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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,306 --> 00:00:05,266 [ "HAWAII FIVE-O" THEME PLAYS ] 2 00:00:22,805 --> 00:00:24,372 IT'S ALL RIGHT, LESTER. 3 00:00:25,721 --> 00:00:30,073 HE'S JUST COMING UP TO FIX THE PLUMBING. 4 00:00:30,117 --> 00:00:32,684 I TOLD YOU I WAS IN HARDWARE. 5 00:01:14,987 --> 00:01:20,515 I WAS JUST ADMIRING YOUR ICE CUBES. 6 00:01:20,558 --> 00:01:23,518 THEY'RE DRIPPING ALL OVER THE FLOOR. 7 00:01:23,561 --> 00:01:26,173 OH. [ CHUCKLES ] I'M SORRY. 8 00:01:43,755 --> 00:01:47,716 I HOPE I'M NOT TAKING UP TOO MUCH OF YOUR TIME. 9 00:01:47,759 --> 00:01:51,241 YOU DON'T GET OUT MUCH ON YOUR OWN, DO YOU, MR. SLOANE? 10 00:01:51,285 --> 00:01:54,244 IT SHOWS, HUH? 11 00:01:54,288 --> 00:01:55,854 [ CHUCKLES ] 12 00:01:58,335 --> 00:02:00,424 I THOUGHT I WAS BEING REAL SMOOTH. 13 00:02:02,383 --> 00:02:05,690 GREAT ICE CUBES. 14 00:02:09,477 --> 00:02:13,263 I-I-I CAN'T FIGURE OUT WHY I'M SO NERVOUS. 15 00:02:13,307 --> 00:02:16,136 WELL, WHY DON'T YOU JUST RELAX? 16 00:02:17,485 --> 00:02:19,051 YOU KNOW SOMETHING? 17 00:02:19,095 --> 00:02:23,273 YOU COULD BE A MODEL OR ANYTHING. HOW COME YOU... 18 00:02:23,317 --> 00:02:26,058 NEVER MIND. 19 00:02:26,102 --> 00:02:28,278 SO GO AHEAD AND ASK IT. 20 00:02:28,322 --> 00:02:31,934 HOW'D A NICE GIRL LIKE ME, ET CETERA, ET CETERA? 21 00:02:31,977 --> 00:02:33,718 OH, UH... 22 00:02:35,329 --> 00:02:38,506 OH, IT'S NONE OF MY BUSINESS. 23 00:02:40,029 --> 00:02:44,642 WELL, MR. SLOANE, I WAS JUST LUCKY, I GUESS. 24 00:02:50,039 --> 00:02:51,867 THAT'S A JOKE. 25 00:02:51,910 --> 00:02:54,217 AND YOU'RE SUPPOSED TO LAUGH. 26 00:02:54,261 --> 00:02:56,219 [ KNOCK ON DOOR ] 27 00:02:56,263 --> 00:02:57,568 OH -- 28 00:02:57,612 --> 00:03:01,485 RELAX. IT'S NOT A SHAKEDOWN. RELAX. 29 00:03:04,184 --> 00:03:06,534 [ KNOCKING ON DOOR ] 30 00:03:12,714 --> 00:03:14,019 WHO IS IT? 31 00:03:14,063 --> 00:03:16,413 [ KNOCKING CONTINUES ] 32 00:03:16,457 --> 00:03:17,980 WHAT'S GOING ON? 33 00:03:18,023 --> 00:03:20,156 SHH! NO, QUIET. TAKE THE KEY, HIDE SOMEWHERE. 34 00:03:20,200 --> 00:03:21,244 HIDE SOMEWHERE. 35 00:03:21,288 --> 00:03:23,681 PLEASE, I HAVE A WIFE. 36 00:03:23,725 --> 00:03:25,292 SHH! QUIET. 37 00:03:34,344 --> 00:03:36,259 [ DOOR OPENS ] 38 00:03:36,303 --> 00:03:39,610 COME ON IN, CHARLEY. SIT DOWN. 39 00:03:39,654 --> 00:03:41,482 [ DOOR CLOSES ] 40 00:04:02,894 --> 00:04:04,200 NOTHING. 41 00:04:04,244 --> 00:04:05,288 NOTHING. 42 00:04:05,332 --> 00:04:08,465 OKAY, WHERE IS IT? 43 00:04:08,509 --> 00:04:10,424 WHERE'S WHAT? 44 00:04:10,467 --> 00:04:13,992 I AM RUNNING OUT OF PATIENCE AND YOU'RE RUNNING OUT OF TIME. 45 00:04:14,036 --> 00:04:15,342 WHERE IS IT? 46 00:04:15,385 --> 00:04:17,822 I HAVEN'T GOT IT. I HAVEN'T. 47 00:04:17,866 --> 00:04:20,216 I ASKED...WHERE? 48 00:04:20,260 --> 00:04:22,784 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 49 00:04:22,827 --> 00:04:27,092 I AM TALKING ABOUT MY MERCHANDISE. 50 00:04:28,529 --> 00:04:31,488 WHERE, ANGELA? TELL CHARLEY BOMBAY. 51 00:04:31,532 --> 00:04:34,230 CHARLEY, YOU KNOW I WOULDN'T TRY ANYTHING. 52 00:04:34,274 --> 00:04:39,104 EVERYBODY TRIES, BUT IT'S DUMB TO TRY IT WITH ME, ANGELA. 53 00:04:40,410 --> 00:04:43,544 NOW, FOR THE LAST TIME, WHERE IS IT, ANGELA? 54 00:04:43,587 --> 00:04:46,808 I TOLD YOU I HAVEN'T GOT IT. 55 00:04:46,851 --> 00:04:48,113 I HAVEN'T. 56 00:04:48,157 --> 00:04:51,334 WHAT YOU HAVEN'T GOT IS A PRETTY FACE ANYMORE. 57 00:04:51,378 --> 00:04:53,336 PLEASE, CHARLEY, PLEASE. 58 00:04:53,380 --> 00:04:55,904 CHARLEY, PLEASE! CHARLEY! 59 00:04:55,947 --> 00:04:57,166 SILLY BROAD. 60 00:04:58,602 --> 00:05:02,084 PLEASE, CHARLEY, PLEASE. 61 00:05:02,127 --> 00:05:04,434 AAH! 62 00:05:08,786 --> 00:05:11,789 [ "HAWAII FIVE-O" THEME PLAYS ] 63 00:06:06,757 --> 00:06:08,193 [ TIRES SCREECH ] 64 00:06:08,237 --> 00:06:10,239 [ INDISTINCT CONVERSATIONS ] 65 00:06:35,699 --> 00:06:37,440 HI, STEVE. 66 00:06:37,484 --> 00:06:40,400 BILL. SHE JUMP OR WAS SHE PUSHED? 67 00:06:40,443 --> 00:06:42,010 WE DON'T KNOW YET. 68 00:06:42,053 --> 00:06:43,925 THE BEDROOM'S IN EVEN WORSE SHAPE. 69 00:06:43,968 --> 00:06:47,407 YEAH, I SAW IT. 70 00:06:47,450 --> 00:06:50,366 I WONDER IF HE FOUND WHAT HE WAS LOOKING FOR. 71 00:07:20,309 --> 00:07:22,398 HMM. 72 00:07:22,442 --> 00:07:24,531 ICE CUBES BARELY MELTED. 73 00:07:24,574 --> 00:07:27,142 MAYBE WE'VE GOT OURSELVES A WITNESS. 74 00:07:27,185 --> 00:07:29,187 I'LL CHECK IT FOR PRINTS. 75 00:07:29,231 --> 00:07:31,538 LET ME KNOW. 76 00:07:44,115 --> 00:07:45,508 OPERATOR? 77 00:07:45,552 --> 00:07:48,163 UH, GET ME, UH... 78 00:07:48,206 --> 00:07:51,471 GET ME THE HONOLULU POLICE. 79 00:07:53,777 --> 00:07:55,649 [ RINGS ] 80 00:07:57,999 --> 00:07:59,870 YEAH? 81 00:07:59,914 --> 00:08:02,133 I-I KNOW, OPERATOR. 82 00:08:02,177 --> 00:08:03,526 UH, NEVER MIND. 83 00:08:03,570 --> 00:08:06,486 I-I -- WELL, JUST NEVER MIND. I'M SORRY. 84 00:08:06,529 --> 00:08:08,400 UH, CANCEL THE CALL, PLEASE. 85 00:08:08,444 --> 00:08:10,838 UH, I'M SORRY. 86 00:08:20,804 --> 00:08:23,067 OH, MY GOD. 87 00:08:24,721 --> 00:08:26,070 18 YEARS OLD. 88 00:08:26,114 --> 00:08:29,421 SAYS SO ON HER TEMPORARY DRIVING PERMIT. 89 00:08:29,465 --> 00:08:32,816 18, HUH? OUT, BRIEF CANDLE. 90 00:08:32,860 --> 00:08:34,557 WHAT ELSE? 91 00:08:34,601 --> 00:08:37,386 NO RECORD OF EMPLOYMENT, ARRESTS, HOSPITAL ADMISSION. 92 00:08:37,429 --> 00:08:39,910 NO BANK ACCOUNT. PAID FOR EVERYTHING BY CASH. 93 00:08:39,954 --> 00:08:41,738 INCLUDING $550 FOR THE PAD. 94 00:08:41,782 --> 00:08:43,871 $550 A MONTH? 95 00:08:43,914 --> 00:08:45,699 RIGHT. 96 00:08:45,742 --> 00:08:48,876 H.P.D. FIGURES SHE HAD THOUSANDS IN CLOTHING AND JEWELRY. FANCY. 97 00:08:48,919 --> 00:08:51,574 THE AUTOPSY SHOWED MULTIPLE NEEDLE MARKS. 98 00:08:51,618 --> 00:08:54,229 OH, NOW WE GET DOWN TO THE NITTY-GRITTY, HUH? 99 00:08:54,272 --> 00:08:56,013 IN THE VEINS BEHIND THE KNEES? 100 00:08:56,057 --> 00:08:57,580 THAT'S THE TRICK. 101 00:08:57,624 --> 00:09:00,888 18 AND A MAINLINER. 