All language subtitles for Hawaii 5-O s01e24 Six Kilos.eng

FLIGHT 16
NOW UNLOADING AT GATE 3.

FLIGHT 16 NOW UNLOADING
AT GATE 3.

WILL MR. HARRY BROWN
PLEASE REPORT

TO THE PASSENGER
INFORMATION CENTER?

MR. HARRY BROWN,

PLEASE REPORT TO THE PASSENGER
INFORMATION CENTER.

WHY DON'T YOU FRESHEN UP
YOUR LIPSTICK?

I'LL SEE YOU LATER.

ALOHA.

ALOHA, YOURSELF, BABY.
THE NAME'S HARRY BROWN.

YOU GOT SOMETHING FOR ME?

ANNOUNCING THE DEPARTURE
OF MAINLINER FLIGHT 119

FOR LOS ANGELES AND CHICAGO,

NOW READY FOR BOARDING
AT GATE NINE.

HOLD IT.

FIVE-O.
YOU'RE UNDER ARREST.

[ WOMEN SCREAMING ]

[ "HAWAII FIVE-O" THEME PLAYS ]

REAL NAME JOHN WARNASH,
ALSO KNOWN AS JOHN ZECKI

AND GEORGE BLACK.

NO PREVIOUS ALIAS
AS HARRY K. BROWN.

OKAY, DANNO,
LET'S GO OVER IT AGAIN.

GO.

WARNASH IS A MODERATE
DRINKER, FLASHY DRESSER,

MAKES A HOBBY
OF COLLECTING WOMEN.

3-TIME LOSER.

FIVE YEARS AGO HE WAS
PAROLED FROM SAN QUENTIN.

HE ALSO DID TIME AT?

OH, YEAH. JACKSON AND JOLIET.

AFTER HIS PAROLE
FROM SAN QUENTIN?

HE'S BEEN SOMEWHERE
IN THE FAR EAST.

EXPERT SAFECRACKER,
TOP NITRO MAN.

NOT ONLY AN EXPERT,
ONE OF THE BEST IN THE WORLD.

HE'S NEVER MADE A HIT
UNDER HALF A MILLION DOLLARS.

DOESN'T MAKE IT ANY EASIER.

I CRACKED A FEW SAFES
FOR NAVAL INTELLIGENCE,

BUT AS A PROFESSIONAL,
I'D STARVE.

WHAT'S A TOP BOX MAN
LIKE WARNASH

DOING HERE IN HAWAII, STEVE?

THAT'S WHAT OUR
ASSIGNMENT IS, DANNO.

[ KNOCK ON DOOR ]

ANYTHING?

CHECKED OUT THE MONEY
IN THE LOCKER.

$20,000 -- ALL LEGIT.

UNMARKED, NO RECORDS
OF THE NUMBERS, UNTRACEABLE.

DID YOU TRY IT
UNDER BLACK LIGHT?

SURE DID.
STILL NO MARKS.

WHAT ABOUT THE HOTEL
REGISTRATION ON THE BIG ISLAND?

MADE TWO DAYS AGO
BY CABLEGRAM.

KONO?

NOT A WORD
IN THE STREETS, BOSS.

HARRY K. BROWN.

OKAY, GENTLEMEN, WE GO.

WELCOME TO THE MAUNALOA HOTEL,
MR. BROWN.

WE HAVE YOUR ROOM FOR YOU.

HOW'S THE ACTION
AROUND THIS PLACE?

SIR, WE LIKE TO THINK
OF THE MAUNALOA

AS THE PLACE
WHERE THE ACTION IS --

SWIMMING, SHUFFLEBOARD,
PING-PONG.

TUESDAYS AND THURSDAYS
WE HAVE HULA LESSONS.

WELL, I SEE WHAT YOU MEAN.

[ DING ]

THANKS, PAL.

[ KNOCK ON DOOR ]

REACH.

BACK UP.
GET OVER THERE.

GO ON. GET OVER HERE.

HANDS SLACK,
YOUR FEET SPREAD.

PULL YOUR SLEEVE UP.

