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I took the knife in my hand.
I gripped it really hard.
And she was smiling at me, willing me to do it.
And then I slit her throat.
It was electrifying.
There she is.
Lizzie James.
[daunting music]
[Pedder on comms] Update on India one, please.
[officer] No change. Still blindside of RV.
You must be Colin.
And you must be Lizzie.
Been waiting long?
Not too long.
-I promised you lunch, didn't I? -Yeah.
I told you I was married, didn't I?
Yeah. Yeah, you said.
Didn't last very long, like...
[Sadie on surveillance] Thanks.
I promise I'll tell you the whole story. I will, just...
Come on, Stagg.
[Sadie] Just a bit embarrassed.
[Colin] Well, you can tell me anything.
I feel like I'm always...
looking for something I can't find.
I think it's because it's what happened to me, when I was a kid.
Your secret?
It's okay.
You can tell me.
Go on.
There was this older fella that lived
a couple of streets away from me and, erm...
He was kind to me. He made me feel special.
Well, I sort of got in with him and his mates
and in his cellar he had...
this room that was all painted black.
He was into the occult.
I know, I thought he was mysterious.
He performed, like, these rituals.
And...
what would happen is, is that...
everyone would end up having sex.
It was the most electrifying atmosphere. Like...
[Sadie on surveillance] I don't even know how you'd describe it. It was like...
mixed feelings, like...
we were all really, really drunk.
The room was filled with candles and...
there were these, er, special cups -
chalices.
[Colin sniggers]
There was this women and she was laid out on the altar, naked.
Go on, Lizzie.
And there were these knives...
that were brought in.
And it was as if she knew what was happening.
She just...
She just lay there.
And then this man, he handed me a knife,
and he asked me to cut her throat.
So, I go over to her
and she's looking at me and I'm looking at her.
And the room is filled with candlelight and smoke, it's electric.
And I did what he asked.
And I got the cup and I filled it with her blood and we all drank it.
And then I was with this man and...
it was the most amazing thing, it was...
the best thing I could ever imagine.
The thought of being with him.
I mean, the sex was mind-blowing.
Both of us knowing what had happened.
I'm not asking you to tell me all your secrets,
but I am placing all my trust in you.
And either you're not the right man for me...
Come on, Stagg, come on.
...and we can just be friends or...
[Pedder] Go on, go on.
Do you wanna tell me something?
[Pedder] Come on, Stagg, come on!
Come on, come on!
[Sadie] This is the letter he gave me when we met.
"He gently takes the blade of the knife and draws it down your body.
Not cutting you, just teasing you.
Then he places the blade in your mouth and makes you lick it clean.
You're so hot now.
The man cuts himself on his arm, just enough to draw blood
and drips it onto your breasts.
You massage it making... making...
you rock your head backwards and forwards and sideways
as you go into a massive orgasm.
I hope this was to your satisfaction, Lizzie."
[Pedder] It is fucking gold!
He's talking about knives.
It's not just the letter, the way he acted was odd.
I tell him a story about a woman having her throat cut and he doesn't even flinch.
The rarity of the combined elements of deviance
are present in only a small number of the general male population.
Okay, what about this bit?
"I've written this story along the lines of what I feel you are into."
What if we've led him to believe Lizzie's into this sort of thing?
Well, I fail to see how he could have drawn that inference
from anything we have communicated to him,
prior to the writing of this letter.
[sighs]
Is there something you'd like to say, Sadie?
Are we on the right side of the line here?
EJ14, the letter we sent Stagg back in March,
we used the expression "defenceless and humiliated".
Could that have prompted him to bring a knife into the fantasies?
These themes are too extreme to have been prompted by EJ14.
They've obviously been generated spontaneously.
So where does this fantasy leave Stagg?
Well, this is consistent with what I would expect to find
in the masturbatory repertoire of the killer.
You're looking at someone with a highly deviant sexuality
present in only a small number of men.
How small?
The chances of there being two such men on Wimbledon Common when Rachel was killed
are vanishingly small.
Black coffee, please, love.
-Do you want to see a menu? -Yeah, go on then.
So I can't really stay long so whatever this is, can you just make it quick.
Make it quick?
You had lunch with a killer and you don't think we should talk about it?
Oh, it went well. Everyone's pleased. End of.
How long's this gonna go on for, anyway?
Britton said he'll have a confession within two months of exchanging fantasies.
I make it twice that already.
Yeah, and this isn't some sort of test purchase, Baz.
