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1
00:00:04,600 --> 00:00:06,669
LAST CALL
FOR ALL FAMILIES
2
00:00:06,702 --> 00:00:08,104
MEETING MILITARY PERSONNEL
3
00:00:08,137 --> 00:00:10,506
FOR REST AND RECREATION
IN HONOLULU.
4
00:00:10,539 --> 00:00:11,775
PLEASE BOARD R & R BUS
5
00:00:11,808 --> 00:00:14,911
AT BAGGAGE AREA 9.
6
00:01:29,385 --> 00:01:31,754
HEY, JERRY.
7
00:01:31,787 --> 00:01:32,956
HI, JOE.
8
00:01:32,989 --> 00:01:34,590
HEY, JERRY.
DID YOUR WIFE SHOW?
9
00:01:34,623 --> 00:01:36,225
UH, NO.
10
00:01:36,259 --> 00:01:40,096
YOU'VE BEEN MEETING EVERY BUS
SINCE YESTERDAY AFTERNOON.
11
00:01:40,129 --> 00:01:42,665
WELL, IT'S A LONG WAYS
FROM WISCONSIN.
12
00:01:42,698 --> 00:01:45,969
I FIGURE SHE MISSED
A CONNECTION SOMEWHERE.
13
00:01:46,002 --> 00:01:48,704
WHAT ARE YOU GOING
TO DO UNTIL 6:00?
14
00:01:48,737 --> 00:01:50,639
JUST HANG AROUND, I GUESS.
15
00:01:50,673 --> 00:01:52,375
LOOK AT THIS.
16
00:01:52,408 --> 00:01:53,676
NUMBERS TICKET?
17
00:01:53,709 --> 00:01:57,013
A WINNER. I BOUGHT IT THIS
MORNING IN LUNALILO PARK.
18
00:01:57,046 --> 00:01:58,848
NO KIDDING.
WHAT DO YOU GET FOR IT?
19
00:01:58,882 --> 00:02:00,349
175 BUCKS.
20
00:02:00,383 --> 00:02:02,185
OH.
21
00:02:02,218 --> 00:02:04,854
NOW YOU AND I CAN DO
HOTEL STREET
22
00:02:04,888 --> 00:02:07,891
FROM ONE END TO THE OTHER,
FIRST-CLASS.
23
00:02:07,924 --> 00:02:09,292
THANKS, JOE,
I BETTER STICK AROUND.
24
00:02:09,325 --> 00:02:11,294
I'LL HAVE YOU
BACK BY 6:00.
25
00:02:11,327 --> 00:02:13,762
THAT'S WHAT YOU
SAID IN SAIGON.
26
00:02:13,796 --> 00:02:16,099
WE DIDN'T GET BACK
FOR TWO DAYS.
27
00:02:16,132 --> 00:02:18,667
YEAH, BUT THAT
WAS UNAVOIDABLE.
28
00:02:18,701 --> 00:02:20,937
NO, JOE, I CAN'T
TAKE THE CHANCE
29
00:02:20,970 --> 00:02:22,471
OF MISSING A SINGLE BUS.
30
00:02:22,505 --> 00:02:25,274
I MEAN, HOW WOULD IT LOOK
IF LORI ARRIVED
31
00:02:25,308 --> 00:02:27,176
AND I WASN'T EVEN
HERE TO MEET HER?
32
00:02:27,210 --> 00:02:29,645
WE'VE GOT ENOUGH PROBLEMS
WITH OUR MARRIAGE.
33
00:02:29,678 --> 00:02:31,180
OKAY, PAL.
34
00:02:31,214 --> 00:02:34,617
I HOPE EVERYTHING
COMES OUT ALL RIGHT.
35
00:02:34,650 --> 00:02:36,419
GOOD LUCK.
36
00:03:10,987 --> 00:03:12,956
HIYA, JOHNNY.
37
00:03:12,989 --> 00:03:14,490
I'VE BEEN LOOKING FOR YOU.
38
00:03:14,523 --> 00:03:16,859
YOU'VE BEEN LOOKING
FOR ME, SOLDIER?
39
00:03:16,892 --> 00:03:19,963
WELL, YEAH.
YOU OWE ME 175 BUCKS.
40
00:03:20,829 --> 00:03:21,864
COME ON.
41
00:03:21,897 --> 00:03:23,232
HERE'S THE TICKET.
NUMBER 8.
42
00:03:23,266 --> 00:03:24,833
I CAN SEE THE TICKET.
43
00:03:24,867 --> 00:03:26,835
WHAT DOES IT HAVE
TO DO WITH ME?
44
00:03:26,869 --> 00:03:30,073
WHAT DO YOU MEAN?
YOU SOLD IT TO ME.
45
00:03:31,440 --> 00:03:33,509
I HEAR A LOT OF G.I.s TALKING.
46
00:03:33,542 --> 00:03:36,345
THEY SAY ONE GOOK
LOOKS LIKE ANOTHER.
47
00:03:36,379 --> 00:03:40,116
MUST BE THE SAME WITH YOU, HUH?
I LOOK LIKE SOME OTHER GOOK.
48
00:03:40,149 --> 00:03:42,285
HOLD IT, KID.
49
00:03:43,452 --> 00:03:46,655
YOU'RE GOING TO PAY OFF
ON THIS TICKET.
50
00:03:49,158 --> 00:03:52,061
WHAT TICKET, SOLDIER?
51
00:04:33,436 --> 00:04:37,440
[ "HAWAII FIVE-O" THEME PLAYS ]
52
00:05:35,231 --> 00:05:39,568
[ TROLLEY CAR BELL RINGS ]
53
00:05:39,602 --> 00:05:43,406
LADIES AND GENTLEMEN,
THE IOLANI PALACE.
54
00:05:45,541 --> 00:05:48,811
THE ONLY ROYAL PALACE
ON AMERICAN SOIL.
55
00:05:48,844 --> 00:05:53,649
STEVE, WE'VE GOT TO DO
SOMETHING ABOUT HOTEL STREET.
56
00:05:53,682 --> 00:05:56,852
ANOTHER SERVICEMAN WAS KILLED
IN THAT AREA A FEW HOURS AGO.
57
00:05:56,885 --> 00:05:59,255
PRIVATE JOE CREWES,
173rd AIRBORNE DIVISION.
58
00:05:59,288 --> 00:06:00,656
RETURNED TO HONOLULU FOR R & R.
59
00:06:00,689 --> 00:06:02,558
FOUND STABBED TO DEATH
IN AN ALLEY.
60
00:06:02,591 --> 00:06:04,360
YES, SIR. I KNOW IT.
WE'RE ON IT.
61
00:06:04,393 --> 00:06:05,961
THAT'S NOT GOOD ENOUGH.
62
00:06:05,994 --> 00:06:08,331
SERVICEMEN HERE ON LEAVE
FROM VIETNAM
63
00:06:08,364 --> 00:06:10,866
HAVE BEEN SUBJECTED
TO BEATINGS, ROBBERIES,
64
00:06:10,899 --> 00:06:12,135
NOW MURDER.
65
00:06:12,168 --> 00:06:13,702
IF SOMETHING ISN'T DONE,
66
00:06:13,736 --> 00:06:16,339
THE AREA WILL BE OFF-LIMITS
TO ARMED FORCES PERSONNEL.
67
00:06:16,372 --> 00:06:17,740
BE BAD FOR BUSINESS.
68
00:06:17,773 --> 00:06:21,144
THE MERCHANTS RETAILING
DRUGS, SEX, AND GAMBLING
69
00:06:21,177 --> 00:06:23,246
MIGHT EVEN MARCH IN THE PALACE.
70
00:06:23,279 --> 00:06:25,281
YOUR CYNICISM
HAS SOME VALIDITY,
71
00:06:25,314 --> 00:06:27,416
AND I DON'T WANT TO
SQUEEZE FIVE-O.
72
00:06:27,450 --> 00:06:29,785
I KNOW THAT, SIR, AND I DON'T
WANT TO PAINT EVERY MERCHANT
73
00:06:29,818 --> 00:06:32,388
IN THE HOTEL STREET AREA
WITH THE SAME BLACK BRUSH.
74
00:06:32,421 --> 00:06:35,258
WHERE THERE'S A ROTTEN SPOT,
WE'LL DIG IT OUT.
75
00:06:35,291 --> 00:06:37,059
WE HAVE TO.
76
00:06:37,092 --> 00:06:41,497
SERVICEMEN COME BACK HERE AFTER
MONTHS OF COMBAT FOR A REST.
77
00:06:41,530 --> 00:06:44,500
THE LEAST WE CAN DO
IS GUARANTEE THEIR SAFETY.
78
00:06:44,533 --> 00:06:47,203
IT WILL BE DONE, SIR.
I PROMISE.
79
00:06:49,172 --> 00:06:51,140
[ DOOR CLOSES ]
80
00:06:51,174 --> 00:06:53,476
DANNO, CHIN, COME ON IN.
81
00:06:57,180 --> 00:06:59,215
LET'S RUN DOWN
THE CREWES KILLING.
82
00:06:59,248 --> 00:07:00,783
NO WITNESSES.
83
00:07:00,816 --> 00:07:03,186
NOBODY SAW HIM ENTER THE ALLEY.
NOBODY HEARD HIM YELL.
84
00:07:03,219 --> 00:07:05,188
WHO FOUND THE BODY?
85
00:07:05,221 --> 00:07:08,056
HPD. THEY'RE WORKING ON IT.
SO FAR, NOTHING.
86
00:07:08,090 --> 00:07:09,858
AUTOPSY REPORT?
87
00:07:09,892 --> 00:07:12,461
INTERNAL BLEEDING
FROM A SINGLE-KNIFE WOUND.
88
00:07:12,495 --> 00:07:14,197
HE MUST HAVE PUT UP A FIGHT.
KNUCKLES WERE SKIN-BARE.
89
00:07:14,230 --> 00:07:16,199
POOR GUY COMES BACK
FROM COMBAT
90
00:07:16,232 --> 00:07:18,033
AND DIES IN A CRUMMY ALLEY.
91
00:07:18,066 --> 00:07:20,903
THE QUESTION IS, WHY?
92
00:07:22,838 --> 00:07:24,072
ANY MONEY ON HIM?
