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1
00:00:01,088 --> 00:00:04,048
[ "HAWAII FIVE-O" THEME PLAYS ]
2
00:01:38,446 --> 00:01:41,446
THIS IS DECLARATION
NUMBER 138,
3
00:01:41,492 --> 00:01:44,062
CONSIGNORS,
McHEATH HEMPSTEAD,
4
00:01:44,104 --> 00:01:45,154
SYDNEY, AUSTRALIA.
5
00:01:45,192 --> 00:01:47,412
THE REPRESENTATIVE
IS JEFFREY HOBBS.
6
00:01:47,455 --> 00:01:50,365
HE'S BONDED BY MERCANTILE
INSURANCE COMPANY.
7
00:01:50,414 --> 00:01:52,334
THIS IS A LOT OF 50 OPALS.
8
00:01:52,373 --> 00:01:56,513
IT'S LISTED BY INTERNATIONAL
METRIC CARAT WEIGHT.
9
00:01:56,551 --> 00:01:59,641
THE ESTIMATED VALUE
IS $150,000,
10
00:01:59,684 --> 00:02:02,474
AND THE DUTY WAS PREPAID
AT THE POINT OF DEPARTURE.
11
00:02:02,513 --> 00:02:04,993
YOU'VE NOT TAMPERED WITH
THE SEAL OR THE CONTENTS
12
00:02:05,037 --> 00:02:07,777
SINCE IT CLEARED THE U.S.
CUSTOMS CHECKPOINT AT SYDNEY?
13
00:02:07,823 --> 00:02:10,833
[ With Australian accent ]
NOT BLOODY LIKELY, MATE.
14
00:02:31,368 --> 00:02:32,198
Yes, hello?
15
00:02:32,239 --> 00:02:34,459
THIS IS JEFF HOBBS.
IS HAGGAI IN?
16
00:02:34,502 --> 00:02:36,502
ONE MOMENT, PLEASE.
17
00:02:36,547 --> 00:02:40,157
MR. HAGGAI...
IT'S MR. HOBBS.
18
00:02:43,293 --> 00:02:44,213
YES, HOBBS?
19
00:02:44,251 --> 00:02:45,381
I've got them.
20
00:02:45,426 --> 00:02:47,296
HOW SOON CAN YOU BE HERE?
21
00:02:47,341 --> 00:02:48,731
GIVE ME AN HOUR.
22
00:02:48,777 --> 00:02:50,467
I'LL BE WAITING.
23
00:03:30,514 --> 00:03:32,214
MAGNIFICENT!
24
00:03:32,255 --> 00:03:34,905
AND THERE ARE MORE WHERE
THAT COMES FROM, MATE.
25
00:03:34,953 --> 00:03:37,223
YOU WALKED THROUGH
CUSTOMS WITH THESE?
26
00:03:37,260 --> 00:03:39,610
I GO THROUGH CUSTOMS
FOUR TIMES A YEAR.
27
00:03:39,654 --> 00:03:41,834
WHY SHOULD
THEY STOP ME NOW?
28
00:03:41,873 --> 00:03:43,573
HOW MUCH?
29
00:03:43,614 --> 00:03:48,404
DIRT CHEAP FOR YOU, MATE.
HALF A MILLION DOLLARS.
30
00:03:48,445 --> 00:03:52,275
THAT'S A LOT OF MONEY.
31
00:03:52,319 --> 00:03:55,099
YOU CAN MAKE $1 MILLION
ON THE MAINLAND
32
00:03:55,147 --> 00:03:56,537
WITHOUT LIFTING A FINGER.
33
00:03:56,584 --> 00:03:58,544
IT'S NOT THAT SIMPLE.
34
00:03:58,586 --> 00:04:00,886
LOOK, DON'T TRY
AND CON ME, HAGGAI.
35
00:04:00,936 --> 00:04:03,496
I'VE SPENT A LIFETIME
IN OPALS.
36
00:04:03,547 --> 00:04:05,587
I KNOW EVERY TRICK
IN THE BOOK.
37
00:04:05,636 --> 00:04:07,546
I'M NOT QUESTIONING THAT.
38
00:04:07,595 --> 00:04:10,465
NOW LOOK, I SPENT 10 YEARS
COLLECTING THESE STONES.
39
00:04:10,511 --> 00:04:11,951
I SPENT EVERY PENNY
I EVER MADE
40
00:04:11,990 --> 00:04:14,430
BRIBING THE BOYS
IN THE SORTING COMPOUND,
41
00:04:14,471 --> 00:04:15,821
I STUCK IT OUT AS A SALESMAN,
42
00:04:15,864 --> 00:04:18,564
I GOT THE CUSTOMS USED TO
MY COMINGS AND MY GOINGS,
43
00:04:18,606 --> 00:04:21,256
AND IN 10 YEARS
I NEVER MADE A WRONG MOVE.
44
00:04:22,349 --> 00:04:23,959
ADD TO THAT 15 YEARS
45
00:04:24,002 --> 00:04:26,962
SWEATING IT OUT
IN THE OUTBACK --
46
00:04:27,005 --> 00:04:28,395
LOOK, HAGGAI...
47
00:04:29,356 --> 00:04:32,916
DO YOU SEE THE RED
FLASHING IN THAT STONE?
48
00:04:32,968 --> 00:04:35,748
THAT'S BLOOD, MATE,
MY BLOOD.
49
00:04:37,320 --> 00:04:39,190
FREEZE. IN THE BACK.
COME ON.
50
00:04:39,235 --> 00:04:42,585
LET'S GO. NOT YOU, HONEY.
YOU STAY RIGHT HERE.
51
00:04:42,630 --> 00:04:43,810
IN THE BACK. COME ON.
52
00:04:43,848 --> 00:04:46,328
GET OVER THERE
AND OPEN THE SAFE.
53
00:04:46,373 --> 00:04:48,463
[ DOOR OPENS ]
54
00:04:48,505 --> 00:04:51,805
STAY RIGHT WHERE
YOU ARE, BOTH OF YOU.
55
00:05:43,560 --> 00:05:46,170
MR. HOBBS.
56
00:06:17,377 --> 00:06:19,377
[ TIRES SCREECHING ]
57
00:06:32,696 --> 00:06:33,736
DOC?
58
00:06:33,784 --> 00:06:37,054
HE WAS KILLED BY
TWO SLUGS FROM A .38,
59
00:06:37,092 --> 00:06:40,142
FIRED AT
POINT-BLANK RANGE.
60
00:06:40,182 --> 00:06:43,582
THE FOURTH JEWELRY IMPORTER
HEIST IN A MONTH.
61
00:06:43,620 --> 00:06:46,580
NOW THEY MANAGE
TO KILL SOMEBODY.
62
00:06:46,623 --> 00:06:47,973
THE M.O. IS
JUST ABOUT THE SAME.
63
00:06:48,016 --> 00:06:50,496
STOCKING MASKS,
WHITE GLOVES,
64
00:06:50,540 --> 00:06:51,930
IN AND OUT FAST.
65
00:06:51,976 --> 00:06:54,276
THIS IS MIYOSHI AKURA,
HAGGAI'S ASSISTANT.
66
00:06:54,326 --> 00:06:55,586
THIS IS THE HOT LIST.
67
00:06:55,632 --> 00:06:56,982
THEY TOOK SOME OPALS
68
00:06:57,025 --> 00:07:00,115
AND HIT THE SMALL SAFE
OUT IN THE FRONT ROOM.
69
00:07:00,158 --> 00:07:02,728
YOU MEAN
THAT'S ALL THEY TOOK?
70
00:07:02,770 --> 00:07:04,470
THE MERCHANDISE
IN THAT SAFE
71
00:07:04,511 --> 00:07:07,691
WAS WORTH MORE THAN
ALL THE REST COMBINED.
72
00:07:07,731 --> 00:07:08,991
WHO OPENED IT FOR THEM?
73
00:07:09,037 --> 00:07:10,297
I DID.
74
00:07:10,342 --> 00:07:13,742
WHERE WAS HAGGAI WHILE
ALL THIS WAS GOING ON?
75
00:07:13,781 --> 00:07:15,701
BACK HERE WITH HIM.
76
00:07:15,739 --> 00:07:18,999
ONE OF THE HOLDUP MEN
WENT INSIDE
77
00:07:19,047 --> 00:07:22,617
WHILE THE OTHER HELD
A GUN ON US.
78
00:07:22,659 --> 00:07:25,229
AND YOU HEARD NOTHING?
79
00:07:25,270 --> 00:07:27,270
THE DOOR WAS CLOSED.
80
00:07:27,316 --> 00:07:30,666
JEFFREY HOBBS, STEVE.
STEVE McGARRETT.
81
00:07:30,711 --> 00:07:33,581
HOBBS IS A SALESMAN
FOR McHEATH AND HEMPSTEAD
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00:07:33,627 --> 00:07:34,537
OF SYDNEY -- OPALS.
83
00:07:34,584 --> 00:07:36,284
AFTER THE HEISTMAN
BLASTED HAGGAI,
84
00:07:36,325 --> 00:07:38,195
HOBBS TRIED TO JUMP HIM
AND GOT SLUGGED.
85
00:07:38,240 --> 00:07:41,460
THAT WASN'T A VERY
SMART MOVE, MR. HOBBS.
86
00:07:41,504 --> 00:07:43,944
WELL, I'LL TELL YOU,
IT'S LIKE THIS, MATE.
