Original subtitles

[ "HAWAII FIVE-O" THEME PLAYS ]

YOU DON'T LOOK SO GOOD, BABY.

NEVER MIND HOW I LOOK. YOU GOT SOMETHING FOR ME?

THAT'S MY QUESTION.

LOOK, LEW, I --

WAIT, WAIT, WAIT A MINUTE.

-LISTEN, LEW. -HOLD IT THERE.

YOU SAID A DIME BAG.

I SAID, HAVE YOU GOT THE PRICE? YOU SAID, YEAH, YOU DID.

WELL, I THOUGHT I'D HAVE IT FOR YOU.

WHAT YOU THOUGHT DON'T BUY NOTHING.

I'LL HAVE IT FOR YOU IN A COUPLE OF DAYS.

-GREAT. CALL ME THEN. -LEW, MY GOD, I'M BEGGING YOU.

LET GO OF ME. NOW LOOK,

I'M GONNA FORGET ABOUT THE TWO BILLS

YOU ALREADY OWE ME.

BUT I DON'T WANNA HEAR FROM YOU AGAIN. NEVER.

-YOU UNDERSTAND? -[ SOBBING ]

OH, LEW, I'M BEGGING YOU.

I'LL DO ANYTHING.

ANYTHING. ANYTHING.

HAVE YOU LOOKED AT YOURSELF, SWEETHEART?

ALL YOU CAN DO FOR ME IS TURN MY STOMACH.

[ SOBBING ]

[ SCREAMS ]

[ SOBBING, PANTING ]

[ SOBBING ]

JENNY, THOSE AFFIDAVITS

ON THE McFARLAND CASE COME IN YET?

-RIGHT HERE. -OH, GOOD. THANK YOU.

-STEVE IN? -HI, DUKE.

YOU WON'T BELIEVE THIS, BUT HE TOOK THE DAY OFF.

-YOU'RE KIDDING. -NOPE.

HE WENT SAILING.

WHO WAS THE SILVER-TONGUED ORATOR

WHO TALKED HIM INTO THAT?

-THE GOVERNOR. -WELL, THAT EXPLAINS IT.

BUT EVEN HE NEEDED SOME HELP FROM THE SPEAKER OF THE HOUSE.

[ LAUGHS ]

-ANYTHING IMPORTANT, DUKE? -NO, I'LL CATCH HIM LATER.

-HEARD THE NEWS? -WHAT?

ON THE RADIO, JUST AS I DROVE UP.

LEW CHANG WAS FOUND DEAD UP ON WAIMANALO BEACH,

LYING BESIDE HIS CAR WITH A SLUG IN HIS BACK.

NO KIDDING.

WELL, I CAN'T THINK OF ANYBODY MORE DESERVING, HUH?

H.P.D. GOT ANY LINE ON WHO DROPPED HIM?

WITH A PUSHER LIKE CHANG, IT'S "STANDING ROOM ONLY" TIME.

Woman: HI.

[ BOTH LAUGHING ]

DINA.

WHERE HAVE YOU BEEN?

-WE'VE BEEN WORRIED ABOUT YOU. -WE CALLED AND CALLED.

-DIDN'T GET AN ANSWER. -PHONE HAD BEEN DISCONNECTED.

WHEN WE WENT TO YOUR PLACE, ALL THE LANDLADY WOULD SAY

-WAS THAT YOU WERE GONE. -WHERE HAVE YOU BEEN?

IN A CLINIC.

OH, DINA.

I HAD TO HAVE HELP.

I FINALLY REALIZED I COULDN'T DO IT ALONE.

HONEY, YOU WEREN'T ALONE.

NOT WITH YOU, MAYBE.

BUT WITH THEM,

SITTING AROUND ONCE A WEEK, LISTENING TO THEM GRIPE

BECAUSE THE JERKS THEY'RE MARRIED TO

GIVE THEM HELL WHEN DINNER'S LATE?

OR BAWL THEIR EYES OUT

BECAUSE HE'S CHASING THE NEW GIRL AT THE OFFICE.

WHAT DO THEY KNOW?

THEY KNOW WHAT THEY FEEL,

AND IT HELPS TO GET IT OUT.

LOOK, I'M NOT KNOCKING IT,

IT'S JUST THAT I HAD TO GO ANOTHER ROUTE.

AND IT WORKED.

HEY, LOOK AT MY HEAD. IS IT ON STRAIGHT?

PERFECT.

-YOU LOOK WONDERFUL. -[ LAUGHING ]

AND HOW ABOUT YOU TWO?

HAS EVERYTHING BEEN COMING UP ROSES

NOW THAT YOU'VE BEEN LETTING IT ALL HANG OUT?

I'M SORRY.

HOW'S JOHNNY?

HE NEEDS ANOTHER OPERATION.

