All language subtitles for Wildfire s01e01 Wildfire.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:09,000 --> 00:00:11,000 [HORSE WHINNYING] 2 00:00:57,000 --> 00:01:01,000 LEFT! LEFT! LEFT! 3 00:01:03,000 --> 00:01:06,000 LEFT! THE OTHER LEFT, MISS BAKER! 4 00:01:09,000 --> 00:01:11,000 OKAY, WE'RE GONNA DO THIS AGAIN! 5 00:01:11,000 --> 00:01:13,000 EVERYBODY BACK! 6 00:01:13,000 --> 00:01:16,000 LET'S GO! LET'S GO! DOUBLE TIME! 7 00:01:16,000 --> 00:01:20,000 NO TALKING IN THE RANKS, OR WE'RE GONNA BE HERE ALL DAY, LADIES! 8 00:01:25,000 --> 00:01:28,000 FALL IN! 9 00:01:28,000 --> 00:01:30,000 IS THERE A PROBLEM, MISS FURILLO? 10 00:01:32,000 --> 00:01:34,000 NO, SIR. 11 00:01:36,000 --> 00:01:38,000 COVER! 12 00:01:45,000 --> 00:01:48,000 MARCH! LEFT! LEFT! 13 00:02:04,000 --> 00:02:06,000 PERMISSION TO PASS, MA'AM. 14 00:02:06,000 --> 00:02:09,000 PERMISSION TO PASS, MA'AM. 15 00:02:09,000 --> 00:02:11,000 PERMISS-- FURILLO. 16 00:02:11,000 --> 00:02:14,000 I UNDERSTAND YOU HAVE A COURT DATE ON FRIDAY. 17 00:02:14,000 --> 00:02:17,000 YES, MA'AM. I'LL BE WRITING A RECOMMENDATION. 18 00:02:17,000 --> 00:02:20,000 MAY I SUGGEST YOU STEER CLEAR OF MISS KOWALSKI BETWEEN NOW AND THEN? 19 00:02:20,000 --> 00:02:22,000 YES, MA'AM. PERMISSION TO PASS? 20 00:02:27,000 --> 00:02:29,000 PERMISSION TO PASS, MA'AM? 21 00:03:00,000 --> 00:03:05,000 [MAN] ♪ ON THE SUNSET ♪ 22 00:03:05,000 --> 00:03:09,000 ♪ HORSE'S SILHOUETTE ♪ 23 00:03:11,000 --> 00:03:15,000 ♪ ALL THIS COMES ♪ 24 00:03:15,000 --> 00:03:17,000 ♪ TONIGHT ♪ 25 00:03:19,000 --> 00:03:22,000 ♪♪ [CONTINUES INDISTINCTLY] 26 00:03:22,000 --> 00:03:24,000 [WOMAN] LET'S GO! 27 00:03:24,000 --> 00:03:27,000 YOU KNOW WHAT TO DO. GRAB YOUR SHOULDERS, LADIES. 28 00:03:27,000 --> 00:03:29,000 [WHINNYING] 29 00:03:38,000 --> 00:03:42,000 ♪ TAKE ME ♪ 30 00:03:42,000 --> 00:03:45,000 ♪ SOMEWHERE OUT THERE ♪ 31 00:03:45,000 --> 00:03:47,000 [WHISTLING] 32 00:03:47,000 --> 00:03:52,000 ♪ THROUGH THE FIELDS IN THE NIGHT ♪ 33 00:03:52,000 --> 00:03:55,000 HEY, WILDFIRE. 34 00:03:55,000 --> 00:03:58,000 YEAH, I HAVE 'EM. 35 00:03:58,000 --> 00:04:01,000 ♪ NO MORE REINING IN ♪♪ 36 00:04:01,000 --> 00:04:04,000 SO HOW'S YOUR TRAINING GOING THIS WEEK, HUH? 37 00:04:04,000 --> 00:04:07,000 TEACHING YOU HOW TO BE A GOOD POLICE HORSE? 38 00:04:07,000 --> 00:04:11,000 MISS THE RACETRACK, OR ARE YOU LIKING IT HERE BETTER? 39 00:04:11,000 --> 00:04:13,000 [CHUCKLING] 40 00:04:13,000 --> 00:04:15,000 YEAH, I THINK YOU'RE LIKING IT HERE BETTER. 41 00:04:15,000 --> 00:04:17,000 [WHINNYING] 42 00:04:20,000 --> 00:04:22,000 I HAVE A COURT DATE ON FRIDAY. 43 00:04:22,000 --> 00:04:25,000 I MIGHT BE GOING HOME. 44 00:04:31,000 --> 00:04:34,000 I'LL BE BACK. 45 00:04:34,000 --> 00:04:37,000 WE'RE GONNA RIDE JUST AS SOON AS I'M FINISHED 46 00:04:37,000 --> 00:04:39,000 CLEANING UP, ALL RIGHT? 47 00:04:43,000 --> 00:04:48,000 [MAN] ♪ WITH THE MORNING LIGHT GOT YOUR MIND IN SIGHT ♪ 48 00:04:48,000 --> 00:04:52,000 ♪ AND I WANNA BE THERE ALL MY LIFE ♪ 49 00:04:52,000 --> 00:04:56,000 ♪ WITH THE MORNING LIGHT GOT YOUR MIND IN SIGHT ♪ 50 00:04:56,000 --> 00:05:00,000 ♪ AND I WANNA BE THERE ♪ 51 00:05:00,000 --> 00:05:05,000 ♪ 'CAUSE YOU'RE ALL I EVER DREAMED OF ♪ 52 00:05:05,000 --> 00:05:08,000 ♪ YOUR STARS ARE LINED IN THREESOMES ♪ 53 00:05:08,000 --> 00:05:11,000 ♪ AND ALL IS RIGHT ♪♪ 54 00:05:16,000 --> 00:05:19,000 [MAN] USE YOUR HANDS AND LEGS AND EYES 55 00:05:19,000 --> 00:05:21,000 AND EVEN YOUR BUTT TO TALK TO YOUR HORSE. 56 00:05:21,000 --> 00:05:25,000 YOU WANT ME TO TALK TO HIM WITH MY BUTT? 57 00:05:25,000 --> 00:05:29,000 [MAN] WHEN YOU WANT TO MOVE, PUSH YOUR WEIGHT FORWARD IN THE SADDLE. 58 00:05:29,000 --> 00:05:32,000 A LITTLE PRESSURE WITH YOUR RIGHT LEG, HE'LL GO LEFT. CAN WE GO STRAIGHT FOR A WHILE? 59 00:05:32,000 --> 00:05:35,000 TRY IT, OKAY? 60 00:05:37,000 --> 00:05:40,000 LOOK IN THE DIRECTION YOU WANT HIM TO GO. 61 00:05:40,000 --> 00:05:42,000 THEY CAN SENSE WHERE YOU'RE LOOKING. 62 00:05:43,000 --> 00:05:46,000 SEE? 63 00:05:50,000 --> 00:05:52,000 BOY, MOM'S NOT GONNA BELIEVE IT WHEN I WRITE HER. 64 00:05:52,000 --> 00:05:55,000 ME, RIDING A HORSE! YOU SHOULD SEE KRIS. 65 00:06:06,000 --> 00:06:08,000 HEY, WILDFIRE. 66 00:06:11,000 --> 00:06:13,000 [MAN] ♪ ONE SAD AND LONELY NIGHT ♪ 67 00:06:13,000 --> 00:06:17,000 ♪ SITTING AT HOME IN A WORLD OF SILENCE ♪ 68 00:06:17,000 --> 00:06:21,000 ♪ SHE DON'T WANNA BE THERE ALL HER LIFE ♪ 69 00:06:22,000 --> 00:06:24,000 A YEAR AND A HALF AGO, WE HAD TO DRAG HER HERE. 70 00:06:24,000 --> 00:06:26,000 NOW LOOK AT HER. 71 00:06:29,000 --> 00:06:33,000 ♪ 'CAUSE YOU'RE ALL I EVER DREAMED OF ♪ 72 00:06:33,000 --> 00:06:36,000 ♪ YOUR STARS ARE LINED IN THREESOMES ♪ 73 00:06:36,000 --> 00:06:39,000 ♪ AND ALL IS RIGHT ♪ 74 00:06:39,000 --> 00:06:41,000 SOME KIND OF TEACHER, PABLO. 