HAPPY?

SIT DOWN.

YOU'RE LATE, BROWN.
WHAT HAPPENED TO YOU?

IF YOU PUT THAT AWAY,
MAYBE WE CAN TALK.

THE MAN IS PAYING YOU
TOP DOLLAR.

YOU SHOW UP WHEN HE SAYS
AND WHERE HE SAYS.

SO I MISSED THE 11:00 PLANE.

WHY?

I STOPPED
FOR A COUPLE OF DRINKS.

I, UH, MET A FRIEND.

IT GOT LATE.

I DECIDED TO FLY UP
THIS MORNING.

IS THAT SO TERRIBLE?

OH. WHAT'S HER NAME?

CYNTHIA --
CYNTHIA FREDERICKS.

ADDRESS.

IT'S IN THE BAG.

GET IT.

GET IT.

OKAY, GENIUS,
SIT DOWN. YOUR TURN.

NOW STRAIGHT TALK,
OR IN FIVE MINUTES

THE HOTEL FUZZ
WILL BE UP HERE

ASKING ABOUT THE DEAD MAN
I SHOT, RIFLING MY ROOM.

THE MAN ISN'T
GOING TO LIKE THIS.

THE MAN WANTS ME CHECKED,
HE CHECKS HIMSELF.

GET HIM FOR ME.

LOOK, BROWN, YOU DON'T SEEM
TO GET THE MESSAGE.

THIS CAPER IS
A ONE-WAY CONTACT ONLY.

I DON'T KNOW WHERE THE MAN IS

OR WHO HE IS OR WHAT HE IS.

HE LETS US KNOW.

NO. NOT WITH ME, HE DOESN'T.
I SPLIT FIRST.

NOT WITH 20 GRAND OF HIS DOUGH
IN YOUR POCKET.

WHAT'S YOUR NAME, GENIUS?

SWANSON.

YOU GOT A BIG MOUTH, SWANSON.
YOU KNOW THAT?

[ WHISTLES ]

HEY, I'LL REMEMBER
YOU SAID THAT.

YOU READY?

YOU GOING SOMEWHERE?

IF YOU WANT TO GET
OFF THIS ISLAND ALIVE,

THEN PUT THE HARDWARE AWAY
AND FOLLOW ME.

WHERE WE GOING?

YOU'LL FIND OUT
WHEN YOU GET THERE.

NICE PAD.

ONE THING I'LL SAY FOR THE MAN,
HE'S GOT GOOD TASTE.

EXCEPT FOR ONE THING --
HE HIRED YOU.

KEEP IT UP, BABY.

YOU ARE BROWN?

YEAH. WHO ARE YOU?

ANDRE MORIC.

IS THIS THE WHOLE
WELCOMING COMMITTEE?

WHAT DO YOU EXPECT, CHIMES?

THAT'S ENOUGH, CARL.

WE HAVE TO WORK TOGETHER.
THERE MUST BE COMPLETE HARMONY.

AND THAT WILL GO
FOR YOU, TOO, BROWN.

I DON'T NEED TO HOLD HANDS
WITH ANYBODY TO DO MY JOB,

THAT IS, IF I EVER FIND OUT
WHAT IT'S GOING TO BE.

YOU'LL LEARN
IN DUE TIME, MR. BROWN.

ARE YOU IN ON THIS?

I AM.

THAT'S WHAT I CALL CLASS --

REAL CLASS.

WELL, I CAN SEE
THAT YOU'RE NOT THE MAN.

AND I CAN SEE THAT
YOU TALK TOO MUCH.

WAIT TILL YOU GET TO KNOW ME
A LITTLE BETTER.

IN THE MEANTIME,
HOW DO YOU FIT INTO THIS?

LET'S JUST SAY I FIT IN.

OKAY. IF I DECIDE
TO STICK AROUND,

MAYBE YOU'LL, UH,
EDUCATE ME, HUH?

AS FOR EDUCATING YOU,
MR. BROWN,

I THINK YOU BETTER
LISTEN TO THIS.

