Original subtitles

[ "HAWAII FIVE-O THEME" PLAYS ]

Man: AND HEADLINING THE LOCAL NEWS, A BIZARRE MURDER CASE.

THE COAST GUARD RETURNED TO HONOLULU THIS MORNING,

CARRYING THE BODY OF A 50-YEAR-OLD LOS ANGELES MAN,

VICTOR MARTIN.

LAST NIGHT, THE COAST GUARD ANSWERED A DISTRESS CALL

FROM A CABIN CRUISER, WHICH THE MURDERED MAN HAD RENTED

FOR A SOLO VOYAGE TO KAUAI.

AFTER A SEARCH OF SEVERAL HOURS,

THE COAST GUARD FOUND

A RUBBER LIFE RAFT ADRIFT.

SPRAWLED IN THE RAFT WAS THE BODY OF MARTIN.

HE HAD BEEN BLUDGEONED TO DEATH.

DEBRIS FOUND FLOATING AROUND THE LIFE RAFT INDICATED

THAT THE CABIN CRUISER HAD BEEN BURNED AND SUNK

AFTER MARTIN'S BODY WAS SET ADRIFT.

MARTIN, CHAIRMAN OF THE BOARD OF MARTIN INDUSTRIES,

WAS VISITING HONOLULU

ON A COMBINED BUSINESS AND VACATION TRIP.

NEITHER H.P.D. NOR HAWAII FIVE-O

HAVE YET UNCOVERED ANY LEADS IN THE CASE.

MORE NEWS AFTER THIS MESSAGE.

[ TURNS TV OFF ]

Man: IT WAS HIS FAULT.

IT WAS ALL HIS FAULT.

Man: LOOK, MIKE, YOU DON'T KNOW THAT FOR A FACT.

Mike: DOC, I'M TELLING YOU, IT WAS VICTOR MARTIN.

I SHOULD'VE SPLIT HIS SKULL OPEN.

IF HE'D HAVE STAYED OUT OF IT, GLYNIS AND ME,

WE WOULD'VE MADE IT.

MARTIN EVER COMES BACK TO THIS ISLAND,

SO HELP ME, I'LL KILL HIM.

EVERYBODY SAID, "GLYNIS AND MIKE, NO WAY."

HE HAD IT MADE, DOC. IT WAS RIGHT, YOU KNOW?

IT WAS FOR REAL.

WE LOVED EACH OTHER.

MAN, THE PLANS I HAD FOR US.

AND THEN --

[ RECORDING STOPS ]

Jenny: HAWAII FIVE-O.

THIS IS DR. SPEAR.

-OH, HELLO, DOCTOR. -IS MR. McGARRETT IN?

NO, I'M SORRY. HE'S IN HILO WITH THE GOVERNOR.

I SEE. IS MR. WILLIAMS IN?

YEAH, JUST A MOMENT.

DANNY, WILL YOU TAKE THIS, PLEASE? IT'S DR. SPEAR.

WILLIAMS. HELLO, DOCTOR.

MR. WILLIAMS,

I MAY HAVE SOME INFORMATION ON THE VICTOR MARTIN MURDER.

I'D LIKE TO TALK TO YOU. CAN YOU COME TO MY OFFICE?

I'M ON MY WAY.

CHIN, LET'S GO.

[ GRUNTING ]

LOOKS LIKE HE WAS AFTER SOMETHING OTHER THAN DR. SPEAR.

THE QUESTION IS, DID HE GET IT?

WHAT CAN YOU TELL US, DOC?

NOT MUCH, EXCEPT WHATEVER HE WAS STRANGLED WITH

WAS NO MORE THAN MAYBE A 16th OF AN INCH IN DIAMETER.

-[ TELEPHONE RINGING ] -ANY IDEA WHAT IT WAS?

SMOOTH SURFACE. STRONG.

CHANCE SOME FIBERS WERE EMBEDDED IN THE VICTIM'S NECK.

TELL YOU AFTER THE AUTOPSY.

SOON AS YOU CAN, HUH, DOC?

DANNY.

FRANK, OUT AT THE ILIKAI.

-YEAH, FRANK? -JUST FINISHED GOING THROUGH

VICTOR MARTIN'S PERSONAL EFFECTS.

DID YOU FIND ANY LINK BETWEEN MARTIN AND DR. SPEAR?

NO, BUT I FOUND AN ADDRESS FOR A GLYNIS MARTIN IN L.A.

HIS WIFE?

HIS DAUGHTER.

Danno: OKAY. NOTIFY HER RIGHT AWAY.

-PLACE IS ALL YOURS. -HOW YOU DO ON PRINTS, CHE?

LOTS OF THEM.

WHO BELONGS TO WHAT AND HOW MANY DIFFERENT SETS

I'M GONNA HAVE TO UNTANGLE.

OKAY, THANKS.

WELL, CHIN, WE MAY AS WELL START GETTING THIS PLACE

PULLED BACK TOGETHER.

OH. GO THROUGH DR. SPEAR'S FILES AND PAPERS

AND SEE IF YOU CAN FIND MARTIN'S NAME MENTIONED ANYWHERE.

OKAY.

-[ TELEPHONE RINGS ] -WILLIAMS.

JUST GOT BACK TO THE OFFICE, DANNO.

JENNY BROUGHT ME UP TO DATE. WHAT'S HAPPENING THERE?

WE'RE JUST WRAPPING IT UP HERE, STEVE.

OKAY, I'M GOING OUT TO THE SPEAR HOME.

I WANNA TALK TO THE DOCTOR'S WIDOW.

KEEP ME POSTED.

