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>> Announcer: LADIES AND
GENTLEMEN, PLEASE WELCOME TWO OF
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TONIGHT'S EMMY NOMINEES,
KATE McKINNON AND
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00:00:14,135 --> 00:00:17,517
KENAN THOMPSON.
[ APPLAUSE ]
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♪♪♪♪
>> YES.
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GOOD EVENING.
>> AND WELCOME TO THE
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"70th PRIMETIME EMMY AWARDS."
[ APPLAUSE ]
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TONIGHT IS A CELEBRATION OF THE
HARD WORK AND TALENT OF EVERYONE
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IN THIS ROOM.
>> THAT'S RIGHT.
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WE'RE ALSO CELEBRATING
THE FACT THAT THIS YEAR'S EMMY
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00:00:51,506 --> 00:00:53,608
AWARDS HAS THE MOST DIVERSE
GROUP OF NOMINEES IN EMMY
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HISTORY.
[ APPLAUSE ]
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00:01:04,419 --> 00:01:07,822
>> YES, INDEEDY.
ONE STEP CLOSER TO A BLACK
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00:01:07,822 --> 00:01:10,324
SHELDON.
THAT'S RIGHT.
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I'M GOING TO GO AHEAD AND SAY
IT.
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WE SOLVED IT.
>> SERIOUSLY?
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SO DIVERSITY IS NOT A PROBLEM IN
HOLLYWOOD ANYMORE?
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>> NOPE.
WE SOLVED IT.
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>> WHOA.
THAT IS WONDERFUL NEWS.
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>> Both: WE SOLVED IT!
♪♪ WE'VE GOTTEN WITH THE TIMES
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THERE'S ROOM FOR ALL OUR
VOICES ♪♪
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♪♪ BUT MOSTLY SHONDA RHIMES ♪♪
♪♪ WELCOME ASIAN PEOPLE, WE GAVE
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YOU THAT ONE SHOW ♪♪
♪♪ WHO CAN FORGET THE AMAZING
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SANDRA OH ♪♪
[ APPLAUSE ]
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>> SANDRA OH IS THE FIRST ASIAN
WOMAN TO BE NOMINATED FOR A LEAD
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ACTRESS EMMY EVER.
[ CHEERS AND APPLAUSE ]
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>> THANK YOU, BUT IT'S AN HONOR
JUST TO BE ASIAN.
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♪♪ SEE?
THERE WERE NONE
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NOW THERE'S ONE ♪♪
♪♪ SO WE'RE DONE ♪♪
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♪♪ CONGRATULATIONS ALL AROUND
AND DO US ALL A FAVOR ♪♪
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♪♪ NOW PAT YOURSELF ON THE BACK ♪♪
♪♪ BUT DON'T TOUCH YOUR
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NEIGHBOR ♪♪
>> WHAT?
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WHAT'D I DO?
HE LIKES IT.
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>> HAVE YOU HEARD THE NEWS?
>> YES, MY AGE JUST TOLD ME.
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WE SOLVED IT ♪♪
♪♪ BANISHED EVERY CREEP
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WHO BROKE THE LAW ♪♪
♪♪ NOW THEY'RE SERVING HARD TIME
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AT THAT ARIZONA SPA ♪♪
♪♪ YES, WE SOLVED IT ♪♪
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♪♪ WON'T CUT THEM ANY SLACK
THEY'VE BEEN AWAY NINE LONG
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MONTHS ♪♪
♪♪ NOW LET THEM ALL COME BACK ♪♪
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>> WHOA, TITUSS.
I DON'T THINK SO.
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>> I'M SORRY.
IT RHYMED.
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>> LOOK AT US.
WE'RE ALL DIFFERENT IN THE SAME
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WAY.
WE SOLVED IT!
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♪♪ THIS ROOM IS SO DIVERSE
FROM DEMOCRAT TO LIBERAL
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DEMOCRAT ♪♪
♪♪ SHALL WE SING ANOTHER VERSE? ♪♪
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ING IS GUYS.
>> GUYS, GUYS.
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YOU GOT TO STOP.
YOU HAVEN'T SOLVED IT.
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THIS SONG IS WAY TOO WHITE.
ONE, TWO, THREE, FOUR.
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COME ON, COME ON.
♪♪ WE SOLVED IT
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00:03:30,565 --> 00:03:32,633
WE FIXED IT
WE CYNTHIA NIX'D IT ♪♪
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♪♪ AND AS FOR POLITICS
YOU KNOW EXACTLY WHERE WE
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STAND ♪♪
♪♪ WITH ROSEANNE ♪♪
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>> NO!
>> WHAT?
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DID SOMETHING HAPPEN?
BUT WHAT ABOUT ME?♪♪
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IS THERE ANY ROOM IN THIS SONG
FOR A STRAIGHT WHITE GUY LIKE
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ME?
>> WAS THAT SCARY?
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>> IT WAS SO SCARY.
IT WAS NOT MY FAVORITE.
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00:04:03,197 --> 00:04:06,801
IT'S LIMEKE, PLUMMET TO YOUR DEATH
ON NATIONAL TV MUCH?
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00:04:06,801 --> 00:04:11,272
>> HA HA HA.
>> HMM.
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>> ANYWAY, YOU CAN'T BE A PART
OF THIS.
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>> THAT'S GOOD.
HAVE FUN, GUYS.
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>> LADIES AND GENTLEMEN,
CHECKING EVERY BOX, PLEASE
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WELCOME THE ONE‐OF‐EACH DANCERS.
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♪♪♪♪
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>> MR. THOMPSON, A PHONE CALL.
>> FOR ME?
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THANK YOU VERY MUCH.
EXCUSE ME.
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HELLO?
OH, WE DIDN'T SOLVE IT?
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I SEE.
LONG WAY TO GO?
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OKAY.
CART BEFORE THE HORSE?
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VERY GOOD.
SPIKING THE BALL AT THE
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00:04:51,178 --> 00:04:52,713
50‐YARD‐LINE?
WELL, SURE.
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RIGHT.
RIGHT.
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WELL, I APPRECIATE YOUR CALL.
THANK YOU, RU.
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>> HOLD UP.
Y'ALL CALLED ME UP HERE FOR ONE
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00:05:03,224 --> 00:05:06,294
LINE IN A STUPID SKIT?
>> IT'S OKAY, JUST TAKE YOUR
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00:05:06,294 --> 00:05:08,296
SEAT, PLEASE.
>> Y'ALL AIN'T RIGHT.
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00:05:08,296 --> 00:05:09,063
>> I KNOW.
WE'RE SORRY.
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THANK YOU.
THANK YOU.
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00:05:09,864 --> 00:05:17,305
[ APPLAUSE ]
>> COME ON, EVERYBODY, WE GOT A
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00:05:17,305 --> 00:05:21,676
SHOW TO DO.
EVERYONE, PLEASE WELCOME
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00:05:21,676 --> 00:05:24,445
MR. JOHN LEGEND.
♪♪ WE SOLVED IT
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CONGRATS TO YOU AND ME AND ME ♪♪
♪♪ WE FIXED THE WORLD
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THROUGH THE MAGIC OF TV ♪♪
♪♪ WE SOLVED IT
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WE SOLVED IT
WE SOLVED IT ♪♪♪♪
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[ CHEERS AND APPLAUSE ]
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>> Announcer: PLEASE WELCOME
YOUR HOSTS, COLIN JOST AND
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MICHAEL CHE.
[ APPLAUSE ]
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00:06:05,252 --> 00:06:09,023
♪♪♪♪
>> WHOA.
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GOOD EVENING.
>> HELLO, EVERYONE.
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WELCOME TO THE
"70th PRIMETIME EMMY AWARDS."
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I'M COLIN JOST.
>> AND I'M MICHAEL CHE.
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00:06:19,700 --> 00:06:21,836
>> THANK YOU.
[ APPLAUSE ]
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YOU KNOW,
IT IS AN HONOR TO BE HERE
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SHARING THIS NIGHT WITH THE
MANY, MANY TALENTED AND CREATIVE
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PEOPLE IN HOLLYWOOD WHO HAVEN'T
BEEN CAUGHT YET.
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[ LAUGHTER ]
>> THIS YEAR THE AUDIENCE IS
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ALLOWED TO DRINK IN THEIR SEATS.
HOPE YOU'RE EXCITED ABOUT THAT.
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00:06:42,189 --> 00:06:44,792
[ APPLAUSE ]
BECAUSE THE ONE THING HOLLYWOOD
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NEEDS RIGHT NOW IS PEOPLE LOSING
THEIR INHIBITIONS AT A WORK
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00:06:46,494 --> 00:06:54,602
FUNCTION.
>> THAT'S TRUE, THAT'S TRUE.
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00:06:54,602 --> 00:07:00,040
MM‐HMM.
>> WE JUST WANT TO SAY A QUICK
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HELLO TO THE THOUSANDS OF YOU
HERE IN THE AUDIENCE TONIGHT AND
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00:07:02,176 --> 00:07:05,212
TO THE HUNDREDS WATCHING AT
HOME.
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00:07:05,212 --> 00:07:09,350
HI, "SILVER LINING" SENIOR
CENTER.
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>> MY MOTHER'S NOT WATCHING
TONIGHT.
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00:07:13,754 --> 00:07:16,023
>> WHAT?
>> SHE SAYS SHE DOESN'T LIKE
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00:07:16,023 --> 00:07:18,526
WATCHING WHITE AWARD SHOWS
BECAUSE Y'ALL DON'T THANK JESUS
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00:07:18,526 --> 00:07:22,963
ENOUGH.
>> THAT'S TRUE.
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00:07:22,963 --> 00:07:29,069
>> THE ONLY WHITE PEOPLE THAT
THAT ANYTHING ‐‐ THAT THANK
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00:07:29,069 --> 00:07:34,008
JESUS AT AWARD SHOWS ARE
REPUBLICANS AND EX‐CRACKHEADS.
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>> I DON'T KNOW IF YOU KNOW
THIS.
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00:07:35,509 --> 00:07:37,144
THE FIRST EMMYS WERE HELD
BACK IN 1949.
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00:07:37,144 --> 00:07:39,213
THINGS WERE VERY DIFFERENT BACK
THEN.
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GAS WAS 17 CENTS A GALLON, A NEW
HOME COST $7,000.
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AND WE ALL
AGREED THAT NAZIS WERE BAD.
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>> MOSTLY.
[ APPLAUSE ]
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>> IN FACT, ACTUALLY, COLIN,
YOU'LL LIKE THIS, OUR NETWORK,
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NBC, HAS THE
MOST NOMINATIONS OF ANY
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00:08:01,702 --> 00:08:06,273
BROADCAST NETWORK.
WHICH IS KINDA LIKE BEING THE
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00:08:06,273 --> 00:08:12,580
SEXIEST PERSON ON LIFE SUPPORT.
IT'S NOT GREAT.
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00:08:12,580 --> 00:08:16,517
>> STILL NOT LOOKING GREAT.
>> NOT GREAT FOR YOU GUYS, NO.
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00:08:16,517 --> 00:08:17,685
>> NETFLIX OF COURSE HAS THE
MOST
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NOMINATIONS TONIGHT.
[ APPLAUSE ]
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THAT'S RIGHT.
AND
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00:08:21,856 --> 00:08:24,458
IF YOU'RE A NETWORK EXECUTIVE,
THAT'S THE SCARIEST THING YOU
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00:08:24,458 --> 00:08:27,595
CAN POSSIBLY HEAR EXCEPT MAYBE,
"SIR, RONAN FARROW IS ON LINE
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00:08:27,595 --> 00:08:35,836
ONE."
>> YOU DON'T WANT THAT CALL.
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00:08:35,836 --> 00:08:40,241
>> YOU DON'T WANT THAT CALL.
OF COURSE THERE ARE SO MANY
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00:08:40,241 --> 00:08:43,511
INCREDIBLE NOMINEES TONIGHT.
>> "BLACK‐ISH" IS NOMINATED.
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00:08:43,511 --> 00:08:47,882
[ APPLAUSE ]
"BLACK‐ISH" IS ALSO HOW I'VE
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00:08:47,882 --> 00:08:55,155
BEEN ASKED TO BEHAVE TONIGHT.
WE'LL SEE HOW THAT GOES.
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00:08:55,155 --> 00:08:56,690
>> ONE OF OUR FAVORITE SHOWS,
"THIS IS US", IS NOMINATED FOR
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BEST DRAMA.
[ APPLAUSE ]
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00:09:02,796 --> 00:09:04,532
THAT'S RIGHT.
MILO'S HERE.
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00:09:04,532 --> 00:09:06,634
HE PLAYS JACK ON THE SHOW.
THE NEXT SEASON OF "THIS IS US"
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00:09:06,634 --> 00:09:10,304
WILL EXPLORE JACK'S EXPERIENCES
IN VIETNAM.
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00:09:10,304 --> 00:09:13,073
THIS WAS IN RESPONSE TO VIEWERS
WHO WROTE IN AND SAID, "SADDER,
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00:09:13,073 --> 00:09:20,948
PLEASE."
>> SPEAKING OF SAD, "THE
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00:09:20,948 --> 00:09:24,118
HANDMAID'S TALE" IS
NOMINATED FOR BEST DRAMA.
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00:09:24,118 --> 00:09:29,189
[ APPLAUSE ]
I DON'T KNOW IF YOU'VE SEEN IT,
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00:09:29,189 --> 00:09:30,991
BUT
"THE HANDMAID'S TALE" TAKES
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00:09:30,991 --> 00:09:32,560
PLACE IN AN IMAGINARY FUTURE
WHERE AN ENTIRE GROUP OF PEOPLE
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00:09:32,560 --> 00:09:34,662
IS VIOLENTLY FORCED TO WORK AND
MAKE BABIES AGAINST THEIR WILL.
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00:09:34,662 --> 00:09:42,670
IT'S WHAT BLACK PEOPLE CALL
"HISTORY."
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00:09:42,670 --> 00:09:44,605
IT'S "ROOTS" FOR WHITE WOMEN,
THAT'S WHAT IT IS.
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00:09:44,605 --> 00:09:54,615
>> OF COURSE.
ROOTS WITH BONNETS.
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00:09:54,615 --> 00:09:56,283
>> THERE WERE SEVERAL DRAMATIC
RESCUES FOR TV SHOWS THIS
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SUMMER.
"BROOKLYN NINE‐NINE" WAS
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00:09:58,352 --> 00:10:00,287
CANCELLED BY FOX, BUT PICKED UP
BY NBC.