102 00:09:04,848 --> 00:09:07,068 WHAT ELSE? 103 00:09:07,111 --> 00:09:09,592 FROM NEW JERSEY. SAYS SO ON HER LIBRARY CARD. 104 00:09:09,636 --> 00:09:12,029 OKAY, WE GOT A YOUNG GIRL FROM THE MAINLAND, 105 00:09:12,073 --> 00:09:14,510 LOTS OF MONEY, NO VISIBLE MEANS OF SUPPORT. 106 00:09:14,554 --> 00:09:16,773 SHOOTS IN THE VEINS BEHIND THE KNEES. 107 00:09:16,817 --> 00:09:18,775 ADDS UP TO ONE THING -- PROSTITUTE, 108 00:09:18,819 --> 00:09:20,516 ONLY STRICTLY HIGH-CLASS. 109 00:09:20,560 --> 00:09:21,604 PLENTY OF MONEY BEHIND THIS OPERATION. 110 00:09:21,648 --> 00:09:23,258 WHO DOES THAT SOUND LIKE? 111 00:09:23,301 --> 00:09:24,738 CHARLEY BOMBAY. 112 00:09:24,781 --> 00:09:26,566 BOMBAY ALL THE WAY. 113 00:09:26,609 --> 00:09:28,916 HE'S GOT ALL THE YOUNG ONES ALL OVER WAIKIKI ON A STRING. 114 00:09:28,959 --> 00:09:32,093 AND HE'S GOT A HAND IN EVERYTHING ELSE THAT'S ROTTEN. 115 00:09:32,136 --> 00:09:34,138 CHECK HER OUT WITH THE NEW JERSEY STATE POLICE. 116 00:09:34,182 --> 00:09:37,272 I WANT TO KNOW EVERYTHING THERE IS TO KNOW ON ANGELA CARLSON. 117 00:09:37,315 --> 00:09:39,056 H.P.D. CAME UP WITH A GOOD SET OF FINGERPRINTS 118 00:09:39,100 --> 00:09:40,101 OFF THAT HIGHBALL GLASS. 119 00:09:40,144 --> 00:09:41,929 THEY WIRED THEM TO WASHINGTON. 120 00:09:41,972 --> 00:09:43,452 THEY'LL GET BACK TO US AS SOON AS THEY HAVE ANY INFORMATION. 121 00:09:43,495 --> 00:09:44,932 CHIN, GET SOME COPIES MADE. 122 00:09:44,975 --> 00:09:47,935 I WANT TO KNOW EVERY MOVE SHE MADE LAST NIGHT -- 123 00:09:47,978 --> 00:09:49,458 TIMES, PLACES. 124 00:09:49,501 --> 00:09:52,069 DANNO, HOLD THE FORT. I GOT TO TALK TO A SNAKE. 125 00:09:52,113 --> 00:09:53,593 [ KNOCK ON DOOR ] 126 00:09:53,636 --> 00:09:56,291 SEE WHO IT IS, TOM. 127 00:09:59,555 --> 00:10:02,645 COME IN, McGARRETT. IT'S OKAY, TOMMY. 128 00:10:02,689 --> 00:10:06,475 YOU ALMOST CAUGHT ME WITH MY FINANCES DOWN. 129 00:10:06,518 --> 00:10:10,435 SIT DOWN, OR WOULD YOU LIKE TO CALL INTERNAL REVENUE FIRST? 130 00:10:10,479 --> 00:10:12,307 THAT'S JUST A FINE AND A COUPLE OF YEARS. 131 00:10:12,350 --> 00:10:14,135 I'VE GOT BIGGER THINGS FOR YOU. 132 00:10:14,178 --> 00:10:16,311 WHAT ELSE IS NEW, McGARRETT? 133 00:10:16,354 --> 00:10:20,141 YOU'VE BEEN AFTER ME FOR SO MANY YEARS. 134 00:10:20,184 --> 00:10:22,273 TOO LONG. I'M GOING TO BUST YOU THIS TIME, CHARLEY. 135 00:10:22,317 --> 00:10:26,147 YEAH? I'M A RESPECTABLE BUSINESSMAN. 136 00:10:26,190 --> 00:10:28,758 I RUN A SMALL NIGHTCLUB. WHAT'S TO BUST? 137 00:10:33,023 --> 00:10:36,113 ONE OF YOUR GIRLS GOT SHOVED OFF A TERRACE LAST NIGHT, CHARLEY. 138 00:10:37,811 --> 00:10:39,943 NOT ONE OF MINE. 139 00:10:39,987 --> 00:10:42,424 I READ HER NAME IN THE PAPER THIS MORNING... 140 00:10:42,467 --> 00:10:44,556 UH, ANGELA SOMETHING, RIGHT? 141 00:10:44,600 --> 00:10:45,949 RIGHT. 142 00:10:45,993 --> 00:10:48,648 YEAH, SHE WORKED FOR YOU, CHARLEY. REMEMBER? 143 00:10:48,691 --> 00:10:51,563 LOOK, McGARRETT, A LOT OF PEOPLE WORK FOR ME. 144 00:10:51,607 --> 00:10:54,697 MAYBE SHE WORKED AS A WAITRESS FOR A COUPLE WEEKS, 145 00:10:54,741 --> 00:10:57,961 AND I DON'T REMEMBER. WOULD YOU LIKE A DRINK? 146 00:10:58,005 --> 00:11:00,877 YOUR WAITRESSES LIVE IN $550-A-MONTH APARTMENTS? 147 00:11:00,921 --> 00:11:03,445 MAYBE SHE HAD SOMETHING GOING FOR HER. 148 00:11:03,488 --> 00:11:07,536 SHE HAD SOMETHING GOING. SHE WAS ONE OF YOUR GIRLS. 149 00:11:07,579 --> 00:11:09,538 WHY DID YOU KILL HER? 150 00:11:09,581 --> 00:11:12,323 AW, THAT'S A NICE BLUFF. 151 00:11:12,367 --> 00:11:14,412 YOU GOT AN ALIBI FOR LAST NIGHT? 152 00:11:14,456 --> 00:11:17,285 YOU TALK ALIBI, I GOT TO TALK LAWYER. 153 00:11:17,328 --> 00:11:19,200 ARE YOU PREPARED TO COME IN ALL THE WAY ON THIS? 154 00:11:19,243 --> 00:11:22,333 ALL THE WAY. ANGELA CARLSON WAS ONE OF YOUR GIRLS. 155 00:11:22,377 --> 00:11:24,205 SHE WAS PUSHING "H" LIKE ALL THE REST, 156 00:11:24,248 --> 00:11:26,860 AND YOU KILLED HER BECAUSE SHE WOULDN'T KICKBACK TO YOU. 157 00:11:26,903 --> 00:11:30,211 YOU'RE OFF BASE. YOU'RE NOT EVEN ON FIRST BASE. YOU'RE OUT. 158 00:11:30,254 --> 00:11:33,823 SURE. SURE. I'LL SEE YOU, CHARLEY. 159 00:11:33,867 --> 00:11:34,911 HOLD IT! 160 00:11:34,955 --> 00:11:37,261 NEXT TIME, YOU BRING A WARRANT. 161 00:11:37,305 --> 00:11:39,786 I'LL HAVE IT, AND THE CHARGE IS MURDER ONE. 162 00:11:39,829 --> 00:11:45,139 McGARRETT, EVEN IF SHE DID WORK FOR ME, WOULD I DROP HER 163 00:11:45,182 --> 00:11:48,925 NINE FLOORS JUST BECAUSE SHE HELD BACK A COUPLE OF DOLLARS? 164 00:11:48,969 --> 00:11:51,754 IT DOESN'T FIGURE, AND YOU KNOW IT. 165 00:12:02,156 --> 00:12:05,159 LOOK, MAN, I ALREADY TOLD THE H.P.D. 166 00:12:05,202 --> 00:12:06,900 WELL, YOU TELL ME. 167 00:12:06,943 --> 00:12:08,989 I DIDN'T GET A GOOD LOOK AT HIM. 168 00:12:09,032 --> 00:12:14,037 HE WAS A HAOLE,RIGHT? ABOUT 40, 50? OLDER? YOUNGER? 169 00:12:14,081 --> 00:12:16,039 IT WAS DARK, MAN. HE HURRIED INSIDE. 170 00:12:16,083 --> 00:12:17,475 I DIDN'T GET A GOOD LOOK AT HIM. 171 00:12:17,519 --> 00:12:18,781 -THAT'S ALL YOU KNOW? -YEAH. 172 00:12:18,825 --> 00:12:20,522 YOU HOLD BACK, AND YOU'RE BUSTED. 173 00:12:20,565 --> 00:12:22,959 I'LL FIX IT WITH YOUR BOSS TO BRING YOU DOWNTOWN. 174 00:12:23,003 --> 00:12:24,308 WHAT FOR? 175 00:12:24,352 --> 00:12:25,657 TO LOOK THROUGH A LOT OF MUG SHOTS, 176 00:12:25,701 --> 00:12:28,138 THEN MAYBE WE'LL TALK A LITTLE LONGER. 177 00:12:28,182 --> 00:12:30,097 YOU LIKE THAT, BROTHER? 178 00:12:30,140 --> 00:12:32,055 HE WON'T BE IN THE MUG SHOTS. 179 00:12:32,099 --> 00:12:33,100 HE WON'T BE THERE? 180 00:12:33,143 --> 00:12:35,580 NO, HE WAS A VISITING FIREMAN. 181 00:12:35,624 --> 00:12:37,974 A VISITING FIREMAN, HUH? WHAT ELSE? 182 00:12:38,018 --> 00:12:39,454 COME ON, GIVE, BROTHER, GIVE. 183 00:12:39,497 --> 00:12:42,326 SAID HE WAS IN THE HARDWARE LINE. 184 00:12:46,591 --> 00:12:47,897 [ INDISTINCT CONVERSATIONS ] 185 00:12:47,941 --> 00:12:50,117 HEY, FELLAS, HEY, HEY, HEY. 186 00:12:50,160 --> 00:12:53,947 HEY, FELLAS, HOLD IT. HOLD -- HEY, WOULD YOU HOLD -- 187 00:12:53,990 --> 00:12:55,818 HOLD IT. HEY, HEY, HOLD IT A MINUTE. 188 00:12:55,862 --> 00:12:59,126 LOOK, WILL YOU PLEASE HOLD IT DOWN A MINUTE? 189 00:12:59,169 --> 00:13:00,823 HOLD IT! 190 00:13:00,867 --> 00:13:02,607 HOLD IT! 191 00:13:02,651 --> 00:13:04,609 OKAY, THAT'S BETTER. ALL RIGHT. 