87
00:07:43,985 --> 00:07:46,335
SEE, I WAS A PROSPECTOR
IN THE OUTBACK,
88
00:07:46,378 --> 00:07:48,818
TEMPERATURE 122 DEGREES
IN THE SHADE,
89
00:07:48,859 --> 00:07:50,859
ONLY THERE'S NO SHADE.
90
00:07:50,905 --> 00:07:52,985
FOLKS HAVE A SAYING
ABOUT OPAL HUNTERS --
91
00:07:53,037 --> 00:07:54,737
THE ONLY PLACE
YOU CAN'T HURT THEM
92
00:07:54,778 --> 00:07:56,388
IS IN THE BACK OF THE HEAD.
93
00:07:56,432 --> 00:07:59,832
HE ALSO WENT AFTER THE MEN
WHEN THEY LEFT THE STORE.
94
00:07:59,870 --> 00:08:02,660
WHY, YOU WERE REALLY ASKING
FOR IT, WEREN'T YOU?
95
00:08:02,699 --> 00:08:04,789
LIKE I SAID,
IF I HAD ANY BRAINS
96
00:08:04,832 --> 00:08:06,182
I WOULDN'T BE
AN OPAL HUNTER.
97
00:08:06,224 --> 00:08:08,014
ANYWAY, ALL I GOT
FOR MY TROUBLE
98
00:08:08,052 --> 00:08:09,792
WAS A HANDFUL OF STOCKING.
99
00:08:09,837 --> 00:08:11,007
YOU PULLED OFF HIS MASK?
100
00:08:11,055 --> 00:08:13,445
RIGHT AFTER HE SHOT HAGGAI.
101
00:08:13,493 --> 00:08:15,413
THEN YOU
GOT A LOOK AT HIM?
102
00:08:15,451 --> 00:08:16,581
FOR A SPLIT SECOND, MAYBE,
103
00:08:16,626 --> 00:08:18,846
BUT THEN
EVERYTHING WENT BLACK.
104
00:08:21,892 --> 00:08:25,292
WHAT ABOUT YOU AND
THE OTHERS IN THE STORE?
105
00:08:25,330 --> 00:08:26,590
DID YOU SEE THE MAN?
106
00:08:26,636 --> 00:08:29,726
HE HELD MR. HOBBS' SAMPLE
CASE UP IN FRONT OF HIM.
107
00:08:29,770 --> 00:08:32,470
AND WHAT ABOUT THE OTHER MAN,
THE OTHER HOLDUP MAN?
108
00:08:32,512 --> 00:08:34,302
HE ALSO WORE A MASK.
109
00:08:36,298 --> 00:08:39,388
MR. HOBBS, HPD AND FIVE-O
HAVE BEEN WORKING
110
00:08:39,431 --> 00:08:43,041
FOR WEEKS ON THIS SERIES
OF JEWELRY IMPORT HOLDUPS.
111
00:08:43,087 --> 00:08:45,697
WE'VE PUT TOGETHER A LONG LIST
OF POSSIBLE SUSPECTS.
112
00:08:45,742 --> 00:08:47,092
NOW I EMPHASIZE "POSSIBLE"
113
00:08:47,135 --> 00:08:49,005
BECAUSE WE HAVEN'T
BEEN ABLE TO PIN
114
00:08:49,050 --> 00:08:50,270
ONE THING ON ANY OF THEM.
115
00:08:50,312 --> 00:08:52,662
MOST OF THE MEN HAVE DONE TIME
FOR ARMED ROBBERY,
116
00:08:52,706 --> 00:08:53,876
SO WE DO HAVE MUG SHOTS.
117
00:08:53,924 --> 00:08:55,934
DO YOU FEEL UP TO TAKING
A LOOK AT THE PICTURES
118
00:08:55,970 --> 00:08:58,280
TO SEE IF YOU
CAN IDENTIFY THE MAN
119
00:08:58,320 --> 00:08:59,670
WHOSE MASK YOU TORE OFF?
120
00:08:59,713 --> 00:09:01,453
OH, YOU'RE
BLOODY RIGHT, MATE.
121
00:09:01,497 --> 00:09:04,327
GOOD, GOOD.
WHERE ARE YOU STAYING?
122
00:09:04,369 --> 00:09:05,589
NAUTILUS HOTEL.
123
00:09:05,632 --> 00:09:07,852
DOC, SEE IF HE'S UP TO IT.
124
00:09:07,895 --> 00:09:09,975
DANNO, YOU DRIVE HIM
DOWN THERE.
125
00:09:12,900 --> 00:09:16,120
OH, ONE MORE THING,
MR. HOBBS.
126
00:09:16,164 --> 00:09:18,514
WHEN YOU CHASED THE TWO MEN
OUT INTO THE STREET,
127
00:09:18,558 --> 00:09:20,908
DID YOU SEE ANYTHING
AT ALL THAT MIGHT HELP US?
128
00:09:20,951 --> 00:09:23,691
NOT A THING, MATE.
NOT ONE BLOODY THING.
129
00:09:23,737 --> 00:09:26,737
LICENSE PLATE,
MAKE OF CAR, COLOR?
130
00:09:26,783 --> 00:09:29,873
NO, NOTHING.
SORRY, WISH I COULD HELP.
131
00:09:38,099 --> 00:09:40,709
NO.
132
00:09:40,754 --> 00:09:43,584
AIN'T HIM.
133
00:09:43,626 --> 00:09:46,186
NOPE.
134
00:09:48,239 --> 00:09:50,589
NOW THAT'S AN UGLY FACE,
ISN'T IT?
135
00:09:50,633 --> 00:09:51,853
YOU RECOGNIZE HIM?
136
00:09:51,895 --> 00:09:56,635
LEE FRANKS...EX-BOXER.
137
00:09:56,683 --> 00:09:57,733
[ CHUCKLES ]
138
00:09:57,771 --> 00:10:01,951
"AUTO MECHANIC,
PRESENT WHEREABOUTS UNKNOWN."
139
00:10:01,992 --> 00:10:03,692
COULD IT HAVE BEEN HIM?
140
00:10:03,733 --> 00:10:07,043
IT'S NOT LIKELY
THAT ANYBODY WOULD FORGET
141
00:10:07,084 --> 00:10:08,874
A FACE LIKE THAT,
NOW IS IT, MATE?
142
00:10:10,087 --> 00:10:12,307
[ SIGHS ]
143
00:10:12,350 --> 00:10:14,050
I GUESS
YOU'VE HAD IT FOR NOW.
144
00:10:14,091 --> 00:10:16,141
WELL, I AM
A TRIFLE WOOZY, MATE.
145
00:10:16,180 --> 00:10:18,310
WHY DON'T WE PICK THIS UP
IN THE MORNING?
146
00:10:18,356 --> 00:10:20,706
I'LL GET YOU A CAR
TO TAKE YOU TO YOUR HOTEL.
147
00:10:20,750 --> 00:10:23,750
OH, THERE'S NO NEED
FOR THAT, REALLY.
148
00:10:23,797 --> 00:10:25,537
I'D RATHER YOU BLOKES
149
00:10:25,581 --> 00:10:28,761
GO AFTER THOSE OPALS
OF MINE, ALL RIGHT?
150
00:10:28,802 --> 00:10:33,202
LICENSE PLATE NUMBER
N3-625 --
151
00:10:33,241 --> 00:10:38,731
THAT CAR IS REGISTERED
TO JAMES KULAANI,
152
00:10:38,768 --> 00:10:43,688
570 HALIKAWIE STREET,
HONOLULU.
153
00:10:57,961 --> 00:11:01,621
JAMES KULAANI LIVE HERE?
154
00:11:01,661 --> 00:11:04,141
YEAH, HE'S HERE.
155
00:11:07,928 --> 00:11:12,978
JIMMY!
A FELLA HERE TO SEE YOU.
156
00:11:13,020 --> 00:11:18,980
YOU CAN GO DOWNSTAIRS
AND WALK AROUND.
157
00:11:27,817 --> 00:11:29,117
HI.
158
00:11:31,821 --> 00:11:34,221
YOU'RE JAMES KULAANI?
159
00:11:34,258 --> 00:11:35,128
YEAH.
160
00:11:35,172 --> 00:11:38,262
ALL RIGHT,
I'LL GO ALONG WITH IT.
161
00:11:38,306 --> 00:11:41,656
DO YOU OWN A WHITE,
FOUR-DOOR SEDAN
162
00:11:41,701 --> 00:11:43,961
LICENSE NUMBER N3-625?
163
00:11:44,007 --> 00:11:45,747
THAT'S MY LICENSE,
164
00:11:45,792 --> 00:11:49,622
BUT IT'S NOT A WHITE,
FOUR-DOOR SEDAN, IT'S A BUG.
165
00:11:49,665 --> 00:11:50,485
WHERE IS IT?
166
00:11:50,535 --> 00:11:53,755
IT'S THE RED ONE
ACROSS THE STREET.
167
00:11:56,803 --> 00:12:00,283
HEY!
HEY, WHAT'S GOING ON?
168
00:12:03,070 --> 00:12:06,290
HEY, WHO ARE YOU?
WHAT DO YOU WANT?
169
00:12:11,861 --> 00:12:14,951
COULD ANYBODY HAVE USED
YOUR PLATES THIS MORNING?
170
00:12:14,995 --> 00:12:18,125
TAKEN THEM, USED THEM,
THEN PUT THEM BACK AGAIN?
171
00:12:18,172 --> 00:12:21,652
NO, I WAS WORKING ON THE
CAR ALL MORNING EXCEPT --
172
00:12:21,697 --> 00:12:22,607
EXCEPT WHAT?
