Original subtitles

*

[ORCHESTRAL MUSIC]

[MUSIC CONTINUES]

[LIGHT RAINFALL]

[MUSIC FADES]

>> WAIT, MOM, DO YOU REMEMBER

THAT ONE TIME WHEN WE WERE

LITTLE AND GAIL MADE THAT HUGE

DINNER...

>> OH, MY GOD, YES.

>> LIKE, OUT OF NOWHERE?

>> Gail: I FORGOT ABOUT THAT.

>> Mom: THAT WAS AMAZING.

>> Gail: MOM, HE MADE THE SOUP,

BY THE WAY. >> REALLY?

>> DID YOU KNOW THAT HE DID THIS

INTERNSHIP IN CHICAGO?

>> Dad: YOU DID AN INTERNSHIP?

>> Man: I DID AN INTERNSHIP

AT THIS KITCHEN, I MEAN...

>> I SAW HIM CHOPPING THE

CARROTS AND HE WAS LIKE A

PROFESSIONAL CARROT CHOPPER WITH

THE KNIFE.

>> Dad: HOW LONG DID YOU INTERN?

>> TWO MONTHS, UM,

LIKE 20 HOURS A WEEK.

>> Gail: JUST 'CAUSE HE

WANTED TO.

>> I MEAN, I COULD HAVE KEPT

GOING BUT I KINDA QUIT BECAUSE

I DIDN'T GET PAID AND I STARTED

GETTING BORED.

>> Mom: IT'S A LITTLE HARD TO...

>> Gail: YEAH.

>> Dad: HOW DO YOU GO FROM

FORENSIC SCIENCE TO CUTTING UP

VEGETABLES IN A RESTAURANT?

>> I DON'T, I MEAN, IT WAS LIKE

A FLEETING INTEREST, IT'S LIKE,

I DON'T KNOW.

>> WOULD YOU CONSIDER GOING BACK

TO SCHOOL?

>> UM, I MEAN, NOT IMMEDIATELY.

I... I JUST WANT TO GET A JOB.

>> Mom: YEAH.

>> AND GET SOME MONEY AND THEN,

I DON'T KNOW.

IT'S NOT...

IT'S STILL A POSSIBILITY.

>> Mom: WELL, I'M GLAD

YOU CAME HOME.

>> Man: I BOUGHT US

A COFFEE TABLE.

>> Dad: DID YOU?

>> Gail: HE DID. >> REALLY.

>> Man: YEAH, I'M ASSEMBLING IT.

>> Dad: OH, REALLY.

>> Man: IT'S COMING RIGHT ALONG.

AND BY "COMING RIGHT ALONG",

I MEAN "NOT AT ALL".

[ALL LAUGH]

>> Dad: STILL IN THE BOX?

>> Mom: SO, HOW'S IT GOING?

I MEAN, I KNOW YOU GUYS HAVE

ONLY BEEN HERE A WEEK, BUT...

>> IT'S REALLY GOOD, ACTUALLY.

>> YEAH? >> YEAH.

I REALLY LIKE IT.

I REALLY LIKE THE PLACE AND

WE'RE NOT SCREAMING AT EACH

OTHER YET. >> Man: YEAH.

>> Mom: THAT'S GOOD.

>> WELL, THAT'S GOOD.

>> IT'S NICE TO SEE YOU GUYS

TOGETHER.

>> WE DID... NEVER MIND.

>> Dad: WHAT?

>> NOTHING, NOTHING,

NOTHING, NOTHING.

>> Mom: OH, COME ON.

>> NAH, I FORGOT.

>> HOW ABOUT YOU?

HOW'S WORK GOING?

>> IT'S GOOD, IT'S GOOD.

EVERYBODY'S REALLY NICE

AND I'M LUCKY.

>> YEAH?

>> MM-HMM, YEAH,

IT'S REALLY GOOD.

ALL RIGHT.

I'M GOING TO GO TO BED NOW.

>> Man: O.K.

>> GOOD NIGHT.

>> GOOD NIGHT.

>> YOU GOING TO GO TO BED SOON?

>> UM, I DON'T KNOW.

I'M NOT REALLY TIRED.

>> IT'S WEIRD YOU'RE

NEVER TIRED.

>> I'M TIRED IN THE MORNING.

>> YEAH.

ME TOO.

ALL RIGHT.

GOING TO BED.

>> O.K.

>> GOOD NIGHT.

>> GOOD NIGHT.

[RAIN FALLING OUTSIDE...]

>> Man: [WHISPERING] GAIL...

WHAT UP?

HOW'S IT GOING?

>> WHAT ARE YOU DOING HERE?

>> WHAT DO YOU MEAN?

>> YOU'RE, UM, YOU'RE AT

MY OFFICE.

>> YEAH.

>> ALL RIGHT.

>> HEY...

YOU WANNA GO TO THE COAST?

[KEYBOARD CLICKING]

>> WHAT?

I HAVE, LIKE...

NO.

>> IT'S WHALE WATCHING WEEK.

>> DOUG, I'VE GOT LIKE...

I HAVE A JOB.

I CAN'T JUST LEAVE AND GO

WHALE WATCHING WITH YOU.

>> YEAH, BUT IT'S A SPECIAL

OCCASION.

>> I MEAN...

>> CAN'T YOU JUST DO THIS

STUFF TOMORROW?

>> NOT... I MEAN, NO, I CAN'T.

AND PEOPLE JUST CAN'T LIKE,

JUST LEAVE WORK.

I HAVE THINGS TO DO.

>> JUST ONCE?

YOU CAN DO IT ONE TIME.

>> WHAT IF EVERYBODY HERE JUST

WENT WHALE WATCHING TODAY?

>> I MADE SANDWICHES.

>> [SCOFFS]

[WIPERS WHOOSHING...]

[WATER RUSHING...]

>> Gail: LOOK AT THIS SEA LIFE.

I'M GOING TO TAKE THIS HOME

AND PUT IT IN YOUR BED.

[TAUNTING] WHOO, HO-HO-HO...

[CHUCKLES]

THAT'S WHAT YOU GET FOR BRINGING

ME OUT HERE!

[SEAGULLS CAWING...]

[*...]

[*...]

[*...]

[*...]

>> Man: THANKS FOR COMING IN.

>> YEAH, NO PROBLEM.

>> APPRECIATE IT.

UM, WELL...

WHAT I'M LOOKING FOR IS SOMEBODY

THAT CAN, UH, WORK, YOU KNOW,

START NOW HERE IN THE SPRING AND

THROUGH THE SUMMERS, FALL.

WINTER'S KIND OF SLOW BUT, YOU

KNOW, WE DO WORK YEAR ROUND.

GOT A COUPLE OTHER GUYS WORK THE

NIGHT SHIFT FOR US, AND LOOKIN'

FOR ANOTHER MAN TO HELP OUT

WITH THAT.

UM, GOT INSULATED COVERALLS AND

EVERYTHING FOR YOU.

>> YEAH, THAT'S FINE.

>> ALL RIGHT, UM, WOW, FORENSIC

SCIENCE, CRIMINAL JUSTICE...

THAT'S A PRETTY INTERESTING

FIELD.

WHAT ARE YA-- >> YEAH.

>> JUST TAKIN' A BREAK?

PLANNIN' ON GOING BACK TO IT?

OR...

>> UH, YEAH.

MAYBE EVENTUALLY.

>> EVENTUALLY.

THAT'S PRETTY NEAT STUFF THAT

THEY... IF IT'S ANYTHING LIKE ON

THE MOVIES, IT'S PRETTY DARN

NEAT.

>> YEAH.

>> O.K.

UH, LET'S SEE.

>> ICE FACTORY.

I THOUGHT YOU MIGHT GET

A JOB LIKE...

IN SOMETHING CRIME-RELATED,

LIKE IN A LAB OR SOMETHING.

>> NO, I DON'T THINK YOU CAN GET

THOSE JOBS IF YOU DIDN'T FINISH

SCHOOL.

>> ARE YOU SURE YOU'RE GOING TO

BE O.K. IN AN ICE FACTORY?

>> YEAH.

WHY WOULDN'T I BE?

>> I DIDN'T KNOW THEY...

I DIDN'T EVEN KNOW THEY HAD

ICE FACTORIES.

>> YEAH, WHERE DO YOU THINK

THEY GET THOSE BAGS OF ICE THAT

YOU BUY?

>> I DON'T KNOW.

I NEVER THOUGHT ABOUT IT.

[MACHINERY WHIRRING...]