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00:10:00,287 --> 00:10:02,089
>> "LAST MAN STANDING" WAS
CANCELLED BY ABC AND PICKED UP
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00:10:02,089 --> 00:10:07,061
BY FOX.
>> AND "ROSEANNE" WAS CANCELLED
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BY HERSELF, BUT PICKED UP BY
WHITE NATIONALISTS.
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00:10:19,139 --> 00:10:21,141
OKAY.
>> SHE'S HAD A ROUGH YEAR.
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00:10:21,141 --> 00:10:23,477
>> THAT'S TOUGH.
>> I HEARD ROSEANNE IS ACTUALLY
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00:10:23,477 --> 00:10:24,712
MOVING
TO ISRAEL.
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00:10:24,712 --> 00:10:28,882
HOW MESSED UP IS YOUR LIFE WHEN
YOU HAVE TO GO TO THE MIDDLE
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00:10:28,882 --> 00:10:32,152
EAST JUST TO GET PEACE OF MIND?
BY THE WAY, CONGRATULATIONS TO
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00:10:32,152 --> 00:10:34,655
LAURIE METCALF.
PLEASE.
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00:10:34,655 --> 00:10:37,825
[ APPLAUSE ]
I MEAN, WOW.
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00:10:37,825 --> 00:10:41,128
THAT'S INCREDIBLE.
YOU KNOW HOW GREAT AN ACTRESS
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00:10:41,128 --> 00:10:46,967
YOU HAVE TO BE TO GET NOMINATED
FOR "ROSEANNE" NOW?
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00:10:46,967 --> 00:10:49,837
THAT'S LIKE NOMINATING A COP FOR
A B. E. T. AWARD.
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DOESN'T HAPPEN.
IT WOULD BE WEIRD.
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00:10:57,745 --> 00:11:01,582
[ APPLAUSE ]
>> TELEVISION OBVIOUSLY HAS MORE
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00:11:01,582 --> 00:11:02,516
CHOICES THAN EVER
BEFORE.
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00:11:02,516 --> 00:11:07,321
THIS YEAR, NETFLIX WILL SPEND
$8 BILLION ON PROGRAMMING, AND
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00:11:07,321 --> 00:11:11,525
THEY NOW HAVE 700 ORIGINAL
SERIES.
167
00:11:11,525 --> 00:11:13,093
WHICH MAKES ME REALIZE THAT THE
SHOW I PITCHED THEM MUST HAVE
168
00:11:13,093 --> 00:11:19,199
REALLY SUCKED.
>> IT DID.
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00:11:19,199 --> 00:11:34,415
>> IT'S LIKE BEING TURNED DOWN
FOR A CVS REWARDS CARD.
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00:11:34,415 --> 00:11:38,886
>> HOW DOES NETFLIX MAKE MONEY?
IT'S LIKE $900 A MONTH AND
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00:11:38,886 --> 00:11:50,798
EVERYBODY IS SHARING AN ACCOUNT.
>> THE OBAMAS NOW EVEN HAVE
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00:11:50,798 --> 00:11:52,666
THEIR OWN PRODUCTION DEAL AT
NETFLIX.
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00:11:52,666 --> 00:11:55,703
AND MY DREAM IS THAT THE ONLY
THING THEY PRODUCE IS THEIR OWN
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00:11:55,703 --> 00:12:03,410
VERSION OF
HIGHER RATINGS.
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00:12:03,410 --> 00:12:06,513
>> THINGS ARE GETTING BETTER,
BUT AS WE ALL KNOW, TV HAS
176
00:12:06,513 --> 00:12:10,718
ALWAYS HAD A DIVERSITY PROBLEM.
CAN YOU BELIEVE THEY DID
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00:12:10,718 --> 00:12:17,424
15 SEASONS OF "ER" WITHOUT ONE
FILIPINO NURSE?
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00:12:17,424 --> 00:12:18,926
>> THAT'S CRAZY.
THAT'S JUST CRAZY.
179
00:12:18,926 --> 00:12:24,331
>> HAVE YOU BEEN TO A HOSPITAL?
>> THAT'S JUST CRAZY.
180
00:12:24,331 --> 00:12:28,335
>> EVEN ON A GREAT SHOW LIKE
"CHEERS."
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00:12:28,335 --> 00:12:31,472
I LOVE "CHEERS," BUT YOU'RE
TELLING ME THEY MADE A
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00:12:31,472 --> 00:12:33,273
SHOW ABOUT AN ALL‐WHITE SPORTS
BAR IN 1980s BOSTON, AND NOT ONE
183
00:12:33,273 --> 00:12:35,109
BLACK DUDE WALKED IN, SAW ALL
THESE WHITE PEOPLE, AND THEN
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00:12:35,109 --> 00:12:39,513
WALKED RIGHT BACK OUT?
I WOULD HAVE.
185
00:12:39,513 --> 00:12:41,615
>> AND THERE'S EVEN MORE
DIVERSITY COMING TO TV.
186
00:12:41,615 --> 00:12:47,721
THERE'S A LATINO "MAGNUM P. I."
THERE'S GOING TO BE A BLACK
187
00:12:47,721 --> 00:12:50,424
SAMANTHA ON A REBOOT
OF "BEWITCHED."
188
00:12:50,424 --> 00:12:54,061
BUT IT'S GONNA GET BALANCED OUT
BY AN ALL‐WHITE REBOOT OF
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00:12:54,061 --> 00:12:59,099
"ATLANTA" CALLED "15 MILES
OUTSIDE OF ATLANTA."
190
00:12:59,099 --> 00:13:04,371
[ APPLAUSE ]
>> THAT'S GOOD.
191
00:13:04,371 --> 00:13:09,176
>> AND IT FOCUSES ON WHITE WOMEN
WHO CALL THE POLICE ON THE CAST
192
00:13:09,176 --> 00:13:18,185
OF "ATLANTA."
>> WELL, IT'S NOT PERFECT.
193
00:13:18,185 --> 00:13:22,022
BUT TV HAS COME A LONG WAY IN
THE PAST 70 YEARS, I THINK
194
00:13:22,022 --> 00:13:23,390
THAT'S WHAT YOU'RE TRYING TO
SAY, COLIN.
195
00:13:23,390 --> 00:13:25,526
>> THAT'S RIGHT.
AND WITH THE AMAZING
196
00:13:25,526 --> 00:13:28,295
CONTRIBUTIONS FROM EVERYONE IN
THIS ROOM TONIGHT, I THINK WE
197
00:13:28,295 --> 00:13:31,098
CAN KEEP TELEVISION GOING FOR
ANOTHER FIVE, SIX YEARS TOPS.
198
00:13:31,098 --> 00:13:34,535
>> TOPS.
BUT LET'S HAVE FUN TONIGHT.
199
00:13:34,535 --> 00:13:36,937
>> LET'S START GIVING OUT SOME
TROPHIES.
200
00:13:36,937 --> 00:13:40,908
YOU GUYS EXCITED?
[ APPLAUSE ]
201
00:13:40,908 --> 00:13:43,477
>> HERE ARE THE NOMINEES FOR
SUPPORTING ACTOR IN A COMEDY
202
00:13:43,477 --> 00:13:50,184
SERIES.
>> SON, I WAS THREATENING TO
203
00:13:50,184 --> 00:13:53,821
QUIT BACK WHEN I WAS IN DIAPERS.
IT WAS FOR AN ADULT DIAPERS
204
00:13:53,821 --> 00:13:54,721
COMMERCIAL.
AND I WAS FIRED.
205
00:13:54,721 --> 00:13:59,827
>> RONALD REAGAN!
>> DON'T JUGGLE HIM.
206
00:13:59,827 --> 00:14:04,965
>> YOU BOSS SOME WHITE PEOPLE
AROUND.
207
00:14:04,965 --> 00:14:09,303
>> YOU DON'T GET TO BE HAPPY
UNTIL I CAN GET TO MY PIANO.
208
00:14:09,303 --> 00:14:11,505
>> OH, MY GOD.
HOW DID YOU DO THAT?
209
00:14:11,505 --> 00:14:14,141
>> I CAN SHOW YOU.
IT'S A TEACHABLE SKILL.
210
00:14:14,141 --> 00:14:17,377
>> I SAID I WAS GOING TO RUN
THIS COUNTRY LIKE A BUSINESS.
211
00:14:17,377 --> 00:14:19,713
THAT BUSINESS IS A WAFFLE HOUSE
AT 2:00 A. M.
212
00:14:19,713 --> 00:14:22,182
>> I LEFT BECAUSE OF THE CRIME
SITUATION.
213
00:14:22,182 --> 00:14:28,055
I COMMITTED A BUNCH OF CRIMES.
AND IT BECAME A SITUATION.
214
00:14:28,055 --> 00:14:32,993
>> AND NOW TO PRESENT THE AWARD
FOR SUPPORTING ACTOR IN A COMEDY
215
00:14:32,993 --> 00:14:34,928
SERIES, PLEASE WELCOME CLAIRE
FOY AND MATT SMITH.
216
00:14:34,928 --> 00:14:45,172
[ APPLAUSE ]
>> GOOD EVENING.
217
00:14:45,172 --> 00:14:48,275
WE'RE HAVING A MARVELOUS TIME.
WE ARE THRILLED TO PRESENT THE
218
00:14:48,275 --> 00:14:51,345
FIRST AWARD OF THE NIGHT.
>> AND IF WE DON'T SOUND
219
00:14:51,345 --> 00:14:56,316
THRILLED, THAT'S JUST BECAUSE
WE'RE VERY, VERY BRITISH.
220
00:14:56,316 --> 00:15:05,092
>> AND THE EMMY GOES TO.
>> HENRY WINKLER.
221
00:15:05,092 --> 00:15:32,252
[ CHEERS AND APPLAUSE ]
♪♪♪♪
222
00:15:32,252 --> 00:15:36,990
>> OH, MY GOD.
OH, MY GOD.
223
00:15:36,990 --> 00:15:40,427
OH, MY GOD.
OKAY.
224
00:15:40,427 --> 00:15:45,966
I ONLY HAVE 37 SECONDS.
I WROTE THIS 43 YEARS AGO.
225
00:15:45,966 --> 00:15:53,507
CAN I JUST SAY SKIP BRITTENHAM
SAID TO ME A LONG TIME AGO IF
226
00:15:53,507 --> 00:15:55,742
YOU STAY AT IT LONG ENOUGH, THE
CHIPS COME TO YOU.
227
00:15:55,742 --> 00:15:57,210
TONIGHT I GOT TO CLEAR THE
TABLE.
228
00:15:57,210 --> 00:16:02,049
IF YOU GET A CHANCE TO WORK WITH
BILL HADER OR ALEC BERG, RUN,
229
00:16:02,049 --> 00:16:04,952
DON'T WORK.
THANK YOU FOR PRODUCING US, FOR
230
00:16:04,952 --> 00:16:07,921
CREATING US, FOR DIRECTING US,
AND BILL FOR ACTING WITH US, AND
231
00:16:07,921 --> 00:16:11,959
ALL OF OUR WONDERFUL WRITERS.
SHERRY THOMPSON AND OUR
232
00:16:11,959 --> 00:16:17,297
WONDERFUL SHARON, SHERRY
GOLDBERG, AN EXTRAORDINARY
233
00:16:17,297 --> 00:16:21,635
PUBLICIST, CLIFF AND AARON AND
CHRIS WHO REPRESENT ME ALMOST
234
00:16:21,635 --> 00:16:23,003
FOR THE FIRST TIME I FEEL
REPRESENTED.
235
00:16:23,003 --> 00:16:26,873
I CAN'T STOP YET.
MY WIFE STACY, OH, MY GOD, MY
236
00:16:26,873 --> 00:16:31,278
CAST AND CREW, AND THE KIDS,
KIDS, JED, ZOE AND MAX, YOU CAN
237
00:16:31,278 --> 00:16:37,484
GO TO BED NOW, DADDY WON!
[ CHEERS AND APPLAUSE ]
238
00:16:37,484 --> 00:16:42,322
♪♪♪♪
>> Announcer: COMING UP NEXT,
239
00:16:42,322 --> 00:16:45,959
JIMMY KIMMEL AND TRACY MORGAN,
MILLIE BOBBY BROWN,
240
00:16:45,959 --> 00:16:50,368
EMILIA CLARKE, ANDY SAMBERG, AND
SANDRA OH.
241
00:16:50,368 --> 00:16:51,885
♪♪♪♪
242
00:17:04,478 --> 00:17:07,614
>>> WELCOME BACK.
>> WELCOME BACK, GUYS.
243
00:17:07,614 --> 00:17:11,284
>> WELCOME BACK.
TONIGHT WE'RE STARTING WITH THE
244
00:17:11,284 --> 00:17:14,988
COMEDY AWARDS.
>> THAT'S RIGHT.
245
00:17:14,988 --> 00:17:17,257
IF YOU HAVEN'T BEEN WATCHING
TV LATELY, A COMEDY IS JUST A
246
00:17:17,257 --> 00:17:20,894
DRAMA THAT'S 30 MINUTES LONG.
>> HERE ARE THE NOMINEES FOR
247
00:17:20,894 --> 00:17:26,900
SUPPORTING ACTRESS IN A COMEDY
SERIES.
248
00:17:26,900 --> 00:17:32,906
>> SORRY I'M LATE, BUT I GOT
HERE AS SOON AS I WANTED TO.
249
00:17:32,906 --> 00:17:38,245
>> FOLKS, LISTEN TO ME, BECAUSE
I'M NO NONSENSE BUT I'M ALL
250
00:17:38,245 --> 00:17:41,415
NONSENSE.
>> I'M LIBERTY BELL, THE
251
00:17:41,415 --> 00:17:45,352
AMERICAN HERO.
I'M A PERFECT TEN AND YOU'RE A
252
00:17:45,352 --> 00:17:46,820
ZERO.
>> THEY'RE ALL DANCING.
253
00:17:46,820 --> 00:17:48,889
OH, MY GOD.
WAS HE HERE THE WHOLE TIME?
254
00:17:48,889 --> 00:17:52,492
>> YOU BOMBED.
YOU TOOK OUT ANTWERP.
255
00:17:52,492 --> 00:17:54,895
PEOPLE WERE ASKING FOR
DIRECTIONS FOR A FALLOUT
256
00:17:54,895 --> 00:17:55,662
SHELTER.
YOU BOMBED.