173
00:12:22,654 --> 00:12:24,354
I HAD THE WHEELS ALIGNED.
174
00:12:24,395 --> 00:12:25,215
WHERE?
175
00:12:25,266 --> 00:12:27,436
IT DIDN'T TAKE
MORE THAN AN HOUR.
176
00:12:27,485 --> 00:12:28,695
I SAID "WHERE"!
177
00:12:44,981 --> 00:12:47,031
HI.
178
00:12:47,070 --> 00:12:49,250
HI. UH, IS LEE AROUND?
179
00:12:49,290 --> 00:12:53,600
LEE? HE'S WORKING
MORNINGS THIS WEEK.
180
00:12:53,642 --> 00:12:56,652
DO YOU KNOW
WHERE I CAN FIND HIM?
181
00:12:56,688 --> 00:12:57,908
DEPENDS. WHAT FOR?
182
00:12:57,951 --> 00:13:00,521
I'M JUST
AN OLD BUDDY OF HIS.
183
00:13:00,562 --> 00:13:03,912
WE USED TO BOX TOGETHER,
YOU KNOW?
184
00:13:03,957 --> 00:13:05,997
I'M THE ONE THAT BROKE
HIS NOSE, YOU KNOW.
185
00:13:06,046 --> 00:13:07,436
BUT DON'T TELL HIM
I TOLD YOU THAT.
186
00:13:07,482 --> 00:13:10,182
ANYBODY THAT BUSTED LEE'S
NOSE IS A FRIEND OF MINE.
187
00:13:10,224 --> 00:13:12,574
ONLY DON'T TELL HIM
ITOLD YOU THAT.
188
00:13:12,617 --> 00:13:15,267
THAT'S GOOD, MAN.
I'M JUST PASSING THROUGH.
189
00:13:15,316 --> 00:13:18,096
CAN YOU TELL ME
WHERE I CAN FIND HIM?
190
00:13:18,145 --> 00:13:21,975
HE LIVES
ON KING STREET, 119.
191
00:13:22,018 --> 00:13:23,978
I THINK IT'S APARTMENT 14.
192
00:14:05,540 --> 00:14:07,670
CABLE FROM THE SYDNEY
POLICE DEPARTMENT
193
00:14:07,716 --> 00:14:09,976
IN REPLY TO OUR QUERY
ABOUT JEFFREY HOBBS.
194
00:14:10,023 --> 00:14:11,723
DIVORCED,
NEVER REMARRIED.
195
00:14:11,763 --> 00:14:13,853
SALESMAN OF
McHEATH AND HEMPSTEAD
196
00:14:13,896 --> 00:14:15,116
FOR OVER 10 YEARS.
197
00:14:15,158 --> 00:14:16,938
BONDED BY MacLURE OF LONDON
FOR $500,000.
198
00:14:16,986 --> 00:14:21,116
SO...HOBBS IS CLEAN.
199
00:14:21,164 --> 00:14:24,604
QUERY --
WERE ALL THE IMPORTERS
200
00:14:24,646 --> 00:14:26,946
HIT BY THE SAME TWO MEN?
201
00:14:26,996 --> 00:14:29,906
YEAH. M.O. SAYS YES.
202
00:14:29,956 --> 00:14:32,046
MAYBE.
203
00:14:32,088 --> 00:14:33,438
IN THE FIRST THREE HOLDUPS,
204
00:14:33,481 --> 00:14:36,401
THE TWO MEN HIT ONLY
THE DISPLAY CASES UP FRONT,
205
00:14:36,440 --> 00:14:38,570
GRABBED WHAT THEY COULD,
AND RAN.
206
00:14:38,616 --> 00:14:41,656
THEY NEVER WENT
INTO AN OFFICE OR BACK ROOM.
207
00:14:41,706 --> 00:14:44,096
BUT THEY DID AT HAGGAI'S.
208
00:14:44,144 --> 00:14:46,154
RIGHT, AND THERE'S
ONE OTHER DIFFERENCE.
209
00:14:46,189 --> 00:14:47,359
AT HAGGAI'S
THEY KILLED A MAN.
210
00:14:47,408 --> 00:14:49,278
THEY SHOT A CLERK
IN THE SECOND HOLDUP.
211
00:14:49,323 --> 00:14:50,503
WINGED HIM. WINGED HIM.
212
00:14:50,541 --> 00:14:52,371
BIG DIFFERENCE
BETWEEN WINGING A MAN
213
00:14:52,413 --> 00:14:54,853
AND SHOOTING
AT POINT-BLANK RANGE TO KILL.
214
00:14:54,894 --> 00:14:57,294
COULD BE SOMEONE ELSE
PULLED THE HAGGAI JOB.
215
00:14:57,331 --> 00:14:59,251
THAT'S EXACTLY
WHAT I'M GETTING AT.
216
00:14:59,289 --> 00:15:02,509
ONE THING COULD PUT A CRIMP
IN YOUR THEORY, STEVE --
217
00:15:02,553 --> 00:15:04,643
IF THE BULLET THAT WOUNDED
THE CLERK IN THE SECOND HOLDUP
218
00:15:04,686 --> 00:15:06,686
AND THE BULLETS
THAT KILLED HAGGAI
219
00:15:06,731 --> 00:15:08,561
WERE FIRED
FROM THE SAME GUN.
220
00:15:08,603 --> 00:15:13,173
YEAH. HAS CHE FINISHED
THE BALLISTICS REPORT?
221
00:15:13,216 --> 00:15:14,216
NOT YET.
222
00:15:14,261 --> 00:15:17,001
OKAY.
CHECK HIM OUT, DANNO.
223
00:15:17,046 --> 00:15:17,956
RIGHT.
224
00:15:46,554 --> 00:15:50,044
THE FIRST IS .32 CALIBER,
SIX GROOVES, LEFT TWIST.
225
00:15:50,079 --> 00:15:52,389
INDICATED WEAPON --
A COLT EJECTOR.
226
00:15:52,429 --> 00:15:56,169
THE SECOND IS A .38 CALIBER,
FIVE GROOVES, RIGHT TWIST.
227
00:15:56,216 --> 00:15:59,306
PROBABLE WEAPON --
A SMITH AND WESSON SPECIAL.
228
00:15:59,349 --> 00:16:04,179
DIFFERENT WEAPONS...
THAT'S A POINT FOR STEVE.
229
00:16:04,224 --> 00:16:07,844
MAYBE, MAYBE NOT.
M.O.s DO CHANGE.
230
00:16:07,879 --> 00:16:10,579
YES, BUT IF SOMEONE ELSE
PULLED OFF THE HAGGAI JOB,
231
00:16:10,621 --> 00:16:12,801
THEY OBVIOUSLY
WENT TO A LOT OF TROUBLE
232
00:16:12,841 --> 00:16:15,101
TO MAKE IT LOOK
LIKE JUST ANOTHER ONE
233
00:16:15,148 --> 00:16:16,278
IN A SERIES OF ROBBERIES.
234
00:16:16,323 --> 00:16:19,543
BUT WHY? WHAT MADE IT
SO IMPORTANT?
235
00:16:19,587 --> 00:16:22,327
IMPORTANT ENOUGH
TO KILL FOR?
236
00:16:22,372 --> 00:16:25,462
AN INSIDE JOB, MAYBE --
IF SOMEBODY KNEW HOBBS
237
00:16:25,506 --> 00:16:28,286
WAS BRINGING IN
A CONSIGNMENT OF OPALS --
238
00:16:28,335 --> 00:16:30,075
WORTH $150,000 RETAIL
239
00:16:30,119 --> 00:16:32,249
ACCORDING
TO McHEATH AND HEMPSTEAD.
240
00:16:32,295 --> 00:16:35,555
EVERY STONE WEIGHED,
PHOTOGRAPHED, AND REGISTERED.
241
00:16:35,603 --> 00:16:39,223
NO FENCE WOULD PAY MORE
THAN 10% FOR THAT STUFF.
242
00:16:39,259 --> 00:16:40,559
THEN THERE
WAS SOMETHING MORE.
243
00:16:40,608 --> 00:16:48,268
A LOT MORE --
SOMETHING WORTH KILLING FOR.
244
00:17:01,150 --> 00:17:03,810
HELLO, LEE.
245
00:17:05,241 --> 00:17:08,331
HOW DID YOU FIND ME?
246
00:17:08,375 --> 00:17:11,195
THAT'S
NOT IMPORTANT, MATE.
247
00:17:11,247 --> 00:17:14,287
WHAT ISIMPORTANT IS THAT...
248
00:17:14,337 --> 00:17:18,077
I'M HOLDING THE GUN
THIS TIME.
249
00:17:18,124 --> 00:17:22,174
OKAY, PAL.
LET'S TALK DEAL.
250
00:17:22,215 --> 00:17:23,345
A DEAL?
251
00:17:23,390 --> 00:17:26,520
I SPENT MY BLOODY LIFE
COLLECTING THOSE OPALS, MATE.
252
00:17:26,567 --> 00:17:29,437
THE ONLY DEAL YOU'RE GOING
TO GET IS YOUR LIFE,
253
00:17:29,483 --> 00:17:32,493
AND I'M NOT BLOODY ANXIOUS
ABOUT THAT, ALL RIGHT?
254
00:17:32,529 --> 00:17:34,579
THE POINT IS, I KNOW WHERE
255
00:17:34,618 --> 00:17:37,618
THOSE GREEN BEAUTIES ARE,
AND YOU DON'T.
256
00:17:37,665 --> 00:17:40,835
SO, WHERE ARE THEY?
TELL ME WHERE THEY ARE.