AND HOW IS SITTING IN ON THIS TALKATHON

GONNA GET IT FOR HIM?

LOOK, TALK MAY HELP YOU, BUT IT CAN'T HELP YOUR KID.

THERE'S ONLY ONE THING THAT CAN SOLVE THAT PROBLEM,

YOURS, AND MINE, AND YOURS TOO,

IF YOU REALLY MEANT WHAT YOU SAID IN THERE

A COUPLE OF MONTHS AGO.

MONEY.

[ CHUCKLES ]

I CAN'T ARGUE WITH THAT.

NOW ALL WE HAVE TO DO IS FIND A WAY TO GET IT.

THERE'S ALWAYS ONE WAY.

HOW?

STEAL IT.

YOU --

YOU CAN'T BE SERIOUS.

WHY NOT?

BECAUSE IT'S --

IT'S CRAZY.

WE COULDN'T DO IT.

I COULD.

AND HOW DO YOU KNOW YOU COULDN'T?

I --

I JUST COULDN'T.

THEN WHAT WAS ALL THAT TALK ABOUT HOW YOU'D DROP

THAT HUSBAND OF YOURS RIGHT NOW

IF ONLY YOU HAD A STAKE OF YOUR OWN?

WAS IT JUST TALK?

NO.

BUT WHAT YOU'RE SUGGESTING --

[ SIGHS ]

MAYBE YOU'RE RIGHT.

MAYBE IT IS CRAZY.

ALL I KNOW IS THAT IF I DON'T GET MY HANDS ON SOME MONEY,

I'M GONNA GO RIGHT BACK DOWN THE SLIDE.

NO, DINA, NOT IF YOU'RE --

IF WHAT?

I'M STRONG ENOUGH?

WELL, I'M NOT, AND I KNOW IT.

HOW DO I LIVE?

AN EX-JUNKIE WITH A RECORD FROM HERE TO BOSTON?

NOBODY'D HIRE ME TO TAKE OUT THE GARBAGE.

WHAT ABOUT YOUR FAMILY?

MY FAMILY?

THEY'D LOCK THE DOORS

IF THEY SAW ME WALKING HOME ACROSS THE PACIFIC.

THIS IS ONE LITTLE ORPHAN ANNIE

WHOSE DADDY WARBUCKS WON'T GIVE HER THE TIME OF DAY.

I -- I HAVE TO GET HOME.

AND I HAVE TO GO TO THE HOSPITAL.

I'LL DROP YOU ON THE WAY.

WE'LL BE IN TOUCH.

I HOPE SO.

YOU KNOW...

THERE WAS ONE GOOD THING

I GOT OUT OF THOSE RAP SESSIONS IN THERE.

THE WAY THE THREE OF US...

WELL...

SORT OF...

FOUND ONE ANOTHER.

I GUESS I WANTED A MOTHER AGAIN SO BADLY I...

ADOPTED TWO OF THEM.

[ DOOR CLOSES, ENGINE STARTS ]

McGarrett: WELL, THAT'S A WRAP-UP.

SAM MANDEL, PHIL KAWA, 15 YEARS.

NO PAROLE.

THERE'S STILL SOME MOPPING UP TO DO

ON THEIR NORTH SHORE OPERATION, THOUGH.

H.P.D. CAN HANDLE THAT.

NO PROBLEM.

OKAY, HOW'S THE DEPARTMENT DOING ON THE LEW CHANG HIT?

NO LEADS YET. ODD THING ABOUT IT,

WE FOUND ALMOST A HALF A KILO OF HEROIN

UNDER THE BACK SEAT OF CHANG'S CAR.

IF IT WAS A CONTRACT JOB,

A PRO HIT MAN WOULD HAVE GIVEN THE CAR A TOSS

AND FOUND IT IN TWO SECONDS.

WHAT YOU'RE SAYING IS THAT IT WAS AN AMATEUR?

IT'S BEGINNING TO SMELL LIKE IT.

[ SIREN BLARING ]

MRS. SCOTT, MR. HOFFMAN OF THE BUSINESS OFFICE

WOULD LIKE TO SEE YOU BEFORE YOU LEAVE.

YES.

BRINGING THE UNPAID BALANCE AS OF YESTERDAY

TO $1,436.80.

AND NOW I UNDERSTAND DR. LINDEN

FEELS THAT ADDITIONAL SURGERY IS NECESSARY.

TREMENDOUSLY EXPENSIVE SURGERY.

YES.

WITH THE POSTOPERATIVE CARE HE'LL REQUIRE,

IT COULD RUN TO OVER $10,000.

YOUR MEDICAL INSURANCE HAS RUN OUT, I SEE.

ALSO THAT YOU'RE DIVORCED.

