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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:09,792 --> 00:00:12,490 [ JAZZ MUSIC PLAYS ] 2 00:00:29,333 --> 00:00:32,423 ? THEY CALL IT STORMY MONDAY 3 00:00:32,467 --> 00:00:35,209 ? TUESDAY'S JUST AS BAD 4 00:00:39,256 --> 00:00:43,086 ? CALL IT STORMY MONDAY 5 00:00:43,130 --> 00:00:45,610 ? TUESDAY'S JUST AS BAD 6 00:00:49,484 --> 00:00:53,053 ? WEDNESDAY'S WORSE 7 00:00:53,096 --> 00:00:56,230 ? THURSDAY'S OH, SO SAD 8 00:01:00,669 --> 00:01:02,323 IF I'D HAVE KNOWN SHE WAS GOING TO SING, 9 00:01:02,366 --> 00:01:04,281 I COULD HAVE SOLD TICKETS. 10 00:01:04,325 --> 00:01:06,675 ? SATURDAY I GO OUT TO PLAY 11 00:01:09,460 --> 00:01:13,116 ? EAGLE FLIES ON FRIDAY 12 00:01:13,160 --> 00:01:16,728 ? SATURDAY I GO OUT TO PLAY 13 00:01:20,341 --> 00:01:22,604 ? SUNDAY I GO TO CHURCH 14 00:01:22,647 --> 00:01:26,564 ? I KNEEL DOWN AND PRAY 15 00:01:28,827 --> 00:01:34,442 ? I CRIED, LORD, HAVE MERCY 16 00:01:34,485 --> 00:01:36,661 ? HAVE MERCY ON ME 17 00:01:39,403 --> 00:01:45,192 ? CRIED, LORD, LORD, LORD, HAVE MERCY ? 18 00:01:45,235 --> 00:01:47,455 ? HAVE MERCY ON ME 19 00:01:50,240 --> 00:01:52,373 ? LORD, HAVE MERCY 20 00:01:52,416 --> 00:01:57,465 ? MY HEART'S IN MISERY 21 00:02:14,482 --> 00:02:15,613 HOLD IT, HARRY. 22 00:02:15,657 --> 00:02:18,050 -JUST A SECOND, OFFICER. -UP AGAINST THE WALL. 23 00:02:24,796 --> 00:02:27,451 THANKS FOR YOUR COOPERATION, HARRY. 24 00:02:27,495 --> 00:02:29,366 IT'S MY PLEASURE, OFFICER. 25 00:02:29,410 --> 00:02:30,106 INSIDE. 26 00:02:30,150 --> 00:02:31,281 NOW, WAIT A MINUTE. 27 00:02:31,325 --> 00:02:32,717 START STRIPPING. 28 00:02:32,761 --> 00:02:37,722 ? BABY, WON'T YOU SEND MY BABY BACK TO ME? ? 29 00:02:41,465 --> 00:02:43,598 ? CRAZY ABOUT MY BABY 30 00:02:43,641 --> 00:02:47,428 ? WON'T YOU SEND MY BABY BACK TO ME? ? 31 00:02:50,735 --> 00:02:53,825 ? OH, LORD HAVE MERCY 32 00:02:53,869 --> 00:02:59,440 ? SEND HIM HOME TO ME 33 00:03:05,097 --> 00:03:07,274 NICE, NICE, NICE, NICE. 34 00:03:07,317 --> 00:03:09,101 BRINGS BACK MEMORIES. 35 00:03:09,145 --> 00:03:12,192 YEAH, CHICAGO, ABOUT 10 YEARS AGO, RIGHT, EADIE? 36 00:03:12,235 --> 00:03:13,802 CHICAGO. THAT'S RIGHT, RAGS. 37 00:03:13,845 --> 00:03:16,413 WHAT ARE YOU CATS DOING ON THIS ROCK ANYWAY? 38 00:03:16,457 --> 00:03:19,242 WELL, I'VE SORT OF TAKEN UP SURFING. 39 00:03:19,286 --> 00:03:20,939 AND WHILE HE'S HAVING FUN, 40 00:03:20,983 --> 00:03:23,507 I'LL BE DOING A GIG AT THE SHELL. 41 00:03:23,551 --> 00:03:26,728 THE SHELL? WILD. 42 00:03:26,771 --> 00:03:28,295 NEXT TIME, HARRY DON'T VOLUNTEER. 43 00:03:28,338 --> 00:03:29,818 COP WANTS TO PUT A HAND ON ME, 44 00:03:29,861 --> 00:03:31,863 HE'S GOING TO HAVE TO HAVE A WARRANT. 45 00:03:48,402 --> 00:03:51,796 I'D LIKE TO GET THERE, BUT I'D LIKE TO GET THERE IN ONE PIECE. 46 00:03:53,320 --> 00:03:55,278 [ HORN HONKING ] 47 00:03:59,151 --> 00:04:00,849 [ HONKING CONTINUES ] 48 00:04:06,507 --> 00:04:08,596 [ SIREN WAILS ] 49 00:04:10,162 --> 00:04:12,121 UH-OH. 50 00:04:12,164 --> 00:04:14,863 GOOD LUCK. 51 00:04:34,535 --> 00:04:36,493 POLICE OFFICER. 52 00:04:36,537 --> 00:04:38,713 MAY I SEE YOUR DRIVER'S LICENSE, PLEASE? 53 00:04:38,756 --> 00:04:40,062 OH, YEAH, SURE, OFFICER. 54 00:04:40,105 --> 00:04:42,804 I GUESS I CROWDED YOU A LITTLE BIT BACK THERE. 55 00:04:42,847 --> 00:04:44,240 SORRY. 56 00:04:44,284 --> 00:04:46,547 I HOPE YOU'RE NOT GOING TO MAKE A FEDERAL CASE OUT OF THIS. 57 00:04:46,590 --> 00:04:48,679 I MEAN, NOBODY WAS HURT. 58 00:04:48,723 --> 00:04:51,116 I ADMIT I HAD A COUPLE OF DRINKS BACK AT THE CLUB. 59 00:04:51,160 --> 00:04:52,509 IS THE LADY ALL RIGHT? 60 00:04:52,553 --> 00:04:55,295 OH, YEAH. SHE'S FINE. I'MFINE. 61 00:04:55,338 --> 00:04:56,774 EVERYTHING IS COOL. 62 00:04:56,818 --> 00:05:00,604 I'D LIKE TO SEARCH YOUR CAR, MR. MARTIN. 63 00:05:00,648 --> 00:05:03,520 W-WHAT FOR? 64 00:05:03,564 --> 00:05:05,566 WELL, YOU CAN GIVE ME PERMISSION RIGHT HERE. 65 00:05:05,609 --> 00:05:06,915 WE CAN GO TO THE NEAREST POLICE STATION, 66 00:05:06,958 --> 00:05:09,178 I CAN GET A SEARCH WARRANT. UP TO YOU. 67 00:05:09,221 --> 00:05:12,921 WHOO, YOU LEAVE ME NO CHOICE. GO AHEAD, BE MY GUEST. 68 00:05:57,400 --> 00:05:58,749 [ ENGINE TURNS OVER ] 69 00:06:26,777 --> 00:06:29,519 FIVE-O CALLING CENTRAL DISPATCH. 70 00:06:29,563 --> 00:06:31,521 Go ahead, Five-O. 71 00:06:31,565 --> 00:06:35,612 WANT AN APB OUT... [ BREATHING HEAVILY ] 72 00:06:35,656 --> 00:06:38,093 ON A '70 MUSTANG, YELLOW COLOR, 73 00:06:38,136 --> 00:06:42,532 LAST SEEN HEADING COCOAHEAD DIRECTION ON KAHALA AVENUE. 74 00:06:42,576 --> 00:06:44,665 [ BREATHING HEAVILY ] 75 00:06:48,669 --> 00:06:51,411 SUSPECT MICHAEL MARTIN, 76 00:06:51,454 --> 00:06:55,850 POSSESSION OF NARCOTICS AND ASSAULTING A POLICE OFFICER. 77 00:07:02,509 --> 00:07:05,468 [ "HAWAII FIVE-O" THEME PLAYS ] 78 00:08:06,790 --> 00:08:08,226 HPD REPORT JUST CAME IN. 79 00:08:08,270 --> 00:08:12,622 MARTIN INSISTED ON BEING GIVEN TESTS FOR ALCOHOL AND DRUGS. 80 00:08:14,363 --> 00:08:15,799 HE CAME UP CLEAN. 81 00:08:15,843 --> 00:08:17,671 EVERYTHING NEGATIVE. 82 00:08:17,714 --> 00:08:20,587 HOW'S YOUR HEAD? 83 00:08:20,630 --> 00:08:21,501 LOUSY. 84 00:08:21,544 --> 00:08:23,154 MAYBE THIS WILL MAKE YOU FEEL BETTER. 85 00:08:23,198 --> 00:08:25,243 NO RECORD ON EADIE JORDAN, BUT YOUR FRIEND MARTIN 86 00:08:25,287 --> 00:08:28,072 JUST GOT THROUGH SERVING A STRETCH. 87 00:08:28,116 --> 00:08:29,334 FOR WHAT? 88 00:08:29,378 --> 00:08:30,422 MICHAEL DONALD MARTIN, RELEASED A MONTH AGO 89 00:08:30,466 --> 00:08:32,250 FROM FEDERAL HOSPITAL IN LEXINGTON, KENTUCKY. 90 00:08:32,294 --> 00:08:35,253 SIX MONTHS FOR POSSESSION AND USE OF HEROIN. 91 00:08:35,297 --> 00:08:37,952 I'LL SEE YOU. 92 00:08:40,509 --> 00:08:41,620 STILL WRONG. 