257
00:17:40,885 --> 00:17:42,275
ALL I'M ASKING --
258
00:17:42,322 --> 00:17:44,322
[ GLASS SHATTERS ]
259
00:17:44,367 --> 00:17:45,847
[ GUN FIRING ]
260
00:18:08,217 --> 00:18:10,177
THESE AREN'T MINE!
261
00:18:10,219 --> 00:18:13,399
WHERE ARE THEY?!
WHERE?!
262
00:18:27,802 --> 00:18:30,202
ONE SLUG, STEVE.
LOOKS LIKE A .38.
263
00:18:30,239 --> 00:18:32,939
FOUND THESE PAYCHECK STUBS
IN A DRAWER.
264
00:18:32,981 --> 00:18:35,241
LOOKS LIKE HE WORKED
FOR A PLACE
265
00:18:35,288 --> 00:18:37,638
CALLED
"TRI-STAR AUTO CLINIC."
266
00:18:37,681 --> 00:18:42,161
YEAH. CHECK IT OUT, CHIN.
DUKE, YOU GO WITH HIM.
267
00:18:42,208 --> 00:18:44,038
STEVE, LEE FRANKS' NAME
268
00:18:44,079 --> 00:18:47,469
WAS ON OUR POSSIBLE
SUSPECTS' LIST, REMEMBER?
269
00:18:47,517 --> 00:18:49,477
I'LL SEND FOR THE WAGON.
270
00:18:49,519 --> 00:18:51,389
YEAH. THE TROUBLE
WITH THAT IS, DANNO,
271
00:18:51,434 --> 00:18:52,914
HE WAS JUST ONE OF 30.
272
00:19:01,270 --> 00:19:03,360
STILL STRIPPING
THEM DOWN, JAKE?
273
00:19:03,403 --> 00:19:06,283
YOU KNOW I'M THROUGH
WILL ALL THAT STUFF.
274
00:19:06,319 --> 00:19:07,889
WHY DID YOU GIVE
LEE FRANKS A JOB?
275
00:19:07,929 --> 00:19:10,499
BECAUSE I NEEDED MECHANICS,
AND LEE WAS A GOOD ONE.
276
00:19:10,540 --> 00:19:12,280
LOOK, THAT'S ALL
I CARED ABOUT.
277
00:19:12,325 --> 00:19:15,195
WHAT HE DID ON HIS OWN TIME
WAS HIS OWN BUSINESS.
278
00:19:15,241 --> 00:19:17,371
WHO WERE HIS FRIENDS?
279
00:19:17,417 --> 00:19:18,327
I DON'T KNOW.
280
00:19:18,374 --> 00:19:21,384
HE JUST WORKED FOR ME,
THAT'S ALL.
281
00:19:21,421 --> 00:19:24,211
DID ANYBODY EVER COME
AROUND LOOKING FOR HIM?
282
00:19:24,250 --> 00:19:25,380
NOT THAT I KNOW OF.
283
00:19:25,425 --> 00:19:27,375
IF YOU SHOULD
REMEMBER ANYTHING,
284
00:19:27,427 --> 00:19:28,907
YOU KNOW HOW TO REACH US.
285
00:19:28,950 --> 00:19:31,470
IT'S BROWNIE POINTS
IF YOU DO, JAKE.
286
00:19:31,518 --> 00:19:33,558
LET'S GO.
287
00:19:40,266 --> 00:19:43,356
THERE WAS A GUY HERE,
JAKE, YESTERDAY.
288
00:19:43,399 --> 00:19:45,449
HE WAS ASKING FOR LEE.
289
00:19:45,488 --> 00:19:48,448
CORK IT UP.
I DON'T WANT NO TROUBLE.
290
00:19:48,491 --> 00:19:49,581
WHO WAS THE GUY?
291
00:19:49,623 --> 00:19:53,373
I DON'T KNOW, JAKE.
I NEVER SAW THE GUY BEFORE.
292
00:19:53,409 --> 00:19:55,459
HE HAD LIGHT HAIR,
GRAY EYES,
293
00:19:55,498 --> 00:19:58,588
SPOKE KIND OF FUNNY,
LIKE, LIKE A LIMEY.
294
00:19:58,632 --> 00:20:00,812
OKAY, YOU DID GOOD
TELLING ME,
295
00:20:00,851 --> 00:20:04,031
BUT DON'T TELL ANYONE ELSE,
YOU UNDERSTAND?
296
00:20:04,072 --> 00:20:05,072
SURE, JAKE.
297
00:20:05,116 --> 00:20:07,676
ALL RIGHT,
I'LL BE BACK IN AN HOUR.
298
00:20:07,728 --> 00:20:09,248
YOU KEEP AN EYE OPEN.
299
00:20:09,295 --> 00:20:10,555
RIGHT.
300
00:21:39,428 --> 00:21:40,598
THERE'S NO DOUBT ABOUT IT.
301
00:21:40,647 --> 00:21:42,127
THE BULLETS
THAT KILLED LEE FRANKS
302
00:21:42,170 --> 00:21:43,610
AND THE BULLET
THAT KILLED HAGGAI
303
00:21:43,650 --> 00:21:45,090
WERE FIRED
FROM THE SAME GUN.
304
00:21:45,129 --> 00:21:47,699
TAKE A LOOK AT THOSE GROOVES.
A PERFECT MATCH.
305
00:21:47,741 --> 00:21:49,611
MMM. SO,
THERE IS A CONNECTION
306
00:21:49,656 --> 00:21:51,786
BETWEEN FRANKS
AND THE HAGGAI JOB?
307
00:21:51,832 --> 00:21:53,662
YES,
FOR WHAT IT'S WORTH.
308
00:21:53,703 --> 00:21:55,793
DON'T KNOCK IT.
THANKS, CHE.
309
00:21:55,836 --> 00:21:58,616
AFTER WHAT HAPPENED TO LEE,
I THOUGHT YOU'D LIKE TO KNOW.
310
00:21:58,665 --> 00:22:00,665
I APPRECIATE IT
VERY MUCH, JAKE.
311
00:22:00,710 --> 00:22:02,630
AH, YOU DON'T
HAVE TO DO THAT.
312
00:22:02,669 --> 00:22:04,189
NO, YOU KEEP THAT.
313
00:22:04,235 --> 00:22:05,235
KEEP IN MIND
314
00:22:05,280 --> 00:22:09,240
THERE'S A LOT MORE
WHERE THAT CAME FROM.
315
00:22:09,284 --> 00:22:11,074
THANK YOU.
316
00:22:11,112 --> 00:22:12,812
SEE YOU, JAKE.
317
00:22:49,106 --> 00:22:50,406
HELLO, JAKE.
318
00:22:50,456 --> 00:22:53,236
WHO ARE YOU?
WHAT DO YOU WANT?
319
00:22:53,284 --> 00:22:55,984
THE NAME OF THE MAN
YOU JUST VISITED.
320
00:22:56,026 --> 00:23:00,286
HUH? WHAT MAN?
I-I GOT A GIRLFRIEND HERE.
321
00:23:00,335 --> 00:23:04,205
OH, REALLY? THEN WHAT'S
HER NAME, JAKE?
322
00:23:04,252 --> 00:23:07,042
HEY, LOOK, MISTER,
I DON'T WANT --
323
00:23:07,081 --> 00:23:07,731
JAKE, TALK!
324
00:23:07,777 --> 00:23:09,297
HEY, I SWEAR --
325
00:23:09,344 --> 00:23:10,354
I SAID "TALK"!
326
00:23:10,389 --> 00:23:11,559
ALL RIGHT. ALL RIGHT.
327
00:23:11,607 --> 00:23:13,347
[ HORN HONKING ]
328
00:23:24,664 --> 00:23:25,494
[ TIRES SCREECH ]
329
00:23:25,534 --> 00:23:27,494
AAAHHH!!
330
00:23:27,536 --> 00:23:29,626
[ WOMAN SCREAMS ]
331
00:23:34,717 --> 00:23:36,367
HE MUST HAVE BEEN CRAZY!
332
00:23:53,562 --> 00:23:57,002
IT'S A NICE PLACE
YOU'VE GOT HERE, LOVE.
333
00:23:57,044 --> 00:23:58,094
THANK YOU.
334
00:23:58,132 --> 00:24:01,272
MUST COST A BIT OF MONEY
FOR A WORKING GIRL.
335
00:24:01,309 --> 00:24:04,489
I WORKED FOR MR. HAGGAI
EIGHT YEARS.
336
00:24:04,530 --> 00:24:06,450
HE PAID A VERY
GENEROUS SALARY.
337
00:24:06,488 --> 00:24:09,398
OH, I'M SURE HE DID, LOVE.
I'M SURE HE DID.
338
00:24:09,448 --> 00:24:13,148
I KNOW WHAT
YOU'RE THINKING, MR. HOBBS,
339
00:24:13,190 --> 00:24:14,500
BUT YOU'RE WRONG.
340
00:24:14,540 --> 00:24:18,370
MR. HAGGAI WAS MY EMPLOYER,
AND THAT'S ALL HE WAS.
341
00:24:18,413 --> 00:24:19,943
I'M SORRY.
342
00:24:19,980 --> 00:24:23,770
YOU DON'T HAVE
TO APOLOGIZE, MR. HOBBS,
343
00:24:23,810 --> 00:24:28,080
BUT I WOULD APPRECIATE IT
IF YOU'D EXPLAIN.
344
00:24:28,118 --> 00:24:29,418
EXPLAIN?
345
00:24:29,468 --> 00:24:30,948
THE REASON FOR THIS VISIT.