BUT WHAT ABOUT THE BOY'S FATHER?

COULDN'T HE HELP?

I DON'T KNOW WHERE HE IS.

I'M NOT PRESSING, UNDERSTAND, MRS. SCOTT,

BUT THE HOSPITAL --

ALL THE HOSPITAL HAS TO DO

IS TAKE CARE OF MY SON, MR. HOFFMAN.

YOU'LL GET YOUR MONEY. EVERY CENT OF IT.

[ TELEPHONE RINGING ]

[ TV EXPLOSIONS, PHONE RINGING ]

MAGGIE.

GET THE PHONE, MAGGIE.

[ RINGING CONTINUES ]

MAGGIE!

PHONE.

WHERE YOU DOING THE LAUNDRY NOW, ACROSS THE STREET?

HELLO?

MARGARET?

FAY.

I'VE BEEN THINKING ABOUT WHAT DINA SAID.

MAYBE WE SHOULD TAKE HER UP ON HER IDEA.

I'VE BEEN THINKING THE SAME THING.

I'VE BEEN THINKING A LOT ABOUT IT.

WHERE'S IT GO AFTER HAWAII KAI?

ALONG KALANIANAOLE HIGHWAY,

PAST, UH, MAKAPUU POINT.

THE BEST PLACE WOULD BE HERE, AT SHERWOOD FOREST.

ALL RIGHT, BE THERE.

I DON'T WANT IT.

WHAT ARE YOU GONNA USE, YOUR CHARM?

DINA.

TAKE IT.

LOOK, MAYBE WE SHOULD --

IT IS TOO LATE FOR MAYBES. NOW TAKE THIS THING.

IT'S NOT EVEN LOADED.

YOU DON'T HAVE TO USE IT, MARGARET.

Dina: PUT IT IN YOUR BAG.

NOW LET'S GET ON THAT BUS.

WELL, FOLKS, OUR NEXT STOP WILL BE KAILUA,

A PICTURESQUE BEACH COMMUNITY.

MOST OF THE VEGETATION YOU SEE ON THE ISLAND

HAS BEEN PLANTED EITHER BY BIRDS OR HUMAN HANDS.

RIGHT NOW, LOOKING TO THE LEFT,

HERE WE SEE THE BEAUTIFUL MOUNT OLOMANA.

OLOMANA TELLS ABOUT THE CHIEF

BACK IN THE EARLY YEARS.

WHAT HAPPENED WAS, THE CHIEF DID WRONG TO THE PEOPLE

IN THE EARLY YEARS.

SO THE PEOPLE GATHERED TOGETHER, SLIT HIM FROM HEAD TO TOE,

THEN THEY THREW HIS BODY

TO THE SEA AND ELECTED A NEW CHIEF,

WHO MADE VERY, VERY SURE

HE NEVER DID ANY WRONG TO THE PEOPLE.

TURN OFF HERE INTO SHERWOOD FOREST.

OKAY, THIS IS A HOLD UP.

[ PEOPLE GASPING ]

EVERYBODY DO AS I SAY AND NOBODY WILL GET HURT.

OKAY, STOP HERE.

PUT YOUR CASH AND JEWELRY IN THE BAG.

COME ON.

COME ON!

[ ENGINE RUNNING ]

HURRY IT UP.

MOVE IT!

COME ON.

DRIVE AND KEEP DRIVING.

[ CAMERA CLICKING ]

GET IN!

-PLEASE, NO. -GET IN.

[ MARGARET SOBBING ]

GET OUT OF HERE.

YEAH.

WHAT?

GOT IT.

GOT A WILD ONE, STEVE.

-WHAT DO YOU MEAN "WILD ONE"? -HOLD UP NEAR WAIMANALO.

TWO WOMEN KNOCKED OVER A TOUR BUS.

TWO WOMEN? ARMED ROBBERY?

YEAH. H.P.D.'S GETTING THE DETAILS NOW.

DANNO, TOURISTS ARE BREAD AND BUTTER TO THESE ISLANDS,

AND THEY DON'T COME HERE TO GET RIPPED OFF BY MEN OR WOMEN.

GIVE H.P.D. A HAND AND REPORT BACK.

RIGHT.

Duke: WHY DON'T YOU CHECK THE BACK SEAT AGAIN?

-WHAT HAVE YOU GOT, DUKE? -YOU NAME IT, I GOT IT.

I CAN'T GET THE SAME DESCRIPTION TWICE.

HAIR, CLOTHES, NOTHING.

YOU KNOW WHAT WITNESSES ARE LIKE

AFTER THEY LOOK DOWN THE END OF A GUN.

-YEAH. -I DID GET ONE THING.

A GUY CLAIMS HE TOOK SIX PICTURES OF THE TWO GIRLS

AS THEY RAN FROM THE SCENE.