93 00:08:41,621 --> 00:08:44,319 MAYBE IT'S ME. MAYBE I'MDOING SOMETHING WRONG. 94 00:08:44,363 --> 00:08:48,410 NO, BABY, YOU'RE THE QUEEN. THE QUEEN CAN DONO WRONG. 95 00:08:48,454 --> 00:08:49,585 [ CYMBAL CRASH ] 96 00:08:49,629 --> 00:08:51,283 THANK YOU, BROTHERS. 97 00:08:51,326 --> 00:08:54,329 IN THAT CASE, PICK UP THE TEMPO 98 00:08:54,373 --> 00:08:55,765 OR YOU'RE ALL FIRED. 99 00:08:55,809 --> 00:08:58,377 OKAY, OKAY, LET'S QUIT THE HORSING. 100 00:08:58,420 --> 00:09:00,248 I'LL TELL YOU WHAT, HONEY. 101 00:09:00,292 --> 00:09:04,209 LET'S PUT THAT ONE ASIDE AND GO TO "TROUBLE IN MIND." 102 00:09:04,252 --> 00:09:06,036 BRASS, YOU CAN TAKE FIVE. 103 00:09:26,318 --> 00:09:33,412 ? I'M GONNA LAY 104 00:09:33,455 --> 00:09:35,762 ? LAY MY HEAD 105 00:09:38,417 --> 00:09:43,117 ? ON SOME LONESOME RAILROAD AHEAD ? 106 00:09:45,467 --> 00:09:49,471 ? LET THE 2:19 TRAIN 107 00:09:49,515 --> 00:09:55,782 ? EASE MY WORRIED MIND 108 00:09:58,524 --> 00:10:03,572 ? TROUBLE IN MIND 109 00:10:03,616 --> 00:10:06,923 ? I'M HERE 110 00:10:09,230 --> 00:10:13,887 ? MY POOR HEART IS BEATING SLOW ? 111 00:10:16,368 --> 00:10:21,503 ? NEVER HAD NO TROUBLE 112 00:10:21,547 --> 00:10:26,378 ? IN MY LIFE BEFORE 113 00:10:26,421 --> 00:10:33,036 ? NO, NO, NO 114 00:10:33,080 --> 00:10:35,474 THAT WAS BEAUTIFUL, GENTLEMEN. 115 00:10:35,517 --> 00:10:37,563 LET'S TAKE FIVE. 116 00:10:40,348 --> 00:10:43,133 WELL, HOW WAS IT? 117 00:10:43,177 --> 00:10:46,223 PERFECT, AS ALWAYS. 118 00:10:46,267 --> 00:10:49,401 WOULD YOU LIKE SOME COFFEE? 119 00:10:49,444 --> 00:10:50,619 UH-HUH. 120 00:10:50,663 --> 00:10:51,620 OKAY. 121 00:10:59,106 --> 00:11:02,283 I'D LIKE TO TALK TO YOU, MR. MARTIN. 122 00:11:02,327 --> 00:11:03,502 McGARRETT, FIVE-O. 123 00:11:03,545 --> 00:11:05,417 OH, SURE, MR. McGARRETT. 124 00:11:05,460 --> 00:11:08,855 UH, WOULD YOU MIND STEPPING OVER THERE? 125 00:11:10,900 --> 00:11:13,642 WANT TO TALK TO ME ABOUT LAST NIGHT, I SUPPOSE. 126 00:11:13,686 --> 00:11:14,991 YEAH, THAT'S RIGHT. 127 00:11:15,035 --> 00:11:16,950 I'D LIKE TO HEAR FROM YOU EXACTLY WHAT HAPPENED. 128 00:11:16,993 --> 00:11:18,647 I MUST HAVE TOLD THAT STORY 129 00:11:18,691 --> 00:11:20,606 AT LEAST A HALF A DOZEN TIMES LAST NIGHT, 130 00:11:20,649 --> 00:11:22,390 BEFORE THE BAIL BONDSMAN CAME. 131 00:11:22,434 --> 00:11:24,827 WELL, JUST ONE MORE TIME, MR. MARTIN. 132 00:11:24,871 --> 00:11:25,915 OKAY. 133 00:11:25,959 --> 00:11:29,179 EADIE AND I DROPPED INTO KILEY'S BAR 134 00:11:29,223 --> 00:11:32,618 TO SEE AN OLD FRIEND OF OURS, RAGS. 135 00:11:32,661 --> 00:11:35,272 WE SAT IN FOR A WHILE, AND THEN WE LEFT. 136 00:11:35,316 --> 00:11:37,623 I WAS DRIVING BACK TO THE PAD, AND ALL OF A SUDDEN, 137 00:11:37,666 --> 00:11:40,103 THIS CAR CAME WHIZZING BY AND FORCED US OFF THE ROAD. 138 00:11:40,147 --> 00:11:42,541 AND THIS BIG GUY GETS OUT AND STARTS THREATENING ME. 139 00:11:42,584 --> 00:11:44,673 SO I PICKED UP A ROCK, AND I HIT HIM WITH IT. 140 00:11:44,717 --> 00:11:47,589 I MEAN, I WAS SCARED. THEN WE TOOK OFF. 141 00:11:47,633 --> 00:11:50,287 I'M TELLING YOU, MAN, I WAS REALLY SCARED. 142 00:11:50,331 --> 00:11:52,464 THAT'S NOT THE WAY MY MAN TOLD IT. 143 00:11:52,507 --> 00:11:54,857 I'M SORRY, BUT THAT'S THE WAY IT HAPPENED. 144 00:11:54,901 --> 00:11:56,772 LOOK, I DON'T MIND TELLING YOU -- 145 00:11:56,816 --> 00:12:00,602 EADIE, THIS IS MR. McGARRETT, HAWAII FIVE-O. 146 00:12:00,646 --> 00:12:03,170 HAPPY TO KNOW YOU, MISS JORDAN. 147 00:12:03,213 --> 00:12:05,781 ANYWAY, WHAT I WAS ABOUT TO SAY, 148 00:12:05,825 --> 00:12:09,350 THIS LITTLE MISUNDERSTANDING WITH THE POLICE -- 149 00:12:09,394 --> 00:12:12,135 I'M WILLING TO FORGET ALL ABOUT IT. 150 00:12:12,179 --> 00:12:13,659 I DON'T WANT TO GET BOGGED DOWN 151 00:12:13,702 --> 00:12:15,443 WITH FALSE ARRESTS, THAT SORT OF THING. 152 00:12:15,487 --> 00:12:17,314 WITH ALL RESPECT, MR. McGARRETT, 153 00:12:17,358 --> 00:12:18,751 I'M NOT TOO THRILLED 154 00:12:18,794 --> 00:12:20,709 WITH THE IDEA OF THE POLICE HASSLING MIKE AROUND. 155 00:12:20,753 --> 00:12:21,710 HE'S A GOOD MAN. 156 00:12:21,754 --> 00:12:24,626 ONE OF MY MEN WAS HURT LAST NIGHT. 157 00:12:24,670 --> 00:12:26,541 HE COULD HAVE BEEN KILLED. 158 00:12:26,585 --> 00:12:27,847 HE'S A GOOD MAN, TOO. 159 00:12:27,890 --> 00:12:30,240 I'M SORRY, BUT I EXPLAINED WHY. 160 00:12:30,284 --> 00:12:31,677 YEAH, I HEARD. 161 00:12:31,720 --> 00:12:33,069 YOU DON'T BELIEVE HIM, THEN? 162 00:12:33,113 --> 00:12:36,595 YOU'RE OUT ON BOND BECAUSE OF ALLEGED ASSAULT. 163 00:12:36,638 --> 00:12:39,336 COULD HAVE BEEN MANSLAUGHTER. 164 00:12:39,380 --> 00:12:40,990 WE ALSO HAVE YOUR RECORD. 165 00:12:41,034 --> 00:12:45,081 YOU'RE RECENTLY OUT OF LEXINGTON, MR. MARTIN, RIGHT? 166 00:12:45,125 --> 00:12:46,343 I'M CLEAN NOW. 167 00:12:46,387 --> 00:12:48,911 FIVE PEOPLE ARE DEAD BECAUSE SOME POISONED HEROIN 168 00:12:48,955 --> 00:12:50,826 IS BEING PEDDLED ON THESE ISLANDS. 169 00:12:50,870 --> 00:12:52,654 THAT HAS NOTHING TO DO WITH ME. 170 00:12:52,698 --> 00:12:54,656 GOOD, BECAUSE IF YOU ARE BACK ON, 171 00:12:54,700 --> 00:12:57,267 YOU'RE LIABLE TO CATCH YOURSELF A BUMMER 172 00:12:57,311 --> 00:12:58,965 YOU DIDN'T FIGURE ON. 173 00:13:07,452 --> 00:13:10,063 SEAMAN... 174 00:13:10,106 --> 00:13:11,630 PROSTITUTE... 175 00:13:11,673 --> 00:13:13,980 SHOE SALESMAN... 176 00:13:14,023 --> 00:13:18,767 EX-PUG. 177 00:13:18,811 --> 00:13:20,856 AND LOOK AT THIS ONE... 178 00:13:20,900 --> 00:13:22,641 A CHILD. 179 00:13:22,684 --> 00:13:24,904 17 YEARS OLD. 180 00:13:24,947 --> 00:13:27,515 17 YEARS OLD. CAN YOU FIGURE IT? 181 00:13:27,559 --> 00:13:33,956 MAINLINER, HIGH-SCHOOL DROPOUT, FOUND IN AN ALLEY. 182 00:13:34,000 --> 00:13:36,698 EVERYTHING TO LIVE FOR, AND SHE'S DEAD. 183 00:13:36,742 --> 00:13:39,745 FIVE CORPSES. 