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1
00:00:13,535 --> 00:00:17,147
COTTON, CHENILLE,
BRAID, SYNTHETICS --
2
00:00:17,191 --> 00:00:19,367
THIS IS OUR BIGGEST SELLER.
3
00:00:19,410 --> 00:00:22,457
VIRTUALLY GUARANTEED
FOR LIFE.
4
00:00:27,027 --> 00:00:28,985
AND THIS, MR. BROWN...
5
00:00:29,029 --> 00:00:31,814
IS GUARANTEED FOR DEATH.
6
00:00:45,480 --> 00:00:48,004
[ TYPEWRITER KEYS CLACKING ]
7
00:00:54,097 --> 00:00:57,361
THESE ARE THE PEOPLE
YOU'LL BE WORKING WITH,
8
00:00:57,405 --> 00:00:59,276
AND THEY'LL BE THERE
WHEN YOU ARRIVE.
9
00:00:59,320 --> 00:01:00,712
WHO ARE THEY?
10
00:01:00,756 --> 00:01:03,150
YOU DON'T KNOW,
YOU DON'T NEED TO KNOW,
11
00:01:03,193 --> 00:01:05,108
AND YOU'RE NOT GOING TO KNOW.
12
00:01:05,152 --> 00:01:08,938
EACH ONE WILL BE INSTRUCTED
AND EQUIPPED, LIKE YOU.
13
00:02:02,470 --> 00:02:06,038
FIRST CLASS ROUND TRIP,
HONOLULU TO LOS ANGELES.
14
00:02:06,082 --> 00:02:07,214
YOU LEAVE TOMORROW,
15
00:02:07,257 --> 00:02:10,434
AND YET YOU'LL BE BACK
BY FRIDAY AFTERNOON.
16
00:02:10,478 --> 00:02:12,393
ALL RIGHT.
17
00:02:12,436 --> 00:02:14,656
ONE MORE THING, MRS. SOAMES.
18
00:02:14,699 --> 00:02:17,659
TAKE A LOOK AT THAT FACE --
A GOOD LOOK.
19
00:02:17,702 --> 00:02:19,922
YOU'LL HAVE TO REMEMBER IT.
20
00:02:21,315 --> 00:02:23,969
WHO IS
THAT GRIM NEANDERTHAL?
21
00:02:24,013 --> 00:02:25,275
THAT GRIM NEANDERTHAL
22
00:02:25,319 --> 00:02:28,060
IS THE MAN
YOU'RE GOING TO KILL.
23
00:02:34,284 --> 00:02:37,505
[ "HAWAII FIVE-O" THEME PLAYS ]
24
00:03:35,171 --> 00:03:36,651
MARTIN MAURITANY,
25
00:03:36,694 --> 00:03:38,870
BIG SYNDICATE MAN
FROM CHICAGO.
26
00:03:38,914 --> 00:03:42,396
TRACK RECORD IN GAMBLING,
NARCOTICS, AND EXTORTION.
27
00:03:42,439 --> 00:03:44,267
NOW HEADED FOR HONOLULU.
28
00:03:44,311 --> 00:03:45,355
WITH BODYGUARDS.
29
00:03:45,399 --> 00:03:49,577
YEAH. WHY? WHY?
30
00:03:50,795 --> 00:03:53,145
A GUY LIKE MAURITANY WINGS
HERE WITH MUSCLE --
31
00:03:53,189 --> 00:03:54,364
GOTTA BE BAD NEWS.
32
00:03:54,408 --> 00:03:55,931
FOR WHOM?
33
00:03:55,974 --> 00:03:58,368
KONO, RUN DOWN TO THE HOTEL
ON MAUNAKEA STREET.
34
00:03:58,412 --> 00:04:00,631
PUT YOUR EAR
TO THE COCONUT WIRELESS,
35
00:04:00,675 --> 00:04:03,025
SEE IF YOU CAN PICK UP
ANY STATIC.
36
00:04:05,375 --> 00:04:07,682
CHIN, CHECK THE AIRLINES,
BIG HOTELS.
37
00:04:07,725 --> 00:04:10,859
SEE IF ANYONE ELSE IN
MAURITANY'S LEAGUE IS HEADED IN.
38
00:04:10,902 --> 00:04:12,991
YOU FIGURE A SYNDICATE MEET?
39
00:04:13,035 --> 00:04:14,732
COULD BE.
40
00:04:16,647 --> 00:04:18,388
HE'S DUE TO ARRIVE
AT 1:30, DANNO.
41
00:04:18,432 --> 00:04:20,521
LET'S RUN OUT
TO THE AIRPORT.
42
00:04:20,564 --> 00:04:21,783
A MAN COMES TO HAWAII,
43
00:04:21,826 --> 00:04:24,699
HE SHOULD HAVE
A WELCOMING COMMITTEE.
44
00:04:35,623 --> 00:04:38,103
WOULD YOU CARE
FOR SOME FRUIT OR CHEESE?
45
00:04:42,151 --> 00:04:44,632
WOULD YOU CARE
FOR SOME FRUIT OR CHEESE?
46
00:04:50,290 --> 00:04:52,335
THERE'S SOMETHING WRONG
WITH MY HEADSET.
47
00:04:52,379 --> 00:04:54,424
I DIAL STREISAND,
AND I GET STRAVINSKY.
48
00:04:54,468 --> 00:04:56,383
THAT WOULD BE
YOUR CHANNEL SELECTOR.
49
00:04:56,426 --> 00:04:58,385
I'LL GET SOMEBODY
TO HELP YOU.
50
00:05:14,357 --> 00:05:15,837
YOU, MISS?
51
00:05:15,880 --> 00:05:18,535
I PAID FOR THIS SEAT
TO KEEP IT EMPTY.
52
00:05:18,579 --> 00:05:20,885
I LIKE A LOT OF ROOM.
53
00:05:20,929 --> 00:05:25,629
BARBRA STREISAND --
NOBODY LIKE HER.
54
00:05:25,673 --> 00:05:27,675
? DA, DA-DA-DA
55
00:05:27,718 --> 00:05:29,416
? DA-DA, DA-DA-DA
56
00:05:45,170 --> 00:05:47,521
THEN AFTER THAT NIGHTMARE
AT SAN TROPEZ,
57
00:05:47,564 --> 00:05:50,437
WE GOT TO OUR SO-CALLED
"CHARMING COTTAGE" IN NICE.
58
00:05:50,480 --> 00:05:52,134
WELL, DID YOU EVER TRY
59
00:05:52,177 --> 00:05:54,832
SPREADING A BEACH BLANKET
OVER SHARP, POINTED ROCKS?
60
00:05:54,876 --> 00:05:56,225
OOH.
61
00:05:56,268 --> 00:05:57,661
NEVER AGAIN.
62
00:05:57,705 --> 00:05:59,271
HERE'S TO BEING HOME
IN HONOLULU.
63
00:05:59,315 --> 00:06:02,057
[ CHUCKLES ]
64
00:06:02,100 --> 00:06:05,626
THIS IS FIRST TIME FOR ME.
CHICAGO.
65
00:06:05,669 --> 00:06:08,498
I KNOW WHO YOU ARE, MARTY.
66
00:06:08,542 --> 00:06:10,065
YEAH?
67
00:06:10,108 --> 00:06:11,588
MM-HMM.
68
00:06:11,632 --> 00:06:14,156
HOW LONG YOU GONNA BE
IN HAWAII?
69
00:06:14,199 --> 00:06:16,506
COUPLE OF DAYS.
70
00:06:16,550 --> 00:06:17,768
THAT'S A PITY.
71
00:06:17,812 --> 00:06:21,076
YOU HARDLY HAVE TIME
TO SEE ANYTHING.
72
00:06:21,119 --> 00:06:23,295
YOU COULD SHOW ME.
73
00:06:25,472 --> 00:06:29,606
I DON'T THINK I COULD
SHOW YOU A THING.
74
00:06:29,650 --> 00:06:32,304
COME ON.
LET'S TRY IT OUT.
75
00:06:32,348 --> 00:06:35,046
COME TO MY PLACE
AFTER THE LANDING FOR A DRINK.
76
00:06:35,090 --> 00:06:40,225
WHAT ABOUT
YOUR BUSINESS ASSOCIATES?
77
00:06:40,269 --> 00:06:44,447
MY BUSINESS ASSOC--
OH, DON'T WORRY ABOUT THEM.
78
00:06:44,491 --> 00:06:48,495
THEY'RE GONNA FIND A LOT
OF MUSEUMS TO GO TO.
79
00:06:48,538 --> 00:06:50,801
[ LAUGHS ]
80
00:07:08,776 --> 00:07:11,561
[ WHEELS SCREECH ]
81
00:07:37,587 --> 00:07:39,067
HOLD IT! FIVE-O.
82
00:07:39,110 --> 00:07:40,503
WHAT IS THIS?!
83
00:07:40,547 --> 00:07:42,810
McGARRETT, HAWAII FIVE-O.
84
00:07:46,291 --> 00:07:48,163
YOU'VE GOT NO RIGHT
TO DO THIS THING.
85
00:07:48,206 --> 00:07:49,817
I'M HERE
ON LEGITIMATE BUSINESS.
86
00:07:49,860 --> 00:07:53,647
WE KNOW ALL ABOUT YOUR
LEGITIMATE BUSINESSES, MARTY.
87
00:07:53,690 --> 00:07:56,476
WHAT ARE YOU DOING
IN HONOLULU?
88
00:07:56,519 --> 00:07:57,781
TAKING OVER LOCAL RACKET?