75 00:06:41,000 --> 00:06:43,000 YOU CAN'T TEACH THAT. 76 00:06:43,000 --> 00:06:47,000 ♪ AND I WANNA BE THERE ALL MY LIFE ♪ 77 00:06:47,000 --> 00:06:52,000 ♪ WITH THE MORNING LIGHT GOT YOUR MIND IN SIGHT ♪ 78 00:06:52,000 --> 00:06:55,000 ♪ AND I WANNA BE THERE ♪ 79 00:06:55,000 --> 00:06:58,000 ♪ SOME THINGS JUST NEVER CHANGE ♪ 80 00:06:58,000 --> 00:07:00,000 ♪ SITTING AT HOME STILL FEELING THE SAME ♪ 81 00:07:05,000 --> 00:07:10,000 ♪ WITH THE MORNING LIGHT GOT YOUR MIND IN SIGHT ♪ 82 00:07:10,000 --> 00:07:14,000 ♪ AND I WANNA BE THERE ALL MY LIFE ♪♪ 83 00:07:14,000 --> 00:07:18,000 [MAN] WITH ALL DUE RESPECT TO HENRY, THE DAY OF THE FAMILY FARM IS OVER. 84 00:07:18,000 --> 00:07:22,000 RAINTREE NEEDS ME, JEAN. YOU NEED NEW TECHNOLOGY, 85 00:07:22,000 --> 00:07:25,000 YOU NEED NEW BLOODLINES-- [WOMAN SIGHS] 86 00:07:25,000 --> 00:07:30,000 AND YOU NEED A FRESH START AFTER PETE. 87 00:07:30,000 --> 00:07:33,000 HAVE YOU HEARD FROM HIM LATELY? HE SENT A NOTE TO THE BOYS 88 00:07:33,000 --> 00:07:37,000 ON THE BACK OF A NAPKIN FROM AN ATLANTIC CITY SPORTS BAR. 89 00:07:37,000 --> 00:07:39,000 [MAN] LET ME BE THE WHITE KNIGHT HERE. 90 00:07:39,000 --> 00:07:44,000 TOGETHER WE COULD MAKE RAINTREE THE TOP STABLE IN THE STATE. 91 00:07:44,000 --> 00:07:47,000 SHH! [JEAN] RAINTREE'S BEEN IN THE FAMILY A LONG TIME, KEN. 92 00:07:47,000 --> 00:07:49,000 THEN KEEP IT IN THE FAMILY. 93 00:07:49,000 --> 00:07:52,000 THROW OUT THE DUE DILIGENCE, HANG ALL THE LAWYERS AND MARRY ME. 94 00:07:55,000 --> 00:07:57,000 I'M TAKING THE BUG TO THE DUNES. 95 00:07:57,000 --> 00:07:59,000 I'M GOING WITH MATT. NO, YOU'RE NOT. 96 00:07:59,000 --> 00:08:01,000 ARE THE STALLS BEDDED DOWN? LATER. 97 00:08:01,000 --> 00:08:03,000 OH, DUNES LATER. BUT I JUST-- 98 00:08:03,000 --> 00:08:06,000 THANK YOU. 99 00:08:06,000 --> 00:08:10,000 YOU KNOW, JUNIOR WILL BE OVER LATER. YOU CAN PROBABLY TALK HIM INTO HELPING YOU. 100 00:08:11,000 --> 00:08:14,000 TODD. MINTS. 101 00:08:17,000 --> 00:08:20,000 I DON'T WANT YOU GOING WITH YOUR BROTHER ON THAT THING. I'LL BE FINE, MOM. 102 00:08:22,000 --> 00:08:26,000 HE'S NOT GONNA LET YOU MAKE A MAMA'S BOY OUT OF HIM. NOT THAT ONE. 103 00:08:26,000 --> 00:08:28,000 WHY DO YOU THINK HE GETS INTO ALL THOSE FIGHTS AT SCHOOL? 104 00:08:28,000 --> 00:08:31,000 BECAUSE HE'S TOO MUCH LIKE HIS GRANDFATHER. 105 00:08:31,000 --> 00:08:34,000 BECAUSE HE'S TRYING TO TELL YOU THAT HE'S NOT SCARED. 106 00:08:34,000 --> 00:08:36,000 HENRY'S GOT A POINT. I DON'T NEED YOUR HELP. 107 00:08:42,000 --> 00:08:44,000 SO, WHAT'S FOR LUNCH? 108 00:08:49,000 --> 00:08:52,000 YOUR MOM BUSY? SHE'S WITH MR. DAVIS. HE WANTS HER TO MARRY HIM. 109 00:08:52,000 --> 00:08:57,000 WOULD YOU-- [ARGUING] I'LL COME BACK LATER, OKAY? 110 00:08:57,000 --> 00:09:01,000 HEY, PABLO. YOU LOOKING FOR ME? 111 00:09:01,000 --> 00:09:04,000 NOTHING THAT CAN'T WAIT. NO, IT'S OKAY. 112 00:09:06,000 --> 00:09:09,000 THERE'S, UH, SOMEONE I'D LIKE TO HIRE TO REPLACE MIGUEL. 113 00:09:10,000 --> 00:09:13,000 WE'VE BEEN SHORTHANDED SINCE HE LEFT. 114 00:09:13,000 --> 00:09:17,000 YOU DON'T NEED MY PERMISSION TO HIRE A NEW HAND. 115 00:09:17,000 --> 00:09:21,000 SHE'S ONE OF THE GIRLS FROM CAMP LAGRANGE I WORK WITH. THE PRISON CAMP? 116 00:09:21,000 --> 00:09:23,000 YOU REALLY WANT TO TAKE A CHANCE ON SOMEONE FROM A PLACE LIKE THAT? 117 00:09:23,000 --> 00:09:26,000 I WAS IN A PLACE LIKE THAT WHEN I WAS 17. 118 00:09:26,000 --> 00:09:29,000 SOMEONE TOOK A CHANCE ON ME. 119 00:09:31,000 --> 00:09:32,000 WOULD YOU-- THANKS. SURE. 120 00:09:32,000 --> 00:09:35,000 [DAVIS] SEE YOU LATER. [JEAN] OKAY. 121 00:09:37,000 --> 00:09:39,000 SHE HAS A COURT HEARING THIS WEEK. 122 00:09:39,000 --> 00:09:42,000 IT WOULD HELP HER RELEASE CHANCES IF SHE HAD A JOB. 123 00:09:42,000 --> 00:09:44,000 AND SHE'S REALLY GOOD WITH HORSES. 124 00:09:44,000 --> 00:09:46,000 I CAN MAKE HER A GOOD EXERCISE RIDER. 125 00:09:46,000 --> 00:09:48,000 WHAT DID SHE DO BEFORE SHE-- 126 00:09:48,000 --> 00:09:51,000 SHE STOLE A CAR IN OAKLAND WITH SOME KIDS AND RESISTED ARREST. 127 00:09:51,000 --> 00:09:56,000 [SIGHS] PABLO, WITH EVERYTHING ELSE WE'VE GOT GOING ON-- 128 00:09:56,000 --> 00:09:58,000 IT WAS 16 MONTHS AGO. 129 00:09:58,000 --> 00:10:01,000 SHE'S GROWN UP A LOT. TURNED 18, FINISHED HIGH SCHOOL. 130 00:10:01,000 --> 00:10:04,000 THAT'S A BIG RESPONSIBILITY YOU'RE ASKING ME-- 131 00:10:04,000 --> 00:10:06,000 SHE'LL BE MY RESPONSIBILITY. 132 00:10:10,000 --> 00:10:12,000 SHE WAS GIVING SOME OF THE NEW GIRLS A HARD TIME. 133 00:10:12,000 --> 00:10:15,000 NOT A VERY SMART IDEA, GETTING INTO A FIGHT A WEEK BEFORE A RELEASE HEARING. 134 00:10:15,000 --> 00:10:19,000 MISS FURILLO DOESN'T HAVE A REGULAR PROBLEM WITH FIGHTING, YOUR HONOR. 135 00:10:19,000 --> 00:10:22,000 ARE THE PARENTS PRESENT IN THE COURTROOM? 136 00:10:22,000 --> 00:10:24,000 ARE YOU IN CONTACT WITH YOUR PARENTS? 137 00:10:24,000 --> 00:10:28,000 MY MOM WRITES ONCE A MONTH 'CAUSE THE JUDGE SAID SHE HAD TO, AND... 138 00:10:30,000 --> 00:10:33,000 I NEVER KNEW MY DAD 'CAUSE HE MOVED OUT BEFORE I WAS BORN. 139 00:10:33,000 --> 00:10:37,000 YOUR MOTHER'S RECORD OF DRUG-RELATED ARRESTS IS OF CONCERN TO THE COURT. 140 00:10:37,000 --> 00:10:40,000 HAVE YOU DISCUSSED YOUR PLANS WITH HER? NO, MA'AM. 141 00:10:40,000 --> 00:10:44,000 DO YOU HAVE PLANS? I-- I JUST WANT TO GO HOME AND START OVER. 142 00:10:46,000 --> 00:10:48,000 I HAVE A LETTER HERE FROM A VOLUNTEER TRAINER, 143 00:10:48,000 --> 00:10:52,000 A MR. PABLO BETART, WHICH SAYS THAT 144 00:10:52,000 --> 00:10:54,000 YOU'VE ACQUIRED SKILLS WITH HORSES WHILE AT CAMP. 145 00:10:54,000 --> 00:10:56,000 YES, MA'AM. I LIKE HORSES. 