184 00:13:39,788 --> 00:13:41,486 FIVE JUNKIES. 185 00:13:41,529 --> 00:13:43,183 FIVE HUMAN BEINGS. 186 00:13:43,226 --> 00:13:46,273 EVERY AUTOPSY SHOWS ARSENIC MIXED IN WITH THE HEROIN. 187 00:13:46,316 --> 00:13:49,102 WHAT ARE THEY LOOKING FOR? SOME CRAZY, NEW KIND OF KICK? 188 00:13:49,145 --> 00:13:51,626 A LITTLE BIT OF HORSE, A LITTLE BIT OF RAT POISON? 189 00:13:51,670 --> 00:13:53,759 IS THAT WHERE IT'S AT? WILL YOU TELL ME? 190 00:13:53,802 --> 00:13:55,761 I TOLD YOU WHAT THE AUTOPSY SHOWS. 191 00:13:55,804 --> 00:13:58,241 WHERE IT'S AT, YOU'LLHAVE TO FIGURE. 192 00:14:00,330 --> 00:14:01,680 [ SIGHS ] 193 00:14:01,723 --> 00:14:05,118 TWO POSSIBILITIES -- 194 00:14:05,161 --> 00:14:09,731 A PSYCHO'S CUTTING JUNK WITH ARSENIC. 195 00:14:09,775 --> 00:14:12,647 OR SOME CARELESS, IDIOT PUSHER 196 00:14:12,691 --> 00:14:16,521 ACCIDENTALLY CUT HIS SUPPLY WITH SOME POISON. 197 00:14:16,564 --> 00:14:19,785 EITHER WAY, EITHER WAY, WE COULD BE ANALYZING 198 00:14:19,828 --> 00:14:22,788 THE RESULTS OF A LOT MORE AUTOPSIES. 199 00:14:22,831 --> 00:14:25,181 THANKS, CHE. 200 00:14:28,620 --> 00:14:30,535 [ JAZZ MUSIC PLAYS ] 201 00:14:46,725 --> 00:14:49,466 [ GASPING ] 202 00:15:33,075 --> 00:15:37,427 ? SOMEONE IS WAITING JUST FOR YOU ? 203 00:15:37,471 --> 00:15:40,866 ? SPINNIN' WHEEL, SPINNIN' THROUGH ? 204 00:15:40,909 --> 00:15:46,698 ? DROP ALL YOUR TROUBLES BY THE RIVERSIDE ? 205 00:15:46,741 --> 00:15:48,221 ? CATCH A PAINTED PONY 206 00:15:48,264 --> 00:15:51,267 ? LET THE SPINNIN' WHEEL RIDE 207 00:15:51,311 --> 00:15:55,968 ? SOMEONE IS WAITING JUST FOR YOU ? 208 00:15:56,011 --> 00:16:00,537 ? SPINNIN' WHEEL, SPINNIN' THROUGH ? 209 00:16:00,581 --> 00:16:04,803 ? DROP ALL YOUR TROUBLES BY THE RIVERSIDE ? 210 00:16:04,846 --> 00:16:07,501 ? CATCH A PAINTED PONY 211 00:16:07,544 --> 00:16:21,471 ? LET THE SPINNIN' WHEEL RI-I-I-I-I-I-DE ? 212 00:16:21,515 --> 00:16:23,691 [ STOPS TAPE MACHINE ] 213 00:16:23,735 --> 00:16:26,912 WELL, WHAT DO YOU THINK? 214 00:16:26,955 --> 00:16:28,827 I'M NO EXPERT. 215 00:16:28,870 --> 00:16:30,176 YOU'RE PUBLIC. 216 00:16:30,219 --> 00:16:32,874 THE PUBLIC HAS A RIGHT, YOU KNOW? 217 00:16:32,918 --> 00:16:35,921 FULL OF SOUND AND FURY. 218 00:16:35,964 --> 00:16:37,879 SIGNIFYING NOTHING, HUH? 219 00:16:37,923 --> 00:16:40,752 WELL, SOME YOU WIN, SOME YOU LOSE. 220 00:16:40,795 --> 00:16:43,885 I'VE GOT JUST ABOUT EVERY SIDE YOU EVER CUT, 221 00:16:43,929 --> 00:16:46,192 INCLUDING YOUR TAPES AND CASSETTES. 222 00:16:46,235 --> 00:16:47,933 COME ON. 223 00:16:47,976 --> 00:16:51,545 EVEN THE "FUNKY BLUES" 45. 224 00:16:51,588 --> 00:16:52,938 YOU GOT TO BE KIDDING. 225 00:16:52,981 --> 00:16:56,463 THEY ONLY CUT FIVE OF THOSE. THEY MAYBESOLD TWO. 226 00:16:56,506 --> 00:16:59,553 I'M THE GUY WHO BOUGHT THE OTHER ONE. 227 00:16:59,596 --> 00:17:01,207 I'M, UH... 228 00:17:01,250 --> 00:17:04,558 I'M SORRY ABOUT YESTERDAY. 229 00:17:04,601 --> 00:17:06,168 I KIND OF RACKED YOU UP. 230 00:17:06,212 --> 00:17:09,955 BUT WHEN I THINK SOMEONE'S OUT TO GET MIKE... 231 00:17:09,998 --> 00:17:12,131 WELL, I'M NOT OUT TO GET HIM. 232 00:17:12,174 --> 00:17:15,787 LOOK, MR. McGARRETT, IT'S OVER. 233 00:17:15,830 --> 00:17:18,746 I'D RATHER NOT TALK ABOUT IT. 234 00:17:18,790 --> 00:17:21,444 THERE ARE SOME THINGS WE HAVETO TALK ABOUT. 235 00:17:21,488 --> 00:17:24,317 IF THEY'RE UNPLEASANT, I'D RATHER NOT, 236 00:17:24,360 --> 00:17:26,623 IF IT'S ALL THE SAME TO YOU. 237 00:17:26,667 --> 00:17:29,539 THERE WAS JUNK UNDER THE DASHBOARD OF THAT CAR, 238 00:17:29,583 --> 00:17:31,237 WASN'T THERE? 239 00:17:33,674 --> 00:17:34,893 [ STARTS MACHINE ] 240 00:17:34,936 --> 00:17:36,503 [ STOPS MACHINE ] 241 00:17:38,287 --> 00:17:40,899 HOW LONG YOU THINK YOU CAN COVER FOR HIM? 242 00:17:40,942 --> 00:17:45,817 YOU KNOW, YOU MAY BE RIGHT. TOO MUCH BRASS. 243 00:17:45,860 --> 00:17:48,341 MAYBE JUST PIANO THERE. 244 00:17:55,565 --> 00:17:57,524 [ PLAYS PIANO, SINGS ] 245 00:18:02,877 --> 00:18:06,533 YOU KNOW, YOU'RE NOT HELPING HIM ANY 246 00:18:06,576 --> 00:18:08,665 BY MAKING YOURSELF AN ACCESSORY. 247 00:18:08,709 --> 00:18:12,147 MR. McGARRETT, HE HAS TO SPLIT THE GRIEF WITH ME. 248 00:18:12,191 --> 00:18:13,888 HE HAS NOBODY ELSE. 249 00:18:13,932 --> 00:18:16,064 OKAY, EADIE, WHERE DOES IT END? 250 00:18:16,108 --> 00:18:18,632 YOU LIE, CHEAT, YOU WRECK YOUR LIFE, 251 00:18:18,675 --> 00:18:19,589 AND THEN MAYBE HE DIES 252 00:18:19,633 --> 00:18:21,026 BECAUSE HE'S NOT GOING TO GET ANY BETTER. 253 00:18:21,069 --> 00:18:23,071 YOU WANT ME TO SAY MIKE'S A JUNKIE? 254 00:18:23,115 --> 00:18:24,594 MIKE SLUGGED YOUR COP 255 00:18:24,638 --> 00:18:27,467 BECAUSE THERE WAS A BAG OF HEROIN UNDER THE DASHBOARD? 256 00:18:27,510 --> 00:18:28,685 FORGET IT. 257 00:18:30,470 --> 00:18:33,690 ALL RIGHT. I'VE SAID IT BEFORE, AND I'LL SAY IT AGAIN -- 258 00:18:33,734 --> 00:18:36,998 THERE'S A BATCH OF BAD JUNK FLOATING AROUND THIS ISLAND. 259 00:18:37,042 --> 00:18:37,869 YOURPROBLEM. 260 00:18:37,912 --> 00:18:39,261 OURPROBLEM. 261 00:18:39,305 --> 00:18:43,091 WE FIGURE A GUY BY THE NAME OF HARRY PARTCH IS PUSHING IT. 262 00:18:43,135 --> 00:18:44,440 WE ALSO FIGURE THAT PARTCH 263 00:18:44,484 --> 00:18:47,008 IS MIKE'S CONNECTION ON THIS ROCK. 264 00:18:47,052 --> 00:18:49,010 MR. McGARRETT, I'M DOING A CONCERT, 265 00:18:49,054 --> 00:18:50,490 AND I'VE GOT 12 NUMBERS TO DO. 266 00:18:50,533 --> 00:18:53,449 AND I WANT EVERYTHING TO BE JUST COOL, FINE, AND JUMPING. 267 00:18:53,493 --> 00:18:56,235 SO, IF YOU'LL JUST GO AWAY AND LET ME GET WITH IT... 268 00:18:56,278 --> 00:19:00,935 EADIE, TALK SOME SENSE INTO MIKE. 269 00:19:00,979 --> 00:19:02,894 TELL HIM TO HELP US NAIL PARTCH 270 00:19:02,937 --> 00:19:05,331 BECAUSE IF YOU DON'T, ONE WAY OR THE OTHER, 271 00:19:05,374 --> 00:19:08,421 YOU'RE GOING TO END UP NEEDING A NEW PIANO PLAYER. 