[ Distorted voice ]
WHILE THIS IS SPECIFICALLY FOR YOUR EARS, MR. BROWN,

IT WILL DO NO HARM
TO LET THE OTHERS HEAR ALSO.

I WANT YOU TO KNOW
THAT I'VE BEEN PRIVY

TO EVERYTHING THAT HAPPENED
IN YOUR ROOM AT THE MAUNALOA

BETWEEN YOU AND SWANSON.
I HAVE ALL THE FACTS

THAT YOU GAVE
AS TO WHY YOU WERE LATE

AND WHAT YOU HAVE BEEN DOING.
I AM GOING TO CHECK THEM OUT.

MEANWHILE, LET ME
TELL YOU THIS --

UNTIL FURTHER NOTICE,
YOU'RE TO STAY THERE

AT THE BEACH HOUSE
WITH THE OTHERS.

I'M PAYING FOR A BOX MAN,
NOT A LOVER.

FOR THE NEXT WEEK, I OWN YOU.

IF YOU SHOULD STEP
OUT OF LINE AGAIN,

YOU'RE A DEAD MAN.

[ SHUTTER CLICKS ]

HOW ABOUT A TOAST
TO THE MAN, HUH?

I'VE BEEN HEARING A LOT
ABOUT THE MAN.

MAYBE IT'S TIME
SOMEBODY SAID WHO HE IS.

[ SHUTTER CLICKING ]

IF SWANSON'S RUNNING THE SHOW,

I'D JUST AS SOON
WALK RIGHT NOW.

I'M NOT RUNNING ANYTHING.

AND NOBODY'S WALKING.

SWANSON'S AN EXPERT
ELECTRICIAN, PERIOD.

HOW ABOUT YOU, FRENCHY?
YOU THE MAN?

I AM THE MAN...
FOR THE TORCH, X-RAY, AND SAW.

THAT'S ALL, BROWN.

WHAT ABOUT YOU, BABY?
HOW DO YOU FIT IN?

I WORK FOR KWAN LING,

WHO IS ON A DIPLOMATIC MISSION
IN HAWAII.

HE THE MAN?

IT IS MY COVER, THAT'S ALL.

AND THAT'S ALL YOU KNOW.

I KNOW WHAT THE MAN TELLS US.

ALL RIGHT, TO THE MAN.

WE DON'T KNOW WHO HE IS,
WHERE HE IS, WHAT HE IS.

HE NEVER SHOWS,
BUT HE GIVES ORDERS.

HOW? PHONE, TAPE, LETTERS.

ONLY NOBODY EVER SEES HIM,
AND I DON'T LIKE IT.

THAT'S TOUGH.

YOU WERE CONTACTED.
YOU MADE YOUR DEAL.

THE ONE HIT
IN A LIFETIME, BROWN.

FOR A GUARANTEED PAYOFF

OF $1 MILLION...

SPLIT FOUR WAYS.

THAT I LIKE.

[ ENGINE TURNS OVER ]

STEVE HAS MADE HIS CONTACT.

HE'S IN RENDEZVOUS
WITH AT LEAST THREE OTHERS.

WE PRESUME THEY ARE ENGAGED
IN THE SAME OPERATION.

HOW TIGHT IS HIS COVER
UP TO NOW?

SO FAR, STEVE'S OKAY.

HE MADE HIS FIRST CONTACT
AT THE HOTEL

AND WAS TAKEN
TO THE RENDEZVOUS POINT.

BUT YOU'VE MADE NO DIRECT
CONTACT WITH McGARRETT?

SO FAR NOT POSSIBLE, SIR.

ANY LEADS
ON THE BEACH HOUSE?

IT WAS RENTED A MONTH AGO
BY ONE HIRO TAGATI,

RESIDENCE -- TOKYO.

PAID FOR SIX MONTHS
IN ADVANCE, ALL CASH.

YOU'VE CHECKED ON
THIS MR. TAGATI?

WAYNE DID, SIR.

SO FAR, OUR TOKYO AGENTS
HAVE BEEN UNABLE TO LOCATE

ANYONE OPERATING
UNDER THAT NAME.

