All language subtitles for Hawaii 5-O s03e12 Beautiful Screamer.eng

WATCH YOUR THROW.
IN THE COURT MORE.

OKAY.

COUPLE MORE MINUTES,
THEN YOU CAN JOIN THE PARTY.

AS LONG AS I MAKE IT
IN TIME FOR THE CHAMPAGNE.

...WHAT GIVES
MOST PEOPLE THE SHAKES.

WE'LL REHEARSE THAT LATER.
WE'RE AT THE ALTER NOW.

YOU ANSWER
THE MINISTER'S QUESTION.

"DO YOU TAKE THIS WOMAN?"
"I DO, I DO."

THEN THE RINGS.
YOU PUT IT ON HER FINGER.

"WITH THIS RING,
I THEE WED."

AND THEN HE'LL SAY,

"I NOW PRONOUNCE YOU
MAN AND WIFE."

NOW COMES THE MOMENT
THAT NEEDS NO REHEARSAL.

YOU LOOK AT HER.
SHE LOOKS TENDERLY BACK AT YOU.

ALL THE INVITED GUESTS
HOLD THEIR BREATH.

THE LADIES SIGH,

AND THEN YOU KISS, SEE?

VERY GOOD.

NO CHANCE, MARK.
THESE ARE RESERVED.

NEVER TRUST ANYONE OVER 15.

OH.

WHY DON'T YOU GUYS
RELAX FOR A MOMENT?

HAVE SOME CHAMPAGNE,
AND WE'LL DO IT AGAIN,

REHEARSE AGAIN IN JUST A MINUTE,
OKAY?

WHAT I REALLY LIKE
ABOUT YOUR FRIENDS, JANE,

IS THAT THEY SERVE
IMPORTED CHAMPAGNE.

NO, WHAT I REALLY LIKE
ABOUT THEM IS -- IS YOU.

IS THIS REHEARSAL DEGENERATING
INTO AN ORGY ALREADY?

DOWN, WALTER.

SALLY, CAN'T YOU
CONTROL YOUR HUSBAND?

I'M WOUNDED.

KNOWING YOU, WALTER,
YOU'LL GET OVER IT.

I NEED A REFILL.
HOLD THE FORT, SALLY.

TIME'S UP.

LET ME HIT A FEW MORE. I WAS
JUST GETTING THE FEEL OF IT.

YOU'LL MISS YOUR CHAMPAGNE.

NO, I WON'T.
SEE YOU THURSDAY.

RIGHT.

LET'S DO THE REHEARSAL
ONE MORE TIME.

LET'S REALLY MAKE THIS
A GOOD ONE BECAUSE IF WE DO,

THIS WILL BE OUR LAST TIME.

LINDA.

WALTER.

HOW'S REHEARSAL?

SWINGING,
BUT WE ALL MISS YOU.

[ Muffled ] UH!

I'M SORRY, LINDA.
I LIKE YOU, BUT I HAVE TO.

[ WAGNER'S "BRIDAL CHORUS"
PLAYS ]

AND OF COURSE HE WILL SAY, "I
NOW PRONOUNCE YOU MAN AND WIFE."

AND THEN YOU WILL KISS...
LIKE THAT.

GOOD!

HEY [CLAPS HANDS]
SEE HOW EASY THAT WAS?

NO PROBLEM AT ALL.

AND YOU GO THE SAME WAY,
AND YOU'VE GOT IT MADE.

YOU TWO ARE VETERANS NOW.

HERE WE ARE.

CAREFUL, NOW.
I HAD TO FIGHT FOR THESE.

-WELL, HERE'S TO --
-FIGHTING.

I'LL NEVER -- HERE'S TO LOVE.

[ "HAWAII FIVE-O" THEME PLAYS ]

[ SIREN WAILS ]

YOU GOT HERE
IN A HURRY.

CALL CAME THROUGH
WITH A LOT OF HEAT ON IT.

DO YOU KNOW HER?

YEAH. LINDA MARSH.
NICE GIRL.

TIME OF DEATH?

WE GOT LUCKY THERE.

SHE FINISHED A TENNIS LESSON

AT EXACTLY 3:00 P.M.
WITH THE CLUB PRO.

THOSE OTHER TWO HAD
THE COURT RESERVED FOR 3:30,

GOT HERE EARLY,

AND FOUND HER
AT EXACTLY 3:17.

17 MINUTES.

CAUSE OF DEATH BEEN
ESTABLISHED YET, DOC?

ON A PRELIMINARY BASIS,
STRANGULATION.

THE KILLER WORE GLOVES,
PROBABLY PLASTIC.

SHE MUST HAVE STRUGGLED.

WE FOUND A PIECE OF PLASTIC
UNDER ONE OF HER NAILS.

NO PRINTS, AND ON THIS
ARTIFICIAL TURF, NO TRACKS.

THAT'S NEAT.

THERE'S ONE OTHER THING.

"IN EVERY DEATH
A TEAR CAN CLAIM

EXCEPT THE SINNING
SISTERS' SHAME."

THAT LOOKED LIKE
"SISTERS," PLURAL.

COULD BE A PATTERN KILLING.

"EVERY DEATH
A TEAR CAN CLAIM."

A QUOTE FROM SOMETHING?

