Original subtitles

* IT ONLY TAKES A MOMENT

* FOR YOUR EYES TO MEET AND THEN *

* YOUR HEART KNOWS IN A MOMENT *

* YOU WILL NEVER BE ALONE AGAIN *

* I HELD HER FOR AN INSTANT *

* AND MY ARMS FELT SURE AND STRONG *

* IT ONLY TAKES A MOMENT

* FOR YOU AND I, BABE

* TO LOVE A WHOLE LIFE

* LONG

[ "HAWAII FIVE-O" THEME PLAYS ]

STEVE.

JIM.

WHAT HAVE WE GOT?

WELL, THE ROOM WAS HIT

SOMETIME BETWEEN 9:00 AND 9:30 WHILE THE OCCUPANTS WERE OUT.

-WHERE ARE THEY NOW? -DOWNSTAIRS IN MY OFFICE,

MAKING A LIST OF THE STOLEN ARTICLES.

ANY ESTIMATE OF THE VALUE?

LADY CLAIMS IN THE NEIGHBORHOOD OF $30,000.

NICE NEIGHBORHOOD.

WE GOT SIGNS ALL OVER THE HOTEL.

ROOM CLERKS WARN EVERY CHECK-IN --

"IF YOU'VE GOT ANY VALUABLES, PUT THEM IN THE SAFE."

BUT HOW DO YOU GET THROUGH TO PEOPLE? HOW DO YOU GET THROUGH?

HOW MANY HITS DOES THIS MAKE?

WELL, FOUR HERE ON OAHU, ONE ON MAUI, ONE IN KAUAI.

COMING IN, I NOTICED THE FRONT DOOR.

LOOKS LIKE THE SAME M.O.

HE COMES DOWN THROUGH THE LANAI

AND THEN MAKES IT LOOK LIKE HE JIMMIED THE FRONT DOOR.

YOU'D NEED A SLEDGEHAMMER TO BUST THOSE LOCKS.

BUT IF IT WAS ME,

I'D SOONER ROB A BANK

THAN CLIMB DOWN ON A ROPE FROM THAT ROOF.

MAYBE SOONER.

* THIS LAND IS YOUR LAND, THIS LAND IS MY LAND *

* FROM CALIFORNIA TO THE NEW YORK ISLAND *

* FROM THE REDWOOD FOREST TO THE GULF STREAM WATERS *

* THIS LAND WAS MADE FOR YOU AND ME *

* I ROAMED AND RAMBLED, AND I SPREAD MY FOOTSTEPS *

* TO THE SPARKLING SANDS OF HER DIAMOND DESERTS *

* AND ALL AROUND ME A VOICE WAS SINGING *

* "HEY, THIS LAND WAS MADE FOR YOU AND ME" *

* THIS LAND IS YOUR LAND, THIS LAND IS MY LAND *

* FROM CALIFORNIA TO THE NEW YORK ISLAND *

* FROM THE REDWOOD FOREST TO THE GULF STREAM WATERS *

* HEY

* THIS LAND WAS MADE FOR YOU AND ME *

* THIS LAND WAS MADE FOR YOU AND ME *

THANK YOU.

HOW WAS I?

ONLY SENSATIONAL.

HA HA. STICK WITH ME, BABY.

HEY, THANK YOU, FOLKS.

THANK YOU.

NEXT SHOW'S AT MIDNIGHT.

COME BACK AND BRING YOUR FRIENDS.

THIS IS WHERE IT'S HAPPENING. SEE YOU LATER.

THERE YOU GO, PAL.

HEY, MAN, YOUR CHICK CALLED.

AND?

LET ME SEE, I WANT TO GET IT STRAIGHT.

NOW YOU'RE GONNA BE PART OF THE ACT.

COME ON, YOU'D BETTER GET IT STRAIGHT.

OH, YEAH, YEAH.

SHE SAID TO TELL YOU THAT SHE GOT

HUNG UP ON MAUI, PLANE FOGGED IN.

YEAH?

BUT, LIKE, FOR YOU NOT TO GET UPTIGHT

BECAUSE HER ROOMIE SARAH'S GONNA TAKE CARE OF THE GIG, DIG?

DUMB BROAD.

IS THERE ANYTHING I CAN DO?

-NO, NO, FORGET IT. -[ KNOCK ON DOOR ]

AND TELL THOSE BROADS TO COOL IT, WILL YOU?

I'LL BE OUT IN A MINUTE.

RIGHT.

THE MAN SAYS FOR YOU TO COOL IT. HE'LL BE OUT IN A MINUTE.

[ RINGING ]

YES?