[BIRDS CHIRPING]

[TRAIN HORN BLOWS IN DISTANCE]

>> HEY, MAN. >> HEY, MAN.

>> WHAT'S GOING ON?

>> NOT MUCH.

SO DO YOU USUALLY TAKE THE BUS?

YEAH.

>> I THOUGHT YOU HAD A CAR.

>> YEAH, I DO.

SOME ASSHOLE BROKE MY WINDOW.

NOW IT'S IN THE SHOP.

BUT, UH, IT'LL BE READY

TOMORROW.

I WON'T HAVE TO PUT UP WITH

THIS BULLSHIT.

>> DUDE, THINK OF ME, I GOTTA DO

THIS EVERY DAY.

[TRAIN HORN APPROACHING...]

>> I'M ONLY KIDDING, MAN.

I'M ONLY HALF-KIDDING.

[CHUCKLES]

WHERE YOU HEADED?

>> I GOTTA GO MEET MY

EX-GIRLFRIEND.

>> OH, YEAH?

LIKE A DATE OR SOMETHIN'?

>> NO, LIKE JUST CHECKING IN,

KIND OF.

SHE'S HERE FROM OUT OF TOWN.

>> THAT'S COOL.

[VEHICLES PASSING...]

[DOOR SQUEAKS OPEN]

[BELL OVER DOOR JINGLES]

>> HI.

>> HI.

IT'S RAINING.

I'LL BE RIGHT BACK.

>> Doug: THAT'S A LOT OF STUFF.

WHAT IS THAT, TEA?

>> YEAH. [SNIFFLES]

HOW ARE YOU?

>> PRETTY GOOD.

[CLEARS THROAT] HOW ARE YOU?

>> GOOD.

HOW'S LIVING WITH YOUR SISTER?

>> IT'S GOOD.

IT'S NICE.

>> YEAH?

YOU LIKE IT MORE THAN LIVING

WITH ME?

>> I DON'T KNOW.

MAYBE NOT.

SO, WHAT ARE YOU...

WHAT ARE YOU IN TOWN FOR?

>> UM, FOR WORK.

YEAH, I, UM, I GOT A, A JOB IN A

LAW OFFICE IN CHICAGO AND THEIR

MAIN OFFICE IS HERE.

SO THEY SENT ME OUT FOR SOME

TRAINING AND...

YEAH, I GOT A HOTEL ROOM AND

THEY PAID FOR MY TICKET.

>> YOU WORK IN A LAW OFFICE.

>> I DO.

>> THAT'S STRANGE.

>> IT IS.

I'VE WORKED IN AN OFFICE BEFORE,

THOUGH, SO...

HOW ABOUT YOU?

WHAT ARE YOU DOING?

>> OH, GOD.

I GOT A JOB WORKING OVERNIGHT

IN AN ICE FACTORY.

I, LIKE, LOAD BAGS OF ICE

INTO CRATES. >> MM-HMM.

>> PUT 'EM ONTO A TRUCK.

I DON'T KNOW.

'CAUSE IT'S THE ONLY THING

I COULD GET.

>> CAN I COME SEE YOUR PLACE

SOMETIME?

>> UM, YEAH, I GUESS SO.

>> YOU GUESS SO?

>> I MEAN, THERE'S NOTHING

THERE, IT'S LIKE...

BUT, YEAH, OF COURSE.

ACTUALLY, I INVITED ALL THE

PEOPLE THAT I WORK WITH FROM

THE NIGHT SHIFT TO COME OVER AND

PLAY POKER.

>> OH, YEAH?

>> JUST LIKE, DRINK BEER,

PLAY CARDS.

YOU WANT TO COME TO THAT?

>> SURE.

>> DON'T JUST TAKE A TINY...

JUST KNOCK THE REST BACK.

>> THE WHOLE THING?

>> YEAH.

>> THERE'S LIKE TONS IN THERE.

>> NO, IT'S LIKE A SHOT.

>> NO.

YOU HAVE TO SIP IT.

>> Doug: ME?

>> Woman: MM-HMM.

>> NO? >> MM-HMM.

>> Gail: LEFT OF THE DEALER.

[INTERCOM BUZZES]

DID HE JUST GO?

NO, HE DIDN'T GO.

>> Doug: HELLO?

>> [THROUGH INTERCOM]:

Hey, it's Carlos.

>> HEY, ONE SECOND.

WHAT'S HAPPENING?

>> IT'S YOUR TURN.

>> IT'S YOUR TURN.

>> WHY DO I HAVE EIGHT CARDS?

DID YOU WAIT FOR ME?

>> 'CAUSE YOU NEED TO DISCARD.

YOU NEVER DISCARDED.

>> O.K., O.K.

>> Gail: HMM.

[KNOCKING ON DOOR]

>> Doug: COME IN.

HEY, MAN.

>> HEY, MAN.

>> HOW'S IT GOING?

>> IT'S GOING ALL RIGHT.

HOW YOU DOING?

>> GOOD.

THANKS FOR COMING.

>> THANKS.

THANKS FOR HAVING ME.

HI.

>> HI, I'M GAIL.

NICE TO MEET YOU.

>> GAIL? I'M CARLOS.

>> Doug: YEAH, THAT'S MY SISTER.

>> NICE TO MEET YOU.

>> THIS IS RACHEL.

>> HEY... NICE TO MEET YOU.

>> HI, RACHEL... CARLOS.

>> THIS IS MY FRIEND CARLOS

FROM WORK.

>> THIS A NICE PLACE, MAN.

>> THANKS. >> THANKS.

>> IT'S NOT FULLY DONE YET.

>> IT'S KINDA NICE, THOUGH.

SORRY.

>> IT'S O.K.

>> YOU WANT SOME POTATO CHIPS?

>> SURE.

THANK YOU.

>> WE'RE PLAYING RUMMY.

>> IT'S YOUR TURN.

>> IT SUCKS.

>> IT'S MY TURN?

>> NO, DOUG. >> OH.

>> I DON'T THINK I KNOW HOW TO

PLAY RUMMY.

[*...]

[NO VOICES, *...]

[*...]

[*...]

[*...]

[*...]

[MUSIC STOPS]

[MACHINERY WHIRRING]

[DOUG GRUNTS]

>> I GOT A QUESTION FOR YOU.

>> Carlos: OH, YEAH?

>> BUT, LISTEN...

I DON'T WANT YOU TO GET

OFFENDED.

>> ALL RIGHT, BUT WHY AM I GONNA

BE OFFENDED?

>> I DON'T KNOW, I FEEL LIKE

SOME PEOPLE DON'T LIKE BEING

ASKED THIS QUESTION.

UM...

WILL YOU TELL ME HOW MUCH YOU

GET PAID?

>> TWELVE-FORTY.

WHY, HOW MUCH YOU MAKE?

>> EIGHT.

>> OH, DON'T WORRY, THEY RAISE

PAY PRETTY GOOD HERE.

>> YEAH?

>> YEAH.

YOU'LL GET A RAISE SOON...

IF YOU DON'T QUIT FIRST.

>> WHY WOULD I QUIT?

>> I DON'T KNOW, MAN.

YOU JUST SEEM LIKE THE KIND

THAT ENDS UP QUITTING.

I MEAN, NO OFFENSE.

IT'S JUST, UH, MOST PEOPLE ONLY

WORK HERE FOR LIKE A MONTH OR

SOMETHING, YOU KNOW?

>> REALLY?

>> YEAH. >> WOW.

>> A LOT OF PEOPLE WANT BIGGER

THINGS, MAN.

I DON'T MIND IT, THOUGH.

I MEAN, I CAN THINK AND MOVE ICE

AT THE SAME TIME, YOU KNOW?

>> YEAH, THAT'S HOW MY

SISTER IS.

SHE CAN, LIKE, MULTITASK.

>> HEY, YOU KNOW,

THAT REMINDS ME.

YOU SHOULD COME TO ONE OF MY DJ

NIGHTS AND BRING YOUR SISTER AND

RACHEL TOO.

>> WHAT DJ NIGHTS?

>> I DJ SOMETIMES, MAN.

>> YOU DO? >> YEAH.

>> WOW. >> GOOD SHIT.

LATIN SHIT FROM THE '60s.

SHIT YOU NEVER HEARD BEFORE.

>> THIS BLOWS MY MIND.

>> WHY?

>> I DON'T KNOW.

>> WHAT, YOU THINK JUST BECAUSE

I MOVE ICE I CAN'T DO SOMETHING

LIKE THAT?