JUST BEFORE YOUR HUSBAND DIED, MRS. SPEAR, HE CALLED FIVE-O.

HE CLAIMED TO HAVE SOME INFORMATION

ABOUT THE MURDER OF VICTOR MARTIN.

ARTHUR?

WHY, WHAT COULD HE POSSIBLY KNOW ABOUT IT?

I WAS HOPING YOU COULD TELL ME.

WELL, I HAVEN'T THE FAINTEST IDEA.

COULD VICTOR MARTIN HAVE BEEN A PATIENT OF YOUR HUSBAND'S?

WELL, THAT'S ENTIRELY POSSIBLE,

BUT, WELL, I'M AFRAID I CAN'T HELP YOU THERE, EITHER.

ARTHUR MADE IT A POINT

NEVER TO DISCUSS HIS PATIENTS WITH ME.

I SEE.

DO YOU MIND IF I HAVE A LOOK AROUND?

WHY, NO, OF COURSE NOT.

ALL OF THESE PAINTINGS WERE DONE BY YOUR HUSBAND?

YES.

QUITE AN ARTIST.

STRANGE.

YES, BUT DON'T ASK ME WHAT IT MEANS.

ALL I KNOW IS THAT IT WAS ARTHUR'S LATEST IDEA.

TRYING TO CAPTURE ON CANVAS

WHAT WENT ON IN THE MINDS OF ONE OF HIS PATIENTS.

HE BROUGHT HOME TAPED INTERVIEWS.

ARTHUR ALWAYS -- ALWAYS RECORDED HIS PATIENTS.

ANY IDEA WHAT THESE LETTERS AND NUMBERS MEAN?

Mrs. Spear: NO.

Man: PAGING DR. CHOU.

TELEPHONE CALL FOR DR. M.S. CHOU.

TELEPHONE CALL FOR DR. CHOU.

DR. CHOU.

OH, YES. MRS. LANDRY.

Chou: IS HE RUNNING A TEMPERATURE?

WELL, THEN I WOULDN'T WORRY.

LET'S KEEP HIM ON THE MEDICATION I PRESCRIBED

FOR ANOTHER DAY OR TWO.

FINE. GOODBYE.

-HI, MIKE. -MORNING.

-HOW YOU FEELING? -BETTER, THANKS.

SAY, DID YOU HEAR ABOUT DR. SPEAR?

YEAH, I HEARD.

WERE YOU STILL SEEING HIM?

-NOT FOR MONTHS. -TERRIBLE THING.

-TERRIBLE. -YEAH.

-ARE YOU READY, DOC? -LET'S GO.

[ TELEPHONE RINGING ]

HELLO?

YES, HE IS.

IT'S FOR YOU.

THANK YOU. McGARRETT.

NOT A SIGN OF MARTIN'S NAME HERE, STEVE.

BUT I CAME UP WITH SOMETHING.

ACCORDING TO THE SEQUENCE OF SPEAR'S FILING SYSTEM,

ONE OF THE FILES SEEMS TO BE MISSING.

ANYTHING ELSE GONE?

YEAH. THE CORRESPONDING TAPES WITH THE SAME CODE NUMBERS.

I FOUND THE BOOK THAT BREAKS DOWN THE CODE LETTERS,

BUT ALL IT TELLS IS THE NAME OF THE DOCTOR

WHO REFERRED THE PATIENT, AND THE DATE.

Chin: THE REFERRING DOCTOR WAS WILLIAM CHOU.

"1037 KOLOA AVENUE, KAHALA."

FIND HIM, CHIN, AND ASK HIM TO COME TO THE OFFICE.

AND, CHIN, YOU MENTIONED A FILE THAT WAS MISSING.

WHAT WERE THE CODE LETTERS AND NUMBERS?

"WK-42-74."

MEAN ANYTHING TO YOU?

YEAH.

A PORTRAIT OF A KILLER.

Woman: DR. CHOU'S OFFICE.

I'D LIKE TO SPEAK TO DR. CHOU, PLEASE.

Woman: I'M SORRY, BUT DR. CHOU ISN'T IN.

THIS IS HIS ANSWERING SERVICE.

IF YOU'D CARE TO LEAVE A MESSAGE...

WELL, THIS IS CHIN HO KELLY, HAWAII FIVE-O.

CAN YOU TELL ME WHERE I CAN FIND HIM? NOW, IT'S URGENT.

Woman: THE DOCTOR SAID HE COULD BE REACHED

AT THE KEOKEA TENNIS CLUB UNTIL 2:00.

THANKS.

TIME.

GREAT VOLLEY, MIKE. JEEZ, I REALLY ENJOYED IT.

WELL, KEEP IT UP, DOC, YOU'LL BE STEALING MY JOB.

[Chuckling] SOME CHANCE.

I'LL SEE YOU ON WEDNESDAY.

YEAH.

I WAS TOLD BY DR. CHOU'S ANSWERING SERVICE

THAT I COULD FIND HIM HERE.

IF YOU GIVE ME YOUR NAME, I'LL HAVE HIM PAGED.

PHIL, GET AN AMBULANCE QUICK.

DR. CHOU HAS HAD A HEART ATTACK.

SOON, BABY, SOON.

Man: THREE T-77, THE ONE ON QUEEN --

Chin: DID YOU SEE DR. CHOU BEFORE HE WENT OUT ON THE COURT?

Man: I DID, IN THE LOCKER ROOM.

Chin: DID HE SAY ANYTHING ABOUT HOW HE FELT?

Man: NO. I MEAN, YOU KNOW, I SAID, "HOW ARE YOU, DOC?"