89
00:07:57,825 --> 00:08:00,523
MEETING WITH THE BOYS
FROM NEW YORK, MIAMI?
90
00:08:00,567 --> 00:08:02,438
WHAT'S GOING ON, MARTY?
91
00:08:02,482 --> 00:08:05,136
NOW, LOOK, McGARRETT,
YOU HAVE A SUBPOENA,
92
00:08:05,180 --> 00:08:07,617
YOU LAY IT RIGHT HERE.
IF NOT, GET OUT!
93
00:08:07,661 --> 00:08:10,794
ALL RIGHT,
NOW, HEAR THIS, MISTER.
94
00:08:10,838 --> 00:08:12,753
YOU CAN STAY IN HAWAII,
95
00:08:12,796 --> 00:08:15,582
BUT ONE SLIP, ONE SHTICK,
96
00:08:15,625 --> 00:08:18,106
AND YOU'RE GOING TO FEEL
LIKE KILAUEA WENT OFF
97
00:08:18,149 --> 00:08:21,109
RIGHT UNDER THOSE $60 SHOES.
98
00:08:21,152 --> 00:08:23,372
THAT'S A VOLCANO.
99
00:08:23,415 --> 00:08:25,374
YOU GOT THE MESSAGE?
100
00:08:41,825 --> 00:08:44,001
SOMETHING NEW?
LIQUOR FOR LUNCH?
101
00:08:44,045 --> 00:08:46,090
I DON'T KNOW,
I THINK MAYBE
102
00:08:46,134 --> 00:08:48,528
I'VE GOT A LITTLE COLD
COMING ON.
103
00:08:48,571 --> 00:08:51,748
WELL, I BETTER GET
TO THOSE SERVICE CALLS.
104
00:08:53,533 --> 00:08:55,709
I MAY BE HOME A LITTLE LATE
TONIGHT, HONEY.
105
00:08:55,752 --> 00:08:56,666
YOU LOCK UP, OKAY?
106
00:08:56,710 --> 00:08:58,363
I'LL EAT SOMETHING OUT.
107
00:08:58,407 --> 00:08:59,800
HOW COME?
108
00:08:59,843 --> 00:09:02,585
WELL, THERE'S A RESERVE
OFFICERS' MEETING AT THE ARMORY,
109
00:09:02,629 --> 00:09:05,414
AND YOU KNOW HOW
THOSE GUYS LOVE TO TALK.
110
00:09:05,457 --> 00:09:06,850
CLEM.
111
00:09:06,894 --> 00:09:08,591
IS SOMETHING WRONG?
112
00:09:08,635 --> 00:09:11,942
NO. NOTHING'S WRONG.
113
00:09:16,817 --> 00:09:19,384
[ TYPEWRITER KEYS CLACKING ]
114
00:09:24,694 --> 00:09:27,436
MS. CAMPIAN, I'M GOING HOME
EARLY THIS EVENING.
115
00:09:27,479 --> 00:09:28,480
IF JUDGE HOBART CALLS,
116
00:09:28,524 --> 00:09:30,657
TELL HIM I'LL BE BACK
AFTER 7:00.
117
00:09:30,700 --> 00:09:31,701
GOOD NIGHT, MR. WELLMAN.
118
00:09:31,745 --> 00:09:33,747
GOOD NIGHT, MS. CAMPIAN.
119
00:09:41,015 --> 00:09:42,712
I WOULDN'T DREAM
OF RENTING A HOUSE
120
00:09:42,756 --> 00:09:44,235
ANYWHERE OUTSIDE OF BELGRAVE.
121
00:09:44,279 --> 00:09:45,933
OF COURSE,
YOU MIGHT GO TO CHELSEA
122
00:09:45,976 --> 00:09:47,412
OR HEMPSTEAD
FOR ATMOSPHERE,
123
00:09:47,456 --> 00:09:49,110
BUT I WOULDN'T WANT
TO LIVE THERE.
124
00:09:49,153 --> 00:09:51,373
WHERE DO YOU STAY
WHEN YOU'RE IN LONDON, MARTY?
125
00:09:51,416 --> 00:09:53,114
I'LL TELL YOU THE TRUTH,
SWEETHEART,
126
00:09:53,157 --> 00:09:54,681
I DON'T HIT THAT TOWN
TOO MUCH.
127
00:09:54,724 --> 00:09:56,465
IT'S MOSTLY NEW YORK,
VEGAS, MIAMI.[ TONE PULSES ]
128
00:09:56,508 --> 00:09:58,728
HEY, WILL YOU KNOCK OFF
WITH THE NOISE?
129
00:09:58,772 --> 00:10:00,817
BE FINISHED
IN JUST A MINUTE, SIR.
130
00:10:00,861 --> 00:10:03,428
TV -- I NEED IT
LIKE A HOLE IN THE HEAD.
131
00:10:03,472 --> 00:10:05,213
[ DOORBELL BUZZES ]
132
00:10:05,256 --> 00:10:06,649
NOW WHAT?
133
00:10:09,696 --> 00:10:11,654
WOULD YOU LIKE ME TO GET YOU
AN HORS D'OEUVRE?
134
00:10:11,698 --> 00:10:13,700
UH, YEAH.
135
00:10:13,743 --> 00:10:15,832
MR. MAURITANY?
136
00:10:15,876 --> 00:10:17,007
YEAH.
137
00:10:17,051 --> 00:10:19,619
FRANK WELLMAN,
HONOLULU BUSINESS COUNCIL.
138
00:10:19,662 --> 00:10:20,750
WELLMAN.
139
00:10:20,794 --> 00:10:22,143
OH, YEAH.
COME ON IN!
140
00:10:22,186 --> 00:10:23,666
YOU'RE THE FELLOW
THAT SENT OVER THE --
141
00:10:23,710 --> 00:10:25,059
JUST A SMALL GESTURE.
142
00:10:25,102 --> 00:10:26,843
SMALL? COME ON,
THAT'S GOOD CHAMPAGNE.
143
00:10:26,887 --> 00:10:28,758
I GOT A COCKTAIL LOUNGE
IN EAST CICERO
144
00:10:28,802 --> 00:10:30,542
GETS 2 BUCKS A SHOT
FOR THAT STUFF.
145
00:10:30,586 --> 00:10:33,807
SO HOW COME YOU'RE SO GOOD
TO ME, MR. WELLMAN.
146
00:10:33,850 --> 00:10:34,982
PAT� OR CAVIAR, MARTY?
147
00:10:35,025 --> 00:10:36,679
OH, SOME OF
THAT LIVER STUFF WITH --
148
00:10:36,723 --> 00:10:38,420
I DON'T KNOW -- ANYTHING.
149
00:10:38,463 --> 00:10:40,204
WE WELCOME ALL BUSINESSMEN
SETTING UP SHOP IN HONOLULU.
150
00:10:40,248 --> 00:10:42,729
I UNDERSTAND YOU'RE BUYING
SOME PROPERTY HERE.
151
00:10:42,772 --> 00:10:44,034
YEAH, SO WHAT'S THAT?
152
00:10:44,078 --> 00:10:46,646
-ONE OF EACH, ALL RIGHT?
-YEAH, ANYTHING.
153
00:10:46,689 --> 00:10:48,909
WE HAVE CONTACTS WITH THE PEOPLE
YOU'LL BE DEALING WITH --
154
00:10:48,952 --> 00:10:50,780
BANKS, GOVERNMENT AGENCIES.
155
00:10:50,824 --> 00:10:52,477
TV SET'S FIXED.
156
00:10:52,521 --> 00:10:54,523
WE CAN SAVE YOU
A LOT OF TROUBLE.
157
00:10:54,566 --> 00:10:56,003
SO SHUT IT OFF!
158
00:10:56,830 --> 00:10:57,961
BUT IT'LL COST ME, RIGHT?
159
00:10:58,005 --> 00:10:59,702
ONE PAT�, ONE BLACK CAVIAR.
160
00:10:59,746 --> 00:11:01,399
I WANT THE TUBES TO WARM UP.
161
00:11:01,443 --> 00:11:03,184
OUR SERVICE
COSTS NOTHING AT ALL.
162
00:11:03,227 --> 00:11:05,403
OR WOULD YOU RATHER
HAVE THE RED?
163
00:11:05,447 --> 00:11:06,448
WARM UP FOR WHAT?
164
00:11:06,491 --> 00:11:07,971
WE'RE HERE TO HELP
THE BUSINESSMAN.
165
00:11:08,015 --> 00:11:10,757
I WANT TO BE SURE
IT WAS JUST THE HORIZONTAL.
166
00:11:19,548 --> 00:11:21,985
[ SILENCED GUNSHOTS ]
167
00:12:38,932 --> 00:12:40,281
HOW MANY?
168
00:12:40,324 --> 00:12:41,848
CAUGHT THREE IN THE CHEST,
CLOSE RANGE.
169
00:12:41,891 --> 00:12:44,241
FOUND A COUPLE OF HORS D'OEUVRES
ON THE FLOOR.
170
00:12:44,285 --> 00:12:46,374
I GUESS HE NEVER HAD A CHANCE
TO EAT THEM.
171
00:12:46,417 --> 00:12:47,375
WHAT TIME?
172
00:12:47,418 --> 00:12:48,637
DOC ESTIMATES TIME OF DEATH
173
00:12:48,680 --> 00:12:50,421
BETWEEN 5:00
AND 8:00 LAST NIGHT.