272 00:19:19,040 --> 00:19:20,955 NUMBER SIX? 273 00:19:20,999 --> 00:19:22,261 THE DRUMMER FROM KILEY'S PLACE. 274 00:19:22,304 --> 00:19:25,699 HARRY PARTCH MUST HAVE MADE THE CONNECTION 275 00:19:25,742 --> 00:19:27,135 BEFORE I STRIPPED HIM. 276 00:19:27,179 --> 00:19:28,745 ARSENIC-TAINTED JUNK? 277 00:19:28,789 --> 00:19:31,879 CHE FONG SAYS THE SAME AS THE OTHER FIVE. 278 00:19:31,923 --> 00:19:34,969 YOU KNOW THAT PIANO PLAYER, UH, MARTIN... 279 00:19:35,013 --> 00:19:37,015 IF YOU HADN'T STOPPED HIM... 280 00:19:37,058 --> 00:19:38,451 IF HEHADN'T STOPPED ME. 281 00:19:38,494 --> 00:19:41,236 OKAY, KONO, WE DON'T MAKE MISTAKES HERE. 282 00:19:41,280 --> 00:19:43,369 WE JUST LEARN GREAT LESSONS. 283 00:19:43,412 --> 00:19:44,631 RIGHT? 284 00:19:44,674 --> 00:19:45,893 RIGHT. 285 00:19:45,937 --> 00:19:47,503 IF YOU HADN'T STOPPED HIM, 286 00:19:47,547 --> 00:19:50,767 HE PROBABLY WOULD HAVE SHOT THE SAME JUNK 287 00:19:50,811 --> 00:19:52,291 THAT KILLED THIS DRUMMER. 288 00:19:52,334 --> 00:19:55,337 AND HE'D BE JUST AS DEAD. HOW ABOUT THAT? 289 00:19:55,381 --> 00:19:59,298 I SAVED THE CHARACTER'S LIFE, AND HE'S TRYING TO BUST ME. 290 00:19:59,341 --> 00:20:02,127 IF HE BOUGHT FROM HARRY PARTCH LAST NIGHT, 291 00:20:02,170 --> 00:20:03,476 HE PROBABLY DUMPED. 292 00:20:03,519 --> 00:20:06,131 I'D FIGURE ABOUT NOW HE'LL BE NEEDING. 293 00:20:06,174 --> 00:20:08,698 SO HE SHOULD BE TRYING TO MAKE ANOTHER CONNECTION. 294 00:20:08,742 --> 00:20:09,482 YEAH. 295 00:20:09,525 --> 00:20:12,964 PUT OUT AN APB ON HARRY PARTCH. 296 00:20:13,007 --> 00:20:15,967 WILL DO, BUT AFTER LAST NIGHT, HE'LL BE ROUGH TO FIND. 297 00:20:16,010 --> 00:20:17,882 MAYBE, BUT FIND HIM. 298 00:20:29,458 --> 00:20:34,768 ? WHAT GOES UP MUST COME DOWN 299 00:20:34,811 --> 00:20:38,903 ? SPINNIN' WHEEL, SPINNIN' AROUND ? 300 00:20:38,946 --> 00:20:43,255 ? TALKIN' 'BOUT YOUR TROUBLES, IT'S A CRYIN' SIN ? 301 00:20:43,298 --> 00:20:45,692 ? RIDE A PAINTED PONY 302 00:20:45,735 --> 00:20:48,086 ? LET THE... 303 00:20:50,218 --> 00:20:52,525 I ASKED FOR A PIANO BACKGROUND! 304 00:20:52,568 --> 00:20:55,963 WHAT DO I HAVE TO DO? GET ON MY KNEES AND BEG? 305 00:20:56,007 --> 00:20:57,791 PLEASE! 306 00:20:57,834 --> 00:20:59,271 PLEASE, DAMN, MIKE! 307 00:20:59,314 --> 00:21:03,666 PUT A PIANO IN THAT RIFF AND MAKE IT PIANISSIMO! 308 00:21:03,710 --> 00:21:05,059 PLEASE. 309 00:21:05,103 --> 00:21:08,715 ALL RIGHT, BOYS, TAKE TEN. 310 00:21:08,758 --> 00:21:12,762 DO WE CUT THE BRASS FILLS? I CAN'T BLOW ANY SOFTER. 311 00:21:12,806 --> 00:21:14,155 THAT'S FINE, RAY. 312 00:21:14,199 --> 00:21:16,331 I'LL HAVE A TALK WITH THE LADY. 313 00:21:22,772 --> 00:21:26,733 ALL RIGHT, I BLEW MY COOL. I KNOW IT. 314 00:21:26,776 --> 00:21:27,734 BUT I'M NOT GOING TO SING 315 00:21:27,777 --> 00:21:29,388 OVER A HERD OF SCREAMING BRASS. 316 00:21:29,431 --> 00:21:30,998 ALL RIGHT, WE'LL TONE IT DOWN. 317 00:21:31,042 --> 00:21:33,740 I ASKED FOR A PIANO IN THAT SPOT. 318 00:21:33,783 --> 00:21:36,308 IS IT AGAINST UNION REGULATIONS 319 00:21:36,351 --> 00:21:39,006 FOR YOU TO PLAY A QUIET16 BARS? 320 00:21:39,050 --> 00:21:41,791 WHAT DO I HAVE... WHAT DO I... 321 00:21:41,835 --> 00:21:42,749 [ CRYING ] 322 00:21:42,792 --> 00:21:45,099 DEAR GOD, HELP... 323 00:21:48,059 --> 00:21:51,105 HELP ME, MIKE. 324 00:21:51,149 --> 00:21:53,194 HELP ME. 325 00:21:53,238 --> 00:21:54,456 OH, EADIE, EADIE, BABY! 326 00:21:54,500 --> 00:21:58,025 HONEY, IF WE COULD JUST GET PAST TOMORROW NIGHT -- 327 00:21:58,069 --> 00:21:59,200 I CAN'T MAKE IT. 328 00:21:59,244 --> 00:22:00,027 YES, YOU CAN. 329 00:22:00,071 --> 00:22:02,812 NO, IT WILL BE JUST LIKE BEFORE, ONLY WORSE. 330 00:22:02,856 --> 00:22:06,294 PLEASE, JUST ONE, TO RIDE ME THROUGH TOMORROW NIGHT. 331 00:22:06,338 --> 00:22:07,774 EADIE, EASY, EASY. 332 00:22:07,817 --> 00:22:09,254 PLEASE,MIKE. 333 00:22:09,297 --> 00:22:11,343 THERE'S NOBODY TO GO TO. EVERYTHING IS LOCKED UP TIGHT. 334 00:22:11,386 --> 00:22:14,128 RAGS, HE'S BEEN HERE A THOUSAND YEARS. 335 00:22:14,172 --> 00:22:15,303 HE CAN CONNECT FOR US. 336 00:22:15,347 --> 00:22:17,349 WHY WOULD HE TAKE THE CHANCE? 337 00:22:17,392 --> 00:22:19,786 MONEY. WE'LL GIVE HIM WHAT HE WANTS. 338 00:22:19,829 --> 00:22:22,441 YOU WANT ME TO GO TO JAIL FOR HIM, TOO? 339 00:22:22,484 --> 00:22:24,182 OH, WHAT THE HELL DOES THAT MEAN? 340 00:22:24,225 --> 00:22:26,140 AM I SUPPOSED TO FEEL SORRY FOR YOU? 341 00:22:26,184 --> 00:22:28,099 I'M ASKING YOU TO TRY TO GET OFF THE STUFF. 342 00:22:28,142 --> 00:22:29,274 I WANT TO HELP YOU. 343 00:22:29,317 --> 00:22:31,276 HELPME? 344 00:22:31,319 --> 00:22:34,583 HA, HELP ME. 345 00:22:34,627 --> 00:22:37,238 YOU WANT ME TO GO OUT THERE TOMORROW NIGHT LIKE THIS? 346 00:22:37,282 --> 00:22:39,588 YOU WANT ME TO STAND THERE, JUST START SINGING, 347 00:22:39,632 --> 00:22:42,026 AND PRAYINGTHAT PEOPLE DON'T SEE THE LADY 348 00:22:42,069 --> 00:22:43,331 START TO FLAKE APART? 349 00:22:43,375 --> 00:22:45,072 "HEY, DIG, SEE THE BABY CLIMBIN' THE WALLS. 350 00:22:45,116 --> 00:22:47,031 "MAYBE SHE'LL TAKE HER CLOTHES OFF. 351 00:22:47,074 --> 00:22:49,250 "MAYBE SHE'LL DIVE OFF THE STAGE HEADFIRST. 352 00:22:49,294 --> 00:22:52,079 TAKE THE JUNK AND GO, BABY, GO." 353 00:22:52,123 --> 00:22:53,428 EADIE, LET'S CALL A DOCTOR. 354 00:22:53,472 --> 00:22:56,083 OH, BEAUTIFUL. LET'S CALL A DOCTOR. 