>> NO, I JUST... I DON'T KNOW.

I NEVER... PICTURED YOU AS A DJ.

>> SO WHAT ELSE DO YOU DO?

>> NOTHING.

>> WELL, I MEAN, I KNOW YOU'RE

NOT LIKE AN ICE PROFESSIONAL

OR ANYTHING.

WHAT'D YOU DO BEFORE?

>> I USED TO STUDY FORENSIC

SCIENCE.

>> REALLY? >> YUP.

>> WELL, THAT'S MUCH MORE

SURPRISING THAN ME BEING A DJ.

>> IS IT? >> YEAH.

WHAT'D YOU WANNA BE, LIKE

A DETECTIVE OR SOME SHIT?

>> YEAH, EXACTLY.

>> FOR REAL? >> YEAH.

>> DON'T MESS WITH ME, MAN.

>> I AM GOING TO BE A DETECTIVE

ONE DAY.

>> WHAT, LIKE C.S.I. AND SHIT?

>> UH, I DON'T REALLY WANT TO BE

LIKE A C.S.I.-TYPE OF DETECTIVE.

I WANT TO BE MORE LIKE

SHERLOCK HOLMES.

>> SHERLOCK HOLMES? >> YEAH.

>> YOU GOTTA BE KIDDING ME, MAN.

>> WHAT?

>> YO, MIKE!

HEY, MIKE, OUR FRIEND

DOUGLAS HERE WANTS TO BE

SHERLOCK HOLMES.

>> Mike: NO SHIT.

>> SHERLOCK FUCKIN' HOLMES.

>> Doug: WHY IS THAT FUNNY?

>> "ELEMENTARY, MY DEAR WATSON,"

ALL THAT SHIT.

>> NO, DUDE, HE DOESN'T

SAY THAT.

>> HE DOESN'T?

>> NAH, HE DOESN'T SAY THAT.

HE DOESN'T SMOKE A STUPID PIPE.

HE DOESN'T WEAR THAT STUPID HAT.

>> AW, SHIT, REALLY?

>> YEAH, IN THE BOOKS HE'S JUST

LIKE, THE MAN.

>> SHERLOCK FUCKIN' HOLMES.

>> YOU WANT TO BORROW ONE OF

THE BOOKS?

>> WHAT, A SHERLOCK HOLMES BOOK?

>> YEAH.

>> [CHUCKLES]

I GUESS, MAN, SURE.

>> I'LL BRING YOU ONE.

>> ALL RIGHT.

[*...]

[*...]

[MUSIC FADES]

>> Doug: HOW'S YOUR MILKSHAKE?

>> Carlos: IT'S GOOD,

YOU WANNA TRY IT?

>> I GOT MINE.

>> YEAH, BUT LIKE, MINE'S

REALLY GOOD.

>> THAT MAY BE TRUE.

MINE IS JUST AS GOOD.

THAT'S WHY I ORDERED IT.

>> DUDE, JUST TRY THE MILKSHAKE.

>> I DON'T WANT TO TRY IT.

>> I'LL TRY YOUR MILKSHAKE.

>> Carlos: SEE?

>> Doug: SHE ORDERED COFFEE.

OF COURSE SHE WANTS TO TRY THE

MILKSHAKE.

SHE WANTS TO TRY EVERYBODY'S

MILKSHAKE, I'M SURE.

>> IT'S REALLY GOOD.

>> Gail: I'LL TRY YOUR

MILKSHAKE, CARLOS.

>> Doug: SHE'S JUST TRYING TO BE

IRRITATING.

>> Carlos: HEY, I WANTED TO ASK

YOU SOMETHING.

>> WHAT?

>> WHAT ARE YOU DOING ON

WEDNESDAY?

>> I DON'T KNOW. WHY?

>> WELL, I GOT AN EXTRA TICKET

TO THIS THING.

MY COUSIN WAS SUPPOSED TO GO

WITH ME BUT HE KINDA BAILED.

>> WHAT IS IT?

>> WELL, IT'S THIS REALLY FUN

THING, BUT YOU'RE NOT GOING TO

THINK IT'S SO FUN AT FIRST.

[CHUCKLES]

>> WHY, WHAT IS IT?

>> IT'S A STAR TREK CONVENTION.

>> GET OUTTA HERE.

ARE YOU SERIOUS?

I DON'T WANT TO DO THAT.

>> DUDE, IT'LL BE FUN, EVEN IF

YOU DON'T LIKE STAR TREK.

>> I DON'T LIKE STAR TREK.

>> MARINA SIRTIS IS GOING TO BE

THERE.

>> I DON'T KNOW WHO THAT IS.

>> DUDE, MARINA SIRTIS IS FAMOUS

EVEN IF YOU DON'T KNOW

STAR TREK.

SHE'S COUNSELOR TROI.

>> I DON'T KNOW WHAT THAT'S

SUPPOSED TO MEAN.

>> FORGET IT.

>> NO, DON'T FORGET IT.

I KNOW SOMEBODY WHO WOULD LOVE

TO GO TO A STAR TREK CONVENTION.

I KNOW SOMEONE AT THIS VERY

TABLE WHO HAS BEEN TO SEVERAL

STAR TREK CONVENTIONS.

>> IT'S NOT ME.

>> WHAT ABOUT YOU, RACHEL?

YOU HAVE ANY IDEA WHO COUNSELOR

TROI IS?

...YOU FINISH IT?

>> Carlos: YUP.

>> WOW, THAT WAS FAST.

>> IT'S AMAZING.

>> REALLY?

>> BRILLIANT SHIT, MAN.

FUCKIN' SHERLOCK HOLMES

IS THE PIMP. [CHUCKLES]

>> I TOLD YOU, MAN.

THAT'S SO COOL.

>> YEAH. I HAD NO IDEA.

YOU GONNA LET ME BORROW

ANOTHER ONE?

>> YEAH, TOTALLY.

>> I THINK MY FAVORITE WAS THE

ONE WITH THE SNAKE.

THE SPECKLED BAND.

>> YEAH, THAT ONE'S AWESOME.

>> YEAH, IT WAS GREAT, MAN.

I LOVED IT.

WHO KNEW? ALL THIS TIME.

>> I KNOW. >> SHERLOCK HOLMES.

>>KNEW.

>> YEAH, I GUESS SO.

>> YOU JUST GET HERE?

>> NAH, I BEEN OUT BACK

DUMPING SNOW.

>> OH, MY GOD, I HATE THAT.

>> YEAH, IT SUCKS.

>> I AM SEVERELY SUFFERING FROM

POST-LUNCH FATIGUE.

>> YEAH.

>> YOU LOOK... CONTEMPLATIVE.

WHAT ARE YOU THINKING ABOUT?

>> WELL, UH, NOTHIN', MAN.

I JUST WANTED TO ASK YOU IF IT'S

REALLY COOL IF I TAKE RACHEL TO

THE STAR TR CONVENTION

TOMORROW.

>> YEAH, OF COURSE.

>> I MEAN, I KNOW SHE'S YOUR

EX-GIRLFRIEND AND EVERYTHING.

>> I'M NOT BOTHERED BY IT.

>> I DON'T KNOW.

I DIDN'T WANT YOU TO THINK WE

WERE GOING ON A DATE OR

SOMETHING LIKE THAT.

I DON'T KNOW, THE WHOLE THING

JUST MAKES ME UNCOMFORTABLE.

>> I'M TOTALLY FINE WITH IT.

AND YOU GUYS ARE DORKS.

ALL RIGHT, I'M HEADING IN.

>> ALL RIGHT.

[*...]

[NO VOICES, *...]

[*...]

>> [INDISTINCT]

[*...]

[MUSIC ENDS]

[MACHINERY WHIRRING]

>> Carlos: WHAT'S UP?

>> HEY, MAN, WHAT'S GOING ON?

>> NOT MUCH, MAN, WHAT'S

HAPPENING?

>> NOTHIN'.

DID YOU GO TO THE CONVENTION?

>> YEAH, MAN.

YOU TALK TO RACHEL? >> NO.

>> IT WAS PRETTY FUCKING

GREAT, MAN. >> [LAUGHS]

>> WE MET MARINA SIRTIS.

YOU KNOW MARK ALAIMO WHO PLAYS

GUL DUKAT ON DEEP SPACE NINE?

HE WAS THERE.

>> DON'T KNOW WHO THAT IS.

>> GUL DUKAT, MAN, IT'S LIKE ONE

OF THE BEST CHARACTERS OF THE

NEW STAR TREK.

