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2
00:01:50,344 --> 00:01:52,241
OY, WHAT'S THIS?
WHAT'S THIS TONIGHT?
3
00:01:52,312 --> 00:01:54,078
MEMORIAL SERVICES.
4
00:01:54,149 --> 00:01:57,113
ARMISTICE DAY TOMORROW,
YOU KNOW.
5
00:01:58,583 --> 00:02:00,681
STAY THERE, NIPPER.
6
00:02:33,708 --> 00:02:37,110
IT MIGHT BE MY SON.
7
00:02:37,181 --> 00:02:38,841
MIGHT.
8
00:02:40,477 --> 00:02:42,575
MIGHT BE MY OLD MAN.
9
00:02:42,646 --> 00:02:44,341
MIGHT.
10
00:02:49,510 --> 00:02:50,944
GOOD NIGHT.
11
00:02:51,003 --> 00:02:52,604
NIGHT.
12
00:02:55,141 --> 00:02:57,405
WHEN ERNIE MOTT,
13
00:02:57,476 --> 00:02:59,479
HUMBLE CITIZEN
OF THE CITY OF LONDON,
14
00:02:59,539 --> 00:03:01,708
SAW FOR THE FIRST TIME
15
00:03:01,779 --> 00:03:05,407
THE TOMB
OF THE UNKNOWN WARRIOR,
16
00:03:05,478 --> 00:03:08,335
HE LITTLE REALIZED THAT HE,
ERNIE MOTT,
17
00:03:08,406 --> 00:03:10,943
MIGHT SOMEDAY SOON BECOME
THE UNKNOWN WARRIOR
18
00:03:11,002 --> 00:03:14,037
OF A SECOND WORLD WAR.
19
00:03:14,108 --> 00:03:16,443
YES, SOMEDAY SOON,
20
00:03:16,502 --> 00:03:18,340
HE MIGHT BECOME
A GLOWING LEGEND
21
00:03:18,411 --> 00:03:20,770
FOR HAPPY BOYS AND GIRLS,
22
00:03:20,841 --> 00:03:24,777
LIVING A LIFE
HE MERELY DREAMED ABOUT.
23
00:03:24,836 --> 00:03:27,800
HIGH DESTINY
FOR QUIET ERNIE MOTT,
24
00:03:27,871 --> 00:03:33,407
WHO QUARRELED, HUNGERED, LOVED,
AND WAS LOVED.
25
00:03:33,466 --> 00:03:35,742
FOR THIS IS HIS STORY-
26
00:03:35,802 --> 00:03:37,698
THE STORY OF ERNIE MOTT,
27
00:03:37,769 --> 00:03:41,800
WHO SEARCHED FOR A FREE,
A BEAUTIFUL, AND NOBLE LIFE
28
00:03:41,871 --> 00:03:46,305
IN THE SECOND QUARTER
OF THE 20th CENTURY.
29
00:05:03,039 --> 00:05:06,204
ERNIE, GRUB'S READY.
30
00:05:06,263 --> 00:05:07,366
DON'T BE ALL YEAR,
31
00:05:07,437 --> 00:05:08,871
OR YOU'LL FIGHT
THE BIRDS FOR IT.
32
00:05:08,930 --> 00:05:11,396
WON'T BE
BUT A MINUTE, MA.
33
00:05:11,467 --> 00:05:13,328
YES, YES, YES.
34
00:05:15,166 --> 00:05:16,837
HERE.
35
00:05:20,429 --> 00:05:21,769
DON'T YOU THINK
PORK SAUSAGE
36
00:05:21,828 --> 00:05:24,329
IS TOO GOOD
FOR THE BEAST?
37
00:05:24,401 --> 00:05:26,392
STAY. COME ON.
38
00:05:26,463 --> 00:05:28,135
NOTHING TOO GOOD
FOR THAT DOG, MA.
39
00:05:28,194 --> 00:05:31,169
PART OF MYSELF,
HE IS.
40
00:05:31,229 --> 00:05:32,331
DON'T LIKE HIM,
DO YOU?
41
00:05:32,402 --> 00:05:34,133
WHERE YOU BEEN?
42
00:05:34,204 --> 00:05:36,765
OH, KNOCKING ABOUT
A BIT UP NORTH,
43
00:05:36,836 --> 00:05:39,361
ALL OVER THE SHOP.
44
00:05:41,459 --> 00:05:43,628
WHAT'S UP?
45
00:05:43,700 --> 00:05:45,324
WHY?
46
00:05:45,395 --> 00:05:47,197
YOU'RE STANDING THERE
LOOKING AS IF I'D JABBED YOU
47
00:05:47,268 --> 00:05:50,326
WITH YOUR HATPIN
OR SOMETHING.
48
00:05:50,397 --> 00:05:53,598
WHAT DID YOU COME
BACK HOME FOR, SON?
49
00:05:53,657 --> 00:05:56,325
MISS ME?
50
00:05:56,396 --> 00:05:58,968
CAN'T SAY I DID, MA.
51
00:05:59,027 --> 00:06:02,359
YOU KNOW ME, DUCKY,
TRAMP OF THE UNIVERSE.
52
00:06:04,990 --> 00:06:08,357
ANYTHING IN THE SHOP
NEEDS MENDING, MA?
53
00:06:08,428 --> 00:06:12,091
NOTHING THAT NEEDS YOUR
HELP, ERNIE, SWEETS.
54
00:06:12,162 --> 00:06:14,960
BESIDES, IT'S SUNDAY.
55
00:06:15,031 --> 00:06:18,421
PAINTING, POLISHING,
DOING A SPOT OF GARDENING?
56
00:06:18,493 --> 00:06:20,591
MEAN TO DO MY BEST
BY YOU, MA, LOVE.
57
00:06:23,827 --> 00:06:26,127
HAPPY COUPLE,
AREN'T WE?
58
00:06:26,198 --> 00:06:28,830
A BIT OF PROPER RESPECT
IS WHAT'S NEEDED.
59
00:06:28,889 --> 00:06:30,122
I GET NO MORE FROM YOU
60
00:06:30,193 --> 00:06:33,631
THAN I GOT FROM
THAT FATHER OF YOURS.
61
00:06:33,690 --> 00:06:35,124
AND THAT'S THAT.
62
00:06:35,196 --> 00:06:36,393
THAT'S THAT.
63
00:06:36,464 --> 00:06:39,499
SO YOU GOT
YOUR CHOICE.
64
00:06:39,558 --> 00:06:41,561
WHAT CHOICE?
65
00:06:41,621 --> 00:06:43,624
STAY OR GET OUT.
66
00:06:43,695 --> 00:06:45,592
TAKE HOLD HERE
AND DO A MAN'S JOB,
67
00:06:45,663 --> 00:06:47,631
OR DON'T COME BACK.
68
00:06:47,690 --> 00:06:52,124
STAY PUT SO I DON'T KEEP
FRETTING MY FAT ABOUT YOU.
69
00:06:52,195 --> 00:06:55,526
WHAT CALL HAVE YOU TO GO
WANDERING AROUND THE COUNTRY
70
00:06:55,597 --> 00:06:58,288
LIKE A BREATH
OF HOMELESS WIND?
71
00:06:58,359 --> 00:07:01,228
DON'T I TREAT YOU
RIGHT, OR WHAT?
72
00:07:01,287 --> 00:07:02,994
OKEY-DOKE.
73
00:07:05,164 --> 00:07:07,060
I'LL BE OFF
IN THE MORNING.
74
00:07:32,927 --> 00:07:36,554
HOW IS IT, ERNIE BOY?
HOME FOR A TIME?
75
00:07:36,625 --> 00:07:38,890
HOW'D YOU KNOW
I WAS BACK, MA?
76
00:07:38,961 --> 00:07:43,122
I LIVE SO CLOSE, I CAN
HEAR YOU CHANGE YOUR MIND.
77
00:07:43,193 --> 00:07:45,623
NICE MUSIC
ON THE OLD WIRELESS.
78
00:07:45,694 --> 00:07:47,852
DON'T KNOW WHAT
I'D DO WITHOUT IT.
79
00:07:47,923 --> 00:07:51,159
THE PIANO
NEEDS TUNING, TOO.
80
00:07:51,218 --> 00:07:54,123
I'LL STOP IN AND LOOK
AT IT AROUND TEATIME.
81
00:07:54,194 --> 00:07:57,027
THANKS, ERNIE.
82
00:07:57,086 --> 00:07:58,924
HELLO, DAD.
83
00:07:58,983 --> 00:08:00,785
WHEN ARE YOU
MENDING THAT WINDOW?
84
00:08:00,856 --> 00:08:03,926
CATCH ME MUCKING AROUND
WITH A WINDOW, ERN BOY.
85
00:08:03,986 --> 00:08:06,025
LIFE'S TOO SHORT.
86
00:08:06,084 --> 00:08:07,755
YOU'RE A MAN
AFTER MY OWN HEART, DAD.
87
00:08:07,827 --> 00:08:09,225
Woman: ERN!
88
00:08:10,956 --> 00:08:12,094
SEE YOU.
89
00:08:20,155 --> 00:08:22,716
BEEN HOME LONG?
90
00:08:22,787 --> 00:08:24,553
BRING YOURSELF IN
FOR A CUP OF TEA.
91
00:08:24,624 --> 00:08:26,154
ME BASKET'S
FULL OF BREAKFAST.
92
00:08:26,225 --> 00:08:29,757
COME IN ANYWAY, ERN.
93
00:08:37,617 --> 00:08:38,814
PRACTICING?
94
00:08:38,885 --> 00:08:42,584
IT'S A LIVING. IT PAYS
TO KEEP YOUR TOOLS SHARP.
95
00:08:46,448 --> 00:08:50,183
GOOD TO BE BACK.
96
00:08:50,254 --> 00:08:52,352
NICEST DRAWING ROOM IN THE
NEIGHBORHOOD, THIS, AGGIE.
97
00:08:52,423 --> 00:08:54,023
IT'S YOURS
WHENEVER YOU WANT IT.
98
00:08:54,083 --> 00:08:56,655
HAVE TO TAKE YOU,
TOO, AGGIE?
99
00:08:56,714 --> 00:08:58,445
YOU WANT ME
TO MOVE OUT?