YEAH. I'LL CHECK IT OUT,
DANNO.

YOU STAY HERE IN MAKAHA, DANNO.
YOU KNOW THE PEOPLE.

I'LL GET WITH CHE IN THE LAB,
SEE WHAT WE CAN COME UP WITH.

OKAY, YOU CAN
TAKE HER HOME.

MR. GREGSON,
CAN YOU SAY SPECIFICALLY

WHERE YOU WERE
DURING THE PAST HOUR?

RIGHT HERE ALL THE TIME
WITH EVERYBODY.

WE WERE DRINKING
CHAMPAGNE.

OKAY. YOU CAN GO.

JANE.

I'M SORRY.

OH, IT'S UNBELIEVABLE.

IT'S HORRIBLE.
DAN, WAS SHE --

NO. SHE WASN'T
ASSAULTED SEXUALLY.

AS FAR AS
THE PRELIMINARY REPORT SHOWS,

IT HAPPENED VERY QUICKLY.

HOW CAN YOU BE SO DETACHED?

LOOK, I KNEW LINDA,
AND I LIKED LINDA.

IT'S MY JOB TO FIND OUT
WHO KILLED HER.

I'M SORRY, DARLING.

NOW, LOOK, YOU CAN HELP.

I WANT TO KNOW ABOUT
LINDA'S FRIENDS, ENEMIES,

LOVE AFFAIRS, EVERYTHING.

THERE'S NO PARTICULAR MAN,
NOT RIGHT NOW.

LOTS OF PARTIES
AND LOTS OF BOYFRIENDS,

BUT IT'S ALL VERY CASUAL.

WHAT ABOUT HER PARENTS?

WELL, THEY'RE
ON THE MAINLAND.

HER FATHER'S ENGLISH,

AND HER MOTHER'S
FROM BOSTON.

THEY'VE BEEN DIVORCED
FOR YEARS.

LINDA WAS ANOTHER
ONE OF US --

ORPHANS BY ARRANGEMENT.

ANYWAY, HER FATHER
GAVE HER AN ALLOWANCE

TO STAY HERE, I THINK.

SO SHE COULD HAVE BEEN
INVOLVED WITH SOMEBODY?

IT'S POSSIBLE,
BUT, DAN, I KNEW LINDA.

THERE WASN'T
ANYBODY SERIOUS.

THERE JUST WASN'T
ANY REASON TO KILL HER.

SHE'S DEAD. SHE WAS MURDERED.

SOMEBODY HAD A REASON.

"IN EVERY DEATH
A TEAR CAN CLAIM

EXCEPT THE SINNING
SISTERS' SHAME."

I'VE IDENTIFIED THE QUOTE.

IT'S BY LORD BYRON
FROM A POEM CALLED "THE GIAOUR."

IT'S A TURKISH WORD
MEANING "CHRISTIAN SLAVE."

IT'S ABOUT A SLAVE GIRL
WHO'S UNFAITHFUL,

SO HER OWNER KILLS HER.

WHAT STILL WORRIES ME
IS THIS -- "SISTERS."

MEANS MORE THAN ONE.

WHAT ABOUT THE HANDWRITING?

WE'RE STILL GETTING SAMPLES --
MORE THAN 50 SO FAR.

TAKES A WHILE
TO RUN THEM ALL THROUGH.

CHE FONG SAYS IT'S DIFFICULT

TO MAKE IDENTIFICATION
ON THIS WRITING

BECAUSE IT'S LIPSTICK ON SKIN.

FIGURES.

ALL RIGHT.
WHAT DO WE GOT SO FAR?

WE'RE CHECKING
THE CLUB STAFF

AND THE GROUNDSKEEPERS
AND POSSIBLE STRANGERS.

THERE'S 137 PEOPLE.

I'M CROSS-CHECKING
THEIR STORIES.

WE'LL BOIL IT DOWN.

KNOWING THE PRECISE TIME HELPS.
WE KNOW WHEN AND WHERE.

THAT LEAVES WHO AND WHY. WHY?

[ TELEPHONE BUZZES ]

YEAH, JENNY?

OH, YEAH? YEAH.

A YOUNG LADY TO SEE YOU, DANNO,
A MISS JANE MICHAELS.

I FORGOT.

A WEEK-OLD LUNCH DATE,
SOME CHARITY.

I'LL BE RIGHT BACK, STEVE.
I'LL BREAK IT.

HONEY, FORGIVE ME.

OH, DAN, YOU IDIOT.
OF COURSE YOU CAN'T COME.

THAT'S WHY I'M HERE.

I DON'T FEEL LIKE GOING,
EITHER,

BUT I'M PART
OF THE FUND-RAISING COMMITTEE.

DARLING, ARE YOU
GETTING ANYWHERE?

IT'S MOSTLY HARD WORK --
DETAILS, ROUTINE.

WE'RE WORKING AWAY AT IT.

I KNOW, I KNOW.

IT'S JUST THAT IT HAUNTS ME.

DARLING, TAKE ME
TO DINNER TONIGHT. CAN YOU?

I JUST VOLUNTEERED.

I'LL PICK YOU UP AT 8:00.

THANK YOU FOR THAT.

I LOVE YOU.

ALL RIGHT, I HAVE $600.