146 00:10:56,000 --> 00:11:00,000 MR. BETART SAYS THAT HE IS PREPARED TO OFFER YOU A JOB 147 00:11:00,000 --> 00:11:04,000 PLUS ROOM AND BOARD AT THE RAINTREE THOROUGHBRED FARM. 148 00:11:04,000 --> 00:11:07,000 THE COURT WOULD LOOK FAVORABLY UPON THIS IDEA, MISS FURILLO, 149 00:11:07,000 --> 00:11:09,000 IF IT SOUNDS LIKE A GOOD ONE TO YOU. 150 00:11:16,000 --> 00:11:18,000 NOTHING PERSONAL, FURILLO, BUT I DON'T WANT TO SEE YOU BACK HERE 151 00:11:18,000 --> 00:11:20,000 UNLESS IT'S ON VISITING DAY. 152 00:11:20,000 --> 00:11:22,000 I DON'T THINK I'LL BE BACK ANYTIME SOON. 153 00:11:25,000 --> 00:11:27,000 PERMISSION TO PASS, MA'AM? PERMISSION GRANTED. 154 00:11:30,000 --> 00:11:32,000 OH, YOU FORGOT SOMETHING. 155 00:11:37,000 --> 00:11:40,000 I KNOW EVERYTHING THAT GOES ON IN MY BARRACKS. 156 00:11:40,000 --> 00:11:42,000 HAVE A GOOD LIFE, FURILLO. 157 00:11:55,000 --> 00:11:58,000 GOOD-BYE PRESENT? 158 00:11:58,000 --> 00:12:00,000 CAN WE MAKE A STOP ON THE WAY? 159 00:12:00,000 --> 00:12:01,000 SURE. 160 00:12:04,000 --> 00:12:07,000 [WHINNYING] 161 00:12:07,000 --> 00:12:10,000 WHOA, BOY. DOWN, WILDFIRE. 162 00:12:13,000 --> 00:12:15,000 [WHINNYING] 163 00:12:30,000 --> 00:12:33,000 [WHINNYING] 164 00:12:43,000 --> 00:12:45,000 WHAT IS HE DOING? HE'S HURTING WILDFIRE. 165 00:12:45,000 --> 00:12:49,000 [PABLO] HE'S NOT HURTING WILDFIRE. HE'S TRAINING HER...BADLY. 166 00:12:54,000 --> 00:12:56,000 DAMN HORSE HAS NO CONFIDENCE. 167 00:12:56,000 --> 00:12:58,000 CONFIDENCE. 168 00:13:00,000 --> 00:13:02,000 [CLICKS TONGUE] 169 00:13:02,000 --> 00:13:05,000 HEY! YOU-- 170 00:13:17,000 --> 00:13:19,000 [CLICKS TONGUE] 171 00:13:22,000 --> 00:13:24,000 I'LL BE DAMNED. 172 00:13:29,000 --> 00:13:31,000 [CHUCKLES] 173 00:13:34,000 --> 00:13:37,000 NOW, LISTEN TO ME. 174 00:13:37,000 --> 00:13:39,000 I DON'T CARE HOW MANY TIMES YOU FINISHED LAST 175 00:13:39,000 --> 00:13:42,000 IN SOME RACE BEFORE THEY SENT YOU HERE. 176 00:13:42,000 --> 00:13:44,000 YOU CAN DO THIS. 177 00:13:44,000 --> 00:13:47,000 THIS IS A WHOLE NEW START FOR YOU, 178 00:13:47,000 --> 00:13:49,000 AND YOU'VE GOTTA MAKE IT WORK. 179 00:13:51,000 --> 00:13:53,000 OKAY. 180 00:13:53,000 --> 00:13:56,000 ALL RIGHT. YOU CAN HAVE CARROTS NOW. 181 00:14:01,000 --> 00:14:03,000 I'M NOT GONNA BE AROUND AS MUCH, 182 00:14:05,000 --> 00:14:07,000 BUT I'M GONNA BE THINKING OF YOU. 183 00:14:07,000 --> 00:14:11,000 AND I'LL BE BACK AS SOON AS I GET A DAY OFF OF WORK. 184 00:14:11,000 --> 00:14:13,000 THAT'S A PROMISE. 185 00:14:16,000 --> 00:14:18,000 HEY. 186 00:14:21,000 --> 00:14:24,000 I'M GONNA MISS YOU. 187 00:14:29,000 --> 00:14:31,000 COME ON. 188 00:14:40,000 --> 00:14:42,000 HE LIKES CARROTS. 189 00:14:57,000 --> 00:15:00,000 WHY ARE YOU DOING THIS? I NEED HELP. 190 00:15:00,000 --> 00:15:03,000 WHAT DID YOU DO, MAKE A DEAL WITH THE JUDGE SO YOU GET CHEAP LABOR? 191 00:15:09,000 --> 00:15:12,000 THE FAMILY WHO OWNS THIS FARM, THEY KNOW ABOUT ME? MISS RITTER DOES. 192 00:15:12,000 --> 00:15:14,000 SHE AFRAID I MIGHT KILL THEM IN THEIR SLEEP? 193 00:15:14,000 --> 00:15:19,000 IF YOU DON'T KILL THEM IN THEIR SLEEP, WE WON'T HAVE A PROBLEM. 194 00:15:19,000 --> 00:15:23,000 WELL, I ONLY PROMISED TO STAY FOR THREE MONTHS, SO AFTER THAT-- 195 00:15:29,000 --> 00:15:32,000 DO YOU WANT THIS JOB? 196 00:15:32,000 --> 00:15:36,000 BECAUSE IF YOU DON'T, I CAN TAKE YOU BACK TO OAKLAND RIGHT NOW. 197 00:15:36,000 --> 00:15:38,000 DROP YOU OFF ON ANY STREET CORNER. 198 00:15:38,000 --> 00:15:41,000 ALL YOU HAVE TO DO IS SAY SO. 199 00:15:41,000 --> 00:15:44,000 I DON'T WANT TO GO BACK TO OAKLAND. THAT'S NOT ENOUGH. 200 00:15:49,000 --> 00:15:51,000 I WANT THE JOB. 201 00:16:02,000 --> 00:16:04,000 [MAN] ♪ STRAIGHT, ALIGNED ♪ 202 00:16:04,000 --> 00:16:08,000 ♪ YOU'RE MAKING THE BEST BET EVER ♪ 203 00:16:09,000 --> 00:16:12,000 ♪ GRACE IN MIND ♪ 204 00:16:12,000 --> 00:16:14,000 ♪ YOU'RE COMING ALIVE ♪ 205 00:16:16,000 --> 00:16:20,000 ♪♪ [MAN CONTINUES SINGING INDISTINCTLY] 206 00:16:31,000 --> 00:16:33,000 ♪♪ [HARMONIZING] 207 00:16:56,000 --> 00:16:58,000 YOU NEVER TOLD ME PABLO HAD A DAUGHTER. 208 00:16:58,000 --> 00:17:02,000 HE DOESN'T. THEN WHO...IS SHE? 209 00:17:05,000 --> 00:17:07,000 IT PASSES-- THAT FEELING. 210 00:17:07,000 --> 00:17:09,000 YOU LEFT THE FATIGUES BACK AT THE CAMP. 211 00:17:12,000 --> 00:17:15,000 BELIEVE IT OR NOT, YOU LOOK THE SAME AS EVERYONE ELSE. 212 00:17:17,000 --> 00:17:20,000 NEW HAND, MAYBE? WE'VE NEEDED ONE. 213 00:17:20,000 --> 00:17:22,000 HOT WORKIN' GIRL LIVIN' IN THE TRAILERS? 214 00:17:22,000 --> 00:17:25,000 MAN! WHAT ARE THE RULES ABOUT THIS? 215 00:17:28,000 --> 00:17:30,000 IT'S NEVER COME UP BEFORE. 216 00:17:30,000 --> 00:17:34,000 IT'S NEVER COME UP BEFORE 'CAUSE ALL THE HIRED HELP ARE USUALLY CHUBBY DUDES WITH BAD SKIN. 217 00:17:57,000 --> 00:18:00,000 THERE'S A PAY PHONE BY THE STABLES IF YOU NEED ONE. 218 00:18:01,000 --> 00:18:03,000 FIRST WEEK'S ADVANCE. 219 00:18:03,000 --> 00:18:06,000 HOW MUCH DO I MAKE? 250 A WEEK. 220 00:18:06,000 --> 00:18:09,000 THAT'S LESS THAN I MADE SELLING BURGERS. THAT'S WHAT IT IS. 221 00:18:09,000 --> 00:18:11,000 THAT OKAY WITH YOU? 222 00:18:13,000 --> 00:18:15,000 YEP. 223 00:18:15,000 --> 00:18:17,000 WHEN YOU GET BACK, I'LL TAKE YOU TO MEET EVERYONE. 224 00:18:28,000 --> 00:18:32,000 WHY ARE WE SHOWING CRUDE'S WORKOUT TO THE ENEMY? 