HE'S AMAZING.

I GOT A SIGNED 8-BY-10.

IT'S PRETTY FUCKING GREAT.

>> [LAUGHS] DID RACHEL GET ONE?

>> YEAH, EXCEPT HERS SAYS TO,

LIKE, "A LOVELY LADY" 'CAUSE

SHE'S A CHICK, YOU KNOW.

>> YEAH.

>> ANYWAY, WE WENT TO HER

HOTEL ROOM AFTERWARDS TO WATCH

AN EPISODE OF NEXT GENERATION.

>> YEAH?

>> YEAH.

IT WAS COOL, MAN. IT WAS CHILL.

WE JUST HUNG OUT, WATCHED THE

EPISODE, WENT HOME.

NO BIG DEAL.

>> YEAH.

THAT'S COOL.

>> YO, MAN, YOU DIDN'T TELL ME

SHE WAS INTO BASEBALL.

>> IS SHE INTO BASEBALL?

>> YEAH.

>> I DON'T THINK SO, MAN.

>> WELL, I MEAN, WE DIDN'T TALK

ABOUT IT BUT SHE HAD LIKE A STAT

BOOK SITTING ON HER NIGHTSTAND.

>> REALLY? >> YEAH.

>> THAT'S WEIRD.

I USED TO TRY TO GET HER TO GO

SEE THE WHITE SOX IN CHICAGO ALL

THE TIME AND SHE NEVER WANTED

TO GO.

>> I DON'T KNOW, I GUESS YOU

RUBBED OFF ON HER OR SOMETHING.

SO HEY, UH, I WANTED TO TELL YOU

YOU SHOULD COME SEE ME SPIN ON

SATURDAY.

I THINK RACHEL'S COMING TOO.

>> WHAT TIME IS IT?

>> 8:00.

>> YOU GO ON AT EIGHT?

>> YEAH.

YEAH, YEAH, I'M NOT THE MAIN DJ.

>> SHIT, THAT'S EARLY.

>> YEAH, WELL, YOU SHOULD COME

OUT, MAN.

IT'LL BE FUN.

>> I DON'T KNOW.

THERE'S A BLAZERS GAME.

WHY DON'T YOU BLOW OFF YOUR DJ

GIG AND COME TO MY HOUSE?

>> [SCOFFS] YEAH, RIGHT.

YOU SHOULD COME, MAN.

I HIGHLY RECOMMEND IT.

>> WE'LL SEE.

>> ALL RIGHT, BRO.

>> BYE.

>> Gail: O.K., THE NEW GOAL IS

JUST TO SEE IT SPLATTER.

NOT TO HIT A MARK, WE'RE JUST

GOING TO SEE HOW MUCH WE CAN

SPLATTER THE GRAPE.

>> Doug: ARE WE ALLOWED TO,

LIKE, ROUGH IT UP BEFOREHAND?

>> YEAH. >> O.K.

[TRAFFIC PASSING BELOW]

[GAIL LAUGHS]

IT WAS ALREADY BROKEN BEFORE

IT LEFT YOUR HAND.

>> YEAH, I KNOW.

THAT'S ALL RIGHT.

THAT'S NOT AGAINST THE RULES.

>> OH!

>> OH, THAT WAS BEAUTIFUL.

ALL RIGHT, IF YOU OPEN IT

LIKE... SQUEEZE A LITTLE OUT

AND GET IT JUICY.

[BOTH LAUGH]

IT HIT THE WIRE, THOUGH.

THAT WAS FUN.

>> OH, AT LEAST IT BROKE.

>> [LAUGHS] YOU HIT A FUCKING

WALL AGAIN, MAN.

UM, SO, GUESS WHAT I'M DOING

TONIGHT. >> WHAT?

>> YOU CAN'T MAKE FUN OF ME.

>> I WON'T MAKE FUN OF YOU.

>> YOU MIGHT, ACTUALLY.

>> WHAT ARE YOU DOING?

>> UM...

I'M GOING ON A DATE. [CHUCKLES]

>> SO?

>> ALL RIGHT.

I THOUGHT YOU'D MAKE FUN OF ME.

>> WHO ARE YOU GOING ON A DATE

WITH?

>> THIS GUY NAMED SWEN.

>> SWEN... THAT'S HIS NAME?

>> WELL... [CHUCKLES]

>> HOW DO YOU KNOW HIM?

>> HE WORKS ACROSS THE STREET

FROM ME, AT AN INTERNET

ADVERTISING COMPANY.

>> IS HE NICE?

>> YEAH, HE'S NICE.

>> SO WHERE ARE YOU GOING?

>> I DON'T KNOW.

I DON'T KNOW IF IT'S A DATE.

WE'RE JUST GOING TO SEE THIS

BAND PLAY.

HE WORKS WITH THESE GIRLS AND...

I DON'T KNOW.

I MEAN, I DON'T REALLY TALK TO

HIM EVER OR HANG OUT WITH HIM.

SO I GUESS IT'S PROBABLY A DATE.

>> YEAH, THAT'S A DATE.

[PHONE VIBRATING]

[INTERCOM BUZZING]

[INTERCOM BUZZING AGAIN]

>> Doug: YEAH.

>> It's Carlos, man.

Let me up.

>> DUDE, IT'S LATE AS HELL.

>> It's an emergency.

Please just let me up.

>> ALL RIGHT, HANG ON.

[INTERCOM BUZZES]

>> I CALLED YOU FIVE TIMES, MAN.

>> I WAS ASLEEP.

>> FIVE FUCKING TIMES.

>> JESUS, WHAT?

>> IT'S RACHEL.

>> WHAT ABOUT HER?

>> SHE SAID SHE WAS GOING TO

COME TO MY SHOW TONIGHT AND SHE

DIDN'T COME.

I MEAN, SHE JUST DIDN'T SHOW.

>> SO WHAT?

>> WELL, SHE SAID SHE WAS GONNA

COME FOR SURE.

I MEAN, SHE WENT OUT OF HER WAY

TO CALL ME THIS AFTERNOON AND

SAY SHE WAS DEFINITELY GOING

TO COME. >> O.K.

>> SO I CALLED HER AFTER MY SET

AND SHE DIDN'T ANSWER.

AND THEN I KEEP TRYING TO CALL

HER BUT IT GOES STRAIGHT TO

VOICE MAIL.

>> THIS IS WHAT YOU WOKE ME

UP FOR?

>> IT'S JUST WEIRD, MAN.

I MEAN, I WENT OVER TO HER MOTEL

ROOM AND ALL THE LIGHTS WERE ON

IN HER ROOM BUT WHEN I KNOCKED,

NO ONE ANSWERED.

>> SHE'S PROBABLY ASLEEP.

>> WHY WERE ALL THE LIGHTS

ON, THEN?

>> I DON'T KNOW, CARLOS.

THE LIGHTS ARE ON IN HERE

AND I WAS ASLEEP.

>> WELL, HOW COME SHE DIDN'T

ANSWER HER PHONE?

>> HOW THE HELL SHOULD I KNOW?

>> JUST... IT JUST DOESN'T MAKE

SENSE, MAN.

>> GOD DAMN, DUDE, HOW MUCH

SHERLOCK HOLMES YOU BEEN

READING?

>> THIS HAS NOTHING TO DO WITH

SHERLOCK HOLMES.

I JUST... I GOT THIS WEIRD

FEELING WHEN I WAS STANDING

OUTSIDE OF HER MOTEL ROOM.

>> WEIRD FEELING ABOUT WHAT?

>> I NEED YOU TO GO OVER THERE

WITH ME.

>> I'M NOT GOING OVER THERE.

>> DUDE, YOU KNOW ABOUT THESE

KINDS OF THINGS.

>> WHAT KINDS OF THINGS?

>> MYSTERIES.

[*...]

[*...]

>> Carlos: I'M TELLING YOU, MAN,

THE LIGHT WAS ON BEFORE.

>> Doug: SO WHAT?

WHAT THE HELL IS THAT SUPPOSED

TO MEAN?

DID YOU EVER THINK THAT MAYBE

YOU SHOULDN'T BE SNOOPING

AROUND?

>> SHH... QUIET.

>> "QUIET"? YOU BE QUIET.

>> OH, MAN, THE DOOR'S OPEN.

>> SO?

WAS IT CLOSED BEFORE?

>> YEAH.

RACHEL? >> HELLO?

CAN YOU NOT GO IN THERE?

ARE YOU SERIOUS?

>> THIS IS WEIRD.

