All language subtitles for The Californians s01e21 The Duel.eng

(somber music)

- [Dion Patrick] In San Francisco in 1851,

the formal duel had
become a citywide plague.

Ruthless men, like Charlie Gaiman,

used the Code Duello
as a blind for murder,

hiring expert shots to challenge and kill

anyone who stood in their way.

Claude Talbot was Charlie Gaiman's man.

The California Star had
known about them for months.

All Jack McGivern needed was proof.

(pistols fire)
(tense music)

(approaching hoofbeats)

- May I have my pistol, sir?

- I'm holding this gun as evidence, Major.

- Evidence? Of what?

- I'm accusing Charlie Gaiman
and your son of murder.

♪ California, California ♪

- [TV Announcer] The Californians!

♪ In California ♪

♪ I've come to live where life is best ♪

♪ In the Golden West ♪

♪ I'm going to strike
it rich in California ♪

♪ California ♪

(tense orchestral music)

- Mr. McGivern.

An hour ago, you charged
my son with murder.

You're wrong, sir.

- Wrong? Bartley never
even had a chance to aim.

Take a look at this
pistols trigger, Major.

It's filed to a hair.

If you so much as blow on it, it goes off.

- I supplied both pistols
for that duel myself, sir,

and I tolerate no infractions of the code.

Those guns were evenly matched.

- What are they worth?

Bartley was no hand with a gun.

He didn't know one end from another.

- He had an even chance.

- With your son, Major Talbot?

There isn't a man in San
Francisco can stand against him.

That's why Gaiman's been using him.

- Mr. Gaiman had nothing
to do with it, sir.

It was an affair of honor.

- Honor, honor!?

Your son deliberately provoked
that duel with Bartley,

knowing full well that he'd be killed.

Do you want to know why he was killed?

Because next week, your sons great friend,

Charlie Gaiman is up on
charges of shanghaiing 40 men,

and Bartley was to be the
chief witness against him.

- If I had even suspected
my sons motives as such,

there would have been no duel.

I would have prevented it.

- You could have prevented
it and you didn't. Why?

- Because, there was a
lady's honor involved.

- A lady's honor, and who is she, pray?

- My son is too much of a
gentleman to divulge names,

but he did tell me that Bartley

was forcing his attentions
on a certain lady.

When my son demanded that he desist,

it was Bartley who provoked
the duel, not Claude.

- You actually believe that, don't you?

- I have no reason to doubt my sons word.

- Well I have, sir!

- And you still persist in saying

that he deliberately committed murder?

- I'm not only saying it, I'm printing it!

- If you do, sir, be prepared
to accept the consequences.

(pistol thuds on desk)

(door slams)

- You know, I'd like to know the name

of the lady whose honor was involved.

- Yeah, so would I.

I think I'll have a talk with Martha.

She has pretty good ears
for this kind of thing.

Maybe she heard something.

- Yeah, maybe she did.

- Well, there's a good deal of woman-talk

about Claude Talbot, but never
a word about Amos Bartley.

- Well, is there one particular woman

Claude was interested in,
who also knew the Bartleys?

- Off-hand, I'd say no.

Have you talked to Hannah Bartley?

- Hmm? No, should I?

- Well, if there were another woman,

Hannah would be sure to know about it.

(Jack chuckles)

- Oh Martha, you know so little
about the world, don't you?

If a man is mixed up with
another woman, believe me,

his wife is always the
last one to know about it.

- Is she, dear?

- It might not be a bad idea

to talk to Mrs. Bartley after all.

You know, maybe Gaiman hired a woman,

and used her as a decoy,
sicced her on Bartley.

Now, if we can prove that,
you'll be in the clear,

and Gaiman will be in the soup.

- Well, decoy or not, believe me,

Amos Bartley was not the type of a man

to get involved with another woman.

No, you're wasting your time, Dion.

Well, what's on your mind, now?

- Oh, I was just thinking of

how little I know about the world,

and how much less you know about wives.

(mischievous oboe music)

- Believe me, I wouldn't
intrude right now,

but we're out to stop Claude Talbot,

and we need all the facts we can get.

Mrs. Bartley, who else
was involved in that duel?

- Who else?

- We think Charlie Gaiman's behind it.

You knew your husband was
going to testify against him.

Did Gaiman ever come here to the house,

or anyone connected with him?

- No.

- Did your husband tell you

why he quarreled with Claude Talbot?

- No.

- Well, can you think of any reason, then,

why your husband would
challenge Talbot to a duel?

- I have no idea.

- We think they tricked him into it.

- I wouldn't know.

- Do you think it could
have been through a woman?

- Another woman?

- That's what Major Talbot claims.

Did you hear any gossip?

Do you have any reason to believe

that there might've been another woman?