174
00:12:50,465 --> 00:12:52,946
HE MAY BE ABLE TO SHARPEN THAT
AFTER THE AUTOPSY.
175
00:12:52,989 --> 00:12:56,123
BOOZE AND THE HORS D'OEUVRES
WERE DELIVERED AT 5:00 P.M.
176
00:12:56,166 --> 00:13:00,083
THE MAID FOUND THE BODY
THIS MORNING AT 9:45.
177
00:13:00,127 --> 00:13:02,303
CHIN, ANYBODY HEAR ANYTHING?
178
00:13:02,346 --> 00:13:03,695
NEGATIVE.
179
00:13:03,739 --> 00:13:06,742
NO ONE SAW, NO ONE HEARD,
NOT EVEN NEXT DOOR.
180
00:13:06,786 --> 00:13:07,874
SILENCER.
181
00:13:07,917 --> 00:13:09,223
YEAH.
182
00:13:09,266 --> 00:13:10,833
STRICTLY PRO, ALL THE WAY.
183
00:13:10,877 --> 00:13:12,574
WHAT ABOUT HIS BODYGUARDS?
184
00:13:12,617 --> 00:13:15,795
NOWHERE IN SIGHT, BUT WE HAVE
AN APB OUT ON THEM NOW.
185
00:13:20,582 --> 00:13:23,890
I MUST BE LIVING RIGHT.
GOT AN EASY ONE FOR A CHANGE.
186
00:13:23,933 --> 00:13:25,152
FINGERPRINTS?
187
00:13:25,195 --> 00:13:27,850
RIGHT, FOUR SETS.
NOTHING LIGHT, NOTHING SMUDGED.
188
00:13:27,894 --> 00:13:30,287
THEY COULD ALL
WIN PICTURE CONTESTS.
189
00:13:30,331 --> 00:13:32,942
DOESN'T FIGURE,
NOT WITH A HIT LIKE THIS.
190
00:13:32,986 --> 00:13:34,335
HOT LEAD.
191
00:13:34,378 --> 00:13:35,597
THREE PEOPLE STOPPED BY
192
00:13:35,640 --> 00:13:37,468
TO SEE HIM
BETWEEN 5:00 AND 5:30.
193
00:13:37,512 --> 00:13:39,470
ALL WERE ANNOUNCED
BY THE FRONT DESK.
194
00:13:39,514 --> 00:13:41,995
LIKE I SAID,
AN EASY ONE FOR A CHANGE.
195
00:13:42,038 --> 00:13:43,823
PICK THEM UP, KONO.
196
00:13:43,866 --> 00:13:46,869
DANNO, I WANT A BACKGROUND
REPORT ON EACH, THE BOOK.
197
00:13:46,913 --> 00:13:49,045
MURDERED?
198
00:13:49,089 --> 00:13:51,265
BETWEEN 5:00 AND 8:00.
199
00:13:51,308 --> 00:13:55,008
YOU WERE THERE DURING THAT TIME,
MR. WELLMAN.
200
00:13:55,051 --> 00:13:56,792
WELL, PARTOF THE TIME.
201
00:13:56,836 --> 00:13:58,141
WHAT WERE YOU DOING?
202
00:13:58,185 --> 00:13:59,839
I WAS FIXING HIS TV SET.
203
00:13:59,882 --> 00:14:01,928
I GOT A CONTRACT
WITH THE HOTEL.
204
00:14:01,971 --> 00:14:04,669
WHEN DID YOU FIND OUT
HIS SET WAS BROKEN?
205
00:14:04,713 --> 00:14:06,933
BEFORE HE CHECKED IN.
206
00:14:06,976 --> 00:14:08,630
THAT'S HOTEL POLICY.
207
00:14:08,673 --> 00:14:11,285
IT'S OUR POLICY TO WELCOME
ALL NEW BUSINESSMEN
208
00:14:11,328 --> 00:14:12,808
SETTING UP SHOW IN HAWAII.
209
00:14:12,852 --> 00:14:15,115
I FOUND OUT HIS SET
NEEDED A NEW CAPACITOR,
210
00:14:15,158 --> 00:14:17,030
AND I DIDN'T
HAVE THE RIGHT ONE,
211
00:14:17,073 --> 00:14:18,901
SO I HAD TO GO BACK
TO THE SHOP.
212
00:14:18,945 --> 00:14:20,642
BY THE TIME I GOT BACK,
213
00:14:20,685 --> 00:14:23,253
HE WAS THERE
WITH HIS LADY FRIEND.
214
00:14:23,297 --> 00:14:25,560
THAT WOULD BE MRS. SOAMES.
215
00:14:25,603 --> 00:14:28,128
WE WERE NEVER ACTUALLY
INTRODUCED.
216
00:14:28,171 --> 00:14:29,390
ATTRACTIVE WOMAN.
217
00:14:29,433 --> 00:14:32,175
I'D SAY ABOUT 40.
BEAUTIFULLY DRESSED.
218
00:14:32,219 --> 00:14:34,917
THEN THIS GUY FROM THE BUSINESS
COUNCIL CAME IN.
219
00:14:34,961 --> 00:14:37,920
HE WAS SORT OF A ONE-MAN
WELCOMING COMMITTEE.
220
00:14:37,964 --> 00:14:39,095
RED CARPET STUFF.
221
00:14:39,139 --> 00:14:43,534
DID YOU KNOW THAT MAURITANY
WAS A HOOD FROM CHICAGO?
222
00:14:43,578 --> 00:14:45,885
NO, I DIDN'T.
223
00:14:45,928 --> 00:14:47,016
WHERE'D YOU GET HIS NAME?
224
00:14:47,060 --> 00:14:48,409
FROM THE REAL ESTATE BOARD.
225
00:14:48,452 --> 00:14:50,846
THEY SEND US LISTS PERIODICALLY.
226
00:14:50,890 --> 00:14:54,458
MAURITANY WAS HERE TO BUY
SOME PROPERTY IN HONOLULU.
227
00:14:54,502 --> 00:14:56,983
AND YOU DIDN'T KNOW MAURITANY
AT ALL?
228
00:14:57,026 --> 00:14:59,115
-NEVER MET HIM?
-NO, SIR.
229
00:14:59,159 --> 00:15:01,596
HOW DID YOU KNOW
WHERE TO FIND HIM --
230
00:15:01,639 --> 00:15:04,164
HOTEL, TIME OF ARRIVAL,
AND SO FORTH?
231
00:15:04,207 --> 00:15:06,296
ALL THAT FROM
THE REAL ESTATE BOARD.
232
00:15:06,340 --> 00:15:08,037
WHO LEFT THE ROOM FIRST?
233
00:15:08,081 --> 00:15:08,995
I DID.
234
00:15:09,038 --> 00:15:11,388
TV MAN LEFT FIRST.
235
00:15:11,432 --> 00:15:14,087
-WHAT TIME WAS THAT?
-AROUND 5:15.
236
00:15:14,130 --> 00:15:17,003
20 MINUTES AFTER, I SUPPOSE.
SOMETHING LIKE THAT.
237
00:15:17,046 --> 00:15:19,092
I LEFT WHEN THE LADY DID.
238
00:15:19,135 --> 00:15:21,137
ANYONE SEE YOU
LEAVE THE HOTEL?
239
00:15:21,181 --> 00:15:22,704
YEAH.
240
00:15:22,747 --> 00:15:25,228
YEAH, HENRY BLAKE,
THE GARAGE ATTENDANT.
241
00:15:25,272 --> 00:15:27,839
I DON'T KNOW IF ANYONE
SAW US LEAVE OR NOT.
242
00:15:27,883 --> 00:15:30,059
TWO PEOPLE WHO KNOW YOU
SAY THEY SAW YOU
243
00:15:30,103 --> 00:15:32,714
LEAVING THROUGH THE HOTEL LOBBY
WITH MRS. SOAMES
244
00:15:32,757 --> 00:15:35,151
ABOUT THE SAME TIME
YOU SAID YOU DID.
245
00:15:36,892 --> 00:15:38,938
EXCUSE ME.
246
00:15:56,607 --> 00:15:57,869
WELL?
247
00:15:57,913 --> 00:15:59,219
WHEN HE GOT TO THE ROOM,
248
00:15:59,262 --> 00:16:01,134
MAURITANY AND MRS. SOAMES
WERE THERE.
249
00:16:01,177 --> 00:16:02,396
AND YOUR GUY SHOWED UP.
250
00:16:02,439 --> 00:16:05,051
CLEM WAS THE FIRST ONE TO LEAVE,
ACCORDING TO CLEM.
251
00:16:05,094 --> 00:16:07,053
WELL, THAT CHECKS OUT
WITH MY GUY 100%.
252
00:16:07,096 --> 00:16:08,532
WHAT DO WE DO?
253
00:16:08,576 --> 00:16:10,665
KEEP THEM BOTH HERE
TILL I TALK TO THE WOMAN.
254
00:16:10,708 --> 00:16:11,709
SHOULDN'T BE LONG.
255
00:16:11,753 --> 00:16:13,973
KONO WAS PICKING HER UP
RIGHT NOW.
256
00:16:16,062 --> 00:16:17,541
BALLISTICS READY IN THE LAB.
257
00:16:17,585 --> 00:16:20,240
GIVE THEM SOMETHING
TO READ, DANNO.
258
00:16:21,502 --> 00:16:25,332
WHAT? A NEW PENSION PLAN?
259
00:16:30,467 --> 00:16:32,730
THREE BULLETS, 9mm SHORT.