I DON'T KNOW HOW GOOD IT IS, BUT THE GUY WAS PRETTY JUMPY.

WELL, LET'S FIND OUT.

-GET IT TO THE LAB. -RIGHT.

I'LL HAVE A LOOK INSIDE.

WHICH ONE ARE YOU TALKING ABOUT?

THE ONE AT THE FRONT OF THE BUS.

THAT WAS THE OTHER ONE. THE ONE IN THE FRONT HAD LONG --

-LADIES, LADIES. -I OUGHT TO KNOW!

SHE WAS SITTING WITH HER GUN RIGHT IN MY FACE.

-CAN YOU DESCRIBE THE GUN? -YES. IT WAS SMALL AND --

SMALL? IT WAS THE BIGGEST GUN I EVER SAW IN MY LIFE.

ALL RIGHT, LADIES, THANK YOU VERY MUCH.

YOU'VE BEEN A GREAT HELP.

-HOW'S IT GOING, CHIN? -SWELL.

IF I BOUGHT EVERY DESCRIPTION I'VE HEARD SO FAR,

I'D SAY TEN DIFFERENT WOMEN HELD UP THAT BUS.

SEE IF YOU CAN ELIMINATE ABOUT EIGHT OF THEM.

I'M GOING BACK TO THE OFFICE.

Danno: THEN THEY GOT OFF THE BUS

AND TOLD THE DRIVER TO DRIVE ON.

DESCRIPTIONS OF THE WOMEN VARY.

NO CHANCE OF GETTING H.P.D. COMPOSITES OR COMPUTER READOUTS.

BEST ESTIMATE OF THEIR TAKE IS $10,000 CASH AND JEWELRY.

DIDN'T EVEN BOTHER WITH TRAVELER'S CHECKS.

-LAB BOYS GET ANY PRINTS? -NO, NOT A SMEAR.

BUT H.P.D. DID COME UP WITH SOME FRESH TIRE TRACKS,

NEAR THE SCENE, BEHIND SOME HEAVY FOLIAGE.

BUT NOT GOOD ENOUGH FOR PLASTER CASTS.

TOO BAD. I'LL BE WITH CHE AT THE LAB.

-WHAT HAVE YOU GOT, CHE? -TAKE A LOOK.

BEST I COULD DO. THE GUY WAS PRETTY SHAKY.

HIS CAMERA WAS SET AT NORMAL SHUTTER SPEED.

IT WOULDN'T FREEZE THE WOMEN'S MOVEMENTS.

THAT'S WHY THEY'RE SO BLURRED.

McGarrett: THERE IS NO WAY WE CAN RUN A MAKE ON THESE.

ANY WAY YOU CAN CLEAR THEM UP?

THERE IS A PROCESS USED BY THE SPACE PROGRAM.

IT'S CALLED COMPUTER IMAGE ENHANCEMENT.

IT WAS ORIGINALLY DEVELOPED TO IMPROVE THE CLARITY

OF LUNAR AND PLANETARY PHOTOS.

IT, UH, REMOVES DISTORTION, MAGNIFIES, ENHANCES RESOLUTION.

IT MIGHT GIVE US A BETTER PICTURE.

GIVE IT A TRY.

WHOLE TIME IT WAS HAPPENING, I KEPT TELLING MYSELF,

"I'M NOT DOING THIS. IT'S SOMEONE ELSE.

I'M NOT DOING IT."

IT'S PRETTY UNREAL, ISN'T IT?

WHAT IF WE GET CAUGHT?

THEN WE GET CAUGHT.

THERE ISN'T ANYTHING WE CAN DO ABOUT IT,

SO DON'T THINK ABOUT IT.

THERE IS ONE THING WE COULD DO.

STOP.

NOT UNTIL I GET THE MONEY FOR JOHNNY.

IF I SHOULD LOSE HIM,

I -- I WOULDN'T CARE WHAT HAPPENED TO ME.

AND WOULD PRISON BE THAT MUCH WORSE THAN WHAT YOU'VE GOT NOW?

HOW FAR DO YOU THINK THAT WILL TAKE YOU?

HOW LONG COULD YOU LIVE ON IT?

LOOK, I'VE BEEN THERE, I KNOW.

[ SIGHS ]

AFTER LYLE LEFT ME, I --

IT TOOK SIX MONTHS JUST TO GET THE NERVE

TO GO OUT AND LOOK FOR A JOB.

AND THEN AFTER I FOUND THE NERVE,

I FOUND OUT SOMETHING ELSE.

THERE WASN'T ONE DAMN THING I KNEW HOW TO DO,

EXCEPT KEEP HOUSE.

[ DOORBELL RINGING ]

-[ CHUCKLES ] -[ SIGHS ]

WAIT TILL YOU SEE WHAT I'VE GOT.