257
00:17:55,662 --> 00:17:59,566
>> THEY WERE MAKING A SOUND THE
WHOLE TIME, LIKE ‐‐
258
00:17:59,566 --> 00:18:02,135
>> NOBODY KICKS OMAROSA OUT OF
THE WHITE HOUSE.
259
00:18:02,135 --> 00:18:07,574
>> GET AWAY FROM THE WINDOW!
>> Announcer: TO PRESENT THE
260
00:18:07,574 --> 00:18:09,643
AWARD FOR SUPPORTING ACTRESS IN
A COMEDY SERIES, PLEASE WELCOME
261
00:18:09,643 --> 00:18:19,586
JIMMY KIMMEL AND TRACY MORGAN.
[ APPLAUSE ]
262
00:18:19,586 --> 00:18:23,690
>> LET'S HAVE A HAND FOR MICHAEL
AND COLIN.
263
00:18:23,690 --> 00:18:27,160
WEREN'T THEY VERY FUNNY?
I THOUGHT THEY WERE GREAT.
264
00:18:27,160 --> 00:18:31,731
AND THIS IS WHAT THEY'RE GOING
TO LOOK LIKE IN 30 YEARS.
265
00:18:31,731 --> 00:18:34,067
NOW, I KNOW I SPEAK FOR YOU,
TRACY, WHEN
266
00:18:34,067 --> 00:18:36,136
WE SAY WE ARE DELIGHTED THIS
YEAR TO HAVE SUCH A DIVERSE
267
00:18:36,136 --> 00:18:39,272
COLLECTION OF TALENTED
SUPPORTING ACTRESS NOMINEES,
268
00:18:39,272 --> 00:18:41,875
EACH OF WHOM IS VERY DESERVING
OF AN EMMY AWARD.
269
00:18:41,875 --> 00:18:49,015
>> I'M ONLY ROOTING FOR THE
BLACK PEOPLE.
270
00:18:49,015 --> 00:18:51,051
>> WHAT HE'S SAYING IS, IN THIS
CATEGORY IN
271
00:18:51,051 --> 00:18:54,621
PARTICULAR, IT'S HARD TO EVEN
KNOW WHO TO ROOT FOR.
272
00:18:54,621 --> 00:18:58,158
BECAUSE THERE ARE SO MANY GREAT
PEOPLE.
273
00:18:58,158 --> 00:19:02,496
>> I'M ROOTING FOR LESLIE JONES,
ZAZIE BEETZ, AND
274
00:19:02,496 --> 00:19:08,869
MILLIE BOBBY BROWN.
>> MILLIE BOBBY BROWN, SHE'S NOT
275
00:19:08,869 --> 00:19:12,706
BLACK AND SHE'S NOT NOMINATED IN
THIS CATEGORY.
276
00:19:12,706 --> 00:19:14,274
>> WELL, THEN SHE'S UNINVITED TO
THE COOKOUT.
277
00:19:14,274 --> 00:19:17,377
>> THERE'S A COOKOUT?
>> YOU DIDN'T HEAR THAT FROM ME.
278
00:19:17,377 --> 00:19:20,013
>> THE EMMY FOR SUPPORTING
ACTRESS IN A COMEDY SERIES GOES
279
00:19:20,013 --> 00:19:31,491
TO ‐‐
>> ALEX BORSTEIN.
280
00:19:31,491 --> 00:19:35,195
>> COME ON DOWN!
[ APPLAUSE ]
281
00:19:35,195 --> 00:20:01,054
♪♪♪♪
>> CONGRATULATIONS.
282
00:20:01,054 --> 00:20:06,726
>> THANK YOU.
[ APPLAUSE ]
283
00:20:06,726 --> 00:20:10,397
>> I WENT WITHOUT THE BRA.
WHAT A PLATFORM.
284
00:20:10,397 --> 00:20:12,732
LADIES, WHEN YOU USE A PUBLIC
RESTROOM, SIT DOWN.
285
00:20:12,732 --> 00:20:18,872
IF YOU SIT, WE CAN ALL SIT.
STOP PEEING ON THE SEAT.
286
00:20:18,872 --> 00:20:21,908
I WANT TO THANK EVERYONE AT
AMAZON.
287
00:20:21,908 --> 00:20:25,845
I WANT TO THANK AMY
SHERMAN‐PALLADINO, YOU'RE MY
288
00:20:25,845 --> 00:20:28,915
FRIEND, I LOVE YOU, I HATE YOU.
THE CAST, THE CREW.
289
00:20:28,915 --> 00:20:33,920
THE CREW, THE CREW, YOU DO
EVERYTHING, WE SEE YOU.
290
00:20:33,920 --> 00:20:35,755
MY FAMILY.
YOU ARE EVERYTHING.
291
00:20:35,755 --> 00:20:39,960
MY FATHER, YOU ARE THE ONLY MAN
WHO HAS EVER TRULY LOVED AND
292
00:20:39,960 --> 00:20:42,195
TAKEN CARE OF ME, THANK YOU FOR
THAT.
293
00:20:42,195 --> 00:20:45,565
MY BROTHERS, MY LA LA, LIFE IS
POSSIBLE WITH YOU.
294
00:20:45,565 --> 00:20:47,500
MY CHILDREN, YOU ARE EVERYTHING.
THIS IS ALL FUN.
295
00:20:47,500 --> 00:20:49,402
THIS IS WONDERFUL.
BUT NONE OF THIS MATTERS.
296
00:20:49,402 --> 00:20:50,570
YOU MATTER.
I LOVE YOU.
297
00:20:50,570 --> 00:20:53,173
THANK YOU FOR GIVING ME A LIFE
AND I'M GOING TO TRY TO BE THERE
298
00:20:53,173 --> 00:21:00,880
FOR MORE OF IT.
[ CHEERS AND APPLAUSE ]
299
00:21:00,880 --> 00:21:04,017
>> Announcer: AND NOW HERE ARE
THE NOMINEES FOR OUTSTANDING
300
00:21:04,017 --> 00:21:11,758
WRITING FOR A COMEDY SERIES.
>> I WOULD SAY NICE TO MEET YOU,
301
00:21:11,758 --> 00:21:14,160
BUT I'M LEAVING TOWN.
I'LL JUST SAY WE ALWAYS MET.
302
00:21:14,160 --> 00:21:18,665
>> I WANT TO GO OUT THERE AND
TRY TO BURN A GUY AND HAVE HIM
303
00:21:18,665 --> 00:21:20,667
SAY, THERE'S THE GUY FROM THE
CHICKEN COMMERCIAL.
304
00:21:20,667 --> 00:21:22,636
>> I DON'T KNOW IF I DO
COMMERCIALS.
305
00:21:22,636 --> 00:21:25,171
>> DID YOU EVER THINK YOU WERE
SUPPOSED TO BE SOMETHING AND YOU
306
00:21:25,171 --> 00:21:27,674
SUDDENLY REALIZED YOU'RE NOT?
>> YES.
307
00:21:27,674 --> 00:21:28,575
MARRIED.
>> THAT'S GOOD.
308
00:21:28,575 --> 00:21:31,344
YOU'RE GOOD.
>> YOU SHOULD STICK TO YOUR
309
00:21:31,344 --> 00:21:34,147
HUSBAND SO WE'LL GET PAID.
>> I WILL CALL MY HUSBAND AND
310
00:21:34,147 --> 00:21:37,217
THEN THE POLICE.
>> DO IT, THEN, BEIGE LADY.
311
00:21:37,217 --> 00:21:41,521
>> WHO IS DOING "LONG DAY
JOURNEY INTO NIGHT" WITH A BUNCH
312
00:21:41,521 --> 00:21:44,624
OF COKE HEADS?
WE COULD BRING IT IN JUST UNDER
313
00:21:44,624 --> 00:21:47,160
37 MINUTES.
>> THEY'RE ATTACKING US.
314
00:21:47,160 --> 00:21:49,062
>> IT'S THE 51% ATTACK.
>> IT HAS TO BE.
315
00:21:49,062 --> 00:21:54,934
>> I'M SORRY, WHAT?
>> Announcer: PRESENTING THIS
316
00:21:54,934 --> 00:21:57,037
WRITING AWARD ARE
MILLIE BOBBY BROWN AND
317
00:21:57,037 --> 00:22:02,742
EMILIA CLARKE.
>> AN ACTOR IS NOTHING WITHOUT
318
00:22:02,742 --> 00:22:06,613
WRITING.
AT LEAST THAT'S WHAT A WRITER
319
00:22:06,613 --> 00:22:08,148
TOLD ME.
>> TONIGHT, WE ARE HAPPY TO
320
00:22:08,148 --> 00:22:10,817
ANNOUNCE THAT THE COMEDY WRITING
CATEGORY, ONCE DOMINATED BY
321
00:22:10,817 --> 00:22:13,386
WHITE MALE NERDS, NOW BOASTS
MORE FEMALE AND DIVERSE NERDS
322
00:22:13,386 --> 00:22:17,524
THAN EVER BEFORE.
>> THE EMMY FOR WRITING FOR A
323
00:22:17,524 --> 00:22:24,898
COMEDY SERIES GOES TO ‐‐
>> AMY SHERMAN‐PALLADINO.
324
00:22:24,898 --> 00:22:55,395
[ CHEERS AND APPLAUSE ]
♪♪♪♪
325
00:22:55,395 --> 00:22:58,431
>> UH, HI.
WHOEVER PUT THAT CARPET DOWN
326
00:22:58,431 --> 00:23:00,734
HATES WOMEN.
I JUST WANT TO SAY THAT RIGHT
327
00:23:00,734 --> 00:23:07,774
AWAY.
TIME'S UP, OKAY?
328
00:23:07,774 --> 00:23:09,542
ALEX BORSTEIN MADE ME RIP MY
TIGHTS.
329
00:23:09,542 --> 00:23:11,044
WHATEVER.
I'LL GET THROUGH THIS.
330
00:23:11,044 --> 00:23:14,180
I JUST WANT TO SAY MY FATHER
INSPIRED THIS, REALLY.
331
00:23:14,180 --> 00:23:20,320
I HAD TO TURN A 6'2" BRONX JEW
INTO RACHEL BROSNAHAN.
332
00:23:20,320 --> 00:23:22,822
THAT'S HOLLYWOOD.
I WANT TO THANK HIM AND I WANT
333
00:23:22,822 --> 00:23:29,028
TO THANK MY HUSBAND, DANNY
PALLADINO.
334
00:23:29,028 --> 00:23:32,966
AND MY CAST, MY CAST.
YOUR GRACIOUSNESS, YOUR HARD
335
00:23:32,966 --> 00:23:35,101
WORK, YOUR BRILLIANCE AND YOUR
ENDURANCE.
336
00:23:35,101 --> 00:23:38,605
AND THE FACT THAT YOU GRACIOUSLY
ACCEPTED.
337
00:23:38,605 --> 00:23:41,274
SOMETIMES IT MATTERS WHEN YOU
DROP A "THE."
338
00:23:41,274 --> 00:23:42,208
I THANK YOU.
I LOVE YOU.
339
00:23:42,208 --> 00:23:46,246
GOODBYE.
[ APPLAUSE ]
340
00:23:46,246 --> 00:23:48,314
>> Announcer: HERE ARE THE
NOMINEES FOR DIRECTING FOR A
341
00:23:48,314 --> 00:23:55,622
COMEDY SERIES.
>> DONALD GLOVER, "ATLANTA,"
342
00:23:55,622 --> 00:23:57,690
"FUBU"
>> HIRO MURAI, "ATLANTA," "TEDDY
343
00:23:57,690 --> 00:24:00,794
PERKINS"
>> BILL HADER, "BARRY," "CHAPTER
344
00:24:00,794 --> 00:24:04,964
ONE: MAKE YOUR MARK"
>> MARK CENDROWSKI, "THE BIG
345
00:24:04,964 --> 00:24:09,169
BANG THEORY," "THE BOW TIE
ASYMMETRY"
346
00:24:09,169 --> 00:24:14,374
>> JESSE PERETZ, "GLOW," "PILOT"
>> AMY SHERMAN‐PALLADINO, "THE
347
00:24:14,374 --> 00:24:18,745
MARVELOUS MRS. MAISEL," "PILOT"
>> MIKE JUDGE, "SILICON VALLEY,"
348
00:24:18,745 --> 00:24:24,284
"INITIAL COIN OFFERING"
>> Announcer: TO PRESENT THIS
349
00:24:24,284 --> 00:24:32,959
DIRECTING AWARD, HERE ARE
SANDRA OH AND ANDY SAMBERG.
350
00:24:32,959 --> 00:24:36,763
[ APPLAUSE ]
>> GOOD EVENING.
351
00:24:36,763 --> 00:24:39,432
WE WERE SUPPOSED TO COME OUT
HERE AND READ THE WINNER, BUT
352
00:24:39,432 --> 00:24:46,206
INSTEAD, I'VE DECIDED TO SPEAK
FROM THE HEART.
353
00:24:46,206 --> 00:24:52,779
>> WHY'D YOU DO THAT?
WHY DID YOU RIP THE ENVELOPE?
354
00:24:52,779 --> 00:24:54,447
>> I DON'T KNOW, I WAS IN THE
MOMENT.
355
00:24:54,447 --> 00:24:56,049
I GOT OVERWHELMED.
>> NOW WE DON'T KNOW WHO THE
356
00:24:56,049 --> 00:24:57,650
WINNER IS.
>> OH, MY GOD, I SHOULDN'T HAVE
357
00:24:57,650 --> 00:24:59,652
DONE THAT.
SHOULD WE JUST MAKE IT UP?
358
00:24:59,652 --> 00:25:01,721
>> I DON'T THINK WE CAN DO THAT.
>> THE WINNER IS "LA LA LAND."
359
00:25:01,721 --> 00:25:05,024
>> NO, DON'T DO THAT.
ANYTHING BUT THAT.
360
00:25:05,024 --> 00:25:06,559
JUST GIVE ME THE TWO SIDES.
>> JEREMY PARK.
361
00:25:06,559 --> 00:25:08,661
>> WHO IS THAT?
>> A GUY I DATED IN HIGH SCHOOL.
362
00:25:08,661 --> 00:25:10,296
>> YOU THINK HE WON THE AWARD
FOR DIRECTING A COMEDY?
363
00:25:10,296 --> 00:25:12,799
>> WE LOST TOUCH.
HE COULD BE DOING ANYTHING.
364
00:25:12,799 --> 00:25:16,469
>> ALL RIGHT, GIVE ME THAT.
>> I MISS YOU, JEREMY.