- Is that what you're after? Scandal?

Isn't it enough that my husband is dead?

Must you--

Please go.

Will you please go?

- If we don't get the truth,
other men may be killed,

and other duels instigated by Gaiman.

If preventing that means more to you

than the possibility of a
scandal, get in touch with me.

(somber orchestral music)

- Hello, Major.

- [Major] What can I do for you, Dion?

- Oh, nothing, sir.

I just happened to notice your sign,

and occurred to me that I could use $5.

Do you mind?

- Not at all. Not at all.

(pistol fires)

- Hmm, not so good.

(pistol fires)

(pistol fires)

(pistol fires)
(bottle shatters)

(pistol fires)

- Would you like to test this also, Dion?

- No, sir.

- You still think I favored
Claude in that duel?

- No, I don't.

- Dion, I'm proud of my
position in this town.

It honors me when people
come and borrow my equipment,

knowing I'd never sanction a duel

in which one held an unfair advantage.

- But would Claude?

- Claude was challenged.

- He knew Bartley was no match for him.

- My son was defending his self.

- He was working for Gaiman!

- Dion. I've lived my
whole life by the code.

That's all that's ever mattered to me,

and I've tried to teach that to Claude.

- But you can't ignore the record, Major.

- The record?

- The men Claude has killed.

In May, it was a man who refused

to pay extortion money to Gaiman.

In August, it was a lumber dealer.

Gaiman took his business over for a song!

- If I thought my son
was dishonoring the code,

I'd shoot him down myself.

If my son quarreled with men
who were at odds with Gaiman,

it was sheer coincidence.

- Oh, Major, is there
anything more cowardly

than spreading a rumor
that a widow's dead husband

was unfaithful to her?

- Not a rumor, sir.

A fact.

My son has never lied to me.

- Are you sure?

- So sure, that I'd advise McGivern

not to print that story about him.

- It's already printed, Major.

(dramatic orchestral music)

- Why was Amos Bartley killed?

- Yeah, that's McGivern.

He keeps pounding and pounding.

- But not for long, Charlie.

You say he always stops
at the same saloon?

- Yeah, every evening
on his way to supper.

Look, McGivern carries a lot of weight.

He's got the paper and the vigilantes.

He runs this town, but unless
you get him, he might stop us.

- Nobody stops us, nobody!

We're going to run this town.

We're going to own it, you understand!?

- Yeah, sure, Claude. Sure, I understand.

But what makes you think
you can get him into a duel?

- I had no trouble with the others, did I?

Let's go have that drink.

(ominous orchestral music)

(people chattering)

- McGivern.
- Hello Jim, how are ya?

- [Jim] Nice article, there.

- The usual, Luke.
- Me too.

- Bartender, I believe I will
have my drink at a table.

I don't stand at the same bar with a liar.

- As I was saying--
- A liar and a coward, sir.

(McGivern clears throat)

- As I was saying, Dion,

I can understand a killing
that's been done in anger.

Now I don't condone it, mind
you, but I can understand it.

But a killing that's been
planned and contemplated,

with one man using another,

and the two of them
trying to hide the deed

behind this so-called code of honor.

Now, that's the filthiest kind of murder,

and by heavens, we'll have
them brought to justice.

- I repeat, sir, you
are a liar and a coward.

And if you aren't going to call me out,

then I'm calling you out.

- I don't think I quite
understood what you said,

but if I did, you and Gaiman can go on

spouting your names
from now until Doomsday,

but you won't trick me into a duel.

Not the way you tricked Amos Bartley.

Bartender, give him another drink.

He thinks he's a man.

(foreboding music)

- Charlie, I'll get rid of him,
if it's the last thing I do.

- Talbot won't quit.

He'll challenge you every time you meet.

- Well all right, good, good.

Do you know what I'm going to do?

I'm going to put a little notice

in the office window tomorrow, saying,

"Subscriptions received
between nine and four."

"Challenges, 12 to one."

And under that, another notice,

"12 to one, Gone to Lunch."

(chuckles) That's pretty good, huh?

You like? Oh, all right.

- Dion, have you talked to Hannah Bartley?

- Oh, now are you going to start

that thing about Mrs. Bartley again?

- I've got a hunch she knows

why her husband challenged Talbot.

- Ah, you haven't got a shred of proof.

- Neither have you,

and you printed a story.

Well, I'm going out for a walk.

- Why?

- I want to think.

- About Mrs. Bartley?

- About you.

(tense orchestral music)

Is Claude around?

- No, why?

- He was over at the Golden
Nugget Saloon, tonight.

- Any reason he shouldn't be?

- He was drinking with Gaiman.

- When my son is in his cups,

he's seldom choosy about his company.

- He also challenged
Jack McGivern to a duel.

- And for a very good reason.