$600.

NOW, WHO'LL GO $650?

LET ME SEE A HAND FOR SOMEONE
WHO'LL GIVE US $650.

COME ON, NOW, WHO WILL BE
THE FIRST ONE TO OWN --

GOOD. $650 I HAVE.
THANK YOU.

ALL RIGHT, NOW WHO WILL GO $700?

LET ME SEE THE HAND OF SOMEONE
WHO'LL GIVE $700.

DO I SEE ANYONE
WHO'LL GIVE $700?

SALLY? HERE'S A SEAT.

...FOR THIS
ABSOLUTELY BEAUTIFUL PAINTING?

UH, LADIES AND GENTLEMEN,
DO I DETECT

SOME RELUCTANCE ON YOUR PART?

WALTER, PLEASE.

WELL, I'M SORRY.

I KNOW WE'RE ALL ON EDGE.

IT'S NOT JUST LINDA'S DEATH.

THAT WAS AND IS
HORRIBLE ENOUGH,

BUT EVERY TIME
WE'RE IN PUBLIC,

YOU PUT ON A SHOW --

KISSING ME, TOUCHING ME --

A MOST DEVOTED HUSBAND.

FROM NOW ON, DON'T BOTHER...
NOT ANYMORE.

I'M SORRY.

THEY SAY YOU CAN TELL
A GOOD MARRIAGE

WHEN TWO PEOPLE
AREN'T AFRAID TO FIGHT.

WELL, IN THAT CASE,

I GUESS WE BOTH
DESERVE A MEDAL.

$650 ONCE...

$650 TWICE...

SOLD TO MARTHA JORDAN

FOR 650 DEDUCTIBLE DOLLARS.

THANK YOU.

I'LL TAKE IT, MARTHA.

WHAT'S THE LATEST TALLY NOW,
JANE?

I MAKE IT $8,200 -- NO, $8,850.

OH, GOOD. THANK YOU.

NOW, HERE'S A WATERCOLOR,

AND THIS IS DONE BY A NEW,
LOCAL, BRILLIANT ARTIST

NAMED PETE KING.

AND HERE'S YOUR OPPORTUNITY

TO GET IN ON THE GROUND FLOOR
OF A MAJOR TALENT.

NOW, WHAT DO I HEAR?

$50.

OH, I DIDN'T EVEN HEAR THAT.

[ LAUGHTER ]

$200.

OH, I HEARD THAT! $200.

ALL RIGHT, NOW WHO WILL GO $250?

TOUCHING GESTURE, DARLING.

BUT, AFTER ALL,
IT IS A GOOD CAUSE.

$300!

OH-HO!

GREGSON VS. GREGSON BACK THERE.

AND I HAVE $300.

NOW WHAT DO I HEAR?

ON BEHALF OF BOTH OF US, $500.

SOLD!

[ APPLAUSE ]

HAND IT OVER, WALTER.

OH, LOOK. LOOK AT THESE.
COME RIGHT UP HERE.

I'LL RUN UP A NEW TOTAL
AND GET ALL THIS IN THE SAFE.

OH, THANK YOU VERY MUCH, JANE.

ALL RIGHT, NOW HERE WE GO.

WHAT DO I HEAR?

SALLY...

I'M SORRY I INTRUDED.

OH, YOU COULDN'T HELP IT.

THE SECRET HAD TO BE OUT
SOONER OR LATER.

OUR TROUBLES -- IT HAPPENS.

[ GASPS ]

JANE, I MADE A STUPID MISTAKE.
I DIDN'T SIGN MY CHECK.

OH. LET'S SEE...

VERY TRUE.

A FREUDIAN SLIP --
RELUCTANCE TO UNBELT.

HA HA.

HERE YOU ARE.

THANK YOU.

JANE, I'M, UH...

I'M SORRY ABOUT
WHAT YOU HEARD

BETWEEN SAL AND ME.

I'M SORRY, TOO.

I WON'T TALK ABOUT IT.

I KNOW YOU WON'T.

[ MUFFLED SCREAMS ]

I'M SORRY.

WHAT DO I HEAR?

LOOK AT THESE -- WHAT BEAUTIFUL
EXAMPLES THEY ARE.

ABSOLUTELY SUPERBLY DONE.

I'M SORRY.

I'M VERY SORRY.

YEAH?
WELL, I NEED IT URGENTLY.

CAN YOU GET IT UP HERE, PLEASE?
YEAH, RIGHT AWAY.

IF YOU DON'T MIND.

NO.

I CAN'T TALK TO YOU NOW.
I'LL GET BACK TO YOU. RIGHT.

[ SOBBING ]

WHAT CAN YOU SAY
AT A MOMENT LIKE THIS, DANNO?

I REMEMBER WHEN
MY SISTER'S BABY DIED,

YOU TRIED TO COMFORT ME,

BUT WORDS SEEM SO INADEQUATE
AT TIMES LIKE THIS.

IF THERE'S ANYTHING
I CAN DO --

ANYTHING, MY FRIEND --
LET ME KNOW.

THANKS.

I WANT YOU TO TAKE IT
EASY NOW, UNWIND.

TAKE A COUPLE OF DAYS OFF.

I'M OKAY.

SURE, YOU ARE.