Nimo, Joey.

DID SHE GET THERE YET?

No, she did not.

WELL, THERE'S BEEN A SLIGHT MIX-UP.

WE CAN'T AFFORD MIX-UPS IN OUR BUSINESS, JOEY.

All right. Our regular pickup couldn't make it.

HER ROOMMATE DID THE GIG. SHE'S KIND OF A SCREWBALL.

SO WHY DON'T YOU RUN OVER TO 3810 LEAHI STREET

AND SEE WHAT GIVES, HUH?

I'LL DO JUST THAT.

LINKOA, NO ROUGH STUFF.

FLIGHT NUMBER 5 TO LOS ANGELES

WILL BE READY TO BOARD IN 5 MINUTES AT GATE 9.

[ SCREAMS ]

IT'S ON THE LIST OF STUFF STOLEN

FROM THE ILIKAI EARLIER THIS EVENING.

DID WE GET A CAUSE OF DEATH YET?

LOOKS LIKE SHE'D BEEN STRANGLED,

BUT WE'RE WAITING FOR THE MEDICAL EXAMINER'S REPORT.

AIRPORT SECURITY GUARD FOUND HIM HIDING ON THE FLIGHT DECK.

[ SPEAKS CHINESE ]

DID HE SEE IT?

THAT'S WHAT WE'RE TRYING TO FIND OUT.

WHAT'S HIS NAME?

[ SPEAKING CHINESE ]

-MING LU. -MING LU.

HE SPEAK ANY ENGLISH?

[ SPEAKING CHINESE ]

TALK TO HIM, CHIN.

FIND OUT WHAT YOU CAN. ASK HIM IF HE SAW ANYBODY.

[ SPEAKING CHINESE ]

ANY IDENTIFICATION ON THE VICTIM?

SARAH TURNER.

YES?

MISS MICHAELS?

UH, YES.

McGARRETT, FIVE-O. I'D LIKE TO TALK TO YOU.

WELL, WHAT DID YOU WANT TO TALK TO ME ABOUT?

I UNDERSTAND THAT YOU SHARED THIS APARTMENT

WITH A MISS, UH, SARAH TURNER, HUH?

WHAT DO YOU MEAN "SHARED"?

SHE'S DEAD.

MAYBE YOU'D BETTER SIT DOWN.

HOW DID IT HAPPEN?

SHE WAS MURDERED.

DO YOU MIND IF WE LOOK AROUND?

OH, THAT'S SARAH'S ROOM.

MR. McGARRETT, WHO...

WHY?

THAT'S WHAT WE'RE TRYING TO FIND OUT.

I HOPE YOU DON'T MIND,

I'LL HAVE TO ASK YOU SOME QUESTIONS.

YES, OF COURSE.

WHEN'S THE LAST TIME YOU SAW MISS TURNER?

UH, WHEN SHE LEFT FOR WORK.

WHAT TIME WAS THAT?

UH, AROUND NOON, MAYBE LATER.

WHERE DID SHE WORK?

AT THE GOLDEN ANCHOR. SHE WAS A COCKTAIL WAITRESS.

ARE YOU SURE YOU DIDN'T SEE HER AGAIN AFTER SHE LEFT FOR WORK?

YES, I'M SURE.

YOU SEE, I OPERATE THE SUN TOUR AGENCY.

I TOOK A GROUP OF PEOPLE TO MAUI THIS AFTERNOON.

WELL, OUR RETURN PLANE WAS DELAYED.

I JUST GOT BACK HERE MYSELF.

WHAT ABOUT HER FRIENDS?

WELL, SHE HAD LOTS OF FRIENDS.

ANY SPECIAL BOYFRIEND?

WELL, NOBODY IN PARTICULAR.

SHE DIDN'T WANT TO BE TIED DOWN, SO SHE DATED A LOT OF GUYS.

DID YOU KNOW ANY OF THE MEN SHE DATED?

NOT REALLY. UH...

YOU SEE, SARAH WORKED FOR ME BRIEFLY AS A TOUR GUIDE,

BUT IT WASN'T EXCITING ENOUGH FOR HER.

WELL, SHE LED HER OWN LIFE.

LOOKS LIKE SHE MOVED OUT FOR GOOD.

DID YOU KNOW ABOUT THE MOVE?

NO.

ISN'T THAT UNUSUAL?

NO. IF YOU LIVE IN A HOUSE WITH SOMEBODY,

YOU DON'T CHECK THEIR ROOM EVERY TIME YOU COME IN.

TELL THEM TO SEND THE LAB BOYS OVER.