225 00:18:32,000 --> 00:18:36,000 JUNIOR DAVIS WOULDN'T KNOW A GOOD WORKOUT FROM A BAD ONE. 226 00:18:41,000 --> 00:18:43,000 NOT SO GOOD. 227 00:18:43,000 --> 00:18:46,000 WELL, STRANGER THINGS HAVE HAPPENED. HE COULD WIN THE STAKES ON SUNDAY. 228 00:18:46,000 --> 00:18:49,000 SURE, IF THE DAVIS TRAILER BREAKS DOWN, 229 00:18:49,000 --> 00:18:51,000 AND AVATAR NEVER GETS TO THE TRACK. 230 00:18:51,000 --> 00:18:54,000 WELL, SAY YOUR PRAYERS TONIGHT. WON'T HELP. 231 00:18:54,000 --> 00:18:57,000 AVATAR BROKE THE TRACK RECORD DURING HIS WORKOUTS LAST WEEK. 232 00:18:57,000 --> 00:19:00,000 HOW'D YOU FIND THAT OUT? YOU GOT SPIES OVER THERE? 233 00:19:00,000 --> 00:19:03,000 TRADED A BARRY BONDS ROOKIE FOR A LITTLE INTELLIGENCE. 234 00:19:03,000 --> 00:19:07,000 WELL, IS THERE MORE? HE'S GONNA BE CARRYING HIGH WEIGHT-- 122 POUNDS. 235 00:19:10,000 --> 00:19:13,000 HOW WOULD YOU LIKE TO DROP OUT OF JUNIOR HIGH TO RUN THIS FARM? 236 00:19:13,000 --> 00:19:15,000 HMM? 237 00:19:15,000 --> 00:19:17,000 YOU NERVOUS? 238 00:19:17,000 --> 00:19:20,000 NO. 239 00:19:20,000 --> 00:19:23,000 A LITTLE BIT. IT'S JUST A NORMAL FARM. 240 00:19:23,000 --> 00:19:25,000 THEY'RE JUST A NORMAL FAMILY. 241 00:19:25,000 --> 00:19:27,000 YEAH. THAT'S WHAT I'M AFRAID OF. 242 00:19:27,000 --> 00:19:31,000 I'VE NEVER MET ONE OF THOSE. 243 00:19:31,000 --> 00:19:35,000 HENRY, TODD, THIS IS KRIS FURILLO. COMING TO WORK FOR US. 244 00:19:35,000 --> 00:19:40,000 DO YOU KNOW HORSES, KRIS? I'M LEARNING. PABLO'S BEEN TEACHING ME. 245 00:19:40,000 --> 00:19:44,000 YOU THINK YOU COULD TEACH THIS HORSE TO RUN BETWEEN NOW AND SUNDAY? 246 00:19:44,000 --> 00:19:46,000 HE'S JOKING. I AM NOT. 247 00:19:46,000 --> 00:19:49,000 I'M MATT. KRIS. 248 00:19:51,000 --> 00:19:53,000 LET HER HAVE THE REINS, MATT. 249 00:19:55,000 --> 00:19:59,000 TAKE HIM REAL SLOW. NO REAL SPEED. 250 00:20:07,000 --> 00:20:11,000 WHAT'S HIS NAME? OKLAHOMA CRUDE. 251 00:20:11,000 --> 00:20:13,000 [CHUCKLES] OKLAHOMA CRUDE, 252 00:20:13,000 --> 00:20:16,000 YOU'RE GONNA DO JUST FINE. 253 00:20:16,000 --> 00:20:19,000 [MATT] EASY, EASY. 254 00:20:20,000 --> 00:20:22,000 [KRIS] OH, GOD! 255 00:20:22,000 --> 00:20:24,000 SHE FALLS WELL. 256 00:20:27,000 --> 00:20:29,000 NO PROBLEM. TWICE A DAY I FALL ON MY BUTT. 257 00:20:29,000 --> 00:20:32,000 EASY. EASY, NOW. 258 00:20:32,000 --> 00:20:34,000 [KRIS] ONE-- [MATT] TWO, THREE. 259 00:20:41,000 --> 00:20:44,000 SMOOTH, KRIS. 260 00:20:54,000 --> 00:20:57,000 STEALING OFF INTO THE BARN FOR A SECRET RENDEZVOUS? 261 00:20:57,000 --> 00:20:59,000 SHE'S SWEATY FROM PITCHING HAY. 262 00:20:59,000 --> 00:21:01,000 THE MUSKY SMELL OF HORSE MANURE IN HER HAIR. 263 00:21:01,000 --> 00:21:03,000 YOU'RE A BAD MAN. 264 00:21:03,000 --> 00:21:06,000 YOU DON'T UNDERSTAND THE POTENTIAL OF THE SITUATION. 265 00:21:06,000 --> 00:21:07,000 [HORN HONKING] 266 00:21:09,000 --> 00:21:12,000 THIS SHOULD BE INTERESTING. WHAT? 267 00:21:12,000 --> 00:21:17,000 MY SISTER FINDS OUT A GIRL WHO LOOKS LIKE THAT IS LITERALLY MOVING IN WITH YOU? 268 00:21:17,000 --> 00:21:19,000 I CAN'T WAIT TO SEE THE LOOK ON DANIELLE'S FACE. 269 00:21:19,000 --> 00:21:23,000 DANI AND I ARE FRIENDS NOW, MAN. UH-HUH. 270 00:21:23,000 --> 00:21:27,000 I MEAN, SHE'S HANGING OUT WITH THAT-THAT MIKE GUY, ISN'T SHE? 271 00:21:27,000 --> 00:21:29,000 AND, LOOK, YOU SHOULD BE ECSTATIC THAT YOUR BEST FRIEND'S NOT DOING YOUR SISTER. 272 00:21:29,000 --> 00:21:32,000 WE'RE GOING TO THE LAKE. YOU WANT TO COME? 273 00:21:32,000 --> 00:21:36,000 MATT'S WAY TOO BUSY. HE'S GOT TO BREAK IN HIS NEW RANCH HAND. 274 00:21:37,000 --> 00:21:40,000 THERE IS JUST 275 00:21:40,000 --> 00:21:43,000 SOMETHING ABOUT A GIRL ON HORSEBACK. 276 00:21:47,000 --> 00:21:50,000 MATT, YOU ARE ONE LUCKY FELLA. 277 00:21:54,000 --> 00:21:56,000 FOR POSTERITY. 278 00:22:03,000 --> 00:22:07,000 OKAY, OKLAHOMA, LET'S SHOW 'EM WHAT WE CAN DO. 279 00:22:07,000 --> 00:22:09,000 [CLICKS TONGUE] 280 00:22:10,000 --> 00:22:12,000 [MAN] ♪ YOU CAN MAKE IT ♪ 281 00:22:15,000 --> 00:22:17,000 ♪ MAKE IT ON YOUR OWN ♪ 282 00:22:18,000 --> 00:22:21,000 ♪ YES, YOU CAN MAKE IT ♪ 283 00:22:22,000 --> 00:22:25,000 ♪ YOU CAN MAKE IT ON YOUR OWN ♪ 284 00:22:28,000 --> 00:22:31,000 ♪ AND YOU CAN SEE JUST WHAT I WANT ♪ 285 00:22:31,000 --> 00:22:34,000 HEY, MATT! 286 00:22:34,000 --> 00:22:37,000 SHE JUST BLEW NEARLY TWO SECONDS OFF YOUR TIME. 287 00:22:39,000 --> 00:22:43,000 SHE RIDES ALMOST AS GOOD AS YOU, DANI. DON'T YOU THINK SO, MATT? 288 00:22:45,000 --> 00:22:47,000 HOW DO YOU LIVE WITH THIS GUY? 289 00:22:47,000 --> 00:22:51,000 IT'S SOMETHING MY PARENTS ARRANGED WITHOUT ASKING ME. 290 00:22:51,000 --> 00:22:55,000 IF YOU'LL EXCUSE ME, I THINK I'LL BE POLITE AND INTRODUCE MYSELF. 291 00:22:58,000 --> 00:23:02,000 LOOK, MAYBE I'LL COME DOWN TO THE LAKE AFTER I'M FINISHED WITH MY CHORES, OKAY? 292 00:23:02,000 --> 00:23:05,000 SEE YOU GUYS LATER? 293 00:23:07,000 --> 00:23:10,000 CHORES TAKE ON A WHOLE NEW MEANING. YOU'RE IN BIG TROUBLE. 294 00:23:10,000 --> 00:23:13,000 WHAT ARE YOU TALKING ABOUT? MATT AND I ARE OVER. 295 00:23:13,000 --> 00:23:16,000 YOU SURE? THIS IS NOT THE LOOK OF OVER. 296 00:23:16,000 --> 00:23:19,000 HOW DID YOU-- YOUR BROTHER JUST E-MAILED THIS TO EVERYONE WE KNOW. 297 00:23:19,000 --> 00:23:22,000 I'M GONNA KILL HIM. 298 00:23:25,000 --> 00:23:28,000 I TOLD YOU TO TAKE HIM OUT EASY. 299 00:23:28,000 --> 00:23:31,000 I WAS JUST-- TRAINER TELLS YOU WHAT TO DO, YOU DO IT. 300 00:23:31,000 --> 00:23:35,000 YOU'LL RIDE AGAIN WHEN I DECIDE YOU'RE READY. 