WHAT ABOUT THE TWO MEN?
THE ONE AT THE BEACH HOUSE?

STEVE'S CONTACT AT THE HOTEL

WHO CALLED HIMSELF SWANSON.

WE GOT THAT FROM THE TAPE OF
THE BUG WE PLANTED IN HIS ROOM.

THAT'S ALL WE KNOW
ABOUT HIM.

THE GIRL.

HER NAME'S
MARGI CARSTAIRS.

CAME HERE A WEEK AGO,
ATTACHED TO THE ENTOURAGE

OF A DIPLOMATIC EMISSARY
BY THE NAME OF KWAN LING.

IS HE INVOLVED?

IF HE IS, HE HAS
DIPLOMATIC IMMUNITY.

WE'LL NEVER BE ABLE
TO TOUCH HIM.

ALL RIGHT,
WHAT ELSE, DANNY?

WE PICKED UP PRINTS OF SWANSON
FROM HIS HOTEL ROOM.

THEY'VE BEEN RADIO-PHOTOED
TO WASHINGTON

FOR A POSSIBLE FILE CHECK.

I TOOK THESE PICTURES
WITH A LONG LENS

FROM A FISHING BOAT OFFSHORE.

COPIES HAVE BEEN SENT
TO WASHINGTON

FOR POSSIBLE IDENTIFICATION
AND FILE CHECK.

HOLD IT, BROWN!

WHAT IS GOING ON
WITH THE TWO OF YOU NOW?

ASK THIS STUPID JERK.

I'M ASKING BOTH OF YOU.

HE'S WHAT I TOLD YOU --
HE'S A SPY.

HE'S AN INFORMER.
I CAUGHT HIM AT IT.

WHY DON'T YOU KEEP
YOUR CRUMMY MOUTH SHUT?

I SAID HOLD IT.

ALL RIGHT, ASK HIM
WHAT HE'S TALKING ABOUT.

I CAUGHT HIM GOING THROUGH
THAT ENVELOPE.

WHY SHOULDN'T I?

LAYING HERE,
NOBODY'S NAME ON IT.

MARGI.

OKAY, BABY.

HE'S RIGHT --
THERE'S NO NAME,

NO IDENTIFICATION.

THE MAN HAS SENT US
HIS NEXT MESSAGE

ABOUT THE HIT.

LOOKS LIKE
SOME KIND OF A SHIP.

YOU'RE THE EXPERT, ANDRE.
WHAT IS THAT?

IT ISA SHIP.

VERY SPECIAL JOB.

ABOUT THE SIZE
OF A COAST GUARD CUTTER.

WELL, THAT'S WHERE WE'RE
GOING TO HIT THEN -- THE SHIP.

DOESN'T FIGURE.

SHIPS' BOXES
COME WITH ZIPPERS.

ANY LOCAL YOKEL
CAN OPEN THE BEST OF THEM

WITH A SCREWDRIVER.

MAN DOESN'T NEED ME
FOR A HIT LIKE THAT.

PERHAPS THIS WILL GIVE US
SOME KIND OF A CLUE.

YOU HAVE NOW
RECEIVED BLUEPRINTS

WHICH CONTAIN EVERY BIT
OF INFORMATION

YOU MIGHT POSSIBLY NEED AS TO
THE PLACE OF THE OPERATION.

THE NAME OF THE SHIP
ISTHE ENETIA.

YOU WILL NOT HAVE TO LOCATE
HER. SHE IS LOCATED FOR YOU.

YOU WILL STUDY HER
AND ORIENT THE BLUEPRINTS --

[ Stops tape ]
ENETIA?

YEAH, DO YOU KNOW HER?

OF COURSE.

THE ENETIA'S
KWAN LING'S SHIP,

THE MAN I WORK FOR.

AND YOUR BOSS IS A DIPLOMAT?

WHAT COULD BE ABOARD
A DIPLOMATIC SHIP

THAT WE COULD MAKE
A HIT ON?

