Sweetheart, you are going to have to trust me on this.

(drawer grating)

(pleasant music)

- Oh, please, come dancing with us tonight.

- Oh, I can't.

- Si!

You have the perfect dress for it.

Roberto, what you doing tonight?

- No, I can't, I already have plans.

I have plans.

- What plans?

(peaceful music)

- [Reese] Oh my gosh, it smells amazing.

- [Milo] Everybody, this is Reese.

- Ah, mio Milo.

(kissing)

(speaking in a foreign language)

- Gosh, you must've cooked all day.

- You don't like to cook?

- [Milo] Come come come.

(speaking in a foreign language)

- [Milo] Papa.

- Milo.

(speaking in a foreign language)

- This is Reese.

- Reese?

- [Reese] Buongiorno.

(speaking in a foreign language)

- Welcome to my house.

- [Reese] Thank you.

- Prego.

So, Reese, where are you from?

- [Reese] Chicago.

- Chicago?

You know the Marinos?

- No.

- The Bianchi?

- [Milo] Papa.

- So your family, what kind of business are they in?

- Reese is a writer.

- [Marcello] Fabuloso.

- Your mother must be proud.

- Mama.

- Oh, no, no it's fine.

My mother passed away when I was 16.

- [Marcello] How?

- An accident.

(speaking in a foreign language)

- Emilio, you know diamonds can be traced.

- I told you I know what I'm doing.

- What do you want?

Do you want to end up in a box,

with your American girlfriend?

I'm getting too old for this.

- [Reese] What were you and your dad talking about?

- [Milo] Papa wants to know

if we'd like in on their next deal.

- [Reese] I think we should.

- [Milo] You do?

- [Reese] Do you know anything about investing?

- What would I invest?

- Nevermind, it's probably nothing.

- Reese?

Just say it, what's wrong?

- I don't know.

Milo's being kind of distant.

He's not telling me where he's going

or who he's meeting with.

(speaking in a foreign language)

- I'm probably just being really paranoid

or incredibly stupid or maybe both.

- Speak, talk little slower.

- I gave him all of my money.

- No.

Reese.

- These numbers, they just don't add up.

- What you mean, don't add up?

- With investments you get returns,

but it doesn't make sense that it would be this much.

- What, you think 'cause you're in Italy,

everyone's a crook?

- [Reese] No, that's not what I said.

- Okay, okay.

You give him some money.

How much?

- I'd rather not say.

- Then it's a lot?

What were you thinking?

This is Italy.

- I don't know.

I just wanted to help him.

- [Sophia] Help him what?

- What if he's doing something illegal?

What are we gonna do?

- We?

No, no we, no we.

I no want in on this.

- No no, I'm not in on it.

It's just my money.

- Well that makes you in.

Maybe it's (speaking in a foreign language).

Another girl.

Believe me, Reese, this would be better, no?

But you have to know.

Si?

(sinister music)

You cannot say a word about this to anyone.

Go upstairs, pack your bag, go back to your familia.

- No, I can't--

- Si, Reese, si, you can.

And you have to.

- But maybe it's not what it looks like.

- I don't think you know Milo like you think you do.

(speaking in a foreign language)

Okay, you be careful.

(kissing)

Ciao bella.

- Ciao.

(kissing)

- Headed somewhere?

- [Reese] Where've you been?

- Hey, hey hey hey.

I was working.

- [Reese] I saw you.

- You followed me?

- What did you do with the money, Milo?

- You don't trust me?

It's not gone.

We invested it.

- [Reese] Why didn't you just tell me?

- I was trying to protect you.

- Protect me from what?

- Why would you leave?

Huh?

You think you're better than this?

Than me?

- No, that's not what I was saying.

- Have you forgotten where the money came from?

- [Reese] My mother wanted me to have that money.

- You didn't tell your dad you were leaving.

- [Reese] He wouldn't understand.

- Why you took the money?

Or why you wanted to be with me?

Hm?

(bell clanging)

(distressed music)

- How much longer?

- In a couple of hours, around midnight,

I will be sitting in the corner.

You will join me.

I will tell you when to bring it over.

- You know what, I'm actually not feeling well.

I think I'm gonna go lie down.

- It's nerves, have a drink.

- I'll see you later.