93
00:07:24,106 --> 00:07:25,341
25 BUCKS.
94
00:07:25,374 --> 00:07:26,809
THAT'S OUT, ROBBERY.
95
00:07:26,842 --> 00:07:28,311
THE USUAL IDENTIFICATION.
96
00:07:28,344 --> 00:07:30,679
ALSO, AN UNMAILED LETTER
TO HIS WIFE.
97
00:07:30,713 --> 00:07:31,747
YOU READ IT?
98
00:07:31,780 --> 00:07:33,916
WAS SOAKED THROUGH
WITH HIS BLOOD.
99
00:07:33,949 --> 00:07:36,552
THE LAB'S WORKING ON IT.
100
00:07:36,585 --> 00:07:37,686
WHAT ELSE?
101
00:07:37,720 --> 00:07:39,222
GOT SOMETHING.
102
00:07:49,665 --> 00:07:52,501
HE CAME TO SERVICES
EVERY SUNDAY,
103
00:07:52,535 --> 00:07:53,902
EVEN IN THE BOONDOCKS.
104
00:07:53,936 --> 00:07:56,839
AND THEN AFTER SERVICES,
HE'D TALK ABOUT HIS WIFE, KIDS.
105
00:07:56,872 --> 00:07:58,073
HE HAD TWO.
106
00:07:58,106 --> 00:08:01,143
WHEN YOU WRITE TO THEM,
YOU MIGHT SEND THEM THAT.
107
00:08:01,176 --> 00:08:03,045
I THINK THEY
SHOULD HAVE IT.
108
00:08:03,078 --> 00:08:04,580
THANKS, McGARRETT.
109
00:08:04,613 --> 00:08:07,483
WOULD YOU KNOW WHAT CREWES
WAS DOING ON HOTEL STREET?
110
00:08:07,516 --> 00:08:11,854
I SUPPOSE WHAT THEY ALL DO --
TRY TO UNWIND.
111
00:08:11,887 --> 00:08:14,257
HOW? WOMEN, BOOZE?
112
00:08:14,290 --> 00:08:17,360
NO, THOSE WEREN'T HIS THINGS.
113
00:08:17,393 --> 00:08:20,296
HE LIKED TO GAMBLE, THOUGH.
114
00:08:20,329 --> 00:08:23,366
ONCE I SAW HIM THROW
11 PASSES IN A ROW.
115
00:08:23,399 --> 00:08:25,200
ALMOST BROKE THE BARRACKS.
116
00:08:25,234 --> 00:08:26,669
WAS DICE HIS GAME?
117
00:08:26,702 --> 00:08:29,905
A GAME WAS HIS GAME.
DOES THAT TELL YOU ANYTHING?
118
00:08:29,938 --> 00:08:33,676
YEAH, BUT I NEED TO KNOW MORE.
WHAT ABOUT HIS FRIENDS?
119
00:08:33,709 --> 00:08:37,680
HE HAD A HUNDRED, BUT THERE
WAS ONLY ONE CLOSE ONE.
120
00:08:44,119 --> 00:08:45,721
PRIVATE JERRY FRANKLIN?
121
00:08:46,789 --> 00:08:47,723
YEAH.
122
00:08:47,756 --> 00:08:50,326
MY NAME IS STEVE
McGARRETT, JERRY.
123
00:08:50,359 --> 00:08:51,927
I'M WITH FIVE-O, STATE POLICE.
124
00:08:51,960 --> 00:08:55,364
CHAPLAIN SAID I COULD
PROBABLY FIND YOU HERE.
125
00:08:56,465 --> 00:08:58,634
SOMETHING HAPPEN TO MY WIFE?
126
00:08:58,667 --> 00:09:00,102
YOUR WIFE?
127
00:09:00,135 --> 00:09:03,205
I'VE BEEN WAITING FOR HER
TO COME IN FROM THE MAINLAND.
128
00:09:03,238 --> 00:09:05,908
I'M WORRIED.
IS THAT WHY YOU'RE HERE?
129
00:09:05,941 --> 00:09:08,411
NO, IT'S ABOUT JOE CREWES.
130
00:09:10,078 --> 00:09:12,681
OH, SURE.
131
00:09:12,715 --> 00:09:15,284
THAT'S REALLY GREAT, ISN'T IT?
132
00:09:15,318 --> 00:09:16,852
REALLY GREAT.
133
00:09:16,885 --> 00:09:19,588
WE'D JUST COME IN
FROM 'NAM, HIM AND ME.
134
00:09:19,622 --> 00:09:22,224
GOING TO LIVE A LITTLE
NOW IN HONOLULU.
135
00:09:22,257 --> 00:09:24,893
WHILE I SIT HERE
WAITING FOR A WIFE
136
00:09:24,927 --> 00:09:26,429
WHO DOESN'T EVEN SHOW,
137
00:09:26,462 --> 00:09:28,931
AND JOE...
138
00:09:28,964 --> 00:09:30,299
HE'S DEAD.
139
00:09:30,333 --> 00:09:31,967
I'M SORRY, JERRY.
140
00:09:32,000 --> 00:09:35,971
WHEN WAS THE LAST TIME
YOU SAW HIM?
141
00:09:36,004 --> 00:09:38,441
2:00, MAYBE 3:00.
142
00:09:38,474 --> 00:09:41,444
HE SAID, "COME ON, JERRY,
LET'S DO HOTEL STREET
143
00:09:41,477 --> 00:09:44,380
"ONE END TO THE OTHER --
144
00:09:44,413 --> 00:09:46,114
FIRST-CLASS ALL THE WAY."
145
00:09:46,148 --> 00:09:47,583
THAT'S EXPENSIVE.
146
00:09:47,616 --> 00:09:50,886
HE ONLY HAD $25 IN HIS WALLET
WHEN HE WAS FOUND.
147
00:09:50,919 --> 00:09:54,923
HE WAS GOING TO GET $175.
HE WON IT ON A NUMBERS TICKET.
148
00:09:54,957 --> 00:09:56,492
WAS GOING TO CASH IT IN.
149
00:09:56,525 --> 00:09:58,361
HE WAS GONNA CASH IT?
DID YOU SEE THE TICKET?
150
00:09:58,394 --> 00:10:00,195
YEAH.
151
00:10:00,228 --> 00:10:02,164
DO YOU REMEMBER THE NUMBER?
152
00:10:02,197 --> 00:10:06,602
I WAS WORRIED ABOUT MY WIFE,
WHY SHE WASN'T ON THE BUS.
153
00:10:06,635 --> 00:10:09,004
THE COLOR --
WAS IT RED, GREEN, BLACK?
154
00:10:09,037 --> 00:10:11,139
I DON'T REMEMBER.
155
00:10:11,173 --> 00:10:12,541
TRY TO THINK, JERRY.
156
00:10:12,575 --> 00:10:16,111
IT MIGHT GIVE US A LEAD
TO YOUR BUDDY'S KILLER.
157
00:10:16,144 --> 00:10:17,279
GREEN, MAYBE.
158
00:10:17,312 --> 00:10:18,881
I'M JUST NOT SURE.
159
00:10:18,914 --> 00:10:21,283
HE WAS HOLDING
A WINNING TICKET.
160
00:10:21,316 --> 00:10:23,452
THE TICKET COLOR
WAS GREEN.
161
00:10:23,486 --> 00:10:25,421
DOES THAT MEAN SOMETHING?
162
00:10:25,454 --> 00:10:27,690
NUMBERS, MR. LO.
NUMBERS.
163
00:10:27,723 --> 00:10:30,393
OR HAVEN'T YOU HEARD
ABOUT NUMBERS?
164
00:10:30,426 --> 00:10:33,529
I RUN A NIGHTCLUB,
MR. McGARRETT,
165
00:10:33,562 --> 00:10:37,633
A RESPECTABLE PLACE
FOR REST AND RELAXATION.
166
00:10:37,666 --> 00:10:41,804
WHY SHOULD I KNOW
ANYTHING ABOUT RACKETS?
167
00:10:41,837 --> 00:10:43,506
CARDS ON THE TABLE, MR. LO.
168
00:10:43,539 --> 00:10:47,576
WE BOTH KNOW YOU RUN NUMBERS.
YOUR RUNNERS USE GREEN TICKETS.
169
00:10:47,610 --> 00:10:49,678
IS THAT AN ACCUSATION?
170
00:10:49,712 --> 00:10:51,580
A STATEMENT OF FACT.
171
00:10:51,614 --> 00:10:54,917
FACT IS SOMETHING
THAT CAN BE PROVEN.
172
00:10:54,950 --> 00:10:57,986
AND WE CAN PROVE IT,
BUT RIGHT NOW I WANT TO KNOW
173
00:10:58,020 --> 00:11:00,723
WHY THAT SERVICEMAN
WAS KILLED.
174
00:11:00,756 --> 00:11:05,060
IF WHAT YOU SAY IS TRUE,
IF A SERVICEMAN WAS KILLED
175
00:11:05,093 --> 00:11:07,663
INVOLVING A NUMBERS PAYOFF,
176
00:11:07,696 --> 00:11:12,735
SURELY YOU WOULDN'T BELIEVE
THAT I COULD BE INVOLVED
177
00:11:12,768 --> 00:11:15,270
IN SUCH A PENNY ANTE GAME.
178
00:11:15,303 --> 00:11:18,006
MAYBE NOT YOU, BUT SOMEBODY
FROM YOUR ORGANIZATION,
179
00:11:18,040 --> 00:11:20,976
AND YOU'D BETTER TURN THEM
OVER BEFORE YOU FIND YOURSELF
180
00:11:21,009 --> 00:11:23,679
INVOLVED AS AN ACCESSORY
AFTER THE FACT.
181
00:11:23,712 --> 00:11:27,783
THIS HAS BEEN VERY
AMUSING, MR. McGARRETT,
182
00:11:27,816 --> 00:11:31,153
BUT OBVIOUSLY
A TOTAL WASTE OF TIME.
183
00:11:31,186 --> 00:11:33,856
MURDER IS HARDLY
A WASTE OF TIME.
184
00:11:33,889 --> 00:11:37,726
THERE'S AN ATTORNEY OUTSIDE.
SAYS HE REPRESENTS MR. LO.