AND HE SAID, "WELL, FINE," OR, "GREAT,"

OR SOMETHING LIKE THAT.

WE WERE JUST STANDING THERE HAVING A DRINK,

AND ALL OF A SUDDEN, HE STARTS GETTING DIZZY.

WE WERE KIDDING HIM ABOUT GETTING LOADED ON ONE DRINK.

-YOU KNOW. -YEAH.

THEN THE NEXT THING, HE-- HE STARTS GASPING,

HE JERKS A LITTLE, AND DOWN HE GOES.

HE TAKE ANY PILLS OR MEDICATION? ANYTHING LIKE THAT?

-I DIDN'T SEE ANY. -[ ENGINE STARTS ]

OKAY. THANK YOU.

[ SIREN BLARING ]

WE, UH -- WE HAD THIS HERE RALLY GOING.

MAYBE IT WAS TOO MUCH FOR HIM.

WELL, I DON'T KNOW.

DR. CHOU WAS ALWAYS KIND OF PUSHING TOO HARD.

DID HE SEEM ILL TO YOU IN ANY WAY?

NOT THE WAY HE WAS PLAYING. NO, SIR. HE SEEMED FINE.

IS THERE ANYTHING ELSE YOU CAN TELL US?

I WISH I COULD, BUT THAT'S ALL I KNOW.

OKAY, THANKS.

THEY'RE PRETTY SHOOK-UP.

ONE MINUTE, THE DOCTOR'S HAVING A DRINK, JOKING WITH THEM.

THE NEXT MINUTE, HE GETS DIZZY, STARTS CHOKING AND DROPS DEAD.

THAT'S ALL THEY SAW, AND THAT'S ALL THEY KNOW.

MAYBE THAT'S ALL THEY TOLD YOU.

RESPIRATORY FAILURE?

NO, DOC. NO, NO, THAT'S NOT GOOD ENOUGH.

THAT'S ALL I CAN TELL YOU RIGHT NOW.

LOOK, DOC,

WE'VE GOT TWO MURDERS ON OUR HANDS.

TWO WITHIN THE PAST 24 HOURS, AND SOMEHOW THEY CONNECT.

THEN WE GET A LEAD ON SOMEBODY

WHO JUST MIGHT LEAD US TO THE KILLER,

AND WHEN WE GET TO HIM, HE'S DEAD.

NOW, DO YOU EXPECT ME TO BUY RESPIRATORY FAILURE?

IT'S GONNA HAVE TO DO UNTIL THE AUTOPSY.

OKAY, DOC, MAKE IT FAST.

[ TELEPHONE RINGING ]

McGARRETT.

YEAH, DANNO.

WHEN?

HOW IS HE?

DID YOU GET ANYTHING FROM HIM?

NO, NO, NO. I DON'T WANT ANYTHING TOUCHED.

GET THE LAB BOYS OVER THERE,

AND GO OVER THE PLACE INCH FOR INCH.

YEAH, THANK YOU.

H.P.D. ANSWERED A CALL

FROM A CLEANUP MAN IN DR. CHOU'S BUILDING.

THE GUY WENT IN. THE DOCTOR'S OFFICE WAS OPEN.

BEFORE HE COULD LOOK AROUND,

SOMEBODY CREASED HIS SKULL WITH A LAMP.

AND THE FILES?

DANNO SAID IT LOOKS LIKE A DISASTER AREA.

Woman, echoing: IS THAT YOU, DARLING?

[ INDISTINCT RADIO CHATTER ]

THE WAY HE CLEANS UP HIS TRAIL, HE MUST BE A PRETTY SMART GUY.

YEAH, EXCEPT FOR THE BODIES HE LEAVES LAYING AROUND.

YEAH.

McGarrett: McGARRETT TO WILLIAMS.

-McGARRETT TO WILLIAMS. -WILLIAMS.

DANNO, ON THOSE PRINTS CHE PICKED UP IN SPEAR'S OFFICE,

ONE SET MATCHES SOME OF THE PRINTS WE FOUND

ABOARD VICTOR MARTIN'S BOAT.

COULD BE WE'RE LOOKING FOR THE SAME GUY.

OKAY, WE'RE ON OUR WAY.

MAYBE HE'S NOT AS NEAT AS WE THOUGHT HE WAS.

OR MAYBE HE JUST DOESN'T CARE ABOUT LEAVING HIS PRINTS

ALL OVER THE PLACE.

OR MAYBE HE HAS NO PREVIOUS ARRESTS.

MAYBE NO MILITARY-SERVICE RECORD.

WELL, THAT DOESN'T DO MUCH FOR US.

TELLS US MORE ABOUT HIM THAN WE KNEW TEN MINUTES AGO.

-MIKE? -YEAH?

WHERE YOU BEEN, MAN?

I'VE BEEN CALLING ALL OVER FOR YOU.

WHAT'S UP?

A COUPLE OF HAOLE CHICKS CHECKED INTO THE HOTEL THIS MORNING.

YOU SHOULD SEE THEM, BRUDDAH.

GORGEOUS.

WE'RE PICKING THEM UP AT 5:00.

WHAT DO YOU SAY?

ABOUT WHAT?

THE CHICKS, MAN.

THE FOXES.

NO, NOT TONIGHT.

OH, COME ON, MAN. KNOCK IT OFF.

WHAT?

MIKE.

THIS IS CHARLIE, RIGHT?

I LIVE HERE TOO, REMEMBER?

YOU KNOW WHAT I MEAN. THAT OLD TOSS SHIP YOU'RE ON.

-I'M TIRED, THAT'S ALL. -BULL.