STATE PAPERS MAYBE?

MICROFILM?

PERHAPS IF YOU'D LISTEN
TO THE REST OF THIS,

WE MIGHT FIND OUT.

...TO THE SHIP ITSELF.

MEMORIZE EVERY PASSAGE,
EVERY FOOT OF HER,

FORE AND AFT.

YOU WILL START THAT WORK
THIS MORNING.

THIS NOON AT PRECISELY 2:00,

YOU WILL DROP THE LADY
AT THE RENDEZVOUS AREA.

FOR THE REST OF THE DAY,

YOU WILL MAKE
THE NECESSARY CONTACTS

AND THE NECESSARY PURCHASES.

YOU HAVE ALREADY BEEN INFORMED

WHAT WILL BE REQUIRED
IN THE OPERATION.

WHEN THAT HAS BEEN COMPLETED,

YOU WILL RETURN TO THE HOUSE,

WHERE FURTHER INSTRUCTIONS
WILL BE GIVEN YOU.

WELL...

WE'RE IN BUSINESS AT LAST.

THERE SHE IS.

SOME TUB. MY MOUTH IS
BEGINNING TO WATER.

FOR WHAT, GENIUS?

WE STILL DON'T KNOW
WHAT WE'RE AFTER.

I COULD CARE LESS.

WHATEVER IT IS,
WE'LL GET IT.

ONCE WE GET THE PAYOFF, WE'LL
HAVE THE WORLD BY THE TAIL.

GENTLEMEN,
WE TAKE ONE STEP AT A TIME.

FIRST WE GET THE TOOLS,

THEN WE WAIT
FOR THE WORK.

I STILL DON'T LIKE THE WAY
THIS JOB IS BEING RUN.

FORGETTING ABOUT THE JOB,
WHAT ABOUT THE PAYOFF?

DO YOU BELIEVE IN THAT?

I ONLY BELIEVE IN WHAT I CAN
HOLD IN MY HANDS, BABY.

BUT LIKE FRENCHY SAID,

WE TAKE IT ONE STEP
AT A TIME.

I'LL SEE YOU
BACK AT THE HOUSE.

WAIT A MINUTE, BABY.

JUST SO YOU DON'T FORGET,
FROM HARRY K. WITH LOVE.

COME ON, BROWN,
WE GOT THINGS TO DO.

NOT WITH ME YOU DON'T,
PRETTY BOY.

RUN ALONG AND DO YOUR
LITTLE ERRANDS BY YOURSELF.

I WORK SOLO, REMEMBER?

YOU SURE YOU KNOW
WHAT TO DO?

IF I DON'T,
IT'S MY HEAD, RIGHT?

SEE YOU BACK AT THE HOUSE.

ONCE AROUND
THE COAST ROAD, BUDDY.

OKAY, SIR.

JUST HOLD IT HERE, BUDDY.

[ APPLAUSE ]

ANYTHING FROM WASHINGTON?

DRAWING A BLANK
ALL UP AND DOWN THE LINE.

WELL, I'VE BRIEFED KONO
ON WHAT I KNOW.

THE HIT'S GOING TO BE
ON KWAN LING'S YACHT.

THAT WILL BE QUITE A JOB.

WHAT DO YOU MEAN?

MADE A ROUTINE CHECK

WHEN WE LEARNED
THE GIRL'S IDENTITY.

KWAN LING'S GOT
A PRIVATE ARMY

STANDING WATCH
AROUND THE CLOCK.

WELL, WHOSEVER
BEHIND THIS CAPER

HAS A WAY FIGURED,
YOU CAN BET ON THAT.

WHAT'S OUR NEXT MOVE?

I'VE GOT TO MAKE A CONTACT
AND BE BACK BY 2:00.

CONTACT WITH WHOM?

I HAVEN'T BEEN TOLD,

BUT THERE'S ONLY ONE
POSSIBLE ANSWER.

LIKE WHAT?

A NITRO MAN.

YOU DON'T KNOW WHERE,
HOW, OR WHO.

HOW DO YOU MAKE
A CONTACT?