260
00:16:32,774 --> 00:16:37,213
AND GET THIS, NO BALLISTIC
MARKINGS ON ANY OF THEM.
261
00:16:37,257 --> 00:16:39,302
WELL, HOW COME?
262
00:16:39,346 --> 00:16:41,652
I'VE SEEN IT ONCE BEFORE.
263
00:16:41,696 --> 00:16:44,873
THEY SCRAPE THE BULLET
WITH A HIGH-SPEED REAMING TUBE.
264
00:16:44,916 --> 00:16:47,093
REMOVES ALL THE LANDS
AND GROOVES.
265
00:16:47,136 --> 00:16:49,747
IT'S STRICTLY
FOR CLOSE-HIT WORK, NO RANGE.
266
00:16:49,791 --> 00:16:52,098
STRICTLY A PROFESSIONAL
KILLER'S M.O.
267
00:16:52,141 --> 00:16:54,926
WELL, THAT LETS
OUR THREE SUSPECTS OUT.
268
00:16:57,190 --> 00:17:00,062
IT LOOKS THAT WAY,
DOESN'T IT?
269
00:17:00,106 --> 00:17:01,977
STEVE, I GOT A TOUGH ONE.
270
00:17:02,021 --> 00:17:03,718
YEAH, WHAT IS IT?
271
00:17:03,761 --> 00:17:05,459
I WENT TO PICK UP
MRS. SOAMES.
272
00:17:05,502 --> 00:17:07,200
SHE'S A WIDOW,
LIVES OUT IN KAHALA,
273
00:17:07,243 --> 00:17:08,679
REAL FANCY PLACE.
274
00:17:08,723 --> 00:17:10,986
ARE YOU READY FOR THIS?
SHE WON'T COME IN.
275
00:17:11,030 --> 00:17:12,335
SHE WON'T COME IN?
276
00:17:12,379 --> 00:17:14,468
SHE SAYS SHE'S GOT
A SOCIAL TO GO TO,
277
00:17:14,511 --> 00:17:16,818
SAYS YOU'LL HAVE TO WAIT
TILL TOMORROW.
278
00:17:16,861 --> 00:17:18,341
AND YOU SETTLED FOR THAT?
279
00:17:21,214 --> 00:17:23,259
COME ON, CHIN.
LET'S GO.
280
00:17:26,828 --> 00:17:30,179
THEY WANT TO SEE ME NOW?
THAT'S A BORE.
281
00:17:30,223 --> 00:17:32,181
HONEY, DO ME UP, WILL YOU?
282
00:17:32,225 --> 00:17:34,009
SURE.
283
00:17:39,928 --> 00:17:42,800
LANA, WHY DON'T YOU ASK JASON
TO FIX ME A DRINK, HUH?
284
00:17:42,844 --> 00:17:44,933
MR. McGARRETT,
THIS IS AN AWKWARD TIME.
285
00:17:44,976 --> 00:17:47,109
WE'RE ON OUR WAY
TO THE FITZGERALDS' LUAU
286
00:17:47,153 --> 00:17:48,763
FOR THE SENATOR.
287
00:17:48,806 --> 00:17:50,765
AND WHILE I DON'T MIND BEING
FASHIONABLY LATE, I --
288
00:17:50,808 --> 00:17:52,854
MRS. SOAMES,
EITHER YOU TALK TO US NOW
289
00:17:52,897 --> 00:17:55,117
OR WE'LL TAKE YOU IN
AS A MATERIAL WITNESS.
290
00:17:55,161 --> 00:17:56,901
WHICH WILL IT BE?
291
00:17:56,945 --> 00:17:58,294
YOU'RE VERY PERSUASIVE.
292
00:17:58,338 --> 00:18:01,428
ALL RIGHT, GIVE ME
YOUR FAMOUS THIRD DEGREE.
293
00:18:01,471 --> 00:18:04,605
YOU WERE IN MAURITANY'S
HOTEL ROOM LAST NIGHT?
294
00:18:04,648 --> 00:18:06,911
YES, FOR 15 BORING MINUTES.
295
00:18:06,955 --> 00:18:08,304
WHERE'D YOU MEET HIM?
296
00:18:08,348 --> 00:18:11,002
ON THE PLANE
COMING IN FROM L.A.
297
00:18:11,046 --> 00:18:12,178
WHAT WERE YOU DOING
IN LOS ANGELES?
298
00:18:12,221 --> 00:18:15,311
I WENT TO SEE A FILM PRODUCER
ABOUT LAUNCHING RICK'S CAREER.
299
00:18:15,355 --> 00:18:18,314
WHOSE IDEA WAS THE DRINK
IN THE HOTEL, HIS OR YOURS?
300
00:18:18,358 --> 00:18:22,840
WELL, WHEN YOU HAVE TWO
EXPERIENCED TEAMS IN THE FIELD,
301
00:18:22,884 --> 00:18:26,366
THEY BOTH GENERALLY
THINK OF SCORING.
302
00:18:26,409 --> 00:18:27,976
DID YOU KNOW
HE WAS A MOBSTER?
303
00:18:28,019 --> 00:18:29,282
DOESN'T EVERYBODY?
304
00:18:29,325 --> 00:18:31,066
AND YET YOU WENT
TO HIS HOTEL ROOM?
305
00:18:31,110 --> 00:18:34,548
I AM A BIG GIRL,
IN CASE YOU HADN'T NOTICED.
306
00:18:34,591 --> 00:18:36,202
I NOTICED
YOU DIDN'T STAY LONG.
307
00:18:36,245 --> 00:18:38,160
NO, THERE WERE
TOO MANY PEOPLE.
308
00:18:38,204 --> 00:18:40,467
IT WAS LIKE
AN OLD MARX BROTHERS' MOVIE.
309
00:18:40,510 --> 00:18:42,338
I LEFT WHEN THE OTHERS DID.
310
00:18:42,382 --> 00:18:44,645
-SAME TIME?
-HMM.
311
00:18:44,688 --> 00:18:46,603
OH, THE REPAIRMAN
WENT FIRST,
312
00:18:46,647 --> 00:18:48,518
AND THEN
THE BANKER FELLOW --
313
00:18:48,562 --> 00:18:50,607
WELLMAN,
I THINK HIS NAME WAS.
314
00:18:50,651 --> 00:18:54,002
I ASSURE YOU, WE ALL WENT
OUR SEPARATE WAYS.
315
00:18:54,045 --> 00:18:56,613
NOW, I THINK THAT WOULD BE
A GOOD IDEA
316
00:18:56,657 --> 00:18:59,442
FOR YOU AND ME
RIGHT ABOUT NOW.
317
00:19:00,965 --> 00:19:03,403
CIAO.
318
00:19:03,446 --> 00:19:05,796
THE STORY CONFIRMS THREE WAY.
319
00:19:05,840 --> 00:19:08,321
YEAH.
WHAT DO WE DO NOW?
320
00:19:08,364 --> 00:19:12,368
TELL DANNO TO LET BROWN
AND WELLMAN GO.
321
00:21:09,790 --> 00:21:11,748
ALL THREE, CONFIRMED ALIBIS.
322
00:21:11,792 --> 00:21:13,489
IN OTHER WORDS, GENTLEMEN,
WE'RE BATTING ZERO.
323
00:21:13,533 --> 00:21:15,186
ZERO MINUS TWO.
324
00:21:15,230 --> 00:21:17,101
MAURITANY'S TWO BODYGUARDS
WERE PICKED UP LAST NIGHT
325
00:21:17,145 --> 00:21:19,147
AT THE WIKI WIKI BAR
ON KALAMANO STREET.
326
00:21:19,190 --> 00:21:20,931
THEY WERE THERE
FROM 4:30 TO 8:00,
327
00:21:20,975 --> 00:21:23,325
ABSOLUTELY CONFIRMED
BY A DOZEN WITNESSES.
328
00:21:23,369 --> 00:21:27,503
[ TELEPHONE RINGING ]
329
00:21:27,547 --> 00:21:29,244
McGARRETT.
330
00:21:29,288 --> 00:21:31,464
YEAH, JOE. YEAH.
331
00:21:31,507 --> 00:21:34,554
YEAH, THANK YOU, THAT'S EXACTLY
WHAT I WANTED TO KNOW.
332
00:21:34,597 --> 00:21:36,512
JOE LAMONT, REAL ESTATE BOARD.
333
00:21:36,556 --> 00:21:37,687
I ASKED HIM TO FIND OUT
334
00:21:37,731 --> 00:21:40,342
WHAT PROPERTY
MAURITANY CAME HERE TO BUY.
335
00:21:40,386 --> 00:21:41,474
IT'S A FACTORY BUILDING.
336
00:21:41,517 --> 00:21:43,345
SHERIDAN, NEAR PIIKOI.
337
00:21:43,389 --> 00:21:45,042
LET'S TAKE A LOOK, CHIN.
338
00:22:06,673 --> 00:22:08,544
OH, HI, BONNIE.
339
00:22:08,588 --> 00:22:11,330
THANKS FOR LETTING ME SLEEP.
340
00:22:11,373 --> 00:22:12,679
YOU SAID YOU WERE TIRED.
341
00:22:12,722 --> 00:22:15,377
I'M TIRED
OF A LOT OF THINGS.
342
00:22:15,421 --> 00:22:17,336
BONNIE!
343
00:22:24,038 --> 00:22:25,735
BONNIE?
344
00:22:25,779 --> 00:22:27,433
NOW, WHAT'S THE MATTER, HUH?
345
00:22:27,476 --> 00:22:29,565
YOU FIGURE IT OUT.