YOU'VE BEEN ACTING LIKE A ZOMBIE

EVER SINCE THAT HAOLE BROAD TOOK OFF TO THE MAINLAND

AND LEFT YOU STANDING IN THE PROP WASH,

WAVING GOODBYE LIKE A SICK BULL CALF.

YOU DON'T THINK SHE'LL COME BACK HERE AND MARRY YOU, DO YOU?

I KNOW SHE WILL.

WHAT MAKES YOU THINK

SHE'S ANY DIFFERENT FROM THE REST?

COME OVER HERE, FIND A NICE NATIVE BOY,

PLAY A FAST GAME OF BEACH-BLANKET BINGO.

THEN, ALOHA.

MAHALO.

GONE, MAN.

HEY, LOOK. DON'T PUSH IT, HUH?

SIX MONTHS AGO, YOU WERE THE ONE

THAT WAS RUNNING UP THE CHICKS FOR US.

YOU HAD TO BEAT THEM OFF WITH A SURFBOARD.

NOW...

YOU KNOW WHAT I THINK?

YOU'VE FORGOTTEN HOW MUCH OF YOU IS KANAKA

AND HOW MUCH IS HAOLE.

TAKE A LOOK IN THE MIRROR,

AND CHECK THE COLOR.

YOU MAY BE HALF AND HALF,

BUT FACE IT, BRUDDAH,

THERE'S ONLY ONE SIDE THAT'LL HAVE YOU.

[ DOOR SHUTS ]

[ WOMAN AND CHILD LAUGHING ]

[ BOTH LAUGHING ]

NO.

NO, NO.

NO.

[ BOTH LAUGHING ]

McGarrett: WE HAVE FIVE COMPARTMENTS.

EACH OF THEM ILLUSTRATING SOMETHING IN THE SUSPECT'S PAST,

SOMETHING WHICH HE TOLD DR. SPEAR, WE ASSUME,

DURING THE VISITS,

AND SOMETHING WHICH DR. SPEAR LATER TRANSLATED TO CANVAS.

NOW, OUR MAJOR PROBLEM IS TRYING TO COMPREHEND

DR. SPEAR'S SYMBOLISM.

HOW FAR OUT IS IT? HOW MUCH ON THE NOSE?

DANNO, WHAT DO YOU SEE IN NUMBER ONE HERE?

UHH...

LONELINESS.

REJECTION.

YEAH, COULD BE.

LET'S PUT THAT DOWN.

LONELINESS.

LONELINESS.

REJECTION.

CHIN?

I'D, UM, ADD FEAR, MAYBE.

ALL RIGHT.

WE'LL TRY FEAR.

NOW, LET'S TAKE A LOOK AT NUMBER TWO.

RATHER TRANQUIL SETTING.

LOOKS LIKE A YOUNG MAN AND A WOMAN HOLDING HANDS,

WATCHING THE SUNSET.

BUT WHAT ABOUT THE STORM CLOUDS?

TROUBLE ON THE HORIZON.

STORMY MARRIAGE, MAYBE?

COULD BE.

COULD BE. THAT'S A POSSIBILITY. LET'S PUT THAT DOWN.

[ DOOR OPENS ]

-STEVE? -YEAH?

WASHINGTON PRINT BANK JUST REPLIED.

NO PRIOR CRIMINAL OR MILITARY RECORD

ON THE SUSPECT'S PRINTS.

DEAD END. HOW YOU DOING ON THE PAINTING?

PRETTY GOOD. SIT DOWN.

LET'S SEE WHAT KIND OF A SHRINK YOU'D MAKE.

THAT'S A DEAD FISH, A LOVER'S HEART

AND TWO SETS OF INITIALS.

C.H. AND M.A.

IT COULD BE A BROKEN MARRIAGE OR LOVE AFFAIR

THAT TIES INTO THE BOY AND GIRL ON THE MOUNTAINTOP.

WHY A HUNTER? WHY NOT A FISHERMAN?

MAYBE SYMBOLIC OF A LOVER'S TRIANGLE.

AN IRATE HUSBAND OR BOYFRIEND WHO FEELS BETRAYED.

COULD BE.

BUT IT'S THE INITIALS,

C.H. AND M.A., THAT INTRIGUE ME.

ONE OF THEM COULD BE OUR MAN.

C.H.

M.A.

LET'S TAKE A LOOK AT NUMBER FOUR.

THAT'S MAUNA LANI HIGH SCHOOL,

CLASS OF '67.

IT LOOKS LIKE THE SAME GIRL THAT'S IN COMPARTMENT 2.

Danno: BUT WHAT COULD THE PUPPETS ON STRINGS REPRESENT?

I DON'T KNOW, BUT WE CAN FIND OUT.

FRANK, YOU TAKE THAT ONE.

CHECK THE CLASS OF '67, MAUNA LANI HIGH SCHOOL.

I WANT THE NAMES OF ANYONE

WHOSE INITIALS ARE C.H. OR M.A.

FIRST THING IN THE MORNING.

NUMBER FIVE'S NOT COMPLETED.

RIGHT NOW, IT DOESN'T TELL US A THING.

STRANGE. EVERY COMPARTMENT

WHERE OUR SUSPECT IS

LOOKS LIKE HE'S IN SOME KIND OF SHADOW.

NOW, DR. SPEAR HAD TO MEAN SOMETHING BY THAT.

WELL,

DO WE KNOW ANYTHING MORE NOW THAN WE DID BEFORE,

OR ARE WE JUST KIDDING OURSELVES?

-MISS GLYNIS MARTIN? -YES.

DAN WILLIAMS, HAWAII FIVE-O.