355 00:22:56,127 --> 00:22:58,868 AND THEN WE CAN FILL THE PAPERS OUT. 356 00:22:58,912 --> 00:23:01,610 AND THEN WE CAN COMMIT HER TO A ZOO. 357 00:23:01,654 --> 00:23:04,135 AND IT WILL ALL BE OFF YOUR BACK. 358 00:23:04,178 --> 00:23:05,571 OH, BABY. 359 00:23:05,614 --> 00:23:08,574 [ Crying ] MY HEAD... 360 00:23:08,617 --> 00:23:14,014 IT'S LIKE THE TOP OF MY HEAD'S COMING OFF. 361 00:23:18,323 --> 00:23:21,587 YOU WANT TO KNOW SOMETHING, LADY? 362 00:23:21,630 --> 00:23:25,330 ONE OF THESE DAYS, JUST ONE THESE DAYS, 363 00:23:25,373 --> 00:23:29,029 I'M GOING TO HAVE TO SAY NO TO YOU. 364 00:23:29,073 --> 00:23:31,292 NO WAY, MAN. NO WAY. 365 00:23:31,336 --> 00:23:33,555 NAME IT. NAME YOUR PRICE. 366 00:23:33,599 --> 00:23:35,340 YOU GOT YOUR HEAD IN A BAG? 367 00:23:35,383 --> 00:23:37,124 DON'T YOU KNOW WHAT I'M SAYING? 368 00:23:37,168 --> 00:23:40,171 I LOST ME A FRIEND. I LOST ME A DRUMMER. 369 00:23:40,214 --> 00:23:41,389 THIS ISLAND IS LOUSY 370 00:23:41,433 --> 00:23:43,565 WITH COPS LOOKING FOR POISONED JUNK, 371 00:23:43,609 --> 00:23:44,827 AND YOU WANT ME TO... 372 00:23:44,871 --> 00:23:47,961 OH, YOU'RE TOO MUCH, MAN. TOO MUCH. 373 00:24:59,163 --> 00:25:01,426 WHAT ARE YOU FOLLOWING ME FOR? WHAT DO YOU WANT? 374 00:25:01,469 --> 00:25:03,689 10 DOLLAR, PLEASE. 375 00:25:14,656 --> 00:25:17,137 ? DA-DA-DA-DA-DA DA-DO-DO... ? 376 00:25:36,287 --> 00:25:40,029 OKAY. HERE'S A WARRANT FOR YOU. 377 00:25:40,073 --> 00:25:42,597 WHAT WARRANT? WHAT FOR? 378 00:25:42,641 --> 00:25:45,818 WE'RE TAKING THIS PLACE APART TILL WE FIND YOUR GOODS. 379 00:25:45,861 --> 00:25:48,081 UNLESS YOU JUST WANT TO TURN IT OVER TO US, 380 00:25:48,124 --> 00:25:49,256 SAVE US THE TROUBLE. 381 00:25:49,300 --> 00:25:50,605 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 382 00:25:50,649 --> 00:25:52,955 OKAY, CHIN, GO OVER THE PLACE. 383 00:25:52,999 --> 00:25:54,435 YOU STRIP. 384 00:25:54,479 --> 00:25:55,741 STRIP? 385 00:25:55,784 --> 00:25:58,483 TAKE YOUR CLOTHES OFF. ALL OF THEM. 386 00:25:58,526 --> 00:25:59,919 TWICE NOW I STRIP. 387 00:25:59,962 --> 00:26:03,270 IF I CATCH PNEUMONIA, I'LL SUE YOU FOR THIS. 388 00:26:03,314 --> 00:26:04,315 SUE ME. 389 00:26:44,050 --> 00:26:46,182 GET DRESSED. 390 00:26:53,407 --> 00:26:55,931 KITCHEN'S CLEAN. 391 00:27:42,456 --> 00:27:44,719 CIGAR SMOKER, HUH? 392 00:27:58,690 --> 00:28:00,779 HEY, I'VE NEVER SEEN IT BEFORE. 393 00:28:00,822 --> 00:28:01,867 BOOK HIM. 394 00:28:01,910 --> 00:28:03,521 I JUST RENTED THIS PLACE A WEEK AGO. 395 00:28:03,564 --> 00:28:05,087 BOOK HIM. 396 00:28:05,131 --> 00:28:07,394 YOU GUYS MUST HAVE PLANTED THIS. YOU'RE TRYING TO FRAME ME. 397 00:28:07,438 --> 00:28:08,743 BOOK HIM! 398 00:28:08,787 --> 00:28:11,180 BOOK HIM FOR RECEIVING, PUSHING, AND POSSESSION. 399 00:28:11,224 --> 00:28:13,618 AND IF WE GET LUCKY, MAYBE MURDER. 400 00:28:13,661 --> 00:28:14,749 WHO FINKED ON ME? 401 00:28:14,793 --> 00:28:17,273 HARRY, IN YOUR LOUSY BUSINESS, 402 00:28:17,317 --> 00:28:20,407 YOUR BEST FRIENDS ARE YOUR WORST ENEMIES, 403 00:28:20,451 --> 00:28:22,191 AND WE FOUND A FRIEND. 404 00:28:22,235 --> 00:28:25,804 CHIN, GET THIS DOWN TO THE LAB FOR ANALYSIS. 405 00:28:25,847 --> 00:28:28,067 LET'S GO. 406 00:29:15,767 --> 00:29:17,725 HEY, MAN, YOU A FRIEND OF HARRY'S? 407 00:29:17,769 --> 00:29:20,641 AW, TAKE A WALK, KID. 408 00:29:20,685 --> 00:29:23,514 I SEEN YOU JUMP WHEN THE FUZZ BROUGHT HIM OUT. 409 00:29:31,739 --> 00:29:34,002 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 410 00:29:34,046 --> 00:29:38,050 YOU KNOW WHAT I'M TALKING ABOUT. 411 00:29:43,011 --> 00:29:45,361 ALL RIGHT, KID, SO I'M A FRIEND OF HARRY'S. 412 00:29:45,405 --> 00:29:48,321 HARRY JUST GOT BUSTED. WHERE DO WE GO FROM THERE? 413 00:29:56,982 --> 00:29:59,811 HERE'S THE ANALYSIS ON THAT HARRY PARTCH STUFF. 414 00:29:59,854 --> 00:30:02,074 STRICTLY BOTTOM OF THE BARREL. 415 00:30:02,117 --> 00:30:03,162 THAT BAD, HUH? 416 00:30:03,205 --> 00:30:05,425 THINNED DOWN LIKE I'VE NEVER SEEN IT. 417 00:30:05,469 --> 00:30:06,557 THINNED DOWN WITH WHAT? 418 00:30:06,600 --> 00:30:07,949 THE USUAL MILK SUGAR. 419 00:30:07,993 --> 00:30:10,996 SORRY, STEVE, YOUR KILLER BATCH IS STILL OUT. 420 00:30:32,800 --> 00:30:35,237 [ SPEAKS HAWAIIAN ] 421 00:30:35,281 --> 00:30:37,413 PLAYING BALL. 422 00:30:39,546 --> 00:30:42,506 -ALOHA. -ALOHA. 423 00:30:50,862 --> 00:30:53,778 YOU SAID 50 BUCKS, RIGHT? 424 00:30:53,821 --> 00:30:55,606 YEAH, THAT'S RIGHT. 425 00:30:55,649 --> 00:30:57,956 TURN YOUR BACK, OKAY? 426 00:31:18,716 --> 00:31:20,761 THE 50, PLEASE. 427 00:31:20,805 --> 00:31:22,720 MAYBE YOU HAVEN'T HEARD, KID -- 428 00:31:22,763 --> 00:31:25,636 THERE'S A BUNCH OF BAD JUNK FLOATING AROUND THE ROCK. 429 00:31:25,679 --> 00:31:27,725 KILLED MAYBE A HALF A DOZEN HEADS. 430 00:31:27,768 --> 00:31:31,859 THAT'S FUZZ JIVE. YOU DON'T WANT TO BELIEVE THAT. 431 00:31:33,687 --> 00:31:35,646 THE 50, PLEASE. 432 00:31:35,689 --> 00:31:36,821 HMM. 433 00:31:36,864 --> 00:31:40,172 HOW DO I KNOW THAT STUFF IS GOOD? 434 00:31:40,215 --> 00:31:41,739 I POP IT MYSELF. 435 00:31:41,782 --> 00:31:43,610 YOU WHAT? 436 00:31:43,654 --> 00:31:47,222 YOU DON'T BELIEVE ME? 437 00:32:12,421 --> 00:32:16,600 IF THAT JUNK'S BAD, KID, YOU'RE DEAD. 438 00:32:16,643 --> 00:32:19,167 YOU KNOW THAT, DON'T YOU? 439 00:32:19,211 --> 00:32:20,691 FUZZ JIVE. 440 00:32:20,734 --> 00:32:21,561 YEAH. 441 00:32:21,605 --> 00:32:23,955 WELL, YOU'RE DEAD ANYWAY. 442 00:32:23,998 --> 00:32:27,393 SOONER OR LATER, AN OVERDOSE, 443 00:32:27,436 --> 00:32:31,745 AN INFECTED NEEDLE, OR JUST SLOW ROT. 444 00:32:34,835 --> 00:32:35,749 NOW, WAIT A MINUTE! 445 00:32:35,793 --> 00:32:37,664 WHAT'S THE MATTER WITH YOU? 446 00:32:37,708 --> 00:32:39,753 THIS STUFF WILL KILL YOU! 447 00:32:42,756 --> 00:32:43,975 NAIL HIM. 448 00:32:57,858 --> 00:32:59,294 I GOT TO HAND IT TO YOU -- 449 00:32:59,338 --> 00:33:01,906 WE THOUGHT WE DRIED UP THE ROCK, 450 00:33:01,949 --> 00:33:03,821 BUT YOU REALLY TURNED HIM OUT. 451 00:33:03,864 --> 00:33:06,650 WELL, IT TAKES ONE TO FIND ONE. 452 00:33:06,693 --> 00:33:09,565 YEAH. LET'S GO. 453 00:33:12,525 --> 00:33:13,439 WHAT MORE DO YOU WANT? 454 00:33:13,482 --> 00:33:15,876 I TRIED TO GET A FIX, AND YOU BUSTED ME. 455 00:33:15,920 --> 00:33:16,790 WHAT MORE DO YOU WANT? 456 00:33:16,834 --> 00:33:19,140 THE STUFF YOU WERE GOING TO BUY FROM THE KID, 457 00:33:19,184 --> 00:33:21,012 IT WAS SECOND-RATE, BUT IT WAS CUT 458 00:33:21,055 --> 00:33:22,927 WITH MILK SUGAR, NOT ARSENIC. 