365
00:25:16,469 --> 00:25:26,579
>> COME ON.
AND THE EMMY GOES TO ‐‐
366
00:25:26,579 --> 00:25:31,518
AMY SHERMAN‐PALLADINO.
[ CHEERS AND APPLAUSE ]
367
00:25:31,518 --> 00:25:45,131
♪♪♪♪
>> MY PANIC ROOM IS GOING TO BE
368
00:25:45,131 --> 00:25:51,571
SO PRETTY.
OKAY.
369
00:25:51,571 --> 00:25:58,711
IT TAKES A GIANT VILLAGE FULL OF
UNION CREW MEMBERS TO MAKE SURE
370
00:25:58,711 --> 00:26:01,347
THAT MAISEL GOES OUT ON THE
STREETS OF NEW YORK AND TAKES
371
00:26:01,347 --> 00:26:02,682
YOUR PARKING SPACES AWAY FROM
YOU.
372
00:26:02,682 --> 00:26:05,184
TO MY CREW, MY CREW, MY CREW,
YOU ARE MY EVERYTHING.
373
00:26:05,184 --> 00:26:09,389
I WORSHIP YOU.
TO DAVID MULLEN, PROFESSOR
374
00:26:09,389 --> 00:26:14,961
MULLEN, THE DP FROM THE GODS, TO
MARIELLA, BEGGS A. D. IN THE
375
00:26:14,961 --> 00:26:18,064
WORLD, YOU ARE NEXT.
TO DANA GILBERT, WHAT CAN SAY,
376
00:26:18,064 --> 00:26:21,568
YOU MAKE IT ALL HAPPEN.
AND I HAVE TO SAY ONCE AGAIN,
377
00:26:21,568 --> 00:26:25,438
DANIEL PALLADINO, MY
CONSIGLIERE, MY EVERYTHING, I
378
00:26:25,438 --> 00:26:29,809
LOVE YOU TO DEATH.
MY ACTORS, GOD LOVE YOU, YOU
379
00:26:29,809 --> 00:26:32,879
DON'T FLINCH WHEN I SAY IT'S A
SIX‐PAGE.
380
00:26:32,879 --> 00:26:34,847
I LOVE YOU, I LOVE YOU.
THANK YOU AND GOODBYE.
381
00:26:34,847 --> 00:26:39,652
[ APPLAUSE ]
>> Announcer: UP NEXT,
382
00:26:39,652 --> 00:26:42,789
TIFFANY HADDISH, ANGELA BASSETT,
AND MICHAEL DOUGLAS.
383
00:26:42,789 --> 00:26:48,560
PLUS, THE AWARDS FOR LEAD ACTOR
AND ACTRESS IN A COMEDY. EMMY AWARDS IS
384
00:26:48,560 --> 00:26:50,030
SPONSORED BY SAMSUNG.
385
00:26:54,701 --> 00:26:56,436
>> Announcer: OUR NEXT AWARD IS
FOR LEAD ACTRESS IN A COMEDY
386
00:26:56,436 --> 00:27:01,975
SERIES.
HERE ARE THE NOMINEES.
387
00:27:01,975 --> 00:27:06,579
>> AT THIS RATE, HUSBAND ADAM
WILL ONLY BE HOCKEY GAMES, BALL
388
00:27:06,579 --> 00:27:09,849
SCRATCHES, AND FARTS.
>> I HAVE TO FIGURE OUT WHAT TO
389
00:27:09,849 --> 00:27:13,186
DO FOR MAMA.
>> PUT HER DOWN, BACK OF THE
390
00:27:13,186 --> 00:27:15,855
HEAD, DOUBLE TAP.
>> I LOVE HOW WE CAN JOKE ABOUT
391
00:27:15,855 --> 00:27:17,557
THIS.
>> COULD I GET SOME WATER?
392
00:27:17,557 --> 00:27:20,493
>> YES, SURE.
>> THAT'S REALLY VODKA.
393
00:27:20,493 --> 00:27:22,962
>> WHAT CART, I DON'T SEE A
CART?
394
00:27:22,962 --> 00:27:29,469
>> MY NAME IS MRS. MAISEL.
THANK YOU AND GOOD NIGHT.
395
00:27:29,469 --> 00:27:32,071
>> Announcer: TO REVEAL THE
WINNER, PLEASE WELCOME
396
00:27:32,071 --> 00:27:35,208
ANGELA BASSETT AND THIS YEAR'S
WINNER FOR GUEST ACTRESS IN A
397
00:27:35,208 --> 00:27:43,182
COMEDY SERIES, TIFFANY HADDISH.
[ APPLAUSE ]
398
00:27:43,182 --> 00:27:47,620
>> IT IS A PLEASURE TO PRESENT
THIS AWARD AMONG SUCH A TALENTED
399
00:27:47,620 --> 00:27:49,756
GROUP OF WOMEN.
>> YES.
400
00:27:49,756 --> 00:27:53,793
SO MANY EXCEPTIONAL ACTRESSES.
>> WELL?
401
00:27:53,793 --> 00:27:58,464
YOU'VE HAD QUITE THE EXCEPTIONAL
YEAR YOURSELF, TIFFANY.
402
00:27:58,464 --> 00:28:01,200
>> I HAVE, I HAVE.
SEPTEMBER 28th.
403
00:28:01,200 --> 00:28:04,971
BUT I'M STANDING HERE WITH
ANGELA BASSETT.
404
00:28:04,971 --> 00:28:07,473
[ APPLAUSE ]
ROYALTY.
405
00:28:07,473 --> 00:28:15,948
ROYALTY.
>> YES, AND NOW LET'S GET DOWN
406
00:28:15,948 --> 00:28:23,222
TO BUSINESS.
>> SHE READY.
407
00:28:23,222 --> 00:28:27,794
THE EMMY FOR LEAD ACTRESS IN A
COMEDY SERIES GOES TO ‐‐
408
00:28:27,794 --> 00:28:35,034
>> RACHEL BROSNAHAN.
>> "THE MARVELOUS MRS. MAISEL."
409
00:28:35,034 --> 00:28:49,682
[ APPLAUSE ]
♪♪♪♪
410
00:28:49,682 --> 00:28:52,652
>> THERE YOU GO, GIRL.
>> THANK YOU.
411
00:28:52,652 --> 00:29:00,693
OH, BYE.
>> THERE YOU GO.
412
00:29:00,693 --> 00:29:02,095
WOW.
THANK YOU GUYS SO MUCH.
413
00:29:02,095 --> 00:29:07,834
HI.
OKAY.
414
00:29:07,834 --> 00:29:11,070
THANK YOU TO OUR BRILLIANT
WRITERS AND CREATORS, AMY
415
00:29:11,070 --> 00:29:14,240
SHERMAN‐PALLADINO AND DAN
PALLADINO, I'LL BE THANKING YOU
416
00:29:14,240 --> 00:29:17,410
FOR THE REST OF MY LIFE FOR
TRUSTING ME WITH YOUR MIDGE.
417
00:29:17,410 --> 00:29:20,813
THANK YOU TO ALL OUR PRODUCERS,
OUR TEAM AT AMAZON, TO JEFF AND
418
00:29:20,813 --> 00:29:23,883
JEN AND MARK AND KEN AND ALBERT
AND DONNA.
419
00:29:23,883 --> 00:29:27,887
AND THANK YOU TO OUR INCREDIBLE
CAST.
420
00:29:27,887 --> 00:29:30,556
AND OUR EARTH‐SHATTERINGLY
TALENTED CREW.
421
00:29:30,556 --> 00:29:33,392
THIS IS INSANE.
THANK YOU TO MY TEAM AT CAA AND
422
00:29:33,392 --> 00:29:37,563
KEN LEE AND CAROL AND TED.
MY FRIENDS AND MY FAMILY, YOU
423
00:29:37,563 --> 00:29:41,901
ARE ABSOLUTELY EVERYTHING TO ME.
AND ONE OF THE THINGS I LOVE THE
424
00:29:41,901 --> 00:29:44,036
MOST ABOUT THIS SHOW WHILE I
HAVE YOU CAPTIVE FOR ANOTHER TWO
425
00:29:44,036 --> 00:29:48,007
SECONDS, IT'S ABOUT A WOMAN WHO
IS FINDING HER VOICE ANEW.
426
00:29:48,007 --> 00:29:50,076
IT'S SOMETHING THAT'S HAPPENING
ALL OVER THE COUNTRY RIGHT NOW.
427
00:29:50,076 --> 00:29:53,780
ONE OF THE MOST IMPORTANT WAYS
THAT WE CAN FIND AND USE OUR
428
00:29:53,780 --> 00:29:56,115
VOICES IS TO VOTE.
SO IF YOU HAVEN'T ALREADY
429
00:29:56,115 --> 00:29:58,451
REGISTERED, DO IT ON YOUR
CELLPHONE RIGHT NOW.
430
00:29:58,451 --> 00:30:00,686
VOTE, SHOW UP, AND BRING A
FRIEND TO THE POLLS.
431
00:30:00,686 --> 00:30:08,094
THANK YOU SO MUCH.
[ CHEERS AND APPLAUSE ]
432
00:30:08,094 --> 00:30:10,196
>> Announcer: OUR NEXT AWARD IS
FOR LEAD ACTOR IN A COMEDY
433
00:30:10,196 --> 00:30:16,169
SERIES.
HERE ARE THE NOMINEES ‐‐
434
00:30:16,169 --> 00:30:21,274
>> I'M STRESS EATING AND I'M
GAINING WEIGHT AND MY THIGHS,
435
00:30:21,274 --> 00:30:25,378
LOOK AT THAT.
>> COFFEE IS FOR CLOSERS ONLY.
436
00:30:25,378 --> 00:30:29,482
>> YOU CALL YOURSELF A SALESMAN?
YOU SON OF A BITCH.
437
00:30:29,482 --> 00:30:32,485
>> WHAT DID YOU DO LAST NIGHT?
>> I'M JOKING.
438
00:30:32,485 --> 00:30:38,391
>> YOU'RE LIKE THE OLD CLOTHES
RICH PEOPLE DONATE TO GOODWILL.
439
00:30:38,391 --> 00:30:40,459
SOMETHING THEY DON'T NEED BUT
THEY CAN PAT THEMSELVES ON THE
440
00:30:40,459 --> 00:30:45,364
BACK FOR ANYWAY.
>> I'M RICH!
441
00:30:45,364 --> 00:30:47,800
>> THAT'S ENOUGH ALREADY.
I CAN'T HEAR A THING.
442
00:30:47,800 --> 00:30:52,638
SHUT UP.
>> Announcer: TO PRESENT THE
443
00:30:52,638 --> 00:30:54,540
AWARD FOR LEAD ACTOR IN A COMEDY
SERIES, PLEASE WELCOME
444
00:30:54,540 --> 00:31:05,017
MICHAEL DOUGLAS.
>> GOOD EVENING.
445
00:31:05,017 --> 00:31:06,886
SO I'VE WON A FEW AWARDS IN MY
CAREER.
446
00:31:06,886 --> 00:31:13,759
BUT I'VE LOST A HELL OF A LOT
MORE.
447
00:31:13,759 --> 00:31:16,462
SO I WANT TO GIVE SOME ADVICE TO
THE LOSERS.
448
00:31:16,462 --> 00:31:22,401
CARRY THAT RAGE.
LET IT FUEL EVERYTHING YOU DO
449
00:31:22,401 --> 00:31:25,004
FROM THIS NIGHT FORWARD.
KNOW THAT YOU WERE CHEATED.
450
00:31:25,004 --> 00:31:32,311
YOU WERE ROBBED.
THAT IS A FACT.
451
00:31:32,311 --> 00:31:36,983
LET THAT FIRE BURN IN YOUR BELLY
UNTIL YOUR COLD, DEAD BODY IS IN
452
00:31:36,983 --> 00:31:41,120
A PINE BOX, SIX FEET DEEP,
CLUTCHING ALL ITS EMMYS TO ITS
453
00:31:41,120 --> 00:31:50,363
CHEST.
[ APPLAUSE ]
454
00:31:50,363 --> 00:31:58,404
AND THE AWARD FOR LEAD ACTOR IN
A COMEDY SERIES GOES TO ‐‐
455
00:31:58,404 --> 00:32:01,507
BILL HADER, "BARRY."
[ APPLAUSE ]
456
00:32:01,507 --> 00:32:16,656
♪♪♪♪
457
00:32:21,761 --> 00:32:26,432
>> UHH, I DIDN'T THINK THIS WAS
GOING TO HAPPEN.
458
00:32:26,432 --> 00:32:28,834
OKAY.
SO, YEAH, I TOOK CLASSES AT
459
00:32:28,834 --> 00:32:34,240
SECOND CITY, L. A.
NOTHING.
460
00:32:34,240 --> 00:32:37,109
I WAS TAUGHT THERE THAT YOU
SHOULD ALWAYS MAKE THE OTHER
461
00:32:37,109 --> 00:32:39,812
PEOPLE LOOK GOOD.
SO WHAT I DID WAS I HIRED A
462
00:32:39,812 --> 00:32:43,215
BUNCH OF REALLY GREAT ACTORS
THAT MADE ME LOOK REALLY GOOD.
463
00:32:43,215 --> 00:32:50,356
SO I SHARE THIS WITH THE CAST.
HENRY WINKLER, STEVEN ROOT,
464
00:32:50,356 --> 00:32:57,463
SARAH GOLDBERG, ANTHONY
CARRIGAN, PAULA NEWSOM.
465
00:32:57,463 --> 00:32:59,999
ALL OF YOU, THANK YOU SO, SO
MUCH.
466
00:32:59,999 --> 00:33:03,269
THANK YOU, ALEC BERG, THANK YOU,
HBO.
467
00:33:03,269 --> 00:33:14,513
AND HANNAH, HARPER, HALEY.
[ APPLAUSE ]
468
00:33:14,513 --> 00:33:20,453
>> Announcer: NEXT,
BOB ODENKIRK,
469
00:33:20,453 --> 00:33:23,392
CONSTANCE WU, KIT HARINGTON,
CHRISSY TEIGEN AND JOHN LEGEND.
470
00:33:34,033 --> 00:33:38,004
♪♪♪♪
>> WE'RE BACK.
471
00:33:38,004 --> 00:33:38,804
>> HELLO.
>> THANK YOU.
472
00:33:38,804 --> 00:33:43,075
[ APPLAUSE ]
>> I JUST WANT TO SAY, SIX
473
00:33:43,075 --> 00:33:46,012
AWARDS, ALL WHITE WINNERS.