YOU SOLD THE JEWELRY.

TO A FRIEND OF A FRIEND OF MINE.

-2,000 FOR YOU? -6,000?

AND 2,000 FOR YOU.

AND 2,000 AND WHAT FOR ME?

HERE, 1,500.

[ LAUGHS ]

KEEP THIS FOR ME.

IF I TAKE IT HOME, ED MIGHT FIND IT.

WELL, GIRLS,

WHEN DO WE GO BACK TO WORK?

EVERYBODY STAY IN THEIR SEATS.

CUTE. REAL CUTE.

PUT IT IN THE BAG.

PUT IT IN THE BAG!

[ PEOPLE SCREAMING ]

[ SCREAMING ]

[ LAUGHING HYSTERICALLY ]

Frank: THOSE SAME TWO WOMEN AGAIN, STEVE.

ONE OF THEM THOUGHT SHE WAS IN A SHOOTING GALLERY.

LUCKY NO ONE WAS SERIOUSLY HURT.

THANK GOD FOR THAT. ANYONE SEE A GETAWAY CAR THIS TIME?

-NO. -HOW MUCH DID THEY GET?

ABOUT 5,000 IN CASH.

NO TELLING YET HOW MUCH IN JEWELRY.

THEY SKIPPED TRAVELER'S CHECKS THIS TIME TOO,

AS NEAR AS WE CAN TELL.

OKAY, FRANK. THANK YOU.

WE'VE GOT A BIGGER PROBLEM THAN WE FIGURED, GENTLEMEN.

ONE OF THOSE WOMEN OBVIOUSLY FLIPPED OUT FOR SOME REASON.

NOW, IF IT HAPPENS AGAIN,

SHE MAY START BLASTING PEOPLE INSTEAD OF WINDOWS.

GET OUT THERE, GIVE FRANK AND DUKE A HAND.

HIT THIS AND HIT IT HARD

BEFORE IT GETS COMPLETELY OUT OF HAND.

IT WAS STUPID.

Dina: WHY ARE WE CARRYING GUNS

IF WE'RE NOT SUPPOSED TO USE THEM?

YOU DIDN'T HAVE TO USE IT.

I THINK WE'D BETTER STOP RIGHT NOW.

NO WAY.

WE MADE A DEAL.

WE SAID 10,000 APIECE, AND THAT'S WHAT WE'RE GONNA GET.

I'M WONDERING IF YOU'RE IN THIS FOR SOMETHING MORE THAN MONEY.

WHAT'S THAT SUPPOSED TO MEAN?

YOU THINK I'M STILL ON JUNK, DON'T YOU?

DON'T YOU?

NO.

WELL, I DON'T CARE WHO'S IN THIS FOR WHAT.

I'M GOING HOME.

TO WHAT?

DINA.

IT'S ALL RIGHT.

MARGARET!

WAIT.

I'M SORRY.

I DON'T KNOW WHAT HAPPENED. I JUST LOST MY HEAD.

LOOK, I'M JUST AS SCARED AS YOU ARE.

WHAT ABOUT YOU?

[ SIGHS ]

I SURE BLEW IT, DIDN'T I?

WHAT ABOUT JOHNNY?

I'LL GET THE MONEY SOME OTHER WAY.

LOOK, YOU CAN HAVE MY SHARE.

I'LL SELL ALL THE JEWELRY THAT WE GOT TODAY,

AND THAT'LL GIVE YOU ENOUGH TO --

NO, DINA.

I DON'T WANT IT.

THANKS ANYWAY.

STILL FRIENDS?

OF COURSE.

CALL ME?

SURE.

[ DOOR CLOSES ]

McGarrett: VERY IMPRESSIVE. HOW DID YOU DO IT?

TAKE A LOOK.

AS YOU KNOW, PICTURES ARE MADE UP

OF A COMPOSITION OF SMALL SPOTS OR DOTS CALLED RESEAU MARKS.

NOW, THE ENHANCEMENT PROCESS REMOVES DISTORTION

BY UTILIZING THE COMPUTER TO LOCATE THESE RESEAU MARKS,

AND THEN TRANSFORMS THE PICTURE INTO CORRECT GEOMETRY,

BASED ON THE OBSERVED LOCATION OF THE RESEAU MARKS.

WHAT DOES THAT MEAN IN ENGLISH, CHE?

SIMPLY, THE COMPUTER LOCATES THE DOTS,

CLEANS THEM UP, AND PUTS THEM BACK IN THE RIGHT PLACE.

GOOD, THAT'S THE WAY I LIKE IT.

LET'S GET RIGHT TO THE NITTY-GRITTY, HUH?

WELL, THE WIGS AND SUNGLASSES SURE DON'T HELP ANY.