McGivern called him a murderer, in print.

- If he fights McGivern,
it will be murder.

Jack is notorious for being the
worst shot in San Francisco.

- All the more reason why
he should be more temperate

in what he writes about people.

If Claude hadn't called
him out, I would have.

I trust McGivern was honorable enough

to accept the challenge.

- He ignored it, but sooner or later,

your son will find a way to
make Jack lose his temper.

Then they'll rack up
another murder on the house.

You've got to call Claude
off, before it's too late!

- I refuse to interfere.

- Then I will!

(dramatic musical flourish)

- Well, if it isn't McGivern's errand boy?

What can I do for you?

- You could leave McGivern alone.

- And let his accusations
against me go unchallenged?

- If what McGivern printed
turns out to be wrong,

he's man enough to make
a public retraction.

All you have to do is prove

that you did kill Bartley
over a woman's honor,

not as a favor to Gaiman, here.

- But that would involve the lady

in a needless scandal, wouldn't it?

No thanks.

I'd much rather kill McGivern.

- You know what I think?

I think if there was another
woman involved, you hired her.

I also think you're
dishonest and a murderer.

And if that's not enough...

(slap connects)
(glasses break)

- You'll give me satisfaction for that.

- With pleasure.

- My seconds will call on you.

- Let's settle it now.

Usual place, tomorrow, at dawn.

Bring your friend Gaiman along.

(tense music)

- You got challenged by the wrong man.

- Did I?

Do you know a better way
to get McGivern to fight,

than by killing his best friend?

(dramatic musical flourish)

(foreboding music)

(light knocking)

- [Woman's Voice] Claude?

- Of course.

(relieved sigh)

- Claude, where have you been?

It's almost three o'clock.

- There's too many people around, darling.

I don't think this town
ever goes to sleep.

- You never told me
Amos had challenged you.

Why didn't you tell me?

Claude, why did you kill him?

I didn't want him to die!

- My dear, you must compose yourself.

- Claude, Claude, let's get
out of San Francisco, please.

You said we'd go away.

- Soon, Hannah.
- When?

- A month or two, perhaps.

- A month or two?

I can't live in his house for two months.

- Then maybe you'd rather go on alone?

I could meet you later, in Sacramento.

- I don't want to go alone.

- I'm afraid that's the
only arrangement possible.

- Claude, I love you.

I want to be with you.

You said we'd go together.

- I'm sorry, Hannah. I'm staying here.

I have some very important work.

- You can't, you
promised. I won't let you!

- Don't you give me orders!

And don't try and stand in
my way, as your husband did.

- My husband? What do you mean by that?

- Nothing.

- You killed Amos
deliberately, didn't you?

- Not at all.

He was man enough to fight
for the woman he loved.

- You told him about us?

- Of course.

I demanded that he give you
up, and stay away from you.

- You lie.

You killed him because
he was going to testify

against Charles Gaiman.

Dion Patrick knows all about it.

- Did you tell Patrick
that, or did he tell you?

- He told me.

I said nothing, I protected you.

But now I'm going to talk.
I'm going to tell everything!

- Will you, Hannah?

Will you publish your shame

for all of San Francisco
to read and talk about?

How about your family?

How will they take it?

No, I don't think you'll tell anything.

Here's some money.

Take it, and go to Sacramento.

It's too bad you behaved this way.

I might've joined you there.

I rather liked you.

(foreboding orchestral music)

(door slams)

- There must be some way to be able

to nail Gaiman and Talbot.

There must be some way to get that proof!

- You still don't think
Mrs. Bartley can help you?

- No, I don't.

And don't you try to
argue it with me, either.

(knocking on door)

Come on in.

Ah, Kwan, how are you?

Thank you.

The fool! The dunderhead!

- Who? What is it?

- Well, it's a note from the
bartender of The Golden Nugget.

Dion picked a row with Talbot.

They're fighting a duel in the morning!

- He's doing it for your sake, isn't he?

- Yes, of course he is.

I'm going to stop it!

Goodbye, darling.

Addlepated idiot!

(tense music)

(hurried knocking)

- Hannah?

It's Martha McGivern.

Hannah?

(ominous orchestral music)

Hannah?

Hannah.

Listen to me.

You've got to tell me what you know

about your husband's death.

Is there something you know?

Tell me, please.

- What difference does it make now?

- You may be able to save someone else.

Dion Patrick is fighting
a duel with Claude Talbot.

Hannah, unless that duel is called off,

Claude is sure to kill
Dion, just like Amos.

- What can I do?

The only one who can stop
it is Claude's father,

but he won't, he didn't
stop the one with Amos.

- They say the fight was over a woman.

Dion thinks she was used deliberately

to decoy your husband into the duel.

Is that true?

- Yes.