301 00:23:35,000 --> 00:23:37,000 I'M SORRY. 302 00:23:50,000 --> 00:23:52,000 NICE RIDE. THANKS. 303 00:23:52,000 --> 00:23:55,000 THAT'S HIGH PRAISE COMING FROM HIM. 304 00:23:55,000 --> 00:23:58,000 HE'S THE TOUGHEST JUDGE ON THE FARM. 305 00:23:58,000 --> 00:24:01,000 I'M JEAN RITTER. DO YOU PREFER KRISTINE OR KRIS? 306 00:24:01,000 --> 00:24:05,000 MY MOTHER CALLS ME KRISTINE. I PREFER KRIS, MA'AM. 307 00:24:05,000 --> 00:24:08,000 KRIS IT IS. WELCOME TO RAINTREE. 308 00:24:08,000 --> 00:24:10,000 KENNY DAVIS. 309 00:24:10,000 --> 00:24:14,000 WE'LL BE SEEING A LOT OF EACH OTHER. I LIVE RIGHT DOWN THE ROAD... 310 00:24:14,000 --> 00:24:16,000 ON THE BIG FARM. 311 00:24:16,000 --> 00:24:20,000 EXCUSE ME, BOYS. KRIS, YOU WANT TO TAKE A WALK WITH ME? 312 00:24:20,000 --> 00:24:22,000 SURE. 313 00:24:25,000 --> 00:24:26,000 HUH. 314 00:24:28,000 --> 00:24:30,000 WHAT? 315 00:24:30,000 --> 00:24:32,000 OH, I WAS JUST THINKING, 316 00:24:32,000 --> 00:24:36,000 THINGS JUST GOT A LOT MORE INTERESTING AROUND HERE. 317 00:24:36,000 --> 00:24:39,000 [JEAN] THAT WAS QUITE A RIDE. 318 00:24:39,000 --> 00:24:43,000 PABLO TAUGHT ME EVERYTHING I KNOW ABOUT RIDING. 319 00:24:43,000 --> 00:24:45,000 PABLO'S AN EXTRAORDINARY MAN. 320 00:24:45,000 --> 00:24:49,000 HE HELPED US GET THROUGH SOME REALLY TOUGH TIMES. 321 00:24:49,000 --> 00:24:52,000 ME TOO. I MEAN, 322 00:24:52,000 --> 00:24:55,000 HE HELPED ME THROUGH SOME ROUGH TIMES TOO. 323 00:24:57,000 --> 00:24:59,000 KRIS, 324 00:25:00,000 --> 00:25:04,000 YOU'RE HERE BECAUSE PABLO BELIEVES IN YOU AND TRUSTS YOU. 325 00:25:04,000 --> 00:25:06,000 NOW, I WANT TO TRUST YOU TOO, BUT... 326 00:25:06,000 --> 00:25:11,000 SOMEONE IN MY POSITION OBVIOUSLY IS GONNA HAVE SOME CONCERNS ABOUT 327 00:25:11,000 --> 00:25:14,000 WHAT YOU'VE BEEN THROUGH. 328 00:25:16,000 --> 00:25:18,000 IF YOU EVER WANT TO TALK-- 329 00:25:20,000 --> 00:25:23,000 I MADE SOME MISTAKES. I PAID FOR THEM. 330 00:25:23,000 --> 00:25:26,000 I HOPE I DON'T HAVE TO KEEP PAYING FOR THEM MY ENTIRE LIFE. 331 00:25:28,000 --> 00:25:31,000 I WILL WORK REALLY HARD. 332 00:25:31,000 --> 00:25:34,000 HEY, KRIS! WE HAVE A NEW COLT. WANT TO SEE HIM? 333 00:25:34,000 --> 00:25:38,000 UH, SURE, TODD. THAT'S A GOOD IDEA. WHY DON'T YOU SHOW HER AROUND? 334 00:25:38,000 --> 00:25:41,000 I'M GLAD WE HAD A CHANCE TO TALK. 335 00:25:48,000 --> 00:25:50,000 WHAT DO YOU THINK? 336 00:25:50,000 --> 00:25:53,000 WELL, SHE'S NOT WHAT I EXPECTED. 337 00:25:53,000 --> 00:25:57,000 [SCOFFS] SHE'S JUST A GIRL. YOU'D NEVER GUESS. 338 00:25:59,000 --> 00:26:01,000 THE CAMP WAS GOOD FOR HER. 339 00:26:01,000 --> 00:26:04,000 SHE LEARNED DISCIPLINE THERE. 340 00:26:04,000 --> 00:26:06,000 HOW LONG DOES IT LAST? 341 00:26:06,000 --> 00:26:09,000 HOW MANY OF THEM WIND UP GOING BACK? 342 00:26:16,000 --> 00:26:19,000 YOU GOT THE HOME-FIELD ADVANTAGE, BUT I HAVE THE PORSCHE. 343 00:26:19,000 --> 00:26:22,000 [CHUCKLES] DUDE, CHILL. SHE SEEMS LIKE A NICE GIRL. 344 00:26:22,000 --> 00:26:26,000 OH, I SEE HOW IT IS. YOU'RE GONNA PLAY THE MR. NICE GUY CARD. 345 00:26:26,000 --> 00:26:30,000 WELL, IT'S BEEN WORKING FOR YOU A LONG TIME. WE'LL SEE. 346 00:26:30,000 --> 00:26:32,000 [STEREO PLAYING] 347 00:26:32,000 --> 00:26:36,000 OH. GOOD TIDINGS FROM THE WARRIORS GAME LAST NIGHT. 348 00:26:36,000 --> 00:26:40,000 I HEARD. 349 00:26:42,000 --> 00:26:43,000 LATER. 350 00:26:55,000 --> 00:26:57,000 [HONKS HORN] 351 00:27:05,000 --> 00:27:08,000 HE'S BEAUTIFUL. THEY'RE BORN WITH FULL-SIZE LEGS. 352 00:27:08,000 --> 00:27:11,000 THEY JUST DON'T KNOW WHAT TO DO WITH THEM YET. 353 00:27:11,000 --> 00:27:13,000 WE'VE GOT 20 OR 30 FOALS BORN EVERY YEAR. 354 00:27:13,000 --> 00:27:15,000 GOT ANOTHER ONE DUE IN A COUPLE OF DAYS. 355 00:27:15,000 --> 00:27:18,000 HOW DOES A PLACE LIKE THIS WORK? I MEAN, HOW DO YOU, YOU KNOW-- 356 00:27:18,000 --> 00:27:21,000 MAKE MONEY? WE DON'T ALWAYS. 357 00:27:21,000 --> 00:27:24,000 WE BREED HORSES. WE TRAIN 'EM, WE RACE 'EM. 358 00:27:24,000 --> 00:27:26,000 SOME WE KEEP AND SOME WE SELL. 359 00:27:26,000 --> 00:27:29,000 WE ALSO TRAIN AND STABLE HORSES FOR OTHER OWNERS. 360 00:27:29,000 --> 00:27:32,000 [MATT] IF HORSES DO WELL AT THE TRACK, PEOPLE ARE WILLING TO PAY A LOT OF MONEY FOR THEIR SIRES. 361 00:27:32,000 --> 00:27:35,000 A ONE-YEAR-OLD ONCE SOLD HERE FOR A MILLION DOLLARS. 362 00:27:35,000 --> 00:27:38,000 IT WASN'T A MILLION DOLLARS. IT WAS TOO. HENRY SAID IT. 363 00:27:38,000 --> 00:27:40,000 HENRY EXAGGERATES. ARE YOU GUYS GONNA SELL THIS ONE? 364 00:27:40,000 --> 00:27:42,000 [TODD] HIS BLOODLINES AREN'T STRONG ENOUGH. 365 00:27:42,000 --> 00:27:45,000 WE'VE HAD TO SELL A LOT OF OUR BEST HORSES IN THE PAST YEAR OR TWO, 366 00:27:45,000 --> 00:27:47,000 BUT THIS ONE WILL HAVE TO PROVE HIMSELF AT THE TRACK. 367 00:27:47,000 --> 00:27:49,000 OH, WELL, HE SEEMS LIKE A WINNER TO ME. 368 00:27:49,000 --> 00:27:51,000 [MATT] THEY ALL DO AT THIS AGE. 369 00:27:51,000 --> 00:27:54,000 I THOUGHT I KNEW ALL THE HORSE PEOPLE AROUND HERE. HOW COME I'VE NEVER SEEN YOU? 370 00:27:54,000 --> 00:27:57,000 OH, WELL, I'M NOT FROM AROUND HERE. I'M FROM OAKLAND. 