346
00:24:30,991 --> 00:24:36,691
OH, THAT? YES, WELL...
347
00:24:36,736 --> 00:24:40,296
I GOT TO THINKING,
YOU SEE, ABOUT THE ROBBERY,
348
00:24:40,348 --> 00:24:43,258
ABOUT THE WAY IT
HAPPENED, YOU KNOW?
349
00:24:43,307 --> 00:24:46,617
AND I THOUGHT THAT MAYBE,
JUST MAYBE NOW,
350
00:24:46,659 --> 00:24:48,399
SOMEBODY SET ME UP.
351
00:24:48,443 --> 00:24:49,233
SET YOU UP?
352
00:24:49,270 --> 00:24:50,920
KNEW WHERE
I WAS GOING TO BE,
353
00:24:50,967 --> 00:24:52,837
AND WHEN
I WAS GOING TO BE THERE.
354
00:24:52,882 --> 00:24:55,232
AND I THOUGHT,
SUPPOSING HAGGAI --
355
00:24:55,276 --> 00:24:56,316
HAGGAI?
356
00:24:56,364 --> 00:24:59,854
AND DO YOU THINK HE SET UP
HIS OWN MURDER, TOO?
357
00:24:59,889 --> 00:25:02,149
OH, NO, LOVE,
I DON'T THINK THAT.
358
00:25:02,196 --> 00:25:04,716
NO. NO, I THINK
HE WAS DOUBLE-CROSSED.
359
00:25:04,764 --> 00:25:09,734
THAT MEANS THAT SOMEBODY ELSE
HAD TO BE INVOLVED.
360
00:25:09,769 --> 00:25:15,559
IT'S VERY BRIGHT OF YOU,
DARLING, TO THINK OF IT.
361
00:25:15,601 --> 00:25:17,951
YOU ANSWERED THE PHONE.
362
00:25:17,994 --> 00:25:21,784
YOU KNEW
I WAS COMING IN, LOVE.
363
00:25:21,824 --> 00:25:24,484
IT'S RIDICULOUS!
364
00:25:27,830 --> 00:25:30,010
WHO WOULD GO
TO ALL THAT TROUBLE,
365
00:25:30,050 --> 00:25:31,570
MUCH LESS KILL A MAN,
366
00:25:31,617 --> 00:25:34,617
FOR A ROUTINE CONSIGNMENT
OF OPALS?
367
00:25:34,663 --> 00:25:37,453
OR WAS IT SO ROUTINE?
368
00:25:37,492 --> 00:25:38,712
[ SIGHS ]
369
00:25:38,754 --> 00:25:41,764
MEANING WHAT, LOVE?
370
00:25:41,801 --> 00:25:43,721
MEANING
DID YOU AND MR. HAGGAI
371
00:25:43,759 --> 00:25:46,199
HAVE OTHER BUSINESS
ON THE SIDE?
372
00:25:46,240 --> 00:25:50,720
NOW, WHAT WOULD MAKE YOU
THINK OF A THING LIKE THAT?
373
00:25:50,766 --> 00:25:52,546
WHAT WAS IT, MR. HOBBS?
374
00:25:52,594 --> 00:25:53,684
WHAT KIND OF DEAL
375
00:25:53,726 --> 00:25:56,816
DID YOU REALLYHAVE
WITH MR. HAGGAI?
376
00:25:56,859 --> 00:25:58,639
WHATEVER IT WAS,
377
00:25:58,687 --> 00:26:02,687
IT'S STRICTLY
NONE OF YOUR BUSINESS!
378
00:26:02,735 --> 00:26:05,035
IF YOU VALUE
YOUR PRETTY LITTLE SELF,
379
00:26:05,085 --> 00:26:07,735
YOU WON'T GO RUNNING OFF
TO THE COPPERS
380
00:26:07,783 --> 00:26:09,183
WITH HALF-BAKED SUSPICIONS.
381
00:26:09,219 --> 00:26:12,269
DO YOU UNDERSTAND ME?
DO YOU?!
382
00:26:17,793 --> 00:26:20,403
[ KNOCK ON DOOR ]
383
00:26:41,861 --> 00:26:44,781
WHAT HAVE YOU GOT, CHE?
384
00:26:44,820 --> 00:26:45,820
A FRAGMENT OF OPAL,
385
00:26:45,865 --> 00:26:47,685
VACUUMED OUT OF LEE FRANKS'
JACKET POCKET.
386
00:26:47,736 --> 00:26:50,906
NOW THIS -- ONE OF THE
ELECTRON MICROSCOPE PHOTOS
387
00:26:50,957 --> 00:26:52,957
OF THE CONSIGNMENT HOBBS
BROUGHT IN --
388
00:26:53,002 --> 00:26:53,962
OPAL NUMBER 23.
389
00:26:54,003 --> 00:26:55,663
LOOK AT THE PART I CIRCLED
390
00:26:55,701 --> 00:26:58,311
AND COMPARE IT TO THE FRAGMENT
UNDER THE COMPARATOR.
391
00:26:58,355 --> 00:27:02,525
PRECIOUS OPAL CONSISTS
OF LAYERS OF SILICA SPHERES,
392
00:27:02,577 --> 00:27:04,317
ABOUT 30,000 TO THE INCH.
393
00:27:04,361 --> 00:27:06,361
THEY'RE RESPONSIBLE
FOR THE LIGHT DIFFRACTIONS
394
00:27:06,407 --> 00:27:07,967
WHICH MAKE
THOSE BEAUTIFUL COLORS.
395
00:27:08,017 --> 00:27:09,447
ALMOST LIKE FINGERPRINTS.
396
00:27:09,497 --> 00:27:10,927
AND JUST AS INDIVIDUAL.
397
00:27:10,977 --> 00:27:12,977
THAT DEFINITELY PUTS FRANKS
ON THE SCENE AT HAGGAI'S.
398
00:27:13,022 --> 00:27:14,892
HE WAS ONE
OF THE HEISTMEN.
399
00:27:14,937 --> 00:27:15,717
TWO THINGS, DANNO.
400
00:27:15,764 --> 00:27:18,034
GET ME THE MUG SHOTS
OF LEE FRANKS.
401
00:27:18,071 --> 00:27:20,811
HAVE HOBBS BROUGHT IN.
I WANT TO TALK.
402
00:27:20,856 --> 00:27:22,546
HE KNOWS, I TELL YOU.
403
00:27:22,597 --> 00:27:26,987
ALL THAT TALK ABOUT
HAGGAI SETTING HIM UP
404
00:27:27,036 --> 00:27:30,686
AND THEN
BEING DOUBLE-CROSSED.
405
00:27:30,736 --> 00:27:33,126
HE DOESN'T BELIEVE THAT.
406
00:27:33,173 --> 00:27:35,353
HE KNOWSTHE TIP-OFF
HAD TO COME FROM ME.
407
00:27:35,392 --> 00:27:37,442
TAKE IT EASY, WILL YOU?
SIT DOWN.
408
00:27:37,481 --> 00:27:38,311
COME ON, COME ON.
409
00:27:38,352 --> 00:27:40,922
IS, UH...
THAT WHAT YOU TOLD FRANKS
410
00:27:40,963 --> 00:27:43,103
THE LAST TIME YOU SAW HIM?
411
00:27:44,750 --> 00:27:47,320
NOW THAT'S HITTING
A LITTLE LOW, BABY.
412
00:27:51,321 --> 00:27:53,151
I'M SORRY.
413
00:27:53,193 --> 00:27:56,283
ALL RIGHT. FORGET IT.
414
00:27:56,326 --> 00:27:57,366
I'M SCARED.
415
00:27:57,414 --> 00:28:00,334
ALL RIGHT, HERE'S WHAT
WE'RE GOING TO DO.
416
00:28:00,374 --> 00:28:02,464
WE'RE GOING TO GO
FOR A QUICK DEAL.
417
00:28:02,506 --> 00:28:04,596
MAYBE TAKE
A LITTLE LESS MONEY
418
00:28:04,639 --> 00:28:05,809
AND THEN CLEAR OUT FAST.
419
00:28:05,858 --> 00:28:09,638
[ TELEPHONE RINGS ]
420
00:28:09,688 --> 00:28:11,908
HOFFMEYER.
421
00:28:11,951 --> 00:28:13,871
HOFFMEYER, THIS IS WEBBER.
422
00:28:13,909 --> 00:28:16,959
I, UH...
I'VE GOT SOME MERCHANDISE
423
00:28:16,999 --> 00:28:20,479
I THINK
YOU'LL BE INTERESTED IN.
424
00:28:20,524 --> 00:28:23,144
YES.
425
00:28:23,179 --> 00:28:27,789
WELL, WHEN CAN I EXAMINE
THE MERCHANDISE?
426
00:28:27,836 --> 00:28:29,836
YOUR CONVENIENCE.
ANYTIME.
427
00:28:29,882 --> 00:28:31,322
ALL RIGHT.
428
00:28:31,361 --> 00:28:35,931
MEET ME AT THE CORNER
OF KILO PARK ROAD IN ONE HOUR.
429
00:28:35,975 --> 00:28:38,325
SIT DOWN,
WON'T YOU PLEASE?
430
00:28:38,368 --> 00:28:40,848
I SENT FOR YOU,
MR. HOBBS,
431
00:28:40,893 --> 00:28:42,553
BECAUSE
I HAVE SOME QUESTIONS
432
00:28:42,590 --> 00:28:45,160
THAT I THOUGHT YOU
MIGHT BE ABLE TO CLEAR UP
433
00:28:45,201 --> 00:28:46,771
REGARDING THE HOLDUP.