MISS MICHAELS, MAY I?

OH, YES, OF COURSE.

ONE MORE QUESTION.

DO YOU KNOW ANYONE WHO WOULD HAVE ANY REASON

TO KILL MISS TURNER?

NO, MR. McGARRETT.

I CAN'T IMAGINE ANYBODY WANTING TO KILL SARAH.

IT'S YOUR FAULT, JOEY. IT'S YOUR FAULT.

NO, BABY, NO.

YES.

AND IT'S MINE, TOO.

IT'S MINE, TOO.

JOEY, IT'S GOT TO BE OVER NOW. IT'S GOING TO BE OVER NOW.

SOON, BABY, SOON.

NOT SOON, JOEY. NOW, RIGHT NOW.

OH, JOEY. JOEY, PLEASE.

HONEY, SAY IT'S OVER NOW, PLEASE?

ALL RIGHT, BABY. ALL RIGHT, IT'S OVER NOW.

I'LL WRITE AND TELL MY CREDITORS IT'S OVER NOW.

YOU CAN WHISTLE FOR YOUR DOUGH.

JOEY, WE CAN PAY THEM OFF BETWEEN US.

$20 A WEEK FOR THE NEXT 2,000 YEARS.

YOU GOT A RECORD COMING OUT. IT MAY BE A HIT.

IT WILL BE A HIT. I KNOW IT. I FEEL IT.

THAT'S WHAT WE'RE BUYING, BABY -- TIME.

TIME FOR THE CAREER TO REALLY START TAKING OFF.

THEN I CAN GO TO THOSE HOODS AND OFFER THEM

A PIECE OF MY ACTION.

ANYTHING TO GET THEM OFF MY BACK.

AND WHILE WE'RE BUYING TIME, JOEY, WHO'S THE NEXT VICTIM?

HUH?

YOU'RE A GAMBLER. DO YOU FALL OFF A ROOF?

OR DO I WIND UP WITH A KNIFE IN MY BACK?

OR LIKE SARAH?

YOU BROUGHT HER INTO THE ACT. YOU.

DO YOU THINK I WANTED THAT APE TO KILL HER?

DO YOU?

NOBODY MADE HER OPEN THE BAG.

NOBODY MADE HER TRY TO GET OFF THIS ROCK WITH THE WHOLE BUNDLE.

SHE GAMBLED.

AND LOST.

AND I CAN BLEED FOR HER A LITTLE

BECAUSE I'VE BEEN THERE.

JOEY, THERE'S GOT TO BE ANOTHER WAY.

THERE'S GOT TO BE ANOTHER WAY.

SOONER OR LATER, THEY'RE GONNA FIND OUT

I'VE BEEN GETTING THOSE ROOM NUMBERS FOR YOU.

BABY, LISTEN, LISTEN, LISTEN.

YOU KNOW MY MANAGER, LOU. HE'S TURNING DOWN OFFERS, VAL.

VEGAS, AT TWICE THE LOOT I'VE EVER GOTTEN.

THE BEST PLACES IN L.A.

AND LOU'S TURNING THEM DOWN.

HE'S GAMBLING THAT THIS RECORD'S GONNA TAKE OFF ON THE CHARTS

AND WE'RE IN ORBIT.

THEN WE CAN NAME OUR OWN NUMBERS.

$2,000, $3,000, $5,000 A WEEK.

JOEY, IT'S A DREAM.

IT HAPPENS, VAL.

IT HAPPENS TO GUYS WHO CAN'T HOLD MY GUITAR.

IT'LL HAPPEN TO ME.

FROM HERE ON IN, IT'S 7, 11.

YOU'RE CRAZY.

YEAH.

JOEY...

JOEY, DO YOU LOVE ME?

YEAH.

NO, I WANT YOU TO SAY IT.

I DO, BABY, I DO.

NO, I WANT TO HEAR YOU SAY IT. SAY IT.

I LOVE YOU.

YEAH, SURE, YOU DO.

OH, SURE, YOU DO.

BELIEVE IN ME, VAL.

OH, I DO, JOEY, I DO.

[ SPEAKING CHINESE ]

WHAT DO YOU GOT, CHIN?

MAYBE A FACE. WE'RE GETTING CLOSE.

[ SPEAKING CHINESE ]

GOOD.

GOOD.

YOU NIMO LINKOA?

YEAH.

McGARRETT, FIVE-O. I'D LIKE TO TALK TO YOU.

JOEY, I DIDN'T WANT TO SAY ANYTHING OVER THE PHONE.

ALL RIGHT, I'M HERE. WHAT IS IT?