371 00:27:57,000 --> 00:28:00,000 ABOUT AS FAR AWAY AS YOU CAN GET FROM HORSE PEOPLE. 372 00:28:00,000 --> 00:28:03,000 WHERE DID YOU LEARN HOW TO RIDE? [WHINNYING] 373 00:28:03,000 --> 00:28:06,000 REALLY? AT CAMP. 374 00:28:06,000 --> 00:28:08,000 I WAS NEVER ALLOWED TO GO TO CAMP. 375 00:28:08,000 --> 00:28:11,000 GOT A FEVER WHEN I WAS LITTLE. DID SOMETHING TO MY HEART. 376 00:28:11,000 --> 00:28:14,000 OH, WELL, I MEAN, BESIDES RIDING, 377 00:28:14,000 --> 00:28:17,000 CAMP PRETTY MUCH SUCKS-- MINE, ANYWAY. 378 00:28:17,000 --> 00:28:20,000 WELL, I-- I BETTER GO FIND PABLO. 379 00:28:20,000 --> 00:28:22,000 I'M SURE HE HAS SOMETHING FOR ME TO DO. 380 00:28:22,000 --> 00:28:24,000 IT WAS NICE TO MEET YOU. 381 00:28:26,000 --> 00:28:28,000 SHE RODE YOU INTO THE GROUND, DUDE. 382 00:28:28,000 --> 00:28:32,000 A SKIRT RODE YOU INTO THE GROUND. [WHINNYING] 383 00:28:32,000 --> 00:28:35,000 SHUT UP. GIVE ME A BUCK OR BY MORNING, EVERYONE AT SCHOOL KNOWS. 384 00:28:35,000 --> 00:28:37,000 I WASN'T EVEN TRYING. A BUCK. 385 00:28:37,000 --> 00:28:40,000 I'M NOT GIVING YOU A BUCK. THAT'S TWO. 386 00:28:40,000 --> 00:28:44,000 YOU KNOW YOU'RE GONNA PAY. YOU BETTER HURRY BEFORE IT BECOMES FIVE. 387 00:28:52,000 --> 00:28:56,000 ♪ STUCK IN A RUT IN A VERY TIGHT PLACE ♪ 388 00:28:56,000 --> 00:28:59,000 ♪ JUDGE AND JURY OF YOUR OWN DAMN FATE ♪ 389 00:28:59,000 --> 00:29:03,000 ♪ FROM THE CRADLE TO THE GRAVE ♪ 390 00:29:03,000 --> 00:29:07,000 ♪ YOU'RE LOOKIN' FOR SOMETHING ♪ 391 00:29:08,000 --> 00:29:12,000 ♪ SNAKES AND A SNAIL AND A PUPPY-DOG TAIL ♪ 392 00:29:12,000 --> 00:29:16,000 ♪ NIP AND TUCK BUT TO NO AVAIL ♪ 393 00:29:16,000 --> 00:29:19,000 ♪ YOU LOOK LIKE HELL ♪ 394 00:29:19,000 --> 00:29:22,000 ♪ YOU'RE LOOKIN' FOR SOMETHING ♪ 395 00:29:24,000 --> 00:29:29,000 ♪ OH-OH, OH-OH IT'S PLAIN TO SEE ♪ 396 00:29:32,000 --> 00:29:35,000 ♪ OH-OH, OH-OH ♪ 397 00:29:36,000 --> 00:29:40,000 ♪ IT'S YOU AND ME AND THE DEVIL MAKES THREE ♪ 398 00:29:40,000 --> 00:29:44,000 ♪ DON'T GET STUCK SOMEWHERE IN THE MIDDLE ♪ 399 00:29:44,000 --> 00:29:48,000 ♪ YOU PAID ALL YOUR DUES AND YOU'RE NOT A SECOND FIDDLE ♪ 400 00:29:48,000 --> 00:29:50,000 ♪ DON'T SAY LOVE ♪ 401 00:29:50,000 --> 00:29:52,000 ♪ IT'S SOMETHING LIKE A RIDDLE ♪ 402 00:29:52,000 --> 00:29:56,000 ♪ YOU PAID FOR YOUR PLACE IN THIS WORLD THAT A GIRL ♪ 403 00:30:00,000 --> 00:30:05,000 ♪ OH-OH-OH IT'S PLAIN TO SEE ♪ 404 00:30:08,000 --> 00:30:12,000 ♪ OH-OH-OH ♪ 405 00:30:12,000 --> 00:30:16,000 ♪ IT'S YOU AND IT'S ME AND THE DEVIL MAKES THREE ♪ 406 00:30:16,000 --> 00:30:20,000 ♪ DON'T GET STUCK SOMEWHERE IN THE MIDDLE ♪ 407 00:30:20,000 --> 00:30:24,000 ♪ YOU PAID ALL YOUR DUES AND YOU'RE NOT A SECOND FIDDLE ♪ 408 00:30:24,000 --> 00:30:29,000 ♪ DON'T SAY LOVE IT'S SOMETHING LIKE A RIDDLE ♪ 409 00:30:29,000 --> 00:30:33,000 ♪ YOU PAID FOR YOUR PLACE IN THIS WORLD THAT A GIRL ♪♪ 410 00:30:38,000 --> 00:30:42,000 [KRIS] SHOVELING MANURE. THAT'S WHAT I DO ALL DAY, WILDFIRE. 411 00:30:42,000 --> 00:30:45,000 AND YOU KNOW WHAT THEY TOLD ME. PEOPLE PAY A LOT OF MONEY FOR IT. 412 00:30:45,000 --> 00:30:48,000 LIKE TO GROW VEGETABLES IN IT. 413 00:30:48,000 --> 00:30:51,000 [LAUGHING] SERIOUSLY. 414 00:30:51,000 --> 00:30:57,000 IT'S WHAT THEY MEAN WHEN THEY SAY "ORGANIC" AT THE HEALTH FOOD STORE. 415 00:30:57,000 --> 00:31:01,000 IF YOU ASK ME, I THINK THERE'S A BIG JOKE BEING PLAYED ON A LOT OF PEOPLE. 416 00:31:07,000 --> 00:31:09,000 BUT IT'S NICE THERE, YOU KNOW. 417 00:31:09,000 --> 00:31:12,000 I MEAN, IT'S A LOT DIFFERENT THAN MY LIFE USED TO BE. 418 00:31:14,000 --> 00:31:18,000 HEY, MAMA. YEAH, IT'S ME. 419 00:31:18,000 --> 00:31:20,000 I'M OUT. 420 00:31:20,000 --> 00:31:22,000 A FEW DAYS AGO. 421 00:31:24,000 --> 00:31:26,000 NO, I'M NOT COMING HOME. 422 00:31:26,000 --> 00:31:28,000 I GOT A JOB. 423 00:31:30,000 --> 00:31:33,000 YEAH. EVERYTHING'S GONNA BE OKAY. 424 00:31:37,000 --> 00:31:40,000 I JUST-- 425 00:31:40,000 --> 00:31:42,000 ARE YOU FEELING OKAY? 426 00:31:44,000 --> 00:31:46,000 YEAH. 427 00:31:47,000 --> 00:31:49,000 WELL-- 428 00:31:51,000 --> 00:31:53,000 SURE. 429 00:31:55,000 --> 00:31:57,000 OKAY. 430 00:31:57,000 --> 00:31:58,000 BYE. 431 00:32:09,000 --> 00:32:11,000 [MAN] I CAN'T EXTEND THE LOAN, JEAN. 432 00:32:11,000 --> 00:32:15,000 I WISH I COULD, BUT THE WAY PETE LEFT YOUR CREDIT RATING-- 433 00:32:15,000 --> 00:32:18,000 WE PAID BACK EVERY SINGLE ONE OF HIS DEBTS. 434 00:32:18,000 --> 00:32:20,000 AND USED UP EVERY ASSET TO DO IT. 435 00:32:20,000 --> 00:32:22,000 I STILL HAVE A QUALITY HORSE OR TWO LEFT. 436 00:32:22,000 --> 00:32:25,000 IF OKLAHOMA CRUDE WINS ON SATURDAY-- 437 00:32:27,000 --> 00:32:29,000 YOU KNOW, MY FATHER ALWAYS SAYS, 438 00:32:29,000 --> 00:32:34,000 "RAINTREE RODE THROUGH THE GREAT DEPRESSION ON THE BACK OF A SINGLE HORSE." 439 00:32:34,000 --> 00:32:36,000 I, UM-- 440 00:32:36,000 --> 00:32:40,000 I HELPED WRITE THAT OFFER THAT KEN DAVIS MADE YOU. 441 00:32:40,000 --> 00:32:43,000 WITH HIS CONNECTIONS AND CASH FLOW, RAINTREE COULD BE BACK ON TOP IN NO TIME. 442 00:32:43,000 --> 00:32:45,000 IT WOULDN'T BE RAINTREE. 443 00:32:45,000 --> 00:32:48,000 IT WOULD BE DAVIS RAINTREE INCORPORATED. 