192 00:13:04,653 --> 00:13:07,961 LET'S TELL HIM NOW, NOT WAIT TILL TONIGHT, HUH? 193 00:13:08,004 --> 00:13:09,789 YEAH. 194 00:13:09,832 --> 00:13:13,009 OKAY, ALL RIGHT. NOW LOOK, WE HAD A NICE LUNCH, 195 00:13:13,053 --> 00:13:14,837 AND BEFORE WE BREAK IT UP, 196 00:13:14,881 --> 00:13:17,840 THERE'S SOMETHING THAT I JUST CAN'T HOLD BACK ANY LONGER. 197 00:13:17,884 --> 00:13:20,538 MARTY SLOANE, STAND UP. 198 00:13:23,324 --> 00:13:28,808 NOW, AS YOU ALL KNOW, TONIGHT ABOUT 1,500 HARDWARE DEALERS 199 00:13:28,851 --> 00:13:29,983 ARE GATHERING TOGETHER 200 00:13:30,026 --> 00:13:32,159 TO HONOR THE MAN OF THE YEAR. 201 00:13:32,202 --> 00:13:35,031 THE MAN WHO, BY HIS HARD WORK AND ETHICAL PRACTICES, 202 00:13:35,075 --> 00:13:38,208 HAS SET AN EXAMPLE FOR ALL OF US TO FOLLOW -- 203 00:13:38,252 --> 00:13:42,996 THE MAN THAT WE CALL MR. HARDWARE. 204 00:13:43,039 --> 00:13:45,737 WELL, THE VOTES ARE IN 205 00:13:45,781 --> 00:13:50,960 AND THAT MAN IS GONNA BE MARTY SLOANE! 206 00:13:51,004 --> 00:13:53,180 [ CHEERS AND APPLAUSE ] 207 00:13:53,223 --> 00:13:56,009 SPEECH! 208 00:13:56,052 --> 00:13:58,620 CONGRATULATIONS, PAL. 209 00:14:10,937 --> 00:14:15,245 SAY, HOW ABOUT THAT, HUH? 210 00:14:15,289 --> 00:14:19,728 WELL, I'VE BEEN IN THE BUSINESS 25 YEARS, NEVER WON ANYTHING. 211 00:14:19,771 --> 00:14:22,078 [ LAUGHTER ] 212 00:14:22,122 --> 00:14:25,995 I JUST WANT TO SAY THAT... 213 00:14:32,480 --> 00:14:34,917 I, UH... 214 00:14:34,961 --> 00:14:40,618 I JUST WANT TO SAY THAT IT'S A GREAT HONOR. 215 00:14:40,662 --> 00:14:42,533 THANKS. 216 00:14:42,577 --> 00:14:44,318 THANK YOU. 217 00:14:44,361 --> 00:14:46,363 [ CHEERS AND APPLAUSE ] 218 00:14:52,848 --> 00:14:54,676 HE DESERVES IT. 219 00:14:59,072 --> 00:15:01,465 I, UH... 220 00:15:03,903 --> 00:15:05,426 YOU WANT TO SEE ME? 221 00:15:17,742 --> 00:15:19,962 THIS WAY, PLEASE. 222 00:15:29,711 --> 00:15:31,365 MR. BOMBAY. 223 00:15:31,408 --> 00:15:33,410 [ TELEPHONE RINGING ] 224 00:15:33,454 --> 00:15:36,587 COME BACK IN A FEW MINUTES. 225 00:15:39,112 --> 00:15:40,374 HELLO. 226 00:15:42,463 --> 00:15:44,160 WHAT? 227 00:15:45,770 --> 00:15:47,947 [ DOOR CLOSES ] 228 00:15:47,990 --> 00:15:49,470 ARE YOU SURE NOW? 229 00:15:49,513 --> 00:15:51,515 WHAT'S HIS NAME? 230 00:15:55,171 --> 00:15:56,956 ALL RIGHT. 231 00:15:56,999 --> 00:15:59,959 YOU MADE YOURSELF A HUNDRED. 232 00:16:08,489 --> 00:16:11,535 YOU SEARCHED THE APARTMENT LAST NIGHT? 233 00:16:13,320 --> 00:16:15,583 WE LOOKED EVERYWHERE, CHARLEY. 234 00:16:15,626 --> 00:16:20,980 THERE WAS A GUY THERE. THERE WAS A GUY THERE! 235 00:16:23,199 --> 00:16:25,985 FIVE-O JUST PICKED HIM UP. 236 00:16:26,028 --> 00:16:30,032 YOU SAW US, CHARLEY. WE TURNED THE PLACE UPSIDE DOWN. 237 00:16:33,340 --> 00:16:35,385 THE TERRACE. 238 00:16:35,429 --> 00:16:38,954 YOU WERE ON THE TERRACE WITH THE GIRL, REMEMBER? 239 00:16:38,998 --> 00:16:41,174 I REMEMBER. 240 00:16:41,217 --> 00:16:47,571 I REMEMBER THE TERRACE. 241 00:16:47,615 --> 00:16:50,792 AND A GUY BY THE NAME OF MARTY SLOANE 242 00:16:50,835 --> 00:16:53,012 IS GOING TO REMEMBER, TOO. 243 00:16:53,055 --> 00:16:57,451 AND WHEN HE DOES -- WHEN HE DOES... 244 00:16:57,494 --> 00:17:00,976 FIND THAT GUY. 245 00:17:01,020 --> 00:17:05,937 AND GET OUR STUFF BACK... AND KILL HIM. 246 00:17:07,591 --> 00:17:10,029 AND I MEAN NOW! 247 00:17:20,865 --> 00:17:24,304 OKAY, YOU BOUGHT HER A DRINK AND YOU LEFT TOGETHER. 248 00:17:24,347 --> 00:17:25,827 NO, NO. I LEFT ALONE. 249 00:17:25,870 --> 00:17:28,134 NOT ACCORDING TO THE BARTENDER. 250 00:17:28,177 --> 00:17:32,007 OH. OH, WAIT A MINUTE. OH, I REMEMBER NOW. 251 00:17:32,051 --> 00:17:36,098 WE DID LEAVE TOGETHER, LIKE YOU SAID, BUT SHE WENT HER WAY -- 252 00:17:36,142 --> 00:17:37,708 AND YOU WENT HER WAY. 253 00:17:37,752 --> 00:17:39,841 LOOK, YOU HAVE NO RIGHT TO TREAT ME THIS WAY. 254 00:17:39,884 --> 00:17:41,234 I'M NOT A CRIMINAL. 255 00:17:41,277 --> 00:17:43,801 I KNOW EXACTLY WHO YOU ARE. 256 00:17:43,845 --> 00:17:45,977 YOU'RE VICE-PRESIDENT SACRAMENTO HARDWARE. 257 00:17:46,021 --> 00:17:48,763 YOU'VE BEEN MARRIED 18 YEARS. YOU GOT FOUR KIDS. 258 00:17:48,806 --> 00:17:51,113 YOU'RE A MEMBER OF A CHURCH, BOY SCOUT LEADER, 259 00:17:51,157 --> 00:17:52,984 A RESPECTED MEMBER OF THE COMMUNITY. 260 00:17:53,028 --> 00:17:56,423 NO, YOU'RE NOT A CRIMINAL, JUST A GUY LIVING IT UP FOR A WEEK. 261 00:17:56,466 --> 00:17:58,468 YOU COULDN'T BE MORE WRONG, MR. McGARRETT. 262 00:17:58,512 --> 00:18:00,209 I DON'T THINK SO. 263 00:18:00,253 --> 00:18:02,429 WE SEE YOUR TYPE EVERY DAY. YOU'RE HERE ON A CONVENTION. 264 00:18:02,472 --> 00:18:04,779 YOU WANT TO DANCE ALL NIGHT, BUT WHEN YOU GET INTO TROUBLE, 265 00:18:04,822 --> 00:18:06,128 WHEN YOU HAVE TO PAY THE PIPER... 266 00:18:06,172 --> 00:18:07,825 YOU GOT ME ALL WRONG. 267 00:18:07,869 --> 00:18:11,481 WHEN YOU GET INTO TROUBLE AND YOU HAVE TO PAY THE PIPER, 268 00:18:11,525 --> 00:18:14,354 YOU FALL BACK ON YOUR SOLID CITIZEN'S ACT. 269 00:18:14,397 --> 00:18:19,402 WHAT WILL YOUR WIFE, YOUR KIDS, YOUR BUSINESS ASSOCIATES THINK 270 00:18:19,446 --> 00:18:22,666 ABOUT YOU BEING UP IN THAT ROOM WITH AN 18-YEAR-OLD GIRL? 271 00:18:25,278 --> 00:18:27,497 18? 272 00:18:29,064 --> 00:18:31,022 IS THAT ALL SHE WAS, 18? 273 00:18:35,026 --> 00:18:38,160 I THOUGHT SHE WAS -- WELL, SHE LOOKED 25. 274 00:18:38,204 --> 00:18:39,509 JUST TURNED 18. 275 00:18:41,642 --> 00:18:43,122 OKAY, WE'RE MAKING SOME PROGRESS. 276 00:18:43,165 --> 00:18:45,559 WILL YOU TELL US WHAT HAPPENED UP IN THAT ROOM? 277 00:18:45,602 --> 00:18:52,392 18 -- JUST A YEAR OLDER THAN MY GLADYS. 278 00:18:55,351 --> 00:18:58,876 WOULD YOU HELP US AND TELL US WHAT HAPPENED IN THAT APARTMENT? 279 00:19:00,922 --> 00:19:07,320 WELL, I LEFT THE BAR WITH HER, LIKE YOU SAID. 280 00:19:07,363 --> 00:19:13,152 AND WE WENT BACK TO HER PLACE AND MADE SOME DRINKS. 281 00:19:13,195 --> 00:19:14,936 AND WE TALKED FOR A WHILE. 282 00:19:14,979 --> 00:19:17,939 AND... 283 00:19:17,982 --> 00:19:19,723 AND SOMEBODY KNOCKED ON THE DOOR, 284 00:19:19,767 --> 00:19:23,553 AND I-I HID ON THE TERRACE. 