(troubled music)

(moves into aching piano music)

(girls giggling)

(train whistles)

(veiled music)

Excuse me, can you tell me how long till the next stop?

- Five minutes.

- [Reese] Thank you.

(anxious music)

- This is your stop?

(determined music)

Reese!

It's me, Jerry Peters.

(train whistles)

- What are you doing here?

- Your father thought you might be in over your head.

- You can't tell him.

- He just wants to know you're safe.

Let's figure out where we are.

Let's get you out of this rain, come on.

- You came a long way to spy on me.

- You remind me of your mother.

- I do?

- Your dad and I were friends all through college.

And when he met your mother, everything changed.

- What do you mean?

- Love changes people.

She couldn't get anyone to look at her work.

- Because she was a first-time author.

- So, your dad said, "If no one will publish her, I will."

And he started a small publishing company.

- With my mom.

- No, it was your dad who went to the bank

and took out the loan.

- I guess I just always thought

they started the company together.

- It was still small and struggling when they got married.

They were quite a team.

I checked out your friend Milo.

He's not...

- I know.

And you're supposed to take me home.

- Only if that's what you want.

(troubled music)

- Can I use your phone?

(unfriendly music)

(thunder rumbles)

(fretful music)

Daddy?

(touching music)

It's me.

Can I come home?

(airplane whooshing)

(expressive music)

- Crying?

- Yeah.

- Why?

You're okay.

You're home.

You're home.

- Everything mom wanted me to have, I lost it.

- You're home, that's all that matters.

- I don't know why I did it.

I'm so sorry, I promise I'll never--

- I know.

- I feel really awful about Meredith.

- I wouldn't feel too badly.

She's doing just fine.

- You talked to her?

- Oh yeah, she discovered this new author, Mary Bridges.

Have you heard of her?

(Reese laughs)

She called me as soon as she read your manuscript.

She knew it was you.

- What did you think?

- Well, I'm prejudiced,

but it is really good.

I knew you could do it.

I don't think she was ready for the party yet.

I told her two places would be set

and the door was always open.

Kind of nice that Allie brought

your summer camp friend, Sam.

(lively orchestral music)

- I'm glad you're back, I have so much to tell you.

- Oh my gosh, I was so afraid you we're gonna hate me.

- I just missed you, that's all.

(graceful orchestral music)

- Sam, what are you gonna be doing after you graduate?

- I'll be taking the bar exam this summer.

- [Grayson] And then where will you be working?

- Eventually I'd like to start my own practice.

I'd like to be able to work

for those who really need legal help,

not just those that can afford it.

- [Grayson] Good man.

I think you'll do very well.

- Meredith, I am so, so sorry.

- Oh, I'm just glad that you sent it to me.

It's doing really well.

- [Grayson] Seems like I paid for a hundred of them.

- How did you know it was me?

It's nothing like what I've sent you before.

- I kept my eye on every piece that came in.

And whether you want to call yourself Miss Donahue

or Miss Bridges, I know your work.

(Meredith laughs)

- Is there something going on here?

- Your father and I have been--

- I can see that.

(Grayson laughs)

- Are you working on a new book?

- Hey, you know what?

Let's not talk about publishing, just for tonight.

- Okay.

But I want to talk soon.

- [Meredith] I used to love summer camp;

sailing and swimming.

- Can I come back to work?

- Well, I didn't give your cubicle away.

First thing Monday morning.

Be early.

(elegant orchestral music)

(knocking)

- I'm...

Listen, I understand why you didn't come to the party.

I mean, I probably wouldn't have either,

but, um, but can we talk about it?

- I'm busy.

- Audrey, I'm really sorry.

I know that what I did was wrong.

- [Grayson] Morning, my beautiful girls.

- Morning, Dad.

I'm really excited to get back to work.

- Good.

Audrey, please, try to be nice.

- I am.

- [Reese] I'm sorry.

- Don't worry about it.

Meeting in my office in 15 minutes.

We've a lot of catching up to do,

and just give her some time, she'll come around.

- I would like to propose that

we start a program for new writers.

I really think that we can

make the submission process easier, less scary.

If we support and encourage them

we could find a fresh voice, that new talent

that otherwise might be lost in the slush pile.

- All right.

I think that wraps up everything for this week anyway.

Thank you everyone, have a great weekend.

Hey, thank you for sharing some of your ideas.