I DOUBT IF WE COULD GET A MAKE.

WHAT IS THIS AREA RIGHT HERE?

Che: LOOKS LIKE A SHADOW, BUT COULD BE MOST ANYTHING.

McGarrett: HOW FAR CAN YOU TAKE THAT ENHANCEMENT PROCESS?

Che: NO GUARANTEE, BUT I'LL DO

A VERSION OF THAT SECTION.

GOOD.

I UNDERSTAND YOUR BOYS DUG SOME SLUGS OUT OF THAT BUS.

RIGHT. DAVE'S WORKING ON IT NOW.

KEEP ON IT, CHE. LET ME KNOW.

HEY, WHAT IS THIS? YOU KNOW I BOWL TONIGHT.

OH, I'M SORRY. I FORGOT.

YOU'VE BEEN FORGETTING AN AWFUL LOT LATELY,

SINCE YOU BEEN GOING TO THEM BULL SESSIONS WITH THOSE DAMES.

ED, JUST GIVE ME THE SHIRT.

I'VE HAD IT UP TO HERE.

YOU GO TO ONE MORE OF THOSE HEN PARTIES,

I'LL GIVE YOU SOMETHING TO BELLYACHE ABOUT.

[ DOOR SHUTS ]

NO DOUBT ABOUT IT.

McGARRETT. YEAH, CHE?

ARE YOU SITTING DOWN?

WELL, IT'S KIND OF HARD TO DRIVE STANDING UP.

WE JUST GOT HIT WITH SOMETHING FROM OUT IN LEFT FIELD.

THOSE SLUGS WE DUG FROM THE TOUR BUS

CAME FROM THE SAME GUN THAT DROPPED LEW CHANG.

STEVE? ARE YOU THERE?

YEAH, CHE.

ARE YOU SURE?

POSITIVE.

DANNO?

PAY DIRT, STEVE.

THE GETAWAY CAR.

AND OUR THIRD PARTY, HUH?

THE CAR LOOKS LIKE A 1964 COMET.

CHE COULDN'T BRING OUT THE LICENSE NUMBERS.

McGarrett: WELL, MAYBE WE CAN GET IT.

HAVE MOTOR VEHICLES GIVE US THE NAMES

OF EVERY REGISTERED OWNER OF THIS MODEL ON THE ISLAND.

HAVE COPIES MADE, GET THEM TO H.P.D.

RIGHT.

-HEAR ABOUT LEW CHANG? -YEAH, SAME GUN.

SAME GUN.

175 TO CENTRAL.

Man: CENTRAL DISPATCH.

I'VE GOT A TOUR BUS PARKED ON THE OLD DIAMOND HEAD ROAD

NEAR THE TUNNEL.

COULD BE THOSE FEMALE SUSPECTS ON A POSSIBLE 211.

SEND ME SOME BACKUP. I'M GONNA CHECK IT OUT.

TEN-FOUR.

[ TIRES SCREECHING ]

[ PASSENGERS SCREAMING ]

Officer: STAY WHERE YOU ARE. DROP YOUR WEAPON.

[ SCREAMS ]

[ GUNFIRE ]

[ GUNSHOTS, GLASS SHATTERING ]

[ ENGINE STARTS ]

[ SOBBING ]

FORGET HER. SHE'S DEAD.

GET IN.

WHO GOT IT?

TOM KAMAKA, A YEAR ON THE FORCE.

I KNEW TOM AND HIS WIFE, MILEY, PRETTY WELL.

MAYBE I SHOULD BE THE ONE TO BREAK THE NEWS.

YEAH, DUKE, MAYBE YOU SHOULD.

WHAT ABOUT THE DEAD WOMAN, DANNO?

ON HER WAY TO THE MORGUE.

-ANY I.D.? -TENTATIVE.

WE FOUND AN ENVELOPE IN HER POCKET

ADDRESSED TO A MRS. EDWARD HUDSON.

CHIN'S CHECKING THE ADDRESS NOW.

BUT WHOEVER SHE IS, STEVE, SHE DIDN'T KILL OFFICER KAMAKA.

HOW DO YOU KNOW THAT?

EMPTY. AND IT HASN'T BEEN FIRED RECENTLY, IF EVER.

SATURDAY NIGHT SPECIAL, HUH?

Chin Ho: STEVE, DANNY,

GOT A REPORT FROM MOTOR VEHICLES.

THEY'VE GOT A MARGARET HUDSON

AT THE ADDRESS ON THAT ENVELOPE WE FOUND.

OKAY, CHIN, YOU AND DANNO HIT IT.

YOUR WIFE WAS KILLED WHILE ATTEMPTING ARMED ROBBERY.

MAGGIE?

NO, THERE'S SOME MISTAKE.