434
00:28:46,812 --> 00:28:48,472
I'LL DO MY BEST, CHUM.
435
00:28:48,509 --> 00:28:52,429
WHAT KIND OF QUESTIONS
HAVE YOU GOT IN MIND?
436
00:28:52,469 --> 00:28:54,989
WELL, FOR INSTANCE,
DID ANYONE BESIDES HAGGAI
437
00:28:55,037 --> 00:28:56,947
KNOW WHAT TIME
YOU'D BE AT HIS PLACE?
438
00:28:56,996 --> 00:28:58,736
I CAN'T RIGHTLY SAY.
439
00:28:58,780 --> 00:29:00,350
HOW ABOUT MISS AKURA?
440
00:29:00,390 --> 00:29:02,830
HAGGAI
MIGHT HAVE TOLD HER,
441
00:29:02,871 --> 00:29:06,791
BUT YOU'LL HAVE
TO ASK HER THAT ONE, MATE.
442
00:29:06,832 --> 00:29:07,962
[ SIGHS ]
443
00:29:08,007 --> 00:29:10,917
WHAT HAVE YOU GOT
IN MIND, McGARRETT?
444
00:29:10,966 --> 00:29:12,616
WELL, THINK ABOUT IT.
445
00:29:12,663 --> 00:29:15,283
TWO MEN BARGE
INTO HAGGAI'S PLACE.
446
00:29:15,318 --> 00:29:17,628
ONE OF THEM
STAYS OUT FRONT,
447
00:29:17,668 --> 00:29:20,888
BUT THE OTHER GOES
DIRECTLY TO A BACK ROOM
448
00:29:20,933 --> 00:29:22,503
WHERE YOU JUST HAPPEN
449
00:29:22,543 --> 00:29:25,553
TO BE SHOWING YOUR OPALS
TO HAGGAI,
450
00:29:25,589 --> 00:29:27,979
OPALS WORTH...WHAT?
451
00:29:28,027 --> 00:29:29,937
WHOLESALE, $75,000.
452
00:29:29,985 --> 00:29:31,805
REGISTERED OPALS, RIGHT?
453
00:29:31,857 --> 00:29:32,637
RIGHT.
454
00:29:32,683 --> 00:29:34,513
INDEXED AND CATALOGED.
455
00:29:34,555 --> 00:29:38,645
THE EASIEST STONES IN
THE WORLD TO IDENTIFY.
456
00:29:38,689 --> 00:29:43,909
A THIEF WOULD BE LUCKY TO GET
10% OF THE RETAIL VALUE.
457
00:29:43,956 --> 00:29:47,956
A FENCE WOULD BE A FOOL
TO PAY MORE.
458
00:29:48,003 --> 00:29:49,703
WHY, MR. HOBBS?
459
00:29:49,744 --> 00:29:52,494
[ Chuckling ] WHY WHAT?
460
00:29:52,529 --> 00:29:55,009
WHY TAKE YOUR OPALS
AND LEAVE BEHIND
461
00:29:55,054 --> 00:29:58,064
SEVERAL HUNDRED
THOUSAND DOLLARS' WORTH
462
00:29:58,100 --> 00:30:00,320
OF MORE EASILY
DISPOSABLE JEWELRY?
463
00:30:00,363 --> 00:30:02,243
THAT'S A BLOODY
GOOD QUESTION, McGARRETT.
464
00:30:02,278 --> 00:30:03,928
I'M AFRAID
YOU'VE GOT ME THERE.
465
00:30:03,976 --> 00:30:07,536
YOU HAVE NO IDEA?
466
00:30:07,588 --> 00:30:09,158
MEANING THAT, UH...
467
00:30:09,198 --> 00:30:13,068
I'M TRYING TO HIDE
SOMETHING FROM YOU?
468
00:30:13,115 --> 00:30:14,065
[ LAUGHING ]
469
00:30:14,116 --> 00:30:17,986
IS THAT WHAT
YOU'RE THINKING, McGARRETT?
470
00:30:18,033 --> 00:30:21,563
THAT'S WHAT
I'M THINKING, MR. HOBBS.
471
00:30:21,602 --> 00:30:23,392
[ LAUGHING ]
472
00:30:23,430 --> 00:30:24,950
[ SIGHS ]
473
00:30:32,700 --> 00:30:35,400
ALL RIGHT, I GIVE UP.
WHAT ARE THESE?
474
00:30:35,442 --> 00:30:38,752
MUG SHOTS --
MUG SHOTS OF THE ONE MAN
475
00:30:38,793 --> 00:30:40,843
YOU HAD ANY INTEREST
IN YESTERDAY,
476
00:30:40,882 --> 00:30:43,672
ACCORDING TO DAN WILLIAMS --
THE ONE MAN.
477
00:30:48,020 --> 00:30:49,200
SO WHAT?
478
00:30:49,238 --> 00:30:51,758
AND QUITE BY CHANCE,
THE MAN WHO WAS SHOT
479
00:30:51,806 --> 00:30:54,976
WITH THE SAME GUN
THAT KILLED HAGGAI.
480
00:30:55,027 --> 00:30:57,937
HOW DO YOU EXPLAIN THAT,
MR. HOBBS?
481
00:30:57,986 --> 00:30:59,286
EXPLAIN?
482
00:30:59,335 --> 00:31:02,635
I DON'T HAVE TO EXPLAIN
A BLOODY THING, MATE.
483
00:31:02,686 --> 00:31:06,906
HE'S THE MAN WHOSE MASK
YOU TORE OFF, ISN'T HE?
484
00:31:06,952 --> 00:31:08,392
THAT'S A LIE.
485
00:31:08,431 --> 00:31:10,961
THE MAN WITH THE FACE
YOU CAN'T FORGET.
486
00:31:10,999 --> 00:31:13,959
THAT'S WHAT YOU TOLD
DAN WILLIAMS.
487
00:31:14,002 --> 00:31:16,222
AND I AGREE, MR. HOBBS.
I AGREE.
488
00:31:16,265 --> 00:31:18,175
UNLESS YOU'RE SOMEONE
489
00:31:18,224 --> 00:31:20,574
WITH A GOOD REASON
TO FORGET IT.
490
00:31:20,617 --> 00:31:24,137
REASON? WHAT POSSIBLE
REASON COULD I HAVE?
491
00:31:24,186 --> 00:31:27,056
TELL ME THAT. WHAT REASON, MATE?
THEY WERE MYOPALS.
492
00:31:27,102 --> 00:31:28,362
OH, NO, NO.
493
00:31:28,408 --> 00:31:32,188
NOT YOURS,
McHEATH AND HEMPSTEAD'S.
494
00:31:32,238 --> 00:31:34,108
AND THEY WERE INSURED,
495
00:31:34,153 --> 00:31:38,243
YET YOU RISKED YOUR LIFE
TO PROTECT THEM.
496
00:31:38,287 --> 00:31:41,677
INSURANCE DOESN'T COVER
MY COMMISSION, MATE.
497
00:31:41,725 --> 00:31:43,155
WHICH WAS WHAT?
498
00:31:43,205 --> 00:31:44,155
$5,000.
499
00:31:44,206 --> 00:31:46,556
YOU RISK YOUR LIFE
FOR $5,000?
500
00:31:46,600 --> 00:31:51,210
$5,000 MAY NOT SEEM
MUCH TO YOU, McGARRETT,
501
00:31:51,257 --> 00:31:53,607
BUT WHERE I COME FROM,
502
00:31:53,650 --> 00:31:56,000
IT BUYS
A LOT OF KIP AND TUCKER.
503
00:31:56,044 --> 00:31:59,184
AND I'LL TELL YOU
SOMETHING ELSE, McGARRETT.
504
00:31:59,221 --> 00:32:03,011
I'M NOT A MAN THAT TAKES KINDLY
TO BEING CALLED A LIAR.
505
00:32:03,051 --> 00:32:05,661
DO YOU UNDERSTAND?
506
00:32:05,706 --> 00:32:09,926
NOW, DO YOU HAVE
ANY MORE QUESTIONS, SIR?
507
00:32:09,971 --> 00:32:13,931
YES, BUT THEY CAN WAIT.
THEY CAN WAIT.
508
00:32:16,282 --> 00:32:18,372
[ DOOR OPENS, CLOSES ]
509
00:32:21,678 --> 00:32:22,768
BEN?
510
00:32:22,810 --> 00:32:23,810
Yeah, Steve?
511
00:32:23,854 --> 00:32:25,474
TAIL HIM.
DOG HIM.
512
00:32:25,508 --> 00:32:28,078
DON'T LET HIM OUT OF YOUR SIGHT.
513
00:32:28,120 --> 00:32:30,300
JENNY?
514
00:32:30,339 --> 00:32:31,859
GET ME JOHN MANICOTE
515
00:32:31,906 --> 00:32:35,296
OR ANYONE WHO'S AVAILABLE
IN THE D.A.'s OFFICE.
516
00:32:35,344 --> 00:32:38,004
I WANT SOME SEARCH WARRANTS.
517
00:34:13,660 --> 00:34:15,840
PATCH ME
THROUGH TO McGARRETT.
518
00:34:15,879 --> 00:34:17,229
McGARRETT.
519
00:34:17,272 --> 00:34:19,232
HOBBS MUST HAVE SPOTTED
THE TAIL.
520
00:34:19,274 --> 00:34:22,154
HE'S IN THE BUILDING,
BUT I DON'T KNOW WHERE.