I was really impressed with all the work you've been doing.

- Thanks.

- Yeah.

I thought your sister had some good ideas.

You could've given her a few minutes of your attention.

- Well, the entire time that she was gone I was working.

So, forgive me if I don't share in your enthusiasm.

- She's trying.

Why aren't you?

(Audrey groans)

- Bad day?

- He has done everything but throw her a parade.

- What are you talking about?

- She steals from the company,

runs away with her boyfriend,

and when she decides to come home

he just gives her a pat on the head.

I think she's even getting a promotion.

- Wait, Reese actually stole from the company?

How much?

- Well, she said she only took what mom left us,

but it doesn't matter.

He covered for her like he always does.

- When your dad retires,

who's he gonna leave the company to?

When Reese decides to actually make another withdrawal,

that's less for us.

- She wouldn't do that.

- Why wouldn't she if there's nothing to stop her?

(energetic piano music)

- Why is it never chocolate?

- We're not here for the food.

- I know.

We are here to smile and give them a check,

so let's get it over with.

- Here, I'll do it.

(sophisticated piano music)

- So, how's everything since Reese got back?

Is everything okay?

- It's fine.

- We could hardly believe it.

I mean, your poor father.

- I don't know what you're talking about.

- We ran into Jonathan at the club yesterday

and he mentioned it.

- He didn't want to,

but when we asked if you had set a date yet,

he said that there were family issues.

Sounds truly awful.

- Would you excuse me?

- Mm-hm.

- Oh, oh sorry, would you excuse me?

What's wrong?

- We're leaving.

(knocking)

- Jonathan, come on in, have a seat.

Steven tells me that you are concerned

about some bookkeeping matters?

- Where might be a better word.

I only told him to keep his eyes open.

There have been some problems in the past

we wouldn't want to deal with again.

- I'm sorry, I was unaware

that you had to deal with anything.

- I realize you took care of it,

but I'm not sure it was the most appropriate action

since it did nothing to ensure it won't happen again.

There should've been retribution.

You've done nothing to take control of the situation

and that affects us all.

I'm simply trying to look out for your business

which you seem to have forgotten about,

letting Reese just waltz back in after everything.

("Valse from The Swan Lake TH12, Ballet" by Tchaikovsky)

- Where have you been?

- Another meeting.

- Shh!

- Why would you feel that it was your place

to talk to Bridget and Lauren about my family?

- I can't even open my mouth.

- Do you mind?

I can't hear.

- They're dancing, there's nothing to hear.

- I told you dad wanted to keep that inside the family.

- Apparently I'm not part of the inner circle.

- Oh, you're being dramatic.

- I'm just saying there's more that he's hiding,

more than you know.

Or maybe you do.

Do you mind?

- You don't really think that, do you?

- I'm just saying it's the behavior

of somebody who has something to hide.

- Why don't you just forget that I told you anything.

- Awesome.

- I have some good news for you.

Dad fired Jonathan.

There's an opening in marketing, you'd be perfect.

- Do you think I should call your dad?

- My dad loves you.

- That would be amazing.

- [Reese] I don't even know what Audrey sees in him anyway.

- Tough to say.

What one person might see in someone,

someone else can completely ignore.

- Why didn't you and Sam ever get together?

- Mm, maybe it's because how every time I see him

he asks how my friend Reese is doing.

- Really?

- [Allie] Call him.

- You know what, I'm gonna text him,

that way he won't see my interest.

- I think you're safe.

- Oh gosh, we were just kids.

Everybody has their first crush at camp.

Remember yours? (laughs)

- Evan McMillan.

(Reese laughs)

- Okay, okay, um...

(buttons clicking)

(phone bloops)

- You have a date.

- You should come.

- Seriously?

- What if it's not a date

and I thought that he thinks it's a date

and it's not a date?

- Oh it's a date.

- How do you know that it's a date?

- Trust me.

- Hey. - Hey.

- How's it going? - Good.

- What can I get you?

- Um, you know what actually,

I think that Allie was going to get her coffee to go.

- Yeah, I've got a thing.

- What would you like?

- Oh, just a coffee, thanks.

♪ I don't wanna scare you off ♪

♪ Is it too late ♪

- What can I get for you?

- Just two coffees, please.

- Awesome. - Thanks.