-HOW DO YOU DO? -HOW DO YOU DO?

I'M VERY SORRY ABOUT YOUR FATHER.

THANK YOU.

FEW QUESTIONS WE'D LIKE TO ASK.

SURE.

COME THIS WAY, PLEASE.

I'VE NO IDEA AT ALL, MR. WILLIAMS.

MY FATHER WAS VERY WELL-LIKED.

WHY ANYONE WOULD WANT TO TAKE HIS LIFE IS, UH...

I GUESS I JUST DON'T UNDERSTAND.

AND YOU NEVER HEARD THE NAME DR. ARTHUR SPEAR?

NO.

IF THERE WERE ANYTHING THAT I KNEW

THAT WOULD HELP YOU CATCH THIS PERSON,

YOU WOULD CERTAINLY BE THE FIRST TO KNOW.

WELL, I'M SURE OF THAT, MISS MARTIN.

HOW LONG WILL YOU BE STAYING IN THE ISLANDS?

I DON'T KNOW.

A COUPLE OF DAYS, I GUESS.

UNTIL I CAN CLAIM --

UNTIL I -- I CAN MAKE THE NECESSARY ARRANGEMENTS

TO TAKE MY FATHER HOME.

WHERE WILL YOU BE STAYING?

THE ILIKAI HOTEL.

I'LL DROP YOU OFF THERE,

AND WE'LL KEEP IN TOUCH.

THANK YOU.

WHERE'S STEVE?

H.P.D., MEETING WITH THE CHIEF. WHAT DO YOU GOT?

PAY DIRT, MAYBE. THE ONLY MEMBER OF THE GRADUATING CLASS

WITH THE INITIALS C.H. IS A CONNIE HONAKA.

NOBODY WITH THE INITIALS M.A.

-YOU GOT AN ADDRESS ON HER? -NOT YET, BUT I WILL.

[ KNOCKING ON DOOR ]

MIKE.

HELLO.

COME ON IN.

HOW DID YOU KNOW I WAS HERE?

THE NEWS.

AFTER I HEARD WHAT HAPPENED, I TRIED TO CALL YOU IN L.A.

BUT THERE WASN'T ANY ANSWER.

IT'S SO GOOD TO SEE YOU.

SAME HERE.

THESE LAST SIX MONTHS HAVE BEEN --

I DON'T KNOW WHAT TO SAY.

I MEAN, ABOUT WHAT HAPPENED TO YOU.

WELL, THERE'S NOTHING, REALLY, ANYONE CAN SAY.

DO THE POLICE HAVE ANY IDEA WHY HE WAS...

NO.

NOT --

NOT YET, ANYWAY.

OH, IT'S SO SENSELESS.

IF YOU'D ONLY KNOWN HIM, YOU'D UNDERSTAND WHAT I MEAN.

HE WAS THE KINDEST,

MOST GENTLE,

SENSITIVE HUMAN BEING I'VE EVER KNOWN.

HE NEVER HURT ANOTHER PERSON IN HIS LIFE.

SO WHY WOULD SOMEONE WANT TO DO SOMETHING LIKE THIS?

LOOK,

IF THERE'S ANYTHING I CAN DO,

JUST NAME IT.

I'D FORGOTTEN WHAT A GOOD FRIEND YOU ARE.

[ SOBBING ]

CHOU DIED OF PULMONARY EDEMA,

FAILURE OF THE LEFT VENTRICLE DUE TO HYPERTENSION,

CORONARY ARTERY INSUFFICIENCY, MYOCARDITIS OR PERICARDITIS,

NONE OF WHICH HE HAD ANY HISTORY OF.

WHAT ARE YOU GETTING AT, DOC?

BECAUSE HE HAD NO HISTORY OF ANY OF THOSE,

I WASN'T SATISFIED.

SO I STARTED LOOKING AROUND FOR SOME OTHER REASON.

HIS ALCOHOL LEVEL WAS ALMOST NIL,

AND THERE WERE NO BARBITURATES PRESENT.

SO I RAN SOME BIOCHEMICAL TESTS.

ONE OF THEM WAS FOR AN ACETYLCHOLINESTERASE LEVEL

IN THE BRAIN.

IT WAS WAY BELOW NORMAL.

CHOU WAS POISONED.

VHP, VERATHION PHOSPHATE.

IT'S AN ORGANIC COMPOUND SIMILAR TO NERVE GAS.

ISN'T THAT THE SAME STUFF THEY USE IN PESTICIDES?

HMM. POTENT STUFF.

WORKS ANYWHERE FROM 15 MINUTES TO 24 HOURS.

LEAVES NO VISIBLE MEANS OF DETECTION OR ODOR.

HOW WAS IT ADMINISTERED?

I DON'T KNOW.

THERE WERE NO NEEDLE PUNCTURES, AND IT WASN'T INGESTED.

HAD TO BE BY ABSORPTION.

DOES CHE HAVE HIS CLOTHING?

I'VE ALREADY CALLED HIM. THE LAB'S CHECKING IT OUT NOW.

OKAY, DOC. THANKS.

-YEAH? -FRANK KEMANA, FIVE-O.

THIS IS SERGEANT RUTILA.

WE'D LIKE TO SEE A CONNIE HONAKA.

WHAT DO YOU WANT WITH HER?

Frank: JUST WANNA TALK TO HER. A FEW QUESTIONS.

IT'S OKAY, POP. I'LL TALK TO THEM.

HMM.

WHAT DO YOU WANT?

ANY PLACE WE CAN TALK?

WELL, NOT IN THERE. THAT'S FOR SURE.

COME OUT.