346
00:22:29,609 --> 00:22:31,654
BONNIE, NOW,
I'M ASKING YOU QUESTIONS.
347
00:22:31,698 --> 00:22:33,308
DON'T GIVE ME RIDDLES.
348
00:22:33,352 --> 00:22:36,746
OKAY, STRAIGHT TALK.
349
00:22:36,790 --> 00:22:39,183
IF I CATCH YOU
WITH THAT BLONDE AGAIN,
350
00:22:39,227 --> 00:22:42,796
YOU CAN GO BACK TO BEING THE
HANDSOMEST TOWEL BOY IN WAIKIKI.
351
00:22:42,839 --> 00:22:47,583
NOW, SHE WALKED UP TO ME.
CAN I CONTROL THAT?
352
00:22:47,627 --> 00:22:51,021
YOU BETTER START
CONTROLLING SOMETHING.
353
00:22:51,065 --> 00:22:53,676
BONNIE.
354
00:22:53,720 --> 00:22:56,418
LOOK, I'VE HAD IT --
355
00:22:56,462 --> 00:22:57,463
THE SILK SUITS,
356
00:22:57,506 --> 00:22:59,943
THE IMPORTED SHIRTS,
THE $20 TIES.
357
00:22:59,987 --> 00:23:01,118
OKAY.
358
00:23:01,162 --> 00:23:04,078
OKAY, NOW, WHAT'S REALLY
BUGGING YOU, HUH?
359
00:23:04,121 --> 00:23:06,646
WAS IT THOSE TWO GUYS
LAST NIGHT?
360
00:23:06,689 --> 00:23:07,734
WELL, WHO WERE THEY?
361
00:23:07,777 --> 00:23:10,563
THEY WERE COPS.
362
00:23:10,606 --> 00:23:12,739
HEY, IT WASN'T ABOUT THE --
363
00:23:12,782 --> 00:23:14,784
NO, IT WASN'T ABOUT --
364
00:23:14,828 --> 00:23:16,438
I PAID TO GET YOU
OUT OF THAT ONE.
365
00:23:16,482 --> 00:23:17,874
DON'T YOU EVER FORGET IT.
366
00:23:17,918 --> 00:23:20,399
BONNIE, YOU PAID TO GET US
BOTHOUT OF THAT ONE.
367
00:23:20,442 --> 00:23:21,574
YOU,KIDDO, YOU!
368
00:23:21,617 --> 00:23:23,532
I DON'T HAVE TO TAKE THAT
FROM YOU.
369
00:23:23,576 --> 00:23:25,099
I'M NOT YOUR SLAVE.
370
00:23:25,142 --> 00:23:27,449
NOW, YOU CAN TAKE YOUR SHIRTS,
YOUR SUITS, AND YOUR TIES.
371
00:23:27,493 --> 00:23:29,712
YOU CAN FIND YOURSELF
ANOTHER TOWEL BOY.
372
00:24:04,268 --> 00:24:08,011
WE'RE NOT A BIG COMPANY,
BUT WE DEAL IN QUALITY ONLY.
373
00:24:08,055 --> 00:24:10,753
LUCKILY,
PEOPLE APPRECIATE THAT
374
00:24:10,797 --> 00:24:13,669
AND JUST ABOUT BEAT A PATH
TO OUR DOOR.
375
00:24:13,713 --> 00:24:16,367
YOU LEASE THIS BUILDING,
MR. CHANG?
376
00:24:16,411 --> 00:24:17,543
YES.
377
00:24:17,586 --> 00:24:20,023
LAST MONTH, THE OWNER
OF THE BUILDING DIED,
378
00:24:20,067 --> 00:24:22,765
AND IT WAS PUT UP FOR SALE
BY THE ESTATE.
379
00:24:22,809 --> 00:24:24,506
CORRECT.
380
00:24:24,550 --> 00:24:26,769
YOU BID ON THE BUILDING
YOURSELF,
381
00:24:26,813 --> 00:24:30,164
BUT YOU WERE OUTBID BY A MAN
BY THE NAME OF MAURITANY.
382
00:24:30,207 --> 00:24:33,036
OH, YES, THE MAN WHO WAS
SO BRUTALLY MURDERED.
383
00:24:33,080 --> 00:24:36,997
YEAH. NOW, I UNDERSTAND HE BID
A PRETTY GOOD PRICE ON IT.
384
00:24:37,040 --> 00:24:38,868
HAVE YOU ANY IDEA WHY
HE WANTED THE BUILDING?
385
00:24:38,912 --> 00:24:42,219
NO IDEA, MR. McGARRETT.
IT'S NOT WORTH VERY MUCH.
386
00:24:42,263 --> 00:24:44,526
AS A MATTER OF FACT,
WE'VE WITHDRAWN OUR BID,
387
00:24:44,570 --> 00:24:46,572
AND WE EXPECT TO MOVE
TO NEW QUARTERS.
388
00:24:46,615 --> 00:24:49,183
I SEE. DO YOU MIND
IF WE LOOK AROUND?
389
00:24:49,226 --> 00:24:50,967
OH, IT WOULD BE MY PLEASURE
TO ESCORT YOU.
390
00:24:51,011 --> 00:24:53,666
THIS, OF COURSE,
IS OUR SALESROOM,
391
00:24:53,709 --> 00:24:55,929
WHERE PEOPLE COME
TO LOOK AT SAMPLES
392
00:24:55,972 --> 00:24:58,322
AND, HOPEFULLY,
PLACE ORDERS.
393
00:24:58,366 --> 00:25:00,063
THIS WAY, PLEASE.
394
00:25:00,107 --> 00:25:02,892
THIS IS OUR SALES OFFICE...
395
00:25:02,936 --> 00:25:09,682
SHIPPING ROOM,
STORAGE, MISCELLANEOUS.
396
00:25:12,206 --> 00:25:16,123
THIS. MR. McGARRETT,
IS OUR MAIN WORKROOM.
397
00:25:16,166 --> 00:25:21,563
IT'S A TOTAL OPERATION,
MR. McGARRETT.
398
00:25:21,607 --> 00:25:24,784
AS WE SAY
IN OUR LITTLE BROCHURE,
399
00:25:24,827 --> 00:25:29,049
WE HANDLE YOUR EVERY WHIM
FROM WALL TO WALL.
400
00:25:33,967 --> 00:25:35,490
WHERE DOES THIS LEAD TO?
401
00:25:35,534 --> 00:25:36,752
THAT LEADS TO THE BASEMENT.
402
00:25:36,796 --> 00:25:37,753
MAY WE TAKE A LOOK?
403
00:25:37,797 --> 00:25:39,538
OF COURSE.
404
00:25:41,801 --> 00:25:44,151
THIS WAY, PLEASE.
405
00:25:50,897 --> 00:25:54,770
I MUST APOLOGIZE
FOR ALL THIS DIRT AND DUST.
406
00:26:17,401 --> 00:26:19,665
THIS BASEMENT
IS NO LONGER IN USE.
407
00:26:19,708 --> 00:26:22,145
AS YOU CAN SEE,
THERE'S NOTHING HERE
408
00:26:22,189 --> 00:26:24,670
BUT BITS AND PIECES
OF DISCARDED JUNK.
409
00:26:24,713 --> 00:26:28,108
YES, I SEE, MR. CHANG.
THANK YOU.
410
00:26:44,559 --> 00:26:45,908
HELLO, CHARLIE.
411
00:26:45,952 --> 00:26:46,996
WHAT DO YOU WANT, McGARRETT?
412
00:26:47,040 --> 00:26:49,216
I DIDN'T KNOW YOU WERE OUT.
413
00:26:49,259 --> 00:26:50,826
IF YOU'RE TRYING
TO GET ME FIRED,
414
00:26:50,870 --> 00:26:52,088
YOU'RE WASTING YOUR TIME.
415
00:26:52,132 --> 00:26:53,916
THEY KNOW
ALL ABOUT MY RECORD HERE.
416
00:26:53,960 --> 00:26:55,831
THEY BELIEVE
IN GIVING PEOPLE A CHANCE.
417
00:26:55,875 --> 00:26:59,530
SO DO I, CHARLIE.
SO DO I.
418
00:27:05,362 --> 00:27:07,756
CHARLIE SAUNDERS,
EX-WARRANT OFFICER,
419
00:27:07,800 --> 00:27:10,890
MILITARY INTELLIGENCE,
EX-PRIVATE DETECTIVE.
420
00:27:10,933 --> 00:27:12,065
CONVICTED TWO YEARS AGO
421
00:27:12,108 --> 00:27:14,981
OF BRIBERY AND CONSPIRACY
TO OBSTRUCT JUSTICE.
422
00:27:15,024 --> 00:27:17,244
SENTENCED
THREE YEARS STATE PEN,
423
00:27:17,287 --> 00:27:20,029
RELEASED AFTER 18 MONTHS
ON GOOD BEHAVIOR.
424
00:27:20,073 --> 00:27:22,075
DIDN'T YOU WORK
ON THAT CASE, STEVE?
425
00:27:22,118 --> 00:27:25,208
WORKED ON IT, SLEPT ON IT,
PUT HIM AWAY.
426
00:27:25,252 --> 00:27:27,036
YOU FIGURE
THERE'S SOME CONNECTION?
427
00:27:27,080 --> 00:27:29,909
HIS WORKING DOWN THERE
AND THE MOB GUY GETTING KILLED?