DIDN'T I TELL YOU SOMETHING

WEIRD WAS GOING ON?

>> MAYBE SHE CHECKED OUT.

MAYBE SOMETHING CAME UP.

>> LIKE WHAT?

>> I DON'T KNOW, MAN.

MAYBE GOING TO SEE YOU SPIN

RECORDS ISN'T THE MOST IMPORTANT

THING IN THE WORLD.

>> ALL I'M SAYING IS THAT SHE

WENT OUT OF HER WAY TO TELL ME

THAT SHE WAS GOING TO COME EVEN

IF YOU DECIDED TO STAY HOME.

>> O.K., FINE.

WHAT ARE WE SUPPOSED TO DO?

>> I DON'T KNOW.

I JUST FEEL LIKE WE GOTTA DO

SOMETHING.

IS THERE ANYTHING IN THERE?

>> HER PHONE CHARGER.

SHE LEFT HER CELL PHONE CHARGER.

ARE WE DONE HERE?

>> I DON'T KNOW.

>> I'M SORRY, MAN.

I DON'T KNOW.

MAYBE SHE WENT TO GET A DRINK.

MAYBE SHE CHECKED INTO

ANOTHER PLACE.

MAYBE SHE HATED HER HOTEL ROOM.

MAYBE SHE WENT BACK TO CHICAGO.

THERE'S REALLY NOTHING OUT OF

THE ORDINARY IN HERE, MAN.

THIS ISN'T THE MOST SUSPICIOUS

ENVIRONMENT.

DON'T REACT TO ANYTHING I'M

ABOUT TO TELL YOU.

JUST STAY STILL.

>> O.K.

>> THERE'S A GUY IN A PICKUP

TRUCK IN THE PARKING LOT.

>> WHAT?

>> THERE'S A GUY IN A PICKUP

TRUCK PARKED IN THE PARKING LOT.

AND HE'S WATCHING US.

[SOFTLY] NO, NO, NO, NO--

CARLOS!

[IGNITION STARTS, ENGINE REVS,

TIRES SQUEAL...]

>> DID YOU SEE THAT?

>> YES!

>> WHO THE FUCK WAS THAT?

>> HOW THE HELL SHOULD I KNOW?

>> I TOLD YOU SOMETHING

FUCKED-UP WAS GOING ON.

>> I'M SORRY.

I THOUGHT YOU WERE OVERREACTING.

>> WHAT DO WE DO?

>> I DON'T KNOW.

>> WE GOTTA FIND RACHEL.

>> I AGREE.

I DON'T KNOW WHERE TO START

LOOKING.

>> YOU KNOW WHAT WE NEED?

WE NEED COMMON SENSE.

>> COMMON SENSE?

>> YEAH, WE GOTTA CALL YOUR

SISTER.

>> NO, WE'RE NOT CALLING

MY SISTER. >> WHY NOT?

>> SHE'S ON A DATE.

>> SO WHAT?

>> NO, WE'RE NOT CALLING

MY SISTER.

[MUSIC PLAYING IN RESTAURANT]

[GENERAL CONVERSATIONS]

>> YOU KNOW, I THINK...

I THINK I REMEMBER HEARING ABOUT

A SITUATION THAT'S ACTUALLY SORT

OF A LITTLE BIT LIKE THIS.

>> A SITUATION LIKE WHAT?

>> A SITUATION, YOU KNOW, WHERE

PEOPLE... PEOPLE DISAPPEAR AND

THERE AREN'T ANY CLUES AND

IT'S A DEAD END AND, UH...

>> Doug: THANKS.

>> Carlos: THANKS.

>> Waiter: CAN I GET YOU GUYS

ANY FOOD?

>> NAH, MAN, COFFEE'S FINE.

>> COOL.

>> HMM.

BUT I CAN'T REM... I THINK MAYBE

THEY USED DNA...

HMM... I THINK THAT'S A

DIFFERENT ARTICLE.

MAYBE THEY NEVER ACTUALLY FOUND

THEM, THE ONE I'M THINKING OF.

HMM.

[*...]

>> Doug: [SOFTLY] SHIT.

>> Carlos: WHAT DO WE DO?

>> Doug: HELLO.

HOW ARE YOU?

>> Man: GOOD EVENING.

WHAT CAN I HELP YOU GUYS WITH?

>> UH, WE'D LIKE TO GET A ROOM.

>> A ROOM? >> YEAH.

>> WHAT KIND OF ROOM?

>> UM, I ACTUALLY STAYED IN THIS

HOTEL BEFORE IN ROOM 35,

AND I HAD A REALLY GOOD

EXPERIENCE IN THERE.

SO IF I COULD GET THAT ROOM

AGAIN, THAT'D BE REALLY NICE.

>> 35...

[PAPER CRINKLES]

UH, IT'S OCCUPIED.

SO...

SOMETHING ELSE?

>> DO YOU THINK I COULD HAVE

ROOM 34?

[*...]

>> MEET ME AT THE DOOR.

>> ALL RIGHT.

[*...]

[*...]

>> Carlos: ALL RIGHT.

WHERE DO WE START?

[*...]

>> YOU WANT TO TRY THE PHONE?

>> THE PHONE?

>> REDIAL.

>> YEAH, GOOD IDEA.

UH... NEVER MIND.

UH, THANK YOU.

>> WHAT HAPPENED?

>> IT'S THE FRONT DESK.

ANYTHING IN THERE?

>> NO.

APPLE CORE, BOARDING PASS.

>> WHAT'S THAT?

>> LOOK, LOOK, LOOK.

THAT'S HER HANDWRITING.

>> RACHEL'S HANDWRITING?

>> YEAH.

CROWN MOTEL, AMANDA BROOKE.

>> AMANDA BROOKE?

>> WHO THE HELL IS

AMANDA BROOKE?

>> I DON'T KNOW.

>> WELL, WE'RE AT

THE CROWN MOTEL.

>> I'M GOING TO FIND THE NUMBER

FOR THE MOTEL.

>> WHY?

>> I'M GOING TO CALL AND ASK FOR

AMANDA BROOKE.

HELLO?

UH, HI, YEAH, I NEED YOU TO PUT

ME IN TOUCH WITH A GUEST.

HER NAME'S AMANDA BROOKE.

THANK YOU.

[PHONE RINGS]

WHAT ARE YOU LOOKING FOR?

>> A PENCIL.

>> WHAT DO YOU NEED

A PENCIL FOR?

>> THERE'S A THING WITH

A NOTEPAD.

[*...]

70...

2-0-6, 2-18, 3-6-7, 4-18...

>> WHAT IS THAT?

IS THAT LIKE A...

IS THAT A CODE OR SOMETHING?

>> HELLO, AGAIN.

>> HELLO, AGAIN.

>> UH, I'M SORRY TO BOTHER YOU,

BUT, UM...

WE ACTUALLY WANT TO CHECK OUT.

>> CHECK OUT?

>> YEAH, UM...

I MEAN, WE CAN PAY LIKE FULL

PRICE OR WHATEVER BUT, UM, WE

DON'T NEED THIS ROOM ANYMORE.

>> THAT'S WEIRD.

>> WEIRD IN WHAT WAY?

>> YOU'RE THE SECOND PERSON TO

DO THAT TONIGHT.

>> DO WHAT?

>> CHECK IN TO THIS ROOM, 34,

AND THEN CHECK RIGHT OUT AGAIN.

SOME COWBOY DID THE SAME THING

EARLIER.

>> COWBOY?

>> YEAH. COWBOY HAT.

>> OH. DAMN.

I, UH... YOU KNOW WHAT?

I THINK I FORGOT SOMETHING

IN THE ROOM.

UH, WE'RE ACTUALLY GOING TO TAKE

THIS AND HEAD BACK UP.

UH, WE'LL BE BACK IN

A LITTLE BIT.

>> SORRY.

>> Carlos: THANK YOU.

[*...]

...LOOK AT THIS.

[*...]

NO, THAT.

>> "JIM."

[*...]

[ALARM BEEPING...]

>> Woman: HEY.

YOU WAITING TO GET IN?

>> GOOD MORNING.

>> GOOD MORNING.

>> HEY, WH-- I THOUGHT YOU

CHANGED TO THE DAY SHIFT.

>> I DID.

>> WHY AREN'T YOU AT WORK?

>> I CALLED IN SICK.

>> WHAT ARE YOU DOING?

>> READING ABOUT BREAKING CODES.

>> BREAKING CODES?