NOBODY THANKED JESUS YET.
474
00:33:46,012 --> 00:33:52,651
[ LAUGHTER ]
>> ONE LADY ONE TWICE AND STILL
475
00:33:52,651 --> 00:33:56,756
DIDN'T THANK JESUS.
>> WE'RE NOW INTO THE
476
00:33:56,756 --> 00:33:59,358
"LIMITED SERIES" CATEGORIES.
>> A LIMITED SERIES IS WHEN A
477
00:33:59,358 --> 00:34:02,495
MOVIE STAR REACHES THE LIMIT ON
ALL THEIR CREDIT CARDS SO THEY
478
00:34:02,495 --> 00:34:05,731
HAVE TO DO TV.
CUMBERBATCH KNOWS WHAT I'M
479
00:34:05,731 --> 00:34:15,141
TALKING ABOUT.
>> GET YOUR MONEY, MAN.
480
00:34:15,141 --> 00:34:17,643
>> AS YOU KNOW, IT'S THE EMMYS
70th ANNIVERSARY TONIGHT, AND WE
481
00:34:17,643 --> 00:34:19,745
THOUGHT IT WOULD BE FUN TO GIVE
YOU ALL SOME INTERESTING FACTS
482
00:34:19,745 --> 00:34:21,814
ABOUT TELEVISION'S RICH HISTORY
WITH THE HELP OF OUR GOOD
483
00:34:21,814 --> 00:34:23,849
FRIENDS MAYA RUDOLPH AND
FRED ARMISEN.
484
00:34:23,849 --> 00:34:32,625
[ APPLAUSE ]
♪♪♪♪
485
00:34:32,625 --> 00:34:35,094
>> HI.
>> HI, GUYS.
486
00:34:35,094 --> 00:34:36,862
>> HEY.
>> SO YOU GUYS KNOW EVERYTHING
487
00:34:36,862 --> 00:34:38,731
THERE IS TO KNOW ABOUT THE
EMMYS.
488
00:34:38,731 --> 00:34:41,834
>> OKAY.
>> GREAT.
489
00:34:41,834 --> 00:34:44,970
BECAUSE THERE ARE SO MANY
NOMINEES, AND SO MANY
490
00:34:44,970 --> 00:34:47,039
CATEGORIES, AND WE'RE GONNA BE
COMING TO YOU WITH A LOT OF
491
00:34:47,039 --> 00:34:51,343
QUESTIONS TONIGHT.
YOU MUST HAVE DONE WEEKS OF
492
00:34:51,343 --> 00:34:53,045
RESEARCH.
>> OH, MY GOD.
493
00:34:53,045 --> 00:34:59,118
YES!
>> SO MUCH RESEARCH.
494
00:34:59,118 --> 00:35:02,655
IT WAS LIKE, THIS IS ME
NORMALLY, AHHH.
495
00:35:02,655 --> 00:35:06,325
AND THIS IS MY RESEARCHING.
>> WOW.
496
00:35:06,325 --> 00:35:09,295
SO DID YOU MEMORIZE IT ALL OR DO
YOU HAVE NOTES?
497
00:35:09,295 --> 00:35:11,497
>> WE MEMORIZED IT.
>> WE HAVE NOTES.
498
00:35:11,497 --> 00:35:16,469
>> YEAH, WE MADE A NOTE FOR
OURSELVES TO MEMORIZE IT.
499
00:35:16,469 --> 00:35:23,342
>> BUT, YOU KNOW.
>> IT SOUNDS LIKE YOU GUYS ARE
500
00:35:23,342 --> 00:35:24,510
VERY PREPARED.
>> OH, YEAH.
501
00:35:24,510 --> 00:35:30,316
>> I'M GLAD IT SOUNDS LIKE IT.
>> YOU KNOW WHAT, WE'RE ACTUALLY
502
00:35:30,316 --> 00:35:33,486
OVERPREPARED.
>> IT'S LIKE, DIAL IT BACK, IT'S
503
00:35:33,486 --> 00:35:35,154
LIKE TOO MUCH FASCINATING
INFORMATION.
504
00:35:35,154 --> 00:35:36,922
>> TOO MUCH.
>> WHEN WE HAVE A QUESTION,
505
00:35:36,922 --> 00:35:38,157
WE'RE GOING TO COME LOOKING FOR
YOU GUYS.
506
00:35:38,157 --> 00:35:45,364
>> YOU BETTER, LITTLE MAN.
ALSO, IS THERE A SMOOTHIE PLACE
507
00:35:45,364 --> 00:35:47,366
AROUND HERE?
>> FRED AND MAYA, EVERYBODY.
508
00:35:47,366 --> 00:35:52,938
[ APPLAUSE ]
>> AND NOW, HERE ARE THE
509
00:35:52,938 --> 00:35:56,609
NOMINEES FOR SUPPORTING ACTRESS
IN A LIMITED SERIES OR MOVIE.
510
00:35:56,609 --> 00:36:00,546
>> WE LOST OUR HUSBANDS AND A
FEW HORSES.
511
00:36:00,546 --> 00:36:06,085
AND WE'RE STILL HERE.
THAT MEANS WE'VE STILL GOT
512
00:36:06,085 --> 00:36:10,055
CHOICES.
♪♪ HOW DID IT COME TO THIS ♪♪
513
00:36:10,055 --> 00:36:12,057
>> I DON'T BELIEVE IN YOU OR
ANYONE.
514
00:36:12,057 --> 00:36:14,627
NOT EVEN MYSELF.
>> WHAT DO YOU WANT FROM ME?
515
00:36:14,627 --> 00:36:18,130
>> I WANT EVERYTHING.
>> YOU HAVE IT ALL.
516
00:36:18,130 --> 00:36:20,766
I GIVE YOU ALL.
>> FIND HIM.
517
00:36:20,766 --> 00:36:24,270
CATCH HIM.
BUT DON'T TALK TO ME ABOUT WHAT
518
00:36:24,270 --> 00:36:26,872
MIGHT OR MIGHT NOT BE GOING
THROUGH HIS MIND.
519
00:36:26,872 --> 00:36:29,642
>> NEVER ACCEPT DRINKS FROM
STRANGERS.
520
00:36:29,642 --> 00:36:34,046
MY DADDY TAUGHT ME THAT.
>> Announcer: YOU'VE SEEN THE
521
00:36:34,046 --> 00:36:35,781
NOMINEES.
NOW, TO PRESENT THE AWARD,
522
00:36:35,781 --> 00:36:39,718
PLEASE WELCOME JOHN LEGEND AND
CHRISSY TEIGEN.
523
00:36:39,718 --> 00:36:46,625
[ APPLAUSE ]
>> WELL, IT HAS BEEN AN
524
00:36:46,625 --> 00:36:51,397
INCREDIBLE WEEK.
>> OH, MY GOD, WE GET IT, YOU
525
00:36:51,397 --> 00:36:57,169
WON THE E. G. O. T., WE GET IT.
GUYS, DON'T ENCOURAGE THIS
526
00:36:57,169 --> 00:36:58,704
BEHAVIOR.
>> I WAS TALKING ABOUT OUR
527
00:36:58,704 --> 00:37:04,376
ANNIVERSARY.
>> OKAY, THANK YOU, JESUS.
528
00:37:04,376 --> 00:37:10,115
THAT'S FOR YOU, MICHAEL.
THAT'S FOR YOU.
529
00:37:10,115 --> 00:37:18,457
>> AND THE EMMY GOES TO ‐‐
MERRITT WEVER, "GODLESS."
530
00:37:18,457 --> 00:37:38,310
[ APPLAUSE ]
♪♪♪♪
531
00:37:38,310 --> 00:37:43,282
>> UMM, OH, I'M SO SORRY, I
REALLY APPRECIATE THIS, AND I
532
00:37:43,282 --> 00:37:46,085
REALLY HOPE THAT YOU DON'T
MISTAKE MY FEAR RIGHT NOW FOR A
533
00:37:46,085 --> 00:37:51,457
LACK OF GRATITUDE.
I'M SO ‐‐ I JUST WANTED TO SAY
534
00:37:51,457 --> 00:37:53,726
HELLO AND CONGRATULATIONS TO ‐‐
I CAME PREPARED AND IT'S BOMBING
535
00:37:53,726 --> 00:37:58,731
ALREADY.
I WANTED TO BE A GROWN UP ABOUT
536
00:37:58,731 --> 00:38:00,199
THIS.
BUT I WANTED TO SAY
537
00:38:00,199 --> 00:38:03,135
CONGRATULATIONS TO THE OTHER
NOMINEES, IT'S VERY MUCH AN
538
00:38:03,135 --> 00:38:06,905
HONOR TO BE COUNTED AMONG YOU
TONIGHT.
539
00:38:06,905 --> 00:38:10,476
IT'S A REALLY LOVELY THING.
UMM, THERE'S A LOT OF PEOPLE I
540
00:38:10,476 --> 00:38:13,145
WANT TO THANK.
BUT I THINK I'M GOING TO TRY AND
541
00:38:13,145 --> 00:38:16,115
DO IT IN PRIVATE.
I JUST WANT TO SAY I'M STILL
542
00:38:16,115 --> 00:38:19,485
SHOCKED THAT YOU'VE MADE A SPACE
FOR ME AND THAT YOU MADE A SPACE
543
00:38:19,485 --> 00:38:22,621
FOR MARY AGNES.
I LOVE HER AND I STILL MISS HER.
544
00:38:22,621 --> 00:38:26,358
AND I HOPE SHE'S WELL.
AND I WISH I COULD TELL HER
545
00:38:26,358 --> 00:38:29,094
ABOUT TONIGHT.
AND THANK YOU FROM THE BOTH OF
546
00:38:29,094 --> 00:38:30,796
US, SO VERY MUCH.
THANK YOU SO MUCH.
547
00:38:30,796 --> 00:38:38,170
[ CHEERS AND APPLAUSE ]
548
00:38:41,173 --> 00:38:43,776
>> WE WANTED TO TAKE A QUICK
BREAK TO CHECK IN WITH OUR EMMY
549
00:38:43,776 --> 00:38:49,882
EXPERTS FRED AND MAYA AND SEE IF
THEY COULD ANSWER SOME QUESTIONS
550
00:38:49,882 --> 00:38:51,884
FOR US.
>> HEY, GUYS.
551
00:38:51,884 --> 00:38:52,885
READY TO GIVE US SOME EMMY
FACTS?
552
00:38:52,885 --> 00:38:56,588
>> UH.
YEAH.
553
00:38:56,588 --> 00:38:57,956
SHOOT.
>> GREAT.
554
00:38:57,956 --> 00:39:02,127
WELL, I'VE ALWAYS WONDERED ABOUT
THE EMMY STATUE ITSELF.
555
00:39:02,127 --> 00:39:05,931
CAN YOU TELL US SOMETHING ABOUT
ITS HISTORY?
556
00:39:05,931 --> 00:39:08,067
>> OH!
OF COURSE.
557
00:39:08,067 --> 00:39:09,601
WELL, IT'S ABOUT THIS BIG.
>> ACTUALLY, THERE'S AN EMMY
558
00:39:09,601 --> 00:39:11,170
RIGHT NEXT TO YOU GUYS.
>> OH!
559
00:39:11,170 --> 00:39:12,738
THIS?
THIS IS ‐‐ WE KNEW THAT.
560
00:39:12,738 --> 00:39:19,211
>> HERE SHE IS.
>> THE ORIGINAL GOLDEN GIRL.
561
00:39:19,211 --> 00:39:21,580
>> THAT'S RIGHT.
AND IT'S GOT A TOP AND IT'S GOT
562
00:39:21,580 --> 00:39:22,715
A BOTTOM.
>> YES.
563
00:39:22,715 --> 00:39:27,319
AND THAT'S THE HISTORY.
>> YOU GOOD?
564
00:39:27,319 --> 00:39:28,487
>> ALL RIGHT.
LET'S TRY A DIFFERENT
565
00:39:28,487 --> 00:39:32,624
QUESTION.
>> WHY?
566
00:39:32,624 --> 00:39:35,427
>> I'VE HEARD THE EMMY WAS
ACTUALLY
567
00:39:35,427 --> 00:39:39,231
MODELED AFTER THE DESIGNER'S
WIFE?
568
00:39:39,231 --> 00:39:40,999
>> OKAY.
MM‐HMM.
569
00:39:40,999 --> 00:39:44,136
>> UH, YEP.
MRS. JOHNSON.
570
00:39:44,136 --> 00:39:46,438
>> YOU GOOD?
>> HANG ON, I'VE ALWAYS WONDERED
571
00:39:46,438 --> 00:39:50,376
WHAT SHE'S HOLDING.
>> WHO?
572
00:39:50,376 --> 00:39:51,977
>> MRS. JOHNSON?
>> YES.
573
00:39:51,977 --> 00:39:53,479
THE THING SHE IS HOLDING.
WHAT IS THAT?
574
00:39:53,479 --> 00:39:57,182
>> OH.
THAT ‐‐ THAT'S ‐‐ THAT'S HER
575
00:39:57,182 --> 00:40:02,588
FAMOUS BALL OF RIBBONS.
>> RIGHT.
576
00:40:02,588 --> 00:40:05,324
AND SHE'S HOLDING IT UP TO THE
LIGHT TO SEE IF IT'S DIRTY.
577
00:40:05,324 --> 00:40:10,095
>> AND IT'S NOT, YAY.
>> DOES IT SYMBOLIZE ANYTHING?
578
00:40:10,095 --> 00:40:16,235
>> YOU TELL ME.
YOU GOOD?
579
00:40:16,235 --> 00:40:18,737
>> NO, WE'RE NOT GOOD.
BUT NOW IT LOOKS LIKE WE'RE OUT
580
00:40:18,737 --> 00:40:23,542
OF TIME.
>> OH, NO.
581
00:40:23,542 --> 00:40:26,378
>> FRED AND MAYA, EVERYONE.
[ APPLAUSE ]
582
00:40:26,378 --> 00:40:28,447
>> AND NOW, HERE ARE THE
NOMINEES FOR SUPPORTING ACTOR IN
583
00:40:28,447 --> 00:40:40,826
A LIMITED SERIES OR MOVIE.
♪♪♪♪
584
00:40:40,826 --> 00:40:46,799
>> TO THE LOVED ONES OF THE
VICTIMS OF 9/11, YOUR GOVERNMENT
585
00:40:46,799 --> 00:40:50,235
FAILED YOU.