I GOT A SEALED ENVELOPE
WITH A LIGHTER IN IT.

THAT'S THE ONLY CLUE.

WHAT CAN WE DO TO HELP?

JUST KEEP THOSE CARDS AND
LETTERS COMING IN, BUDDY.

MAUNALOA HOTEL, BUDDY.

EXCUSE ME.

COULD I BOTHER YOU
FOR A LIGHT, PLEASE?

YEAH, SURE.
GOT ONE RIGHT HERE.

THANKS.

TOO WINDY, I GUESS.

NICE LIGHTER
YOU'VE GOT THERE.

WHERE DID YOU GET IT?

WOULD IT MEAN ANYTHING IF I
SAID A PLACE CALLED BROWN'S?

McGARRETT!

STEVE McGARRETT,
HOW YOU DOING?

McGARRETT, HUH?

ALL RIGHT, FUZZ,

FREEZE RIGHT THERE.

YOU SUCKERED ME.

NO HARRY K. BROWN.

JUST FUZZ.

JUST DON'T MAKE
ANY SUDDEN MOVES, PAL.

THERE'S NITRO IN THIS BAND,
REMEMBER?

TELL ME ABOUT IT.

I CARRIED IT A LONG WAY
TO A LOUSY COP.

END OF THE LINE, PAL.

THAT'S RIGHT --
FOR YOU.

ONE MOVE, ONE JAR,

WIPES US ALL OUT.

NOW GIVE ME THAT GUN.

I SAID GIVE ME THAT GUN.

THANKS, KONO. GET HIM OUT
OF HERE AND BOOK HIM.

SORRY, STEVE.

FOR A HOTEL SECURITY COP,

THAT WAS A PRETTY
DUMB MOVE.

FORGET IT, BRAD,
FORGET IT.

TO YOU, BABY.

I LIKE YOUR STYLE,
HARRY K. BROWN.

WOULD YOU RATHER
THAT I CALLED YOU

BY YOUR REAL NAME?

FORGET IT, BABY.

YOU'RE NOT AFRAID OF ME?

NO, IT'S JUST BUSINESS.

TOMORROW, NEXT WEEK,
ONE OF US MIGHT GET TAGGED.

THE LESS WE KNOW
ABOUT EACH OTHER, THE BETTER.

SOMEWHERE IN THIS WORLD
PEOPLE TRUST PEOPLE.

WHO DO YOU TRUST?

I COULD TRUST YOU...

IF YOU'D LET ME.

YOU SURE?

WHY NOT?

WHAT DO YOU
WANT TO KNOW?

WHO THE MAN IS.

I DON'T KNOW.

YOU DON'T KNOW,
OR YOU'RE NOT SAYING?

YOU REALLY DON'T
TRUST PEOPLE, DO YOU?

IT'S NOT THAT.

IT'S JUST THAT I CAN'T
FIGURE YOU IN ON THIS CAPER.

[ GIGGLES ]

YOU MEAN, WHAT IS
A NICE GIRL LIKE ME

DOING ON A JOB LIKE THIS?

SOMETHING LIKE THAT.

WELL, I'LL TELL YOU.

THIS NICE LITTLE GIRL
HAS FINALLY GOT A BIG ONE.

NO MORE SMALL DEALS,
NO MORE DIVES.

FROM NOW ON, IT'S CANNES,
PORTOFINO, SAINT-TROPEZ,

HERE I COME.

HAVE YOU EVER THOUGHT

THAT SOMETIMES THIS WORLD CAN BE
HARDER ON A WOMAN THAN A MAN?

YEAH.

YEAH, SOMETIMES.

UNDERNEATH
WHAT WE GROW UP TO BE,

I SUPPOSE THERE'S JUST
A LITTLE GIRL IN ALL OF US,

LOOKING OUT...

WONDERING WHY PEOPLE TURN

INTO SUCH FRIGHTENING,
MISSHAPED MONSTERS?

AND THEN ONE DAY YOU LOOK
AND YOU'RE ONE OF THOSE PEOPLE.