THEY ARRESTED NIMO.

WHEN? HOW?

I DON'T KNOW.

McGARRETT WANTS ME TO COME DOWN

TO THE POLICE STATION FOR THE LINEUP.

HONEY, I'M SCARED.

LISTEN, LISTEN, LISTEN.

THERE'S NOTHING TO BE SCARED ABOUT.

BABY, WE COVERED ALL THE BASES. IT'S JUST ROUTINE.

HE PROBABLY WANTS TO KNOW IF YOU'VE EVER

SEEN NIMO WITH SARAH.

AND YOU'LL SAY NO, AND THAT'LL BE THE TRUTH,

AND THAT'LL BE THE END OF IT.

YEAH, BUT WILL IT, JOEY? WILL IT?

THE SCENE NOW IS, YOU DON'T KNOW FROM NOTHING. YOU DIG?

VAL, BABY, I'M COUNTING ON YOU.

OKAY, I DON'T KNOW FROM NOTHING.

THAT'S MY GIRL.

THAT'S MY GIRL.

NOW, THERE'S NOTHING TO BE AFRAID OF.

WE CAN SEE THEM THROUGH THIS GLASS, BUT THEY CAN'T SEE US.

HAVE YOU EVER SEEN ANY OF THESE MEN BEFORE?

NO. NO, I'VE NEVER SEEN ANY OF THEM BEFORE.

TAKE A GOOD LOOK.

ARE YOU ABSOLUTELY CERTAIN?

YES, I'M SURE.

ALL RIGHT, MISS MICHAELS. THANK YOU.

THANK YOU.

TELL CHIN WE'RE READY FOR THE NEXT WITNESS.

CHIN, READY.

[ CONVERSING IN CHINESE ]

HE DOESN'T WANT TO MAKE IDENTIFICATION.

DOESN'T WANT TO GET FURTHER INVOLVED.

-STEVE. -YEAH?

THE OLD MAN'S SCARED.

WHAT'S THE STORY?

HE DOESN'T WANT TO GET INVOLVED.

TELL HIM HE'LL BE GIVEN POLICE PROTECTION.

[ CONVERSING IN CHINESE ]

SAYS IT'LL DO NO GOOD. HE KNOWS NOTHING.

TELL HIM WE NEED HIS HELP.

HE'S THE ONLY ONE WHO CAN IDENTIFY THE MURDERER.

[ CONVERSING IN CHINESE ]

THANK YOU, MR. LU.

TALK TO HIM SOME MORE.

MAYBE HE'LL DEVELOP A PUBLIC CONSCIENCE, HUH?

WHEN YOU RELEASE HIM, I WANT A MAN WITH HIM

24 HOURS A DAY.

OKAY.

COME ON, OLD MAN. LET'S GO.

[ TELEPHONE RINGS ]

PAUL OLIWA SPEAKING.

OH, HI, VAL.

YEAH, HE'S RIGHT HERE.

ASK HER IF EVERYTHING'S ALL RIGHT.

VAL, HE SAYS, "IS EVERYTHING ALL RIGHT?"

VAL SAYS, "COOL, MAN. COOL."

HEY, BABY, I LOVE YOU. YOU KNOW THAT?

YEAH. LOVE YOU.

LATER, BABY.

WELL, THAT'S IT, MAN. THAT'S THE GAME.

JOEY'S GOING WHERE THE ACTION IS.

HEY, BUT YOU CAN'T. I THOUGHT YOU SAID THE LAST TIME

THAT CHINESE CARD SHARK TOOK EVERYTHING BUT YOUR SHORTS.

PAL, WHEN LADY LUCK'S RIDING YOUR SHOULDER,

THERE'S NO SWEAT.

NATURAL SEVEN.

YOUR BET, RAND.

A HUNDRED.

CALL.

CALL AND RAISE A HUNDRED.

FOLD.

CALL.

I, TOO, CALL.

CARDS TO THE PLAYERS.

KING OF CLUBS.

EIGHT OF SPADES.

FIVE OF CLUBS.

A THOUSAND.

AND 2,000.

I'M UP.

CALL.

KINGS UP.

THREE DEUCES.

BUT YOU DREW AN 8.

THAT MEANS YOU HAD YOUR DEUCES ALL ALONG.

WHY DIDN'T YOU RAISE BEFORE?

I DO NOT TELL YOU HOW TO PLAY YOUR HAND, MR. RAND.

OKAY, OKAY, GIVE ME ANOTHER STACK. I'LL WRITE A CHECK.

DEAL.

DON'T WORRY ABOUT IT, I'M GOOD FOR IT.