>> THE BARS, THE MEALS, THE MEN,
586
00:40:50,235 --> 00:40:53,105
IT MEANS NOTHING.
I WANT MY LIFE BACK.
587
00:40:53,105 --> 00:40:55,808
>> THEY KNOW YOU'RE COMING,
STOP!
588
00:40:55,808 --> 00:41:05,184
THEY KNOW YOU'RE COMING, STOP!
>> WAS I PAID TO LOVE HIM?
589
00:41:05,184 --> 00:41:15,427
>> IT'S GODLESS COUNTRY.
>> Announcer: NOW, TO PRESENT
590
00:41:15,427 --> 00:41:24,636
THE AWARD, PLEASE WELCOME,
KIT HARINGTON AND CONSTANCE WU.
591
00:41:24,636 --> 00:41:27,840
>> THE PERFORMANCES OF THOSE
NOMINEES ELEVATE OUR INDUSTRY
592
00:41:27,840 --> 00:41:30,809
AND OUR ART.
>> AND GAVE US HOURS AND HOURS
593
00:41:30,809 --> 00:41:33,245
OF COMPELLING AND CAPTIVATING
TELEVISION.
594
00:41:33,245 --> 00:41:38,484
>> AND THE EMMY GOES TO ‐‐
>> JEFF DANIELS.
595
00:41:38,484 --> 00:41:40,085
>> JEFF DANIELS.
[ CHEERS AND APPLAUSE ]
596
00:41:40,085 --> 00:41:52,498
♪♪♪♪
597
00:41:54,333 --> 00:42:00,372
>> THANK YOU VERY MUCH.
IF YOU'RE GOING TO DO A WESTERN,
598
00:42:00,372 --> 00:42:09,047
DO IT WITH SCOTT FRANK.
THANK YOU TO NETFLIX FOR YOUR
599
00:42:09,047 --> 00:42:14,686
SUPPORT OF ARTISTS, LETTING
ARTISTS BE ARTISTS.
600
00:42:14,686 --> 00:42:22,261
PAUL MARTINO, EDDIE YABLONZ HAVE
BEEN WITH ME SINCE THE LATE
601
00:42:22,261 --> 00:42:25,864
'40s.
JEN CURRAN, MICHELLE SCHWARTZ,
602
00:42:25,864 --> 00:42:29,234
BRANDON CLARK, WHO TRAINED ME ON
A HORSE IN MICHIGAN.
603
00:42:29,234 --> 00:42:42,781
FELIX DELGADO, MY DRIVER.
KATHLEEN, MY WIFE, MY FAMILY.
604
00:42:42,781 --> 00:42:48,053
MARK WARRICK, MY HORSE WRANGLER.
LITTLE TIP FOR YOU YOUNG ACTORS.
605
00:42:48,053 --> 00:42:53,492
WHEN THEY CALL AND SAY CAN YOU
RIDE A HORSE, DON'T LIE.
606
00:42:53,492 --> 00:42:58,897
YOU WILL FIND ON DAY ONE YOU'RE
IN THE KENTUCKY DERBY.
607
00:42:58,897 --> 00:43:08,840
I WOULD ALSO FINALLY LIKE TO
THANK MY HORSE, APOLLO.
608
00:43:08,840 --> 00:43:13,545
HE WAS JEFF BRIDGES' HORSE ON
"TRUE GRIT" AND I FELT HE WAS
609
00:43:13,545 --> 00:43:21,219
MAKING UNFAIR COMPARISONS.
THREE TIMES HE THREW ME OFF THE
610
00:43:21,219 --> 00:43:22,521
HORSE.
THREE TIMES.
611
00:43:22,521 --> 00:43:27,659
THE THIRD AND LAST TIME, I BROKE
MY WRIST, LITERALLY BROKE MY
612
00:43:27,659 --> 00:43:29,795
WRIST.
IT WAS MY LEFT WRIST.
613
00:43:29,795 --> 00:43:32,931
IT'S NOW OFFICIALLY HEALED.
THANK YOU VERY MUCH.
614
00:43:32,931 --> 00:43:39,838
[ APPLAUSE ]
>> Announcer: THESE ARE THE
615
00:43:39,838 --> 00:43:41,907
NOMINEES FOR WRITING FOR A
LIMITED SERIES, MOVIE OR
616
00:43:41,907 --> 00:43:50,549
DRAMATIC SPECIAL.
>> WE HAD A FUTURE.
617
00:43:50,549 --> 00:43:53,085
>> ANDREW.
>> WE HAD A FUTURE, DAVID.
618
00:43:53,085 --> 00:43:56,588
>> DID YOU FORGET YOUR PENCIL?
AND YOU'LL BE LIKE, ACTUALLY,
619
00:43:56,588 --> 00:43:59,524
YEAH.
OH, I HAVE AN EXTRA ONE.
620
00:43:59,524 --> 00:44:04,396
THEY'LL BE LIKE, BOOM.
>> NOW IT SEEMS MY TWILIGHT'S
621
00:44:04,396 --> 00:44:06,498
COME HOME AND I DIDN'T EVEN HEAR
IT KNOCKING.
622
00:44:06,498 --> 00:44:10,235
>> WE'LL SHOW YOU MERCY.
>> GREAT MERCY SHOWING, CAPTAIN.
623
00:44:10,235 --> 00:44:13,538
>> TOMORROW YOU SHOULD
RECONSIDER YOUR AMENIBILITY.
624
00:44:13,538 --> 00:44:20,145
>> WHAT YEAR IS THIS?
[ SCREAMING ]
625
00:44:20,145 --> 00:44:24,216
>> SIR, CARE FOR DESSERT?
>> HOW DO YOU CARE FOR A
626
00:44:24,216 --> 00:44:25,050
DESSERT?
FEED IT?
627
00:44:25,050 --> 00:44:27,486
VISIT IT ON SUNDAYS?
>> Announcer: THOSE ARE THE
628
00:44:27,486 --> 00:44:35,260
NOMINEES.
NOW, TO PRESENT THE AWARD,
629
00:44:35,260 --> 00:44:44,269
PLEASE WELCOME AMY BRYANT AND
BOB ODENKIRK.
630
00:44:44,269 --> 00:44:45,837
>> THE EMMY AWARDS BEGAN IN
1949 WITH A BRIEF READING OF THE
631
00:44:45,837 --> 00:44:47,572
NOMINEES AND WINNERS.
THE ENTIRE SHOW LASTED TEN
632
00:44:47,572 --> 00:44:53,545
MINUTES.
>> THE AUDIENCE WAS NOT
633
00:44:53,545 --> 00:44:56,314
IMPRESSED.
THEY WANTED IT TO BE SO MUCH
634
00:44:56,314 --> 00:44:57,783
LONGER.
>> THAT'S RIGHT.
635
00:44:57,783 --> 00:45:01,920
SO THE NEXT YEAR, ACTORS AND
ACTRESSES WERE FORCED TO READ
636
00:45:01,920 --> 00:45:05,290
CHARMING PATTER BETWEEN EACH,
UMM, AWARD.
637
00:45:05,290 --> 00:45:11,930
>> AND SUDDENLY THEY HAD A HIT.
PEOPLE LOVED THE NATURAL AND
638
00:45:11,930 --> 00:45:15,600
VERY COOL BANTER AND HILARIOUS
SEGUES.
639
00:45:15,600 --> 00:45:18,904
>> THAT'S RIGHT, AIDY.
SPEAKING OF HILARIOUS SEGUES,
640
00:45:18,904 --> 00:45:26,278
THE EMMY GOES TO ‐‐
>> THE EMMY GOES TO WILLIAM
641
00:45:26,278 --> 00:45:33,618
BRIDGES AND CHARLIE BROOKER,
"BLACK MIRROR: USS CALLISTER."
642
00:45:33,618 --> 00:46:01,246
[ APPLAUSE ]
♪♪♪♪
643
00:46:01,246 --> 00:46:06,985
>> OH, MY GOODNESS ME.
WHAT A DELIGHTFUL BUT HORRIFYING
644
00:46:06,985 --> 00:46:17,696
OUT OF BODY EXPERIENCE THIS IS.
WE NEED TO THANK EVERYONE AT NET
645
00:46:17,696 --> 00:46:19,898
LICKS
NETFLIX FOR BEING SUPPORTIVE.
646
00:46:19,898 --> 00:46:25,103
OUR INCREDIBLE CAST AND CREW.
ANNABELLE JONES, CO‐SHOW‐RUNNER
647
00:46:25,103 --> 00:46:27,739
WITHOUT WHOM NONE OF THIS
OCCURS.
648
00:46:27,739 --> 00:46:32,410
OUR FAMILIES AND OUR WIVES, I
HAVE TO THANK MY WIFE DOWN
649
00:46:32,410 --> 00:46:33,945
THERE.
>> AND JULES.
650
00:46:33,945 --> 00:46:38,416
>> WHO CAME BACK JUST IN TIME.
AND I NEED TO THANK MY CHILDREN,
651
00:46:38,416 --> 00:46:42,387
WHO I DON'T KNOW WHY, THEY'RE
ONLY 4 AND 6 YEARS OLD, IT TURNS
652
00:46:42,387 --> 00:46:47,759
OUT THEY'RE NOT REALLY INTO
"BLACK MIRROR."
653
00:46:47,759 --> 00:46:50,262
TINY INGRATES.
I WANT TO ACKNOWLEDGE THE
654
00:46:50,262 --> 00:46:55,600
CREATIVE DEBT THIS STORY IN
PARTICULAR OWES TO PROGRESSIVE
655
00:46:55,600 --> 00:47:01,139
U.S. TITANS OF SCI‐FI, "TWILIGHT
ZONE" AND "STAR TREK."
656
00:47:01,139 --> 00:47:04,209
THANK YOU VERY MUCH.
>> Announcer: UP NEXT,
657
00:47:04,209 --> 00:47:05,744
LESLIE JONES, RUPAUL,
JAMES CORDEN, LARRY DAVID AND
658
00:47:05,744 --> 00:47:08,880
RACHEL BROSNAHAN.
PLUS, THE AWARDS FOR LEAD ACTOR
659
00:47:08,880 --> 00:47:13,671
AND ACTRESS IN A LIMITED SERIES.
THE EMMYS, ON NBC.
660
00:47:21,092 --> 00:47:25,330
♪♪♪♪
>> Announcer: PLEASE WELCOME
661
00:47:25,330 --> 00:47:32,237
ALEC BALDWIN AND KATE McKINNON.
[ APPLAUSE ]
662
00:47:32,237 --> 00:47:35,907
>> THE VERY FIRST EMMY AWARDS
WERE HELD AT THE HOLLYWOOD
663
00:47:35,907 --> 00:47:40,011
ATHLETIC CLUB IN 1949.
>> ONLY 9% OF AMERICANS OWNED A
664
00:47:40,011 --> 00:47:43,148
TELEVISION AT THE TIME, BUT THE
INDUSTRY THOUGHT, "WE'VE BEEN ON
665
00:47:43,148 --> 00:47:49,354
THE AIR FOR A YEAR.
WE SHOULD GIVE OURSELVES SOME
666
00:47:49,354 --> 00:47:51,523
AWARDS."
>> THERE ARE VERY FEW PEOPLE WHO
667
00:47:51,523 --> 00:47:53,925
WERE AROUND THEN THAT ARE STILL
WORKING IN TELEVISION TODAY, AND
668
00:47:53,925 --> 00:47:57,028
WE ARE LUCKY TO BE JOINED BY ONE
OF THEM TONIGHT.
669
00:47:57,028 --> 00:47:59,764
THE GREATEST OF ALL TIME,
BETTY WHITE.
670
00:47:59,764 --> 00:48:08,773
[ CHEERS AND APPLAUSE ]
>> BETTY WAS NOMINATED FOR THE
671
00:48:08,773 --> 00:48:13,445
EMMY 24 TIMES.
AND SHE WON EIGHT.
672
00:48:13,445 --> 00:48:17,115
>> AND AT 96 YEARS OLD SHE STILL
THINKS ABOUT THOSE EMMYS SHE
673
00:48:17,115 --> 00:48:22,120
DIDN'T WIN.
AND SHE'S STILL BITTER.
674
00:48:22,120 --> 00:48:25,390
[ LAUGHTER ]
>> LADIES AND GENTLEMEN, THE
675
00:48:25,390 --> 00:48:28,994
INCOMPARABLE, BETTY WHITE.
[ CHEERS AND APPLAUSE ]
676
00:48:28,994 --> 00:48:41,873
♪♪♪♪
677
00:48:44,643 --> 00:49:01,593
>> OH, MY GOODNESS.
OH, MY GOODNESS.
678
00:49:01,593 --> 00:49:16,174
[ CHEERS AND APPLAUSE ]
THANK YOU.
679
00:49:16,174 --> 00:49:21,379
I'M JUST GOING TO QUIT WHILE I'M
AN AHEAD.
680
00:49:21,379 --> 00:49:27,986
‐‐ WHILE I'M AHEAD.
OH, MY GOODNESS, GOODNESS,
681
00:49:27,986 --> 00:49:30,355
GOODNESS.
THIS IS VERY EXCITING.
682
00:49:30,355 --> 00:49:37,662
I THOUGHT THE BIGGEST, MOST
EXCITING NIGHT I HAD EVER HAD,
683
00:49:37,662 --> 00:49:47,939
I'M TALKING TO LORNE MICHAELS
NOW, WAS THE NIGHT THAT HE GAVE
684
00:49:47,939 --> 00:49:52,877
ME AN HONOR.
BUT BOY, YOU TOPPED YOURSELF
685
00:49:52,877 --> 00:50:04,789
TONIGHT, LORNE.
[ APPLAUSE ]
686
00:50:04,789 --> 00:50:15,200
YOU THINK I'M GOING TO MISS A
CHANCE WHEN I GET IT?
687
00:50:15,200 --> 00:50:22,107
BELIEVE ME, THIS GOES BACK TO ‐‐
SOMEBODY SAID SOMETHING THE
688
00:50:22,107 --> 00:50:24,776
OTHER DAY ABOUT FIRST LADY OF
TELEVISION.
689
00:50:24,776 --> 00:50:30,015
AND I TOOK IT AS A BIG
COMPLIMENT.
690
00:50:30,015 --> 00:50:35,086
AND THEN I HEARD HER TALKING TO
HER DAUGHTER A LITTLE LATER, SHE
691
00:50:35,086 --> 00:50:39,657
SAID, FIRST LADY, YES, SHE'S
THAT OLD, SHE WAS THE FIRST WON,
692
00:50:39,657 --> 00:50:49,134
WAY, WAY BACK.