459 00:33:22,970 --> 00:33:23,928 NO HELP TO ME NOW. 460 00:33:23,971 --> 00:33:26,974 NO HELP TO US, EITHER, BECAUSE THE STUFF 461 00:33:27,018 --> 00:33:29,063 THAT KILLED THE DRUMMER AT KILEY'S 462 00:33:29,107 --> 00:33:32,153 AND FIVE OTHER PEOPLE IS STILL IN CIRCULATION. 463 00:33:32,197 --> 00:33:34,721 LOOK, McGARRETT, WHY DON'T YOU LEAVE ME ALONE? 464 00:33:34,765 --> 00:33:36,984 I GOT ENOUGH TROUBLES OF MY OWN. 465 00:33:37,028 --> 00:33:38,812 MIKE, MAYBE WE CAN HELP EACH OTHER. 466 00:33:38,856 --> 00:33:40,727 YOU WENT TO KILEY'S THE OTHER NIGHT 467 00:33:40,771 --> 00:33:42,207 TO TRY TO MAKE A CONNECTION. 468 00:33:42,250 --> 00:33:44,470 WE THOUGHT IT HAD TO BE HARRY PARTCH, 469 00:33:44,513 --> 00:33:45,645 BUT IT WASN'T, WAS IT? 470 00:33:45,689 --> 00:33:47,691 I'LL TELL YOU WHAT -- 471 00:33:47,734 --> 00:33:49,867 I'VE GOT A CONCERT TO PLAY. 472 00:33:49,910 --> 00:33:51,999 IF I LEVEL WITH YOU... 473 00:33:52,043 --> 00:33:54,262 I DON'T KNOW. WE'LL SEE. 474 00:33:57,570 --> 00:33:58,353 [ SIGHS ] 475 00:33:58,397 --> 00:34:01,008 THE JUNK I BOUGHT THAT NIGHT, 476 00:34:01,052 --> 00:34:03,315 I BOUGHT FROM HANK, THE DRUMMER. 477 00:34:03,358 --> 00:34:04,838 WHO WAS HISCONNECTION? 478 00:34:04,882 --> 00:34:06,448 I DON'T KNOW! 479 00:34:06,492 --> 00:34:08,233 I SWEAR. 480 00:34:08,276 --> 00:34:10,104 IF I KNEW THE GUY THAT PUSHED THE STUFF 481 00:34:10,148 --> 00:34:11,976 THAT KILLED HANK AND ALMOST KILLED ME, 482 00:34:12,019 --> 00:34:13,151 I'D TELL YOU, WOULDN'T I? 483 00:34:13,194 --> 00:34:15,806 TAKE IT EASY. TAKE IT EASY. 484 00:34:15,849 --> 00:34:18,025 I TOLD YOU EVERYTHING I KNOW. 485 00:34:18,069 --> 00:34:20,985 IF YOU WANT TO LOCK ME UP, THEN GO AHEAD. 486 00:34:21,028 --> 00:34:22,813 BUT LET ME PLAY MY GIG! 487 00:34:22,856 --> 00:34:26,033 IF YOU NEED A FIX, WE'LL GET A DOCTOR WITH SOME METHADONE 488 00:34:26,077 --> 00:34:27,078 AND DO IT LEGALLY. 489 00:34:27,121 --> 00:34:29,863 SHE CAN'T PLAY THE GIG WITHOUT ME. 490 00:34:29,907 --> 00:34:31,082 DON'T YOU UNDERSTAND? 491 00:34:31,125 --> 00:34:34,041 SHE CAN'T EVEN WALK OUT ON THAT STAGE 492 00:34:34,085 --> 00:34:35,564 WITHOUT ME BACKING HER UP. 493 00:34:35,608 --> 00:34:38,698 CAN'T YOU GET THAT THROUGH YOUR THICK COP SKULL? 494 00:34:38,742 --> 00:34:43,485 NO, AND I'LL TELL YOU SOMETHING ELSE 495 00:34:43,529 --> 00:34:46,053 I CAN'T GET THROUGH MY THICK COP SKULL. 496 00:34:46,097 --> 00:34:48,055 A JUNKIE LIKE YOU SHOULD BE JUMPING WITH JOY 497 00:34:48,099 --> 00:34:49,230 BECAUSE I OFFER YOU A FIX, 498 00:34:49,274 --> 00:34:51,667 AND ALL YOU CAN TALK ABOUT IS PLAYING THE PIANO. 499 00:34:51,711 --> 00:34:53,408 BECAUSE SHE'S... 500 00:34:55,497 --> 00:34:57,891 LOOK, YOU PROMISE ME THAT I CAN PLAY MY GIG. 501 00:34:57,935 --> 00:34:59,893 NO WAY. I CAN PROMISE YOU NOTHING. 502 00:34:59,937 --> 00:35:01,460 YOU LOUSY, STINKING... 503 00:35:02,983 --> 00:35:05,333 NO NEEDLE MARKS, HUH? 504 00:35:07,118 --> 00:35:10,034 WHERE DO YOU TAKE IT? BEHIND THE KNEES? 505 00:35:10,077 --> 00:35:12,993 IN THE EYEBROWS? BETWEEN THE TOES? 506 00:35:13,037 --> 00:35:14,125 OR DOYOU TAKE IT? 507 00:35:14,168 --> 00:35:16,910 MAYBE YOU JUST MAKE THE CONNECTION, HUH? 508 00:35:18,869 --> 00:35:20,566 WOW. 509 00:35:20,609 --> 00:35:23,699 YOU'RE COVERING FOR HER, AREN'T YOU? 510 00:35:27,051 --> 00:35:30,010 McGARRETT, PLEASE, DON'T WIPE HER OUT NOW. 511 00:35:30,054 --> 00:35:31,838 I MISSED THE WHOLE POINT OF THE STORY. 512 00:35:31,882 --> 00:35:33,187 SHE'S A BEAUTIFUL PERSON. 513 00:35:33,231 --> 00:35:35,842 SHE'S TRYING TO QUIT. I'M TRYING TO HELP HER QUIT. 514 00:35:35,886 --> 00:35:37,931 I'VE BEGGED AND I'VE PLEADED WITH HER. 515 00:35:37,975 --> 00:35:40,020 I EVEN THREATENED TO WALK OUT ON HER. 516 00:35:40,064 --> 00:35:42,022 BUT IT WAS ALWAYS THE SAME THING -- 517 00:35:42,066 --> 00:35:44,503 "JUST ONE MORE TIME," JUST LIKE THE SONG SAYS. 518 00:35:44,546 --> 00:35:47,419 AND WHEN YOU GOT NAILED WITH THE GOODS, 519 00:35:47,462 --> 00:35:49,073 YOU TOOK THE RAP. 520 00:35:49,116 --> 00:35:50,552 I LOVE HER. 521 00:35:50,596 --> 00:35:53,991 AND THAT WAS THE BEST YOU COULD DO FOR HER? 522 00:35:54,034 --> 00:35:54,905 YOU WENT TO JAIL? 523 00:35:54,948 --> 00:35:57,168 YEAH, THAT'S THE BEST I COULD DO. 524 00:35:57,211 --> 00:35:59,779 McGARRETT, PLEASE, SHE NEEDS HELP. 525 00:35:59,823 --> 00:36:00,911 SHE NEEDS SOMETHING. 526 00:36:00,954 --> 00:36:03,870 T-T-THAT METHADONE THAT YOU WERE TALKING ABOUT. 527 00:36:03,914 --> 00:36:05,524 SOMETHING. ANYTHING. 528 00:36:05,567 --> 00:36:07,221 WHERE IS SHE? 529 00:36:07,265 --> 00:36:08,744 SHE'S AT THE BEACH HOUSE. 530 00:36:08,788 --> 00:36:11,573 NO, I'VE ALREADY CHECKED. SHE'S NOT THERE. 531 00:36:11,617 --> 00:36:12,792 THEN SHE'S AT THE SHELL. 532 00:36:12,836 --> 00:36:15,403 NO, THERE'S NO ONE THERE. NO ONE SHOWED UP. 533 00:36:15,447 --> 00:36:18,319 McGARRETT, THEN SHE'S OUT LOOKING FOR A FIX. 534 00:36:18,363 --> 00:36:20,147 YEAH. 535 00:36:20,191 --> 00:36:22,497 TURNKEY! 536 00:36:28,068 --> 00:36:30,070 McGARRETT... 537 00:36:30,114 --> 00:36:31,942 LET ME GO WITH YOU. 538 00:36:31,985 --> 00:36:35,293 ALL RIGHT, I'M TAKING HIM WITH ME. 539 00:36:35,336 --> 00:36:37,251 LET'S GO. 540 00:37:18,075 --> 00:37:20,033 YOU SEEN EADIE? 