185
00:11:37,760 --> 00:11:39,495
HAS A WRIT FOR HIS RELEASE.
186
00:11:39,528 --> 00:11:41,530
MR. LO WILL BE RIGHT OUT.
187
00:11:43,732 --> 00:11:45,968
THANK YOU, MR. McGARRETT.
188
00:11:46,001 --> 00:11:49,237
IT'S KIND OF YOU
TO LET ME GO.
189
00:11:49,271 --> 00:11:51,907
OH, BY THE WAY...
190
00:11:51,940 --> 00:11:55,811
IF YOU'D CARE TO SEND THE NAME
AND ADDRESS OF THE SERVICEMAN
191
00:11:55,844 --> 00:11:58,447
TO MY BOOKKEEPER
GEORGE BARKER --
192
00:11:58,481 --> 00:12:00,749
YOU MEAN YOUR ENFORCER
GEORGE BARKER.
193
00:12:00,783 --> 00:12:04,820
I LIKE TO KEEP
THE RECORD STRAIGHT.
194
00:12:04,853 --> 00:12:09,324
AS I SAID, I RUN A LEGITIMATE
BUSINESS, MR. McGARRETT.
195
00:12:09,357 --> 00:12:12,427
I NEED NO ENFORCER.
196
00:12:12,461 --> 00:12:17,466
AT ANY RATE, MY ORGANIZATION
WOULD LIKE TO MAKE A DONATION
197
00:12:17,500 --> 00:12:21,069
TO THE BEREAVED FAMILY
OF THE SERVICEMAN.
198
00:12:21,103 --> 00:12:24,106
[ BAND PLAYS SLOW SONG ]
199
00:13:12,988 --> 00:13:17,425
HOW WOULD YOU LIKE
TO BUY ME A DRINK?
200
00:13:17,459 --> 00:13:19,528
WHY NOT?
201
00:13:28,436 --> 00:13:30,305
[ CLICKS TONGUE ]
202
00:13:30,338 --> 00:13:32,708
OH, KNOCK IT OFF, LO.
203
00:13:39,481 --> 00:13:41,283
IN MY OFFICE.
204
00:13:53,596 --> 00:13:56,732
THAT'S FOR MY DISCOMFORT
WITH McGARRETT,
205
00:13:56,765 --> 00:13:58,801
LITTLE BROTHER.
206
00:13:58,834 --> 00:14:02,237
NOW WE WILL DISCUSS
ANOTHER LITTLE PROBLEM.
207
00:14:04,306 --> 00:14:09,011
THE LAST BAG YOU PICKED UP
WAS SHORT ALMOST $600.
208
00:14:09,044 --> 00:14:12,480
I JUST RUN IT. I DON'T
BOOK IT. WHY LAY IT ON ME?
209
00:14:12,514 --> 00:14:13,949
WHY?
210
00:14:13,982 --> 00:14:18,286
THERE WAS $200 MISSING
FROM THE TAKE BEFORE THAT.
211
00:14:18,320 --> 00:14:22,090
YOU'RE GETTING TO BE
AN EXPENSIVE MESSENGER BOY.
212
00:14:22,124 --> 00:14:23,358
I WOULDN'T STEAL
213
00:14:23,391 --> 00:14:24,793
FROM MY OWN BROTHER.
214
00:14:24,827 --> 00:14:26,194
FOR THIS YOU WOULD.
215
00:14:26,228 --> 00:14:29,031
JUNKIE, YOU TOLD ME
YOU WERE OFF THE STUFF.
216
00:14:29,064 --> 00:14:30,232
I PAY MY OWN WAY.
217
00:14:30,265 --> 00:14:33,836
WITH A $100-A-DAY HABIT,
HOW DO YOU PAY?
218
00:14:33,869 --> 00:14:37,039
I STEAL FROM YOU, BIG BROTHER.
THAT'S WHAT YOU SAID.
219
00:14:37,072 --> 00:14:39,742
AND WHEN YOU DON'T
STEAL FROM ME?
220
00:14:40,809 --> 00:14:42,778
I HAVE MY OWN SOURCES.
221
00:14:42,811 --> 00:14:45,147
ARE YOU ON R & R, SOLDIER?
222
00:14:45,180 --> 00:14:46,548
YEAH.
223
00:14:46,581 --> 00:14:49,251
I JUST GOT IN 48 HOURS AGO.
224
00:14:49,284 --> 00:14:52,154
HOW DO YOU LIKE HONOLULU?
225
00:14:52,187 --> 00:14:53,188
I DON'T,
226
00:14:53,221 --> 00:14:56,625
BUT MAYBE YOU
CAN CHANGE MY MIND.
227
00:15:00,696 --> 00:15:03,131
IT'S BEEN KNOWN TO HAPPEN.
228
00:15:08,036 --> 00:15:10,005
YOU'RE AWFUL PRETTY,
YOU KNOW?
229
00:15:12,708 --> 00:15:15,644
YOUR WIFE
MUST BE VERY PRETTY, TOO.
230
00:15:16,845 --> 00:15:18,580
[ CHUCKLES ]
231
00:15:18,613 --> 00:15:20,348
I THOUGHT ABOUT
TAKING THE RING OFF.
232
00:15:20,382 --> 00:15:23,686
HEY, DON'T WORRY ABOUT IT.
IT DOESN'T BOTHER ME.
233
00:15:27,790 --> 00:15:30,492
YOU'VE BEEN BOOKING
ON THE SIDE, JOHN.
234
00:15:30,525 --> 00:15:31,694
WHAT IF I HAVE?
235
00:15:31,727 --> 00:15:35,330
HOW DO YOU PAY OFF
WHEN YOU LOSE?
236
00:15:36,531 --> 00:15:38,333
BY PUTTING A KNIFE
IN A SERVICEMAN?
237
00:15:40,335 --> 00:15:41,704
NO MORE, JOHN.
238
00:15:41,737 --> 00:15:43,438
I'M WARNING YOU.
239
00:15:43,471 --> 00:15:44,940
DON'T WARN ME. GIVE ME.
240
00:15:44,973 --> 00:15:47,976
BE A LITTLE GENEROUS
WITH YOUR KID BROTHER.
241
00:15:48,010 --> 00:15:49,444
I'LL BE GENEROUS WITH YOU
242
00:15:49,477 --> 00:15:52,981
WHEN YOU CAN PROVE
YOU'RE OFF THAT STUFF.
243
00:15:53,015 --> 00:15:56,384
THERE'S NO ROOM
IN THIS ORGANIZATION
244
00:15:56,418 --> 00:15:58,854
FOR A JUNKIE-TURNED-KILLER.
245
00:15:58,887 --> 00:16:01,589
HAD A BUDDY KILLED
AROUND HERE THIS AFTERNOON.
246
00:16:01,623 --> 00:16:04,927
HEY, 25th INFANTRY.
THAT'S RIGHT.
247
00:16:04,960 --> 00:16:09,297
WE WENT THROUGH 12 MONTHS
OF HELL TOGETHER.
248
00:16:13,335 --> 00:16:14,336
NEVER MIND, JERRY.
249
00:16:14,369 --> 00:16:16,739
THE COPS WERE
ALL OVER THE PLACE.
250
00:16:16,772 --> 00:16:18,640
THEY'LL FIND WHO DID IT.
251
00:16:18,673 --> 00:16:21,209
I'D SURE LIKE
TO FIND HIM FIRST.
252
00:16:24,512 --> 00:16:26,481
WHAT DO YOU THINK YOU'D DO?
253
00:16:26,514 --> 00:16:28,851
WHAT DO YOU THINK I'D DO?
254
00:16:32,487 --> 00:16:33,756
HEY.
255
00:16:33,789 --> 00:16:37,993
HEY, YOU'D BETTER
TAKE IT EASY ON THAT STUFF.
256
00:16:38,026 --> 00:16:40,863
I MAY WANT YOU
TO TAKE ME HOME.
257
00:16:44,299 --> 00:16:45,868
OH, YEAH?
258
00:16:46,802 --> 00:16:49,972
WELL, ALL RIGHT.
259
00:16:50,005 --> 00:16:51,907
WE'LL TALK ABOUT IT.
260
00:16:51,940 --> 00:16:54,409
I'LL BE BACK IN A MINUTE.
261
00:17:20,769 --> 00:17:21,669
YEAH.
262
00:17:21,703 --> 00:17:24,039
IRENE, WHERE ARE YOU?
263
00:17:24,072 --> 00:17:26,441
I'M ON THE JOB, GEORGIE,
264
00:17:26,474 --> 00:17:28,510
OR SHOULD I SAY, JOBS?
265
00:17:28,543 --> 00:17:29,677
YOU DRUNK?
266
00:17:29,711 --> 00:17:31,947
A TEENY, WEENY, EENY BIT.
267
00:17:31,980 --> 00:17:33,248
DON'T GET CUTE WITH ME.
268
00:17:33,281 --> 00:17:36,618
Lo pays you $100 a week
to drink. I pay you $150 not to.
269
00:17:36,651 --> 00:17:39,054
YOU CAN'T SEE OR HEAR
ANYTHING UNDER THE TABLE.
270
00:17:39,087 --> 00:17:42,490
OH, GEORGIE, HONEY,
YOU'RE LOSING YOUR COOL.
271
00:17:42,524 --> 00:17:44,192
GRAB AHOLD OF YOURSELF.
272
00:17:44,226 --> 00:17:46,795
LO FINDS OUT YOU'RE ON
MY TEAM, WE'RE FINISHED.
273
00:17:46,829 --> 00:17:48,163
HEY, LISTEN, YOU.
274
00:17:48,196 --> 00:17:51,433
I AM VERY CAREFUL,
AND I AM VERY HELPFUL.
275
00:17:51,466 --> 00:17:55,437
I THINK YOU CAN TAKE CARE
OF THE JOB TONIGHT.
276
00:17:55,470 --> 00:17:56,638
YOU FOUND A SETUP?
277
00:17:56,671 --> 00:17:59,241
A FRIEND OF THE SOLDIER
WHO WAS KILLED TODAY.
278
00:17:59,274 --> 00:18:01,743
I HAVE TO GET HIM OUT
WHILE HE CAN STILL WALK.