♪ Baby you're driving me crazy ♪

♪ You're driving me crazy ♪ - Thank you.

♪ With thoughts inside your head ♪

- This was a nice surprise, your text.

- Yeah well, I mean, Allie and I

were just having sushi and--

- Well, I'm glad you did.

Do you wanna go for a walk?

♪ Would you let me in again ♪

♪ Baby you're driving me crazy ♪

♪ You're driving me crazy with ♪

♪ Thoughts inside your head ♪

♪ Baby I promise to save you ♪

- So, I'm gonna be uh, studying for the bar exam,

but after that I'd like to take you on a real date.

- If you ever need a study break or some caffeine

you can call me.

- Deal.

♪ We can work it through if you let me in ♪

♪ Would you let me in again ♪

♪ Let me in again ♪

♪ Let me in again ♪

- Bye.

- See you soon.

♪ Let me in again ♪

♪ Let me in again ♪

- Hey, what's going on?

- What does it look like?

- Why, because of Jonathan?

- Because of you.

It is your fault that dad fired him.

Dad can't fire my fiance.

- I mean, have you talked to dad?

- Jonathan told me everything.

It's your fault.

Dad always takes your side.

- You're leaving?

- What do you want me to do?

- Jonathan left him no choice.

- Oh really?

- Your father can't stand by

and watch him rip the company and the family apart.

- You are not a part of this family.

You are nothing like my mother.

- Neither are you.

(calm music)

(Reese laughs)

(happy music)

- [Reese] When you said you'd plan dinner...

- [Sam] I wanted it to be something you wouldn't forget.

- I won't.

It's perfect.

- You know that summer my parents sent me to camp,

I really didn't want to go.

I wanted to stay in London with my friends.

Ended up being my favorite summer.

- Mine too.

It was so long ago.

- You're still the same girl.

- You don't know that.

- Well, your eyes are still blue.

Your favorite color, red.

Your favorite dessert is anything chocolate.

Your favorite book.

- Jane Eyre.

- Charlotte Bronte.

- But she didn't use her real name.

- [Sam] Like you.

- Like Charlotte.

Tell me something else about you.

- I, I passed my bar exam.

- Sam!

Oh my goodness, that's so amazing.

Congratulations.

- Thank you.

And the law firm where I've been working,

they have an office in London,

and they've offered me a job there.

- That's wonderful.

- It is?

- Well yeah, I mean, isn't that what you want?

- I don't know.

I've been wondering if there wasn't a reason to stay here.

- Just,

I don't know, it seems like a really good opportunity.

- There are all kind of opportunities.

You just have to choose what you want

and what's worth waiting for.

♪ Oh there's something about you ♪

♪ You gave me a chance ♪

♪ There's something about you ♪

- This is Reese.

- [Sam's Grandmother] Hi, Reese.

May we dance together?

- Yes.

♪ And a pot of gold or a legend ♪

♪ So often told ♪ - He packed all of this food

and we drove out into a field, under the stars;

it was just the two of us.

- Really?

- Yeah.

- [Jill] That was Sam's idea?

- [Reese] Yeah.

- That's not my brother.

What did you do to him?

That's good.

- Go dance with her.

Go on.

♪ You are so sincere ♪

♪ Just what I was thinkin' ♪

- [Sam] They're playing our song.

- We don't have a song.

- We do now. ♪ You are such a dear ♪

♪ Just what I was hopin' for ♪

♪ And I see your heart shine through ♪

♪ Everything that you do ♪

♪ And you don't even notice ♪

♪ And now I'm so caught up ♪

♪ In the idea of your love but ♪

♪ I don't even know you ♪

♪ 'Cause I get carried ♪

♪ Yeah I get carried away ♪

- [Grayson] It's so embarrassing.

- I should've kept you longer.

- I'm fine.

- Gray, that's not what the doctor said.

- I'm okay.

They wouldn't let me go home if I wasn't.

It's just embarrassing.

- Are you sure you don't want me to call the girls?

- I do not want you to tell them.

Promise me you won't.

They don't need to worry.

I'll be fine, I just need a few days.

To get a cat or not.

- Maybe they found one. - Maybe, maybe not.

- I'm here. - Hi, sweetheart.

- This better be important.

- Please, sit down.