BUT LITTLE DID I DREAM THEN THAT
693
00:50:49,134 --> 00:50:56,041
I WOULD BE HERE.
IT'S INCREDIBLE THAT I'M STILL
694
00:50:56,041 --> 00:50:59,377
IN THIS BUSINESS, THAT I'M
STILL ‐‐ AND YOU ARE STILL
695
00:50:59,377 --> 00:51:06,684
PUTTING UP WITH ME.
[ APPLAUSE ]
696
00:51:06,684 --> 00:51:13,258
NO, I'M THANKING YOU.
IT'S INCREDIBLE THAT YOU CAN
697
00:51:13,258 --> 00:51:18,329
STAY IN A CAREER THIS LONG AND
STILL HAVE PEOPLE PUT UP WITH
698
00:51:18,329 --> 00:51:30,675
YOU.
I WISH THEY DID THAT AT HOME.
699
00:51:30,675 --> 00:51:36,381
I WANT TO THANK LORNE MICHAELS
FOR DOING NOT ONLY THIS TONIGHT,
700
00:51:36,381 --> 00:51:44,856
BUT ALL THE WONDERFUL THINGS
HE'S DONE WITH ME ‐‐ NO, FOR ME.
701
00:51:44,856 --> 00:51:54,132
[ LAUGHTER ]
AND ALL I CAN SAY IS, IT'S SUCH
702
00:51:54,132 --> 00:52:00,705
A BLESSED BUSINESS TO BE IN, AND
HOW LUCKY CAN I BE, AND HOW MUCH
703
00:52:00,705 --> 00:52:05,510
I SAY, THANK YOU TO EACH AND
EVERY ONE OF YOU.
704
00:52:05,510 --> 00:52:08,480
THANK YOU SO MUCH.
[ CHEERS AND APPLAUSE ]
705
00:52:08,480 --> 00:52:15,386
>> LADIES AND GENTLEMEN,
BETTY WHITE.
706
00:52:15,386 --> 00:52:19,023
>> Announcer: AND NOW, HERE ARE
THE NOMINEES FOR DIRECTING FOR A
707
00:52:19,023 --> 00:52:22,160
LIMITED SERIES, MOVIE OR
DRAMATIC SPECIAL.
708
00:52:22,160 --> 00:52:25,797
>> RYAN MURPHY, "THE
ASSASSINATION OF GIANNI VERSACE:
709
00:52:25,797 --> 00:52:29,434
AMERICAN CRIME STORY," "THE MAN
WHO WOULD BE VOGUE"
710
00:52:29,434 --> 00:52:34,672
>> SCOTT FRANK, "GODLESS"
>> DAVID LEVEAUX, ALEX
711
00:52:34,672 --> 00:52:38,276
RUDZINSKI, "JESUS CHRIST
SUPERSTAR LIVE IN CONCERT"
712
00:52:38,276 --> 00:52:42,080
>> CRAIG ZISK, "THE LOOMING
TOWER 9/11"
713
00:52:42,080 --> 00:52:46,584
>> BARRY LEVINSON, "PATERNO"
>> EDWARD BERGER, "PATRICK
714
00:52:46,584 --> 00:52:52,857
MELROSE"
>> DAVID LYNCH, "TWIN PEAKS"
715
00:52:52,857 --> 00:52:54,959
>> Announcer: TO REVEAL THE
WINNER, PLEASE WELCOME
716
00:52:54,959 --> 00:53:00,598
JAMES CORDEN.
[ CHEERS AND APPLAUSE ]
717
00:53:00,598 --> 00:53:13,178
♪♪♪♪
>> HELLO, GOOD EVENING.
718
00:53:13,178 --> 00:53:20,451
WHAT ABOUT THAT BETTY WHITE.
LAST NIGHT SHE BROKE UP A FIGHT
719
00:53:20,451 --> 00:53:22,687
BETWEEN TOM ARNOLD AND MARK
BURNETT.
720
00:53:22,687 --> 00:53:27,992
SHE NEVER STOPS.
LET'S GET IT TRENDING.
721
00:53:27,992 --> 00:53:36,834
EMMYS SO WHITE.
WITHOUT THIS NEXT GROUP OF
722
00:53:36,834 --> 00:53:40,038
NOMINEES, DARREN CRISS WOULD
JUST BE WANDERING AROUND SOUTH
723
00:53:40,038 --> 00:53:44,409
BEACH AIMLESSLY IN A TANK TOP.
BENEDICT CUMBERBATCH WOULDN'T
724
00:53:44,409 --> 00:53:51,149
KNOW WHICH ANGLE TO TURN HIS
RAZOR SHARP CHEEKBONES, AND JOHN
725
00:53:51,149 --> 00:53:53,785
LEGEND WOULD STILL BE, LET'S BE
HONEST, FLAWLESS.
726
00:53:53,785 --> 00:54:05,863
THE EMMY GOES TO RYAN MURPHY.
[ APPLAUSE ]
727
00:54:05,863 --> 00:54:32,323
♪♪♪♪
>> I'M SO SHOCKED.
728
00:54:32,323 --> 00:54:35,860
THANK YOU.
THANK YOU TO MY GUYS.
729
00:54:35,860 --> 00:54:45,470
DAVID AND LOGAN AND FORTY.
I WANT TO THANK DANA WALDEN AND
730
00:54:45,470 --> 00:54:52,610
PETER RICE AND GARY NEWMAN AND
JOHN LANGRAF AND JOE COHEN AND
731
00:54:52,610 --> 00:55:00,852
BRIAN LORD AND KEVIN UBAINE.
I WOULD NOT BE HERE WITHOUT BRAD
732
00:55:00,852 --> 00:55:03,388
FALCHECK AND TOM ROB SMITH, I
DEFINITELY WOULD NOT BE HERE
733
00:55:03,388 --> 00:55:14,832
WITHOUT YOUR BRILLIANT SCRIPT.
I WANT TO THANK MY BEAUTIFUL
734
00:55:14,832 --> 00:55:18,836
CAST
CAST, DARREN CRISS, AND MOST OF
735
00:55:18,836 --> 00:55:21,572
ALL I JUST WANT TO THANK ALL THE
WOMEN IN MY LIFE WHO HAVE
736
00:55:21,572 --> 00:55:27,412
SUPPORTED ME FROM DAY ONE.
JULIA AND GWYNETH AND SARAH
737
00:55:27,412 --> 00:55:28,613
PAULSON.
I LOVE YOU.
738
00:55:28,613 --> 00:55:32,317
AND ANGELA BASSETT AND KATHY
BATES.
739
00:55:32,317 --> 00:55:35,253
I DO NOT DESERVE YOU.
I WORK HARD FOR YOU, I LOVE YOU.
740
00:55:35,253 --> 00:55:36,954
I'M VERY SHOCKED.
THANK YOU SO MUCH.
741
00:55:36,954 --> 00:55:43,328
[ CHEERS AND APPLAUSE ]
>> Announcer: NOW, HERE ARE THE
742
00:55:43,328 --> 00:55:51,069
NOMINEES FOR LEAD ACTRESS IN A
LIMITED SERIES OR MOVIE.
743
00:55:51,069 --> 00:55:54,238
>> I SHOULD HAVE JUST DID IT.
AND I DON'T KNOW WHY.
744
00:55:54,238 --> 00:55:58,076
>> I AM NOT A VICTIM.
I DON'T NEED YOU OR ANYBODY TO
745
00:55:58,076 --> 00:56:02,513
CALL ME A VICTIM.
>> DO IT.
746
00:56:02,513 --> 00:56:05,717
WE'RE GOING TO BE AWFUL DAMN
SICK FROM THE BULLET IN YOUR
747
00:56:05,717 --> 00:56:07,719
CHEST.
>> I NEVER PRAYED FOR ANYTHING
748
00:56:07,719 --> 00:56:10,455
HARDER IN MY LIFE THAN FOR MY
SON TO LIVE.
749
00:56:10,455 --> 00:56:13,524
>> IF YOU CONVICT HIM NOW OF
FIRST‐DEGREE MURDER, IT WILL BE
750
00:56:13,524 --> 00:56:20,665
HIS FATHER'S LAST ACT OF TERROR.
>> I AM NOT CRAZY.
751
00:56:20,665 --> 00:56:23,534
YOU PEOPLE ARE TERRORIZING MY
FAMILY AND IT STOPS NOW.
752
00:56:23,534 --> 00:56:26,137
>> Announcer: TO PRESENT THIS
DIRECTING AWARD, PLEASE WELCOME
753
00:56:26,137 --> 00:56:32,510
LESLIE JONES AND RUPAUL.
[ APPLAUSE ]
754
00:56:32,510 --> 00:56:42,286
♪♪♪♪
>> LESLIE AND I HAVE SOMETHING
755
00:56:42,286 --> 00:56:47,024
IN COMMON.
>> GUYS, WE BOTH LOVE THE SHOW
756
00:56:47,024 --> 00:56:48,760
"RUPAUL'S DRAG RACE."
THAT SHOW IS SO FIERCE.
757
00:56:48,760 --> 00:56:50,728
>> FIERCE.
>> THAT'S WHY WE'VE GIVEN ALL
758
00:56:50,728 --> 00:56:55,333
THE NOMINEES A DRAG NAME LIKE
SIR LADY ALEC BALDWIN.
759
00:56:55,333 --> 00:57:03,941
>> OH, I LIKE THAT, THAT'S CUTE.
MISS ZSA ZSA LEGUIZAMO.
760
00:57:03,941 --> 00:57:08,479
>> ANTHONY "THE TUCK" ANDERSON.
>> I LIKE THAT.
761
00:57:08,479 --> 00:57:13,751
AND SANDRA OH NO SHE BETTER DO.
>> AND THE EMMY GOES TO ‐‐
762
00:57:13,751 --> 00:57:18,856
>> HERE, LET ME HELP YOU.
>> HELP ME, BABY.
763
00:57:18,856 --> 00:57:39,977
OKAY, ALL RIGHT.
WOO, REGINA KING!
764
00:57:39,977 --> 00:57:58,429
[ CHEERS AND APPLAUSE ]
♪♪♪♪
765
00:57:58,429 --> 00:58:02,099
>> OKAY.
REALLY?
766
00:58:02,099 --> 00:58:05,870
SAY WORD.
OH, MY GOD.
767
00:58:05,870 --> 00:58:07,805
OKAY.
SO I DROPPED LIPSTICK ON MY
768
00:58:07,805 --> 00:58:10,942
DRESS AND I WAS DOWN THERE
TRYING TO GET IT OUT BECAUSE I
769
00:58:10,942 --> 00:58:15,880
KNEW ‐‐ WOW.
OKAY.
770
00:58:15,880 --> 00:58:17,849
I DIDN'T HAVE NOTHING TO SAY
BECAUSE I WASN'T REALLY
771
00:58:17,849 --> 00:58:22,119
EXPECTING THIS.
BUT I AM SO GRATEFUL, TELEVISION
772
00:58:22,119 --> 00:58:24,789
ACADEMY.
Y'ALL MY FRIENDS, MY PEERS,
773
00:58:24,789 --> 00:58:34,298
THANK YOU, THANK YOU, THANK YOU.
FOX 21, NETFLIX, OH, MY GOD,
774
00:58:34,298 --> 00:58:38,736
THANK YOU FOR CREATING AN
OPPORTUNITY NOTO TELL A STORY AND
775
00:58:38,736 --> 00:58:41,272
HOLD A MIRROR UP TO WHAT'S GOING
ON.
776
00:58:41,272 --> 00:58:46,811
TODAY I AM JUST FLOORED.
RUSSELL HORNSBY, THE INCREDIBLE
777
00:58:46,811 --> 00:58:53,150
CAST.
OH, MY GOD.
778
00:58:53,150 --> 00:58:53,851
I
I
779
00:58:53,851 --> 00:58:54,986
IAN, IF YOU ARE AT HOME, NO
CAPS, WHAT?
780
00:58:54,986 --> 00:58:58,155
I PROBABLY SAID IT WRONG.
NO CAP.
781
00:58:58,155 --> 00:59:03,928
THAT'S WHAT IT'S SUPPOSED TO BE.
I AM ‐‐ THANK YOU.
782
00:59:03,928 --> 00:59:09,233
THIS IS AMAZING.
I WANT TO CURSE RIGHT NOW.
783
00:59:09,233 --> 00:59:13,304
THIS IS GOOD.
THANK YOU, JESUS, MICHAEL CHE.
784
00:59:13,304 --> 00:59:30,054
[ APPLAUSE ]
>> Announcer: AND NOW, HERE ARE
785
00:59:30,054 --> 00:59:31,222
THE NOMINEES
FOR LEAD ACTOR IN A LIMITED
786
00:59:31,222 --> 00:59:38,596
SERIES OR MOVIE.
♪♪ NOW I'M SAD AND TIRED ♪♪
787
00:59:38,596 --> 00:59:45,603
>> YOU WON'T DIE, YOU KNOW.
NO ONE DIES IN HERE UNLESS I
788
00:59:45,603 --> 00:59:50,274
WANT THEM TO.
>> I CAN'T ALLOW THIS TO DESTROY
789
00:59:50,274 --> 00:59:52,310
YOUR LIFE.
I CAN'T ALLOW THAT.
790
00:59:52,310 --> 00:59:56,180
>> I REALLY WISH PEOPLE WOULD
STOP TELLING ME TO CALM DOWN.
791
00:59:56,180 --> 00:59:58,482
THERE ARE BOMBS GOING OFF AROUND
THE WORLD.
792
00:59:58,482 --> 01:00:01,419
THAT DOESN'T MAKE ME FEEL CALM.
>> NO ONE CAN HELP YOU.
793
01:00:01,419 --> 01:00:07,892
YOU HAVE TO DO IT ON YOUR OWN.
>> YOU FAILED TO DO THE ONE
794
01:00:07,892 --> 01:00:18,302
THING, TO PROTECT HER SON.
>> Announcer: TO PRESENT THIS
795
01:00:18,302 --> 01:00:20,404
ACTING AWARD, PLEASE WELCOME
RACHEL BROSNAHAN AND
796
01:00:20,404 --> 01:00:22,707
LARRY DAVID.
[ APPLAUSE ]
797
01:00:22,707 --> 01:00:26,344
♪♪♪♪
>> IT'S NICE BEING OUT HERE WITH
798
01:00:26,344 --> 01:00:32,049
YOU, LARRY.