285 00:19:23,597 --> 00:19:25,642 WHO CAME INTO THE APARTMENT? 286 00:19:25,686 --> 00:19:27,166 I DIDN'T SEE. 287 00:19:28,906 --> 00:19:30,908 IT WAS DARK. I DIDN'T SEE. 288 00:19:30,952 --> 00:19:32,954 IT WAS DARK OUTSIDE ON THE TERRACE? 289 00:19:32,997 --> 00:19:34,912 YEAH. 290 00:19:34,956 --> 00:19:37,219 AND THE LIGHTS WERE ON INSIDE THE APARTMENT? 291 00:19:37,263 --> 00:19:38,612 YEAH. 292 00:19:38,655 --> 00:19:40,179 AND YOU COULDN'T SEE? 293 00:19:40,222 --> 00:19:43,486 WELL, SHE -- SHE JUST GAVE ME A KEY AND TOLD ME TO HIDE. 294 00:19:43,530 --> 00:19:45,836 SHE GAVE YOU A WHAT? 295 00:19:45,880 --> 00:19:48,839 A KEY. 296 00:19:51,799 --> 00:19:53,627 [ TIRES SCREECHING ] 297 00:20:00,808 --> 00:20:05,247 FLIGHT NUMBER 17 NOW ARRIVING FROM LOS ANGELES 298 00:20:05,291 --> 00:20:07,858 AT GATE NUMBER 12. 299 00:20:20,480 --> 00:20:22,264 WOULD YOU BELIEVE? 300 00:20:22,308 --> 00:20:23,787 SOMEBODY PUTTING US ON? 301 00:20:23,831 --> 00:20:25,267 I DON'T KNOW. 302 00:20:27,008 --> 00:20:28,227 WHAT IS IT? 303 00:20:28,270 --> 00:20:30,185 TO THINK I STOPPED BELIEVING IN HIM. 304 00:20:30,229 --> 00:20:31,186 WHO? 305 00:20:31,230 --> 00:20:32,143 SANTA CLAUS. 306 00:20:32,187 --> 00:20:33,144 WHAT IS IT? 307 00:20:33,188 --> 00:20:34,624 HEROIN. 308 00:20:34,668 --> 00:20:36,931 CUTE, HUH? 309 00:20:36,974 --> 00:20:39,281 IT'S WARM, IT'S CUDDLY, IT SLEEPS, IT CRIES, 310 00:20:39,325 --> 00:20:42,545 AND IT'S STUFFED WITH MORE THAN 2 POUNDS OF UNCUT HEROIN. 311 00:20:42,589 --> 00:20:44,417 IT'S GOT TO BE WORTH WHAT? 312 00:20:44,460 --> 00:20:48,334 A KILO OF HEROIN, A QUARTER OF A MILLION AT LEAST, HUH? 313 00:20:48,377 --> 00:20:51,032 FIGURES THAT'S WHAT FLUSHED BOMBAY OUT OF HIS SEWER. 314 00:20:51,075 --> 00:20:53,817 YEAH, BUT HOW DO WE TIE ANGELA CARLSON TO IT? 315 00:20:53,861 --> 00:20:55,819 MAYBE SHE STOLE IT FROM BOMBAY, 316 00:20:55,863 --> 00:20:57,908 MAYBE SOMEBODY GAVE IT TO HER TO PUSH. 317 00:20:57,952 --> 00:20:59,519 WHATEVER. THAT'S NOT THE POINT. 318 00:20:59,562 --> 00:21:03,479 THE FACT THAT SHE HAD IT, BOMBAY KNEW SHE HAD IT, 319 00:21:03,523 --> 00:21:06,221 AND HE WOUND UP KILLING FOR IT. 320 00:21:06,265 --> 00:21:07,353 YOU BUY THAT? 321 00:21:07,396 --> 00:21:08,745 A GUY LIKE BOMBAY 322 00:21:08,789 --> 00:21:10,834 DOESN'T WRITE OFF A QUARTER OF A MILLION. 323 00:21:10,878 --> 00:21:13,315 HE'S LOOKING FOR THIS, LOOKING HARD. 324 00:21:17,711 --> 00:21:22,150 IT SAYS HERE THAT ANGELA CARLSON HAD AN OLDER SISTER. 325 00:21:22,193 --> 00:21:25,240 IN NEW JERSEY. SHE'S A PATIENT IN AN ALCOHOLIC WARD. 326 00:21:25,284 --> 00:21:27,895 WOULDN'T IT BE SOMETHING IF THE SISTER 327 00:21:27,938 --> 00:21:30,550 TURNED UP TO CLAIM ANGELA'S PROPERTY? 328 00:21:30,593 --> 00:21:32,160 WHAT ARE YOU GETTING AT, STEVE? 329 00:21:32,203 --> 00:21:34,641 CHARLEY BOMBAY. ONE WAY OR THE OTHER. 330 00:21:34,684 --> 00:21:38,253 WE'RE GOING TO GIVE HIM A CHANCE TO BUY THIS DOLL BACK. 331 00:21:38,297 --> 00:21:39,733 DOESN'T WASH. SHE'S HOSPITALIZED. 332 00:21:39,776 --> 00:21:41,430 HOW ARE YOU GOING TO GET HER OUT HERE? 333 00:21:41,474 --> 00:21:45,129 WELL, WE'RE PRETTY GOOD AT MANUFACTURING SISTERS, 334 00:21:45,173 --> 00:21:47,131 AREN'T WE? 335 00:21:48,132 --> 00:21:54,008 ? TOMORROW NEVER COMES? 336 00:21:54,051 --> 00:21:57,228 ALL RIGHT, TELL ME ABOUT IT AGAIN. 337 00:21:57,272 --> 00:21:59,187 MY ONE AND ONLY RECORD. 338 00:21:59,230 --> 00:22:02,712 I WAS SIGNED TO DO ANOTHER, BUT I NEVER SHOWED FOR REHEARSALS. 339 00:22:02,756 --> 00:22:04,540 THE RECORD COMPANY CANCELLED MY CONTRACT, SAID I WAS DRUNK. 340 00:22:04,584 --> 00:22:07,021 THAT WAS A LIE -- THE BAND LEADER HAD IT IN FOR ME. 341 00:22:07,064 --> 00:22:08,675 WHAT DID YOU DO AFTER THAT? 342 00:22:08,718 --> 00:22:11,460 WENT BACK TO CLUB WORK, SOME CRUMMY JOINT IN NEW JERSEY. 343 00:22:11,504 --> 00:22:14,158 I COULD HAVE MADE IT BIG IF I DIDN'T HAVE TO STAY HOME 344 00:22:14,202 --> 00:22:16,683 AND PLAY NURSEMAID TO MY DUMB KID SISTER ANGIE. 345 00:22:16,726 --> 00:22:18,989 WHAT ABOUT YOUR PARENTS? 346 00:22:19,033 --> 00:22:20,556 THE USUAL NUMBER -- 347 00:22:20,600 --> 00:22:23,516 THEY RAN A SMALL BAR CALLED MATTY'S COZY NOOK. 348 00:22:23,559 --> 00:22:26,910 POP TOOK OFF AFTER ANGIE WAS BORN. NO ONE EVER SAW HIM AGAIN. 349 00:22:26,954 --> 00:22:30,958 MAMA DIED FOUR YEARS AGO. I WAS STUCK TAKING CARE OF THE KID. 350 00:22:31,001 --> 00:22:33,221 HOW OLD WAS ANGELA THEN? 351 00:22:33,264 --> 00:22:35,266 14. 352 00:22:35,310 --> 00:22:36,355 AND YOU? 353 00:22:36,398 --> 00:22:37,356 26. 354 00:22:37,399 --> 00:22:39,096 WHERE DID YOU LIVE? 355 00:22:39,140 --> 00:22:40,446 HOBOKEN. 356 00:22:40,489 --> 00:22:41,577 WHAT ADDRESS? 357 00:22:41,621 --> 00:22:45,886 20, UH... I FORGOT IT, STEVEN. 358 00:22:45,929 --> 00:22:49,237 29 McHALE STREET, APARTMENT 4B. 359 00:22:49,280 --> 00:22:50,847 29 McHALE STREET, APARTMENT 4B. 360 00:22:50,891 --> 00:22:52,936 JOYCE, IT'S GOT TO BE LETTER PERFECT. 361 00:22:52,980 --> 00:22:54,547 I'LL GET IT. I'LL GET IT. 362 00:22:54,590 --> 00:22:57,637 YOU'LL GET IT? ANGELA'S DEAD BECAUSE OF THIS DOLL. 363 00:22:57,680 --> 00:23:00,509 AND BOMBAY WILL KILL AGAIN TO GET IT. 364 00:23:00,553 --> 00:23:03,991 IT ALL COMES WITHIN A POLICEWOMAN'S TERRITORY. 365 00:23:04,034 --> 00:23:06,515 ALL RIGHT. LET'S KNOCK IT OFF. IT'S LATE. 366 00:23:06,559 --> 00:23:09,344 NO, LET'S HIT IT AGAIN. I WANT TO GET IT LETTER PERFECT. 367 00:23:09,388 --> 00:23:10,519 YOU SURE? 368 00:23:10,563 --> 00:23:12,042 I'M SURE. 369 00:23:15,698 --> 00:23:18,527 OKAY, INSURANCE CARD AND SOCIAL SECURITY CARD, 370 00:23:18,571 --> 00:23:19,963 DRIVER'S LICENSE. 371 00:23:21,487 --> 00:23:24,707 AIRLINE TICKET. 372 00:23:24,751 --> 00:23:26,448 KEYS TO HOME. 373 00:23:26,492 --> 00:23:28,494 KEYS TO THE HOTEL. 374 00:23:28,537 --> 00:23:31,540 UNION CARD -- AGVA. YOU KNOW WHAT THAT IS? 375 00:23:31,584 --> 00:23:34,369 UH, AMERICAN GUILD OF VARIETY ARTISTS. 376 00:23:34,413 --> 00:23:36,371 RIGHT. 377 00:23:37,894 --> 00:23:39,548 HOW DID YOU GET STARTED SINGING? 378 00:23:39,592 --> 00:23:40,941 [ SIGHS ] 379 00:23:40,984 --> 00:23:43,639 OH, AMATEUR NIGHT AT THE HUDSON RIALTO. 