100
00:09:02,748 --> 00:09:03,981
* HE'S THE BOY FOR ME *
101
00:09:04,052 --> 00:09:05,344
* I'M THE GIRL FOR HIM *
102
00:09:05,416 --> 00:09:09,517
* HE'S MY LUMP OF TOFFEE,
CAKE, AND PUDDING **
103
00:09:12,054 --> 00:09:14,318
YOU'RE THE BIGGEST FOOL
I EVER MET, AGGIE.
104
00:09:14,378 --> 00:09:15,812
WHY?
105
00:09:15,883 --> 00:09:20,352
BLACK AS THE ACE, I AM.
DON'T YOU KNOW IT YET?
106
00:09:20,412 --> 00:09:23,814
MATTER OF FACT, MA GIVE ME
THE ULTIMATUM TODAY.
107
00:09:23,885 --> 00:09:25,853
STAY PUT OR STAY OUT.
108
00:09:25,912 --> 00:09:28,342
WHAT ARE YOU GOING
TO DO ABOUT IT?
109
00:09:28,413 --> 00:09:29,812
SOMETHING.
110
00:09:29,883 --> 00:09:30,855
WHAT?
111
00:09:30,915 --> 00:09:33,582
SOMETHING.
112
00:09:54,742 --> 00:09:57,184
YOU'RE A LITTLE FLAT
THERE, AGGIE.
113
00:09:57,243 --> 00:09:59,685
WHAT'S THE MUSIC CALLED?
114
00:09:59,745 --> 00:10:02,080
NONE BUT
THE LONELY HEART.
115
00:10:03,443 --> 00:10:04,415
ITALIAN?
116
00:10:04,475 --> 00:10:06,846
NO. RUSSIAN.
117
00:10:14,515 --> 00:10:16,045
NICE.
118
00:10:16,116 --> 00:10:17,408
OH, WELL.
119
00:10:17,479 --> 00:10:18,747
SEE YOU TONIGHT?
120
00:10:18,819 --> 00:10:19,720
TONIGHT?
121
00:10:19,779 --> 00:10:22,482
ABOUT 9:00?
122
00:10:22,541 --> 00:10:24,343
ALL ALIKE,
YOU WOMEN.
123
00:10:24,414 --> 00:10:26,915
I DON'T GO ON TIMETABLES LIKE A TRAIN.
124
00:10:26,974 --> 00:10:29,547
I'M ERNIE MOTT.
I DON'T STAY PUT.
125
00:10:29,618 --> 00:10:32,807
I UNDERSTAND.
126
00:10:32,878 --> 00:10:33,909
DO YOU?
127
00:10:33,980 --> 00:10:35,616
OF COURSE.
128
00:10:37,478 --> 00:10:40,939
WELL, THEN MAYBE
I'LL SEE YOU TONIGHT.
129
00:10:41,010 --> 00:10:42,373
NIPPER.
130
00:10:42,445 --> 00:10:45,278
MAYBE I WILL...
131
00:10:46,013 --> 00:10:47,815
OR MAYBE I WON'T.
132
00:10:47,874 --> 00:10:50,849
WHO GIVE YOU THAT DIMPLE
IN YOUR CHIN?
133
00:10:50,909 --> 00:10:53,280
PRESENT FROM ME PA.
BYE, AGGIE.
134
00:10:53,339 --> 00:10:55,010
BYE, ERNIE BOY.
135
00:11:00,238 --> 00:11:01,376
WATCH HER, PEGGY.
136
00:11:01,447 --> 00:11:03,178
HELLO.
137
00:11:10,812 --> 00:11:11,773
HI, ELSIE.
138
00:11:11,844 --> 00:11:13,480
HELLO.
139
00:11:14,973 --> 00:11:16,846
WHAT'S COMING OFF?
140
00:11:16,906 --> 00:11:18,779
SUNDAY OR AIN'T IT?
141
00:11:18,838 --> 00:11:20,770
NOBODY HOME. NOBODY HOME.
142
00:11:20,841 --> 00:11:23,639
IT'S ME, DAD.
ERNIE MOTT.
143
00:11:26,271 --> 00:11:28,440
OH, YOU, IS IT?
144
00:11:28,511 --> 00:11:30,076
AIN'T SEEN YOU
IN 3 MONTHS, HAVE I?
145
00:11:30,147 --> 00:11:31,807
YOU'RE BLOCKING
THE DOOR, DAD.
146
00:11:33,573 --> 00:11:34,474
MISS ME, DID YOU?
147
00:11:34,545 --> 00:11:36,537
HAD YOUR POST CARD
FROM UP NORTH.
148
00:11:36,608 --> 00:11:39,074
NO GRASS GROWS
UNDER YOUR FEET.
149
00:11:39,145 --> 00:11:43,377
HOW DO WE GET SOME SMOKES?
I'M SO BROKE, I'M TWO HALVES.
150
00:11:43,436 --> 00:11:46,672
WHAT, AGAIN?
151
00:11:46,743 --> 00:11:48,308
YOU THINK IT GROWS
ON TREES?
152
00:11:48,379 --> 00:11:52,137
YOU'RE NOT GIVING ME THE
BOOT? WHAT CIGARS YOU GOT?
153
00:11:52,208 --> 00:11:53,809
MAY WE FEED
THE FISHES?
154
00:11:54,307 --> 00:11:56,345
NO!
155
00:11:57,377 --> 00:12:00,174
THE WAY THOSE KIDS
CARRY ON, ERN.
156
00:12:00,234 --> 00:12:01,573
CIGARS, DAD.
157
00:12:01,644 --> 00:12:04,407
OH, CIGARS.
158
00:12:04,478 --> 00:12:07,702
WELL, I'VE GOT A VERY
DOUBTFUL STOCK OF THEM, ERN.
159
00:12:07,773 --> 00:12:10,678
CAN'T MAKE OUT WHAT
HAPPENS TO THINGS LATELY.
160
00:12:10,737 --> 00:12:13,475
I GOT AN OLD BURMA
CHEROOT SOMEWHERE.
161
00:12:13,535 --> 00:12:17,174
I GOT MORE RESPECT
FOR ME GUTS, I HAVE.
162
00:12:17,233 --> 00:12:20,469
GIVE US
A LARGE RIGBY'S.
163
00:12:20,541 --> 00:12:21,773
CAN'T SELL
CIGARETTES ON SUNDAY,
164
00:12:21,833 --> 00:12:23,077
YOU KNOW, ERN.
165
00:12:23,137 --> 00:12:26,302
WHO SAID ANYTHING
ABOUT SELLING?
166
00:12:26,373 --> 00:12:27,701
A LARGE RIGBY'S
IT IS.
167
00:12:27,772 --> 00:12:30,237
A GENT! PROPER LOVELY TO BE ALIVE
168
00:12:30,309 --> 00:12:31,838
AND HAVE FRIENDS
LIKE YOU, DAD.
169
00:12:31,909 --> 00:12:33,604
I'M REMEMBERING YOU
IN MY WILL.
170
00:12:33,675 --> 00:12:36,366
YOU DON'T THINK I'LL
LIVE? HOW'S YOUR MA?
171
00:12:36,437 --> 00:12:39,875
LIKE AN ENGINE. TOWER
OF LONDON ISN'T BETTER.
172
00:12:39,934 --> 00:12:40,871
BYE, DAD.
173
00:12:40,942 --> 00:12:43,040
DROP IN AGAIN.
174
00:12:47,201 --> 00:12:51,398
HERE YOU ARE, FOLKS.
LEARN HOW TO DO IT...
175
00:12:51,469 --> 00:12:55,167
COME ON HERE, FOLKS.
3 FOR A PENNY. COME ALONG.
176
00:13:05,706 --> 00:13:09,808
HERE IS THE BEST SHOT
OF THE DAY...
177
00:13:09,867 --> 00:13:11,740
HERE YOU ARE.
GO ON.
178
00:13:11,799 --> 00:13:13,340
HOLD ME DOG,
PLEASE, MATE.
179
00:13:13,400 --> 00:13:15,036
SHOW THEM
HOW IT'S DONE.
180
00:13:15,107 --> 00:13:17,098
OY, STAND BACK.
181
00:13:17,169 --> 00:13:19,031
LET THE MAN
SEE THE RABBIT.
182
00:13:19,102 --> 00:13:22,231
NOW, GENTS,
WATCH THE FUR FLY.
183
00:13:22,302 --> 00:13:24,768
QUIET, PLEASE,
WHILE THE SHOTS IS TOOK.
184
00:13:32,971 --> 00:13:34,394
HA HA HA!
185
00:13:34,465 --> 00:13:35,899
THERE WE ARE!
186
00:13:35,971 --> 00:13:38,899
8 SHOTS, AND ALL
WHERE THEY SHOULD BE-
187
00:13:38,970 --> 00:13:41,898
RIGHT IN THE BLACK HOLE
OF CALCUTTA.
188
00:13:41,969 --> 00:13:45,561
I TOLD YOU WHO HE WAS,
AND THIS IS HIM.
189
00:13:45,632 --> 00:13:48,999
GOVERNOR,
HERE ARE YOUR FAGS,
190
00:13:49,070 --> 00:13:50,599
AND GOOD LUCK
TO YOU.
191
00:13:54,096 --> 00:13:55,969
THANKS FOR
HOLDING ME DOG.
192
00:13:56,028 --> 00:13:58,530
OH, HELLO. HAVEN'T
I SEEN YOU BEFORE?
193
00:13:58,601 --> 00:14:00,166
HERE'S A PRESENT
FOR YOU.
194
00:14:00,237 --> 00:14:01,861
HERE YOU ARE.
195
00:14:11,534 --> 00:14:12,494
,
196
00:14:12,565 --> 00:14:13,727
OUT OF TUNE.
197
00:14:13,798 --> 00:14:17,829
I'M MORDINOY.
JIM MORDINOY.
198
00:14:17,900 --> 00:14:19,761
AM I SUPPOSED
TO KNOW YOU?
199
00:14:19,832 --> 00:14:22,168
THOUGHT AS
HOW YOU MIGHT.
200
00:14:22,227 --> 00:14:23,531
EVER FIGHT YOUR PUP?
201
00:14:23,602 --> 00:14:26,459
NEVER. WHAT
ABOUT THE PIANO?
202
00:14:26,530 --> 00:14:28,071
WHAT ABOUT IT?