I'VE GOT A RECORD COMING OUT.

I DON'T LEND MONEY TO A DEAD MAN, JOEY.

THERE'S A COLLECTOR IN TOWN.

HE HAS A CONTRACT WITH YOUR NAME ON IT.

YOU'RE DEAD.

DEAL.

I REALLY DON'T UNDERSTAND WHY WE'RE DOWN HERE, LIEUTENANT.

I THINK IT'S QUITE CLEAR, MR. RAND.

WE PICKED YOUR CAR UP AT THE AIRPORT

FROM OUR STOLEN-VEHICLE LIST.

OH, I KNOW, I REPORTED THE CAR STOLEN.

THERE'S NOTHING UNUSUAL ABOUT THAT.

NO. WHEN WE RAN A ROUTINE CHECK,

WE FOUND THE DEAD GIRL'S PRINTS ON THE WHEEL.

SARAH TURNER'S.

CAN YOU EXPLAIN THAT, MR. RAND?

OH, I THINK I CAN, MR. McGARRETT.

GO AHEAD.

WELL, I BORROWED JOEY'S CAR TO DO SOME SHOPPING YESTERDAY.

WHEN I GOT BACK FROM MAUI LAST NIGHT, IT WAS MISSING.

I GUESS I LEFT THE KEYS IN THE IGNITION.

WHY DIDN'T YOU REPORT IT AS STOLEN?

WELL, I THOUGHT JOEY HAD PICKED IT UP.

WHEN I CALLED HIM AT THE CLUB, HE WAS ON STAGE DOING HIS SHOW.

AND WHEN I GOT THE MESSAGE SHE CALLED, I RETURNED IT.

WHEN SHE TOLD ME ABOUT THE CAR, I CALLED THE POLICE.

HOW LONG AFTER YOU FINISHED YOUR SHOW WAS THAT?

OH, HALF AN HOUR, 45 MINUTES, MAYBE.

WHY THE DELAY, MR. RAND?

WELL, I GOT HUNG UP WITH SOME PEOPLE IN THE AUDIENCE.

THEY WANTED TO BUY ME A DRINK.

MISS MICHAELS, AFTER YOU WERE TOLD ABOUT SARAH TURNER,

DIDN'T IT OCCUR TO YOU THAT SHE MIGHT HAVE TAKEN THE CAR?

NO.

WHY?

I DON'T KNOW. IT JUST NEVER ENTERED MY MIND.

I GUESS I WAS TOO UPSET.

FINISHED, LOU?

OKAY, YOU CAN GO. THANK YOU.

DO YOU BELIEVE THEIR STORY, STEVE?

IT'S PLAUSIBLE.

I HAVE A FEELING YOU'RE NOT BUYING IT.

NOT QUITE.

LOU, DO ME A FAVOR, WILL YOU?

RUN A CHECK ON RAND. I GOT A HUNCH.

FIND OUT ANYTHING YOU CAN ABOUT HIM.

-WHERE HE COMES FROM, ANYTHING. -DONE, STEVE.

WHAT ABOUT THE SUSPECT YOU PICKED UP? NIMO LINKOA?

I GOT PLANS FOR HIM.

HEADING WEST ON ALA MOANA.

HE TURNED INTO A DRIVEWAY ON THE MAUKA SIDE OF WARD STREET

BETWEEN QUEEN AND KAMAKEE.

STEVE, I THINK HE'S HEADING FOR HOME PLATE.

IT'S A SOUVENIR SHOP, W & W DISTRIBUTORS.

[ BEEPING ]

WHEN YOU HEAR FROM THE MAN, JUST TELL HIM I TOOK MY SHARE.

-LINKOA'S INSIDE. -WHERE'S DANNO?

HE'S IN THE BACK.

DANNO!

[ SIREN BLARES ]

WE NEVER SEE THE MAN.

LINKOA, HE BRING US THE STUFF.

-HI, STEVE. -HI, LOU.

HOW'D IT WORK?

WELL, LOOKS LIKE THE JEWELRY

WAS DROPPED OFF HERE AFTER EVERY HIT,

MARKED, RESET IN CHEAP COSTUME JEWELRY, AND SHIPPED TO L.A.

LOOK AT THAT.

WHO MADE THE DROP?

HE CLAIMS LINKOA.

HE ALSO CLAIMS HE NEVER SAW THE CAT BURGLAR.

DOESN'T EVEN KNOW HIS NAME.

YOU BELIEVE THAT?

SURE, I BELIEVE EVERYTHING.

YOU WANT ME TO HAVE THIS STUFF TAKEN DOWNTOWN?