WHY ARE YOU-- WHY ARE YOU

READING ABOUT BREAKING CODES?

>> DOUG, DID YOU ACTUALLY GO TO

THIS WEBSITE?

>> WHAT WEBSITE?

>> THE WEBSITE ON THE CARD.

LOOK, LOOK.

AMANDA BROOKE.

AMANDA BROOKE.

[*...]

>> CLICK ON "YES, LET ME IN".

>> IT WANTS ME TO JOIN.

>> GO BACK.

SCROLL DOWN A LITTLE.

TAKE THE FREE TOUR.

>> YOU, UH, YOU SEEM PRETTY

FAMILIAR WITH HOW THIS KIND OF

SITE WORKS.

>> JUST CLICK ON IT.

[*...]

[*...]

[MUSIC ENDS]

>> HEY, GAIL.

>> WHAT?

>> WOULD YOU MIND IF I SMOKED A

PIPE IN HERE?

>> YOU HAVE A PIPE?

>> NO, BUT I'M GOING TO GO BUY

ONE, I THINK.

>> YOU'RE GOING TO GO BUY

A PIPE.

>> YEAH.

SHERLOCK HOLMES SMOKES A PIPE TO

HELP HIM THINK.

LIKE, NOT A RIDICULOUS STUPID

ENORMOUS ONE LIKE BASIL

RATHBONE, BUT HE DOES HAVE ONE.

>> HELLO THERE, WELCOME TO

BROADWAY TOBACCO.

I'M VIRGIL.

>> HI, DOUG.

>> HI DOUG.

>> NICE TO MEET YOU.

>> NICE TO MEET YOU.

WHAT CAN I DO FOR YOU TODAY?

>> UH, I'M LOOKING FOR A PIPE.

>> WHAT TYPE OF PIPE ARE YOU

LOOKING FOR?

>> I'M NOT REALLY SURE.

UM...

>> WHAT APPEALS TO YOU?

>> WHAT ABOUT THAT ONE SECOND IN

FROM THE RIGHT.

>> THAT'S A GEORGIO, THAT'S A

VERY NICE PIPE.

HOW'S THAT FEEL IN YOUR HAND?

>> IT'S NICE.

HOW MUCH IS THIS?

>> $465.

>> ACTUALLY I WAS LOOKING FOR

SOMETHING MORE, LIKE,

AROUND $20.

>> UH...

>> ARE THEY ALL THAT EXPENSIVE?

>> WE PROBABLY GOT ONE DOWN

THERE FOR YA.

THIS ONE HERE.

THAT ONE MIGHT BE IN

YOUR BUDGET.

HOW'S THAT FEEL?

>> IT'S O.K.

YOU KNOW HOW THAT OTHER ONE HAS,

LIKE, THAT HOOK?

>> MMM-HMM.

>> I KIND OF LIKE THAT.

>> YEAH, THE DESIGN OF THEM

MAKES THEM MORE EXPENSIVE.

>> YEAH.

I GUESS THIS ONE'S PRETTY, LIKE,

UTILITARIAN, HUH?

>> YES, IT IS.

>> OH, SHIT.

>> WHAT?

>> I FORGOT TO GET TOBACCO.

>> Gail: THEY HAD IT.

>> YUP, AND LOOK.

>> WHAT'S THAT?

>> IT'S THE MAGAZINE.

>> WHY DO YOU NEED THAT?

>> MAYBE THERE'S CLUES.

>> OH.

>> IS IT GOOD?

>> MMM, IT'S O.K.

IT'S NOT REALLY HELPING

ME THINK.

[ALUMINUM CLINKING]

[BUZZ]

[THUNK]

[BUZZ]

[THUNK]

[BUZZ]

[THUNK]

[BUZZ]

[THUNK]

[BUZZ]

[BAT CLINKING]

[BUZZ]

[THUNK]

[BUZZ]

[THUNK]

[BUZZ]

[BAT CLINKING]

[BUZZ]

[*...]

>> GAIL!

>> WHAT?

>> WHY DIDN'T YOU ANSWER

YOUR PHONE?

I JUST CALLED YOU!

>> WHAT?

I DIDN'T... >> YOU AND CARLOS.

WHY DIDN'T YOU ANSWER

YOUR PHONE?

>> I DIDN'T HEAR MY PHONE RING.

>> LISTEN, I HAVE IT.

I GOT IT.

I FIGURED IT OUT.

>> WHAT?

>> THE NUMBERS.

IT'S BASEBALL STATS.

>> WHAT?

>> THE NUMBERS.

IT'S BATTING AVERAGE AND

ON BASE.

YOU KNOW HOW THE FIRST NUMBER IS

ALWAYS SMALLER THAN THE REST?

I FUCKING KNEW RACHEL DIDN'T

LIKE BASEBALL.

SHE'S USING THAT BOOK LIKE A

CODE BOOK.

THE FIRST NUMBER IN THAT SET OF

NUMBERS IS 70.

1970.

THEN ALL THE OTHER ONES ARE IN

TWO AND THREE HUNDREDS, THAT'S

BECAUSE THEY'RE BASEBALL STATS

AND THEY CORRESPOND TO

A CERTAIN PLAYER.

I GUESS YOU ADD THEM ALL UP AND

I DON'T KNOW, MAYBE IT SPELLS

SOMETHING OUT.

I DIDN'T FIGURE THAT PART

OUT YET.

YOU GOTTA TAKE ME TO THE

LIBRARY RIGHT NOW.

[*...]

[*...]

>> THIS IS IT.

[*...]

>> CLETE BOYER?

B-O-Y-E-R.

>> BATTING AVERAGE,

.287...

ON BASE, .367.

>> BOB ROBERTSON.

>> BATTING .270...

.326.

>> AL OLIVER.

>> BATTING .270...

.266...

.367...

[*...]

LET'S SAY IT'S THE FIRST LETTER

OF THE FIRST NAME OF A PLAYER.

SO WE HAVE L-J-I-B-B-H.

>> THAT DOESN'T SOUND

LIKE ANYTHING.

>> ALL RIGHT.

FIRST LETTER OF LAST NAMES.

T-H-R-E-E-P-M.

THREE P.M.

THREE P.M.

ALL RIGHT, UH, S-U-N-S-E-B-R

THREE P.M. S-U-N-S-

>> IT'S ON SUNDAY?

>> SUNDAY.

>> SUNDAY.

>> THREE P.M. SUNDAY.

TODAY.

IT'S 2:48 RIGHT NOW.

ALL RIGHT, S-E, HOLD ON.

S-E-B-R-O-O-K.

S-E, SOUTHEAST BROOK.

SOUTHEAST BROOKLYN.

SOUTHEAST BROOKLYN STREET.

WE GOTTA GO.

>> BUT WE DON'T HAVE THE

CROSS STREET.

>> IT DOESN'T MATTER,

WE GOTTA GO.

BRING THIS BOOK.

>> I HAVE TO CHECK IT OUT

FIRST, DOUG.

[*...]

[ALARM BEEPING]

>> Gail: WHAT-- IS THAT?

>> IT'S A KNIFE.

>> DOUG, WHY DO YOU HAVE

A KNIFE?

>> JUST IN CASE.

>> DOUG, GIMME THE

KNIFE, PLEASE.

>> NO.

>> DOUG.

>> I'M GOING TO GO DOWN THERE.

I'LL BE RIGHT BACK, I'M JUST

GONNA...

IT'S FINE. [DOOR SLAMS]

>> DOUG.

[PHONE RINGING...]

>> Man on phone: Sixty-one,

three eighteen.

[CELL PHONE RINGING]

>> DOUG, WHAT?

>> Sixty-seven. >> HELLO?

>> Forty-two, three oh one.

>> DOUG, IT'S RACHEL.

>> Two forty-two.

>> WHAT THE FUCK ARE

YOU DOING, DOUG?

>> WHAT THE FUCK AM I DOING?

WHAT THE FUCK ARE YOU DOING?

>> ME? >> YEAH.

WHY ARE YOU CHECKED INTO YOUR

HOTEL UNDER A FAKE NAME.

YOU SAID YOU WERE HERE TO TRAIN

FOR A LAW OFFICE JOB.

>> WHAT ARE YOU DOING

SNOOPING AROUND?

>> YOU LIED TO ME.

TELL ME WHAT THE FUCK

IS GOING ON.

I ALREADY FIGURED OUT

MOST OF IT ANYWAY.

AMANDA BROOKE.

SUNDAY, THREE P.M.,

SOUTHEAST BROOKLYN.