203
00:14:28,130 --> 00:14:30,561
SHOULD I TUNE IT?
COST YOU HALF A BAR.
204
00:14:30,632 --> 00:14:36,867
LIFE'S EASIER THAN THAT. TAKE A
QUID AND LEAVE THE PIANO UNDISTURBED.
205
00:14:36,926 --> 00:14:38,562
NOW WHY WOULD
I TAKE YOUR QUID?
206
00:14:38,633 --> 00:14:40,092
JUST TO BE A PAL.
207
00:14:49,634 --> 00:14:52,527
HEY, WHAT'S THAT I
SMELL ON YOU? HAIR OIL?
208
00:14:52,598 --> 00:14:55,491
I CAN'T UNDERSTAND WHY
A MAN OF YOUR TALENTS
209
00:14:55,562 --> 00:14:58,727
WEARS THEM RAGS.
210
00:14:58,798 --> 00:14:59,829
CLOTHES ARE A LOT
OF BLINKING EXCITEMENT
211
00:14:59,900 --> 00:15:01,667
ABOUT NOTHING
MOST OF THE TIME.
212
00:15:01,726 --> 00:15:03,066
AS TO WHAT
YOU CALL MY RAGS,
213
00:15:03,125 --> 00:15:04,962
THEY ARE THE UNIFORM
OF MY INDEPENDENCE.
214
00:15:05,033 --> 00:15:07,665
CLOTHED IN YOUR
PERFECT PITCH.
215
00:15:07,724 --> 00:15:09,491
NOW YOU UNDERSTAND ME,
MR. MORDINOY.
216
00:15:09,562 --> 00:15:12,928
LIFE'S A PIECE OF MEAT
WHEN YOU KNOW HOW.
217
00:15:13,000 --> 00:15:15,525
MOST PEOPLE HERE
ARE VICTIMS.
218
00:15:15,596 --> 00:15:19,496
HURRY, WORRY, AND SCURRY
TO MAKE A BIT OF BRASS.
219
00:15:19,555 --> 00:15:22,495
WHAT'S YOUR KIND, MR.
MORDINOY? WILLFUL AND DECEITFUL.
220
00:15:22,566 --> 00:15:25,293
TAKE WHAT YOU WANT,
RIGHT? RIGHT.
221
00:15:25,364 --> 00:15:28,126
THAT'S WHAT IT'S ABOUT.
BE A VICTIM OR A THUG.
222
00:15:28,197 --> 00:15:30,924
BUT SUPPOSE YOU DON'T WANT
TO BE NEITHER, LIKE ME-
223
00:15:30,995 --> 00:15:33,460
NOT THE HEIR AND NOT
THE OWNED. THEN WHAT?
224
00:15:33,532 --> 00:15:34,824
Woman:
THEN WHAT?
225
00:15:34,895 --> 00:15:37,159
WHO'S TALKING
TO YOU?
226
00:15:40,395 --> 00:15:42,422
HEY, WHO'S
THE PIECE OF PASTRY
227
00:15:42,494 --> 00:15:43,430
IN THE JERSEY?
228
00:15:43,489 --> 00:15:45,931
ADA BRANTLIN.
229
00:15:45,991 --> 00:15:47,959
FAIR BLINDS YOU
WITH SCIENCE, DON'T SHE?
230
00:15:48,030 --> 00:15:49,832
SHE DON'T LIKE
THE ROUGH STUFF.
231
00:15:51,527 --> 00:15:53,222
HAVE TO
BOX CLEVER THERE.
232
00:15:53,293 --> 00:15:54,965
YES, I SUPPOSE
YOU WOULD.
233
00:15:59,528 --> 00:16:00,987
CHANGE, PLEASE,
MISS.
234
00:16:02,990 --> 00:16:04,460
YOU'RE NEW HERE,
AREN'T YOU?
235
00:16:05,954 --> 00:16:09,225
WHO'S THIS MORDINOY?
RUN THE PLACE NOW, DOES HE?
236
00:16:09,285 --> 00:16:11,727
WOULDN'T DIRTY
HIS HANDS ON IT.
237
00:16:11,786 --> 00:16:13,718
THEN WHAT'S
HE DOING HERE?
238
00:16:13,789 --> 00:16:16,753
THE GENTLEMEN COME IN
TO CONVERSE WITH ME.
239
00:16:16,824 --> 00:16:18,958
NOW KINDLY MOVE ON.
240
00:16:21,720 --> 00:16:25,087
HOW DO I GET
IN YOUR GOOD BOOKS, ADA?
241
00:16:25,158 --> 00:16:27,790
THERE WE ARE.
242
00:16:27,861 --> 00:16:29,793
LOVELY FINGERNAILS.
243
00:16:29,852 --> 00:16:30,824
WHAT'S UP?
244
00:16:30,895 --> 00:16:34,760
DON'T YOU KNOW WHEN
YOUR HEALTH IS GOOD?
245
00:16:34,819 --> 00:16:36,728
WISHED I WAS A PAINTER.
246
00:16:36,787 --> 00:16:39,561
AND YOU'D DO WHAT?
247
00:16:39,620 --> 00:16:41,221
WELL, WHAT DOES
A PAINTER DO?
248
00:16:44,161 --> 00:16:45,927
IN THIS BOOK,
249
00:16:45,986 --> 00:16:48,582
A PAINTER DOES SOME
VERY STRANGE THINGS.
250
00:16:48,653 --> 00:16:50,989
CALLS IT ART, TOO,
HE DOES.
251
00:16:52,625 --> 00:16:53,786
YOU AN ARTIST?
252
00:16:53,858 --> 00:16:56,655
ME? TUNE PIANOS,
THAT'S ME.
253
00:16:56,726 --> 00:16:58,754
PLAY THE PIANO BY EAR,
POLISH FURNITURE,
254
00:16:58,825 --> 00:17:00,721
SHOOT RODENTS
WITH A RIFLE.
255
00:17:00,792 --> 00:17:03,721
BUGS IN YOUR HOUSE?
SEND FOR ERNIE MOTT.
256
00:17:03,792 --> 00:17:05,760
KNOW HOW
TO MEDICATE ANIMALS.
257
00:17:05,819 --> 00:17:08,285
EXCELLENT AT REPAIRING
DELICATE MACHINERY.
258
00:17:08,356 --> 00:17:09,754
I INVENT INVENTIONS.
259
00:17:09,826 --> 00:17:11,248
WHAT YOU INVENT?
260
00:17:11,319 --> 00:17:13,050
UH, OH...
261
00:17:13,121 --> 00:17:15,291
I SEE.
262
00:17:15,350 --> 00:17:17,922
I HAPPEN TO BE WORKING
ON MY GREATEST INVENTION-
263
00:17:17,993 --> 00:17:21,656
A HUMAN ANIMAL WHICH DON'T
LOOK FOR A MASTER.
264
00:17:21,716 --> 00:17:23,150
AIN'T EASY.
265
00:17:24,549 --> 00:17:28,117
LISTEN. COME CLOSER.
266
00:17:28,188 --> 00:17:30,690
I LIKE THAT KIND
OF TALK.
267
00:17:30,749 --> 00:17:32,515
YOU DO?
268
00:17:32,586 --> 00:17:34,981
IT SOUNDS BARMY AS THE
MUFFIN MAN, BUT I LIKE IT.
269
00:17:35,052 --> 00:17:37,956
THAT BRINGS UP
ONE QUESTION, ADA.
270
00:17:38,016 --> 00:17:38,952
WHAT?
271
00:17:39,023 --> 00:17:41,453
WHAT TIME
DO YOU GET OFF?
272
00:17:41,525 --> 00:17:44,215
HALF 6:00.
AROUND THE BACK.
273
00:17:44,287 --> 00:17:45,448
THANK YOU.
274
00:17:47,155 --> 00:17:48,756
CHANGE, MISS.
275
00:17:55,454 --> 00:17:57,516
OY.
276
00:17:57,587 --> 00:17:59,188
CATCH.
277
00:18:02,448 --> 00:18:04,012
THANK YOU, SIR.
278
00:18:10,023 --> 00:18:13,378
CHARITABLE SORT,
YOU ARE.
279
00:18:13,449 --> 00:18:14,551
OH, THAT?
280
00:18:14,622 --> 00:18:17,088
FRIEND OF MINE.
KNEW HIM WHEN.
281
00:18:17,147 --> 00:18:18,582
WHEN WHAT?
282
00:18:18,653 --> 00:18:21,616
WHEN HE WAS A MAN.
283
00:18:21,688 --> 00:18:25,445
OLD IKE WEBBER, A FRIEND
OF MY MA'S, TOLD ME THIS.
284
00:18:25,517 --> 00:18:27,247
"AS I WAS OUT WALKING,
285
00:18:27,318 --> 00:18:31,112
"I SAW IN THE DISTANCE
WHAT SEEMED AN ANIMAL.
286
00:18:31,183 --> 00:18:34,147
"COME UP CLOSER
AND SEE IT WAS A MAN.
287
00:18:34,218 --> 00:18:37,347
COME STILL CLOSER AND
SEE IT WAS MY BROTHER."
288
00:18:40,678 --> 00:18:42,421
TIRED?
289
00:18:42,480 --> 00:18:44,045
MM-HMM.
290
00:18:57,251 --> 00:18:59,148
QUIET AS MICE,
AIN'T WE?
291
00:19:02,941 --> 00:19:04,518
WHAT YOU LOOKING AT?
292
00:19:06,580 --> 00:19:09,117
TELL US.
293
00:19:09,177 --> 00:19:11,642
TIRED, AIN'T YOU?
294
00:19:11,713 --> 00:19:13,681
ALWAYS TIRED.
295
00:19:16,384 --> 00:19:18,850
MY FEET'S
JUST ABOUT WORE OFF.
296
00:19:18,909 --> 00:19:21,908
LET'S GO. NICE STRONG
CUP OF TEA FOR TWO.
297
00:19:27,350 --> 00:19:29,151
WHAT'S THE DOG
DOING HERE?
298
00:19:29,211 --> 00:19:32,708
I DON'T GO OUT
WITH DOGS, YOU KNOW.
299
00:19:32,779 --> 00:19:35,849
ALL RIGHT. I'LL DROP HIM OFF ON THE WAY.
300
00:19:35,908 --> 00:19:37,307
COME ON.