NO, I WANT TO KEEP THE REAL STUFF.

WE'LL SHIP THE REST.

CONTACT THE L.A. POLICE, HAVE THEM PICK UP THE FENCE.

I'LL WRAP UP THESE TWO FOR YOU.

OKAY, LET'S GO.

I GOT THE RUNDOWN ON RAND YOU WANTED.

-YEAH. -HE COMES FROM CHICAGO.

I WIRED THE POLICE THERE TO SEE

IF THEY HAVE ANYTHING ON HIM.

REPORT JUST GOT BACK.

GO.

HE WORKED AS A RIGGER WITH A TRAVELING CARNIVAL

UNTIL HE WAS 19.

RIGGER?

YEAH.

THAT'S PRETTY GOOD BASIC TRAINING

FOR A CAT BURGLAR, ISN'T IT?

THEN HE WAS CONVICTED FOR MANSLAUGHTER.

SENTENCED ONE TO 10 YEARS. HE DID 3.

IS THAT ALL?

THANKS, CHIN.

OH, ONE MORE THING.

YEAH.

ON THE STREET, IT'S RUMORED THAT RAND IS STUCK

FOR OVER $200,000 TO A MAINLAND GAMBLING SYNDICATE.

$200,000?

DO WE, UH, HAVE ENOUGH TO BOOK HIM?

MNH-MNH. NOT YET.

MISS MICHAELS?

HELLO.

DO YOU MIND IF I SIT DOWN?

NO, OF COURSE NOT.

YOU KNOW, THERE'S BEEN A SO-CALLED CAT BURGLAR

OPERATING ALL OVER THESE ISLANDS.

I DON'T USUALLY CONCERN MYSELF WITH THAT KIND OF NEWS.

WOULD IT CONCERN YOU TO LEARN

THAT EACH OF THE PERSONS ROBBED USED YOUR TOUR-GUIDE SERVICE?

I CONSIDER THAT A RATHER UNFORTUNATE COINCIDENCE.

UNFORTUNATE FOR YOU IF YOU TOLD

THE CAT BURGLAR THE ROOM NUMBERS.

GAVE HIM INFORMATION ON WHEN THE PEOPLE WERE OUT TOURING.

THAT'S A RATHER STRONG THING TO SAY, MR. McGARRETT.

YES, IT IS.

DO YOU HAVE PROOF?

NOT YET, BUT WE WILL.

UNLESS YOU WANT TO PROVE IT FOR US.

WHY DON'T YOU DO BOTH OF YOU A FAVOR?

WE CAN WRAP THIS THING UP RIGHT HERE AND NOW.

THAT'S A RIDICULOUS THING TO SAY.

HOW WOULD YOU AND YOUR BOYFRIEND LIKE TO SPEND A COUPLE OF YEARS

IN OAHU STATE PRISON?

HE'S IN A BIND, MISS MICHAELS.

THERE'S NO WAY OUT.

IF HE CAN'T PAY OFF THE SYNDICATE, HE'S DEAD.

IN FACT, HE'S DEAD EITHER WAY.

MAYBE TRY ANOTHER HIT, AND WE'LL BE WAITING FOR HIM.

OR MISS HIS FOOTING.

IT'S GONNA HAPPEN SOONER OR LATER.

MR. McGARRETT, IF YOU DON'T MIND,

I'D RATHER FINISH MY DRINK IN PRIVATE.

I DON'T THINK YOU'VE BEEN LISTENING, MISS MICHAELS.

I'VE KNOWN A HUNDRED JOEYS.

AS SOON AS HE'S FINISHED USING YOU,

AS SOON AS HE MAKES THAT ONE BIG HIT

OR HE GETS IN A TIGHT SPOT AND HE CAN RUN

FASTER WITHOUT YOU, THEN COMES THE KISS-OFF.

BUT YOU KNOW THAT BETTER THAN I DO.

THINK ABOUT IT, HUH?

JOEY.

EASY, VAL, EASY.

JOEY, I CAME THIS CLOSE TO TELLING HIM EVERYTHING.

WELL, WHY DIDN'T YOU?

BECAUSE I'M CRAZY, THAT'S WHY.

NO, BABY, NO.

DON'T BLUE-SKY ME, JOEY.

LISTEN. NOW, LISTEN TO ME.

NO MORE BLUE SKIES, JOEY. NO MORE SNOW JOBS.

NOW, THIS ONCE, LET'S PUT IT RIGHT WHERE IT IS.

THAT OFFICER, McGARRETT, IS GONNA PUT US BOTH IN JAIL.