YOU'RE ONE OF THOSE FRIGHTENING,
MISSHAPED MONSTERS --

CROWDING, DESTROYING,
DOING ANYTHING TO STAY ALIVE.

COME ON, BABY.

WE WERE TALKING MOONLIGHT
AND ORCHIDS, REMEMBER?

YOU DON'T DIG WHAT I WAS
TALKING ABOUT, DO YOU?

HARRY, YOU DON'T
DIG IT AT ALL.

MAYBE NOT.

BUT I DIG YOU, BABY.

I DIG YOU.

YOU HAVE EXACTLY EIGHT MINUTES
TO GET THOSE CYLINDERS

OUT OF THE BOX --
EIGHT MINUTES.

IF THE BOX IS OPEN LONGER,
AN ALARM GOES OFF,

AND YOU'RE DEAD MEN.

NOW, THE TIME OF THE HIT --
11:00 TONIGHT.

REPEATING, 11:00 TONIGHT.

EIGHT MINUTES?
HE'S OUT OF HIS MIND.

IT TAKES ME TWICE AS LONG

WITH GOOD LIGHT ON DRY LAND
AND A STANDARD BOX.

HE MUST THINK I'M HOUDINI.

HE PAID FOR HOUDINI.

COME ON, LET'S FIGURE OUT
WHAT'S IN THESE CYLINDERS.

THE MAN SAID THEY'RE
HEAVY-GRADE CELLULOID,

SEALED AND WATERPROOFED.

THREE OF THEM,

2 KILOS EACH.

NITRO ON CELLULOID?

THAT'S WHAT I MEAN, FRENCHY.

I GOT TO BLOW THOSE DOORS

WITHOUT TEARING
THOSE CYLINDERS APART.

WHY DON'T YOU BURN IT
OR PEEL IT?

IN EIGHT MINUTES, STUPID?

WHAT'S IN THESE?
WHAT'S IN THEM?

MAYBE GOLD.

BULLION IS $35 AN OUNCE.

AT OUR PRICES,
HE'D BE LOSING A FORTUNE.

DIAMONDS?

IN WATERPROOF CELLULOID
CONTAINERS? NEVER.

WAIT A MINUTE.

"H"!

UNCUT HORSE.

6 KILOS OF PURE HEROIN.

OH, MAN, WHAT A HIT.

WHAT A HIT.

$40 MILLION, COOL.

[ MUSIC PLAYS ]

I'M FROM MAUNA LOA
REFRIGERATION.

STAND RIGHT THERE.

MOORE HERE.

A GUY FROM MAUNA LOA
REFRIGERATION.

PLEASE EXCUSE ME.

RIGHT. I'LL CHECK.

NOBODY REPORTED
ANYTHING WRONG.

WHO CALLED YOU?

LOOK, BUDDY, I JUST WORK
FOR THE OUTFIT.

I DO WHAT I'M TOLD.
IT'S NO SKIN OFF MY BACK.

YOU'RE PAYING DOUBLE TIME.

YOU WANT TO FIND OUT
WHO CALLED,

OKAY, I'LL COME BACK
IN THE MORNING.

IT'S ALL RIGHT, ERIC.
I CALLED HIM.

SORRY, MISS CARSTAIRS.

NO PROBLEM.

YOU KNOW WHERE IT IS?

BEEN HERE BEFORE.

[ SPEAKING MANDARIN ]

OKAY, LET'S GO.

HOW IS HE?

THE SAKE AND THE POWDER
WORKED LIKE A CHARM.

WHERE'S SWANSON?

SHOULD BE HERE ANY SECOND.

[ KNOCK ON DOOR ]

WHO IS IT?

LU KIM.

EVERYTHING'S ALL RIGHT.
THANK YOU, YOU CAN GO.

[ SPEAKING MANDARIN ]

IT IS 11:00.

WE HAVE EXACTLY
10 MINUTES.

[ KNOCK KNOCK ]

WHO IS IT?

SWANSON.

COME ON, COME ON.
TIME IS RUNNING SHORT.