STEVE, YOU'RE NOT PUTTING ME
ON THE BEACH?

WE'LL TALK ABOUT IT
TOMORROW, DANNO.

LET'S TALK ABOUT IT NOW.

I'VE GOT TO WORK
ON THIS CASE.

TOMORROW, DANNO.

TOMORROW.

"SHE WAS A FORM
OF LIFE AND LIGHT

THAT, SEEN,
ENTERS INTO NIGHT."

IT'S FROM THE SAME POEM.

BY BYRON. YES.
CHANGED AROUND A LITTLE.

MAKES EVEN LESS SENSE.

JANE -- ONE OF
THE SINNING SISTERS.

HA HA.

I THOUGHT I TOLD YOU
TO TAKE IT EASY

AND STAY AT HOME.

AND DO WHAT,

STARE AT THE WALL,
LISTEN TO THE CLOCK TICK?

I'VE GOT TO BE IN
ON THIS CASE!

DANNO...

PLEASE.

IF I DON'T WORK ON IT,
IT'S GOING TO WORK ON ME.

ALL RIGHT, DANNO.

HOW ABOUT THE CROSS-CHECK
OF ALIBIS?

WELL, WE HAVE
ELIMINATED A LOT --

THE CLUB STAFF
AND MOST OF THE GUESTS.

WE'RE DOWN TO TWO DOZEN.

MOST OF THEM WERE
AT THE WEDDING REHEARSAL.

I'M CHECKING OUT
THOSE PICTURES

THE DAVIS KID TOOK.
CHE FONG IS DEVELOPING THEM.

I WANT TO SEE THEM
AS SOON AS YOU GET THEM.

WHAT ABOUT
THE MEDICAL REPORT?

SAME AS THE MARSH GIRL --
STRANGULATION.

GLOVES?

POSSIBLE.

NO NEW SPECIFIC EVIDENCE
THIS TIME.

CHE FONG IDENTIFIED
THAT PLASTIC SCRAP.

HEAVY-DUTY GLOVE USED
IN HANDLING HOT LIQUIDS,

THAT SORT OF THING.

TURNS OUT THEY KEEP
A SUPPLY ON HAND

AT THE CLUB, DANNO,
IN THE KITCHEN.

WE'VE CHECKED EVERYONE
WHO HAD ACCESS,

WHO COULD'VE SWIPED A PAIR.

HAS ANYONE THOUGHT
ABOUT A CONNECTION

BETWEEN THE CHARITY
HAWAII JUNIOR BLIND?

BOTH LINDA AND JANE
WORKED THERE.

ARE YOU SAYING
THEY BOTH KNEW THE KILLER?

JANE DID.

SHE WAS VERY CONSCIENTIOUS.

SHE WAS HANDLING MONEY --

AS IT TURNS OUT,
A LOT OF MONEY.

SHE WOULDN'T HAVE LET
SOMEBODY SHE DIDN'T KNOW

INTO THAT ROOM.

SHE KNEW JUST ABOUT EVERYBODY
WHO'S STILL ON THIS LIST.

STEVE?

I THINK YOU'RE ON
THE RIGHT TRACK, DANNO.

CONCENTRATE ON THE FRIENDS.

WHAT DO THEY MEAN,
LATE DELIVERY?

YOU TELL THEM THAT TUBING
GETS HERE TOMORROW OR WE CANCEL.

WE'RE RUNNING A TIGHT MARGIN
ON THIS JOB.

NOW YOU WERE SAYING?

I WANT A DIVORCE.

IT'S NOT WORKING -- US --
AND IT'S NOT GOING TO WORK.

YES, IT CAN,
AND IT'S GOT TO.

OH, WALTER, WE'VE BOTH
KNOWN IT FOR A LONG WHILE,

AND THESE TWO
HIDEOUS MURDERS --

FIRST LINDA, THEN JANE --

THEY'VE MADE EVERYTHING URGENT.

THEY'RE DEAD, AND I WANT
TO MAKE MY LIFE RIGHT.

MY LIFE'S IMPORTANT.

FACE IT, WALTER.

WE DON'T WANT
THE SAME KINDOF LIFE.

HOW THE HELL WOULD YOU KNOW
WHAT I WANT --

A RICH CHILD,
RICH GIRL, RICH WOMAN?

EVERYTHING'S BEEN
GIVEN TO YOU!

GREGSON CONSTRUCTION
HAS BEEN BUILT WITH THESE

AND NOTHING ELSE.

I CAN'T HELP BEING RICH.

AND I KNOW WHAT
YOU'VE ACCOMPLISHED,

BUT THE COST --
NO TIME FOR ME,

NO TIME FOR A FAMILY,

NO TIME FOR ANYTHING.

OH, WE'VE BEEN THROUGH IT ALL
TOO MANY TIMES.

I WON'T BE HOME
TILL AFTER 6:00.

I HAVE MY WEEKLY OUTING

WITH THE JUNIOR BLIND KIDS
THIS AFTERNOON.

I WANT YOU OUT OF THE HOUSE,

PACKED AND GONE,
BEFORE I GET BACK.

[ ENGINE TURNS OVER ]

NO, I'M SORRY.

OF COURSE I KNEW LINDA AND JANE
VERY WELL.