I DID SOME INVESTIGATING,

RACHEL, AND I'VE COME TO THE

CONCLUSION THAT YOU'RE INVOLVED

IN SOME FUCKED-UP SHIT.

DON'T WALK AWAY FROM ME AND TRY

TO BLOW ME OFF, I'M TRYING TO

HELP YOU.

LET ME HELP YOU.

>> FINE.

...I WAS WATCHING THE PHONE.

I FOUND A PLACE WHERE I COULD

SEE THE PHONE AND NOT BE SEEN.

>> Doug: WHY DIDN'T YOU WANT TO

BE SEEN?

>> BECAUSE I DON'T HAVE WHAT I'M

SUPPOSED TO HAVE.

>> WHAT ARE YOU SUPPOSED

TO HAVE?

>> I GOT SENT HERE FROM CHICAGO

WITH A BRIEFCASE OF MONEY.

>> WHAT DO YOU MEAN, LIKE, AN

ACTUAL BRIEFCASE FULL OF MONEY?

HOW MUCH MONEY?

>> I DON'T KNOW.

THE BRIEFCASE WAS LOCKED.

>> WHO'S IT FOR?

>> I DON'T KNOW EXACTLY.

>> WELL, WHAT DO YOU KNOW ABOUT

WHAT HAPPENED TO IT?

>> I WENT OUT.

I JUST WENT OUT FOR A COUPLE

MINUTES TO GET SOME COFFEE, AND

WHEN I GOT BACK, IT WAS GONE.

>> DID YOU NOTICE ANYTHING

ELSE GONE?

ANYTHING MOVED?

>> NO, I DON'T THINK SO.

I DON'T KNOW.

>> DID ANYBODY KNOW YOU HAD IT?

>> I DON'T KNOW.

>> DO YOU KNOW A JIM?

SOMEBODY NAMED JIM ATE CHINESE

FOOD IN THE ROOM NEXT TO YOURS.

>> JIM WARDEN.

>> WHO'S JIM WARDEN?

>> HE'S THE ONE WHO SET THIS

WHOLE THING UP IN THE

FIRST PLACE.

HE'S A, HE'S A PHOTOGRAPHER

FROM CHICAGO.

I GO TO HIS APARTMENT

AND TAKE PHOTOS.

ANYWAY... I NEEDED MONEY AGAIN,

REALLY BADLY, SO I CALLED HIM.

AND HE WASN'T IN

CHICAGO ANYMORE.

HE MOVED HERE.

HE SAID THAT HE HAD SOMETHING

BETTER THAN PICTURES.

THAT HE HAD SOME FRIENDS WHO

NEEDED MONEY MOVED FROM CHICAGO

TO PORTLAND, YOU KNOW, BY

SOMEONE, SOMEONE WHO WASN'T

INVOLVED, SOMEONE, SOMEONE

NEUTRAL, SOMEONE WHO DIDN'T WANT

TO ASK QUESTIONS.

>> UH-HUH.

>> SO I SAID YES AND I, I TOOK

THE BRIEFCASE.

AND NOW IT'S GONE.

>> WELL, THE PEOPLE THAT YOU'RE

DELIVERING IT TO DON'T KNOW THAT

YOU DON'T HAVE IT.

THEY WANT YOU TO DROP IT OFF TWO

DAYS FROM NOW SOMEWHERE

BY MOUNT HOOD.

>> WHAT ARE YOU TALKING ABOUT?

>> GOT THE CODE FROM THE

PAY PHONE.

>> WELL, EVEN SO, HOW AM I, HOW

AM I GONNA FIND THE BRIEFCASE

IN TWO DAYS?

>> THIS ASSHOLE JIM WARDEN

HAS IT.

>> YEAH, WELL--

>> WE JUST HAVE TO FIND HIM.

I'LL FIND HIM.

>> O.K.

>> Gail: YEAH?

>> HEY, I NEED TO BORROW YOUR

CAR TODAY.

>> HUH?

>> I NEED TO BORROW YOUR CAR.

>> O.K., UH, CAN WE TALK ABOUT

THIS WHEN I GET OUT OF THE

SHOWER, PLEASE?

>> YEAH, I GUESS SO.

>> Carlos: YOU CAN BORROW

MY CAR.

>> Doug: HUH?

>> DUDE, IF YOU NEED IT TODAY,

YOU CAN BORROW IT.

>> YEAH, BUT DON'T YOU WORK

AT 12?

>> YEAH.

>> I'M GOING TO NEED IT LONGER

THAN THAT.

>> DUDE, YOU GOTTA WORK TOO.

>> I'M NOT GOING IN.

YOU'RE GONNA HAVE TO TELL

THEM I'M STILL SICK.

>> WHY, WHAT'S GOING ON?

>> TAKE A LOOK AT THIS.

LOOK AT THE PHOTO CREDIT.

>> YEAH.

>> IT'S JIM WARDEN.

THE ALLEGED COWBOY.

RACHEL SAID THAT HE SHOOTS OUT

OF HIS APARTMENT.

AT LEAST HE DID IN CHICAGO.

AND THIS IS THE MOST RECENT

ISSUE OF THIS MAGAZINE, SO I CAN

ONLY ASSUME THAT THIS PICTURE

WAS TAKEN FROM HIS

APARTMENT HERE.

>> SO WHAT?

>> SO LOOK AT THE PICTURE.

>> IT'S A NAKED CHICK, MAN.

>> LOOK OUT THE WINDOW.

>> IT'S A PALM TREE.

>> EXACTLY.

HOW MANY PALM TREES DO YOU KNOW

OF IN PORTLAND?

>> [SCOFFS]

NOT MANY.

>> RIGHT?

>> YEAH.

RIGHT.

>> DID YOU FIND ANYTHING?

>> YEAH, HE DEFINITELY

LIVES HERE.

HIS NAME IS ON THE BUZZER.

>> I FEEL LIKE WE SHOULD HAVE

PISTACHIOS OR SOMETHING.

ISN'T THAT WHAT PEOPLE DO

ON STAKEOUTS?

>> I DON'T KNOW.

>> YEAH, WE SHOULD HAVE

PISTACHIOS.

>> THERE MIGHT BE FOOD IN THE

GLOVE BOX.

[CLICKS GLOVE BOX OPEN]

>> SWEDISH FISH.

WANT ONE?

>> NAH, THEY GET STUCK

IN MY TEETH.

>> WHAT ARE WE GONNA DO IF WE

SEE THIS GUY?

>> FOLLOW HIM.

>> I FEEL LIKE WE SHOULD BE

DOING SOMETHING RIGHT NOW.

>> NAH, WE GOTTA HANG BACK.

JUST WAIT.

MAN, I FEEL LIKE SOMEBODY SHOULD

BE WITH RACHEL.

CAN YOU BLOW OFF WORK?

>> YEAH, MAN.

[TYPING...]

>> DOUG, WHAT'S GOING ON?

>> HEY.

>> YOU TOOK A LONG TIME.

>> YEAH, THE BUS WAS

REALLY SLOW.

HAS ANYTHING HAPPENED YET?

>> NOT A THING.

>> ARE YOU SURE THIS IS THE

RIGHT PLACE?

>> YEAH, HIS NAME'S ON

THE BUZZER.

>> I KIND OF WANT TO BE IN THE

DRIVER'S SEAT, ACTUALLY.

>> WHAT DIFFERENCE DOES IT MAKE?

>> I JUST-- I FEEL SLIGHTLY

UNCOMFORTABLE WHEN YOU DRIVE.

>> HAPPY NOW?

>> YES.

MAYBE WE SHOULD PLAY A GAME

OR SOMETHING.

>> WHAT GAME?

>> I DON'T KNOW, 20 QUESTIONS?

>> I DON'T REALLY LIKE THOSE

ROAD TRIP GAMES.

>> OR JUST TALK ABOUT SOMETHING,

I DON'T KNOW.

>> HEY, I GOT A QUESTION

FOR YOU.

AND DON'T GET OFFENDED, I'M NOT

TRYING TO MAKE FUN OF YOU.

>> O.K.

>> DO YOU HAVE ANY FRIENDS?

>> OF COURSE.

>> I HAVEN'T SEEN YOU HANG OUT

WITH ANYONE.

DON'T YOU HANG OUT WITH ANYBODY

THAT YOU WENT TO HIGH SCHOOL

WITH OR ANYTHING?

>> NO.

THE ONLY PEOPLE THAT ARE LEFT

FROM HIGH SCHOOL ARE PEOPLE I DO

NOT WANT TO HANG OUT WITH.