DO NOT BE TOO IMPATIENT,
MY FRIEND.

IF THE BLUEPRINTS
WERE CORRECT,

THEY WILL SHOW EXACTLY WHERE
THE PARTITION COVERS THE SAFE.

[ CLICKING ]

[ CLICKING INCREASES ]

I'VE GOT IT.

CHALK.

YOU'RE GOING TO START
LOOKING FOR CHALK?

WHY DON'T YOU CARRY IT?

SHUT UP, STUPID.

YOU SURE THAT'S IT?

YES, YES, I'M SURE.

[ KNOCKS ON WALL ]

[ KNOCKS ON WALL ]

11:01.

WE HAVE EXACTLY NINE MINUTES
UNTIL THE GUARD RETURNS.

YOU GOT THAT, BROWN?

WE RUN OVER NINE MINUTES,
WE GET TRAPPED IN HERE,

I'LL PUT A BULLET IN YOUR HEAD.

YOU MAY NOT BE ALIVE
TO DO IT, STUPID.

STOP ARGUING.

IF YOU'RE GOING TO SETTLE
SOMETHING,

SETTLE IT
WHEN WE'RE THROUGH HERE.

FOR HEAVEN'S SAKE,
LET'S GET ON.

THERE IT IS.

OH, IT'S A BEAUTY.

11:04.

ALL RIGHT.

LET'S SYNCHRONIZE
OUR WATCHES.

IN 10 SECONDS,

IT WILL BE 11:04
AND 30 SECONDS.

NOW.

AT EXACTLY 11:10,

YOU THROW
THAT MASTER SWITCH.

I KNOW WHAT
I'M SUPPOSED TO DO.

WHAT TIME IS IT, BABY?

11:05.

PLASTIC.

DETONATORS.

11:06.

WIRE.

11:07.

NOW WE NEED THE NITRO.

1-1,000, 2-1000, 3-1000,
4-1000...

WE HAVE ONE MINUTE.

[ ALARM SOUNDS ]

THAT JERK, HE BLEW IT.

[ SCREAMING ]

FLASHLIGHT!

BATTERY.

COME ON. BACK UP.

BE CAREFUL.

GIVE ME SOME LIGHT HERE.

ALL RIGHT, DUCK.

OH, BOY, THERE IT IS.

ONE...TWO...THREE.

[ FOOTSTEPS ]

SHH! SOMEONE'S COMING.

GIVE ME. LET'S GO.

[ ALARM CONTINUES ]

YOU HAVE DONE WELL.

NOW IT IS TIME
FOR YOUR PAYOFF.

THERE'S A STONE LANTERN
ON THE LANAI.

IF YOU WILL REMOVE THE TOP,

WITHIN WILL BE
WHAT YOU ARE SEEKING.

IF YOU WILL TAKE IT
AND REPLACE IT

WITH THE 6 KILOS
YOU OBTAINED FOR ME,

OUR ARRANGEMENT
WILL THEN BE OVER.

IT'S EMPTY.

WE'VE BEEN HAD.

YOU'RE NOT
GOING ANYWHERE, HONEY.

OKAY, BABY.

NOW IT IS TIME
FOR YOUR PAYOFF.

THERE'S A STONE LANTERN
ON THE LANAI.

[ REPLAY SPEED INCREASES,
TAPE REWINDS ]

[ Margi'sa voice ]
THERE'S A STONE LANTERN ON THE LANAI.

IF YOU WILL REMOVE THE TOP,

WITHIN WILL BE WHAT
YOU ARE SEEKING.

IF YOU WILL TAKE IT
AND REPLACE IT

WITH THE 6 KILOS
YOU OBTAINED FOR ME,

OUR ARRANGEMENT
WILL THEN BE OVER.

HARRY K. BROWN?

STEVE McGARRETT, 5-O.
YOU'RE UNDER ARREST.

YOU ALL RIGHT, BOSS?

BOOK HER.

KONO, GET AN AMBULANCE.

[ "HAWAII FIVE-O" THEME PLAYS ]

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