I'M SORRY, MR. HUDSON. IT'S NO MISTAKE.

YOUR WIFE AND TWO OTHER WOMEN

PULLED OFF THREE TOUR-BUS ROBBERIES.

CLOSE TO 25,000 IN JEWELRY AND CASH TAKEN

AND A POLICE OFFICER KILLED.

NO, YOU GOTTA BE WRONG.

Chin Ho: THESE WERE TAKEN BY A PASSENGER

AT THE SCENE OF THE FIRST ROBBERY.

Hudson: I CAN'T BELIEVE IT.

IT DON'T MAKE NO SENSE.

I WORK MY BUTT OFF FOR THAT BROAD TEN HOURS A DAY.

BUT THAT WASN'T ENOUGH FOR HER.

SHE HAD TO GO AND --

[ CRUMPLING PAPER ]

WHAT ABOUT THE OTHER TWO WOMEN? DO YOU KNOW THEM?

NO, SHE NEVER TOLD ME NOTHING.

YOU GOT NO IDEA WHERE SHE WENT OR WHAT SHE DID

WHENEVER SHE LEFT THE HOUSE?

SHE SPENT ALL HER TIME AT THAT WOMAN'S CENTER.

-WOMEN'S CENTER? -YEAH.

YAKKING ALL DAY WITH A BUNCH OF BROADS

ABOUT HOW TOUGH THEIR LIFE WAS.

[ SIGHS ]

MAGGIE.

-MISS KEOLA? -YES?

WILLIAMS, KELLY, FIVE-O.

WE'D LIKE TO ASK A FEW QUESTIONS.

-WON'T YOU COME IN? -THANK YOU.

WHAT CAN I DO FOR YOU TODAY?

DO YOU RECOGNIZE THESE TWO WOMEN?

Keola: THE HAIR'S NOT RIGHT,

BUT I'M SURE THIS IS CINDY AND CAROL.

THAT WOMAN HAS BEEN IDENTIFIED AS A MARGARET HUDSON.

YOU COULD BE RIGHT, BUT I KNOW HER ONLY AS CAROL.

-WELL, HOW'S THAT? -LET ME EXPLAIN.

THE WOMEN IN THE ENCOUNTER GROUPS HERE AT THE CENTER

DON'T USE THEIR REAL NAME. IT'S A POLICY.

EVEN THOUGH SOME OF THEM BECOME FRIENDS,

THEY MAY HAVE A SOCIAL, PROFESSIONAL,

OR EVEN A FAMILY LIFE TO PROTECT.

DO YOU KNOW THIS WOMAN?

ONLY AS LAURA.

DO YOU KNOW WHERE WE CAN FIND HER OR THE OTHER TWO?

Keola: NO. BECAUSE OF THE NATURE OF OUR SESSIONS,

THE CENTER DOESN'T REQUIRE ANY REGISTRATION

AND WE DON'T KEEP ANY RECORDS.

OKAY. THANK YOU.

[ DOORBELL RINGING ]

-WHO IS IT? -IT'S DINA.

GONNA INVITE ME IN?

[ SIGHS ]

CAN I GET YOU A DRINK?

I'LL GET IT.

YOU SAID YOU WERE GONNA CALL.

I'VE BEEN BUSY.

JOIN ME.

NO, THANKS.

I STOPPED BY YOUR OFFICE. THEY SAID YOU QUIT.

UH -- I'VE BEEN LOOKING FOR ANOTHER JOB.

-IN HONOLULU? -YES.

YOU KNOW, I WAS THINKING,

WE SHOULD SEND SOME FLOWERS TO MARGARET'S FUNERAL.

ANONYMOUSLY, OF COURSE.

YOU FELT SO STRONGLY ABOUT HER.

IT'S REALLY A PITY YOU WON'T BE AROUND

WHEN SHE'S... LAID TO REST.

YOU REALLY THOUGHT YOU COULD LEAVE WITHOUT ME KNOWING?

I CALLED THE HOSPITAL AND THEY TOLD ME

YOUR SON'S BEEN TRANSFERRED

TO ANOTHER HOSPITAL ON THE BIG ISLAND.

ALL RIGHT, SO I'M LEAVING.

WHAT BUSINESS IS IT OF YOURS?

HALF OF MARGARET'S MONEY.

TAKE IT, ALL OF IT, AND GET OUT OF HERE.

ALL RIGHT, IF THAT'S THE WAY YOU WANT IT.

STILL NOT TOO LATE TO CHANGE YOUR MIND.

WE NEVER REALLY NEEDED MARGARET ANYWAY.

AND IT WOULD SAVE ME THE TROUBLE OF FINDING SOMEONE ELSE

TO WORK WITH.

SOMEONE ELSE?

YOU'RE NOT THINKING OF --

WHY, YOU'RE OUT OF YOUR MIND.