301
00:19:45,475 --> 00:19:49,008
KISSING YOU LIKE THAT-
THE FIRST MEETING.
302
00:19:49,079 --> 00:19:50,110
I NEVER DONE A THING
LIKE THAT BEFORE
303
00:19:50,181 --> 00:19:52,611
IN MY WHOLE LIFE.
304
00:19:52,683 --> 00:19:54,639
LUCKY ME.
305
00:19:54,710 --> 00:19:56,215
LUCKY YOU.
306
00:19:58,373 --> 00:19:59,475
WELL, NOW.
307
00:19:59,546 --> 00:20:03,079
FIVE RED BEETLES ON
THE END OF YOUR FINGERS.
308
00:20:05,213 --> 00:20:08,378
G SHARP-
THE PITCH OF THAT.
309
00:20:08,437 --> 00:20:11,745
PERFECT PITCH,
THAT'S ME. G SHARP.
310
00:20:11,804 --> 00:20:13,843
NOT ONE IN A MILLION
HAS THAT.
311
00:20:13,914 --> 00:20:15,977
VERY UNUSUAL PERSON,
DIDN'T YOU KNOW?
312
00:20:16,048 --> 00:20:16,747
ARE YOU?
313
00:20:18,644 --> 00:20:22,912
YES, AND ALL I WANT
TO DO IS HOLD YOU
314
00:20:22,971 --> 00:20:25,105
AND MURDER ANYONE
WHO'D SAY A WORD TO YOU.
315
00:20:25,176 --> 00:20:28,614
INTERESTING PROGRAM,
BUT WHAT'S IT GET ME?
316
00:20:28,673 --> 00:20:30,273
ONLY TROUBLE.
317
00:20:39,769 --> 00:20:41,440
WHY DON'T YOU
PUT THAT HAT ON?
318
00:20:41,511 --> 00:20:44,439
I DON'T WANT
TO SPOIL ME HAIR.
319
00:20:44,510 --> 00:20:46,206
MEETING SOMEONE?
320
00:20:50,343 --> 00:20:53,235
IT'S LATE,
LATER THAN I THOUGHT.
321
00:20:53,306 --> 00:20:55,203
TIME IS NOT OF THE ESSENCE WITH ME.
322
00:20:55,274 --> 00:20:57,870
NO PLACE TO GO AND GOING THERE TOMORROW.
323
00:20:57,942 --> 00:21:00,609
I DON'T PRETEND TO KNOW
WHAT THAT MEANS.
324
00:21:00,668 --> 00:21:03,975
FIGHT LIKE CATS
WITH MA.
325
00:21:04,047 --> 00:21:06,607
TOLD HER OFF TODAY,
SO IT'S THE END.
326
00:21:06,678 --> 00:21:09,808
SHE DON'T KNOW THEY MILK
THE COW THAT STANDS STILL.
327
00:21:09,867 --> 00:21:11,835
WANTS ME IN THAT SILLY BUSINESS OF HERS,
328
00:21:11,906 --> 00:21:15,071
SQUEEZING PENNIES
OUT OF PAUPERS.
329
00:21:15,142 --> 00:21:16,743
NO, THANK YOU.
330
00:21:20,702 --> 00:21:23,500
YOU MEAN YOU'RE LEAVING
LONDON IN THE MORNING?
331
00:21:23,571 --> 00:21:27,044
CAN'T THINK OF ANY REASON
NOT TO, CAN YOU?
332
00:21:27,104 --> 00:21:28,538
INVITING ME IN?
333
00:21:28,609 --> 00:21:32,604
NO. MY AUNT AND UNCLE'S
ASLEEP IN THE BACK.
334
00:21:32,675 --> 00:21:35,034
I'D LIKE TO SMASH YOU
ONE WITH THIS.
335
00:21:35,105 --> 00:21:36,741
WHY?
336
00:21:41,009 --> 00:21:44,767
I FEEL LIKE I KNOW YOU
A WHOLE LIFETIME.
337
00:21:44,838 --> 00:21:46,474
DO YOU WANT
TO SEE ME CRY?
338
00:21:46,533 --> 00:21:47,541
NO.
339
00:21:47,600 --> 00:21:49,509
THEN SAY GOOD-BYE
AND GO AWAY.
340
00:21:55,934 --> 00:21:58,933
NO SENSE IN THIS. YOU'RE
LEAVING IN THE MORNING.
341
00:21:59,004 --> 00:22:01,173
JUST WASTING OUR TIME, THAT'S ALL.
342
00:22:01,233 --> 00:22:03,307
YOU'RE A STRANGER.
WE MEET.
343
00:22:03,366 --> 00:22:07,634
SUDDENLY
- HAVE YOU EVER BEEN IN LOVE?
344
00:22:07,705 --> 00:22:09,507
YOU MAKE ME FEEL
12 YEARS OLD AGAIN.
345
00:22:09,566 --> 00:22:11,831
I DON'T KNOW WHY.
346
00:22:11,902 --> 00:22:14,296
YOU'RE THE ONLY MAN
I'VE MET IN YEARS
347
00:22:14,403 --> 00:22:17,106
WHO GIVES ME
ANY FEELING.
348
00:22:17,165 --> 00:22:19,169
SAY GOOD-BYE.
THAT'S THE END.
349
00:22:19,240 --> 00:22:21,539
I'LL DROP BY
THE FUNFAIR TOMORROW.
350
00:22:21,599 --> 00:22:23,507
DON'T.
351
00:22:23,567 --> 00:22:24,562
GOOD NIGHT, ADA.
352
00:22:24,633 --> 00:22:26,269
GOOD-BYE, ERN BOY.
353
00:22:31,035 --> 00:22:33,939
IN THE END, YOU WOULDN'T
GIVE ME WHAT I NEED.
354
00:22:33,998 --> 00:22:36,263
CONFIDENCE-THAT'S
WHAT A WOMAN NEEDS.
355
00:22:36,334 --> 00:22:37,365
CONFIDENCE?
356
00:22:37,436 --> 00:22:38,871
YES.
357
00:22:38,930 --> 00:22:42,771
GOOD THING THEN
YOU WON'T SEE ME AGAIN.
358
00:22:42,830 --> 00:22:44,869
NO FUTURE IN ME
FOR ANYONE LIKE YOU.
359
00:22:44,928 --> 00:22:47,999
NO CONFIDENCE.
360
00:22:48,070 --> 00:22:49,066
GOOD NIGHT, ADA.
361
00:22:49,137 --> 00:22:51,104
GOOD NIGHT.
362
00:23:02,829 --> 00:23:04,868
NO QUESTION,
MRS. MOTT.
363
00:23:04,927 --> 00:23:08,400
IT'S WORTH EVERY PENNY
YOU ASK, IRREGARDLESS.
364
00:23:08,459 --> 00:23:11,162
I'LL SEND MR. LESSER
FOR IT THIS AFTERNOON.
365
00:23:11,233 --> 00:23:13,699
IT GOES
IN MY PRIVATE COLLECTION.
366
00:23:13,770 --> 00:23:16,663
I COULDN'T FIND
THE HEART TO SELL IT.
367
00:23:16,734 --> 00:23:19,330
GOOD ENOUGH, IKE.
368
00:23:19,401 --> 00:23:21,227
IF YOU CAN
AFFORD IT.
369
00:23:21,298 --> 00:23:23,669
WOULD YOUR SON LIKE
TO CLEAN THE MECHANISM?
370
00:23:23,728 --> 00:23:27,735
HE'S GOT TALENT
FOR SUCH THINGS.
371
00:23:27,794 --> 00:23:30,402
I SEE YOUR MIND IS SOMEWHERE ELSE TODAY.
372
00:23:33,935 --> 00:23:36,697
STILL THE SAME
OLD TROUBLE?
373
00:23:36,768 --> 00:23:37,764
HE WON'T STAY HOME.
374
00:23:37,835 --> 00:23:40,692
PROUD AS THE QUEEN'S
CARRIAGE HE IS
375
00:23:40,763 --> 00:23:42,968
AND INDEPENDENT.
376
00:23:43,027 --> 00:23:45,161
HE'S LEAVING HOME
FOR GOOD TODAY.
377
00:23:45,232 --> 00:23:48,362
EXCUSE ME
FOR MENTIONING IT,
378
00:23:48,433 --> 00:23:50,590
BUT WHY DON'T
I TALK TO HIM?
379
00:23:50,661 --> 00:23:52,629
YOU'VE GOT
TO HELP ME, IKE.
380
00:23:52,700 --> 00:23:54,633
BUT OF COURSE.
IRREGARDLESS.
381
00:23:54,692 --> 00:23:59,126
I'M ILL.
382
00:23:59,197 --> 00:24:01,034
WHAT YOUR WIFE UP
AND DIED OF.
383
00:24:03,630 --> 00:24:06,060
OH.
384
00:24:06,132 --> 00:24:08,099
IT MIGHT HAPPEN
SOONER THAN I THINK.
385
00:24:12,462 --> 00:24:14,465
THINKING OUT LOUD,
386
00:24:14,525 --> 00:24:15,497
IT WOULD BE
VERY FINE
387
00:24:15,556 --> 00:24:18,792
IF YOU HAD HIM
WITH YOU FOR-
388
00:24:18,863 --> 00:24:21,697
FOR THE NEXT
FEW MONTHS.
389
00:24:21,756 --> 00:24:26,498
YOU NEED SLEEP AND
SPECIAL CONSIDERATIONS.
390
00:24:26,557 --> 00:24:27,695
THAT'S IMPOSSIBLE
WITH HIM
391
00:24:27,766 --> 00:24:29,959
WALKING
AROUND THE COUNTRY.
392
00:24:33,029 --> 00:24:35,258
WHY DON'T YOU
TELL HIM?
393
00:24:35,329 --> 00:24:36,823
OH, BUT, MRS. MOTT,
394
00:24:36,894 --> 00:24:38,696
ISN'T IT POSSIBLE
THAT MAYBE
395
00:24:38,755 --> 00:24:42,098
YOU EXAGGERATE
HIS FEELINGS?
396
00:24:44,327 --> 00:24:46,591
I BROUGHT JOEY
ROUND AGAIN.
397
00:25:05,262 --> 00:25:07,087
WHAT ARE THEM PILLS FOR?