You've never done anything like this before.
No one has ever done anything like this before.
You think I can't handle myself?
I think it took him about 40 seconds to kill Rachel Nickell.
Yeah, and I'm trying to stop him from doing it again.
You're bait for a serial killer.
Maybe SO10 chose you cos you're the best for the job,
or maybe they just chose you cos you look like Rachel Nickell.
Fuck you!
It wasn't even two seconds, was it?
You're an arsehole.
Just trying to keep you safe, Sadie.
[phone rings]
[phone rings]
[tape recorder clicks, phone rings]
Hello?
[Colin] Hello, Lizzie.
I've been thinking about you a lot.
-Have you? -Mmm.
I bet you're a bit stunned by what I said yesterday.
Well, yeah...
but what's past is past.
Yeah, but I have to live with it, Colin.
I know that, yeah.
And like you said...
you want to be fulfilled...
in that...
that special way.
I want a relationship with you, Lizzie.
That's the thing.
Yeah, well, there's no point if you can't give me what I want.
If it's not there it's not there.
I always thought that there was something in your letters.
Indications to me, you know, that something had happened before.
When we're together if you wanted me to do something to you or with you,
you know, to make you happy.
No, that's not what I want. I want to be with someone
who's had some experiences like me or done something similar.
Yeah, I know.
I just thought there was something more.
I thought you had something.
Lizzie...
Goodbye, Colin.
[loud bang]
[phone rings]
[phone rings]
[phone continues to ring]
Hello?
[Colin] Hello, Lizzie.
I've got a confession to make.
The thing is, Lizzie, you were right about me.
I have done something.
I couldn't say anything because...
the way I saw it,
if I told anybody what I did, the police would arrest me again.
For what?
What...what was it?
It was something me and my cousin done when I was 12.
What did you do?
What was it?
It involved a little girl.
It wasn't as messy as the thing you've done but it had the same result.
When we were together on Thursday and you described the feelings that you had,
it hit a chord with me, you know.
What happened to the little girl?
It wasn't very nice, you know.
Got out of hand.
Can you not say?
We were on a caravan holiday in the New Forest.
Me and my cousin we was just mucking about and we noticed that this,
this little boy and little girl was sitting at the edge of the woods.
And we took the little girl into the forest
and ended up...
we ended up killing her.
The thing is, when we was actually strangling her,
we felt exactly the same feelings that you described.
Everything was buzzing, you know. We was just floating.
And I wanted to tell you on Thursday, but I...
I just can't trust anybody, you know.
Yeah, I know what you mean.
You said you had an idea that I did something in my past.
And you were right.
We took the little girl into the forest and ended up...
we ended up killing her.
The thing is, when we was actually strangling her,
we felt exactly the same feelings that you described.
Everything was buzzing.
I think he's making it up.
I spoke to Hampshire CID.
There's no match for the murder he described.
He's definitely making it up.
It's possible he's woven details of Rachel's murder into this story.
[Pedder] Rachel's family need answers.
I think Lizzie should meet Stagg again.
[Professor Britton] I agree. The sooner the better.
Ask him how he felt when he killed this little girl.
Make him see that you need to know if his experience in the New Forest
really does parallel yours.
But if he thinks Lizzie's gonna be satisfied with this New Forest story,
why would he open up about Rachel?
This is you opportunity to get him used to giving you the details.
That way, when you ask him about Rachel,
he won't be surprised by the level of detail you require.
[man talking indistinctly on TV]
Up early.
I'm out late.
Jim.
Lizzie.
So, Lizzie...
what's a nice girl like you doing in a shithole like this
at three in the morning?
What makes you think I'm a nice girl?
There's a mattress in the back of my lorry where I sleep sometimes.
[music: "Real Wild Child [Wild One"] by Iggy Pop]
♪ Well, I'm just outta school, like I'm real, real cool
♪ Gotta dance like a fool, got the message that I gotta be a wild one
Oh, yeah, I'm a fucking wild one!
♪ Gonna break it loose, gonna keep 'em movin' wild
♪ Gonna keep a-swingin', baby, I'm a real wild child ♪
[birdsong]
Hiya.
Shit!
-When did you last eat? -That is good.
All right, where did you lose your keys then?
Sadie...
Can you just...
stop babying me, Baz, please? I'm fine, okay.
You know the Professor is convinced that he's gonna spill any day now.
He's our man, I am certain of it.
I just...