428
00:27:29,952 --> 00:27:32,302
CHARLIE'S STRICTLY A LONER,
429
00:27:32,346 --> 00:27:34,522
NEVER WORKED WITH ANYONE
IN HIS LIFE.
430
00:27:34,565 --> 00:27:37,133
COULD BE THAT CHINESE GUY
IS FRONTING FOR HIM.
431
00:27:37,177 --> 00:27:39,135
AND BOTH TIE IN
WITH THE MURDER.
432
00:27:39,179 --> 00:27:43,749
YEAH, BUT WHAT'S THE LINK?
WHAT'S THE LINK?
433
00:27:43,792 --> 00:27:45,576
SEE WHAT YOU CAN DIG UP
ON MR. CHANG.
434
00:27:45,620 --> 00:27:47,883
AND I WANT A SURVEILLANCE
OF THAT CARPET COMPANY
435
00:27:47,927 --> 00:27:49,145
24 HOURS A DAY.
436
00:27:49,189 --> 00:27:51,626
I WANT TO KNOW WHO GOES IN,
WHO GOES OUT,
437
00:27:51,670 --> 00:27:53,410
TIME OF EVERY DELIVERY
AND SHIPMENT,
438
00:27:53,454 --> 00:27:55,891
LICENSE NUMBER OF EVERY VEHICLE
THAT MOVES.
439
00:28:32,536 --> 00:28:34,713
TV REPAIR.
440
00:28:39,848 --> 00:28:41,720
WHERE'S YOUR TV?
441
00:28:45,854 --> 00:28:49,858
THIS ISN'T WORK, CLEM.
IT'S A FAVOR FOR A FRIEND.
442
00:28:49,902 --> 00:28:53,035
I THOUGHT
WE WERE FINISHED, FRIEND.
443
00:28:53,079 --> 00:28:56,256
ONE IS NEVER FINISHED
WITH MURDER, CLEM.
444
00:28:56,299 --> 00:28:59,912
IT'S A SUBJECT
THAT NEVER BORES THE POLICE.
445
00:28:59,955 --> 00:29:01,217
WHERE ARE YOU, DANNO?
446
00:29:01,261 --> 00:29:04,133
On my way to relive Chin.
Be there in five minutes.
447
00:29:04,177 --> 00:29:06,005
CHIN, DO YOU READ ME?
448
00:29:06,048 --> 00:29:07,441
Loud and clear.
449
00:29:07,484 --> 00:29:08,616
WHAT HAVE YOU GOT?
450
00:29:08,659 --> 00:29:10,966
[ CHUCKLES ]
I GOT A GRAVEYARD, BROTHER.
451
00:29:11,010 --> 00:29:14,927
NOTHING'S HAPPENING HERE.
THE PLACE IS DEAD.
452
00:29:14,970 --> 00:29:17,581
WELL, AT LEAST
YOU'VE GOT AN OCEAN BREEZE.
453
00:29:17,625 --> 00:29:20,062
Yeah. Hold it.
454
00:29:20,106 --> 00:29:22,978
GRAVEYARD COMING TO LIFE.
455
00:29:39,386 --> 00:29:41,780
I THINK I KNOW THIS HOWLEY.
456
00:29:41,823 --> 00:29:43,564
Can you identify him?
457
00:29:43,607 --> 00:29:44,783
HANG ON.
458
00:29:53,226 --> 00:29:56,229
STEVE, WE'VE GOT OUR LINK --
FRANK WELLMAN.
459
00:29:56,272 --> 00:29:59,014
SOMEBODY JUST
HANDED HIM SOMETHING
460
00:29:59,058 --> 00:30:01,016
THROUGH THE DOOR,
AN ENVELOPE.
461
00:30:01,060 --> 00:30:03,410
OKAY, YOU STAY THERE
AND KEEP YOUR EYES OPEN.
462
00:30:05,891 --> 00:30:08,241
DANNO, YOU HEAD
FOR WELLMAN'S HOUSE.
463
00:30:08,284 --> 00:30:10,678
HE LIVES
AT 1561 KANUNU STREET.
464
00:30:10,721 --> 00:30:12,027
-YOU GOT THAT?
-Got it.
465
00:30:12,071 --> 00:30:15,552
I WANT WELLMAN PICKED UP,
AND I WANT THAT ENVELOPE.
466
00:30:22,255 --> 00:30:25,649
CENTRAL, CHIN HO KELLY, FIVE-O.
RED ALERT.
467
00:30:25,693 --> 00:30:31,568
INTERCEPT BLUE MERCEDES-BENZ,
LICENSE NUMBER 5J-5298.
468
00:30:31,612 --> 00:30:34,745
REPEAT,
LICENSE NUMBER J-5298.
469
00:30:34,789 --> 00:30:37,096
FRANK WELLMAN
WANTED FOR QUESTIONING.
470
00:30:37,139 --> 00:30:39,707
LAST SEEN HEADED
ON SHERIDAN STREET.
471
00:30:51,980 --> 00:30:54,983
[ MACHINERY BANGING ]
472
00:31:02,034 --> 00:31:05,341
[ TIRES SQUEALING ]
473
00:31:10,216 --> 00:31:13,741
FIVE-O, MR. WELLMAN.
OUT OF THE CAR, PLEASE.
474
00:31:13,784 --> 00:31:15,482
WHAT'S THIS ALL ABOUT?!
475
00:31:17,223 --> 00:31:18,746
CAN I HAVE THAT ENVELOPE?
476
00:31:18,789 --> 00:31:19,921
HAVE YOU GOT A WARRANT?
477
00:31:19,965 --> 00:31:21,923
YOU WANT A WARRANT,
I'LL GET YOU ONE.
478
00:31:21,967 --> 00:31:23,794
NO WARRANT, NO SEARCH.
479
00:31:23,838 --> 00:31:27,755
UP AGAINST THE CAR,
HANDS ON THE HOOD.
480
00:31:29,757 --> 00:31:30,932
WHY AM I BEING ARRESTED?
481
00:31:30,976 --> 00:31:33,021
HOW ABOUT WITHHOLDING EVIDENCE
ON A FELONY?
482
00:31:33,065 --> 00:31:34,718
COME ON.
483
00:32:10,885 --> 00:32:15,020
WILLIAMS TO CENTRAL, URGENT.
10-15, 10-15.
484
00:32:15,063 --> 00:32:17,544
1561 KANUNU STREET.
485
00:32:17,587 --> 00:32:20,286
[ SCREAMING ]
486
00:32:25,552 --> 00:32:27,423
OH, MY GOD.
487
00:32:34,953 --> 00:32:37,956
[ SIRENS WAILING ]
488
00:32:41,829 --> 00:32:45,659
[ TIRES SQUEALING ]
489
00:34:40,426 --> 00:34:41,731
HOW DO YOU FIGURE IT, STEVE?
490
00:34:41,775 --> 00:34:44,386
RICH, SUCCESSFUL
MAN ABOUT TOWN,
491
00:34:44,430 --> 00:34:46,127
EVERYTHING TO LIVE FOR --
WHY?
492
00:34:46,171 --> 00:34:51,306
ANSWER IS RIGHT THERE, DANNO,
STARING AT YOU FROM THE WALL.
493
00:34:51,350 --> 00:34:56,224
THESE BEAUTIFUL FRIENDS
OF WELLMAN...
494
00:35:11,761 --> 00:35:13,154
THEY'RE MEN.
495
00:35:23,599 --> 00:35:26,341
CLEM?
496
00:35:26,385 --> 00:35:27,864
I'M YOUR WIFE.
497
00:35:29,388 --> 00:35:32,217
I HAVE A RIGHT TO KNOW.
498
00:35:34,132 --> 00:35:35,524
[ SIGHS ]
499
00:35:38,266 --> 00:35:40,573
DORIS?
500
00:35:40,616 --> 00:35:42,314
YES.
501
00:35:42,357 --> 00:35:44,838
[ SIGHS ]
502
00:35:44,881 --> 00:35:49,277
THERE'S SOMETHING
THAT HAPPENED IN THE WAR,
503
00:35:49,321 --> 00:35:53,760
SOMETHING I NEVER
TOLD YOU ABOUT.
504
00:35:55,979 --> 00:36:01,463
THE FIRST DAY IN COMBAT,
I PANICKED, RAN AWAY.
505
00:36:03,204 --> 00:36:05,859
THE KILLING...
506
00:36:05,902 --> 00:36:09,036
THE BUTCHERING.
507
00:36:11,343 --> 00:36:15,869
THE SERGEANT SAW ME RUNNING
AND CHASED ME TO A FARMHOUSE.
508
00:36:15,912 --> 00:36:18,698
HE WAS GONNA SHOOT ME
ON THE SPOT.
509
00:36:18,741 --> 00:36:22,702
BUT THEN A MORTAR SHELL HIT,
AND HE WAS WOUNDED.
510
00:36:25,748 --> 00:36:28,490
HE WAS CRYING FOR HELP.
511
00:36:32,102 --> 00:36:34,757
I LEFT HIM THERE TO DIE.
512
00:36:39,545 --> 00:36:42,591
THEN I WENT BACK
TO MY OUTFIT.
513
00:36:46,682 --> 00:36:49,337
I DIDN'T THINK ANYONE KNEW...
514
00:36:49,381 --> 00:36:51,209
TILL A FEW WEEKS AGO.
515
00:36:52,558 --> 00:36:55,604
SOMEBODY KNOWS.
516
00:36:55,648 --> 00:36:58,912
THEY KNOW EVERYTHING.
