All language subtitles for Fleetwood Mac - A Musical History - Vol 1-en

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These are the user uploaded subtitles that are being translated: 1 00:00:45,560 --> 00:00:48,280 I listen to Fleetwood Mac every day 2 00:00:48,280 --> 00:00:51,960 because artists like that unlock the doors of perception. 3 00:00:51,960 --> 00:00:55,640 They connect you to a creative soul. 4 00:00:55,640 --> 00:00:59,000 In terms of being able to do music across a multiplicity of genres, 5 00:00:59,000 --> 00:01:01,800 they're kind of incomparable. 6 00:01:01,800 --> 00:01:04,800 For me, it's the marriage of those tones, 7 00:01:04,800 --> 00:01:08,560 both of the voices but of the instruments. 8 00:01:08,560 --> 00:01:11,680 00:01:30,320 is these songs that came out of these different marriages. 15 00:01:30,320 --> 00:01:32,720 Well, Fleetwood Mac were invented by Peter Green, 16 00:01:32,720 --> 00:01:34,520 who was a blues guitarist 17 00:01:34,520 --> 00:01:38,760 and part of the British blues guitar explosion of the time. 18 00:01:38,760 --> 00:01:42,800 00:01:57,080 At one point they were selling more than the Beatles 24 00:01:57,080 --> 00:01:59,360 and the Rolling Stones combined, 25 00:01:59,360 --> 00:02:02,520 and had a really big hard-core blues following. 26 00:02:02,520 --> 00:02:04,440 Albatross changed that slightly 27 00:02:04,440 --> 00:02:07,600 in that they became slightly more mainstream. 28 00:02:07,600 --> 00:02:12,800 00:03:52,160 But it also wouldn't feel out of place on kind of... 35 00:03:52,160 --> 00:03:56,400 almost like a '90s chill-out album as well. 36 00:04:28,600 --> 00:04:31,480 To have established a blues fan base 37 00:04:31,480 --> 00:04:34,280 and to then present them with this, 38 00:04:34,280 --> 00:04:38,560 00:05:17,120 and there's a Fleetwood Mac song, 44 00:05:17,120 --> 00:05:20,840 I think it's called Somebody's Going to Get Their Head Kicked in Tonight. 45 00:05:20,840 --> 00:05:24,040 That's certainly the kind of, the chorus of the main line. 46 00:05:24,040 --> 00:05:27,120 00:05:40,240 "What? That doesn't make sense." 53 00:05:40,240 --> 00:05:42,920 So, yeah, there's lots of surprising gems 54 00:05:42,920 --> 00:05:46,240 in the Fleetwood Mac back catalogue. 55 00:05:46,240 --> 00:05:51,320 We're now going to do our latest single, called Oh Well. 56 00:06:36,640 --> 00:06:39,360 about the shape I'm in 57 00:06:39,360 --> 00:06:41,720 00:07:29,040 They don't care that you're there. 64 00:07:30,080 --> 00:07:33,600 The way he's playing, the way his fingers are, and they look so cool. 65 00:07:33,600 --> 00:07:36,960 I knew he'd understand 66 00:07:36,960 --> 00:07:39,760 and I'll be your guiding hand 67 00:07:39,760 --> 00:07:41,920 00:08:01,720 And with "Oh Well" as well, they're already losing fans, 73 00:08:01,720 --> 00:08:05,000 haemorrhaging hard-core blues fans. 74 00:08:20,160 --> 00:08:25,560 They lost almost all of their fan base in the UK 75 00:08:25,560 --> 00:08:29,160 and then they lose their main songwriter. 76 00:08:29,160 --> 00:08:33,640 00:08:52,000 So Peter leaves and you still have Mick and John, 82 00:08:52,000 --> 00:08:54,120 Fleetwood and Mac, 83 00:08:54,120 --> 00:08:56,680 who obviously want to continue as a band. 84 00:08:56,680 --> 00:09:00,000 And so you have this kind of 00:09:22,960 Which led to this craziest luck ever with Mick Fleetwood going 92 00:09:22,960 --> 00:09:26,720 into a studio in Los Angeles to check out the studio, 93 00:09:26,720 --> 00:09:30,560 and the producer, like, puts on a reel to show him what he can do, 94 00:09:30,560 --> 00:09:33,400 "This is what I last... 00:09:49,600 "Well, actually, I'm going out with Stevie Nicks," 100 00:09:49,600 --> 00:09:52,880 who is the other partner in the duo, "We come as a package. 101 00:09:52,880 --> 00:09:55,120 "We don't go anywhere without each other." 102 00:09:55,120 --> 00:09:57,920 So, unbeknownst to Mick Fleetwood, 103 00:09:57,920 --> 00:10:00,760 00:10:08,480 But actually, suddenly, the magic happens. 107 00:10:08,480 --> 00:10:12,160 00:10:46,920 114 00:10:46,920 --> 00:10:49,840 115 00:10:53,280 --> 00:10:54,640 116 00:10:54,640 --> 00:10:57,240 117 00:10:59,520 --> 00:11:04,160 running for cover 118 00:11:07,320 --> 00:11:11,600 00:11:32,840 And they're so different voices, as well. 124 00:11:32,840 --> 00:11:36,760 You know, Christine and Stevie's voices are worlds apart. 125 00:11:36,760 --> 00:11:38,120 But together... 126 00:11:39,280 --> 00:11:40,760 ..it's so special. 127 00:11:42,600 --> 00:11:45,840 So much of the success of the songwriting has come from 128 00:11:45,840 --> 00:11:51,520 00:12:08,480 gonna stay away 134 00:12:11,040 --> 00:12:15,920 weaker every day 135 00:12:19,520 --> 00:12:22,920 as I used to be 136 00:12:25,280 --> 00:12:29,600 it'll be the end of me 137 00:12:32,560 --> 00:12:35,920 00:12:56,640 144 00:12:56,640 --> 00:12:59,840 145 00:13:01,280 --> 00:13:03,840 146 00:13:05,080 --> 00:13:08,840 147 00:13:08,840 --> 00:13:11,720 Rhiannon is written by Stevie Nicks, 148 00:13:11,720 --> 00:13:14,520 and I really think 00:13:32,880 when you think of how many songs there are in the world. 154 00:13:32,880 --> 00:13:36,640 But what I like about this song, Stevie Nicks always introduces it 155 00:13:36,640 --> 00:13:38,520 as being about a Welsh witch. 156 00:13:40,880 --> 00:13:42,600 This is a song about a Welsh witch. 157 00:13:45,280 --> 00:13:48,640 00:14:11,880 165 00:14:12,880 --> 00:14:19,480 and then she is the darkness 166 00:14:19,480 --> 00:14:22,200 like a fine skylark 167 00:14:22,200 --> 00:14:26,040 168 00:14:26,040 --> 00:14:33,080 00:14:54,600 which really only Stevie Nicks could do. 176 00:14:54,600 --> 00:14:58,520 She doesn't finish her phrases, so she writes words that fit 177 00:14:58,520 --> 00:15:03,480 the musical phrase more than they fit the sense, 178 00:15:03,480 --> 00:15:06,080 but it works 00:15:25,960 186 00:15:27,320 --> 00:15:34,080 a lady like her rises 187 00:15:34,080 --> 00:15:40,320 and your life knows no answer 188 00:15:40,320 --> 00:15:43,840 189 00:15:48,320 --> 00:15:50,200 00:16:04,320

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