THEY DID A LOT
FOR OUR JUNIOR BLIND,

BUT I'VE NEVER
HEARD OF THIS POEM.

WOULD YOU KNOW OF ANY OTHER
CONNECTION

BETWEEN MISS MARSH
AND MISS MICHAELS?

THEY WERE BOTH FINE, WARM GIRLS.

JANE EVEN ARRANGED FOR SOME
PAINTINGS WE AUCTIONED,

GOT THEM FOR US FREE.

DO YOU HAVE THE NAMES OF THE
PAINTERS SHE BROUGHT YOU?

YES, RIGHT HERE.

THERE WERE ONLY A FEW.

MAY I USE YOUR PHONE?

OF COURSE.

CHIN? DANNO. I'D LIKE YOU
TO RECHECK A NAME.

HE'S ALREADY ON THE LIST,
WORKS IN THE CLUB KITCHEN.

PETE KING.

GOING OVER THE CHECKS
MISS MICHAELS WROTE

THE LAST FEW MONTHS,
I CAME ACROSS THESE.

WHY WOULD JANE GIVE MONEY --
THIS MUCH --

TO A KID WHO WORKS
IN THE KITCHEN?

A FRIEND, MAYBE.

IT DOESN'T MAKE SENSE.

DANNY?

WHERE IS MR. PETE KING?

AT HIS APARTMENT.
KONO'S WITH HIM.

AS SOON AS THESE TURNED UP,
I HAD KONO RUN HIM DOWN.

LET'S GO.

$100 A MONTH.
WHY? FOR WHAT?

THAT'S MY BUSINESS.

BE SENSIBLE, PETE.

THIS IS A MURDER
INVESTIGATION.

WHY DID MISS MICHAELS
GIVE YOU $300?

I'M STILL IN SCHOOL,
DOING IT THE HARD WAY.

MORE IMPORTANT, I'M AN ARTIST.
I PAINT.

YEAH, AND GOOD, TOO.

YOU HAD SOME PAINTINGS AT
THE CHARITY AUCTION, RIGHT?

JANE TALKED ME INTO THAT.

FOR HER, SURE.
I GAVE THEM TO HER. FREE.

WHY?

WHY NOT?

SHE WAS HELPING ME.
IT WAS THE LEAST I COULD DO.

HELPING YOU AT $100 A MONTH,

BUT NOTHING THIS MONTH,
HUH? WHY?

SHE HADN'T GOTTEN
AROUND TO IT YET.

MAYBE SHE CUT YOU OFF.
YOU DIDN'T LIKE THAT, DID YOU?

YOU WORKED IN THE KITCHEN.
WHAT DID YOU DO?

-WHAT DO YOU DO?
-WASH DISHES.

YOUR HANDS DON'T SHOW THAT.

WEAR GLOVES?

SURE.

PLASTIC KITCHEN GLOVES.

YOU KNOW THAT CLUB --

ALL THE BACK WAYS, THE CORNERS.
NOBODY WOULD HAVE SEEN YOU.

SEEN ME WHAT?

GO TO THE TENNIS COURTS

OR SNEAK
TO THE ACCOUNTING OFFICE.

YOU'VE FLIPPED. WHO IS THIS GUY?
WHAT'S WITH HIM?

DANNY.

THERE'S SOME
EVIDENCE, SURE,

BUT MOSTLY CIRCUMSTANTIAL,

AND YOU'RE HEADING
TOWARDS MURDER ONE.

HE SHOULD HAVE
HIS CONSTITUTIONAL FIRST.

WE SHOULD ALSO HAVE
A POSSIBLE ALIBI.

DID JANE DECIDE
TO CUT YOU OFF?

NO MORE MONEY?
HMM? DID SHE?

NO, AND IF SHE DID, IT'S OKAY.

I LIKED HER.
WE HAD A GOOD RELATIONSHIP.

WHAT DO YOU MEAN "GOOD"?

NOT LIKE THAT.

DON'T TRY TO MAKE IT DIRTY.

DANNY.

MAN, SHE'S DEAD.
MAYBE YOU DON'T CARE,

BUT DON'T SMEAR MUD ON HER.

[ SCREAMING ]

PETE KING'S INNOCENT.

HOW DO YOU KNOW?

HE HAS A ROCK-BOUND ALIBI.

THE CHEF AND TWO WAITERS
BACK HIM UP.

FROM 3:00 TO 3:30,
HE WAS IN THE CHEF'S OFFICE,

GETTING CHEWED OUT
FOR SKETCHING

WHILE HE WAS SUPPOSED
TO BE WORKING.

I DON'T WANT
YOUR RESIGNATION, DANNO.

STEVE, I ALMOST
KILLED THAT KID.

YEAH, BUT YOU DON'T
GET TO RESIGN.

LOOK, YOU'VE GOT A LOT
OF VACATION TIME COMING.

WHY DON'T YOU TAKE IT NOW?

DANNO.

IF PETE KING WANTS
TO FILE CHARGES,

I'LL DO WHAT I CAN.

WHAT I REALLY
LIKE ABOUT YOUR FRIENDS, JANE,

IS THAT THEY SERVE
IMPORTED CHAMPAGNE.