I've decided to sell Donahue Publishing,

and Audrey, I would like you to come back

and run the company until I find a buyer.

- Well, you can't just up and leave.

- I bought a little place up on a lake,

and it's beautiful this time of year.

- What if I don't want to come back?

- Sweetheart, I can't think of anyone

that I would trust more with this responsibility than you.

- You took my office.

- [Reese] Just wait.

What do you think?

- Don't you think it's weird?

I mean, he's here one day and then he's gone the next.

- It already feels so different without him here.

- So, when are we gonna release your book?

- Audrey, we're not releasing it.

I'm staying with Meredith.

- You're what?

- She took a chance on me.

I don't know, I just,

I really feel like it's the right thing to do.

- You know that she was just

trying to start something up with dad?

And that's the reason you got that deal.

You don't owe her anything.

- Why do you care?

- Because it's good.

It's really good.

I saw it on the desk and I read it,

and I think it'd be really good for us.

And we've fallen away from a young adult audience.

- I really appreciate that but--

- [Audrey] You know what, sit in on the marketing meeting,

see how you feel.

I think you're gonna love what we can do with it.

(gentle music)

(knocking)

- [Meredith] Audrey.

- Dad's not here, but I'm surprised you didn't know that.

- I was talking with Reese about the progress on her book.

- There wasn't a contract.

- There was a verbal agreement.

- Well she changed her mind.

- That's fine, but she's a talented writer

and I would hate to see--

- You don't think that I'm capable of handling this?

- I think the goal is to reach

the largest number of people quickly.

I'm not sure it's your audience.

- Well that can change.

- You really want to take that chance on your sister's book?

It has so much potential.

- I've got this.

Thank you.

(troubled music)

- Hey!

I heard Meredith came by yesterday.

- [Audrey] Yeah.

- And how did it go?

- She thinks that she knows everything.

So...

- Audrey, I know that you don't like her,

but she's really smart, she knows this business so well.

I think if you just--

- She doesn't like me.

- Have you given her a chance?

- A chance to what?

To take over?

To take dad?

- Audrey, she's not taking anything.

Where are you going?

- I'm meeting someone.

- Where's your ring?

- [Audrey] Look, I don't want to talk about it.

- Is that what you're wearing? - What is wrong with this?

- Why don't you come over to the house?

Okay, maybe I could pick out something fun.

You know, you can loosen up a little bit.

- This is who I am.

And if he doesn't like it.

- No, I'm sorry.

That came out wrong.

I just,

I just thought maybe you'd want

to put something more comfortable on, that's all.

- No.

I'm fine.

- Okay.

Um,

have fun tonight, okay?

See you later.

(door creaks)

(knocking) (gasping)

- I didn't mean to frighten you.

- What are you doing here?

- That was not the greeting I expected.

(sinister music)

When the Policia couldn't find the diamonds,

I knew why you left.

You saved me.

Where are they?

- Where are what?

- [Milo] The diamonds.

- I don't have them.

- But you took them.

- No, I didn't.

I didn't take anything.

- [Milo] You took the statue.

- The statue you gave me?

- Where is it?

(mysterious music)

I almost lost it all.

(serious music)

I have a buyer.

It's more than I'd hoped for.

(dramatic mu_

- Those are stolen.

- They're ours.

- No, no, I want to forget

I ever had anything to do with that.

- How can you say that?

You have no idea what you're giving up yet.

- I don't care, it doesn't matter.

- [Milo] Of course it matters. - No, not if you get caught.

- I won't.

- How can you be sure?

(menacing music)

- If I got caught,

all of the evidence leads right back to you.

(distressed music)

I tried to protect you.

(dramatic music)

- [Audrey] Don't make a big deal out of it,

just find me something to wear.

(devastated music)

Are you okay?

(Reese sobs)

- Milo.

Milo.

- Milo what?

What did he do, did he hurt you?

- I had millions of dollars worth of diamonds in my closet.

- [Audrey] What?

Where is he?

- On his way back to Italy.

- Okay, did you call the police?

Wait, so after everything that he's done

you're still protecting him?

- But if he gets caught,

all of the evidence leads back to me.

- He told you that?

- I mean, it's true.

It was my money and then I smuggled the diamonds in,

and then I was hiding them this whole time.

- No one has to know.

- But I do.