380 00:23:43,683 --> 00:23:45,075 I WON SECOND PRIZE. 381 00:23:45,119 --> 00:23:46,860 DO YOU HAVE AN AGENT? 382 00:23:46,903 --> 00:23:48,035 JACK BARNUM. 383 00:23:48,078 --> 00:23:49,340 WHERE ARE HIS OFFICES? 384 00:23:49,384 --> 00:23:51,952 UM. 385 00:23:51,995 --> 00:23:53,997 THE -- THE GRAYSTONE BUILDING IN NEWARK. 386 00:23:55,434 --> 00:23:58,175 HE ALSO WROTE MY ACT FOR ANOTHER 10%. 387 00:23:58,219 --> 00:24:01,527 JOYCE, NEVER -- NEVER VOLUNTEER ANY INFORMATION. 388 00:24:01,570 --> 00:24:03,964 BUT NOW THAT YOU HAVE, DO YOU PAY COMMISSION TO ANYBODY ELSE? 389 00:24:04,007 --> 00:24:06,880 YEAH, 15% TO A MR. MAYORCA. 390 00:24:06,923 --> 00:24:09,099 HE'S THE HEAD OF SOME KIND OF SYNDICATE GROUP. 391 00:24:09,143 --> 00:24:10,449 I DON'T ASK QUESTIONS. 392 00:24:10,492 --> 00:24:12,320 HE PAYS FOR MY VOCAL ARRANGEMENTS AND COSTUMES. 393 00:24:12,363 --> 00:24:14,017 I THOUGHT YOU SAID YOUR AGENT WROTE YOUR ACT. 394 00:24:14,061 --> 00:24:15,845 YEAH, BUT HE DIDN'T WRITE THE ARRANGEMENTS. 395 00:24:15,889 --> 00:24:17,804 WELL, AREN'T THE ARRANGEMENTS PART OF THE ACT? 396 00:24:17,847 --> 00:24:19,588 -YEAH, THEY ARE, BUT THEY... -BUT THEY'RE NOT WHAT? 397 00:24:19,632 --> 00:24:21,416 -JACK DIDN'T WRITE THEM. -WELL, WHO WROTE THEM? 398 00:24:21,460 --> 00:24:22,591 YOU SAID THAT THE AGENT WROTE THE ACT. 399 00:24:22,635 --> 00:24:23,810 EITHER HE WROTE THE ACT OR HE DIDN'T. 400 00:24:23,853 --> 00:24:24,898 OH, STEVE, WILL YOU STOP IT? 401 00:24:26,116 --> 00:24:28,031 I'M SORRY. 402 00:24:28,075 --> 00:24:30,425 OKAY. YOU'RE TIRED. IT'S LATE. 403 00:24:30,469 --> 00:24:32,209 WE'LL QUIT. 404 00:24:36,562 --> 00:24:37,563 HOW ABOUT A DRINK, HUH? 405 00:24:37,606 --> 00:24:39,565 OHH. 406 00:24:39,608 --> 00:24:41,088 WHAT'S THE MATTER, MISTER? 407 00:24:41,131 --> 00:24:42,829 YOU WANT TO PUT ME BACK IN THE PSYCH WARD? 408 00:24:42,872 --> 00:24:44,613 THAT'S GOOD, JOYCE. 409 00:24:44,657 --> 00:24:47,529 [ KNOCK ON DOOR ] 410 00:24:47,573 --> 00:24:48,965 WHO IS IT? 411 00:24:49,009 --> 00:24:50,837 RAQUEL WELCH. 412 00:25:00,411 --> 00:25:01,761 ARE YOU READY, MARTY? 413 00:25:01,804 --> 00:25:04,415 I THOUGHT YOU WERE GOING TO BE READY. 414 00:25:04,459 --> 00:25:07,288 I TOLD YOU WE'RE GOING TO CELEBRATE TONIGHT. 415 00:25:07,331 --> 00:25:10,291 YOU'RE MR. HARDWARE, MAN. NOW, COME ON, GET GOING. 416 00:25:10,334 --> 00:25:12,336 I'LL SEE YOU DOWN AT THE BAR. 417 00:25:12,380 --> 00:25:15,426 CAN YOU WAIT A MINUTE AND HAVE A DRINK WITH ME? 418 00:25:15,470 --> 00:25:17,820 WELL, THE BOYS ARE WAITING. I TOLD THEM I'D MEET THEM. 419 00:25:17,864 --> 00:25:19,518 JUST ONE DRINK. 420 00:25:19,561 --> 00:25:21,302 OKAY. WHY NOT? 421 00:25:30,746 --> 00:25:32,966 HEY, EITHER WE'RE HAVING AN EARTHQUAKE 422 00:25:33,009 --> 00:25:36,099 OR SOMETHING IS SHAKING YOU UP. YOU'RE SPILLING IT. 423 00:25:36,143 --> 00:25:38,624 MUST HAVE BEEN SOMETHING I ATE. 424 00:25:38,667 --> 00:25:40,713 YEAH? 425 00:25:45,152 --> 00:25:51,550 WILLY, HOW LONG YOU BEEN MARRIED? 426 00:25:51,593 --> 00:25:53,987 16 YEARS. 427 00:25:54,030 --> 00:25:56,337 LOOK, MARTY, WE GOT TO HAVE A -- 428 00:25:56,380 --> 00:26:02,125 LISTEN, DID YOU EVER GET IN TROUBLE WITH YOUR WIFE? 429 00:26:02,169 --> 00:26:06,826 I MEAN REAL TROUBLE, NOT JUST AN ARGUMENT OVER WHAT MOVIE TO SEE. 430 00:26:09,002 --> 00:26:12,048 ONCE. 431 00:26:12,092 --> 00:26:13,876 YEAH, ONCE. 432 00:26:13,920 --> 00:26:16,662 [ LAUGHS ] 433 00:26:16,705 --> 00:26:19,490 I TOLD HER I WAS GOING TO SPEND THE NIGHT 434 00:26:19,534 --> 00:26:22,015 IN TOWN WITH MY BROTHER... 435 00:26:22,058 --> 00:26:24,626 THEN SHE SAW MY BROTHER AT A BINGO GAME. 436 00:26:24,670 --> 00:26:26,846 SO WHAT HAPPENED? 437 00:26:26,889 --> 00:26:30,893 WHAT HAPPENED? THE ROOF FELL IN, THAT'S WHAT HAPPENED. 438 00:26:30,937 --> 00:26:33,896 BUT AFTER A WHILE, SHE GOT OVER IT. 439 00:26:33,940 --> 00:26:36,682 MOST WOMEN DO, I THINK -- FOR THE KIDS MAYBE, 440 00:26:36,725 --> 00:26:38,988 BUT FOR WHATEVER REASON, THEY DO. 441 00:26:41,774 --> 00:26:44,646 DID IT, UH -- DID IT CHANGE ANYTHING? 442 00:26:44,690 --> 00:26:47,083 WHAT DO YOU MEAN? 443 00:26:47,127 --> 00:26:49,869 I MEAN, IN YOUR PERSONAL RELATIONSHIP. 444 00:26:51,653 --> 00:26:54,264 WELL, TO TELL YOU THE TRUTH, MARTY, 445 00:26:54,308 --> 00:26:59,443 I DON'T KNOW ABOUT YOU AND NAN, BUT WITH EDNA... 446 00:26:59,487 --> 00:27:01,924 NAH. 447 00:27:01,968 --> 00:27:04,318 NO, IT DIDN'T CHANGE ANYTHING. 448 00:27:04,361 --> 00:27:05,711 NOTHING. 449 00:27:07,234 --> 00:27:11,891 WELL, SUPPOSE THERE WAS BIG TROUBLE. 450 00:27:11,934 --> 00:27:15,938 SUPPOSE IT WAS NOT ONLY EDNA WHO KNEW, BUT YOUR KIDS, 451 00:27:15,982 --> 00:27:17,853 AND THE BOSS, 452 00:27:17,897 --> 00:27:19,855 AND THE PEOPLE YOU WORK WITH, 453 00:27:19,899 --> 00:27:22,641 AND YOUR NEIGHBORS -- EVERYONE. 454 00:27:22,684 --> 00:27:27,210 EVERYONE WHO MATTERS IN YOUR LIFE. 455 00:27:27,254 --> 00:27:30,692 HEY, YOU'RE REALLY UPTIGHT, AIN'T YOU? 456 00:27:35,262 --> 00:27:40,571 WELL, I SUPPOSE I'D SWALLOW MY PRIDE, 457 00:27:40,615 --> 00:27:45,707 LOOK EVERYBODY STRAIGHT IN THE EYE AND... 458 00:27:45,751 --> 00:27:48,275 PACK MY BAGS FOR SIBERIA. 459 00:27:57,458 --> 00:27:59,242 HE NEVER LEAVES THE ROOM, 460 00:27:59,286 --> 00:28:01,810 OR HE LEAVES WITH A HALF A DOZEN GUYS. 461 00:28:01,854 --> 00:28:02,898 YEAH, YEAH. 462 00:28:02,942 --> 00:28:04,073 [ KNOCK ON DOOR ] 463 00:28:04,117 --> 00:28:05,161 HOLD IT. 464 00:28:05,205 --> 00:28:06,772 JUST A MOMENT! 465 00:28:08,295 --> 00:28:09,949 YEAH. 466 00:28:09,992 --> 00:28:11,907 NOW, LISTEN. 467 00:28:11,951 --> 00:28:14,083 YOU GET HIM ALONE, DO YOU HEAR ME? 468 00:28:14,127 --> 00:28:15,824 WE CAN'T GET HIM ALONE. 469 00:28:15,868 --> 00:28:18,697 YOU WILL FIND A WAY. 470 00:28:18,740 --> 00:28:20,699 OR I'LL GET YOU ALONE. 471 00:28:20,742 --> 00:28:23,310 OKAY, CHARLEY. OKAY, OKAY. 472 00:28:25,791 --> 00:28:27,793 NOW COME IN! 473 00:28:39,065 --> 00:28:40,762 SIT DOWN. 474 00:28:40,806 --> 00:28:42,503 SIT DOWN. 475 00:28:58,388 --> 00:29:00,739 [ LIQUID POURING ] 476 00:29:06,745 --> 00:29:08,834 [ ICE CLINKING ] 477 00:29:41,475 --> 00:29:43,694 SO... 478 00:29:43,738 --> 00:29:46,088 YOU'RE ANGELA CARLSON'S SISTER. 