I GUESS I DIDN'T TELL YOU THAT

I HAD A BOYFRIEND KIND OF

RECENTLY, HUH?

>> WHEN?

>> WE BROKE UP IN NOVEMBER.

>> WHAT WAS HIS NAME?

>> SAM.

>> HOW LONG DID YOU DATE?

>> SIX MONTHS.

>> SIX MONTHS?

WHY DIDN'T YOU SAY ANYTHING?

>> I DON'T KNOW, JUST...

>> WHERE DID YOU MEET THIS GUY?

>> MMM...

I DON'T REALLY WANT TO SAY.

>> DID YOU MEET HIM ON

THE INTERNET?

>> NO. YES.

>> [LAUGHS] WHAT A LOSER.

>> I KNOW, I KNOW.

>> THAT'S NOT THAT BAD.

>> IT'S PRETTY BAD.

>> I KNOW A KID IN CHICAGO WHO'S

GETTING MARRIED TO A GIRL HE MET

ON THE INTERNET.

>> YEAH, I KNOW IT HAPPENS A

LOT, BUT IT'S STILL WEIRD.

SAM WAS COOL.

I LIKED SAM.

>> WHAT HAPPENED?

>> OUR FIRST DATE WAS WALKING

OVER THE HAWTHORNE BRIDGE.

>> THAT'S CONSIDERED A DATE?

>> WELL, I THINK THAT'S THE COOL

THING ABOUT IT, 'CAUSE IT'S NOT

REALLY LIKE A DATE.

WE MET AT THE FOUNTAIN ON SALMON

STREET AND JUST WALKED ACROSS

THE BRIDGE.

IT WAS PRETTY FUN.

>> THAT'S IT?

>> WELL, WE HAD DINNER.

>> WHO'S THIS GUY?

LOOK.

[*...]

TURN THE CAR ON.

[*...]

[*...]

>> WE SHOULD JUST PARK HERE.

>> YEAH, JUST PULL UP.

[GATE CLANKING]

[DOORS SLAMMING]

>> HE'S COMING.

>> I KNOW.

[*...]

>> HE'S PULLING INTO

A PARKING SPACE.

SO WHAT SHOULD I DO?

>> KEEP DRIVING.

LOOK AT THAT, THAT'S THE TRUCK

FROM THE MOTEL.

>> THAT'S IT?

>> HERE, PULL UP HERE, PULL INTO

THIS SPACE.

>> WHAT SHOULD WE DO?

>> I'M THINKING.

>> MAYBE WE SHOULD CALL

THE COPS.

>> NO, IF WE CALL THE POLICE,

WE'RE NEVER GOING TO SEE THAT

BRIEFCASE AGAIN.

>> HOW ARE YOU GUYS DOING?

>> UH, I'M ALL RIGHT.

>> YOU NEED ANOTHER DRINK, OR...

>> UM NO, I THINK, I THINK I'M

ALL RIGHT.

>> GOOD.

LET ME KNOW.

>> THANKS >> THANKS.

IT LOOKS LIKE THEY'RE

ALMOST DONE.

DOUG, MAYBE WE SHOULD JUST TAKE

THE BRIEFCASE, JUST GRAB IT.

>> NO.

>> WHY NOT?

IT'S JUST SITTING THERE.

I'LL JUST COME OUT OF THE

BATHROOM AND I'LL JUST WALK IN

THAT-- BETWEEN, IN THAT AISLE

AND THEN I COULD JUST GRAB IT

AND RUN.

>> SHOULDN'T I DO IT?

>> NO, I AM A MUCH FASTER

RUNNER THAN YOU.

I RAN TRACK.

LISTEN, YOU GOTTA GO OUTSIDE.

YOU GOTTA GET THE CAR AND JUST

MEET ME OUT FRONT.

WE HAVE TO DO THIS LIKE, NOW.

>> I DON'T KNOW, I FEEL OUR

STRENGTH RIGHT NOW IS THAT WE

KNOW WHO THEY ARE AND THEY DON'T

HAVE A FUCKING CLUE WHO WE ARE

AND WE SHOULD KEEP IT THAT WAY.

>> OH, I HAVE AN IDEA, I HAVE A

REALLY GOOD IDEA.

>> UM, EXCUSE ME.

MA'AM, DO YOU GUYS HAVE A LOST

AND FOUND?

>> YEAH.

>> I WAS JUST WONDERING, IT'S--

UM, I KNOW THIS IS GOING TO

SOUND REALLY WEIRD-- BUT, UM,

I'M GOING TO THIS COSTUME PARTY

LATER TONIGHT AND I DON'T HAVE A

COSTUME AND I WAS JUST WONDERING

IF MAYBE YOU HAD SOME, LIKE,

WEIRD OLD LOST AND FOUND STUFF

THAT'S JUST BEEN SITTING THERE

FOR MONTHS THAT...

>> YEAH. >> THAT'S ALL RIGHT?

>> YEAH, THAT'S FINE, YEAH.

>> JUST, JUST WHATEVER'S BEEN IN

THERE THE LONGEST AND--

>> YEAH, WE, WE GOT LOTS

OF STUFF.

THAT'S FINE.

YEAH, YEAH, I'LL BE RIGHT BACK.

>> GREAT, THANK YOU SO MUCH.

>> ALL RIGHT, GIVE ME A DIME.

>> WHY?

>> CAUSE I'M GOING TO USE IT AS

A SCREWDRIVER AND TAKE THE

LICENSE PLATE OFF OF THE BACK OF

YOUR CAR.

>> WHY?

>> SO THEN THEY CAN'T FOLLOW US.

>> HERE.

>> SOON AS I LEAVE,

COUNT TWO MINUTES.

>> O.K.

>> DON'T DO ANYTHING UNTIL

TWO MINUTES.

YOU READY?

>> YEAH.

>> KEYS.

>> OH, YEAH.

[AIR HISSING]

[AIR HISSING]

[CAR HONKS LOUDLY...]

[TIRES SQUEAL]

>> DOUG! >> WHAT?

>> GET IN THE CAR!

[TIRES SQUEALING]

>> WHAT TOOK YOU SO LONG?

>> I DON'T KNOW!

IT JUST-- IT WAS-- I WAS NERVOUS

AND IT JUST TOOK ME A MINUTE TO,

LIKE. GET UP MY NERVE TO DO IT!

>> RIGHT.

>> IT WASN'T THAT HARD THOUGH.

IT WAS ACTUALLY REALLY EASY.

I JUST TOOK IT AND RAN AND HE

DIDN'T EVEN EXPECT IT.

>> ARE YOU ALL RIGHT?

>> YEAH, YEAH.

WHY DID YOU GET OUT OF THE CAR?!

>> 'CAUSE YOU WERE TAKING

TOO LONG.

>> OH, MY GOD. [PANTING]

>> GAIL.

>> WHAT?

>> I SLASHED THEIR TIRES.

>> WHAT!

HOW DID YOU DO THAT?

>> I GOT THE IDEA WHEN I WAS

COMING OUT.

I FIGURED IF I SLASHED HIS TIRES

THEY COULDN'T FOLLOW US.

I TOLD YOU MY KNIFE WAS

FUCKING USEFUL.

>> I, WAIT, I GOTTA, I GOTTA

DRIVE SLOWER.

I GOTTA DRIVE SLOWER BECAUSE I

DON'T WANT TO GET PULLED OVER.

I CAN'T BELIEVE WE DID THAT, WE

JUST DID THAT.

>> YEAH, WE DID.

>> O.K., WAIT.

I'M JUST GOING TO KEEP

GOING STRAIGHT.

>> YOU O.K.?

>> YEAH, YEAH.

>> ALL RIGHT, I'M GOING TO

CALL CARLOS.

TELL HIM TO BRING RACHEL HERE.

>> O.K.

>> I'LL JUST BE A MINUTE.

YOU WANT TO LISTEN TO MUSIC?

>> YEAH.

I DON'T KNOW WHAT'S ON

MOST OF THOSE.

I THINK THEY'RE MOSTLY MIX

TAPES YOU MADE ME IN HIGH

SCHOOL ACTUALLY.

[LOUD METAL MUSIC PLAYS...]

[DOUG LAUGHS, MUSIC STOPS]

>> HOLD ON, I THINK THERE'S

SOMETHING AT THE BEGINNING OF

THIS THAT YOU MIGHT LIKE.

[TAPE WHIRRING...]

[*...]

[MUSIC ENDS]