NO, BABY, NO, BECAUSE MY LUCK'S TURNING.

I'VE JUST STARTED A WINNING STREAK,

AND NO TWO-BIT COP'S GONNA STOP ME NOW.

YOU DIG?

LOOK, BABY.

A 50-WORD TELEGRAM FROM LOU.

HE'S GONNA TAKE OUT ADS IN THE TRADE PAPERS.

BABY, WE'RE HOME FREE.

READ IT LOUD AND CLEAR.

LIKE WITH WEDDING BELLS IN THE BACKGROUND.

FOR US, VAL, FOR US.

JOEY.

OH, JOEY, IT'S WONDERFUL.

JOEY.

WHY?

IT'S NOTHING, VAL.

IT'S A GUN. IT'S SOMETHING.

NOW, LISTEN.

MY CREDITORS GOT TIRED OF WAITING,

AND THEY SENT A GUY TO COLLECT.

I FIGURED I MIGHT HAVE TO ARGUE WITH HIM.

JOEY, GET RID OF IT. PLEASE?

OKAY, OKAY. I'LL STASH IT AWAY SOMEPLACE.

I'LL GET HIM OFF MY BACK. THAT'S ALL OVER NOW.

I'LL TAP THE RECORD COMPANY

FOR ENOUGH MONEY TO KEEP THE SYNDICATE HAPPY.

AND IF I CAN PAY OFF,

THERE'S NO POINT IN KNOCKING ME OFF.

IS THERE?

-IS THERE? -OH, JOEY.

[ KNOCK ON DOOR ]

HERE'S YOUR DRINK, JOEY. HI, VAL.

OH, HI, PAUL.

JOEY, LOOK, WHAT WE WERE TALKING ABOUT BEFORE...

FORGET ABOUT IT, BABY. FORGET ABOUT IT, VAL.

LIKE THE MAN SAID, WE JUST STARTED ON A WINNING STREAK.

AND I'M NOT GONNA LET ANYTHING OR ANYONE BLOW IT FOR ME.

NOW, BELIEVE ME, BABY.

BELIEVE ME.

OH, I DO. OH, JOEY, I DO.

HEY, PAUL, YOU TAKE CARE OF HIM, OKAY?

YOU KNOW IT.

I'LL SEE YOU LATER.

YOU GOT A MINUTE?

TAKE FIVE.

HEY, IS SOMETHING WRONG?

TIME, KIDDO. IT'S RUNNING OUT ON ME.

MAYBE US.

LIKE MAYBE WE'RE GONNA HAVE TO SPLIT.

YEAH, BUT YOU PROMISED YOU'D TAKE ME ALONG ON YOUR NEXT GIG.

YOU KNOW, LAS VEGAS, NEW YORK...

JOEY, YOU PROMISED.

AND I MEANT TO KEEP THAT PROMISE.

IT WAS FOR ME AS MUCH AS FOR YOU, MAYBE MORE.

I LIKE HAVING YOU AROUND.

I LIKE YOU, YOU DIG?

YEAH, I DIG.

BUT SOMETHING'S COME UP.

LIKE?

PAULIE, THIS COULD SPELL TROUBLE.

WELL, I WANT TO KNOW.

YEAH, YEAH.

YOU KNOW, IT'S LIKE SOMETIMES YOU'RE JUST RIFFING ALONG,

PLAYING IT BY EAR.

AND, MAN, LIKE, YOU HIT NOTES AIN'T ON A SCALE.

LIKE YOU CAN HIT ANYTHING.

IT'S LIKE YOU'RE 10 MILES TALL.

I KIND OF FELT LIKE THAT THE OTHER DAY...

UNTIL I RAN INTO A NICE GENTLEMAN

WHO PLAYED IT COOL WITH THREE DEUCES.

THE FACT IS, IF THERE'S A PAIR OF DICE

OR A DECK OF CARDS AROUND,

SOMEBODY OUGHT TO LOCK ME UP.

I TRIED TO TELL YOU.

I KNOW IT. I KNOW IT.

AND FROM HERE ON IN, I SWEAR,

YOU'RE GONNA BE IN SOLE CHARGE OF THE HANDCUFFS AND THE KEYS.

BUT FIRST, PAULIE, FIRST, I GOT TO GET ME OUT FROM UNDER.

YOU THINK YOU CAN HELP ME?

WE GOT TO GET US OUT FROM UNDER. WHAT DO I DO?