479 00:29:46,132 --> 00:29:48,177 RIGHT. 480 00:30:02,626 --> 00:30:04,585 YOU GOT SOMETHING TO SELL, HUH? 481 00:30:04,628 --> 00:30:07,501 SOMETHING SOFT AND WHITE 482 00:30:07,544 --> 00:30:10,896 AND PURE AS THE DRIVEN SNOW. 483 00:30:10,939 --> 00:30:12,636 ABOUT 2 POUNDS OF IT. 484 00:30:12,680 --> 00:30:16,031 YOUR SISTER GAVE IT TO YOU. 485 00:30:17,554 --> 00:30:19,687 SHE LEFT IT WHERE I COULD FIND IT. 486 00:30:19,730 --> 00:30:21,123 I FOUND IT. 487 00:30:25,562 --> 00:30:29,697 HOW MUCH DO YOU WANT FOR THIS MERCHANDISE? 488 00:30:29,740 --> 00:30:32,221 $200,000. 489 00:30:35,529 --> 00:30:37,661 [ CHUCKLES ] 490 00:30:39,054 --> 00:30:42,362 YOU HAVE GOT A GREAT SENSE OF HUMOR, 491 00:30:42,405 --> 00:30:43,798 BUT DON'T PUSH IT. 492 00:30:43,842 --> 00:30:45,321 YOU KNOW WHAT I MEAN? 493 00:30:47,236 --> 00:30:51,632 NOWHOW MUCH DO YOU WANT FOR THIS MERCHANDISE? 494 00:30:51,675 --> 00:30:54,156 WHY DON'T YOU MAKE ME AN OFFER? 495 00:30:56,767 --> 00:30:59,945 THIS IS NOT MY BAG, YOU UNDERSTAND. 496 00:30:59,988 --> 00:31:02,730 I'M DOING IT FOR A FRIEND OF MINE, SEE? 497 00:31:02,773 --> 00:31:05,385 HMM. 498 00:31:05,428 --> 00:31:09,824 I THINK THAT HE'LL GO, UH, 499 00:31:09,868 --> 00:31:12,044 $100,000 TOP. 500 00:31:12,087 --> 00:31:13,480 [ LAUGHS ] 501 00:31:13,523 --> 00:31:15,351 YOU'RE THE ONE WITH THE SENSE OF HUMOR. 502 00:31:15,395 --> 00:31:16,875 EASY, BABY. EASY. 503 00:31:16,918 --> 00:31:19,181 YOU TAKE IT EASY. HEY, LOOK. 504 00:31:19,225 --> 00:31:21,357 I KNOW WHAT GOOD STUFF IS WORTH. 505 00:31:21,401 --> 00:31:23,359 I PRICED IT THREE HOURS AGO BY PHONE 506 00:31:23,403 --> 00:31:24,883 WITH A FRIEND IN JERSEY CITY. 507 00:31:24,926 --> 00:31:27,624 YOU GOT AN OFFER ON THE MAINLAND? 508 00:31:27,668 --> 00:31:29,365 WHY DO YOU COME HERE? 509 00:31:29,409 --> 00:31:31,890 BECAUSE I DON'T WANT TO GET CAUGHT FLYING BACK 510 00:31:31,933 --> 00:31:34,066 WITH A SUITCASE FULL OF TALCUM POWDER. 511 00:31:35,937 --> 00:31:37,025 SIT DOWN. 512 00:31:38,592 --> 00:31:40,202 SIT DOWN. 513 00:31:45,860 --> 00:31:48,950 WHERE ARE YOU LIVING? 514 00:31:48,994 --> 00:31:51,039 [ LAUGHS ] 515 00:31:51,083 --> 00:31:53,781 KAIOLU MOTEL, ROOM 617. 516 00:31:53,824 --> 00:31:56,915 THE SAME ONE YOUR HOOD SEARCHED ABOUT AN HOUR AGO. 517 00:31:56,958 --> 00:31:59,134 [ LAUGHS ] 518 00:31:59,178 --> 00:32:01,920 COME ON, YOU REALLY THINK I'M STUPID ENOUGH 519 00:32:01,963 --> 00:32:03,834 TO KEEP THE STUFF IN MY ROOM? 520 00:32:03,878 --> 00:32:08,230 I HAVE TO COVER ALL BASES, BABY, 521 00:32:08,274 --> 00:32:11,277 BEGINNING WITH HOME PLATE. 522 00:32:13,583 --> 00:32:15,759 HELEN. 523 00:32:15,803 --> 00:32:19,024 HELEN, GIVE ME THE KAIOLU MOTEL, PLEASE. 524 00:32:19,067 --> 00:32:21,287 NOW TELL THEM WHO YOU ARE 525 00:32:21,330 --> 00:32:24,116 AND ASK THEM TO GIVE YOU TIME AND CHARGES 526 00:32:24,159 --> 00:32:26,118 ON YOUR CALL TO NEW JERSEY. 527 00:32:26,161 --> 00:32:27,510 HELLO. 528 00:32:27,554 --> 00:32:30,644 THIS IS JOYCE CARLSON, ROOM 617. 529 00:32:30,687 --> 00:32:33,777 I WANT TIME AND CHARGES ON A CALL TO JERSEY CITY. 530 00:32:40,393 --> 00:32:42,961 [ SWITCHBOARD RINGS ] 531 00:32:45,789 --> 00:32:48,444 TIME AND CHARGES -- ON LONG-DISTANCE CALL 532 00:32:48,488 --> 00:32:50,272 FROM ROOM 617 533 00:32:50,316 --> 00:32:52,753 TO JERSEY CITY, NEW JERSEY. 534 00:32:52,796 --> 00:32:56,757 4 MINUTES. $12.80 PLUS TAX. 535 00:32:57,888 --> 00:33:00,456 [ RECEIVER CLICKS ] 536 00:33:00,500 --> 00:33:04,634 ARE YOU SATISFIED, MR. BOMBAY? 537 00:33:04,678 --> 00:33:08,769 THAT YOU MADE A CALL TO JERSEY CITY, YES. 538 00:33:08,812 --> 00:33:11,163 ANYTHING ELSE YOU WANT TO KNOW ABOUT ME, 539 00:33:11,206 --> 00:33:13,295 WHY DON'T YOU ASK ME? 540 00:33:13,339 --> 00:33:17,256 [ TELEPHONE RINGS ] 541 00:33:17,299 --> 00:33:19,998 READY ON YOUR CALL TO NEW JERSEY. 542 00:33:20,041 --> 00:33:23,958 SEE, I GOT FRIENDS IN NEW JERSEY, TOO. 543 00:33:24,002 --> 00:33:27,048 MAYBE THEY KNOW SOMETHING ABOUT YOU I DON'T KNOW, 544 00:33:27,092 --> 00:33:30,747 OR MAYBE THEY DON'T KNOW YOU AT ALL, BABY. 545 00:33:32,836 --> 00:33:37,319 LOU, LOU. THIS IS CHARLEY BOMBAY. 546 00:33:37,363 --> 00:33:42,150 RIGHT, HONOLULU. HOW ARE YOU, LOU? 547 00:33:42,194 --> 00:33:45,849 FINE. LISTEN, LOU. LOU, LISTEN. 548 00:33:45,893 --> 00:33:48,852 I WANT TO FIND OUT SOMETHING, LOU. 549 00:33:48,896 --> 00:33:52,030 ? HAMMER AND NAILS AND TWINE ? 550 00:33:52,073 --> 00:33:55,685 ? HAMMER AND NAILS AND TWINE ? 551 00:33:55,729 --> 00:33:59,167 ? SAWS AND PIPES AND SHINGLES, TOO ? 552 00:33:59,211 --> 00:34:02,997 ? WE'RE IN HARDWARE JUST FOR YOU ?? 553 00:34:03,041 --> 00:34:05,043 LISTEN, LET'S GO GET SOME CHINESE FOOD. 554 00:34:05,086 --> 00:34:06,305 THE CHEN CHUNG FOU. 555 00:34:06,348 --> 00:34:07,523 THAT'S A GREAT... 556 00:34:07,567 --> 00:34:09,351 WAIT, MARTY. WHERE YOU GOING? 557 00:34:09,395 --> 00:34:10,961 WE'RE GONNA TRY THE BAR AND THEN -- 558 00:34:11,005 --> 00:34:13,225 I NEED TO TAKE A DRIVE, GET SOME AIR. 559 00:34:13,268 --> 00:34:14,878 SEE YOU LATER. 560 00:34:14,922 --> 00:34:16,315 WHAT'S HE WANT A CAR FOR? 561 00:34:16,358 --> 00:34:20,928 I KNOW JUST THE PLACE TO GO. 562 00:34:20,971 --> 00:34:24,801 ? HAMMERS AND NAILS AND TWINE 563 00:35:12,066 --> 00:35:14,286 [ TIRES SCREECHING ] 564 00:35:35,089 --> 00:35:36,177 [ GUNSHOT ] 565 00:35:39,093 --> 00:35:41,443 GET OUT OF HERE! 566 00:35:49,799 --> 00:35:51,845 [ TIRES SCREECHING ] 567 00:35:58,373 --> 00:36:01,420 KILL ME -- THEY TRIED TO KILL ME. 568 00:36:01,463 --> 00:36:03,204 COME ON, MR. SLOANE. 569 00:36:03,248 --> 00:36:06,251 MY GOD, THEY TRIED TO KILL ME. 570 00:36:20,917 --> 00:36:24,312 WHY WOULD ANYONE WANT TO KILL YOU? 571 00:36:24,356 --> 00:36:26,227 BECAUSE THEY WERE CONNECTED WITH THAT GIRL. 572 00:36:26,271 --> 00:36:28,838 HOW WOULD YOU KNOW? YOU SAID YOU DIDN'T SEE ANYONE THAT NIGHT. 573 00:36:28,882 --> 00:36:31,014 I'M A CITIZEN. I HAVE A RIGHT TO POLICE PROTECTION. 574 00:36:31,058 --> 00:36:32,190 -A RIGHT?! -YES! 575 00:36:32,233 --> 00:36:33,843 THAT'S VERY FUNNY, MR. SLOANE. 