NO, WHAT I REALLY LIKE
ABOUT THEM IS -- IS YOU.

[ KNOCK ON DOOR ]

I JUST WANT TO TALK.

YOUR ATTORNEY
SHOULD BE PRESENT.

MAN, YOU DON'T GET IT.
I WANT TO APOLOGIZE.

I DIDN'T KNOW ABOUT
YOU AND JANE.

I LIKED HER.
SHE WAS NICE PEOPLE.

I'M TERRIBLY SORRY SHE'S DEAD.

I'M JUST AS SORRY
FOR THE WAY I HURT YOU.

THAT'S ALL.

PETE.

FUNNY THING.
JANE NEVER MENTIONED YOU.

WHAT'S TO MENTION?
SHE GAVE ME A HAND.

SHE SAW ME SKETCHING
ONE DAY AT THE CLUB.

SHE SAID SHE'D BEEN LUCKY,
HAVING ALL SHE WANTED.

SHE WAS JUST PASSING IT ON.

WHY ME? I DON'T KNOW.

LIKE I CAN'T FIGURE
WHY SHE GOT KILLED.

NEITHER CAN I.

SAME AS THE OTHER GIRL --

THE ONE WHO WAS KILLED
EARLIER -- LINDA MARSH.

DID JANE TALK ABOUT
LINDA WITH YOU?

ONCE. THE DAY AFTER
LINDA WAS KILLED...

WHEN THERE WERE
ALL THOSE HEADLINES

ABOUT THE POETRY, REMEMBER?
"THE GIAOUR."

YOU KNOW THE POEM?

JANE QUOTED IT TO ME,

AND SHE SAID SOMETHING
ABOUT THE POEM --

THAT MISS HAWTHORNE
WOULD BE VERY UPSET.

WHO'S MISS HAWTHORNE?

I DON'T KNOW.
STRICTLY A NAME.

WHY DIDN'T YOU TELL THE POLICE
WHEN THEY QUESTIONED YOU?

IT JUST DIDN'T SEEM IMPORTANT.
YOU THINK IT MEANS ANYTHING?

I DON'T KNOW,
BUT I'M GOING TO FIND OUT.

IT'S SORT OF A FINISHING SCHOOL
RUN BY THIS MISS HAWTHORNE --

WEARS PINCE-NEZ GLASSES,

WATCH IS TIED TO A RIBBON --

RIGHT OUT
OF THE VICTORIAN AGE.

YOU KNOW THE TYPE?

HATES TV AND DOESN'T
READ NEWSPAPERS, RIGHT?

WHICH IS WHY
SHE DIDN'T CONTACT US.

SHE DIDN'T EVEN KNOW THAT TWO
OF HER STUDENTS HAD BEEN KILLED,

BUT SHE PUT IT
ALL TOGETHER FOR US.

WITH THE POEM?

LOVES "THE GIAOUR."
SHE STILL READS BYRON

TO HER STUDENTS
FOR ELOCUTION.

A FEW YEARS BACK, THERE WERE
A GROUP OF FIVE GIRLS,

JANE AND LINDA INCLUDED.

NEGLECTED BY RICH PARENTS,

THEY CALLED THEMSELVES
"THE ORPHANS."

"THE GIAOUR" --
HOW DOES THAT FIT?

IT'S THEIR POEM.
WHATEVER IT MEANT TO THEM,

THEY ADOPTED IT
AS THEIR THEME SORT OF.

FIVE GIRLS...
NOW TWO OF THEM ARE DEAD.

WHAT ARE THE NAMES
OF THE OTHER THREE?

MARTHA GARRISON...

MARJORIE BASKIN...

MARTHA GARRISON,
MARJORIE BASKIN.

YEAH. THEY WERE BOTH
AT THE WEDDING REHEARSAL

AND AT THE ART AUCTION.

SALLY CLARK.

I DON'T HAVE SALLY CLARK.

SALLY CLARK GREGSON.
SHE GOT MARRIED.

YEAH, I HAVE HER.

OKAY, THAT GIVES US
THE CONNECTION.

IT ALSO GIVES US
SOME PROBLEMS.

KONO, I WANT
A 24-HOUR SURVEILLANCE

ON THOSE THREE GIRLS,
STARTING RIGHT NOW.

GET GOING.

RIGHT.

SORRY TO INTERRUPT,
BUT I MAY HAVE SOMETHING, STEVE.

REMEMBER MARK DAVIS,
BOY PHOTOGRAPHER?

WE SENT YOU HIS FILM.

YEAH. I JUST DEVELOPED IT.

HE NOT ONLY TOOK PICTURES
OF THE REHEARSAL,

HE RECORDED THE TIMES
ON EACH ROLL --

KIND OF KEEPING A WORK SCHEDULE
FOR HIMSELF, I GUESS.

WELL, HERE'S GARRETT CHIN.

HE JUST GOT HIMSELF AN ALIBI.

BRAD SPENCER.

RIGHT IN THE MIDDLE
OF 3:10.

THAT'S, UH...

SALLY GREGSON, RIGHT?

YEAH, THAT'S SALLY.

OKAY. WHERE'S HER HUSBAND?

RIGHT HERE.

BUT HE'S NOT HERE.