- [Audrey] You're a bad judge of character

and you make some bad decisions, but you're not a thief.

Oh, you're not.

(delicate music)

Oh.

- But if I don't call the police

then everything they said about me is true.

- No it's not.

(touching music)

(Reese sobs)

- [Reese] Do you ever wonder what it would be like

if mom was still here?

- You mean, would we be sitting in a police station?

- I don't know how I got here.

- Hey, I haven't done much

that you should be proud of either.

- What are you talking about?

You've accomplished so much.

- Doesn't mean anything.

I think that I'm the reason that dad left.

- That's not true.

- Think about it.

Why would he just drop everything?

I mean, he loves his work.

- Yes, thank you sergeant.

Well, they picked him up.

They found the diamonds just like you said.

- What's gonna happen to him?

- He's gonna go back to Italy.

He'll be charged there.

- [Audrey] And what about Reese?

- There's nothing, no evidence against you.

You'll have to come in and sign some reports,

but after that you're free to go.

- Thank you, Charlie.

- [Charlie] You're welcome.

(Audrey and Reese laughing)

(pleasant music)

- (laughs) You always got to push the button.

- I know, 'cause I'm better at it than you.

You always got the wrong floor. (laughs)

- Oh, hey, listen.

- Mm-hm.

- I called Meredith, I'm gonna bring her on as a consultant.

- Wait, did I miss something?

- It's the only way if you wanna keep my book.

- Okay, but if she tries to get over she is out.

Good morning, Allie.

- Stop worrying, I think you're doing great.

- Thank you.

- [Meredith] Your dad would be proud.

- Thank you.

Leaving early?

- Yeah, I'm taking a long weekend.

- Will you, will you tell him that we miss him.

- (laughs) Yes, I will.

- What's your deal?

- [Reese] No deal.

- I'm not leaving.

What's going on?

- Nothing.

Okay, listen, I know that you think that you're helping,

but you're really not.

- You should just call him.

You're both miserable.

- You talked to him?

- He's going to London.

- I don't know why I ever let you talk me into anything.

Allie?

Allie, I'm sorry.

Thank you so much for coming.

- Well that was quite a turnout.

- It was worth it.

- Why don't you just call him?

- I don't know what to say.

- Well, I don't know either,

but the worst thing you can say is nothing.

- I don't know, I just thought that

maybe he would come say goodbye before he left.

- She's right, call him.

Just tell him you miss him and you wanna talk.

- You think?

- [Meredith and Audrey] Yes.

- What if he doesn't want to talk to me?

- What if he does?

♪ All of the stories I was told ♪

♪ Couldn't prepare me for my own ♪

♪ I am a history of mess ♪

♪ You were my perfect second chance ♪

♪ But I gave you up for so much less ♪

♪ All my secrets I can't help keeping ♪

♪ Oh please believe when I say ♪

♪ I take it back ♪

♪ I change my fate ♪

♪ To be ♪

♪ With you ♪

♪ To make you stay ♪

♪ I take it all back ♪

- Ladies, your dad called.

The papers are ready to sign and he'll be here on Friday.

- Thank you.

- I was hoping he wouldn't find a buyer yet.

- I'm sure he knows what's best.

- We're gonna miss you, Gloria.

- Well, if you don't want me to show up at your door

you better come and see me.

You think just because we're not working together

you're gonna get rid of me?

(Audrey laughs)

(sentimental music)

- So has Charlie explained what this is all about?

- [Charlie] We were waiting for you.

- So, who's the buyer?

- Well, it's more of a merger.

- Wait, you're not selling?

- I've realized that I'm not ready to retire,

I just needed a partner.

So, Meredith and I have been in discussions

and we recognize that

our respective businesses have their own strengths,

but they would be better together rather than apart.

- Uh-huh, and is--

- And we got married the last time she came out to visit.

I know, it sounds crazy,

but we couldn't think of a good reason to wait.

We've been friends for so long

and I really love her, so we did it. (laughs)

- Dad, we are so happy for you.

- Thank you, thank you both.

So now, when you were little girls

your mother and I put some stock in your respective names.

We just need your signatures

and Charlie will do all the paperwork.

- What if we wanted to stay?

And work with you and Meredith?

- Are you sure?

- [Audrey] Yeah.

- Charlie, my girls want to stay in the family business.