576 00:36:33,887 --> 00:36:35,845 WE PROTECT TWO MILLION A YEAR LIKE YOU. 577 00:36:35,889 --> 00:36:37,412 YOU COME AND YOU GO. 578 00:36:37,456 --> 00:36:40,328 YOU PLAY GAMES IN THAT 100 SQUARE BLOCKS CALLED WAIKIKI, 579 00:36:40,372 --> 00:36:41,982 PRETTY STUPID GAMES, 580 00:36:42,025 --> 00:36:43,897 THINGS YOU WOULDN'T BE CAUGHT DEAD DOING BACK HOME. 581 00:36:43,940 --> 00:36:47,030 BUT STILL WE PROTECT YOU -- WE BUST OUR GUTS TO PROTECT YOU. 582 00:36:47,074 --> 00:36:49,294 BUT WHEN WE NEED YOUR HELP, IT'S A DIFFERENT STORY, ISN'T IT? 583 00:36:51,121 --> 00:36:54,386 WHO WAS IN THAT APARTMENT? WHO KILLED HER? 584 00:36:54,429 --> 00:36:55,996 WHAT DID YOU SEE? 585 00:36:56,039 --> 00:36:57,998 I TOLD YOU -- I DIDN'T SEE ANYTHING. IT WAS DARK. 586 00:37:00,261 --> 00:37:02,437 LOOK. LOOK AT HIM. DO YOU SEE HIM? 587 00:37:02,481 --> 00:37:04,091 WAS HE THERE? 588 00:37:04,134 --> 00:37:08,269 IS THIS THE MAN WHO THREW HER OFF THE TERRACE? 589 00:37:08,313 --> 00:37:11,098 PLEASE, MR. McGARRETT, I DON'T KNOW. I DIDN'T SEE. 590 00:37:11,141 --> 00:37:13,187 THERE WAS A PALM IN THE WAY. 591 00:37:13,231 --> 00:37:15,885 -YOU'RE LYING, MR. SLOANE. -OH, NO, I'M NOT. 592 00:37:15,929 --> 00:37:18,192 -I SEE IT IN YOUR FACE. -I DIDN'T SEE! 593 00:37:18,236 --> 00:37:21,500 LOOK, WILL YOU PLEASE HELP US, PLEASE? 594 00:37:21,543 --> 00:37:23,545 WAS IT HIM? 595 00:37:25,155 --> 00:37:26,940 I CAN CHARGE HIM WITH MURDER. 596 00:37:26,983 --> 00:37:28,942 I CAN MAKE IT STICK, BUT I NEED YOUR HELP. 597 00:37:30,422 --> 00:37:32,380 THINK OF THAT 18-YEAR OLD GIRL 598 00:37:32,424 --> 00:37:35,078 LYING ON THE PAVEMENT, SAME AGE AS YOUR DAUGHTER. 599 00:37:35,122 --> 00:37:36,993 STOP IT. 600 00:37:37,037 --> 00:37:38,952 I TOLD YOU I CAN'T IDENTIFY ANYONE. 601 00:37:38,995 --> 00:37:40,040 -I SAW NOTHING. -YOU'RE LYING. 602 00:37:40,083 --> 00:37:41,389 NOTHING. 603 00:37:41,433 --> 00:37:42,695 YOU'RE LYING. 604 00:37:42,738 --> 00:37:45,393 I KNOW YOU SAW SOMETHING, AND YOU KNOW IT. 605 00:37:45,437 --> 00:37:46,786 GET OUT OF HERE. 606 00:37:51,094 --> 00:37:53,358 $100,000 -- YOU TAKE IT OR LEAVE IT. 607 00:37:53,401 --> 00:37:55,621 YOU TURN ME DOWN, AND YOU ARE IN TROUBLE. 608 00:37:55,664 --> 00:37:59,233 NOW MAKE UP YOUR MIND. 609 00:37:59,277 --> 00:38:01,104 LET'S FACE IT, YOU REALLY ONLY HAVE 610 00:38:01,148 --> 00:38:03,324 ONE CHANCE, ONE CHOICE. 611 00:38:05,283 --> 00:38:06,893 NOW COME ON, NOW. 612 00:38:06,936 --> 00:38:08,590 I don't scare easily. 613 00:38:08,634 --> 00:38:11,332 Neither did your sister scare easily. 614 00:38:12,812 --> 00:38:14,466 NOW, WHAT DO YOU SAY? 615 00:38:14,509 --> 00:38:17,643 YOU'VE GOT YOURSELF A DEAL. 616 00:38:17,686 --> 00:38:19,514 Good. 617 00:38:22,212 --> 00:38:23,344 FIVE-O TO CENTRAL, 618 00:38:23,388 --> 00:38:25,607 I'M GETTING THEM LOUD AND CLEAR. 619 00:38:25,651 --> 00:38:28,175 WE MAKE THE EXCHANGE IN A PUBLIC PLACE. 620 00:38:28,218 --> 00:38:29,481 I'LL CALL THAT SHOT. 621 00:38:29,524 --> 00:38:30,786 NO, YOU DON'T. 622 00:38:30,830 --> 00:38:33,485 I MEET YOU IN PRIVATE -- I DON'T LIVE LONG ENOUGH 623 00:38:33,528 --> 00:38:35,835 TO SING FOUR BARS OF "YANKEE DOODLE DANDY." 624 00:38:35,878 --> 00:38:38,838 OKAY, YOU NAME IT. 625 00:38:38,881 --> 00:38:42,363 ALA MOANA CENTER. JUST YOU. NONE OF YOUR HOODS. 626 00:38:42,407 --> 00:38:44,234 I BRING THE FLOUR. YOU BRING THE BREAD. 627 00:38:44,278 --> 00:38:46,585 TAKE THE LITTLE LADY BACK HOME. 628 00:38:46,628 --> 00:38:49,805 SHE HAD A BUSY DAY, AND BUSIER TOMORROW. 629 00:38:49,849 --> 00:38:52,068 WELL, TAKE HER! 630 00:38:52,112 --> 00:38:53,374 NOW... 631 00:38:53,418 --> 00:38:57,857 NOW EVERYTHING GO AS WE SAY. 632 00:38:57,900 --> 00:39:00,294 COUNT 100 G's. 633 00:39:00,338 --> 00:39:04,124 YOU CROSS ME, AND YOU'LL COUNT YOURSELF DEAD. 634 00:39:10,522 --> 00:39:12,262 [ DOOR OPENS ] 635 00:39:13,438 --> 00:39:17,877 OPERATOR, ROOM 341. I'M CHECKING OUT. 636 00:39:17,920 --> 00:39:21,881 HAVE MY BILL READY, PLEASE. THANK YOU. 637 00:39:30,846 --> 00:39:32,935 WHERE ARE YOU GOING, MR. SLOANE? 638 00:39:32,979 --> 00:39:34,415 I'M GETTING OUT OF HERE RIGHT NOW. 639 00:39:34,459 --> 00:39:37,070 I'M SORRY, YOU'RE IN PROTECTIVE CUSTODY. 640 00:39:37,113 --> 00:39:39,899 YOU'D BETTER UNPACK. 641 00:39:39,942 --> 00:39:42,336 YOU'D BETTER. 642 00:39:43,946 --> 00:39:46,906 WHAT DO YOU GUYS WANT WITH ME? 643 00:39:46,949 --> 00:39:48,037 WHAT? 644 00:39:48,081 --> 00:39:51,693 I TOLD YOU I DON'T KNOW ANYTHING. 645 00:39:51,737 --> 00:39:54,304 McGARRETT THINKS HE CAN PSYCH ME INTO TALKING. 646 00:39:54,348 --> 00:39:56,959 IT WON'T WORK. YOU TELL HIM THAT. 647 00:39:59,527 --> 00:40:02,008 LOOK AT THAT. 648 00:40:02,051 --> 00:40:06,926 I'VE BEEN THROUGH A WAR, TWO OPERATIONS, 649 00:40:06,969 --> 00:40:10,320 FOUR YEARS IN LITTLE LEAGUE BASEBALL. 650 00:40:12,497 --> 00:40:16,283 I GOT THE SHAKES. 651 00:40:16,326 --> 00:40:19,286 THE SHAKES. 652 00:40:19,329 --> 00:40:21,767 CAN I GET YOU SOMETHING? 653 00:40:24,030 --> 00:40:26,902 YEAH... 654 00:40:26,946 --> 00:40:30,471 SOME GUTS. 655 00:41:47,287 --> 00:41:48,941 HOW ABOUT A SHINE, LADY? 656 00:41:48,984 --> 00:41:50,377 NO, THANKS. 657 00:41:50,420 --> 00:41:53,249 LISTEN, BOMBAY SAYS YOU BETTER COME WITH ME. 658 00:41:53,293 --> 00:41:56,165 WELL, YOU TELL HIM TO GET LOST. 659 00:41:56,209 --> 00:41:58,080 AND BRING THE DOLL. 660 00:41:59,517 --> 00:42:02,345 YOU BETTER DO LIKE HE SAYS, LADY. 661 00:42:03,956 --> 00:42:05,479 PLEASE, LADY. 662 00:42:05,523 --> 00:42:08,438 DON'T MAKE ME DO SOMETHING I DON'T WANT TO DO. 663 00:42:08,482 --> 00:42:10,919 'CAUSE BOMBAY IS MY CONNECTION. 664 00:42:10,963 --> 00:42:13,835 NOW, PLEASE, THIS WAY. 665 00:42:47,652 --> 00:42:48,827 HOLD IT, HOLD IT. 666 00:42:56,182 --> 00:42:58,314 WHAT ARE WE WAITING FOR? 667 00:42:58,358 --> 00:43:01,013 HE'S GOT TO HAVE THE STUFF IN HIS POSSESSION. 668 00:43:01,056 --> 00:43:02,884 ALL UNITS, BOMBAY JUST ARRIVED. 669 00:43:02,928 --> 00:43:05,539 BE VERY CAREFUL. HE HASN'T GOT ANYTHING ON HIM. 670 00:43:09,543 --> 00:43:11,501 LET'S GO. 671 00:43:16,681 --> 00:43:20,336 YOU WERE SUPPOSED TO MEET ME INSIDE. 672 00:43:20,380 --> 00:43:24,079 YES, BUT IT'S A NICE DAY. I FELT LIKE WALKING. 673 00:43:24,123 --> 00:43:25,167 YOU GOT THE DOLL IN THERE? 