279
00:18:01,776 --> 00:18:06,548
YOU JUST IMPROVED OUR
EMPLOYEE-EMPLOYER RELATIONSHIP.
280
00:18:06,581 --> 00:18:08,416
LISTEN, WHEN IT'S ALL OVER...
281
00:18:08,450 --> 00:18:10,886
I'LL HAVE A FINGER
IN EVERY RACKET.
282
00:18:10,919 --> 00:18:12,520
WHAT ABOUT ME?
283
00:18:12,554 --> 00:18:15,958
LIKE I TOLD YOU, BABY,
WE'LL PLAY IT BY EAR.
284
00:18:25,600 --> 00:18:27,569
OKAY, KID, BEAT IT.
285
00:18:30,873 --> 00:18:33,408
IRENE'S TRYING TO SET
IT UP FOR TONIGHT
286
00:18:33,441 --> 00:18:34,809
AT THE BEACH HOUSE.
287
00:18:34,843 --> 00:18:36,979
TATO, A NICE CLEAN JOB.
288
00:18:37,012 --> 00:18:39,781
IT COMES OFF, I BUY YOU
A HUNDRED PAIRS OF SHOES
289
00:18:39,814 --> 00:18:42,050
AND YOUR OWN
SHOESHINE BOY.
290
00:18:48,023 --> 00:18:52,260
* ON A SATURDAY NIGHT...
291
00:18:52,294 --> 00:18:55,964
* ME AND MY WIFE
SETTLE DOWN *
292
00:18:55,998 --> 00:18:58,133
* NOW ME AND MY WIFE
293
00:18:58,166 --> 00:19:00,002
* ARE PARTED
294
00:19:00,035 --> 00:19:04,306
* I'M GONNA TAKE A LITTLE TRIP
DOWNTOWN *
295
00:19:04,339 --> 00:19:07,009
[ LAUGHS ]
296
00:19:07,042 --> 00:19:11,947
* IRENE, GOOD NIGHT, IRENE
297
00:19:11,980 --> 00:19:16,618
* IRENE, GOOD NIGHT
298
00:19:16,651 --> 00:19:19,087
* GOOD NIGHT, IRENE
299
00:19:19,121 --> 00:19:22,124
* GOOD NIGHT, IRENE
300
00:19:22,157 --> 00:19:26,494
* I'LL SEE YOU IN MY DREAMS
301
00:19:33,868 --> 00:19:38,640
* IRENE, GOOD NIGHT, IRENE
302
00:19:38,673 --> 00:19:41,709
* IRENE, GOOD NIGHT
303
00:19:41,743 --> 00:19:44,279
* GOOD NIGHT, IRENE
304
00:19:44,312 --> 00:19:47,182
* GOOD NIGHT, IRENE
305
00:19:47,215 --> 00:19:50,518
* SEE YOU IN MY DREAMS
306
00:19:53,421 --> 00:19:55,390
HOW DO YOU LIKE
THAT SINGING?
307
00:19:55,423 --> 00:19:57,792
THAT'S BEAUTIFUL, JERRY.
WATCH YOUR STEP.
308
00:19:57,825 --> 00:19:59,894
MUSIC TO PASS OUT BY.
309
00:19:59,928 --> 00:20:02,965
I DON'T THINK YOU'LL MAKE
ANOTHER CHORUS.
310
00:20:02,998 --> 00:20:07,202
* IRENE, GOOD NIGHT, IRENE
311
00:20:07,235 --> 00:20:10,939
* IRENE, GOOD NIGHT
312
00:20:10,973 --> 00:20:13,075
* GOOD NIGHT
313
00:20:13,108 --> 00:20:16,144
HEY, I'VE GOT TO
GET BACK TO THE, UH,
314
00:20:16,178 --> 00:20:19,081
FORT IN TIME TO MEET
THE FIRST BUS.
315
00:20:19,114 --> 00:20:21,816
DON'T YOU WORRY
ABOUT A THING.
316
00:20:21,849 --> 00:20:25,053
I WILL HAVE YOU
BACK IN TIME.
317
00:21:37,559 --> 00:21:39,127
[ GUNSHOTS ]
318
00:21:39,161 --> 00:21:41,496
[ WOMAN SCREAMS ]
319
00:22:34,616 --> 00:22:37,519
PHILIP LO, HUH?
320
00:22:37,552 --> 00:22:39,221
OKAY.
321
00:22:44,926 --> 00:22:46,994
DANNO.
322
00:22:47,028 --> 00:22:48,930
WHAT HAVE WE GOT, DANNO?
323
00:22:48,963 --> 00:22:52,300
THIS WAS FOUND CLUTCHED
IN PHILIP LO'S HAND.
324
00:22:52,334 --> 00:22:54,001
JERRY FRANKLIN?
325
00:22:54,035 --> 00:22:57,772
HE DIDN'T SHOW UP AT THE FORT.
THEY'VE GOT AN APB ON HIM.
326
00:22:57,805 --> 00:22:59,507
TIME OF DEATH ESTABLISHED?
327
00:22:59,541 --> 00:23:00,542
NOT YET.
328
00:23:00,575 --> 00:23:02,410
ANYBODY HEAR A SHOT,
SEE ANYTHING?
329
00:23:02,444 --> 00:23:06,148
KONO AND CHIN ARE OUT
CHECKING THE NEIGHBORHOOD.
330
00:23:06,181 --> 00:23:08,283
WHY WOULD HE COME HERE?
331
00:23:08,316 --> 00:23:10,552
WHY WOULD HE KILL LO?
332
00:23:10,585 --> 00:23:13,221
YOU WERE WORRIED ABOUT FRANKLIN
GETTING INTO TROUBLE.
333
00:23:13,255 --> 00:23:15,490
TROUBLE, NOT MURDER.
334
00:23:15,523 --> 00:23:17,692
WHAT DOES IT
LOOK LIKE?
335
00:23:17,725 --> 00:23:20,962
LO AND THE G.I. STRUGGLED,
AND FRANKLIN SHOT HIM.
336
00:23:20,995 --> 00:23:23,831
AND THIS WAS RIPPED OFF
DURING THE STRUGGLE?
337
00:23:23,865 --> 00:23:25,600
COULD VERY WELL BE.
338
00:23:25,633 --> 00:23:28,503
NOT MUCH WHEN YOU'RE TALKING
ABOUT FIRST-DEGREE MURDER.
339
00:23:28,536 --> 00:23:31,038
KID JUST GOT BACK.
WHAT'S THE MOTIVE?
340
00:23:31,072 --> 00:23:33,641
HIS BEST FRIEND WAS MURDERED.
341
00:23:33,675 --> 00:23:35,610
I DON'T BUY IT.
342
00:23:37,545 --> 00:23:39,147
THANK YOU.
343
00:23:40,248 --> 00:23:41,616
ANYTHING?
344
00:23:41,649 --> 00:23:43,918
WELL, THE SERVICE STATION
ATTENDANT SAID
345
00:23:43,951 --> 00:23:46,388
A G.I. CAME IN TO USE
THE PHONE ABOUT 6:00
346
00:23:46,421 --> 00:23:48,122
AS HE WAS OPENING UP.
347
00:23:48,156 --> 00:23:50,124
G.I.?
348
00:23:50,158 --> 00:23:52,394
GET A DESCRIPTION?
349
00:23:52,427 --> 00:23:55,330
THE ATTENDANT WAS TOO BUSY,
BUT HE SAW THE PATCH --
350
00:23:55,363 --> 00:23:58,266
25th INFANTRY.
351
00:23:58,300 --> 00:24:00,868
OKAY, THERE'S AN APB OUT
ON FRANKLIN,
352
00:24:00,902 --> 00:24:02,437
BUT I WANT HIM FIRST.
353
00:24:02,470 --> 00:24:03,705
IT'S YOUR BAG, CHIN.
354
00:24:03,738 --> 00:24:05,907
THERE MUST BE A THOUSAND
PLACES A GUY COULD HIDE.
355
00:24:05,940 --> 00:24:09,177
WELL, YOU'VE GOT A THOUSAND
RELATIVES. USE THEM.
356
00:24:09,211 --> 00:24:10,745
KONO, CHECK YOUR INFORMERS.
357
00:24:10,778 --> 00:24:12,980
I WANT TO KNOW EVERYTHING
THEY HAVE ON JOHN LO
358
00:24:13,014 --> 00:24:14,516
AND GEORGE BARKER.
359
00:24:14,549 --> 00:24:17,419
NUMBERS TWO AND THREE MEN
IN THE PHILIP LO ORGANIZATION.
360
00:24:17,452 --> 00:24:19,621
RIGHT NOW
THEY'RE NUMBER ONE AND TWO.
361
00:24:19,654 --> 00:24:21,456
THAT MAY ADD UP
TO SOMETHING.
362
00:24:21,489 --> 00:24:24,292
DANNO, FIND OUT
ABOUT LO'S PRIVATE LIFE,
363
00:24:24,326 --> 00:24:25,693
ESPECIALLY THIS BEACH HOUSE.
364
00:24:25,727 --> 00:24:27,929
I WANT TO KNOW WHEN
HE BOUGHT IT, WHY,
365
00:24:27,962 --> 00:24:30,031
AND IF HE
OCCUPIED IT ALONE.
366
00:24:30,064 --> 00:24:33,235
BITS AND PIECES, STEVE.
WHAT ARE YOU REALLY AFTER?
367
00:24:33,268 --> 00:24:35,637
WE GOT AN ICEBERG --
TWO HOMICIDES
368
00:24:35,670 --> 00:24:37,839
AND A WANTED G.I.
ON THE SURFACE.
369
00:24:37,872 --> 00:24:39,106
AND BELOW?
370
00:24:39,140 --> 00:24:41,376
MAYBE THE ANSWER
TO MAKING HAWAII SAFE
371
00:24:41,409 --> 00:24:43,578
FOR EVERY G.I. ON R AND R.
372
00:24:56,391 --> 00:24:58,560
HELLO, MR. McGARRETT.
373
00:24:58,593 --> 00:24:59,827
SOLLY.
374
00:24:59,861 --> 00:25:01,529
WHAT'LL YOU HAVE?
375
00:25:01,563 --> 00:25:04,432
A LITTLE INFORMATION.