EVERY POLICEMAN ON THE ISLAND IS LOOKING FOR YOU.

AND SOONER OR LATER, YOU'LL GET CAUGHT.

AND YOU THINK THAT WILL BE THE END OF IT?

OH, NO.

IF I GET CAUGHT, YOU GET CAUGHT.

[ GLASS SHATTERING ]

[ DOOR SHUTS ]

[ RINGING ]

YEAH?

Danno: WE TALKED TO A MISS KEOLA.

SHE'S THE COUNSELOR FOR THE ENCOUNTER GROUP

AT THE WOMEN'S CENTER.

Chin Ho: YEAH. SHE RECOGNIZES ALL THREE WOMEN,

BUT SHE SAYS NONE OF THE MEMBERS

AT THE ENCOUNTER SESSION USE THEIR REAL NAMES.

ENCOURAGES THEM TO REALLY UNLOAD.

THERE'S NO REGISTRATION.

THE CENTER DOESN'T KEEP ANY RECORD OF ITS WOMEN,

IN ORDER TO PROTECT THEIR ANONYMITY.

SO WE HIT ANOTHER DEAD END, HUH?

[ DOOR OPENS ]

GOT A LIST OF ALL THE OWNER OF 1964 COMET SEDANS.

THERE'S OVER 200 OF THEM.

McGarrett: 200?

WELL, AT LEAST THAT'S BETTER

THAN THE COMPUTER CAME UP WITH ON HER.

OKAY, GENTLEMEN,

WE HAVE A PICTURE OF OUR DRIVER WITH NO NAME.

BUT IF SHE HAS A DRIVER'S LICENSE,

MOTOR VEHICLES HAS A PICTURE OF HER WITH A NAME.

FRANK, CONTACT THE BUREAU.

GET A COPY OF THE DRIVER'S LICENSE

OF EVERY WOMAN WHO OWNS A '64 COMET.

WE MIGHT GET LUCKY. CHIN, WARM UP THE COMPUTER.

Chin Ho: ON IT.

[ CAR APPROACHING ]

MR. HUDSON?

YEAH. AND WHAT'S YOUR NAME?

THAT'S NOT IMPORTANT.

YOU WERE IN ON THOSE BUS HEISTS WITH MY WIFE, WEREN'T YOU?

WE CAME HERE TO DISCUSS $5,000, REMEMBER?

I'M LISTENING.

[ UNFASTENING BAG ]

I WANT YOU TO DO SOMETHING FOR ME.

WHAT?

I WANT YOU TO --

-TO KILL HER. -WHAT?

YOU HEARD ME.

WHAT MAKES YOU THINK I'D DO SOMETHING LIKE THAT?

BECAUSE I KNOW YOU, MR. HUDSON.

FROM MARGARET.

I KNOW EVERY BRUTAL, SELFISH, GREEDY BONE IN YOUR BODY.

SO PLEASE

DON'T, UH, TRY TO FOOL ME.

HALF NOW.

IF YOU, UH, WANT THIS DINA HALE DEAD SO BAD,

WHY DON'T YOU DO IT YOURSELF?

I WOULD,

IF I COULD.

BUT I CAN'T.

THE REST WHEN IT'S DONE.

I DON'T KNOW. I'D HAVE TO THINK ABOUT IT.

I'D LIKE YOU TO CALL ME SOON.

MY NUMBER.

"ELAINE AMAKO."

"AUDREY AMES."

"JEAN ANAPOA."

[ TELEPHONE RINGING ]

HELLO.

"ANITA MALEMO."

"WILMA NELSON."

WHOA. WAIT, WAIT. WAIT A MINUTE.

LET ME EXPLAIN, WILL YOU? LET ME EXPLAIN.

-EMPTY YOUR POCKETS. -YEAH, YEAH.

THAT'S ALL. IT'S ALL I GOT.

HERE.

-YOU? -OH!

WAIT A MINUTE. WAIT A MINUTE.

SHE PAID ME TO KILL YOU.

-SHE? -YEAH, SCOTT.

HER NAME'S SCOTT. AND SHE GAVE ME --

GONNA GIVE ME $5,000,

HALF NOW AND HALF WHEN --

"LUCY SANDS."

"FAY SCOTT."

THAT'S IT.

RIGHT. GREAT.

GOT IT, CHIN. GOOD WORK.

YOU AND FRANK GET THERE ON THE DOUBLE. I'LL MEET YOU.

DANNO?

DANNO, LET'S GO.

[ GUNSHOT ]

[ GASPING ]

READ THEM THEIR RIGHTS, DANNO, THEN BOOK THEM.

MURDER ONE, TWO COUNTS FOR THIS ONE.

[ "HAWAII FIVE-O" THEME PLAYS ]

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