674 00:43:25,211 --> 00:43:27,517 YEAH. YOU GOT THE BREAD? 675 00:43:27,561 --> 00:43:29,868 YES, I HAVE IT RIGHT HERE, BABY, RIGHT HERE. 676 00:43:29,911 --> 00:43:31,957 WELL, THEN, LET'S GET IT OVER WITH. 677 00:43:32,000 --> 00:43:34,568 NO HURRY, NO HURRY. 678 00:43:39,878 --> 00:43:43,403 LET'S GET OUT OF HERE. 679 00:43:45,840 --> 00:43:48,669 ALL UNITS, HE'S HEADED FOR THE PIIKOI EXIT. 680 00:43:48,713 --> 00:43:50,062 STOP HIM. 681 00:43:52,412 --> 00:43:53,761 [ GUNSHOT ] 682 00:43:53,805 --> 00:43:55,371 WATCH IT! 683 00:43:55,415 --> 00:43:57,069 [ TIRES SCREECH ] 684 00:43:57,112 --> 00:43:58,679 TAKE IT OVER HERE. 685 00:44:01,290 --> 00:44:03,031 [ TIRES SCREECHING ] 686 00:44:39,764 --> 00:44:41,853 CALL AN AMBULANCE. WE'LL TAKE BOMBAY. 687 00:44:41,896 --> 00:44:42,984 COME ON. LET'S GO. 688 00:45:41,608 --> 00:45:44,089 YOU'RE UNDER ARREST. 689 00:45:44,132 --> 00:45:46,091 WHAT'S THE CHARGE, McGARRETT? 690 00:45:46,134 --> 00:45:48,963 I'M HOLDING NO GUN. I HAVE NOTHING HERE. 691 00:45:49,007 --> 00:45:50,138 WHAT'S THE CHARGE, HUH? 692 00:45:50,182 --> 00:45:52,662 WHAT'S THE CHARGE? 693 00:45:52,706 --> 00:45:54,273 LET'S GO. 694 00:46:00,018 --> 00:46:01,715 IS THERE AN ORDINANCE 695 00:46:01,759 --> 00:46:04,457 ABOUT THROWING DOLLS IN THE OCEAN, McGARRETT? 696 00:46:04,500 --> 00:46:07,721 YOU KILLED ANGELA CARLSON FOR WHAT WAS IN THAT DOLL. 697 00:46:07,765 --> 00:46:09,070 [ SCOFFS ] 698 00:46:09,114 --> 00:46:12,334 HMM, YEAH? YOU CAN PROVE IT, HUH? 699 00:46:15,076 --> 00:46:17,644 JENNY, SEND HIM IN. 700 00:46:28,873 --> 00:46:31,266 TAKE A GOOD LOOK AT HIM, MR. SLOANE. 701 00:46:31,310 --> 00:46:33,486 HE'S A NARCOTICS PEDDLER AND A MURDERER, 702 00:46:33,529 --> 00:46:35,967 AND I'M GOING TO TURN HIM LOOSE IN A FEW MINUTES 703 00:46:36,010 --> 00:46:37,316 UNLESS YOU HELP US. 704 00:46:39,274 --> 00:46:43,061 YOU REALLY KNOW HOW TO DIG THEM UP, DON'T YOU? 705 00:46:43,104 --> 00:46:46,368 FIRST A POLICEWOMAN THAT SELLS DOLLS, 706 00:46:46,412 --> 00:46:50,416 AND NOW THIS JERK HERE. 707 00:46:50,459 --> 00:46:52,418 [ Laughing ] THIS JOKER, 708 00:46:52,461 --> 00:46:54,899 THIS MR. PUNK, HERE. 709 00:46:54,942 --> 00:46:58,293 THAT'S WHAT HE THINKS OF YOU, MR. SLOANE. 710 00:46:58,337 --> 00:47:01,296 JERK, PUNK, GUTLESS. 711 00:47:01,340 --> 00:47:02,950 IS THAT WHAT YOU ARE? 712 00:47:04,473 --> 00:47:06,693 DID YOU EVER SEE THIS MAN BEFORE? 713 00:47:06,736 --> 00:47:09,000 AND I USE THE WORD "MAN" LOOSELY. 714 00:47:10,915 --> 00:47:12,960 NO. NO, NEVER. 715 00:47:16,877 --> 00:47:19,880 I THINK I GO HOME NOW, McGARRETT. 716 00:47:19,924 --> 00:47:22,230 YOU KNOW, I HAD A LOT OF EXERCISE TODAY. 717 00:47:22,274 --> 00:47:23,623 I'M VERY TIRED. 718 00:47:23,666 --> 00:47:27,670 SIT DOWN. SIT DOWN. 719 00:47:29,890 --> 00:47:32,110 PLEASE, MR. SLOANE. LISTEN. 720 00:47:32,153 --> 00:47:35,156 WE CAN PUT HIM AWAY FOR THE REST OF HIS LIFE. 721 00:47:35,200 --> 00:47:39,987 THE CHARGE IS MURDER. NOW, WILL YOU PLEASE HELP US? 722 00:47:40,031 --> 00:47:42,816 YOU THINK YOU'RE PROTECTING YOURSELF, YOUR WAY OF LIFE, 723 00:47:42,860 --> 00:47:44,818 THE PEOPLE YOU LOVE? 724 00:47:44,862 --> 00:47:47,865 THERE IS NO WAY YOU CAN STAY UNINVOLVED. NO WAY! 725 00:47:47,908 --> 00:47:49,910 LOOK AT HIM. 726 00:47:49,954 --> 00:47:52,695 HE'S A CANCER THAT FEEDS ON SOCIETY, 727 00:47:52,739 --> 00:47:55,263 AND YOU'RE PART OF THAT SOCIETY. 728 00:47:55,307 --> 00:47:57,048 YOU THINK YOU CAN CLOSE YOUR EYES 729 00:47:57,091 --> 00:47:59,093 TO WHAT HE IS AND WHAT HE DOES? 730 00:47:59,137 --> 00:48:00,747 YOU THINK YOU CAN TUNE UP THE MUSIC 731 00:48:00,790 --> 00:48:03,228 AND DROWN OUT THE CRIES OF HELP FROM HIS VICTIMS, 732 00:48:03,271 --> 00:48:07,319 KIDS LIKE YOUR DAUGHTER? 733 00:48:07,362 --> 00:48:10,583 HE HOOKS GIRLS ON DOPE AND GETS THEM INTO PROSTITUTION 734 00:48:10,626 --> 00:48:12,324 TO FEED THE HABIT. 735 00:48:12,367 --> 00:48:15,588 HE'S A PROCURER, A DOPE PEDDLER, AND A MURDERER. 736 00:48:15,631 --> 00:48:21,376 NOW, LOOK, ARE YOU GONNA LET HIM WALK OUT OF HERE? 737 00:48:26,251 --> 00:48:31,082 I-I SAW HIM. 738 00:48:32,344 --> 00:48:36,261 HE -- HE DID IT. HE DID IT. 739 00:48:36,304 --> 00:48:37,827 NOW, YOU'RE OFF YOUR ROCKER, MISTER. 740 00:48:37,871 --> 00:48:39,046 I SAW YOU DO IT! 741 00:48:39,090 --> 00:48:40,918 YOU SHOVED HER OFF THE TERRACE! 742 00:48:40,961 --> 00:48:44,225 YOU BEAT HER UP AND THEN YOU KILLED HER! 743 00:48:44,269 --> 00:48:45,835 DANNO, TAKE HIM OUT OF HERE. 744 00:48:45,879 --> 00:48:48,012 BOOK HIM. MURDER ONE. 745 00:48:48,055 --> 00:48:50,057 I'LL GET YOU FOR THIS. I'LL GET YOU FOR THIS. 746 00:48:50,101 --> 00:48:51,711 I'LL GET YOU FOR THIS! 747 00:48:51,754 --> 00:48:54,018 WELL, I'LL WORRY ABOUT IT 99 YEARS FROM NOW! 748 00:48:59,980 --> 00:49:01,895 I GUESS I SHOWED HIM 749 00:49:01,939 --> 00:49:05,333 I WASN'T A LOUSY LITTLE HARDWARE SALESMAN. 750 00:49:05,377 --> 00:49:07,335 YOU SHOWED HIM MORE THAN THAT. 751 00:49:07,379 --> 00:49:10,948 WELL, I'LL STAY HERE AND TESTIFY. 752 00:49:10,991 --> 00:49:13,515 IT'S NOT GOING TO BE EASY FOR YOU BACK HOME -- 753 00:49:13,559 --> 00:49:15,430 FAMILY, FRIENDS. YOU KNOW THAT. 754 00:49:15,474 --> 00:49:17,998 YEAH, YEAH, I KNOW. 755 00:49:18,042 --> 00:49:20,392 BUT IT WOULD BE HARDER TO LIVE WITH MYSELF 756 00:49:20,435 --> 00:49:23,699 KNOWING THAT I HELPED HIM GET AWAY WITH A MURDER. 757 00:49:23,743 --> 00:49:29,009 YOU KNOW, WHEN PEOPLE LIKE YOU GET INVOLVED, 758 00:49:29,053 --> 00:49:32,621 REALLY INVOLVED -- WAKE UP -- 759 00:49:32,665 --> 00:49:35,407 THE RATS, THE SNAKES LIKE BOMBAY, THEY'RE DEAD. 760 00:49:37,539 --> 00:49:42,544 I READ SOMEWHERE... 761 00:49:42,588 --> 00:49:46,287 "ANY MAN'S DEATH DIMINISHES ME, 762 00:49:46,331 --> 00:49:49,029 BECAUSE I AM INVOLVED IN MANKIND." 763 00:49:49,073 --> 00:49:53,903 I ADMIRE YOU, MR. SLOANE, AND I THANK YOU. 764 00:49:53,947 --> 00:49:58,038 COME ON. I'LL DRIVE YOU BACK TO THE HOTEL. 765 00:50:06,177 --> 00:50:09,789 [ "HAWAII FIVE-O" THEME PLAYS ] 766 00:50:09,839 --> 00:50:14,389 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 53829

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