398
00:25:07,158 --> 00:25:09,695
YEAST TABLETS.
399
00:25:09,755 --> 00:25:11,687
DON'T THINK THEY DO YOU
ANY GOOD, DO YOU?
400
00:25:11,758 --> 00:25:16,192
AT LEAST AS MUCH
AS YOU DO.
401
00:25:16,263 --> 00:25:18,491
SEE, THAT'S
WHAT I MEAN.
402
00:25:18,562 --> 00:25:20,827
NEVER AN HOUR
OF PEACE BETWEEN US.
403
00:25:20,886 --> 00:25:21,787
RECKON THE STORK
BROUGHT YOU
404
00:25:21,858 --> 00:25:23,518
THE WRONG
SORT OF SON.
405
00:25:23,589 --> 00:25:24,691
WOULDN'T BE
SURPRISED.
406
00:25:24,762 --> 00:25:28,627
YOU'LL NEVER GET ME TO
STAY AND RUN THIS SHOP.
407
00:25:28,686 --> 00:25:33,286
I WON'T SWEAT PENNIES OUT
OF DEVILS POORER THAN MESELF,
408
00:25:33,357 --> 00:25:36,119
NOT IF I HAD BOTH
LEGS CUT OFF.
409
00:25:36,190 --> 00:25:38,194
I'D CRAWL OUT
IN THE STREET.
410
00:25:38,253 --> 00:25:42,319
SOMEDAY YOU'LL KNOW
I'M YOUR ONLY FRIEND.
411
00:25:42,390 --> 00:25:43,291
LESS SAID,
THE BETTER.
412
00:25:43,350 --> 00:25:44,891
EAT YOUR BREAKFAST.
413
00:25:46,551 --> 00:25:47,760
GOOD-BYE.
414
00:25:47,819 --> 00:25:49,183
NIPPER.
415
00:25:51,352 --> 00:25:54,055
I'LL DROP YOU A POST
CARD FROM THE SEASIDE.
416
00:26:22,221 --> 00:26:23,786
WHERE YOU OFF TO?
417
00:26:23,857 --> 00:26:26,180
REHEARSALS.
HAD YOUR BREAKFAST?
418
00:26:26,252 --> 00:26:27,224
I'M GOING UP
TO TATE'S.
419
00:26:28,717 --> 00:26:30,484
TATE'S!
420
00:26:30,555 --> 00:26:32,084
I'M SICK OF
THIS STREET.
421
00:26:32,155 --> 00:26:36,091
I'VE SMELLED IT FOR
ALMOST 5 TIMES 7 YEARS.
422
00:26:36,150 --> 00:26:40,216
QUICK, LET A WIND COME
AND BLOW IT ALL TO PIECES.
423
00:26:40,287 --> 00:26:43,820
WELL, I'M LEAVING
FOR GOOD NOW.
424
00:26:45,954 --> 00:26:47,685
MISS ME, WILL YOU?
425
00:26:47,756 --> 00:26:49,617
IT'S NOTHING
TO DO WITH ME
426
00:26:49,688 --> 00:26:52,154
IF YOU QUARREL
WITH YOUR MA.
427
00:26:52,213 --> 00:26:54,916
YES, I'LL MISS YOU.
428
00:26:56,018 --> 00:26:58,413
MARRY YOU QUICK
IF I HAD THE CHANCE.
429
00:26:58,484 --> 00:27:01,649
WHAT ABOUT MONEY?
430
00:27:01,720 --> 00:27:03,048
"MONEY TALKS," THEY SAY.
431
00:27:03,119 --> 00:27:05,822
THE ONLY THING IT EVER
TOLD ME WAS GOOD-BYE.
432
00:27:05,881 --> 00:27:07,778
SUPPORT ME, WOULD YOU?
433
00:27:07,849 --> 00:27:11,856
IF YOU WANTED ME TO.
434
00:27:11,915 --> 00:27:13,444
THINK YOU COULD
HANDLE ME, AGGIE?
435
00:27:13,515 --> 00:27:15,448
I KNOW HOW
TO HANDLE YOU-
436
00:27:15,519 --> 00:27:17,321
NOT HANDLE YOU
AT ALL,
437
00:27:17,380 --> 00:27:20,213
LEAVE YOU BE.
438
00:27:20,284 --> 00:27:23,284
I'VE NEVER BEEN SO TEMPTED
IN ALL ME BORN DAYS.
439
00:27:23,343 --> 00:27:25,986
THINK ABOUT IT.
440
00:27:26,046 --> 00:27:28,748
YOU KNOW
THE ADDRESS.
441
00:27:28,820 --> 00:27:32,447
OH, I'M LATE.
I'VE GOT TO HURRY.
442
00:27:32,518 --> 00:27:34,581
GOOD-BYE, ERNIE.
443
00:27:34,652 --> 00:27:37,817
* THE GRAY DAWN IS BREAKING *
444
00:27:37,876 --> 00:27:39,619
BYE, AGGIE.
445
00:27:39,678 --> 00:27:46,542
* THE HORN OF THE HUNTER
IS HEARD **
446
00:27:46,613 --> 00:27:49,186
NIPPER,
YOU STAY THERE.
447
00:27:53,418 --> 00:27:55,445
A BIG FOURPENNY,
AND TWO OF CHIPS.
448
00:28:00,281 --> 00:28:02,012
LOOKING VERY PROSPEROUS
THERE, LEN,
449
00:28:02,083 --> 00:28:03,648
NEW FIXTURES AND ALL.
450
00:28:03,719 --> 00:28:06,244
YES, I GOT MINE.
451
00:28:06,315 --> 00:28:08,544
LOOKS AS IF IT'S
ALL IN YOUR TEETH.
452
00:28:14,851 --> 00:28:17,079
AIN'T IT TIME
YOU STAYED HOME
453
00:28:17,150 --> 00:28:20,150
AND SETTLED DOWN IN
BUSINESS FOR YOURSELF, SON?
454
00:28:20,209 --> 00:28:22,307
ME?
455
00:28:22,378 --> 00:28:23,682
IF THAT'S WHAT
YOU HAPPEN TO WANT.
456
00:28:23,741 --> 00:28:26,480
IT'S SAFE,
THAT'S WHAT IT IS.
457
00:28:26,539 --> 00:28:28,009
SAFE.
458
00:28:30,641 --> 00:28:32,277
WELL, IF IT ISN'T
IKE WEBBER.
459
00:28:32,348 --> 00:28:33,782
WHAT BRINGS YOU
HERE?
460
00:28:33,841 --> 00:28:35,679
AND HOW IS
MR. MOTT TODAY?
461
00:28:35,750 --> 00:28:37,706
WHAT AN HONOR,
MR. MOTT.
462
00:28:37,777 --> 00:28:39,650
COME DOWN FOR SOME
OF TATE'S FAMOUS CHIPS?
463
00:28:39,709 --> 00:28:43,017
MM-HMM. EVERYTHING
WITH A KISS.
464
00:28:43,076 --> 00:28:45,506
I'M GLAD
I RAN INTO YOU.
465
00:28:45,577 --> 00:28:46,538
ARE YOU?
466
00:28:46,609 --> 00:28:49,845
I NEED 2 POUNDS' WORTH
OF CLOCK REPAIRS.
467
00:28:49,916 --> 00:28:51,908
I'M ON ME WAY
TO LIVERPOOL.
468
00:28:51,979 --> 00:28:54,907
OH.
469
00:28:54,978 --> 00:28:58,143
DON'T THEY USE MONEY
IN LIVERPOOL ANYMORE?
470
00:29:01,048 --> 00:29:02,648
A GENT!
471
00:29:05,908 --> 00:29:07,805
AH, ANCIENT HISTORY.
472
00:29:07,876 --> 00:29:12,013
"TO EDWARD FROM MARY,
WITH LOVE."
473
00:29:12,072 --> 00:29:13,270
YOU KNOW, IKE,
474
00:29:13,341 --> 00:29:16,079
GIVE ME GOOD OLD
QUIET MACHINERY ANYTIME.
475
00:29:16,138 --> 00:29:20,441
SHE WANTS A QUID ON THIS
- AN OLD LADY.
476
00:29:20,513 --> 00:29:24,069
GIVE IT TO HER, AN OLD LADY, MR. LESSER.
477
00:29:24,140 --> 00:29:25,978
EVERYTHING
WITH A KISS.
478
00:29:26,037 --> 00:29:28,408
CLOCKS. CLOCKS.
TICK TOCK.
479
00:29:29,937 --> 00:29:32,011
TICK TOCK.
TICK TOCK.
480
00:29:33,873 --> 00:29:35,105
DID YOU EVER REALIZE
481
00:29:35,177 --> 00:29:37,808
YOUR MOTHER WAS,
ONCE UPON A TIME,
482
00:29:37,903 --> 00:29:39,871
MAYBE THE MOST
BEAUTIFUL WOMAN
483
00:29:39,942 --> 00:29:42,574
IN THE EAST END
OF LONDON?
484
00:29:43,439 --> 00:29:45,869
IN THE OLD DAYS,
I MEAN.
485
00:29:45,940 --> 00:29:47,778
WHAT ABOUT IT?
486
00:29:49,106 --> 00:29:52,437
EXCUSE ME IF I PUT A FLEA IN YOUR EAR.
487
00:29:52,508 --> 00:29:54,772
YOUR MOTHER IS
A VERY SICK WOMAN.
488
00:29:58,376 --> 00:30:00,107
YOU OWE ME �2, IKE.
489
00:30:00,178 --> 00:30:03,070
PAY IT.
I'LL BE ON MY WAY.
490
00:30:25,902 --> 00:30:28,308
DOES SHE HAVE A PAIN
FOR HER NO-GOOD SON?
491
00:30:28,368 --> 00:30:32,576
YOUR MOTHER IS NOT A
SUPERFICIAL WOMAN, MR. MOTT.
492
00:30:32,635 --> 00:30:35,469
WHEN SHE GETS ILL,
SHE GETS ILL.
493
00:30:41,431 --> 00:30:42,534
WHAT IS IT?
494
00:30:42,605 --> 00:30:44,265
CANCER.
495
00:30:47,465 --> 00:30:51,508
I RECOMMEND YOU NOT
TO SAY A WORD TO HER.
496
00:31:04,405 --> 00:31:07,262
EVERYTHING WITH A KISS.