HE IS HERE,

WHICH MEANS HE WAS GONE
FOR AT LEAST 14 MINUTES.

YEAH.

WALTER.

GET SOMEONE OUT
TO THE BENSON JOB NOW.

FAST. IT'S A RUSH.

OKAY.

UM, TELL THE BOYS
I DON'T WANT TO BE DISTURBED.

I'LL BE LAYING OUT
THE SPECS IN HERE.

THEY'VE ALL HAD LUNCH,

SO YOU CAN KEEP THEM OUT
TILL DINNER.

FINE. I PROMISED THEM
LAST THURSDAY

THEY'D GET A REAL
EXPEDITION TODAY.

I'M SURE YOU WILL.

LET'S GO, SALLY.

OKAY. WE'RE ON OUR WAY.

DO YOU HAVE
YOUR SCHEDULE, SALLY?

SO DOES MY PERSONAL WATCHDOG.

DON'T WORRY.
WE'LL BE FINE.

I WON'T.
HAVE A GOOD TIME.

BYE.

GOODBYE, MISS COSTELLO.

BYE, HONEY.

BYE-BYE.

GOODBYE, CHILDREN.

A SUBPOENA'S NOT NECESSARY,
MR. McGARRETT.

I TAKE YOUR WORD
FOR THE URGENCY OF THE MATTER.

I KNEW ONE OF
THE YOUNG LADIES SLIGHTLY --

LINDA MARSH.

SHE ALSO BANKED WITH US.

AS FOR WALTER GREGSON,

I WOULD SAY HIS WORTH

IS APPROXIMATELY
ONE AND A HALF MILLION DOLLARS.

AGAINST WHICH HE HAS LOANS --

WITH US AND OTHER
INSTITUTIONS --

TOTALING SOME $2 MILLION.

$2 MILLION?

I'D SAY YOU'VE BEEN
VERY HELPFUL TO MR. GREGSON.

HE DID PUT UP ADDITIONAL
COLLATERAL -- STOCK.

I UNDERSTAND IT CAME FROM
MRS. GREGSON'S INHERITANCE.

FRANKLY,
IF MRS. GREGSON WERE NOT

SUCH A VERY WEALTHY WOMAN
IN HER OWN RIGHT,

WE WOULD NEVER
HAVE MADE THE LOANS.

WALTER IS AMBITIOUS,

AND I FEEL THAT HE MAY HAVE
EXTENDED HIMSELF TOO FAR.

WELL, THANK YOU,
MR. BREWSTER.

THANK YOU.
YOU'VE BEEN VERY HELPFUL.

GENTLEMEN.

THANK YOU.

SO MR. GREGSON
IS BADLY OVEREXTENDED,

AND IT'S ONLY
MRS. GREGSON'S MONEY

THAT'S KEEPING HIM
FROM SINKING.

AND IF SHE DIES...

HE INHERITS.
HE'S A RICH MAN.

YEAH, BUT WHY KILL
THE OTHER TWO GIRLS?

SO HE CAN GET THE MONEY
FROM HIS WIFE.

HE'D BE AN INSTANT SUSPECT

IF SALLY WAS
THE ONLY ONE KILLED...

SO HE INVENTS A MANIAC
TO THROW EVERYBODY OFF.

WHICH MEANS HE MURDERED JANE...

JUST AS A COVER...

JUST AS PART OF A PLOT.
OH, GOD!

MR. GREGSON AROUND?

INSIDE, BUT HE DON'T
WANT TO BE BOTHERED.

HE'LL HAVE TO
PUT UP WITH IT.

HE LEFT STRICT ORDERS.
HE DON'T WANT TO BE DISTURBED.

YEAH?

HE HAS TO BE IN THERE.
HE LOCKED THE DOOR,

AND I'VE BEEN RIGHT OUT HERE
ALL THE TIME.

GREGSON!

OPEN IT.

LOCKED FROM THE INSIDE.

WHAT DO YOU GOT, CHE?

I HAVE AN INTERESTING
HANDWRITING COMPARISON

FROM A BUSINESS MEMO
OF WALTER GREGSON.

SIMILARITY IN THE S's.

AS I TOLD YOU,

IT'S VERY DIFFICULT
TO COMPARE INK ON PAPER

WITH LIPSTICK ON SKIN.

WHAT ARE THE ODDS, CHE?

MM, I'D SAY...
BETTER THAN AN EVEN BET.

SAME MAN WROTE BOTH WORDS.

WHERE'D HE GO?

TO KILL SOMEBODY.

JEFFREY,
HOLD UP YOUR HAND.

THERE WE GO.

THAT'S IT.

BLAKE.

ALL RIGHT,
I'LL BE JUST A SECOND.

I HOPE YOU LIKE CHOCOLATE.

LOVE IT. THANKS.

NEXT STOP, HANAUMA BAY.

RIGHT.

MISS COSTELLO,
McGARRETT, FIVE-O.

IS MRS. GREGSON THERE?

No. She just left
a few minutes ago.

WHERE WAS SHE HEADING?

I COULDN'T SAY,

BUT YOU ALREADY HAVE
HER SCHEDULE,

AND SO DOES
SERGEANT FUJIWARA.

THANK YOU.

THIS IS McGARRETT.
PRIORITY ONE.