517
00:37:00,522 --> 00:37:03,525
THEY PROMISED
THEY'D KEEP IT QUIET
518
00:37:03,569 --> 00:37:05,484
IF I DID THEM A FAVOR.
519
00:37:07,529 --> 00:37:09,531
AND I DID IT.
520
00:37:11,446 --> 00:37:13,883
I THOUGHT I WAS FINISHED.
521
00:37:16,016 --> 00:37:18,932
NOW THEY WANT
SOMETHING ELSE.
522
00:37:18,975 --> 00:37:22,240
BUT THEY CAN'T
MAKE YOU DO IT.
523
00:37:22,283 --> 00:37:24,459
YOU'RE OUT OF THE ARMY NOW.
524
00:37:24,503 --> 00:37:25,765
I'M IN THE RESERVES.
525
00:37:25,808 --> 00:37:28,115
I COULD STILL
BE COURT-MARTIALED.
526
00:37:31,423 --> 00:37:34,034
WHEN DOES IT END?
527
00:37:37,603 --> 00:37:41,563
WHAT DO I DO?
528
00:37:41,607 --> 00:37:46,351
CLEM, YOU'VE GOT
A FAMILY TO PROTECT.
529
00:37:46,394 --> 00:37:49,484
YOU'VE GOT US TO PROTECT.
530
00:37:51,617 --> 00:37:54,489
YOU DO WHAT THEY WANT YOU TO DO.
531
00:37:57,666 --> 00:38:03,542
FRANK WELLMAN --
HOMOSEXUAL TRANSVESTITE.
532
00:38:03,585 --> 00:38:05,718
CLASSIC SUBJECT FOR BLACKMAIL.
533
00:38:05,761 --> 00:38:08,198
MAYBE ALL THE OTHER SUBJECTS,
TOO, HUH?
534
00:38:08,242 --> 00:38:10,070
YEAH, MAYBE.
535
00:38:10,113 --> 00:38:12,115
THREE PEOPLE
WITH SOMETHING TO HIDE.
536
00:38:12,159 --> 00:38:14,204
AND WHO BETTER
TO DIG OUT THE DIRTY LINEN
537
00:38:14,248 --> 00:38:16,337
THAN CHARLIE SAUNDERS,
EX-PRIVATE EYE?
538
00:38:16,381 --> 00:38:18,861
YEAH.
539
00:38:18,905 --> 00:38:21,211
TRY THIS ON FOR SIZE,
GENTLEMEN.
540
00:38:21,255 --> 00:38:24,127
SUPPOSE, JUST SUPPOSE
THAT CHARLIE SAUNDERS
541
00:38:24,171 --> 00:38:26,521
AND THIS CHINESE GUY
WITH GLASSES
542
00:38:26,565 --> 00:38:28,958
ARE TIED TOGETHER
IN SOME RACKET.
543
00:38:29,002 --> 00:38:31,526
NOW, MAURITANY WANTS
TO TAKE IT OVER,
544
00:38:31,570 --> 00:38:34,964
SO THEY DECIDE
TO HAVE HIM KNOCKED OFF.
545
00:38:35,008 --> 00:38:39,055
THEY BLACKMAIL THREE PEOPLE
INTO KILLING HIM.
546
00:38:42,494 --> 00:38:44,017
PICK IT APART.
547
00:38:44,060 --> 00:38:45,279
FIRST PICK --
548
00:38:45,323 --> 00:38:47,063
IF THEY WERE GOING TO KNOCK OFF
A SYNDICATE MAN,
549
00:38:47,107 --> 00:38:50,502
WHY NOT HIRE PROFESSIONAL GUNS?
WHY AMATEURS?
550
00:38:50,545 --> 00:38:51,851
SYNDICATE MAN
AND HIS BODYGUARD
551
00:38:51,894 --> 00:38:54,070
COULD SPOT A PROFESSIONAL
HIT MAN A MILE AWAY.
552
00:38:54,114 --> 00:38:55,898
AN AMATEUR
HAS A MUCH BETTER CHANCE.
553
00:38:55,942 --> 00:38:59,424
OKAY, WHY THREE AMATEURS
INSTEAD OF ONE?
554
00:38:59,467 --> 00:39:01,556
THEY ALIBI EACH OTHER.
555
00:39:03,166 --> 00:39:05,560
RIGHT.
WORKED OUT TO THE LAST DETAIL.
556
00:39:05,604 --> 00:39:07,910
BUT WHY DID CHARLIE
AND THE CHINESE GUY
557
00:39:07,954 --> 00:39:10,217
WANT TO KNOCK OFF
THAT SYNDICATE CAT?
558
00:39:10,260 --> 00:39:12,741
WHAT'S THE RACKET
THEY'RE TRYING TO PROTECT?
559
00:39:12,785 --> 00:39:14,613
GOOD QUESTION, KONO.
560
00:39:14,656 --> 00:39:17,398
EVERYTHING WE SAW DOWN AT THAT
PLANT SEEMED STRAIGHT ENOUGH.
561
00:39:17,442 --> 00:39:19,618
MAYBE THERE'S SOMETHING SPECIAL
ABOUT THE BUILDING.
562
00:39:19,661 --> 00:39:22,011
MAURITANY TRIED TO BUY IT
OUT FROM UNDER THEM.
563
00:39:22,055 --> 00:39:23,361
YEAH, MAYBE.
564
00:39:23,404 --> 00:39:25,232
CALL THE COUNTY CLERK,
565
00:39:25,275 --> 00:39:27,452
SEE IF THE PLANS
FOR THAT BUILDING ARE ON FILE.
566
00:39:27,495 --> 00:39:30,193
IF THEY ARE, GET THEM UP HERE,
ALONG WITH THE COUNTY ENGINEER.
567
00:39:30,237 --> 00:39:31,847
CHIN,
BACK TO THE CARPET FACTORY.
568
00:39:31,891 --> 00:39:33,153
OKAY.
569
00:39:33,196 --> 00:39:35,198
KONO?
570
00:39:35,242 --> 00:39:39,507
CLEM BROWN, BONNIE SOAMES,
AND HER BOYFRIEND -- DIG DEEPER.
571
00:39:39,551 --> 00:39:42,423
IF OUR BLACKMAIL THEORY
IS RIGHT,
572
00:39:42,467 --> 00:39:44,817
WHAT ARE THEY HIDING?
573
00:39:55,610 --> 00:39:58,570
I'M SORRY I YELLED AT YOU.
574
00:39:58,613 --> 00:40:00,267
I'VE BEEN NERVOUS.
575
00:40:00,310 --> 00:40:03,488
YOU WERE RIGHT
ABOUT THE COPS, RICK.
576
00:40:03,531 --> 00:40:05,533
WE'RE IN EVEN DEEPER NOW.
577
00:40:05,577 --> 00:40:09,407
WE CAN'T AFFORD ANY JEALOUSY
OR FIGHTING.
578
00:40:09,450 --> 00:40:15,064
WE -- WE HAVE TO BE ONE MIND
AND ONE BODY.
579
00:40:15,108 --> 00:40:17,153
WHAT HAPPENED?
580
00:40:18,938 --> 00:40:22,811
A COUPLE OF WEEKS AGO,
A MAN CAME TO SEE ME.
581
00:40:22,855 --> 00:40:25,727
HE KNEW
ALL ABOUT THE ACCIDENT,
582
00:40:25,771 --> 00:40:28,208
ABOUT WHAT YOU DID
TO MY HUSBAND'S CAR.
583
00:40:28,251 --> 00:40:31,037
REMEMBER, IT WAS
UNDER YOURINSTRUCTIONS.
584
00:40:33,692 --> 00:40:36,608
HE KNEW THAT, TOO.
585
00:40:36,651 --> 00:40:38,131
[ CHUCKLES ]
586
00:40:38,174 --> 00:40:42,701
I THINK I'VE JUST DEVELOPED
A LONGING TO VISIT SINGAPORE.
587
00:40:42,744 --> 00:40:44,529
YOU CARE TO COME ALONG?
588
00:40:51,884 --> 00:40:53,973
IT'S A 50-YEAR-OLD
BUILDING, STEVE.
589
00:40:54,016 --> 00:40:56,410
CAST-IRON PLUMBING,
EVERYTHING FALLING APART.
590
00:40:56,454 --> 00:40:57,585
FORGET IT.
591
00:40:57,629 --> 00:40:59,718
ALL RIGHT, WHAT ABOUT
THE LAND UNDERNEATH?
592
00:40:59,761 --> 00:41:02,460
YOU MEAN, DO THEY HAVE
THE ONLY OIL WELL IN HAWAII?
593
00:41:02,503 --> 00:41:03,765
NO, STEVE.
594
00:41:03,809 --> 00:41:05,637
THAT'S LAVA ROCK,
LIKE THE REST OF THE ISLAND.
595
00:41:05,680 --> 00:41:07,247
NOT WORTH MUCH.
596
00:41:09,771 --> 00:41:11,381
JUST IN FROM THE BIG ISLAND.
597
00:41:11,425 --> 00:41:13,340
THE GLAMOUR DAME'S HUSBAND
WAS KILLED
598
00:41:13,383 --> 00:41:15,560
NEARLY TWO YEARS AGO
IN AN AUTO ACCIDENT.
599
00:41:15,603 --> 00:41:16,865
THEY HAD A WITNESS
600
00:41:16,909 --> 00:41:18,780
WHO SAW SOMEONE TAMPERING
WITH HER HUSBAND'S CAR.