497
00:31:35,867 --> 00:31:38,037
WHAT ARE YOU
LAUGHING ABOUT, SON?
498
00:31:38,096 --> 00:31:40,502
ARE YOU LAUGHING?
499
00:31:40,562 --> 00:31:41,569
HUH?
500
00:31:41,628 --> 00:31:44,699
THOUGHT I HEARD
YOU LAUGHING.
501
00:31:44,770 --> 00:31:47,899
SEEMS LIKE
I SAW YOU BEFORE.
502
00:31:47,971 --> 00:31:51,563
WASN'T IT THE OTHER
NIGHT IN WESTMINSTER?
503
00:31:51,634 --> 00:31:53,104
WHAT'S YOUR NAME,
SON?
504
00:31:53,163 --> 00:31:55,166
ERNIE MOTT.
505
00:31:55,237 --> 00:31:57,170
AS THE BACON
SAID TO THE EGG,
506
00:31:57,229 --> 00:31:59,102
"SO PLEASED
TO MEET YOU."
507
00:31:59,161 --> 00:32:01,829
HENRY TWITE'S
MY NAME.
508
00:32:01,900 --> 00:32:04,496
ERNEST VERDUN MOTT.
509
00:32:04,567 --> 00:32:07,068
THAT'S MINE,
IF YOU WANT IT ALL.
510
00:32:07,127 --> 00:32:11,028
HOW DID YOU COME BY A
RARE, OLD TITLE LIKE THAT?
511
00:32:11,099 --> 00:32:12,498
ME FATHER-
512
00:32:12,569 --> 00:32:18,128
HE ROLLED UP THERE AT
VERDUN IN THE LAST WAR.
513
00:32:18,200 --> 00:32:20,037
A FRIEND OF MINE
PUT SOMETHING IN MY EAR,
514
00:32:20,096 --> 00:32:22,467
AND I CAN'T
GET IT OUT.
515
00:32:22,526 --> 00:32:24,399
BUZZ, BUZZ, BUZZ.
516
00:32:24,459 --> 00:32:26,225
BEEN DRINKING,
HAVE YOU?
517
00:32:30,967 --> 00:32:35,400
LOR LUMMEY,
YOU GOT IT BAD.
518
00:32:35,460 --> 00:32:38,696
I KNOW ALL ABOUT
TROUBLE, I DO.
519
00:32:38,767 --> 00:32:40,925
SON OF MY BOSOM,
THAT'S WHAT YOU ARE.
520
00:32:40,996 --> 00:32:43,497
SON OF YOUR NOTHING.
521
00:32:43,568 --> 00:32:46,532
I'M A LONE WOLF,
BARKING IN A CORNER,
522
00:32:46,591 --> 00:32:48,298
PLAIN DISGUSTED WITH
A WORLD I NEVER MADE
523
00:32:48,357 --> 00:32:50,064
AND DON'T WANT
NONE OF.
524
00:32:50,124 --> 00:32:52,992
THERE'S THE RIVER, BOY. HELP YOURSELF.
525
00:32:53,064 --> 00:32:55,695
DON'T LIKE WATER
NEITHER, I SEE.
526
00:33:00,556 --> 00:33:04,598
AH, THAT'S
DIFFERENT, THAT IS.
527
00:33:04,657 --> 00:33:06,530
SWEATING LIKE THAT
ON A NIGHT LIKE THIS,
528
00:33:06,590 --> 00:33:09,897
YOU'LL CATCH YOUR
DEATH OF DOUBLE AMMONIA.
529
00:33:09,956 --> 00:33:16,132
COME ALONG WITH ME TO A
PLACE WHERE IT'S WARM AND DRY.
530
00:33:50,096 --> 00:33:51,886
HERE WE ARE, DAD.
531
00:33:53,794 --> 00:33:57,825
ECHO! ECHO! ECHO!
532
00:33:57,896 --> 00:33:59,318
I'LL SEE YOU
SOON AGAIN.
533
00:33:59,389 --> 00:34:01,097
ECHO!
534
00:34:01,156 --> 00:34:03,218
WHAT FOR, DAD?
535
00:34:03,290 --> 00:34:05,293
MAYBE HELP YOU
TO GET
536
00:34:05,352 --> 00:34:08,186
MORE ADJUSTED TO YOUR ENVIRONMENT.
537
00:34:08,257 --> 00:34:09,821
NOW, WAIT.
538
00:34:13,627 --> 00:34:14,753
WHY NOT HELP
MY ENVIRONMENT
539
00:34:14,824 --> 00:34:17,219
GET MORE
ADJUSTED TO ME?
540
00:34:17,290 --> 00:34:18,961
FOLLOW THAT?
541
00:34:19,021 --> 00:34:20,822
BUZZ, BUZZ, BUZZ.
542
00:34:20,894 --> 00:34:22,518
VERDUN,
YOU'RE DRUNK.
543
00:34:22,589 --> 00:34:24,023
YOU ARE.
544
00:34:24,094 --> 00:34:26,951
OH, I AM THAT, DAD.
545
00:34:27,022 --> 00:34:29,251
ECHO! ECHO! ECHO!
546
00:34:30,721 --> 00:34:36,127
* OH, STARRY NIGHT *
547
00:34:37,027 --> 00:34:42,694
* OH, STARRY NIGHT *
548
00:34:42,753 --> 00:34:46,618
* DEE DEE DEE DEE *
549
00:34:48,420 --> 00:34:50,553
* DEEDLE-DEE DI **
550
00:34:50,625 --> 00:34:52,486
OH, WELL.
SAY GOOD NIGHT.
551
00:34:52,557 --> 00:34:54,193
SEE YOU SOON.
552
00:34:56,457 --> 00:34:58,650
AND ME FEET KILLING ME.
553
00:35:00,250 --> 00:35:02,052
GOOD NIGHT, DAD.
554
00:35:02,123 --> 00:35:06,320
NIGHT, VERDUN.
555
00:35:06,391 --> 00:35:08,750
ECHO, ECHO, ECHO.
556
00:35:08,821 --> 00:35:10,991
BUZZ, BUZZ, BUZZ.
557
00:35:59,582 --> 00:36:01,147
CHANGED MY MIND.
558
00:36:01,218 --> 00:36:03,387
HOME TO STAY.
559
00:36:03,447 --> 00:36:06,078
LESS SAID,
THE BETTER.
560
00:36:37,920 --> 00:36:40,776
KNOCK OFF THAT PIPING.
561
00:36:40,848 --> 00:36:42,780
GET UP TO MA TATE'S
AND GET SOME GRUB.
562
00:36:42,851 --> 00:36:43,918
SPIRIT OF
THE MORNING, MA.
563
00:36:43,977 --> 00:36:46,111
HERE'S YOU AND HERE'S
ME, IN WORKING ORDER.
564
00:36:46,182 --> 00:36:48,209
TA-RA CHIN!
565
00:36:48,280 --> 00:36:49,549
AIN'T I LOVELY?
566
00:36:49,608 --> 00:36:51,114
PROPER DREAM,
YOU ARE.
567
00:36:51,185 --> 00:36:53,081
ALL BLISTERED
FROM WEEKS OF WORK.
568
00:36:53,141 --> 00:36:55,749
I'M GOING TO NEED SOME MORE GREEN PAINT.
569
00:36:55,820 --> 00:36:58,843
PICK IT UP
AT PA PRETTYJOHN'S.
570
00:36:58,914 --> 00:37:00,716
HEY, WHERE ARE
YOU OFF TO?
571
00:37:00,775 --> 00:37:02,719
I'M OFF TO
THE WHITECHAPEL ROAD
572
00:37:02,778 --> 00:37:04,450
TO DO A BIT
OF BUSINESS.
573
00:37:04,509 --> 00:37:06,714
DON'T KNOW
HOW LONG I'LL BE.
574
00:37:06,773 --> 00:37:08,978
TAKE CHARGE
OF THE SHOP.
575
00:37:09,049 --> 00:37:10,946
SEE HOW YOU GO.
576
00:37:11,017 --> 00:37:15,641
MAKES ME PROUD YOU
THINK I CAN DO THAT.
577
00:37:15,712 --> 00:37:17,312
SLOSH YOU ONE.
578
00:37:17,383 --> 00:37:21,011
AIN'T SO LONG SINCE I WAS
WASHING OUT YOUR BABY NAPKINS.
579
00:37:21,082 --> 00:37:22,350
COME ON, NIPPER.
580
00:37:22,409 --> 00:37:23,974
ARE YOU TAKING NIPPER?
581
00:37:24,045 --> 00:37:26,973
WHY NOT? CRADLED HIM, DIDN'T I?
582
00:37:27,045 --> 00:37:30,411
HERE, PUT THAT
IN YOUR POCKET.
583
00:37:30,482 --> 00:37:32,450
SEE HOW YOU LIKE IT.
584
00:37:32,509 --> 00:37:33,446
RIGHT.
585
00:37:33,505 --> 00:37:34,714
SLOSH YOU ONE.
586
00:37:42,775 --> 00:37:46,047
OH, HELLO, MA.
587
00:37:46,107 --> 00:37:47,908
HOW'S YOUR
POOR OLD FEET, MA?
588
00:37:47,980 --> 00:37:49,616
OLD.
589
00:37:53,646 --> 00:37:57,108
HERE. I THINK I'LL
HANG HER UP IN MY ROOM.
590
00:37:57,179 --> 00:37:58,815
WHAT FOR?
591
00:37:58,874 --> 00:38:00,545
REMINDS ME
OF A PERSON.
592
00:38:00,605 --> 00:38:04,540
REMINDS ME
OF A CHRISTMAS GOOSE.
593
00:38:04,611 --> 00:38:07,279
HERE, TAKE THIS
WITH YOU.
594
00:38:07,338 --> 00:38:10,681
HOP IT NOW,
UP TO YOUR ROOM.
595
00:38:10,740 --> 00:38:12,779
WHAT IS IT, MA?
596
00:38:12,838 --> 00:38:15,304
SAUSAGE AND MASH
FOR SUPPER,
597
00:38:15,375 --> 00:38:17,047
SO DON'T BE LATE
COMING DOWN.
598
00:38:37,437 --> 00:38:39,440
MA.