I'M LOOKING FOR SOMEBODY YOU WENT TO HIGH SCHOOL WITH.

-WHO IS IT? -I DON'T KNOW.

BUT HIS INITIALS ARE M.A.

I DON'T THINK I'VE EVER KNOWN ANYBODY WITH THOSE INITIALS.

IT'S IMPORTANT.

WELL, WHAT DID HE DO?

YOU HAVE TO TELL ME THAT FIRST. OTHERWISE, I DON'T SAY NOTHING.

HE'S A SUSPECT IN A MURDER CASE.

OH, BULL. MIKE WOULD NEVER --

MIKE?

I DON'T HAVE TO TELL YOU ANYTHING.

HEY, LISTEN, IF IT ISN'T HIM, IT'S OKAY.

BUT IF IT IS,

HE COULD VERY EASILY KILL AGAIN.

COULD YOU LIVE WITH THAT?

YOU HAVE TO BE -- YOU HAVE TO BE WRONG.

HE'S NEVER HURT ANYONE BEFORE.

HE WAS THE ONE THAT WAS ALWAYS GETTING HURT FIRST.

MY FATHER, HE BUSTED US UP.

YOU WANNA HEAR SOMETHING FUNNY?

HE SAID MIKE WASN'T GOOD ENOUGH FOR ME.

SO NOW WHAT HAVE I GOT?

A BABY THAT MY HOPPED-UP OLD MAN LEFT ME WITH

WHEN THE COPS BUSTED HIM.

BUT TO A HONAKA,

THE OLD ROYALTY,

A CHOP SUEY, HALF-HAWAIIAN,

HAPA HAOLE JUST WASN'T GOOD ENOUGH.

WHAT KIND OF A GUY WAS MIKE?

MIKE WAS A NICE GUY.

A GOOD GUY.

HE DIDN'T HAVE MUCH OF A FAMILY.

HIS MOTHER DIED WHEN SHE HAD HIM,

AND HIS FATHER KICKED OFF IN SOME CANE FIELD.

I DON'T KNOW EXACTLY WHAT HAPPENED.

WE MET WHEN HE MOVED INTO THE NEIGHBORHOOD.

THEY SAID THAT HE COULD STAY WITH ANOTHER FAMILY.

AND THEN WE STARTED DATING.

UNTIL MY FATHER FOUND OUT

AND TOLD HIM TO STAY AWAY FROM ME

OR HE'D KILL HIM.

POOR MIKE.

NOBODY EVER REALLY WANTED HIM,

EXCEPT ME.

YOU STILL HAVEN'T TOLD ME HIS LAST NAME.

ANAPO.

MIKE ANAPO.

YOU FEEL BETTER?

MM. MUCH.

I'D FORGOTTEN HOW BEAUTIFUL THE ISLANDS ARE.

MAYBE THIS TIME YOU'LL STAY.

OH.

I WISH I COULD.

SOMEDAY.

COME ON.

MAYBE I CAN CONVINCE YOU.

-WHERE ARE WE GOING? -[ LAUGHS ]

-YOU'LL SEE. -[ CHUCKLES ]

OH, MIKE, I -- I SHOULDN'T, REALLY.

COME ON.

COME ON.

-ALL RIGHT. -[ CHUCKLES ]

COME ON.

[ CHUCKLES ]

-COME ON! -[ CHUCKLES ]

Che: NOTHING ON DR. CHOU'S TENNIS OUTFIT.

BUT THE TOWEL AROUND HIS NECK

WAS COVERED WITH THE SAME CHEMICAL DOC TOLD YOU ABOUT.

THE TOWEL, HUH?

I CAN'T THINK OF A BETTER WAY TO ABSORB SOMETHING LIKE THAT.

WORK UP A GOOD SWEAT. PORES ARE WIDE OPEN.

WRAP THE TOWEL AROUND THE AREA, AND LET IT SINK IN.

IT'S INGENIOUS.

AND UNDER THOSE CONDITIONS, FAST ACTING.

WE SEEM TO BE PRETTY WELL-TIED INTO TENNIS.

THOSE FIBERS EMBEDDED IN DR. SPEAR'S NECK,

IT'S A STEER GUT.

TAKE A LOOK.

IT'S USED TO STRING TENNIS RACKETS.

I DON'T SUPPOSE YOU COULD TELL ME

WHAT KIND OF RACKET THESE FIBERS COME FROM.

NOT A CHANCE.

THERE'S NO WAY OF TELLING FOR SURE THEY COME FROM A RACKET.

IT COULD HAVE COME RIGHT OFF A ROLL IN A REPAIR SHOP.

WELL, I BETTER LAY THIS ON STEVE. THANKS, CHE.

VERATHION PHOSPHATE. VHP, DOC CALLED IT.

-IT'S AN ORGANIC COMPOUND. -I KNOW. I'M FAMILIAR WITH IT.

AND DOC IS SURE

THAT IT WAS ADMINISTERED TO CHOU BY ABSORPTION?

HE IS.

AND THE OTHER DOCTOR, SPEAR,

HE WAS STRANGLED WITH A PIECE OF STEER GUT.

AS CHE SAID, WE SEEM TO BE TIED TO TENNIS IN SOME WAY.

BUT HOW? SPEAR DIDN'T PLAY TENNIS, DID HE?

NO.

AS FAR AS WE KNOW, NEITHER DID VICTOR MARTIN.

LEAST NOT HERE IN THE ISLANDS.

SPEAR AND CHOU, DANNO.

TWO DOCTORS.

THE KEY TO THIS.

ONE, A PSYCHIATRIST,

ONE, A SPECIALIST IN ALLERGIES.