444 00:32:48,000 --> 00:32:51,000 THE DAY OF THE FAMILY FARM IS OVER, JEAN. 445 00:32:51,000 --> 00:32:54,000 YEAH. 446 00:32:54,000 --> 00:32:56,000 SO I'VE HEARD. 447 00:32:58,000 --> 00:33:00,000 [WOMAN] ♪ BEAUTIFUL DAWN ♪ 448 00:33:04,000 --> 00:33:07,000 ♪ LIGHTS UP THE SHORE FOR ME ♪ 449 00:33:07,000 --> 00:33:12,000 ♪ THERE IS NOTHING ELSE IN THE WORLD ♪ 450 00:33:14,000 --> 00:33:19,000 ♪ I'D RATHER WAKE UP AND SEE ♪ 451 00:33:19,000 --> 00:33:21,000 ♪ WITH YOU ♪ 452 00:33:21,000 --> 00:33:24,000 ♪ BEAUTIFUL DAWN ♪ 453 00:33:27,000 --> 00:33:31,000 ♪ MELTS WITH THE STARS AGAIN ♪ 454 00:33:31,000 --> 00:33:34,000 ♪ DO YOU REMEMBER THE DAY ♪ 455 00:33:34,000 --> 00:33:36,000 ♪ WHEN MY JOHNNY WENT DOWN ♪ 456 00:33:38,000 --> 00:33:42,000 ♪ WILL YOU REMEMBER THE END ♪ 457 00:33:42,000 --> 00:33:45,000 ♪ OF TIME ♪ 458 00:33:45,000 --> 00:33:48,000 ♪ BEAUTIFUL DAWN ♪ 459 00:33:53,000 --> 00:33:56,000 [PEOPLE CHATTERING] 460 00:34:14,000 --> 00:34:16,000 IT SETS UP WELL FOR US. 461 00:34:16,000 --> 00:34:19,000 COMING OUT OF THE FOURTH POSITION, WE CAN FOLLOW DAN'S HOPE, 462 00:34:19,000 --> 00:34:22,000 TUCK IN NEXT TO THE RAIL, DRAFT BEHIND THE LEADERS UNTIL THE TURN, 463 00:34:22,000 --> 00:34:24,000 AND THEN WE MAKE OUR MOVE. 464 00:34:24,000 --> 00:34:27,000 DON'T PAY ANY ATTENTION TO THAT. YOU'RE NUMBER ONE. 465 00:34:27,000 --> 00:34:29,000 AVATAR WILL CLOSE, BUT IF SORRENSON KEEPS YOU ON THE RAIL-- 466 00:34:29,000 --> 00:34:31,000 SORRENSON? IS THAT THE JOCKEY? 467 00:34:31,000 --> 00:34:33,000 RODRIGUEZ OR LASALLE WOULD HAVE BEEN BETTER. 468 00:34:33,000 --> 00:34:36,000 THEY ONLY RIDE FOR THE TOP STABLES. 469 00:34:36,000 --> 00:34:39,000 LASALLE'S ON AVATAR. 470 00:34:49,000 --> 00:34:52,000 WE'RE 12-TO-1. [GRUNTS] WHAT DO THEY KNOW? 471 00:34:54,000 --> 00:34:56,000 NOT A GOOD SIGN. WHAT? 472 00:34:56,000 --> 00:34:58,000 LOOK AT THE DAVIS CROWD. 473 00:34:58,000 --> 00:35:03,000 YOU ONLY INVITE EVERYONE WHEN THE TRAINER TELLS YOU TODAY'S THE DAY. 474 00:35:03,000 --> 00:35:05,000 WHAT DO THEY KNOW? 475 00:35:21,000 --> 00:35:24,000 THAT'S...AVATAR. 476 00:35:35,000 --> 00:35:37,000 YOUNG MR. DAVIS. 477 00:35:37,000 --> 00:35:40,000 HEY, WHO DO YOU LIKE IN THIS RACE? WAIT. LET ME VENTURE A GUESS. 478 00:35:40,000 --> 00:35:43,000 THE FAVORITE? HOW'S IT GOING, LENNY? 479 00:35:43,000 --> 00:35:45,000 I HOPE YOU KNOW MORE ABOUT HORSES THAN YOU DO ABOUT HOOPS. 480 00:35:45,000 --> 00:35:47,000 YEAH. UM, I'LL SETTLE UP. 481 00:35:47,000 --> 00:35:50,000 I KNOW. AND BY THE WAY, THANKS FOR REFERRING THAT COUSIN OF YOURS. 482 00:35:50,000 --> 00:35:53,000 THE POOR BOY'S A SLAVE TO THE LAKERS, REGARDLESS OF THE SPREAD. 483 00:35:53,000 --> 00:35:55,000 YEAH, NO PROBLEM. YOU OUGHTA BET ON AVATAR, LENNY. 484 00:35:55,000 --> 00:35:58,000 HE'S A SURE THING. I NEVER BET, MR. DAVIS. 485 00:35:58,000 --> 00:36:01,000 I JUST COME FOR THE-- FOR THE FRESH AIR. 486 00:36:01,000 --> 00:36:05,000 BUT IF YOU DO DECIDE TO SELL SHARES IN THAT HORSE, BE SURE TO LET ME KNOW. 487 00:36:05,000 --> 00:36:07,000 SURE, LENNY. 488 00:36:10,000 --> 00:36:12,000 [MAN OVER P.A.] LADIES AND GENTLEMEN, CAN I HAVE YOUR ATTENTION. 489 00:36:12,000 --> 00:36:15,000 THE NUMBER TEN HORSE IN THE THIRD RACE, 490 00:36:15,000 --> 00:36:18,000 HURRICANE FLY HAS BEEN SCRATCHED. 491 00:36:19,000 --> 00:36:22,000 THERE GOES AVATAR. 492 00:36:22,000 --> 00:36:26,000 HE'S WASHING OUT TODAY, GRAMPS. MAYBE HE LEFT HIS BEST TIMES IN THE WORKOUTS. 493 00:36:43,000 --> 00:36:45,000 YOU OKAY? 494 00:36:45,000 --> 00:36:47,000 YEAH. [CHUCKLES] 495 00:36:47,000 --> 00:36:50,000 I'VE NEVER BEEN TO A RACETRACK BEFORE. 496 00:37:03,000 --> 00:37:05,000 [MAN OVER P.A.] THE HORSES ARE UP TO THE GATE. THE FLAG IS UP. 497 00:37:05,000 --> 00:37:07,000 AND THEY'RE OFF AND RUNNING! [ALL CHEERING] 498 00:37:07,000 --> 00:37:09,000 DR. ED ON THE FAR OUTSIDE. 499 00:37:09,000 --> 00:37:13,000 GEORGIA ON MY MIND OUT TO TAKE THE EARLY LEAD. 500 00:37:13,000 --> 00:37:16,000 NATALIE SINGS A SONG UP TO SECOND NOW. 501 00:37:16,000 --> 00:37:18,000 AVATAR IS THIRD. 502 00:37:18,000 --> 00:37:20,000 THE REST OF THE EIGHT HORSE FIELD IS SIMON SAYS 503 00:37:20,000 --> 00:37:22,000 IN A FIGHT FOR FOURTH WITH OKLAHOMA CRUDE, 504 00:37:22,000 --> 00:37:26,000 AND THE TRAILERS ARE DAN'S HOPE AND CITY BY THE BAY. 505 00:37:26,000 --> 00:37:30,000 COME ON, OKLAHOMA! COME ON! SHH. 506 00:37:30,000 --> 00:37:34,000 ALL THE WAY FROM FIFTH AND INTO SECOND POSITION, HOLDING STEADY. 507 00:37:34,000 --> 00:37:38,000 GEORGIA ON MY MIND FALLS BEHIND INTO THE SECOND PACK. 508 00:37:38,000 --> 00:37:41,000 AS OKLAHOMA CRUDE COME ON, OKLAHOMA CRUDE. 509 00:37:41,000 --> 00:37:44,000 AND NATALIE SINGS A SONG TO TAKE THE LEAD GOING INTO THE FAR SIDE. 510 00:37:46,000 --> 00:37:50,000 [NO AUDIBLE DIALOGUE] 511 00:38:11,000 --> 00:38:13,000 HERE COMES AVATAR ON THE OUTSIDE. 512 00:38:13,000 --> 00:38:15,000 THAT IS AN EARLY MOVE. 513 00:38:15,000 --> 00:38:17,000 AND HERE THEY COME INTO THE FINAL TURN. 514 00:38:17,000 --> 00:38:21,000 AVATAR STILL ON THE OUTSIDE AS THEY HIT THE STRETCH RUN. 515 00:38:21,000 --> 00:38:25,000 AND AROUND THE CORNER IT'S OKLAHOMA CRUDE AND AVATAR 516 00:38:25,000 --> 00:38:27,000 FOLLOWED BY NATALIE SINGS A SONG AND SIMON SAYS. 517 00:38:27,000 --> 00:38:30,000 AVATAR MOVING HARD ON THE BACK. 518 00:38:30,000 --> 00:38:32,000 AND NOW AVATAR MAKES THE FINAL KICK. 519 00:38:32,000 --> 00:38:35,000 VIRTUALLY NECK AND NECK WITH OKLAHOMA CRUDE. 