599
00:38:47,904 --> 00:38:51,140
MAKES ME GIVE AT THE KNEES,
THIS SURPRISE OF YOURS.
600
00:38:51,211 --> 00:38:53,345
GLAD YOU LIKE IT, SON.
601
00:38:53,405 --> 00:38:55,811
SUPPER'S NEARLY READY.
602
00:39:07,535 --> 00:39:09,633
SIT DOWN AND HAVE
YOUR SUPPER, SON.
603
00:39:21,808 --> 00:39:24,937
WISH YOU'D WALK PAST
FISH AND CHIPS,
604
00:39:25,009 --> 00:39:27,534
LET THAT
MRS. TATE SEE YOU,
605
00:39:27,605 --> 00:39:30,438
NOT TO MENTION
DEAR MA FADDEN
606
00:39:30,509 --> 00:39:32,809
AND THE PLASTER-HAIRED ALF.
607
00:39:32,868 --> 00:39:35,903
HA HA HA! SURPRISE
THEM ALL, WON'T I?
608
00:39:35,974 --> 00:39:37,539
SURPRISES ME MOST.
609
00:39:37,610 --> 00:39:40,574
YOU LOOK JUST LIKE
YOUR FATHER DID...
610
00:39:40,633 --> 00:39:43,300
ON HIS BEST DAYS,
THAT IS.
611
00:39:45,932 --> 00:39:47,366
DID YOU LOVE
MY OLD MAN?
612
00:39:57,431 --> 00:40:00,169
EXPECT YOU TO DO
SOMETHING FOR ME TONIGHT.
613
00:40:00,240 --> 00:40:01,734
WHAT?
614
00:40:01,805 --> 00:40:04,330
STROLL AROUND
A BIT WITH ME.
615
00:40:04,401 --> 00:40:06,772
WE'LL SEE A FILM
- THE TWO AND FOURPENNY SEATS.
616
00:40:06,831 --> 00:40:10,897
DON'T YOU TRY ANY OF THEM LARKS ON ME.
617
00:40:10,968 --> 00:40:13,600
I'M OLD ENOUGH
TO BE YOUR MOTHER.
618
00:40:13,671 --> 00:40:17,666
HA HA HA!
619
00:40:17,737 --> 00:40:19,231
COME ON, MA.
DO IT.
620
00:40:19,302 --> 00:40:20,665
COULDN'T DO IT, SON.
621
00:40:20,737 --> 00:40:22,396
WHY NOT?
622
00:40:22,467 --> 00:40:24,494
TOO RICH FOR MY BLOOD.
623
00:40:24,566 --> 00:40:28,205
BESIDES,
SLEEP'S A BLESSED THING.
624
00:40:40,735 --> 00:40:43,236
WHAT'S WRONG, MA?
SOMETHING HURT YOU?
625
00:40:43,296 --> 00:40:46,603
NO. WHAT GAVE YOU
THAT IDEA?
626
00:40:46,662 --> 00:40:51,131
GOT A FUNNY STORY RIGHT
ON THE TIP OF ME TONGUE
627
00:40:51,203 --> 00:40:53,028
ABOUT A LITTLE MAN
IN THE PARK.
628
00:40:53,099 --> 00:40:57,402
ISN'T THEM YEAST TABLETS
UP ON THE MANTELPIECE?
629
00:41:08,664 --> 00:41:10,170
TUMMY ACHE.
630
00:41:19,926 --> 00:41:22,664
WHAT ABOUT
THAT FUNNY STORY, SON?
631
00:41:24,561 --> 00:41:26,968
OH, YEAH. OH.
632
00:41:27,027 --> 00:41:29,694
THIS LITTLE MAN
IS IN THE PARK, SEE?
633
00:41:32,290 --> 00:41:36,534
THAT'S PECULIAR. IT SLIPPED MY MIND NOW.
634
00:41:36,593 --> 00:41:37,731
ACHE ALL GONE?
635
00:41:37,803 --> 00:41:40,233
NOTHING TO IT.
636
00:41:40,292 --> 00:41:43,801
SAUSAGE AIN'T RIGHT
FOR DELICATE APPETITES.
637
00:41:43,860 --> 00:41:46,397
GO ON. YOU COOK
THEM A TREAT, MA.
638
00:41:46,456 --> 00:41:49,159
WORST COOK
IN LONDON TOWN.
639
00:41:49,230 --> 00:41:51,400
DON'T TRY
BUTTERING ME UP.
640
00:41:51,459 --> 00:41:53,759
IF IT'S
A POUND YOU WANT,
641
00:41:53,830 --> 00:41:56,959
YOU'LL FIND IT UP THERE
UNDER THE VASE.
642
00:41:57,031 --> 00:41:58,998
THAT'S IT, MA.
643
00:41:59,058 --> 00:42:01,523
SEEN RIGHT
THROUGH ME, YOU DID.
644
00:42:05,032 --> 00:42:07,925
OFF YOU GO THEN.
TOMORROW'S SUNDAY,
645
00:42:07,996 --> 00:42:10,924
SO IT DON'T MATTER
HOW LATE YOU COME BACK.
646
00:42:10,995 --> 00:42:12,430
DON'T WAKE ME.
647
00:42:16,958 --> 00:42:19,756
WELL, UH, WELL,
I'M OFF, MA.
648
00:42:19,827 --> 00:42:21,723
HAVE A GOOD TIME,
BOY.
649
00:42:21,795 --> 00:42:23,324
THANKS, MA.
650
00:42:25,529 --> 00:42:29,061
HEY, HEY.
YOUR HAT'S ON CROOKED.
651
00:42:50,625 --> 00:42:52,628
QUIET AS
A LITTLE MOUSE.
652
00:42:55,461 --> 00:42:57,560
LISTEN, ERNIE.
653
00:42:57,619 --> 00:43:00,262
I'M SORRY
YOU'VE COME BACK.
654
00:43:00,322 --> 00:43:01,590
OW!
655
00:43:01,661 --> 00:43:03,096
ROLLED AN ICE-COLD
PICKLE JAR
656
00:43:03,155 --> 00:43:05,787
DOWN MY BACK,
YOU DID.
657
00:43:05,858 --> 00:43:08,063
YOU MEAN THAT, ADA?
658
00:43:08,122 --> 00:43:10,054
YOU'RE NOT SERIOUS.
659
00:43:10,125 --> 00:43:13,528
I'M NOT AN APPLE TO TAKE
A BITE OF AND THROW AWAY.
660
00:43:13,587 --> 00:43:14,618
I THOUGHT ABOUT IT
FOR 5 WEEKS
661
00:43:14,689 --> 00:43:17,594
WHETHER OR NOT
TO SEE YOU AGAIN.
662
00:43:17,653 --> 00:43:20,285
WHAT ARE
YOU LOOKING AT, ADA?
663
00:43:20,356 --> 00:43:22,063
SEE A PARADE
GOING BY?
664
00:43:22,122 --> 00:43:28,227
YES, MAYBE A WHOLE
BLOOMIN' PARADE OF TROUBLES.
665
00:43:31,025 --> 00:43:33,159
YOU CAN'T FIGHT IT OUT OUT HERE.
666
00:43:33,218 --> 00:43:34,925
THERE'S PLACES
FOR SUCH THINGS.
667
00:43:34,984 --> 00:43:36,822
BEST FIND ONE.
668
00:44:03,850 --> 00:44:05,758
WHO'S THAT?
669
00:44:05,818 --> 00:44:09,184
ME, MRS. MOTT.
MILLIE WILSON.
670
00:44:09,256 --> 00:44:11,520
ALONE, ARE YOU?
671
00:44:11,591 --> 00:44:12,516
YOU DRUNK?
672
00:44:12,587 --> 00:44:14,614
NO. GIVE IT UP, I DID.
673
00:44:14,685 --> 00:44:16,451
GIVE IT UP.
674
00:44:16,522 --> 00:44:19,522
MA SNOWDEN SENT ME.
675
00:44:19,581 --> 00:44:22,248
SHE GOT HERSELF HALF A
DOZEN FEATHER PILLOWS,
676
00:44:22,319 --> 00:44:24,690
SOFT ENOUGH
FOR ARISTOCRACY.
677
00:44:24,749 --> 00:44:28,448
NEVER SLEPT ON,
NEITHER.
678
00:44:28,519 --> 00:44:29,788
WHERE'D
THEY COME FROM?
679
00:44:29,847 --> 00:44:31,815
THE USUAL PLACE?
680
00:44:31,886 --> 00:44:32,988
YES.
681
00:44:33,047 --> 00:44:36,189
YOU KNOW I DON'T HANDLE
STOLEN GOODS, MILLIE.
682
00:44:36,248 --> 00:44:39,390
SHE'D SELL THEM
CHEAP, SHE WOULD.
683
00:44:39,449 --> 00:44:41,156
NO.
684
00:44:41,215 --> 00:44:44,724
3 OR 4 FINE
WOOLEN BLANKETS, TOO.
685
00:44:44,783 --> 00:44:46,182
NO.
686
00:44:47,854 --> 00:44:48,814
QUIET.
687
00:44:48,885 --> 00:44:50,853
SORRY, MRS. MOTT.
688
00:45:06,655 --> 00:45:11,385
NOW BE A GOOD BOY,
ERNIE, AND SAY GOOD NIGHT.
689
00:45:11,444 --> 00:45:15,249
WHAT A WAY YOU HAVE OF MAKING
SIMPLE THINGS DIFFICULT.
690
00:45:15,321 --> 00:45:16,921
THINK SO?
691
00:45:19,019 --> 00:45:20,217
SUPPOSE
A CERTAIN PARTY
692
00:45:20,288 --> 00:45:23,014
DOESN'T HAPPEN TO
LIKE ME SEEING YOU?
693
00:45:23,085 --> 00:45:24,413
WHO WOULD THAT BE?
694
00:45:24,484 --> 00:45:26,120
JIM MORDINOY.
695
00:45:26,179 --> 00:45:28,112
MORDINOY,
THE FLASH BOY?
696
00:45:28,183 --> 00:45:31,111
HOW HAS HE CREPT
INTO YOUR LIFE?
697
00:45:31,182 --> 00:45:34,549
DIDN'T SAY HE HAD,
DID I?