I need to handle him. Okay, push him over the edge.
What do you mean, "push him over the edge"?
Get him to talk.
You know, you promise a dealer a blowjob at the end of the night
and they will tell you anything, but with him it's different. It's like...
It's like he's bursting to tell me everything, he's just fucking scared.
Okay, I just need to back him into a corner.
You need to stay the right side of the line.
This isn't about you, Sadie.
You know what? I don't know where you're at right now.
You know where I'm at, Baz?
Is that I'm trying to do my fucking job
and I don't need yet another man telling me how to do it.
[Pedder on comms] All units, India two approaching.
[Pedder] Five metres.
-Two metres. - Hiya.
-Hello. -Sorry, am I late?
No.
India one and two, contact made.
All units stay aware.
I don't know, there must be more than what you've told me?
It was a long time ago.
I was just a kid myself.
I tried to put it out my mind because I felt...
I felt bad about it, you know.
Yeah, but like, you've not even said, like...
did she scream?
Did you touch her up?
Was there like a massive police hunt?
I have told you everything, Colin.
I don't know, it's like you don't trust me.
Like you're only telling me half the story.
I need you to tell me more. I need you to reassure me.
[Colin on surveillance] I've reacted different to you, that's all.
I can still hear the sound of the knife going in,
that's how... vivid my memory is.
[Pedder] Come on, Stagg. Come on. Come on. Come on.
You're living in the guilt of a mistake. I'm living in the glory of it.
Lizzie!
[Pedder] India two leaving the scene.
Fuck!
[daunting music]
FUCK!!!
Oh, shit.
[Sadie] What's going on?
-[Colin] You mean, in the papers? -Yeah.
They come knocking on my door last week.
So I thought I'd just give 'em my side of the story.
I told you really personal things about me.
Yeah. I'm not gonna say anything about you, am I?
There is a picture of me on the fireplace.
What did you tell them when they said, "Who's that girl?"
No.
No, I never mentioned you.
There are people that are gonna do me serious harm.
I could go away for a very long time, Colin.
I didn't talk about you though.
What happens if the telly people offer you a million pounds?
They're not gonna offer me that much, are they?
But what if they did? What security is that for me?
They're only interested if I did that thing on the Common.
No, I think they're interested about what we write to each other!
What if they follow you to meet me?
I've got to try and get things fucking sorted out, Lizzie!
You know, it's only cos it's a year since the murder.
I thought we were getting somewhere.
I saw so much in you.
I'm not gonna lose you, am I, Lizzie?
[children laughing]
The Professor reckons this bullshit makes Colin a target
for every psycho-loving lonely heart out there.
And if he gets what he wants, it's goodbye Lizzie.
Another woman could be killed.
The Professor said external publicity could influence disclosure.
Well, he's got himself publicity all right, hasn't he?
I mean, it's on the front bloody page in black and white!
"I didn't murder Rachel"!
This is going to stop him talking to Lizzie?
It won't.
Cos I can do it.
Mr Pedder, I can do it. Just get me one more meeting and I will get what we need.
Er, whoops!
Just fucking say it!
Just tell me!
Just straight out.
Hoh! [laughs]
Ha! Why won't you just say it?
Just tell me that you did it. Tell me that you did it.
Tell me...
Just tell me that you did it.
Just tell me...
Just say it!
Just tell me, please...
that you did it.
Colin, just say that you did it...
Need water.
Lizzie, you need water.
[Colin voice echoes] I love you, Lizzie.
I love you, Lizzie. I love you.
Sadie?
Sadie?
[Sadie groans softly]
Left your keys in the door, mate.
Shit, you're bleeding.
It's fine, honestly. I just had a fight with a glass.
What is all this?
I'm busy trying to catch the country's most dangerous killer, aren't I?
[chuckles]
What's going on, mate?
I can't crack him.
You know when you're bedded deep into an op and you start to read your target?
Right, you know how to play them, where to go next.
But with him, it's...
It's like I can't get him to that place.
I can't do it.
Yes, you fucking can.
You're inside his head.
It's the hardest bit.
Yeah, but he's in mine.
All the time.
All the time.
And I can't shake it, Luce, I can't.
Listen...
you are so close.
All you've gotta do is get that confession and then you can live like a tramp
and fuck all your mates off all you want,
but you won't because you'll be flying high because you'll be a fucking legend.
Yeah.
I'll get this cleaned up.
Get dressed, get your shit together.