376
00:25:04,466 --> 00:25:06,868
IF IT'S GOT TO DO
WITH THE BOSS' MURDER,
377
00:25:06,901 --> 00:25:08,270
I DON'T TALK OF THE DEAD.
378
00:25:08,303 --> 00:25:09,371
I'M SUPERSTITIOUS.
379
00:25:09,404 --> 00:25:11,273
WE'LL TALK ABOUT
THE LIVING.
380
00:25:11,306 --> 00:25:12,474
I NEVER GOSSIP.
381
00:25:12,507 --> 00:25:15,209
GOOD. I CAN USE
SOME FACTS, NOT GOSSIP.
382
00:25:15,243 --> 00:25:16,611
I'M LOOKING FOR A G.I.
383
00:25:16,644 --> 00:25:18,513
COULD HAVE BEEN HERE
LAST NIGHT DRINKING.
384
00:25:18,546 --> 00:25:20,114
THAT FITS HALF THE GUYS
385
00:25:20,147 --> 00:25:21,349
THAT COME IN HERE.
386
00:25:21,383 --> 00:25:23,318
THIS KID WAS ACHING
TO GET LOADED.
387
00:25:23,351 --> 00:25:24,819
21 YEARS OLD, 5' 9".
388
00:25:24,852 --> 00:25:26,354
DARK HAIR, MEDIUM BUILD.
389
00:25:26,388 --> 00:25:28,923
WORE THE PURPLE HEART
AND A COMBAT BADGE.
390
00:25:28,956 --> 00:25:30,191
PRIVATE FIRST CLASS --
391
00:25:30,224 --> 00:25:32,594
25th INFANTRY.
RING A BELL?
392
00:25:32,627 --> 00:25:35,096
OH, YEAH, I REMEMBER HIM.
393
00:25:35,129 --> 00:25:36,764
HE WAS BOMBED.
394
00:25:36,798 --> 00:25:37,799
HOW BOMBED WAS HE?
395
00:25:37,832 --> 00:25:40,802
I DON'T HAVE TIME
TO GIVE THE BALLOON TEST.
396
00:25:40,835 --> 00:25:42,069
COULD HE WALK?
397
00:25:42,103 --> 00:25:43,204
BARELY.
398
00:25:43,237 --> 00:25:44,772
HE COULDN'T DRIVE,
RIGHT?
399
00:25:44,806 --> 00:25:47,442
THIS GUY COULDN'T HAVE
EVEN HELD THE WHEEL.
400
00:25:47,475 --> 00:25:49,277
HE COULDN'T EVEN
READ THE CHECK.
401
00:25:49,311 --> 00:25:52,780
IF IT WASN'T FOR IRENE,
HE'D STILL BE UNDER THE TABLE.
402
00:25:52,814 --> 00:25:53,981
WHO'S IRENE?
403
00:25:54,015 --> 00:25:55,182
SHE WORKS HERE.
404
00:25:55,216 --> 00:25:56,684
AND THEY LEFT TOGETHER?
405
00:25:56,718 --> 00:25:59,887
IF SHE'D HAVE HICCUPPED,
HE'D HAVE FALLEN DOWN.
406
00:25:59,921 --> 00:26:00,955
WHERE IS SHE NOW?
407
00:26:00,988 --> 00:26:02,690
A GIRL LIKE THAT? WHO KNOWS?
MAKE A GUESS.
408
00:26:02,724 --> 00:26:05,527
YOUR GUESS WOULD BE
AS GOOD OR BAD AS MINE.
409
00:26:05,560 --> 00:26:08,162
WHAT ELSE, SOL?
410
00:26:08,195 --> 00:26:09,397
THAT'S ALL.
411
00:26:09,431 --> 00:26:10,832
EXCEPT FOR ONE THING.
412
00:26:10,865 --> 00:26:12,033
WHAT'S THAT?
413
00:26:12,066 --> 00:26:14,902
WHERE DO I FIND IRENE?
414
00:26:25,680 --> 00:26:28,516
ALL RIGHT, SUN GODDESS,
ROLL OVER.
415
00:26:28,550 --> 00:26:31,719
YOU'RE DONE ON THAT SIDE.
416
00:26:31,753 --> 00:26:32,754
HI, GEORGIE.
417
00:26:32,787 --> 00:26:35,623
COULDN'T PICK
A TOUGHER PLACE TO FIND?
418
00:26:35,657 --> 00:26:37,559
I HAVEN'T SEEN YOU
IN SO LONG
419
00:26:37,592 --> 00:26:39,594
I FIGURED YOU MIGHT
LIKE TO MEET
420
00:26:39,627 --> 00:26:41,596
WHERE WE COULD
BE ALONE.
421
00:26:41,629 --> 00:26:43,598
CUT THE JAZZ.
I'M IN NO MOOD TO PLAY GAMES.
422
00:26:43,631 --> 00:26:45,132
YOU GOT SOMETHING
TO SAY,
423
00:26:45,166 --> 00:26:46,401
SAY IT. I'M BUSY.
424
00:26:46,434 --> 00:26:47,669
YOU'RE BUSY.
425
00:26:47,702 --> 00:26:50,304
GEORGIE, I GET A VERY
STRONG FEELING
426
00:26:50,338 --> 00:26:52,306
YOU'RE TRYING
TO USE ME.
427
00:26:52,340 --> 00:26:55,076
YOU WERE USED A LONG TIME
BEFORE I MET YOU.
428
00:26:55,109 --> 00:26:56,544
YOU --
429
00:26:56,578 --> 00:26:57,912
STOP WITH THE CUTENESS.
430
00:26:57,945 --> 00:27:00,682
WE'RE TAKING A CHANCE
BEING SEEN TOGETHER.
431
00:27:00,715 --> 00:27:02,784
BETTER WITH YOU
THAN McGARRETT.
432
00:27:02,817 --> 00:27:04,719
HE WENT TO THE CLUB, AND HE'S
BEEN ASKING QUESTIONS.
433
00:27:04,752 --> 00:27:06,588
NOTHING TO GET
WORRIED ABOUT.
434
00:27:06,621 --> 00:27:09,023
SO THE BARTENDER TOLD HIM
YOU WERE WITH THE KID.
435
00:27:09,056 --> 00:27:11,893
YOUR STORY WAS YOU LEFT
THE G.I. IN THE PARKING LOT.
436
00:27:11,926 --> 00:27:14,195
HE WENT HIS WAY,
YOU WENT YOURS.
437
00:27:14,228 --> 00:27:15,863
I'LL TRY AND SELL HIM ON THAT,
438
00:27:15,897 --> 00:27:18,466
BUT THE BARTENDER ALSO SAID
THERE'S BEEN SOMEONE
439
00:27:18,500 --> 00:27:19,701
TRYING TO CALL ME.
440
00:27:19,734 --> 00:27:21,503
NO NAMES?
NO MESSAGES?
441
00:27:21,536 --> 00:27:23,337
NO. IT'S GOT
TO BE THE SOLDIER.
442
00:27:23,371 --> 00:27:25,272
CAN YOU BLAME HIM?
THE KID'S SWEATING.
443
00:27:25,306 --> 00:27:26,674
SO AM I.
444
00:27:26,708 --> 00:27:28,776
WHAT IF McGARRETT FINDS HIM
AND TIES ME IN?
445
00:27:28,810 --> 00:27:30,712
HE WON'T BE AROUND
LONG ENOUGH
446
00:27:30,745 --> 00:27:32,179
TO TALK TO McGARRETT.
447
00:27:32,213 --> 00:27:35,182
I THINK IT'S TIME IRENE BABY
TAKES A LITTLE VACATION.
448
00:27:35,216 --> 00:27:38,352
YOU DISAPPEAR NOW AND McGARRETT
MAKES A CONNECTION.
449
00:27:38,386 --> 00:27:40,788
YOU HANG AROUND BIG AS LIFE.
450
00:27:40,822 --> 00:27:41,856
UNDERSTAND?
451
00:29:14,549 --> 00:29:15,583
WHERE'S HE NOW?
452
00:29:15,617 --> 00:29:17,485
HE JUST WENT
INTO A FLEA BAG.
453
00:29:17,519 --> 00:29:18,986
1153 Maunakea.
454
00:29:19,020 --> 00:29:22,690
OKAY. IF HE MOVES,
DON'T LOSE HIM.
455
00:29:22,724 --> 00:29:24,225
WANT ME TO TAKE CARE OF HIM?
456
00:29:24,258 --> 00:29:26,628
He'll be taken care of,
but not by you.
457
00:29:26,661 --> 00:29:29,864
DON'T LET HIM OUT
OF YOUR SIGHT.
458
00:29:44,979 --> 00:29:47,448
LORI.
459
00:29:47,481 --> 00:29:50,151
[ Voice breaking ]
WHAT HAPPENED?
460
00:29:50,184 --> 00:29:51,619
WHERE ARE YOU?
461
00:29:51,653 --> 00:29:53,420
I NEED YOU.
462
00:29:53,454 --> 00:29:55,356
I NEED YOU!
463
00:29:55,389 --> 00:29:57,224
I NEED YOU.
464
00:29:57,258 --> 00:30:00,061
I NEED YOU.
465
00:30:00,094 --> 00:30:02,263
[ CRYING ]
466
00:30:36,564 --> 00:30:37,531
[ TELEPHONE RINGS ]
467
00:30:37,565 --> 00:30:38,633
YEAH?
468
00:30:38,666 --> 00:30:40,467
May I speak
to Irene Park?
469
00:30:40,501 --> 00:30:41,836
IT'S YOU AGAIN.
470
00:30:41,869 --> 00:30:44,672
I TOLD YOU SHE'S NOT HERE.
8:00. UNDERSTAND?
471
00:30:44,706 --> 00:30:46,741
You're driving me nuts,
pal.
472
00:30:46,774 --> 00:30:49,711
PLEASE. IS THERE SOMEPLACE
I CAN REACH HER?
473
00:30:49,744 --> 00:30:52,614
REALLY, IT'S TERRIBLY
IMPORTANT. PLEASE.
474
00:30:52,647 --> 00:30:54,682
WE DON'T GIVE OUT
THE GIRLS' PHONE NUMBERS.
475
00:30:54,716 --> 00:30:56,684
IF YOU WANT TO LEAVE
A MESSAGE, OKAY.