698
00:45:34,620 --> 00:45:36,919
THERE'S ABOUT 20 GOOD KISSES LEFT IN ME,
699
00:45:36,979 --> 00:45:38,852
BUT HE'LL
NEVER GET ONE.
700
00:45:38,911 --> 00:45:40,986
TOLD HIM SO?
701
00:45:41,045 --> 00:45:42,479
MORE THAN ONCE.
702
00:45:42,550 --> 00:45:44,115
THEN THAT'S THAT.
703
00:45:44,186 --> 00:45:46,249
ACCORDING
TO WHOSE BOOK?
704
00:45:46,320 --> 00:45:47,517
ERNIE MOTT'S.
705
00:45:47,577 --> 00:45:50,718
I'D BLIND HIM OUT OF TWO
EYES QUICK AS SEE HIM.
706
00:45:50,777 --> 00:45:53,812
HERE'S HOPING
YOU DON'T TRY.
707
00:45:53,883 --> 00:45:57,048
,
708
00:45:57,108 --> 00:45:58,044
NOW, SAY GOOD NIGHT,
ERNIE,
709
00:45:58,115 --> 00:46:00,949
AND LET'S
FORGET IT ALL.
710
00:46:01,008 --> 00:46:03,877
WE ALL RIGHT FOR
NEXT WEDNESDAY NIGHT?
711
00:46:05,607 --> 00:46:08,144
TAKE ME DANCING?
712
00:46:08,215 --> 00:46:12,613
ANYTHING
YOU LIKE, ADA.
713
00:46:12,684 --> 00:46:15,447
HERE'S
5 BEETLES ON IT.
714
00:46:26,649 --> 00:46:30,205
GIVE OVER, BOY. YOU'LL
MASH ME TO A PULP.
715
00:46:34,912 --> 00:46:36,879
WEDNESDAY,
HALF 9:00, THEN.
716
00:46:36,951 --> 00:46:38,480
THAT'S IT.
717
00:47:01,904 --> 00:47:04,145
OKEY-DOKE, AGGIE.
IT'S A FRIEND.
718
00:47:04,204 --> 00:47:05,781
OH. WHAT ARE YOU
DOING OUT
719
00:47:05,840 --> 00:47:07,547
THIS LATE AT NIGHT?
720
00:47:07,606 --> 00:47:09,776
BIT OF FRESH AIR.
721
00:47:12,075 --> 00:47:13,439
TALL TONIGHT.
722
00:47:13,510 --> 00:47:15,976
THE HIGH-HEELED
SHOES.
723
00:47:16,047 --> 00:47:18,038
I'VE JUST FINISHED
PLAYING AT A CLUB DINNER.
724
00:47:18,109 --> 00:47:19,544
YOU KNOW
WHAT THEY'RE LIKE-
725
00:47:19,603 --> 00:47:22,069
A LOT OF MEN
SMOKING CIGARS
726
00:47:22,140 --> 00:47:25,139
AND GETTING TIGHT
AND SHOWING OFF.
727
00:47:25,210 --> 00:47:28,980
I GET SICK OF IT.
728
00:47:29,039 --> 00:47:30,746
I THOUGHT
YOU'D FORGOTTEN ME.
729
00:47:30,806 --> 00:47:32,643
NO, NOT AT ALL.
730
00:47:47,876 --> 00:47:49,476
WANT SOME COFFEE?
731
00:47:51,669 --> 00:47:53,068
NO, THANKS, AGGIE.
732
00:48:01,841 --> 00:48:05,077
ARE YOU
A FORTUNETELLER, AGGIE?
733
00:48:05,136 --> 00:48:06,737
SOMEWHAT.
734
00:48:11,834 --> 00:48:14,738
I'M ON THE FRINGES
OF A GREAT ROMANCE.
735
00:48:14,809 --> 00:48:17,133
WHAT'LL I DO?
736
00:48:17,204 --> 00:48:18,141
HAVE IT.
737
00:48:18,200 --> 00:48:20,037
BUT IT'S NOT YOU,
AGGIE.
738
00:48:23,238 --> 00:48:24,234
THAT'S NO NEWS, IS IT?
739
00:48:24,305 --> 00:48:27,506
I KNOW
YOU LIKE IT HONEST.
740
00:48:27,577 --> 00:48:31,335
DON'T OFTEN MEET A
CAVALIER THIS LATE AT NIGHT.
741
00:48:32,532 --> 00:48:34,132
BUT IT AIN'T FAIR TO
YOU, THESE MEETINGS.
742
00:48:34,203 --> 00:48:36,965
OH, REALLY, ERN.
YOU'RE A FOOL.
743
00:48:38,198 --> 00:48:39,941
YOU'RE MOODY; YOU'RE
CLEVER; YOU'RE HUMAN,
744
00:48:40,000 --> 00:48:41,767
BUT YOU'RE A FOOL.
745
00:48:41,838 --> 00:48:44,932
YOU'RE TRYING TO TELL ME
YOU LOVE ANOTHER GIRL, RIGHT?
746
00:48:45,003 --> 00:48:47,172
I KNOW WHY
YOU'RE STAYING.
747
00:48:47,231 --> 00:48:50,764
NO, THAT ISN'T WHY,
AGGIE.
748
00:48:50,835 --> 00:48:52,270
WELL THEN, WHY?
749
00:48:54,439 --> 00:48:55,838
ME MA IS ILL.
750
00:48:57,735 --> 00:49:00,663
LAST CARD IN THE PACK, IT LOOKS.
751
00:49:01,765 --> 00:49:03,306
OH.
752
00:49:03,365 --> 00:49:06,436
ALL ROADS LEAD
TO MA THIS YEAR.
753
00:49:10,265 --> 00:49:12,470
WHAT'D WE START
TALKING ABOUT?
754
00:49:12,529 --> 00:49:16,370
NOTHING THAT
WON'T KEEP.
755
00:49:16,429 --> 00:49:18,267
I'D BETTER
MAKE A MOVE.
756
00:49:18,338 --> 00:49:22,570
I GET AN IDEA SHE
DON'T SLEEP EVERY NIGHT.
757
00:49:22,629 --> 00:49:24,502
MIND THE STEP.
758
00:49:24,573 --> 00:49:26,470
WAIT A MINUTE, ERNIE.
759
00:49:26,529 --> 00:49:27,869
DON'T WORRY FOR ME.
760
00:49:27,940 --> 00:49:30,204
I'M HERE
IF YOU NEED ME.
761
00:49:30,263 --> 00:49:34,863
IF I LOVE YOU, IT'S
SOMETHING I CAN'T HELP
762
00:49:34,934 --> 00:49:37,198
AND SOMETHING
THAT I NEED.
763
00:49:37,269 --> 00:49:38,502
BUT PEOPLE ARE
WHAT THEY ARE
764
00:49:38,561 --> 00:49:40,600
AND LOVE WHAT
THEY LOVE,
765
00:49:40,671 --> 00:49:41,762
AND I DON'T SEE
ANY SENSE
766
00:49:41,833 --> 00:49:44,536
IN TRYING TO BE
SOMETHING ELSE.
767
00:49:44,595 --> 00:49:47,393
I WOULDN'T TRADE IT
FOR A BOX AT THE OPERA,
768
00:49:47,464 --> 00:49:49,764
THE THING
I FEEL FOR YOU.
769
00:49:49,835 --> 00:49:51,032
AND YOU CAN'T
CHANGE IT
770
00:49:51,103 --> 00:49:54,304
OR TAKE IT AWAY
FROM ME.
771
00:49:54,363 --> 00:49:57,730
THERE YOU ARE,
MR. JACK-IN-THE-BOX.
772
00:49:57,801 --> 00:50:00,160
NOW, CROSS OVER
AND SLEEP WELL.
773
00:50:13,864 --> 00:50:15,464
HMM.
774
00:50:22,696 --> 00:50:24,995
YOU DON'T THINK
IT'S WORTH MORE, IKE?
775
00:50:25,067 --> 00:50:27,900
TO MY MIND, NO,
MRS. MOTT.
776
00:50:27,959 --> 00:50:29,263
ALL RIGHT.
777
00:50:29,334 --> 00:50:32,001
HMM. HMM.
778
00:50:34,396 --> 00:50:39,126
IT ADDS UP
JUST UNDER �200,
779
00:50:39,197 --> 00:50:41,035
THE PIANO
NOT INCLUDED.
780
00:50:42,528 --> 00:50:45,195
THAT'S VERY
DISAPPOINTING.
781
00:50:45,267 --> 00:50:47,566
YOU EXPECTED IT
TO BE MORE?
782
00:50:47,626 --> 00:50:49,167
THAT'S NOTHING.
783
00:50:51,763 --> 00:50:54,667
GO THROUGH HIS GENEROUS HANDS IN A YEAR.
784
00:50:57,157 --> 00:50:59,966
LOOK AT HIM
OUT THERE.
785
00:51:00,025 --> 00:51:03,665
NEVER KNOW IT WAS THE
SAME BOY, WOULD YOU?
786
00:51:03,724 --> 00:51:07,031
THERE'S SUCH THINGS AS
PRAYERS BEING ANSWERED.
787
00:51:07,091 --> 00:51:10,860
YES, THE PLACES
OF THE WORLD ARE EMPTY,
788
00:51:10,932 --> 00:51:13,457
AND THE HUMAN HEART
IS EVERYTHING.
789
00:51:13,528 --> 00:51:17,463
OH, THAT'S A SPEECH.
790
00:51:17,523 --> 00:51:20,593
WELL, I'LL GO.
791
00:51:20,664 --> 00:51:22,063
THANK YOU, IKE.
792
00:51:22,122 --> 00:51:23,521
YOU'RE A SPORT.
793
00:51:23,592 --> 00:51:25,394
ANYTIME, MRS. MOTT.
794
00:51:25,453 --> 00:51:28,666
A PLEASURE TO SERVE YOU,
IRREGARDLESS.
795
00:51:45,559 --> 00:51:46,886
WHOA!
796
00:51:46,957 --> 00:51:50,123
AH, ME VERDUN BOY!
797
00:51:50,194 --> 00:51:51,225
HOW ARE YOU?
798
00:51:51,296 --> 00:51:53,086
FINE.
799
00:51:53,157 --> 00:51:55,090
HOW'S YOUR MA?
800
00:51:55,161 --> 00:51:56,690
WHAT HAVE YOU
GOT THERE?
53128
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