PATCH ME THROUGH, PLEASE --
OPEN MIKE.

McGARRETT CALLING CAR SEVEN.

CAR SEVEN, COME IN, PLEASE.

Car seven, come in, please.

This is McGarrett.
Will you come in, please?

FUJI?

FUJI, WILL YOU
COME IN, PLEASE?

OKAY, KIDS, AS SOON
AS YOU'RE THROUGH

WITH YOUR ICE CREAMS,
WE'LL HAVE A SONG.

I'M FINISHED ALREADY.

[ LAUGHS ]

ABOUT 40 MINUTES AGO,

SHE BOUGHT THE KIDS
ICE CREAM CONES.

I GOT HER SCHEDULE
OUT OF FUJIWARA'S CAR,

BUT NO TELLING
WHERE SHE'S GOING.

YEAH, I'VE GOT A COPY.
IT LISTS PALI HIGHWAY,

DIAMOND HEAD,
AND HANAUMA BAY,

BUT WE DON'T KNOW
WHICH ORDER.

I'LL TAKE THE PALI.

Kono, you get out
to Hanauma Bay.

RIGHT.

? MERRILY, MERRILY,
MERRILY, MERRILY... ?

? GENTLY DOWN THE STREAM

? MERRILY, MERRILY,
MERRILY, MERRILY ?

? LIFE IS BUT A DREAM

? MERRILY, MERRILY,
MERRILY, MERRILY ?

CENTRAL DISPATCH, McGARRETT.

PATCH ME THROUGH
TO DANNY WILLIAMS

AND CHIN HO. OVER.

? MERRILY, MERRILY,
MERRILY, MERRILY ?

Go ahead, McGarrett.

Danno, Chin,

I'M TAKING THE PALI.
KONO'S CHECKING HANAUMA BAY.

Diamond Head is not covered.

I'LL TAKE
DIAMOND HEAD, STEVE.

DANNO, CHIN IS ON HIS WAY
TO DIAMOND HEAD.

I'M CLOSE TO HANAUMA BAY.
BE THERE IN A FEW MINUTES.

Get there fast. Kono should be
behind you to help.

OVER AND OUT.

? GENTLY DOWN THE STREAM

? MERRILY, MERRILY,
MERRILY, MERRILY ?

? LIFE IS BUT A DREAM

HERE WE ARE.

ALL RIGHT, GIRLS.

[ SIREN WAILS ]

AND MICHAEL.

ALL RIGHT, NOW WE'RE GOING
TO WALK VERY SLOWLY

STRAIGHT AHEAD.

BOYS, COME OVER THIS WAY.

THERE. THIS IS HANAUMA BAY.

IT SMELLS NEAR THE OCEAN.

IT IS.

AND WE'RE HIGH UP.
I CAN HEAR THE WIND.

VERY HIGH.
IT'S AN OLD VOLCANO.

WILL IT EXPLODE?

NO, HONEY.

AW.

[ LAUGHS ]

WHAT'S THE MATTER, SALLY?

NOTHING, HONEY.

HERE. COME UP HERE

AND PUT YOUR HANDS
ON THE WALL.

BE RIGHT BACK.

WHERE ARE YOU GOING?

JUST A LITTLE WAY
FOR A FEW MINUTES.

OVER HERE
WHERE WE CAN TALK.

[ SIREN WAILS ]

HOW DID YOU FIND ME?

TRUE LOVE FINDS A WAY.

OH, WALTER, COME ON.

NO, PLEASE.
ONLY A MINUTE.

IT'S VERY IMPORTANT.

WALTER, WHAT DO YOU WANT?

I'VE GOT TO GET BACK
TO THE KIDS.

THEY'LL BE ALL RIGHT.

EVERYTHING WILL BE
ALL RIGHT.

OH, NO.

I'M SORRY, SALLY.

LINDA, JANE,
YOUKILLED THEM!

I HAD TO.

AAH!

NOBODY CAN HEAR YOU,
DARLING.

WALTER, PLEASE. WALTER.

I'M SORRY, SALLY,

BUT YOU PUSHED ME
INTO A CORNER.

NOW BUILDING A SUCCESSFUL
BUSINESS TAKES MONEY.

I TOOK YOURS,

YOUR FAT LITTLE INHERITANCE
OF STOCKS,

THEN YOU HAD TO TALK
ABOUT SEPARATION, DIVORCE.

I CAN'T HAVE LAWYERS
LOOKING INTO YOUR ACCOUNT.

IF YOU'D ONLY
GONE ALONG WITH ME,

IT WOULD HAVE BEEN SO SIMPLE.

I'M SORRY.

[ SIREN WAILS ]

AAH!

AAH!

AAH!

KIDS, WHERE'S SALLY?

SHE WENT AWAY OVER THERE.

AAH! AAH!

[ SIREN WAILS ]

[ GUNSHOT ]

DANNO! DANNO!

[ SOBBING ]

YOU OKAY, DANNO?

JUST TIRED.

McGarrett calling Williams.

Danno, come in.

Danno, come in.

WILLIAMS.

Did you get Gregson?

GREGSON'S IN CUSTODY.

SALLY'S OKAY.

THE KIDS ARE FINE.

[ "HAWAII FIVE-O" THEME PLAYS ]

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