Cos you're bringing this one home, you're bringing it home for all of us.
You know what I'm saying, don't you, girl?
Yeah.
Dry your eyes.
[Sadie] I am a serving police officer.
For the purpose of this operation I am known as Lizzie James.
Today is the 29th June 1993.
I broke the seal on a tape and placed it in a tape recorder,
which is secreted on my person.
The time is 11:30am
and it will be switched off until it is switched on again later.
[sighs]
[Sadie on surveillance] Hiya.
-[Colin] Hello. -[Sadie] You all right?
Mmm.
-[Sadie] Really nice here, isn't it? -[Colin] Yeah, it's pretty.
[Colin] Got you a wine.
[indistinct voices on comms]
I've been thinking about her walking around on Wimbledon Common.
Yeah?
And I've been thinking about him just watching her.
Doing the things that he did
and I try and imagine him.
And the thought of him is just so exciting.
I wish it was me who done it.
[Colin] He probably just went crazy.
You know if you think about it, he just...
just suddenly attacked her, all right. [he chuckles]
Did they ever tell you where he stabbed her first?
No.
All I know...
is that he stabbed her 49 times.
-She was like this. -Mm?
Right, she was lying there, like that.
And her head was sort of...
Bloody hell.
-[Sadie] What, just lying on her side? -Are you getting this?
And then her head, right,
was... was sort of over like that, you know.
[Colin] And then the photograph was...
taken from this end, you know.
Oh, and her hands, her hands were like this.
[he sniggers]
[sighs heavily]
I want someone like the man who killed Rachel.
I want that man.
I know it's wrong
and I know that everyone in the whole world won't agree with me,
but I just can't help it.
I just think about him all the time now.
I have these fantasies that, erm...
that you're the man who did it.
That perhaps you don't want to tell me because... for your own reasons.
I want to go there.
I want to see where it happened and I want you to show me.
I want you to treat me just like he treated Rachel.
[Sadie] I want it all.
[children's shouts]
[Colin] Lizzie.
But if you're not that man, Colin, and you haven't done those things,
then you will never be able to fulfil me.
You will never, Colin, never.
[Colin] Well, do you want to call the whole thing off then?
Because I'm not like that man, am I?
You know what, every time you touch me,
every time you come close, I just want it to be him.
Look, I know what you want, but the thing is, I can't compete with that man.
Well, then I've gotten it wrong.
I'm sorry.
Don't...
Fucking hell!
[men laughing and chatting]
-[Pedder] Oh, here she is! Here she is! -[applause]
So good!
You did it, Sadie.
We got him.
He didn't admit anything.
Not with words, no...
but he showed you how she was lying, the exact position of her hands, her head.
He couldn't see that in the photo that I showed him.
Only the killer could know that.
Mm.
This is the missing piece of the jigsaw puzzle.
KP27.
That's the only photo that he ever saw.
You can't see her hands. You can't see her head.
How did he know the position she was lying in?
-So I did it? -Yes, you did.
It's over?
[all laughing]
[sighs]
[birdsong]
[dog barks in the distance]
[knocking on door, dog whines]
[rapid knocking]
[heavy knocking]
[dog barks]
[rapid knocking]
[dog barks]
Colin Stagg.
I'm arresting you for the murder of Rachel Nickell
on Wimbledon Common, July 15th 1992.
You don't have to say anything, unless you wish to do so,
but anything you say may be given in evidence. Do you understand?
You gotta be joking?
Who's gonna look after my dog?
Who's gonna look after my dog?
[laughing]
Yeah, I believe you. Cheers, mate, cheers!
[indistinct chatter]
[Pedder] Gents, gents, gents! Listen up. Listen up. A couple of things, look.
Look, I know, right,
how hard you've all worked to get Rachel's killer into custody, yeah?
It hasn't been easy. God, it hasn't been easy, but...
I think I speak for all of us when I say it was the hard work...
and courage of one woman
that got us the evidence we needed.
Thank you, Lizzie James!
[all] Lizzie James!
[the men cheer and applaud]
Come over here.
Come on.
Come over here.
All right, okay.
[men cheering]
[female vocal sings hauntingly] ♪ She stepped away from me
♪ And she moved through the fair
♪ And fondly I watched her
♪ Move here and move there
♪ And she went her way homeward
♪ With one star awake
♪ As the swans in the evening
♪ Move off over the lake
[cell door slams]
Leave it! No.
No.
They'll find me.
Do it!
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