* WELL, I THINK I'M GOING OUT OF MY HEAD *

* YES, I THINK I'M GOING OUT OF MY HEAD *

* OVER YOU

* OVER YOU

* I WANT YOU TO WANT ME

* I NEED YOU SO BADLY

* I CAN'T THINK OF ANYTHING BUT YOU *

* GOING OUT OF MY HEAD OVER YOU *

* OUT OF MY HEAD OVER YOU

* OUT OF MY HEAD DAY AND NIGHT *

* NIGHT AND DAY AND NIGHT

* AND I THINK I'M GOING OUT OF MY HEAD *

THANK YOU. THANK YOU VERY MUCH, FOLKS.

SAY, DO YOU HAVE THE TIME?

12:25.

THANK YOU.

[ DOOR OPENS ]

HEY.

* AIN'T NO BIG THING, BROTHER, WHEN THINGS AIN'T LOOKING UP *

* AIN'T NO BIG THING WHEN THERE AIN'T NO *

* COFFEE TO FILL THE CUP 'CAUSE THE GOOD TIMES COMIN' *

* LET 'EM ROLL, LET 'EM ROLL *

[ KNOCK ON DOOR ]

JOEY?

OH, MY GOD. OH, PAUL.

HERE, SIT DOWN.

NO, I'LL MESS IT ALL UP.

YOU SIT DOWN, PLEASE.

I'M OKAY.

IT'S HARDLY EVEN BLEEDING.

* AIN'T NO BIG THING, BROTHER, WHEN THINGS AIN'T LOOKING UP *

* AIN'T NO BIG THING WHEN THERE AIN'T NO *

* COFFEE TO FILL THE CUP 'CAUSE THE GOOD TIMES COMIN' *

* LET 'EM ROLL, LET 'EM ROLL *

HEY, VAL, DON'T CALL JOEY.

HE'LL ONLY WORRY.

I'M CALLING A DOCTOR.

NO!

NO, VAL. NO.

PAUL, I'VE GOT TO. YOU'RE HURT.

NO! PROMISE ME.

PROMISE ME YOU WON'T CALL.

WILL YOU LIE DOWN, PLEASE? LISTEN, LISTEN, LISTEN!

IT'S FOR US. IT'S FOR ALL OF US.

IF THERE'S SOME CAT BURGLAR

RIFLING A ROOM WHILE JOEY'S SINGING,

THEN WE'RE HOME FREE, ALL OF US.

NEW YORK, LAS VEGAS.

MARY, MOTHER OF GOD, MAKE IT STOP HURTING.

MAKE IT STOP --

PAUL?

MR. McGARRETT, PLEASE.

* I'LL REMEMBER YOU

* LONG AFTER THIS ENDLESS SUMMER *

* HAS GONE

* I'LL BE LONELY

* OH, SO LONELY

* LIVING ONLY

* TO REMEMBER

* YOU

HEY, LISTEN, LISTEN, LISTEN.

YOU SEE THAT PRETTY GIRL STANDING OVER THERE?

WELL, THAT'S MY GIRL, VAL.

HEY, HONEY, COME ON UP HERE SO THE PEOPLE CAN SEE YOU, HUH?

OH, COME ON, VAL. DON'T BE BASHFUL.

OKAY.

* TO YOUR ARMS SOMEDAY

* I'LL RETURN TO STAY

* TILL THEN

* I WILL

* REMEMBER, TOO

* EVERY BRIGHT STAR

* WE MADE WISHES

* UPON

* LOVE ME ALWAYS

* PROMISE ALWAYS

* OOH, YOU'LL REMEMBER, TOO

* REMEMBER

* YOU

* I'LL REMEMBER YOU

THANK YOU. THANK YOU VERY MUCH, LADIES AND GENTLEMEN.

YOU'RE TOO KIND.

THANK YOU, AND GOOD NIGHT.

HEY, HONEY.

I SEE THE MAN CAME DOWN TO CATCH MY ACT.

JOEY, PAUL IS DEAD.

HE'S DEAD.

HE'S DEAD.

HE'S DEAD.

ALL RIGHT, HOLD IT, JOEY.

GET YOUR HANDS UP.

ALL RIGHT, SLIDE ACROSS. NICE AND EASY.

DON'T TRY ANYTHING. LOUSY ODDS.

GET AN AMBULANCE.

WHAT A PLACE TO DIE, HUH?

THE BASEMENT OF A HOTEL.

THAT'S THE STORY OF MY LIFE.

LOUSY ODDS.

A FEW DAYS AND THERE WOULD HAVE BEEN NOTHING

BUT BLUE SKIES, BABY.

A BLUE SKY.

[ "HAWAII FIVE-O" THEME PLAYS ]

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