476
00:30:56,718 --> 00:30:58,085
OTHERWISE, I'M BUSY.
477
00:31:22,509 --> 00:31:25,446
NOW LOOK, KID. BETWEEN
THE SOLDIER LOOKING FOR YOU
478
00:31:25,479 --> 00:31:27,649
AND McGARRETT COMING IN HERE
EARLIER ASKING QUESTIONS,
479
00:31:27,682 --> 00:31:29,183
YOU BETTER BE CAREFUL.
480
00:31:39,026 --> 00:31:39,994
MS. PARK?
481
00:31:40,027 --> 00:31:40,928
MM-HMM.
482
00:31:40,962 --> 00:31:42,463
MY NAME'S WILLIAMS.
483
00:31:42,496 --> 00:31:43,931
SAVE IT.
484
00:31:43,965 --> 00:31:46,934
OH, MAN, THIS PLACE
IS DRAWING COPS LIKE FLIES.
485
00:31:46,968 --> 00:31:50,037
WHAT WERE YOU DOING
AT THE BEACH LAST NIGHT?
486
00:31:50,071 --> 00:31:52,740
OH, YOU COME ON
VERY STRONG.
487
00:31:52,774 --> 00:31:55,009
A WOMAN WAS SEEN DRIVING
AWAY EARLY THIS MORNING.
488
00:31:55,042 --> 00:31:58,079
WELL, I THINK THAT
THERE ARE OTHER WOMEN
489
00:31:58,112 --> 00:32:01,048
ON THE ISLAND,
OR HAVEN'T YOU HEARD?
490
00:32:01,082 --> 00:32:03,885
YOU'RE THE ONLY WOMAN WHO WAS
PHILIP LO'S GIRLFRIEND.
491
00:32:03,918 --> 00:32:05,086
DON'T MAKE ME LAUGH.
492
00:32:05,119 --> 00:32:07,321
PHILIP LO WAS OLD ENOUGH
TO BE MY FATHER.
493
00:32:07,354 --> 00:32:09,857
AND GENEROUS ENOUGH
TO BUY THE PLACE FOR YOU.
494
00:32:09,891 --> 00:32:13,728
OH, YOU DABBLE
IN REAL ESTATE, TOO.
495
00:32:13,761 --> 00:32:17,098
OKAY,
HE BOUGHT ME A HOUSE.
496
00:32:17,131 --> 00:32:20,668
BUT YOU SEE, I WASN'T
AT THE HOUSE LAST NIGHT.
497
00:32:20,702 --> 00:32:24,338
PHILIP USED THE HOUSE
WHENEVER HE LIKED.
498
00:32:25,673 --> 00:32:29,543
HEY, FOR A COP
YOU'RE KIND OF CUTE.
499
00:32:29,576 --> 00:32:31,245
LET ME BUY YOU A DRINK.
500
00:32:31,278 --> 00:32:32,213
SAVE IT.
501
00:32:32,246 --> 00:32:34,816
YOU WERE WITH PRIVATE
FRANKLIN LAST NIGHT.
502
00:32:34,849 --> 00:32:39,153
YES, AND OTHERS.
503
00:32:39,186 --> 00:32:41,222
HEY, LOOK,
I HAVE NOTHING TO HIDE.
504
00:32:41,255 --> 00:32:43,825
OTHERWISE, WHY WOULD I BE
HANGING AROUND HERE
505
00:32:43,858 --> 00:32:46,828
WAITING FOR JOKERS
LIKE YOU TO ROUST ME?
506
00:32:46,861 --> 00:32:49,296
YOU'RE SMART ENOUGH
TO KNOW IF YOU RAN
507
00:32:49,330 --> 00:32:50,965
WE'D MAKE A CONNECTION.
508
00:32:50,998 --> 00:32:53,768
THAT I KILLED PHILIP LO?
509
00:32:53,801 --> 00:32:57,238
IF YOU DIDN'T,
YOU KNOW WHO DID AND WHY.
510
00:32:57,271 --> 00:33:00,942
THE NEWSPAPER SAID THAT
PRIVATE FRANKLIN KILLED HIM.
511
00:33:00,975 --> 00:33:03,077
YOU KNOW,
WITH THIS LINE OF YOURS,
512
00:33:03,110 --> 00:33:05,512
YOU COULD REALLY
MAKE ME DISLIKE YOU.
513
00:33:05,546 --> 00:33:06,814
WAIT A FEW HOURS.
514
00:33:06,848 --> 00:33:09,050
THEN YOU CAN
REALLY HATE ME.
515
00:33:24,531 --> 00:33:26,000
I'LL CALL IN, TELL THE BOSS
516
00:33:26,033 --> 00:33:28,535
THE GUY IN THE CLOTHING STORE
IDENTIFIED FRANKLIN.
517
00:33:28,569 --> 00:33:31,572
HE MUST BE HOLED UP
IN THE BLOCK SOMEWHERE.
518
00:33:31,605 --> 00:33:32,907
HOLD IT, KONO.
519
00:33:32,940 --> 00:33:35,209
OVER THERE.
520
00:33:35,242 --> 00:33:38,479
NAME'S TATO.
HE'S A TORPEDO FOR BARKER.
521
00:33:38,512 --> 00:33:40,447
WHAT'S HE DOING HERE?
522
00:33:40,481 --> 00:33:42,449
WELL, LET'S FIND OUT.
523
00:33:47,288 --> 00:33:50,524
TATO.
524
00:33:50,557 --> 00:33:53,194
I KNOW YOU?
525
00:33:53,227 --> 00:33:55,362
FIVE-O.
526
00:34:18,519 --> 00:34:22,256
TAKE HIM IN, KONO.
I'LL CHECK OUT THE HOTELS.
527
00:34:40,341 --> 00:34:42,810
WHAT WERE YOU DOING
ON MAUNAKEA STREET?
528
00:34:42,844 --> 00:34:48,215
I TOLD YOU FIVE OR SIX TIMES
I WAS GETTING MY SHOES SHINED.
529
00:34:51,385 --> 00:34:53,821
YOUR BOSS BARKER
SENT YOU DOWN THERE. WHY?
530
00:34:53,855 --> 00:34:55,923
BARKER WHO?
531
00:34:58,860 --> 00:35:01,462
STEVE, IT MATCHES.
532
00:35:01,495 --> 00:35:05,199
LO WAS KILLED BY A BULLET
FROM TATO'S GUN.
533
00:35:05,232 --> 00:35:07,869
OKAY, TATO,
WHAT ABOUT IT?
534
00:35:07,902 --> 00:35:11,138
I GOT RIGHTS, McGARRETT.
535
00:35:12,006 --> 00:35:14,275
FROM NOW ON, I DON'T TALK.
536
00:35:14,308 --> 00:35:17,879
KONO,
GET HIM OUT OF HERE.
537
00:35:25,186 --> 00:35:27,154
SO WHERE ARE
WE NOW, STEVE?
538
00:35:27,188 --> 00:35:28,589
CATCHING UP FAST, DANNO.
539
00:35:28,622 --> 00:35:31,492
TATO WORKED FOR BARKER.
PHILIP LO WAS KILLED.
540
00:35:31,525 --> 00:35:34,495
NOW BARKER'S NUMBER TWO
IN LO'S ORGANIZATION.
541
00:35:34,528 --> 00:35:37,431
GIVES US MOTIVE.
WHAT ABOUT JERRY FRANKLIN?
542
00:35:37,464 --> 00:35:39,066
COULD BE A SETUP.
543
00:35:39,100 --> 00:35:41,335
IF IRENE PARK WAS
WORKING BOTH SIDES
544
00:35:41,368 --> 00:35:43,770
OF THE FENCE
WITH BARKER AND LO,
545
00:35:43,804 --> 00:35:45,772
PRIVATE FRANKLIN'S
THE PERFECT PATSY
546
00:35:45,806 --> 00:35:47,308
FOR THE LO KILLING.
547
00:35:47,341 --> 00:35:48,375
MAKES SENSE.
548
00:35:48,409 --> 00:35:50,044
BARKER'S AN ENTERPRISING
YOUNG MAN.
549
00:35:50,077 --> 00:35:51,478
HE'S A REAL SUCCESS STORY.
550
00:35:51,512 --> 00:35:53,647
HIS RISE FROM A TWO-BIT
TORPEDO TO NUMBER-TWO MAN
551
00:35:53,680 --> 00:35:55,883
IN ONE OF THE BIGGEST
GAMBLING ESTABLISHMENTS
552
00:35:55,917 --> 00:35:57,351
IN THE ISLANDS.
553
00:35:57,384 --> 00:35:59,987
AND WHEN YOU'RE NUMBER TWO,
YOU TRY A LITTLE HARDER.
554
00:36:00,021 --> 00:36:02,823
RIGHT NOW THERE'S ONLY
ONE PUNK BETWEEN BARKER
555
00:36:02,856 --> 00:36:03,925
AND THE TOP SPOT.
556
00:36:03,958 --> 00:36:05,526
JOHN LO.
557
00:36:05,559 --> 00:36:06,693
YEAH.
558
00:36:06,727 --> 00:36:09,396
LITTLE BROTHER --
JOHN LO.
559
00:36:09,430 --> 00:36:11,899
[ CHANTING ]
560
00:36:30,517 --> 00:36:33,587
[ CHANTING ]
561
00:36:41,128 --> 00:36:44,331
[ CHANTING ]
562
00:37:41,255 --> 00:37:43,157
YOU HAD A CHANCE
BEFORE, JOHN.
563
00:37:43,190 --> 00:37:44,925
CAN'T TELL YOU
HOW SORRY I AM.
564
00:37:44,958 --> 00:37:46,327
SORRY FOR WHAT,
OLD BUDDY?
565
00:37:46,360 --> 00:37:47,761
YOUR BROTHER
PHILIP'S DEAD,
566
00:37:47,794 --> 00:37:50,197
OR DON'T YOU KNOW WHAT
JUST WENT ON OUT HERE?
567
00:37:50,231 --> 00:37:52,733
I GOT THE MESSAGE
LOUD AND CLEAR.
568
00:37:52,766 --> 00:37:54,201
BIG BROTHER GOT IT
569
00:37:54,235 --> 00:37:57,204
AND NOW LITTLE JOHNNY'S
RIDING THE KING'S SEAT.