BOTH OFFICES RANSACKED. WHY?

YOU KNOW, ALL OF DR. SPEAR'S PATIENTS

WERE REFERRALS FROM OTHER DOCTORS.

YEAH.

LET'S LOOK AT IT THIS WAY.

[ SNAPPING FINGERS ]

OUR KILLER GOES TO DR. CHOU

AND COMPLAINS OF AN ALLERGY OF SOME SORT.

CHOU REALIZES THAT IT'S PSYCHOSOMATIC,

SO HE REFERS HIM TO DR. SPEAR.

NOW, THE KILLER UNLOADS TO DR. SPEAR,

AND WHEN VICTOR MARTIN TURNS UP DEAD,

SPEAR SEES A CONNECTION

WITH SOMETHING THE PATIENT HAD TOLD HIM.

SO THE PATIENT HAD TO KILL DR. SPEAR TO KEEP HIM QUIET.

YEAH, AND THEN GOES AFTER CHOU

BECAUSE HE REALIZES THAT, SOONER OR LATER,

WE'D CHECK ALL THE PATIENTS SENT TO SPEAR,

BY CHOU OR ANYONE ELSE.

NO. NO, I WAS WRONG, DANNO.

THE KEY TO THIS ISN'T SPEAR AND CHOU.

IT'S CHOU.

CHOU AND THAT TENNIS CLUB

AND SOMEONE THERE WHO WAS ABLE TO ADMINISTER

THAT LETHAL DOSE OF VHP TO DR. CHOU.

AND HAD EASY ACCESS TO THE STEER GUT

FROM THE CLUB'S REPAIR SHOP.

RIGHT. LET'S GO.

Man: THIS IS STEER'S GUT.

OF COURSE, WE USE OTHER TYPES, TOO.

AND THE RE-STRINGING IS DONE RIGHT HERE ON THE PREMISES?

IN THE BACK.

CHECK IT OUT, DANNO, WILL YOU?

-[ TELEPHONE RINGING ] -EXCUSE ME.

HELLO?

MR. McGARRETT, IT'S FOR YOU.

OH. THANK YOU.

McGARRETT.

-GOT A NAME, STEVE. -GO AHEAD.

ANAPO. MIKE ANAPO.

A-N-A-P-O.

ANAPO.

OPANA.

THANK YOU.

I DON'T KNOW WHERE MIKE IS.

I HAVEN'T SEEN HIM ALL DAY.

WOULD YOU MIND TELLING ME WHAT'S COMING DOWN?

HE'S WANTED ON SUSPICION OF MURDER.

-WHO, MIKE? -YEAH.

[ CHUCKLES ]

YOU GOTTA BE PUTTING ME ON, MAN.

YOU SEEN THE GIRL IN THIS PICTURE?

THIS ONE.

YOU MEAN MIKE KILLED HER?

NO, BUT HE MIGHT HAVE THAT IN HIS MIND.

HEY, MAN, YOU'RE WAY OFF.

FIRST OF ALL, SHE LIVES ON THE MAINLAND.

SECOND OF ALL,

HE'S BEEN HUNG UP ON HER FOR ALMOST A YEAR.

WELL, SHE'S BACK ON THE ISLAND NOW.

HAVE YOU EVER HEARD OF A VICTOR MARTIN?

MARTIN?

A GUY THAT WAS KILLED. THE GUY ON A BOAT, RIGHT?

THAT'S RIGHT.

THE GIRL IN THOSE PICTURES IS HIS DAUGHTER.

OH, WOW, MAN.

MIKE WENT OFF THE DEEP END FOR HER.

NOTHING HAPPENED.

I TRIED TO TELL HIM IT WAS JUST A VACATION HUSTLE.

YOU KNOW HOW DAMES ARE WHEN THEY COME HERE

FROM THE MAINLAND.

JUST A LITTLE FUN FOR THE SCRAPBOOK.

MIKE WOULDN'T LISTEN.

HE FIGURED THIS WAS FOR REAL.

HE WANTED THE WHOLE LOVE SCENE, MARRIAGE, KIDS.

HE EVEN BUILT A HOUSE FOR THE BOTH OF THEM.

WHERE?

I DON'T KNOW.

YOU DON'T KNOW?

MIKE NEVER TOLD ME.

IT WAS LIKE A BIG SECRET WITH MIKE.

I REALLY DON'T KNOW WHERE IT'S AT.

JUST LEFT MISS MARTIN'S HOTEL, STEVE. SHE'S GONE.

THE DOORMAN SAW HER DRIVE OFF ABOUT A HALF HOUR AGO

WITH A MAN ANSWERING THE DESCRIPTION OF MIKE OPANA.

OKAY, CHIN. WE GOT IT.

DANNO, GET A MAKE ON OPANA'S CAR.

GET OUT AN APB.

BETTER DO IT UNDER BOTH NAMES. DON'T APPREHEND.

I JUST WANNA KNOW WHERE THEY ARE.

RIGHT.

AND GET AN ADDRESS ON THAT HOUSE OPANA BUILT.

THE LAND WAS PROBABLY PURCHASED UNDER HIS LEGAL NAME, ANAPO.

YOU GOT IT.

IT FEELS SO GOOD.

THE SUN, THE FRESH AIR. I -- I ALMOST FEEL GUILTY.

MIKE, I REALLY OUGHT TO GO BACK.

YOU GOT NO REASON TO FEEL GUILTY ABOUT ANYTHING.

BESIDES, YOU HAVEN'T SEEN THE SURPRISE YET.

-YEAH? -[ CHUCKLES ]

WHAT KIND OF SURPRISE?