601
00:41:18,824 --> 00:41:20,303
BUT HE CHANGED HIS STORY,
602
00:41:20,347 --> 00:41:22,305
AND THE COURT RULED
DEATH BY ACCIDENT.
603
00:41:22,349 --> 00:41:23,785
POSSIBLE HOMICIDE.
604
00:41:23,829 --> 00:41:25,265
THAT FITS IN
WITH THE BLACKMAIL THEORY.
605
00:41:25,308 --> 00:41:27,876
YEAH. PAUL, TAKE ANOTHER LOOK
AT THAT BUILDING,
606
00:41:27,920 --> 00:41:29,356
THIS TIME WITH A MICROSCOPE.
607
00:41:29,399 --> 00:41:31,489
THERE'S GOT TO BE
SOMETHING WE'VE OVERLOOKED.
608
00:41:31,532 --> 00:41:32,533
WHAT ABOUT THE LOCATION?
609
00:41:32,577 --> 00:41:34,535
AN ADJACENT OWNER
WANTING TO BUY IN,
610
00:41:34,579 --> 00:41:36,363
SOMETHING NEW
OR BIG COMING IN?
611
00:41:36,406 --> 00:41:38,060
THAT NEIGHBORHOOD'S HAD IT,
STEVE.
612
00:41:38,104 --> 00:41:39,932
ALL THE GOOD BUSINESS
IS MOVING OUT --
613
00:41:39,975 --> 00:41:42,151
THE FURNITURE HOUSE,
THE AUTO INSURANCE COMPANY,
614
00:41:42,195 --> 00:41:44,545
THE BANK, THE DISCOUNT
APPLIANCE CENTER.
615
00:41:44,589 --> 00:41:45,633
THE WHAT?
616
00:41:45,677 --> 00:41:47,722
THE DISCOUNT
APPLIANCE CENTER.
617
00:41:47,766 --> 00:41:49,811
NO, BEFORE THAT,
YOU SAID, "THE BANK."
618
00:41:49,855 --> 00:41:52,597
WELL, WHAT BANK? I WAS THERE.
I DIDN'T SEE ANY BANK.
619
00:41:52,640 --> 00:41:54,381
IT'S NOT ON THE BLOCK,
STEVE.
620
00:41:54,424 --> 00:41:57,079
IT'S AROUND THE BLOCK,
JUST BEHIND THE CARPET COMPANY.
621
00:41:57,123 --> 00:41:58,733
BEHINDTHE CARPET COMPANY.
622
00:41:58,777 --> 00:42:00,779
THAT'S RIGHT, STEVE,
THEY'RE BACK-TO-BACK --
623
00:42:00,822 --> 00:42:02,824
THE HAWAIIAN FOURTH FEDERAL.
624
00:42:02,868 --> 00:42:05,523
HOW STUPID CAN WE BE?
625
00:42:08,700 --> 00:42:10,266
A TUNNEL.
626
00:42:10,310 --> 00:42:12,442
IT'S GOTTO BE.
LOOK AT THE LOCATION.
627
00:42:12,486 --> 00:42:14,619
FIRST STEP,
YOU BUY THE CARPET COMPANY.
628
00:42:14,662 --> 00:42:17,360
THEN PUT IN YOUR OWN MEN
AND START DIGGING.
629
00:42:17,404 --> 00:42:18,753
THE TUNNEL'S HALF DUG
630
00:42:18,797 --> 00:42:20,799
WHEN A GUY NAMED MAURITANY
FINDS OUT AND WANTS IN.
631
00:42:20,842 --> 00:42:22,061
HE BIDS FOR THE BUILDING.
632
00:42:22,104 --> 00:42:24,454
NOW, THE BUILDING
IS OLD AND RUN-DOWN,
633
00:42:24,498 --> 00:42:27,719
SO YOU CAN'T OUTBID HIM
WITHOUT TIPPING YOUR HAND.
634
00:42:27,762 --> 00:42:28,981
SO YOU GOTTA MAKE A HIT.
635
00:42:29,024 --> 00:42:32,637
CHARLIE COMES UP WITH THREE
PEOPLE TO PULL THE TRIGGER --
636
00:42:32,680 --> 00:42:35,291
PEOPLE THAT MAURITANY
WOULD NEVER SUSPECT.
637
00:42:35,335 --> 00:42:36,771
IT FITS.
638
00:42:36,815 --> 00:42:38,381
YEAH, IT FITS.
639
00:42:38,425 --> 00:42:40,253
WHAT ABOUT THE TUNNEL?
640
00:42:40,296 --> 00:42:45,171
5:30, BANK IS CLOSED.
CALL CENTRAL DISPATCH.
641
00:42:45,214 --> 00:42:47,608
I WANT EVERY SQUAD CAR
IN THE AREA TO --[ TELEPHONE RINGING ]
642
00:42:47,652 --> 00:42:49,262
McGARRETT.
643
00:42:49,305 --> 00:42:50,655
STEVE, CHIN.
644
00:42:50,698 --> 00:42:53,745
A TRUCK JUST PULLED UP AT
THE SIDE OF THE CARPET COMPANY.
645
00:42:53,788 --> 00:42:55,834
-Is it one of their own?
-NEGATIVE.
646
00:42:55,877 --> 00:42:58,924
AND THAT'S THE STRANGE THING
ABOUT IT, STEVE.
647
00:42:58,967 --> 00:43:01,579
IT'S CLEM BROWN'S
TV REPAIR TRUCK.
648
00:43:01,622 --> 00:43:03,276
CLEM BROWN?
649
00:43:03,319 --> 00:43:05,234
CHIN, STAY WITH HIM.
DON'T LOSE HIM.
650
00:43:50,018 --> 00:43:52,847
[ ENGINE TURNS OVER ]
651
00:44:02,509 --> 00:44:03,728
GET McGARRETT.
652
00:44:03,771 --> 00:44:06,339
He's moving out, Steve.
653
00:44:06,382 --> 00:44:07,993
WHICH DIRECTION?
654
00:44:08,036 --> 00:44:10,909
HE MADE A RIGHT TURN ON MAKALOA,
THEN OVER ON PIIKOI.
655
00:44:10,952 --> 00:44:12,911
I'M GOING TO SWITCH YOU OVER
TO CENTRAL.
656
00:44:12,954 --> 00:44:17,002
GIVE THEM THE DESCRIPTION
AND PUT OUT A RED ALERT PICKUP.
657
00:44:17,045 --> 00:44:18,612
THANK YOU.
ONE MOMENT, PLEASE.
658
00:44:18,656 --> 00:44:21,920
[ TIRES SCREECH ]
659
00:44:21,963 --> 00:44:25,967
[ SIRENS WAILING ]
660
00:44:37,065 --> 00:44:40,678
[ SIRENS WAILING ]
661
00:44:49,817 --> 00:44:52,777
[ SIRENS WAILING ]
662
00:45:00,959 --> 00:45:04,179
[ SIRENS WAILING ]
663
00:45:11,709 --> 00:45:14,059
[ HORN HONKS ]
664
00:45:36,951 --> 00:45:39,737
[ SIRENS WAILING ]
665
00:46:15,250 --> 00:46:19,385
OKAY, OPEN UP THE TRUCK.
666
00:46:41,581 --> 00:46:42,974
LET'S GO.
667
00:47:04,560 --> 00:47:06,475
COME ON!
668
00:47:37,593 --> 00:47:40,988
USING CLEM AND HIS TRUCK
WAS A SMART DIVERSION, CHARLIE.
669
00:47:41,032 --> 00:47:44,209
BUT THERE WAS A HOLE
IN YOUR PLAN.
670
00:47:46,080 --> 00:47:49,040
TWO FIRST-CLASS
ONE WAY TO SINGAPORE
671
00:47:49,083 --> 00:47:50,345
AND NAME MRS. SOAMES.
672
00:47:50,389 --> 00:47:53,392
CONFIRM SEATS 4A, 4B.
673
00:47:53,435 --> 00:47:56,177
BOARDING IMMEDIATELY,
GATE 32.
674
00:47:56,221 --> 00:47:58,876
HAVE A GOOD TRIP. MAHALO.
675
00:48:04,882 --> 00:48:07,885
[ TIRES SQUEALING ]
676
00:48:22,464 --> 00:48:24,771
-MRS. SOAMES?
-YES?
677
00:48:24,814 --> 00:48:27,948
YOU'RE UNDER ARREST FOR
THE MURDER OF MARTIN MAURITANY.
678
00:48:27,992 --> 00:48:30,690
YOU'LL HAVE TO COME
WITH US, TOO, MR. MARTIN.
679
00:48:30,733 --> 00:48:31,952
ME, WHAT FOR?
680
00:48:31,996 --> 00:48:34,737
QUESTIONING ABOUT A CAR ACCIDENT
TWO YEARS AGO,
681
00:48:34,781 --> 00:48:37,610
THE ONE IN WHICH MRS. SOAMES'
HUSBAND WAS KILLED.
682
00:48:37,653 --> 00:48:41,005
LET'S GO.
WE'LL SEND YOUR BAGS HOME.
683
00:48:41,048 --> 00:48:43,181
WON'T WE NEED OUR CLOTHES?
684
00:48:43,224 --> 00:48:44,922
OH, YOU WON'T NEED MUCH.
685
00:48:44,965 --> 00:48:48,273
YOU'LL FIND THAT PRISON DENIM
WEARS LIKE IRON.
686
00:48:59,284 --> 00:49:02,983
[ "HAWAII FIVE-O" THEME PLAYS ]
687
00:49:03,033 --> 00:49:07,583
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