570
00:37:57,238 --> 00:38:00,041
LITTLE JOHN'S RIDING HIGH,
ALL RIGHT.
571
00:38:00,074 --> 00:38:02,409
HOW MANY POPS DID YOU HAVE --
TWO, THREE?
572
00:38:02,443 --> 00:38:05,112
JUST ENOUGH, OLD BUDDY.
JUST ENOUGH.
573
00:38:05,146 --> 00:38:07,481
THE ROAD AHEAD
IS CLEAN AND CLEAR
574
00:38:07,514 --> 00:38:10,084
AND LINED WITH GOLD
ALL THE WAY.
575
00:38:10,117 --> 00:38:13,220
MEANING YOU'RE MOVING IN
TO THE NUMBER-ONE SPOT?
576
00:38:13,254 --> 00:38:14,488
YOU KNOW, GEORGIE --
577
00:38:14,521 --> 00:38:16,857
LITTLE JOHN'S
NUMBER ONE, HMM?
578
00:38:16,890 --> 00:38:18,225
GEORGIE'S NUMBER TWO,
579
00:38:18,259 --> 00:38:21,328
OR MAYBE YOU'RE THINKING
DIFFERENT, PAL.
580
00:38:21,362 --> 00:38:23,864
I'M THINKING YOU'RE NEVER
GOING TO MAKE IT.
581
00:38:23,897 --> 00:38:26,833
DON'T GIVE ME THE HARD LINES.
I'M MOVING UP.
582
00:38:26,867 --> 00:38:28,335
IF THE BOYS BUY YOU, MAYBE.
583
00:38:28,369 --> 00:38:30,404
WHAT'S TO BUY?
WHO ELSE IS THERE? YOU?
584
00:38:30,437 --> 00:38:32,473
NO. NO SWEAT FROM ME.
I'M HAPPY WHERE I AM.
585
00:38:32,506 --> 00:38:34,475
THEN WHAT ARE YOU
GIVING ME?
586
00:38:34,508 --> 00:38:36,310
IT'S WHAT YOU'RE GIVING US --
587
00:38:36,343 --> 00:38:39,080
A BOSS WHO'S AN ERRAND BOY
AND A JUNKIE ON TOP OF IT.
588
00:38:39,113 --> 00:38:42,916
THEY GOT NO CHOICE.
IT'S GOT TO BE ME.
589
00:38:42,949 --> 00:38:44,551
IF YOU CAN PROVE IT.
590
00:38:44,585 --> 00:38:45,652
PROVE WHAT? HOW?
591
00:38:45,686 --> 00:38:48,822
SOMEBODY JUST KILLED
YOUR BROTHER. WHO?
592
00:38:48,855 --> 00:38:50,091
THE SOLDIER.
593
00:38:50,124 --> 00:38:51,558
WHAT ARE YOU GOING TO DO?
594
00:38:51,592 --> 00:38:52,926
WHAT'S TO DO?
595
00:38:52,959 --> 00:38:54,328
YOU GOT TO GET HIM.
596
00:38:54,361 --> 00:38:56,597
COME OFF IT.
THAT'S FOR THE FUZZ.
597
00:38:56,630 --> 00:38:59,666
WRONG. THAT'S FOR THE MAN
THAT WANTS TO FILL
598
00:38:59,700 --> 00:39:01,068
HIS BROTHER'S SHOES.
599
00:39:01,102 --> 00:39:04,004
IF YOU CAN'T DO IT,
THEY WON'T BUY YOU.
600
00:39:04,037 --> 00:39:06,307
GET THE BOY
IN KHAKI, HUH?
601
00:39:07,874 --> 00:39:11,412
YEAH, SURE. THAT'S IT.
602
00:39:11,445 --> 00:39:14,548
ONLY I GOT TO FIND
THE JERK FIRST.
603
00:39:14,581 --> 00:39:16,016
DONE.
604
00:39:16,049 --> 00:39:17,784
WHERE?
605
00:39:22,889 --> 00:39:26,427
SURE.
THAT'S THE ANSWER.
606
00:40:36,497 --> 00:40:38,064
THERE IT IS, STEVE.
607
00:40:38,098 --> 00:40:40,434
THE LAB SAYS
THE BLOODSTAINS ON IT
608
00:40:40,467 --> 00:40:43,204
MATCH THE SAME TYPE
AS PRIVATE CREWES'.
609
00:40:43,237 --> 00:40:44,671
WHAT ABOUT JOHN LO?
610
00:40:44,705 --> 00:40:45,739
HE'S IN THE TANK.
611
00:40:45,772 --> 00:40:49,743
ONLY A MATTER OF TIME
BEFORE HE CRACKS.
612
00:40:49,776 --> 00:40:52,346
HE SAYS IF YOU
DON'T TAKE THIS CALL,
613
00:40:52,379 --> 00:40:53,747
HE'S GOING TO WALK IN HERE.
614
00:40:53,780 --> 00:40:56,583
HE SOUNDS CRAZY ENOUGH
TO DO IT.
615
00:40:58,985 --> 00:41:00,487
HELLO.
616
00:41:00,521 --> 00:41:03,357
Irene, it's
Private Franklin.
617
00:41:03,390 --> 00:41:04,958
YEAH,
WHERE ARE YOU?
618
00:41:04,991 --> 00:41:07,828
IN A PHONE BOOTH A COUPLE
OF MILES FROM THE CLUB.
619
00:41:07,861 --> 00:41:10,631
IRENE, I'VE GOT TO TALK TO YOU.
YOU'VE GOT TO HELP ME.
620
00:41:10,664 --> 00:41:13,166
HEY, NOW. YOU TAKE
IT EASY, SOLDIER.
621
00:41:13,200 --> 00:41:14,368
TAKE IT EASY?
622
00:41:14,401 --> 00:41:17,338
EVERY COP IN TOWN
IS LOOKING FOR ME.
623
00:41:17,371 --> 00:41:19,740
IRENE, YOU KNOW
I DIDN'T KILL ANYONE.
624
00:41:19,773 --> 00:41:20,974
I PASSED OUT --
625
00:41:21,007 --> 00:41:24,511
NOW LOOK, WE CAN'T TALK
ABOUT IT ON THE PHONE.
626
00:41:24,545 --> 00:41:27,248
WE'VE GOT TO TALK SOME WAY.
I'M INNOCENT.
627
00:41:27,281 --> 00:41:29,250
You can help me prove it.
628
00:41:29,283 --> 00:41:31,252
YOU CAN'T COME
TO THE CLUB.
629
00:41:31,285 --> 00:41:33,987
HOTEL STREET IS JUST
SWARMING WITH COPS.
630
00:41:34,020 --> 00:41:35,556
PLEASE, IRENE.
631
00:41:35,589 --> 00:41:37,858
ALL RIGHT, JERRY, LISTEN.
632
00:41:37,891 --> 00:41:41,194
DO YOU KNOW WHERE
THE KAPUALANI PARK IS
633
00:41:41,228 --> 00:41:42,496
IN WAIKIKI?
634
00:41:42,529 --> 00:41:45,198
NO, BUT I CAN FIND IT.
635
00:41:45,232 --> 00:41:47,868
ALL RIGHT, NOW LOOK,
636
00:41:47,901 --> 00:41:50,404
IT'S JUST PAST 3:00.
637
00:41:50,437 --> 00:41:53,640
I'LL MEET YOU THERE
AT 5:00 IN THE PARK.
638
00:41:53,674 --> 00:41:54,975
WHERE?
639
00:41:55,008 --> 00:41:57,043
IT'S THE OUTSIDE THEATER,
640
00:41:57,077 --> 00:41:59,179
AND IT'S CALLED THE SHELL.
641
00:41:59,212 --> 00:42:01,748
JOHN LO KILLED CREWES.
642
00:42:01,782 --> 00:42:04,050
TATO KILLED PHILIP LO,
RIGHT?
643
00:42:04,084 --> 00:42:05,319
TWO HOMICIDES DOWN,
644
00:42:05,352 --> 00:42:07,554
AND WITH BARKER LOOKING
FOR HIM,
645
00:42:07,588 --> 00:42:09,623
FRANKLIN COULD
MAKE THREE.
646
00:42:09,656 --> 00:42:11,825
WHY DON'T WE PUT
BARKER ON ICE?
647
00:42:11,858 --> 00:42:13,059
TATO WAS HIS BOY.
648
00:42:13,093 --> 00:42:15,296
JOHN LO KEEPS SCREAMING
HE WENT AFTER FRANKLIN
649
00:42:15,329 --> 00:42:17,264
BECAUSE BARKER
PUSHED HIM INTO IT.
650
00:42:17,298 --> 00:42:18,732
HE MAY LEAD US TO THE KID.
651
00:42:18,765 --> 00:42:21,268
BESIDES, I WANT BARKER
FOR THE WHOLE BALL OF WAX.
652
00:42:21,302 --> 00:42:22,836
WITH HIM OUT OF THE WAY,
653
00:42:22,869 --> 00:42:24,771
THE PUSHERS WILL HAVE
TO LOOK AROUND
654
00:42:24,805 --> 00:42:27,073
FOR ANOTHER SOURCE
OF SUPPLY.
655
00:42:27,107 --> 00:42:28,208
[ INTERCOM BUZZES ]
656
00:42:28,241 --> 00:42:29,343
HELLO.
657
00:42:29,376 --> 00:42:30,911
YEAH, PUT HIM ON.
658
00:42:30,944 --> 00:42:34,114
YES, CHAPLAIN,
WHAT CAN I DO FOR YOU?
659
00:42:34,147 --> 00:42:35,349
WHEN?
660
00:42:35,382 --> 00:42:36,617
GOOD. GOOD.
661
00:42:36,650 --> 00:42:39,219
THANK YOU, SIR,
FOR LETTING ME KNOW.
662
00:42:39,252 --> 00:42:41,988
YES, I WILL.
663
00:42:42,022 --> 00:42:44,891
THAT WAS CHAPLAIN ANDERSON.
664
00:42:44,925 --> 00:42:47,093
HE JUST HEARD
FROM LORI FRANKLIN,
665
00:42:47,127 --> 00:42:48,429
PRIVATE FRANKLIN'S WIFE.