AH. YOU SEE. YOU SEE.

WILLIAMS TO CENTRAL. WILLIAMS TO CENTRAL.

Woman: CENTRAL.

PATCH ME THROUGH TO McGARRETT, FAST.

-[ TELEPHONE RINGING ] -McGARRETT.

STEVE, I GOT AN ADDRESS FOR YOU.

LET'S HAVE IT.

2037 INAKOIE RIDGE ROAD.

GOOD WORK, DANNO. YOU HEAD ON UP THERE.

I'LL SEND SOME BLUE-AND-WHITE BACKUP UNITS,

AND I'LL MEET YOU THERE.

McGARRETT TO CENTRAL. McGARRETT TO CENTRAL. CODE RED.

Woman: GO AHEAD, McGARRETT. ALL CHANNELS CLEARED FOR YOU.

SEND SUPPORT UNITS

TO 2037 INAKOIE RIDGE ROAD.

REPEAT, 2037 INAKOIE RIDGE ROAD.

REPORT TO DAN WILLIAMS ON THE SCENE. SILENT APPROACH.

REPEAT, SILENT APPROACH.

WHAT ARE WE STOPPING HERE FOR?

YOU'LL SEE.

COME ON.

[ CHUCKLES ]

HURRY.

MY GOD.

COME ON.

WAIT TILL YOU SEE THE VIEW.

LIKE THEY SAY ON THE MAINLAND, YOU AIN'T SEEN NOTHING YET.

LOOK.

-WHAT DO YOU THINK? -[ CHUCKLES ]

IT'S LOVELY.

WHOSE HOUSE IS IT?

OURS.

OURS?

YOURS AND MINE.

I SUPERVISED EVERY PIECE OF WOOD, NAIL.

BUILT MOST OF IT MYSELF.

JUST FOR US.

MIKE...

COME ON, YOU HAVEN'T SEEN ANYTHING YET.

WE'VE GOT A FULL KITCHEN, TWO BEDROOM, NURSERY --

-MIKE, HOLD ON A SECOND. -AND THE --

I DON'T THINK I UNDERSTAND.

WHAT'S THERE TO UNDERSTAND?

THERE'S NO REASON FOR YOU

TO GO BACK TO THE MAINLAND ANYMORE.

YOU KNOW HOW I FEEL ABOUT YOU.

AND I KNOW HOW YOU REALLY FEEL ABOUT ME.

MIKE...

I LIKE YOU. I REALLY DO. I LIKE YOU VERY MUCH.

YOU BELONG HERE WITH ME.

I MEAN, NOW WITH YOUR FATHER GONE,

THERE'S NOBODY TO COME BETWEEN US.

MY FATHER HAD NOTHING TO DO WITH THIS.

LISTEN, I KNOW WE HAD A GOOD TIME TOGETHER.

I ENJOY BEING WITH YOU.

I STILL DO.

AS A FRIEND.

WHAT'S WITH THE -- WHAT'S WITH THE FRIEND BIT?

THAT'S ALL THERE IS, MIKE.

I'M ENGAGED TO BE MARRIED,

TO SOMEONE I LOVE VERY MUCH.

MIKE, YOU'RE HURTING ME.

LET GO OF ME.

YOU WOULD HAVE COME BACK,

IF IT HADN'T BEEN FOR YOUR FATHER.

MY FATHER?

MY FATHER HAD NOTHING TO DO WITH THE WAY I FELT.

YOU DON'T HAVE TO LIE TO ME. IT WAS HIM. HE BROKE US UP!

AND HE WON'T BE ABLE TO DO IT THIS TIME! I SAW TO THAT!

OH, MY GOD.

-IS HE ARMED? -WE DON'T KNOW, STEVE.

THEN WE ASSUME HE IS.

YOU KILLED HIM.

YOU KILLED MY FATHER!

McGarrett: OPANA!

McGARRETT, FIVE-O.

YOU'RE SURROUNDED.

WE DON'T WANT ANYONE TO GET HURT.

COME OUT WITH YOUR HANDS UP.

HE KILLED HIM!

[Yelling] HE KILLED HIM!

HE KILLED MY FATHER!

WE GO IN, WE CAN TRY RUSHING HIM.

CHIN, COVER THE BACK.

FRANK, BREAK OUT THE GAS GUNS.

DANNO, GET US SOME MASKS.

WE'LL LOB IN A FEW CANISTERS,

SEE IF WE CAN TAKE HIM ALIVE.

OH, PLEASE. GLYNIS, PLEASE, I'M SORRY.

I DIDN'T MEAN -- I DID IT FOR US.

PLEASE, I'M SORRY.

-YOU'RE CRAZY! -NO.

OPANA?

CAN YOU HEAR ME?

COME OUT WITH YOUR HANDS UP.

Glynis: GET AWAY FROM ME! YOU KILLED HIM!

YOU KILLED MY FATHER!

YOU KILLED HIM.

YOU KILLED MY FATHER.

[ SCREAMS ]

NO. GET AWAY FROM ME. GET AWAY!

YOU KILLED MY FATHER! GET AWAY FROM ME!

FIRE!

[ SCREAMS ]

McGarrett: HOLD IT!

HANDS UP.

-HANDS UP! -[ COUGHING ]

GET HER OUT!

BUT DON'T TRY AND TAKE ME, I'LL KILL YOU!

[ MIKE COUGHS ]

GLYNIS OKAY?

YEAH, SHE'S OKAY.

BOOK HIM, SERGEANT. MURDER ONE, THREE COUNTS.

[ "HAWAII FIVE-O THEME" PLAYS ]

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