521
00:34:22,190 --> 00:34:23,190
ANY INSTRUCTIONS?
522
00:34:23,235 --> 00:34:25,055
YES. ASK FOR ASSISTANCE
FROM HPD.
523
00:34:25,106 --> 00:34:28,016
I WANT EVERY POSSIBLE EXIT
FROM THAT BUILDING COVERED,
524
00:34:28,066 --> 00:34:29,236
FRONT AND BACK.
525
00:34:29,284 --> 00:34:30,594
STEVE, HERE'S SOMETHING.
526
00:34:30,633 --> 00:34:32,903
THIS IS THE SAME LOCATION
WHERE JAKE WILLIS
527
00:34:32,940 --> 00:34:34,770
WAS HIT
BY THE TRUCK YESTERDAY.
528
00:34:34,811 --> 00:34:38,291
WE'LL FOLLOW THAT UP.
STICK WITH HOBBS.
529
00:35:32,347 --> 00:35:34,647
[ DOORBELL BUZZES ]
530
00:36:13,214 --> 00:36:15,434
ALL UNITS ASSIGNED, STEVE.
531
00:36:15,477 --> 00:36:18,217
DO YOU WANT ME TO --
HOLD IT.
532
00:36:21,744 --> 00:36:24,404
IT'S MIYOSHI AKURA
COMING OUT OF THE GARAGE.
533
00:36:24,443 --> 00:36:26,313
NO MAKE
ON THE GUY DRIVING.
534
00:36:26,358 --> 00:36:28,358
IT'S A WHITE,
FOUR-DOOR SEDAN,
535
00:36:28,403 --> 00:36:29,973
DAMAGED REAR FENDER.
536
00:36:30,013 --> 00:36:34,153
LICENSE NUMBER...
537
00:36:34,192 --> 00:36:36,982
5C-7401.
538
00:36:37,020 --> 00:36:38,940
YOU WANT ME TO TAIL HIM?
539
00:36:38,979 --> 00:36:41,369
NO, NO, NO.
KEEP BIRD-DOGGING HOBBS.
540
00:36:41,416 --> 00:36:43,806
I'LL HAVE AN HPD CAR
PICK THEM UP.
541
00:36:43,853 --> 00:36:46,423
GIVE ME
SOME FIX ON DIRECTION.
542
00:36:50,425 --> 00:36:52,295
GOING WEST
ON ALIWI BOULEVARD,
543
00:36:52,340 --> 00:36:54,730
near Lois intersection.
544
00:36:54,777 --> 00:36:55,867
GOT IT.
545
00:37:04,526 --> 00:37:05,266
$100,000.
546
00:37:05,310 --> 00:37:07,490
YOU'VE
GOT TO BE KIDDING.
547
00:37:07,529 --> 00:37:10,099
OPALS AREN'T THE EASIEST STONES
IN THE WORLD TO PASS.
548
00:37:10,140 --> 00:37:12,400
YOU CAN'T CUT THEM UP
LIKE DIAMONDS.
549
00:37:12,447 --> 00:37:13,537
YOU DON'T HAVE TO.
550
00:37:13,579 --> 00:37:15,189
THESE HAVE NEVER
BEEN REGISTERED.
551
00:37:15,233 --> 00:37:17,973
I CAN'T BE SURE OF THAT.
552
00:37:18,018 --> 00:37:19,718
AH, BUT YOU CAN.
553
00:37:19,759 --> 00:37:23,719
THESE STONES ARE IN A CLASS
WITH "THE FLAME QUEEN"
554
00:37:23,763 --> 00:37:26,293
OR, OR
"THE BURNING OF TROY."
555
00:37:26,331 --> 00:37:29,601
IF THESE GEMS WERE
EVER REPORTED STOLEN,
556
00:37:29,638 --> 00:37:33,638
THEY'D BE ON EVERY
HOT LIST IN THE COUNTRY.
557
00:37:36,254 --> 00:37:37,824
I'LL CHECK AND LET YOU KNOW.
558
00:37:37,864 --> 00:37:39,344
ALL RIGHT.
559
00:37:39,387 --> 00:37:41,127
YOU DO THAT.
560
00:37:51,138 --> 00:37:53,358
That white sedan
is registered in the name
561
00:37:53,401 --> 00:37:55,011
OF HAL WEBBER,
HAWAIIAN TOWERS.
562
00:37:55,055 --> 00:37:56,875
I RAN IT
THROUGH THE COMPUTER.
563
00:37:56,926 --> 00:37:57,746
No record.
564
00:37:57,797 --> 00:38:01,407
And Miyoshi Akura,
she's clean, too.
565
00:38:01,453 --> 00:38:02,763
RIGHT.
566
00:38:06,632 --> 00:38:08,462
[ TELEPHONE RINGS ]
567
00:38:12,551 --> 00:38:15,251
[ RINGS ]
568
00:38:20,080 --> 00:38:21,260
YEAH?
569
00:38:21,299 --> 00:38:24,079
Webber?
570
00:38:24,127 --> 00:38:25,427
YEAH.
571
00:38:25,477 --> 00:38:29,127
HOFFMEYER. LISTEN,
THE MERCHANDISE CHECKS OUT.
572
00:38:29,176 --> 00:38:32,566
LET'S GET TOGETHER
AND TALK BUSINESS.
573
00:38:32,614 --> 00:38:35,704
The corner
of Diamond Head Road
574
00:38:35,748 --> 00:38:38,658
and Paikau Street,
half-hour.
575
00:38:38,707 --> 00:38:41,097
OKAY, I'LL BE THERE.
576
00:39:33,414 --> 00:39:34,944
[ WHISTLES ]
577
00:39:34,981 --> 00:39:37,201
HEY, MATE!
HEY, I'M IN A FIX.
578
00:39:37,244 --> 00:39:40,204
YOU CAN GET ME
OUT OF A BIG JAM, MATE.
579
00:39:40,247 --> 00:39:41,377
WHAT DID YOU SAY?
580
00:39:41,422 --> 00:39:44,082
I SAID I'M IN A FIX,
AND YOU CAN HELP ME.
581
00:39:44,120 --> 00:39:45,080
WILL YOU DO IT?
582
00:39:45,121 --> 00:39:46,171
LISTEN, MISTER,
583
00:39:46,209 --> 00:39:48,689
MR. WALTON ORDERED HIS CAR
OUT FRONT AT 2:00.
584
00:39:48,734 --> 00:39:50,784
YOU'VE STILL GOT
FIVE MINUTES.
585
00:39:50,823 --> 00:39:53,613
LOOK, LET ME EXPLAIN.
I'VE BEEN SEEING THIS BIRD, SEE?
586
00:39:53,652 --> 00:39:55,182
MY OLD WOMAN'S FOUND OUT,
587
00:39:55,218 --> 00:39:58,268
AND SHE'S OUTSIDE
WAITING TO CLOBBER ME.
588
00:39:58,308 --> 00:40:01,048
THAT'S TOUGH.
WHAT DO YOU EXPECT ME TO DO?
589
00:40:01,094 --> 00:40:03,054
LET ME SCROUNGE DOWN
IN THE BACK,
590
00:40:03,096 --> 00:40:06,096
DRIVE A COUPLE OF BLOCKS,
LET ME OUT, THAT'S ALL.
591
00:40:06,142 --> 00:40:07,452
SORRY, BUD.
592
00:40:07,492 --> 00:40:08,932
HEY, WAIT, MATE.
593
00:40:08,971 --> 00:40:12,981
IT'S WORTH A TENNER TO ME.
594
00:40:15,369 --> 00:40:17,629
OKAY, BUDDY. SCROUNGE.
595
00:40:52,406 --> 00:40:55,016
MR. HOFFMEYER?
596
00:40:55,061 --> 00:40:56,891
YES?
597
00:40:58,586 --> 00:41:00,546
WHO ARE YOU?
WHAT DO YOU WANT?
598
00:41:00,588 --> 00:41:03,328
DRIVE, MATE.
599
00:41:14,776 --> 00:41:18,076
ARE YOU SURE
THIS IS LEGAL?
600
00:41:18,127 --> 00:41:19,297
READ IT.
601
00:41:19,346 --> 00:41:23,786
BUT HOW AM I GOING TO
EXPLAIN IT TO MR. HOBBS?
602
00:41:23,829 --> 00:41:26,959
DON'T WORRY. WE'LL EXPLAIN.
603
00:41:32,402 --> 00:41:35,282
DAMES KEEP MORE JUNK.
604
00:41:35,318 --> 00:41:37,358
STUFFED TOYS.
605
00:41:37,407 --> 00:41:39,757
I LIKE THEM.
606
00:41:39,801 --> 00:41:40,671
[ RATTLES ]
607
00:41:49,419 --> 00:41:51,069
[ RATTLES ]
608
00:42:04,260 --> 00:42:06,260
[ RATTLES ]
609
00:42:19,493 --> 00:42:22,153
DANNY. LOOKS NEW, TOO.
610
00:42:22,191 --> 00:42:26,811
WELL, THAT'S NO WAY TO
TREAT AN EXPENSIVE JACKET.
611
00:42:26,848 --> 00:42:28,758
UNLESS WHAT HE TOOK OUT
612
00:42:28,807 --> 00:42:32,637
WAS MORE EXPENSIVE
THAN THE JACKET.
613
00:42:32,680 --> 00:42:33,860
SHOULDER PADS?
614
00:42:33,899 --> 00:42:36,549
YEAH, PADDED WITH OPALS.
615
00:42:36,597 --> 00:42:39,247
[ TELEPHONE RINGS ]
616
00:42:43,169 --> 00:42:44,169
YES?