666
00:42:48,462 --> 00:42:51,665
SHE'S DUE IN TOMORROW.
667
00:42:51,698 --> 00:42:55,569
WE GOT TO FIND THAT G.I.
BEFORE BARKER DOES.
668
00:42:57,037 --> 00:43:00,140
WAIT A MINUTE.
669
00:43:00,173 --> 00:43:02,443
I GOT AN IDEA.
670
00:43:03,276 --> 00:43:05,111
PICK UP IRENE PARK.
671
00:43:05,145 --> 00:43:06,513
YOU LISTEN TO ME GOOD.
672
00:43:06,547 --> 00:43:08,749
THE TAKE AT THE LUNALILO
WAS ONLY $11,000.
673
00:43:08,782 --> 00:43:10,917
I WANT THOSE NUMBERS PUSHED.
I WANT THEM PUSHED HARD.
674
00:43:10,951 --> 00:43:12,919
THERE'S 10,000 G.I.s
IN THIS TOWN,
675
00:43:12,953 --> 00:43:15,356
AND EVERY MOTHER'S SON
IS CARRYING BACK PAY.
676
00:43:15,389 --> 00:43:17,358
I WANT MORE THAN
WE'RE GETTING.
677
00:43:17,391 --> 00:43:18,525
YOU'RE A PIG, GEORGIE.
678
00:43:18,559 --> 00:43:20,394
YOU GOT MORE DOUGH
ROLLING IN
679
00:43:20,427 --> 00:43:22,429
FROM NUMBERS, PUSHERS,
PROSTITUTES
680
00:43:22,463 --> 00:43:24,431
THAN YOU KNOW
WHAT TO DO WITH.
681
00:43:24,465 --> 00:43:26,400
I CAME FROM
A POOR BACKGROUND.
682
00:43:26,433 --> 00:43:27,601
I'M INSECURE, OKAY?
683
00:43:27,634 --> 00:43:30,170
WHAT STUPIDITY
BROUGHT YOU HERE?
684
00:43:30,203 --> 00:43:31,672
GEORGIE, TAKE IT EASY.
685
00:43:31,705 --> 00:43:33,674
HOW CAN I?
I'LL BET TODAY'S TAKE
686
00:43:33,707 --> 00:43:36,443
McGARRETT FOLLOWED
YOU HERE. YOU'RE STUPID.
687
00:43:38,044 --> 00:43:39,646
HEY, GEORGIE, COME ON.
688
00:43:39,680 --> 00:43:40,814
YOU DO THAT AGAIN...
689
00:43:40,847 --> 00:43:43,584
LOOK, I TRIED TO CALL YOU.
I HAD TO COME HERE.
690
00:43:43,617 --> 00:43:45,285
THE SOLDIER CONTACTED ME.
691
00:43:45,318 --> 00:43:46,353
WHERE IS HE?
692
00:43:46,387 --> 00:43:48,021
HE'S ON THE RUN, SCARED.
693
00:43:48,054 --> 00:43:51,558
IF THEY CATCH HIM ALIVE,
HE'S GOING TO TALK.
694
00:43:51,592 --> 00:43:53,794
GEORGIE, I SET HIM UP.
695
00:43:53,827 --> 00:43:54,661
HOW?
696
00:43:54,695 --> 00:43:57,030
I'M GOING TO MEET HIM
AT THE SHELL.
697
00:43:57,063 --> 00:43:58,899
5:00.
698
00:43:58,932 --> 00:43:59,966
THAT'S TWO HOURS.
699
00:44:00,000 --> 00:44:02,703
HE'LL BE MET, ALL RIGHT,
BUT NOT BY YOU.
700
00:44:02,736 --> 00:44:04,505
YOU BETTER TAKE CARE OF IT
701
00:44:04,538 --> 00:44:06,573
BECAUSE HIS STORY
COULD BURY US.
702
00:44:06,607 --> 00:44:09,676
YEAH, BEAT IT.
703
00:44:24,858 --> 00:44:27,428
MS. PARK, I THINK
WE'VE MET BEFORE.
704
00:44:27,461 --> 00:44:29,029
WHAT DOES IT TAKE,
705
00:44:29,062 --> 00:44:31,432
A COURT ORDER TO GET
YOU OUT OF MY HAIR?
706
00:44:31,465 --> 00:44:33,767
YOU GOT MORE THAN COPS
BUGGING YOU,
707
00:44:33,800 --> 00:44:37,303
OR DO YOU SHOOT POOL
EVERY AFTERNOON?
708
00:44:37,337 --> 00:44:39,105
WHAT ARE YOU
ARRESTING ME FOR?
709
00:44:39,139 --> 00:44:42,943
SUSPICION OF MURDER
IN THE DEATH OF PHILIP LO.
710
00:45:20,180 --> 00:45:22,082
I'LL ASK YOU AGAIN.
711
00:45:22,115 --> 00:45:24,284
PRIVATE FRANKLIN --
WHERE IS HE?
712
00:45:24,317 --> 00:45:25,552
I DON'T KNOW.
I TOLD YOU.
713
00:45:25,586 --> 00:45:27,020
NOTHING BUT LIES.
714
00:45:27,053 --> 00:45:28,288
PLEASE, I'M SO TIRED.
715
00:45:28,321 --> 00:45:29,289
WE BEGIN AGAIN.
716
00:45:29,322 --> 00:45:30,290
OH, NO.
717
00:45:30,323 --> 00:45:31,692
BARKER WAS A LONG SHOT,
718
00:45:31,725 --> 00:45:33,694
BUT YOU FIGURED
HE'D TAKE OVER THE RACKET
719
00:45:33,727 --> 00:45:35,095
SO YOU CAST YOUR LOT
WITH HIM.
720
00:45:35,128 --> 00:45:37,030
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
721
00:45:37,063 --> 00:45:39,099
WHEN THE CHIPS WERE DOWN,
YOU HELPED KILL FOR HIM.
722
00:45:39,132 --> 00:45:41,301
-YOU CAN'T PIN THIS ON ME.
-YOU'RE PINNING IT ON YOURSELF.
723
00:45:41,334 --> 00:45:43,103
YOU DROVE THAT KID
OUT TO THE HOUSE
724
00:45:43,136 --> 00:45:45,271
AND SET HIM UP
FOR THE LO KILLING.
725
00:45:45,305 --> 00:45:46,272
NO, NO.
726
00:45:46,306 --> 00:45:47,974
TATO ADMITTED KILLING LO.
727
00:45:48,008 --> 00:45:50,977
WHAT DO YOU WANT FROM ME?
WHAT DO YOU WANT?
728
00:45:51,011 --> 00:45:53,514
I WANT TO KNOW WHERE
PRIVATE FRANKLIN IS,
729
00:45:53,547 --> 00:45:57,050
AND I WANT YOU
TO TELL US HE WAS FRAMED.
730
00:45:57,083 --> 00:45:59,452
IRENE, LOOK,
731
00:45:59,486 --> 00:46:04,625
IF YOU GO THE FULL ROUTE,
YOU'LL ROT FOR 20 TO 30 YEARS.
732
00:46:04,658 --> 00:46:06,259
COOPERATE,
TURN STATE'S EVIDENCE.
733
00:46:06,292 --> 00:46:09,630
MAYBE THE PROSECUTOR WILL
PUT A WORD IN FOR YOU.
734
00:46:12,566 --> 00:46:13,934
YOU'RE AN ATTRACTIVE WOMAN.
735
00:46:13,967 --> 00:46:15,936
DO YOU KNOW WHAT
YOU'LL LOOK LIKE
736
00:46:15,969 --> 00:46:19,139
WHEN YOU GET OUT OF PRISON
IN 20 TO 30 YEARS?
737
00:46:19,172 --> 00:46:20,674
THINK ABOUT IT.
738
00:46:20,707 --> 00:46:23,043
NOW WHERE IS
JERRY FRANKLIN?
739
00:46:40,060 --> 00:46:42,162
FRANKLIN!
740
00:46:42,195 --> 00:46:45,932
STAND STILL, BABY.
YOU'RE NOT GOING ANYWHERE.
741
00:46:54,775 --> 00:46:57,744
WHERE'S IRENE?
742
00:46:57,778 --> 00:47:00,413
COME OFF IT, SOLDIER.
YOU CAN'T BE THAT SQUARE.
743
00:47:00,446 --> 00:47:02,082
WHAT'S THAT MEAN?
744
00:47:02,115 --> 00:47:06,186
WHO DO YOU THINK SET
YOU UP IN THE FIRST PLACE?
745
00:47:06,219 --> 00:47:08,188
IRENE.
746
00:47:08,221 --> 00:47:10,456
SWEET IRENE.
747
00:47:10,490 --> 00:47:12,559
YOU'RE LYING.
748
00:47:12,593 --> 00:47:15,228
AND YOU'RE STUPID.
749
00:47:38,218 --> 00:47:41,221
[ SIREN WAILS ]
750
00:48:15,789 --> 00:48:17,891
[ GUNSHOT ]
751
00:48:19,525 --> 00:48:20,661
DROP IT!
752
00:48:33,239 --> 00:48:36,609
YOU'RE UNDER ARREST
FOR MURDER.
753
00:48:37,844 --> 00:48:39,045
BOOK HIM, DANNO.
754
00:48:49,189 --> 00:48:52,025
JERRY.
755
00:48:53,426 --> 00:48:55,896
EASY.
756
00:48:55,929 --> 00:48:59,132
IT'S ALL RIGHT, KID.
IT'S ALL RIGHT.
757
00:48:59,165 --> 00:49:01,768
IT'S ALL OVER.
758
00:49:12,946 --> 00:49:14,314
I NEVER GOT A CHANCE
759
00:49:14,347 --> 00:49:17,751
TO THANK YOU GUYS
FOR SAVING MY LIFE.
760
00:49:17,784 --> 00:49:19,953
YOU'LL BE BACK IN ACTION
IN A COUPLE OF WEEKS,
761
00:49:19,986 --> 00:49:21,788
SO LET'S CALL IT EVEN, HUH?
762
00:49:23,523 --> 00:49:26,426
WHAT ARE YOU WAITING FOR,
SOLDIER?
763
00:49:26,476 --> 00:49:31,026
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