541 00:37:20,077 --> 00:37:21,817 NO, MAN. WHY? 542 00:37:21,861 --> 00:37:23,689 I SENT HER TO SEE YOU. 543 00:37:23,732 --> 00:37:25,169 WHY DID YOU DO THAT? 544 00:37:25,212 --> 00:37:27,084 YOU SAID NO TO ME, AND I FIGURED IT WOULD BE 545 00:37:27,127 --> 00:37:28,999 KIND OF DIFFICULT TO SAY NO TO HER. 546 00:37:29,042 --> 00:37:30,043 YOU FIGURED WRONG. 547 00:37:30,087 --> 00:37:31,436 THEN YOU DID SEE HER? 548 00:37:31,479 --> 00:37:33,655 MAN, I DON'T HAVE TO LISTEN TO THIS. 549 00:37:33,699 --> 00:37:36,310 RAGS, SHE'S STRUNG OUT. SHE NEEDS HELP BAD. 550 00:37:36,354 --> 00:37:37,833 SHE CAME IN HERE LOOKING FOR A CONNECTION. 551 00:37:37,877 --> 00:37:39,444 COOL IT, WILL YOU, MAN? 552 00:37:39,487 --> 00:37:40,706 WHERE DID YOU SEND HER? 553 00:37:40,749 --> 00:37:42,795 GET OFF MY BACK! 554 00:37:42,838 --> 00:37:44,188 SIT DOWN, PAL. 555 00:37:44,231 --> 00:37:46,103 WHAT DO YOUWANT? 556 00:37:46,146 --> 00:37:48,844 I WANT YOU TO SIT DOWN. 557 00:37:48,888 --> 00:37:50,455 WHO'S HE? 558 00:37:50,498 --> 00:37:53,762 McGARRETT, FIVE-O. NOW, SIT DOWN. 559 00:37:53,806 --> 00:37:57,549 MAN, YOU'VE GOT SOME GROOVY FRIENDS. 560 00:38:01,031 --> 00:38:02,684 COUPLE OF MONTHS AGO, 561 00:38:02,728 --> 00:38:06,340 HPD NARCO LABELED THIS JOINT A PUSHERS' HANGOUT. 562 00:38:06,384 --> 00:38:08,777 MAN, I JUST TICKLE THE IVORIES. 563 00:38:08,821 --> 00:38:12,129 "HEY, HAOLE,COULD YOU PLAY 'MELANCHOLY BABY'?" 564 00:38:12,172 --> 00:38:14,218 LOOK, I'M GOING TO RAP WITH YOU 565 00:38:14,261 --> 00:38:15,828 FOR ABOUT 10 SECONDS MORE. 566 00:38:15,871 --> 00:38:18,570 AND THEN WE'RE GOING DOWNTOWN AND TALK. 567 00:38:18,613 --> 00:38:20,224 YOU DIG? 568 00:38:20,267 --> 00:38:23,140 NOW, WAS EADIE JORDAN HERE TONIGHT? 569 00:38:23,183 --> 00:38:24,619 MAN, I'M NOT ON THE STUFF. 570 00:38:24,663 --> 00:38:26,621 I DON'T PUSH THE STUFF FOR NO ONE, YOU HEAR? 571 00:38:26,665 --> 00:38:30,843 SURE, AND I BELIEVE YOU DON'T PUSH FOR NO ONE. 572 00:38:30,886 --> 00:38:32,845 WHERE IS EADIE JORDAN? 573 00:38:34,281 --> 00:38:36,283 RAGS, PLEASE. 574 00:38:36,327 --> 00:38:38,155 I DON'T KNOW. 575 00:38:38,198 --> 00:38:41,027 WAS SHE HERE TONIGHT? 576 00:38:41,071 --> 00:38:42,333 [ SIGHS ] 577 00:38:42,376 --> 00:38:45,031 YEAH, SHE WAS HERE. 578 00:38:45,075 --> 00:38:48,513 RAGS, THERE'S A BATCH OF BAD JUNK FLOATING AROUND THE ISLAND. 579 00:38:48,556 --> 00:38:50,732 DON'T YOU THINK I KNOW THAT? 580 00:38:50,776 --> 00:38:53,300 WELL, THEN, LET'S STOP PLAYING GAMES, MISTER, 581 00:38:53,344 --> 00:38:55,128 BEFORE THE LADY KILLS HERSELF. 582 00:38:55,172 --> 00:38:56,738 WHERE DID YOU SEND HER? 583 00:38:56,782 --> 00:38:59,785 [ SIGHS ] 584 00:39:03,484 --> 00:39:05,965 RAGS GAVE ME YOUR ADDRESS. 585 00:39:06,009 --> 00:39:07,445 GOOD GRACIOUS. 586 00:39:07,488 --> 00:39:10,013 YOU'RE EADIE JORDAN. 587 00:39:10,056 --> 00:39:13,146 YOU'RE...YOU'RE EADIE JORDAN. 588 00:39:13,190 --> 00:39:14,539 I HOPE IT'S ALL RIGHT. 589 00:39:14,582 --> 00:39:19,065 OH, YEAH, I-I-IT'S ALL RIGHT. COME ON IN. 590 00:39:19,109 --> 00:39:20,153 COME ON IN. 591 00:39:20,197 --> 00:39:23,722 I'M, UH...I'M SORRY THE PLACE IS SUCH A MESS. 592 00:39:36,822 --> 00:39:38,476 [ LAUGHING ] 593 00:39:38,519 --> 00:39:42,480 WELL, I-I-I'M HONORED TO HAVE YOU HERE. 594 00:39:42,523 --> 00:39:47,398 UM...D-D-DID RAGS PLAY ONE OF MY NUMBERS FOR YOU? 595 00:39:47,441 --> 00:39:50,705 UH, PLAY ONE OF YOUR NUMBERS? 596 00:39:50,749 --> 00:39:51,576 YES, YES. 597 00:39:51,619 --> 00:39:54,753 I-I-I'M A MUSICIAN. UH, STRING BASS. 598 00:39:54,796 --> 00:39:58,800 BUT LATELY, LATELY I'VE, UH, I'VE BEEN COMPOSING. 599 00:39:58,844 --> 00:40:02,935 AND I WROTE THIS NUMBER, AND I PLAYED IT FOR RAGS, 600 00:40:02,978 --> 00:40:06,025 AND HE AGREED THAT IT WAS PERFECT FOR YOU. 601 00:40:06,069 --> 00:40:08,767 YES, I'LL, UH, I'LL LISTEN SOMETIME. 602 00:40:08,810 --> 00:40:10,725 NO, I-I'LL PLAY IT FOR YOU RIGHT NOW. 603 00:40:10,769 --> 00:40:12,510 NOT NOW! 604 00:40:14,425 --> 00:40:18,168 I'M...I'M SORRY. 605 00:40:18,211 --> 00:40:21,127 I, UH, DON'T MEAN TO YELL. 606 00:40:21,171 --> 00:40:25,218 I'LL LISTEN. MAYBE LATER. I REALLY WILL. 607 00:40:25,262 --> 00:40:30,267 AH. I SEE. 608 00:40:30,310 --> 00:40:32,573 I SEE. 609 00:40:32,617 --> 00:40:34,836 HE SENT YOU HERE FOR SMACK. 610 00:40:34,880 --> 00:40:38,710 I DON'T...I DON'T MEAN TO PUT YOUR SONG DOWN. 611 00:40:38,753 --> 00:40:41,278 I'LL LISTEN. I REALLY WILL. 612 00:40:41,321 --> 00:40:43,193 [ LAUGHING ] 613 00:40:43,236 --> 00:40:46,326 I KNOW WHAT THIS LOOKS LIKE. 614 00:40:46,370 --> 00:40:47,458 A CREEPY, LITTLE MAN 615 00:40:47,501 --> 00:40:50,287 IN A CREEPY, LITTLE JANITOR'S DUMP 616 00:40:50,330 --> 00:40:52,027 TRYING TO TAKE ADVANTAGE OF YOU. 617 00:40:52,071 --> 00:40:55,161 BUT I WASA MUSICIAN ONCE, AND A VERY GOOD MUSICIAN. 618 00:40:55,205 --> 00:40:57,294 I PLAYED WITH SOME OF THE TOP GROUPS 619 00:40:57,337 --> 00:40:58,338 IN NEW YORK CITY. 620 00:40:58,382 --> 00:41:00,601 I STILL HOLD MY LOCAL 402 CARD. 621 00:41:00,645 --> 00:41:04,301 I BELIEVE YOU. IF YOU COULD JUST -- 622 00:41:04,344 --> 00:41:06,564 I SAT IN WITH COLEMAN HAWKINS ONCE. 623 00:41:06,607 --> 00:41:09,262 YOU KNOW WHAT THE HAWK SAID ABOUT ME? 624 00:41:09,306 --> 00:41:13,179 HE SAID IF HE CLOSED HIS EYES, HE'D SWEAR I WAS A BLACK MAN. 625 00:41:13,223 --> 00:41:16,661 THAT'S, UH, THAT'S BEAUTIFUL. 626 00:41:16,704 --> 00:41:21,100 YEAH, THAT'S... THAT'S BEAUTIFUL. 627 00:41:21,144 --> 00:41:26,149 AND I KNOW IT'S HARD TO BELIEVE, BUT... 628 00:41:26,192 --> 00:41:31,328 BUT ONCE, ONCE, I TRULY WAS VERY GOOD. 629 00:41:31,371 --> 00:41:33,243 I WAS VERY GOOD. 630 00:41:33,286 --> 00:41:36,811 UNTIL THESE FINGERS BECAME GOOD 631 00:41:36,855 --> 00:41:40,946 FOR NOTHING BUT... POPPING, FIXING UP. 632 00:41:40,989 --> 00:41:44,297 NOW, IF YOU CAME FOR THAT, YOU GET OUT. 633 00:41:44,341 --> 00:41:45,951 NOW, YOU PLEASE,LADY, GET OUT! 634 00:41:45,994 --> 00:41:49,520 [ Panting ] I WISH I COULD. 