617
00:42:44,213 --> 00:42:46,963
WE FOUND A DOZEN OPALS
IN A TOY BEAR.
618
00:42:46,999 --> 00:42:49,389
THEY CORRESPOND
WITH THE GENERAL DESCRIPTION
619
00:42:49,436 --> 00:42:51,606
OF THE CONSIGNMENT
THAT HOBBS BROUGHT OVER.
620
00:42:51,656 --> 00:42:53,746
GOOD. CHECK IT OUT
WITH STEVE AND CHE.
621
00:42:53,788 --> 00:42:55,658
I'LL MEET YOU
BACK AT THE OFFICE.
622
00:42:55,703 --> 00:42:57,753
TELL DUKE
TO COVER MIYOSHI'S PLACE.
623
00:42:57,792 --> 00:43:01,882
STEVE WANTS HER BROUGHT IN
IF SHE SHOWS UP.
624
00:43:01,927 --> 00:43:04,057
WE'LL TAKE THE JACKET.
625
00:43:04,103 --> 00:43:07,593
WE'D BETTER GIVE HIM
A RECEIPT.
626
00:43:07,628 --> 00:43:09,798
HOW MUCH?
627
00:43:09,848 --> 00:43:13,288
HALF A MILLION. CASH.
628
00:43:13,329 --> 00:43:15,419
[ LAUGHING ]
629
00:43:15,462 --> 00:43:19,032
YOU'VE GOT TO BE KIDDING.
630
00:43:19,074 --> 00:43:23,474
[ TELEPHONE RINGING ]
631
00:43:26,299 --> 00:43:28,299
ANSWER IT.
632
00:43:31,304 --> 00:43:32,914
HOFFMEYER.
633
00:43:32,958 --> 00:43:34,998
GOOD AFTERNOON,
MR. HOFFMEYER.
634
00:43:35,047 --> 00:43:36,737
I'VE BEEN TRYING
TO CALL YOU.
635
00:43:36,788 --> 00:43:38,698
YOU READY TO DO BUSINESS?
636
00:43:38,746 --> 00:43:39,616
YES.
637
00:43:39,660 --> 00:43:41,710
Fine,
then listen closely.
638
00:43:41,749 --> 00:43:44,929
WE'RE IN THE BACK ROOM
OF HAGGAI'S.
639
00:43:44,970 --> 00:43:47,670
RING THE BELL,
ONE LONG SIGNAL.
640
00:43:47,712 --> 00:43:50,322
I'M ON MY WAY.
641
00:44:19,874 --> 00:44:21,794
ALL RIGHT,
GET BACK THERE.
642
00:44:21,833 --> 00:44:23,233
GET BACK THERE!
643
00:44:23,269 --> 00:44:25,309
NOT A SOUND
OUT OF YOU, DARLING.
644
00:44:25,358 --> 00:44:28,578
NOT THAT YOUR FRIEND
IN THE BACK ROOM CAN HEAR.
645
00:44:28,622 --> 00:44:29,842
YOU DON'T
NEED ME ANYMORE.
646
00:44:29,884 --> 00:44:31,934
IS IT ALL RIGHT
IF I GO NOW?
647
00:44:31,973 --> 00:44:34,453
SURE, MATE. WHY NOT? GO.
648
00:44:34,497 --> 00:44:36,977
I'LL KEEP MY MOUTH SHUT.
YOU HAVE MY SOLEMN WORD.
649
00:44:37,022 --> 00:44:39,242
OH, I'M CERTAIN OF IT.
MOVE!
650
00:44:49,164 --> 00:44:51,124
HERE'S HOW WE'RE
GOING TO PLAY IT --
651
00:44:51,166 --> 00:44:53,426
YOU'RE GOING TO OPEN
THAT DOOR JUST A CRACK
652
00:44:53,473 --> 00:44:55,343
AND TELL YOUR
BOYFRIEND IN THERE
653
00:44:55,388 --> 00:44:58,168
THAT EVERYTHING'S
ALL RIGHT,
654
00:44:58,217 --> 00:45:01,957
JUST IN CASE HE'S
A LITTLE SKEPTICAL.
655
00:45:02,003 --> 00:45:04,663
DO YOU UNDERSTAND?
DO IT.
656
00:45:06,834 --> 00:45:11,884
IT'S OKAY. HE'S ALONE.
657
00:45:13,145 --> 00:45:16,275
GET BACK. GET BACK!
658
00:45:20,892 --> 00:45:24,812
WELL, HERE WE ARE
ALL TOGETHER,
659
00:45:24,852 --> 00:45:26,942
NICE AND COZY.
660
00:45:26,985 --> 00:45:29,245
WHERE ARE THEY?
661
00:45:32,468 --> 00:45:34,428
WHERE ARE THEY?!
662
00:45:34,470 --> 00:45:36,210
IN THE VAULT.
663
00:45:36,255 --> 00:45:38,205
OPEN IT.
664
00:45:38,257 --> 00:45:39,607
OPEN IT!
665
00:46:00,845 --> 00:46:02,925
STEVE, REPORT FROM HPD.
666
00:46:02,977 --> 00:46:05,847
A SILENT ALARM HAS BEEN
TRIGGERED AT HAGGAI'S.
667
00:46:05,893 --> 00:46:07,903
CAR'S ON THE WAY.
SILENT APPROACH.
668
00:46:07,939 --> 00:46:10,419
SOMEBODY'S DOING BUSINESS
ON SUNDAY, GENTLEMEN.
669
00:46:10,463 --> 00:46:12,473
LET'S GO.
670
00:46:37,533 --> 00:46:40,543
IF YOU LOVE HIM SO MUCH
YOU WANT TO DIE WITH HIM,
671
00:46:40,580 --> 00:46:41,540
JUST SAY THE WORD.
672
00:46:41,581 --> 00:46:44,671
IF YOU WANT TO LIVE,
GET THE OPALS RIGHT NOW.
673
00:46:44,714 --> 00:46:46,854
MOVE IT.
674
00:46:46,891 --> 00:46:49,111
HOW DO I KNOW YOU WON'T KILL ME?
675
00:46:49,154 --> 00:46:52,854
[ CHUCKLES ]
676
00:46:52,897 --> 00:46:55,807
KILL A PRETTY BIRD LIKE YOU?
677
00:46:55,856 --> 00:46:58,686
THAT'S NOT MY STYLE, LOVE, NO.
678
00:47:00,948 --> 00:47:02,948
YOU PLAY YOUR CARDS RIGHT,
679
00:47:02,994 --> 00:47:08,044
AND MAYBE I'LL GIVE YOU ONE
OF THOSE STONES AS A MEMENTO.
680
00:47:10,610 --> 00:47:12,090
YOU'RE JUST SAYING THAT.
681
00:47:12,133 --> 00:47:15,223
HOW CAN I BE SURE
YOU WON'T SHOOT ME?
682
00:47:17,008 --> 00:47:20,228
YOU HAVE MY SOLEMN WORD.
683
00:47:21,969 --> 00:47:24,839
NOW GET THE OPALS.
684
00:47:31,805 --> 00:47:34,325
[ TIRES SCREECH ]
685
00:47:44,165 --> 00:47:48,555
NO! YOU PROMISED
YOU WOULDN'T SHOOT ME.
686
00:47:48,604 --> 00:47:50,694
[ LAUGHING ]
687
00:47:54,001 --> 00:47:59,091
HOBBS NEVER BREAKS
A PROMISE, DARLING.
688
00:47:59,137 --> 00:48:03,707
REALLY. COME ON.
THERE'S A GOOD GIRL.
689
00:48:03,750 --> 00:48:04,790
AHH!
690
00:48:12,802 --> 00:48:14,462
[ TIRES SCREECHING ]
691
00:48:16,328 --> 00:48:22,638
AHHH...MY DARLING.
692
00:48:22,682 --> 00:48:23,552
FREEZE!
693
00:48:23,596 --> 00:48:26,336
DON'T MOVE.
PUT THAT GUN DOWN.
694
00:48:29,515 --> 00:48:31,515
FRISK HIM.
695
00:48:33,258 --> 00:48:36,348
WEBBER'S DEAD, STEVE.
696
00:48:39,046 --> 00:48:41,346
WHERE'S THE GIRL?
697
00:48:46,836 --> 00:48:48,096
WHERE'S THE GIRL?
698
00:48:48,142 --> 00:48:49,712
I LOCKED HER IN THE VAULT.
699
00:48:49,752 --> 00:48:53,062
RADIO FOR
A RESCUE SQUAD, CHIN.
700
00:48:53,104 --> 00:48:54,504
GET HER OUT.
701
00:48:54,540 --> 00:48:58,850
THEY'RE MINE, McGARRETT!
THEY'RE MINE!
702
00:49:00,459 --> 00:49:02,589
I WORKED MY GUTS OUT
FOR THEM!
703
00:49:02,635 --> 00:49:05,115
I SPENT HALF MY LIFE
COLLECTING THEM!
704
00:49:05,159 --> 00:49:06,249
THEY'RE MINE!
705
00:49:06,291 --> 00:49:09,421
AND YOU'RE GOING TO SPEND
THE REST OF YOUR LIFE
706
00:49:09,468 --> 00:49:11,688
PAYING FOR THEM --
BOOK HIM.
707
00:49:11,731 --> 00:49:14,041
LET'S GO!
708
00:49:30,315 --> 00:49:33,265
[ "HAWAII FIVE-O" THEME PLAYS ]
709
00:49:33,315 --> 00:49:37,865
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