- If we can convince Major Talbot of this,

we'll be able to save Dion's life.

Hannah, who is the other woman?

- Leave me alone.

I don't know. I don't know.

(foreboding music)

- Mr. Talbot hasn't arrived, sir.

I'm afraid you're first.

- Dion!
(hoofbeats)

- Sir, the code allows only participants.

- Stand aside, you silly peacock,

or you'll be strutting around
with no feathers in your tail.

Well, go on, get out of the way!

Dion, I forbid this. You can't do it!

Now, I won't let you
do it, I'm telling you.

- It's done.

- Look, it's me he's after, it's my fight.

Now let me fight him,
and get it over with.

- Don't argue, Jack. Go on home.

You couldn't hit the side of a barn.

- Don't you understand what he's doing?

He's hoping that I'll
challenge him if you lose.

- Well, I don't figure to lose.

- All right then, all right.

Suppose you win? What's
everyone going to say?

That I put you up to it.

That I didn't have the courage
to stand up to him myself.

I'll be the laughing
stock of the whole town.

- Don't try to Blarney me, Jack.

You tried, now go on home.

- It's here I am, and this
is where I'm going to stay.

- They won't let you stay.
It's against the code.

- Oh, it is, is it?

Well, I'd like to see the
man that'll try and stop me.

(tense orchestral music)

Dion, don't go through
with this, call it off.

Dion, I'm asking you.

- He's no match for you, Claude.

- I hope to prove that, sir.

- You know it now.

You could still withdraw.

There'd be no loss of honor in that.

- I'm sorry, sir.

- Mr. Patrick, sir.

- Major Talbot.

- Dion. It's not too late.

A simple apology would
abrogate this meeting.

- I'm sorry, Major.

- Major Talbot.

I believe we're in violation.

This gentleman is not a participant,

but he refuses to leave.

- And it's entirely correct.

Here I am, and here I'm going to stay.

- I'm afraid, sir, you're forcing us

to postpone this meeting.

- Give me your gun.

Drop that on McGivern's
saddle and head back to town.

Jack'll be acting in your place.

All right, you're a participant now.

We're ready, sir.

(tense music)
(rapid hoofbeats)

- To ensure he's not wearing
any hidden protection.

You have the same privilege, sir.

- Thank you, Major.

(solid knocking)

- [Claude] My apologies, sir.

I'm so used to carrying it.

- Yes.

I'd venture to say that you even wore this

when you were facing Amos Bartley.

(flask pings off ground)

(galloping hooves)

- [Duel Judge] Ready?

One.

(galloping hooves)

Two.

Three.

- Hold the count!

- Four.

- Hold the count, I said, are you deaf?!

(foreboding music)
(galloping hooves)

- Major Talbot!

- Martha, what are you doing here?

- [Major] Yes, ma'am?

- There was a woman's honor

involved in Amos Bartley's death.

- I wasn't worth it, but my
husband died for love of me.

- Ma'am, I don't understand.

- I'm Mrs. Amos Bartley.

My husband was killed

because he refused to
give me up to Claude.

Not that Claude wanted me.

It was to keep Amos from
testifying against Charles Gaiman.

- Claude.

- Sir, this is most embarrassing to me,

having to deny a lady's word.

You're mistaken, ma'am.

We've never met before.

- I'd like to think we hadn't met.

But I have this to remind me of what I am.

The price you set on me.

I'll admit it's more than I'm worth.

By the way, Claude, what are you doing

on a field of honor, among gentlemen?

You're as out of place here as I am!

- I warned you to shut your mouth!

(dramatic music)

(pistol chamber clicks)
- Claude!

(pistol fires)

(Claude grunts)
(music swells)

(somber orchestral music)

(slap connects)

My sons pistol is at your disposal, sir.

(dramatic musical flourish)

- [McGivern] How is he, doctor?

- Not too good.

- You could've killed him, Major.

Why didn't you do it?

- Why, I didn't want to spoil him

for the hangin', son.

And besides...

Besides...

(pistol clicks)

- Yes, and besides...

(tense music)

- It's empty.
(dramatic music swells)

♪ California ♪

♪ Oh, I've traveled here,
I've traveled there, ♪

♪ I guess I've been most everywhere ♪

♪ But I like where I am today ♪

♪ And here is where I'll stay ♪

♪ Now, one thing I just can't endure ♪

♪ Is bein' broke and bein' poor ♪

♪ So I come west to take the cure ♪

♪ And here is where I'll stay ♪

♪ I've come to California ♪

♪ California ♪

♪ There's gold in them
there hills in California ♪

♪ I've come to live where life is best ♪

♪ In the Golden West ♪

♪ I'm going to strike
it rich in California ♪

♪ California, California ♪

♪ There's gold in them there hills ♪

♪ In California ♪

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