520 00:38:35,000 --> 00:38:38,000 IT'S OKLAHOMA CRUDE BY A NECK AND AVATAR. 521 00:38:38,000 --> 00:38:43,000 OKLAHOMA CRUDE HOLDING ON, BUT IT'S AVATAR MOVING HERE 522 00:38:43,000 --> 00:38:45,000 AS WE COME DOWN THE FINAL STRETCH. 523 00:38:45,000 --> 00:38:48,000 IT'S AVATAR MOVING HARD. 524 00:38:48,000 --> 00:38:52,000 AVATAR AND OKLAHOMA CRUDE. OKLAHOMA CRUDE STILL AHEAD-- 525 00:38:52,000 --> 00:38:57,000 BUT IT'S AVATAR NOW MOVING IN FRONT! AVATAR MAKING THE FINAL KICK. 526 00:38:57,000 --> 00:39:00,000 IT'S AVATAR FOLLOWED BY OKLAHOMA CRUDE. 527 00:39:00,000 --> 00:39:03,000 AVATAR PUSHING AWAY FROM THE PACK. 528 00:39:03,000 --> 00:39:07,000 IT IS A ONE-HORSE RACE! AVATAR AHEAD BY FOUR NOW 529 00:39:07,000 --> 00:39:09,000 FOLLOWED BY NATALIE SINGS A SONG AND SIMON SAYS. 530 00:39:09,000 --> 00:39:14,000 AND AS WE COME UP ON THE FINISH, IT'S AVATAR BY SIX LENGTHS. 531 00:39:14,000 --> 00:39:17,000 AND WE'LL HAVE TO WAIT FOR THE PHOTO TO SEE WHO THE SHOW HORSE IS 532 00:39:17,000 --> 00:39:20,000 BETWEEN NATALIE SINGS A SONG AND SIMON SAYS. 533 00:39:20,000 --> 00:39:24,000 FILLING OUT THE FIELD IS CITY BY THE BAY AND DR. ED 534 00:39:24,000 --> 00:39:27,000 WITH DAN'S HOPE PULLING UP BEFORE THE FINISH. 535 00:39:29,000 --> 00:39:31,000 CONGRATULATIONS. THANK YOU, JEAN. 536 00:39:31,000 --> 00:39:34,000 TOUGH LUCK, LITTLE MAN. 537 00:39:34,000 --> 00:39:37,000 WHERE'S MATT? HE'S DOWN WITH THE HORSES HELPING OUT. 538 00:39:37,000 --> 00:39:41,000 COME ON. LET'S GO. HEY, AVATAR RUNS HIS NEXT RACE 539 00:39:41,000 --> 00:39:43,000 FOR DAVIS RAINTREE. 540 00:39:43,000 --> 00:39:45,000 ALL YOU HAVE TO DO IS BLESS THE DEAL, HENRY, 541 00:39:45,000 --> 00:39:48,000 AND YOU'RE ON YOUR WAY BACK TO THE WINNER'S CIRCLE. 542 00:39:49,000 --> 00:39:52,000 [SCOFFS] 543 00:39:52,000 --> 00:39:54,000 HOW MUCH WILL YOU HATE ME IF I GO THROUGH WITH THIS DEAL? 544 00:39:54,000 --> 00:39:57,000 GETTING THAT CLOSE, IS IT? PRETTY CLOSE. 545 00:39:57,000 --> 00:39:58,000 IS IT ABOUT MONEY? 546 00:39:58,000 --> 00:40:01,000 'CAUSE I'VE GOT A LITTLE SOCKED AWAY FOR A RAINY DAY. 547 00:40:01,000 --> 00:40:04,000 YOUR SOCK DRAWER ISN'T GONNA DO IT, HENRY. WHAT DO WE GOT? 548 00:40:04,000 --> 00:40:08,000 FOURTH PLACE AND FALLING OFF THE PACE. THAT'S NOT A HORSE, THAT'S US. 549 00:40:08,000 --> 00:40:11,000 WHERE DO WE GO FROM HERE? 550 00:40:11,000 --> 00:40:14,000 I DON'T SEE ANOTHER WAY OUT. IF YOU DO, TELL ME. 551 00:40:17,000 --> 00:40:20,000 I HAD A HORSE ONCE NAMED TRAILBLAZER. 552 00:40:20,000 --> 00:40:24,000 I KNOW. AND HE CAME FROM TEN LENGTHS BACK TO WIN THE BELMONT STAKES. 553 00:40:24,000 --> 00:40:28,000 HE WOULD PIN HIS EARS STRAIGHT BACK, SHOW HIS CLASS, 554 00:40:28,000 --> 00:40:32,000 AND BREAK THEIR WILL WITH A BURST OF SPEED LIKE YOU'VE NEVER SEEN. 555 00:40:32,000 --> 00:40:34,000 DO YOU THINK TRAILBLAZER COULD HAVE BEAT AVATAR? 556 00:40:34,000 --> 00:40:36,000 NOW THERE'S A RACE THAT I'D LOVE TO SEE. 557 00:40:36,000 --> 00:40:39,000 AND YOU CAN THROW IN SEATTLE SLEW IN THAT TOO. 558 00:40:39,000 --> 00:40:41,000 AND SECRETARIAT. YOU GOT THAT RIGHT. 559 00:40:47,000 --> 00:40:48,000 [DANI] MATT. 560 00:40:48,000 --> 00:40:51,000 HEY, DANI, AMBER. SORRY. 561 00:40:51,000 --> 00:40:55,000 FOR WINNING? DON'T BE. ARE YOU GONNA COME TO THE FESTIVAL TONIGHT? 562 00:40:55,000 --> 00:40:57,000 OF COURSE HE IS. WE'RE ALL GOING. KRIS TOO. 563 00:40:59,000 --> 00:41:02,000 YOU HAVEN'T MET MY SISTER DANIELLE, HAVE YOU, KRIS? 564 00:41:02,000 --> 00:41:04,000 YOU TWO SHOULD GET TO KNOW EACH OTHER. 565 00:41:04,000 --> 00:41:07,000 YOU HAVE A LOT IN COMMON. 566 00:41:08,000 --> 00:41:10,000 HORSES, I MEAN. OF COURSE. 567 00:41:11,000 --> 00:41:13,000 AND THIS IS HER BEST FRIEND, AMBER, 568 00:41:13,000 --> 00:41:18,000 WHO HAS NOTHING IN COMMON WITH ANYONE, BUT WE LOVE HER ANYWAY. 569 00:41:18,000 --> 00:41:21,000 THE WINE FESTIVAL KICKS OFF IN TOWN. KIND OF A FOOD/WINE TASTING. 570 00:41:21,000 --> 00:41:23,000 YOU SHOULD COME. 571 00:41:23,000 --> 00:41:26,000 THANKS, BUT-- WE'D HAVE TO CLEAN HER UP A BIT FIRST. 572 00:41:34,000 --> 00:41:37,000 AS I SAID, YOU JUST HAVE TO KNOW AMBER 573 00:41:37,000 --> 00:41:42,000 TO UNDERSTAND HER ABSOLUTELY UNIQUE SENSE OF HUMOR. 574 00:41:43,000 --> 00:41:46,000 ACTUALLY, I'LL SEE YOU OVER THERE. 575 00:41:47,000 --> 00:41:49,000 [CLEARS THROAT] EXCUSE US. 576 00:41:49,000 --> 00:41:52,000 WE HAVE TO GET HIM TO THE HOT WALKER. 577 00:41:58,000 --> 00:42:02,000 OKAY. I'M SORRY. SHE TOTALLY FREAKED ME OUT. 578 00:42:02,000 --> 00:42:04,000 I THOUGHT SHE WAS GOING TO HIT ME. I WAS GONNA HIT YOU. 579 00:42:04,000 --> 00:42:06,000 I JUST MADE A JOKE. 580 00:42:06,000 --> 00:42:08,000 SHE WAS COVERED IN HORSE SWEAT. 581 00:42:08,000 --> 00:42:09,000 SHE SEEMS VERY NICE. 582 00:42:11,000 --> 00:42:14,000 I, UH, HAVE TO HELP PABLO WITH SOME STUFF. 583 00:42:14,000 --> 00:42:16,000 I'LL SEE YOU GUYS LATER. 584 00:42:16,000 --> 00:42:19,000 CONGRATULATIONS. NICE RACE. 585 00:42:26,000 --> 00:42:36,000 CAN YOU BELIEVE HER? 586 00:42:36,050 --> 00:42:40,600 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 46017

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