Will you please convert their old stock into new?

- Yes, sir.

- We have one last bit of business

which is your mother's will.

Charlie, will you please read the part

that pertains to Audrey and Reese?

- I, Anne Donahue, with sound mind,

bequest 10 million dollars to be divided equally

among my two daughters, Audrey and Reese Donahue.

I'll leave their father, Grayson Donahue,

with absolute discretion as to when Audrey and Reese

are of an appropriate age and should receive the money

that has been placed in the trust for them.

- Charlie, I think they're ready.

- Dad, there's been a mistake.

- No, Charlie didn't make a mistake.

Nobody's touched your trust.

- But, how could it be this much?

- Compound interest is an amazing thing, isn't it Charlie?

- Certainly is.

- I love you both.

Our house tonight.

We're celebrating.

♪ There I was not feeling good not bad ♪

♪ Walkin' 'round not happy but not sad ♪

- Hey, look how beautiful you are.

- [Audrey] Do you mind if I cut in?

- Not at all.

Have fun you two.

- See you later.

- She's good for you, I like her.

- It's so amazing, I just wanna like squee...

What?

- It wasn't me.

- You look beautiful.

♪ You smiled you sang me your song ♪

♪ You told me you'd hold me and show me what life is made of ♪

- Unable to see beyond herself, her desires,

her past clung to her, dragging her to a place that--

- [Reese and Sam] Was called an unknown.

- Awakening beside the one she's loved,

he whispered softly, "Come away with me."

You read my book.

- You're not over him.

- No, it's everything else.

- Forget everything else.

Forget the past.

What do you want?

You remember summer camp?

The summer we met?

I still feel like that 13 year old boy

trying to get your attention.

- I'm sorry.

- You know how I feel about you.

Every time I think I should give up on you,

you give me just enough hope that I can't let go,

and I don't want that anymore.

- [Man] You're on, let's go.

- I just wanted to start off

by thanking all of you for coming here tonight

to celebrate my dad and his new wife, Meredith.

(inspired music)

I've been really lucky to learn what love is from my father.

The way that he loved my mom

and the way he loves my sister and me,

and now the way that he loves Meredith.

(sweet music)

You really wouldn't think it would take me so long

to figure out what love looked like.

Sam, I love you, please don't give up on me.

(passionate music)

- I think what she was going to say was,

to Daddy and Meredith.

Here, here.

(crowd applauding)

(loving music)

- I'm so sorry I pushed you away.

- No, I was trying to say earlier,

we've known each other a long time,

and although we've not dated long,

I have loved you half of my life.

I turned down the job in London, I'm staying here.

(amorous music)

Marry me.

(Reese gasps)

- [Reese] Oh, it's so beautiful.

- It's my grandmother's.

She thought you had the perfect hand for it.

- I do.

♪ You don't know how you changed my life ♪

♪ The moment you told me what was on your mind ♪

♪ You're so quick to change your ideas ♪

♪ If things get hard ♪

♪ So I just keep my mouth shut ♪

♪ 'Cause I don't want to scare you off ♪

♪ Is it too late ♪

♪ Is it too late ♪

♪ Baby you're driving me crazy ♪

♪ You're driving me crazy ♪

♪ With the thoughts inside your head ♪

♪ Baby I promise to save you ♪

♪ But it only works if you let me in ♪

♪ Would you let me in again ♪

♪ By the time you get this note ♪

♪ You'll be on the road to somewhere far away ♪

♪ I pray every time you hear our song ♪

♪ That you see my face ♪

♪ I never thought that I could meet someone ♪

♪ That freaks out as much as I do ♪

♪ Till I met you ♪

♪ 'Cause baby you're driving me crazy ♪

♪ You're driving me crazy ♪

♪ With the thoughts inside your head ♪

♪ Baby I promise to save you ♪

♪ But it only works if you let me in ♪

♪ Would you let me in again ♪

♪ And maybe it's time to stop thinking 'bout the future ♪

♪ And notice what's right in front of you ♪

♪ I realize it can be scary ♪

♪ But I'll be right here with you ♪

♪ Baby you're driving me crazy ♪

♪ You're driving me crazy with the thoughts inside your head ♪

♪ Baby I promise I've been there too ♪

♪ And we can work it through if you let me in ♪

♪ Would you let me in ♪