635 00:41:49,563 --> 00:41:52,175 OH, I WISH I COULD. 636 00:41:52,218 --> 00:41:55,526 YOU CAN. YOU GOT TO TRY. 637 00:41:55,569 --> 00:41:57,702 LOOK, I KICKED IT MYSELF. 638 00:41:57,745 --> 00:42:00,879 AND IF YOU WANT, I'LL HELP YOU KICK IT, TOO. 639 00:42:00,922 --> 00:42:04,187 I WANTMORE THAN ANYTHING ELSE IN THIS WORLD. 640 00:42:04,230 --> 00:42:06,232 BUT I'VE GOT A GIG TO DO TOMORROW NIGHT, 641 00:42:06,276 --> 00:42:07,320 AND I CAN'T MAKE THAT SCENE. 642 00:42:07,364 --> 00:42:09,453 I CAN'T MAKE IT. 643 00:42:09,496 --> 00:42:10,497 YOU GOT TO TRY. 644 00:42:10,541 --> 00:42:13,152 I'VE TRIED, AND I'LL TRY AGAIN, I SWEAR IT. 645 00:42:13,196 --> 00:42:16,068 BUT IF YOU JUST GET ME THROUGH TOMORROW NIGHT -- 646 00:42:16,111 --> 00:42:19,419 LADY, DON'T BEG ME. DON'T BEG ME. 647 00:42:19,463 --> 00:42:21,900 NO, NO, I DON'T WANT THAT. 648 00:42:21,943 --> 00:42:24,468 I DON'T WANT THAT! TAKE IT BACK! 649 00:42:24,511 --> 00:42:26,687 WILL YOU GET IT FOR ME? 650 00:42:30,387 --> 00:42:32,563 ALL RIGHT. 651 00:42:32,606 --> 00:42:35,435 I'LL GET IT FOR YOU. 652 00:42:40,310 --> 00:42:43,269 LOOK, LOOK, 653 00:42:43,313 --> 00:42:44,227 YOU DON'T HAVE TO SAY YES 654 00:42:44,270 --> 00:42:47,273 BECAUSE WHATEVER YOU NEED, IT'S YOURS. 655 00:42:47,317 --> 00:42:50,145 BUT IF YOU COULD SEE YOUR WAY CLEAR, 656 00:42:50,189 --> 00:42:53,453 IF THE TWO OF US COULD TURN ON TOGETHER, 657 00:42:53,497 --> 00:42:54,933 AND MAYBE JUST SIT HERE 658 00:42:54,976 --> 00:42:57,501 AND LISTEN TO SOME EADIE JORDAN RECORDS, 659 00:42:57,544 --> 00:42:59,764 AND I COULD PLAY SOME BASS. 660 00:42:59,807 --> 00:43:04,856 AND IF IT SEEMS COOL, MAYBE YOU COULD WAIL A LITTLE FOR ME. 661 00:43:04,899 --> 00:43:05,944 NOW. 662 00:43:05,987 --> 00:43:10,296 IF WE'RE GOING TO MAKE IT, LET'S MAKE IT NOW. 663 00:43:10,340 --> 00:43:13,517 OKAY. OKAY. 664 00:43:53,339 --> 00:43:55,123 YEAH? 665 00:43:56,908 --> 00:43:58,823 [ Drunkenly ] WHAT DO YOU WANT? 666 00:43:58,866 --> 00:44:01,521 WE'RE LOOKING FOR EADIE JORDAN. 667 00:44:01,565 --> 00:44:04,959 SHE'S SOMETHING ELSE. AIN'T SHE SOMETHING ELSE? 668 00:44:05,003 --> 00:44:07,397 YEAH, SHE'S SOMETHING ELSE. 669 00:44:07,440 --> 00:44:09,137 WAS SHE HERE? 670 00:44:09,181 --> 00:44:11,444 OH, WAS SHE EVER HERE. 671 00:44:11,488 --> 00:44:13,794 SELL HER SOME SNOW? 672 00:44:13,838 --> 00:44:15,666 [ Laughing ] UH, UH... 673 00:44:15,709 --> 00:44:17,363 SHE SOLD ME. 674 00:44:17,407 --> 00:44:20,148 WE MADE THAT SCENE TOGETHER. 675 00:44:20,192 --> 00:44:21,585 CAN YOU PICTURE IT? 676 00:44:21,628 --> 00:44:22,934 YOU SHOOT UP TOGETHER? 677 00:44:22,977 --> 00:44:24,936 SHE'S SOMETHING. SHE'S SOMETHING. 678 00:44:24,979 --> 00:44:27,591 I PLAYED "ONE MORE TIME," AND SHE DUG IT. 679 00:44:27,634 --> 00:44:28,766 SHE REALLY, REALLY DUG IT. 680 00:44:28,809 --> 00:44:30,724 YEAH, BABY. COOL, BABY. ARE YOU ALL RIGHT? 681 00:44:30,768 --> 00:44:33,510 OH, I'M GORGEOUS. I'M JUST BEAUTIFUL. 682 00:44:33,553 --> 00:44:34,554 NO PAIN, NO NOTHING? 683 00:44:34,598 --> 00:44:36,121 ARE YOU JIVING ME? 684 00:44:37,688 --> 00:44:38,689 IF THE STUFF WAS BAD, 685 00:44:38,732 --> 00:44:40,995 HE'D BE SHOWING SOME REACTION BY NOW. 686 00:44:41,039 --> 00:44:43,128 HEY, MAN, I DIDN'T SHOOT NOTHING. 687 00:44:43,171 --> 00:44:45,173 I KICKED THAT HABIT MONTHS AGO. 688 00:44:45,217 --> 00:44:48,612 BUT YOU JUST SAID THAT YOU SHOT UP TOGETHER. 689 00:44:48,655 --> 00:44:51,092 NOT ME, MAN. SHE POPPED. 690 00:44:51,136 --> 00:44:52,572 THIS IS ALL I GOT. 691 00:44:52,616 --> 00:44:53,747 THAT'S SPEED. 692 00:44:53,791 --> 00:44:56,184 WHAT DID YOU GIVE HER? 693 00:44:56,228 --> 00:44:58,752 EASY, MIKE, EASY! 694 00:44:58,796 --> 00:45:02,016 TAKE IT EASY, NOW. 695 00:45:02,060 --> 00:45:03,366 EASY. 696 00:45:04,976 --> 00:45:08,545 WE FIGURE MAYBE EADIE IS ON A BUMMER. 697 00:45:08,588 --> 00:45:12,549 WE JUST WANT TO CHECK YOUR SMACK, YOU DIG? 698 00:45:12,592 --> 00:45:15,465 LISTEN, MAN, SHE BEGGED ME. 699 00:45:15,508 --> 00:45:19,425 SHE BEGGED ME. SHE NEEDED, YOU UNDERSTAND? 700 00:45:19,469 --> 00:45:22,297 WHERE DO YOU KEEP THE STUFF? 701 00:45:22,341 --> 00:45:24,038 OH, I HAVEN'T GOT MUCH. 702 00:45:24,082 --> 00:45:27,346 OH, THAT'S ALL RIGHT. WHERE IS IT? 703 00:45:31,219 --> 00:45:33,570 OKAY. OKAY. 704 00:45:33,613 --> 00:45:37,791 I WAS HOOKED ON A LOT OF STUFF FOR FIVE YEARS. 705 00:45:37,835 --> 00:45:40,272 BUT I DON'T WANT THAT SCENE ANYMORE. 706 00:45:45,538 --> 00:45:49,629 NOW I KEEP A LITTLE AROUND AS A FAVOR, 707 00:45:49,673 --> 00:45:51,152 JUST FOR FRIENDS. 708 00:45:51,196 --> 00:45:55,679 BUT...BUT, SHE REALLY BEGGED ME, YOU KNOW? 709 00:45:55,722 --> 00:45:57,855 YEAH. IS IT GOOD STUFF? 710 00:45:57,898 --> 00:45:58,551 OH, BEST. 711 00:45:58,595 --> 00:46:00,553 WHAT DO YOU CUT IT WITH? 712 00:46:00,597 --> 00:46:03,077 JUST A LITTLE BIT OF SUGAR. 713 00:46:50,690 --> 00:46:53,824 IS THIS THE STUFF YOU GAVE HER? 714 00:46:53,867 --> 00:46:55,652 DID SHE SAY WHERE SHE WAS GOING? 715 00:46:55,695 --> 00:46:59,307 UH...OUR HOUSE? 716 00:47:00,570 --> 00:47:05,749 ? TROUBLE IN MIND 717 00:47:05,792 --> 00:47:09,056 ? I'M BLUE 718 00:47:09,100 --> 00:47:19,066 ? BUT I WON'T BE BLUE... 719 00:47:19,110 --> 00:47:28,554 ? SUN'S GONNA SHINE IN MY BACKDOOR ? 720 00:47:34,604 --> 00:47:36,736 [ GASPS ] 721 00:47:36,780 --> 00:47:38,782 [ SIREN WAILS ] 722 00:48:42,672 --> 00:48:44,674 EADIE! 723 00:48:44,717 --> 00:48:46,458 EADIE! 724 00:48:46,501 --> 00:48:48,329 EADIE. 725 00:49:21,711 --> 00:49:25,062 [ "HAWAII FIVE-O" THEME PLAYS ] 726 00:49:25,112 --> 00:49:29,662 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 50402

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