>> YEAH, YEAH, IT'S NICE.
799
01:00:32,049 --> 01:00:36,387
LOVELY.
IT'S LOVELY.
800
01:00:36,387 --> 01:00:39,457
>> WHAT'S WRONG?
>> I CAN'T DO THE BANTER.
801
01:00:39,457 --> 01:00:43,327
I CAN'T.
I DON'T KNOW HOW TO BANTER.
802
01:00:43,327 --> 01:00:46,864
I FEEL LIKE I'M ON A DATE.
I'M ALL DRESSED UP.
803
01:00:46,864 --> 01:00:50,568
I'M NERVOUS.
I GOTTA BE ON.
804
01:00:50,568 --> 01:00:52,336
IT'S NOT GOOD.
>> YEAH.
805
01:00:52,336 --> 01:00:53,537
IT KIND OF FEELS LIKE WE GOT SET
UP.
806
01:00:53,537 --> 01:01:00,378
>> RIGHT?
YEAH.
807
01:01:00,378 --> 01:01:02,813
SO?
>> YEAH.
808
01:01:02,813 --> 01:01:06,517
>> THIS IS MAISEL.
>> LARRY DAVID.
809
01:01:06,517 --> 01:01:19,597
>> HOW AM I DOING?
>> AND THE WINNER IS ‐‐ DARREN
810
01:01:19,597 --> 01:01:34,111
CRISS, "THE ASSASSINATION OF
GIANNI VERSACE: AMERICAN CRIME ♪♪
811
01:01:34,111 --> 01:01:37,348
>> OH, MY GOD, YOU GUYS ARE
WITNESSING THE MOST
812
01:01:37,348 --> 01:01:39,283
EXTRAORDINARY MOMENT OF MY LIFE
THUS FAR.
813
01:01:39,283 --> 01:01:45,122
SO THIS IS PRETTY COOL.
I AM SO VERY PRIVILEGED TO BE IN
814
01:01:45,122 --> 01:01:48,392
THIS ROOM AMONG SO MANY PEOPLE
THAT INSPIRE THE LIVING CRAP OUT
815
01:01:48,392 --> 01:01:52,363
OF ME.
AND I AM SO HONORED TO BE
816
01:01:52,363 --> 01:01:55,132
NOMINATED.
A LOT OF YOU GUYS I HAVE BEEN A
817
01:01:55,132 --> 01:01:58,602
FAN OF FOR SUCH A LONG TIME.
ACTORS ARE ONLY AS GOOD AS THE
818
01:01:58,602 --> 01:02:00,337
MOMENTS THEY'RE GIVEN AND
GRANTED.
819
01:02:00,337 --> 01:02:04,742
I'M SO PROFOUNDLY INDEBTED TO MY
FRIEND RYAN MURPHY FOR
820
01:02:04,742 --> 01:02:07,278
ENTRUSTING ME WITH THIS
OPPORTUNITY OF A LIFETIME AND
821
01:02:07,278 --> 01:02:10,514
FOR BELIEVING IN ME.
I HOPE THE PEOPLE FROM THE SHOW
822
01:02:10,514 --> 01:02:13,284
FORGIVE ME, I WILL THANK YOU
LATER.
823
01:02:13,284 --> 01:02:16,687
I NEED TO THANK SOME FAMILY.
RICKY, YOU WORKED HARD ON THIS
824
01:02:16,687 --> 01:02:18,856
THAN I DID.
MOM, DAD, CHUCK.
825
01:02:18,856 --> 01:02:21,726
UNLIKE THE CHARACTER I PLAYED, I
WAS LUCKY ENOUGH TO BE RAISED IN
826
01:02:21,726 --> 01:02:25,629
A HOME THAT WAS VERY LOVING AND
EMPHASIZED THE VALUE OF HARD
827
01:02:25,629 --> 01:02:29,233
WORK AND COMPASSION AND NOT
TAKING YOURSELF SERIOUSLY.
828
01:02:29,233 --> 01:02:32,403
TO MY DARLING MIA, YOU ROLL THE
WINDOWS DOWN AND PUMP THE
829
01:02:32,403 --> 01:02:36,240
WINDOWS UP IN MY LIFE AND I'M SO
THANKFUL, I'M SO LUCKY TO HAVE
830
01:02:36,240 --> 01:02:37,942
YOU.
CONGRATULATIONS TO ALL OF YOU.
831
01:02:37,942 --> 01:02:39,043
THANK YOU TO THE TELEVISION
ACADEMY.
832
01:02:39,043 --> 01:02:44,615
AND GO BLUE.
[ CHEERS AND APPLAUSE ]
833
01:02:44,615 --> 01:02:47,685
>> Announcer: NEXT,
STERLING K. BROWN,
834
01:02:47,685 --> 01:02:51,322
RON CEPHAS JONES, ABBI JACOBSON
AND ILANA GLAZER.
835
01:02:51,322 --> 01:02:54,484
THE EMMYS, ON NBC.
♪♪♪♪
836
01:03:03,734 --> 01:03:04,781
>> WE'RE BACK
837
01:03:06,419 --> 01:03:07,953
CONGRATULATIONS TO REGINA KING
838
01:03:07,953 --> 01:03:08,833
FOR WINNING
839
01:03:13,872 --> 01:03:16,708
I JUST WANT TO REMIND EVERYBODY
840
01:03:16,708 --> 01:03:20,311
THAT JEFF DANIELS THANKED HIS
HORSE.
841
01:03:22,938 --> 01:03:25,388
YOU KNOW, AS A BLACK COMEDIAN
FOR SO MANY YEARS, OUR TV
842
01:03:25,388 --> 01:03:27,690
LEGENDS AND HEROES HAVE GONE
UNRECOGNIZED.
843
01:03:27,690 --> 01:03:34,463
SO THIS YEAR AS HOST, I TOOK IT
UPON MYSELF TO FINALLY RIGHT
844
01:03:34,463 --> 01:03:44,807
SOME OF THOSE WRONGS.
I PRESENT THE REPARATIONS EMMYS.
845
01:03:44,807 --> 01:03:47,743
>> EXCUSE ME, MISS MARLA GIBBS.
>> YES.
846
01:03:47,743 --> 01:03:51,347
>> WE WOULD LIKE TO PRESENT TO
YOU THIS REPARATIONS EMMY.
847
01:03:51,347 --> 01:03:54,016
YOUR ROLE AS FLORENCE THE MADE
IS THE REASON WHY I GOT FIRED
848
01:03:54,016 --> 01:03:56,085
FROM EVERY SERVICE JOB I'VE EVER
HAD.
849
01:03:56,085 --> 01:03:58,621
>> WELL, THANK YOU.
I THINK.
850
01:03:58,621 --> 01:04:02,158
>> IS THIS THE REAL EMMY?
>> YES, THE REAL THING.
851
01:04:02,158 --> 01:04:06,429
>> MAN, I CANNOT BELIEVE THIS.
I JUST GOT ONE WORD FOR THIS
852
01:04:06,429 --> 01:04:08,064
THING.
>> WELL, SAY IT.
853
01:04:08,064 --> 01:04:14,904
>> IT IS DYNAMIC!
HA HA HA!
854
01:04:14,904 --> 01:04:19,909
>> WHAT UP, JAY?
>> YOUR CHARACTER ON "A
855
01:04:19,909 --> 01:04:22,111
DIFFERENT WORLD."
>> I DON'T THINK YOU REALIZED
856
01:04:22,111 --> 01:04:24,246
HOW MANY YOUNG BROTHERS YOU
INSPIRED TO GO TO COLLEGE.
857
01:04:24,246 --> 01:04:26,649
>> I'M GLAD YOU WENT TO COLLEGE,
BRO.
858
01:04:26,649 --> 01:04:28,851
THAT'S BEAUTIFUL.
>> YEAH.
859
01:04:28,851 --> 01:04:39,228
YEAH, BECAUSE I WENT TO COLLEGE.
>> STEVE URKEL WAS THE ORIGINAL
860
01:04:39,228 --> 01:04:42,031
BLACK NERD.
WITHOUT YOU THERE WOULD BE NO
861
01:04:42,031 --> 01:04:44,734
KANYE WEST.
THERE WOULD BE NO OBAMA.
862
01:04:44,734 --> 01:04:49,038
>> DID I DO THAT?
>> YEAH, MAN, YOU DID THAT.
863
01:04:49,038 --> 01:04:55,177
>> THIS IS FOR YOUR AMAZING WORK
AND BEING THE BEST SITCOM
864
01:04:55,177 --> 01:05:00,449
ACTRESS I'VE EVER SEEN.
>> THE ACADEMY GAVE THIS TO YOU?
865
01:05:00,449 --> 01:05:04,453
>> LET'S JUST SAY I STOLE THIS
FROM BILL COSBY.
866
01:05:04,453 --> 01:05:08,591
>> YOU WHAT?
>> BRYAN CRANSTON GOT SIX EMMYS.
867
01:05:08,591 --> 01:05:12,728
>> ANYBODY FROM "THE WIRE" IS
BETTER THAN BRYAN CRANSTON.
868
01:05:12,728 --> 01:05:14,797
>> HE ONLY WON BECAUSE HE WAS
WHITE.
869
01:05:14,797 --> 01:05:17,400
IF HE WAS BLACK, HE WOULD BE
BAGGING GROCERIES AT TRADER
870
01:05:17,400 --> 01:05:23,572
JOE'S SOMEWHERE.
>> MR. JOHN WITHERSPOON, I
871
01:05:23,572 --> 01:05:25,875
PRESENT TO YOU THIS REPARATIONS
EMMY.
872
01:05:25,875 --> 01:05:29,078
>> THAT'S FOR YOUR LIFETIME OF
WORK ON TELEVISION, YOU'RE A
873
01:05:29,078 --> 01:05:31,647
LEGEND AND IT'S ABOUT TIME YOU
GOT RECOGNIZED.
874
01:05:31,647 --> 01:05:33,883
>> MAN.
>> ENJOY THAT.
875
01:05:33,883 --> 01:05:39,388
>> 1968, "I SPY"?
NO, I CAN'T HAVE THIS IN MY
876
01:05:39,388 --> 01:05:43,025
HOUSE.
>> IT'S REPARATION EMMY, IT'S
877
01:05:43,025 --> 01:05:46,529
FOR YOU.
>> REPARATION IS NOT FOR AN
878
01:05:46,529 --> 01:05:48,898
EMMY.
IT'S FOR 40 ACRES AND A MULE.
879
01:05:48,898 --> 01:05:52,034
I'LL TAKE THAT.
>> WHEN WE DID "A DIFFERENT
880
01:05:52,034 --> 01:05:53,969
WORLD," IT WASN'T ABOUT AWARDS.
IT WAS FOR THE PEOPLE.
881
01:05:53,969 --> 01:05:56,739
>> YOU DON'T WANT IT?
>> NO, I'M GOING TO KEEP THIS,
882
01:05:56,739 --> 01:05:59,708
I'M GOING TO FIND SOMETHING TO
DO WITH THIS.
883
01:05:59,708 --> 01:06:01,377
>> WHO ARE YOU NOW?
WHO ARE YOU?
884
01:06:01,377 --> 01:06:04,447
>> I'M MICHAEL CHE.
I DO THE NEWS ON TV.
885
01:06:04,447 --> 01:06:06,449
>> LIKE TREVOR NOAH?
YOU KNOW HIM?
886
01:06:06,449 --> 01:06:08,851
>> I'M GLAD YOU GOT YOUR EMMY,
MAN.
887
01:06:08,851 --> 01:06:14,557
>> HEY, YOUNG FELLA.
WITH THAT FUNNY HAT ON LIKE YOU
888
01:06:14,557 --> 01:06:16,826
MR. BIG SHOT.
TREVOR NOAH IS THE MAN.
889
01:06:16,826 --> 01:06:27,403
[ APPLAUSE ]
BEE PRESENTS: THE GREAT AMERICAN
890
01:06:27,403 --> 01:06:30,539
>> Announcer: AND NOW IT'S TIME
FOR OUR NEXT AWARD.
891
01:06:30,539 --> 01:06:34,977
HERE ARE THE NOMINEES FOR
WRITING FOR A VARIETY SPECIAL.
892
01:06:34,977 --> 01:06:40,382
>> IF THE GUY WHO BUILT THE
VENUE COULD SEE ME ON THE STAGE,
893
01:06:40,382 --> 01:06:42,218
HE WOULD BE A LITTLE BIT BUMMED
ABOUT IT.
894
01:06:42,218 --> 01:06:44,520
>> SOMETIMES YOU'RE A PERSON
WITH A SHRILL VOICE AND THERE'S
895
01:06:44,520 --> 01:06:54,296
NOTHING YOU CAN DO ABOUT IT.
>> GOT TO KEEP THE RACES PURE.
896
01:06:54,296 --> 01:06:56,465
I HOPE THEY DON'T USE THAT AS A
PROMO.
897
01:06:56,465 --> 01:07:00,703
>> OF ALL THE PEOPLE I HAVE A
FAKE SHOW BUSINESS RELATIONSHIP
898
01:07:00,703 --> 01:07:02,404
WITH, I FEEL FAKE CLOSEST TO
YOU.
899
01:07:02,404 --> 01:07:04,740
>> AWW BUDDY.
>> Announcer: TO PRESENT THIS
900
01:07:04,740 --> 01:07:11,313
WRITING AWARD, PLEASE WELCOME
ABBI JACOBSON AND ILANA GLAZER.
901
01:07:11,313 --> 01:07:16,018
[ APPLAUSE ]
♪♪♪♪
902
01:07:16,018 --> 01:07:19,321
>> WE PLAY BEST FRIEND ON TV.
>> BUT WHAT A LOT OF PEOPLE
903
01:07:19,321 --> 01:07:34,370
DON'T KNOW IS THAT IN REAL LIFE,
I'M ABBI'S FATHER.
904
01:07:34,370 --> 01:07:44,947
>> WOW.
THIS IS LIKE ‐‐ OKAY.
905
01:07:44,947 --> 01:07:57,026
>> AND THE EMMY GOES TO ‐‐
>> JOHN MULANEY!
906
01:07:57,026 --> 01:08:10,973
[ APPLAUSE ]
♪♪♪♪
907
01:08:10,973 --> 01:08:14,910
>> THANK YOU VERY MUCH.
THIS IS INCREDIBLE.
908
01:08:14,910 --> 01:08:19,949
WOW.
I SHARE THIS AWARD WITH MICHELLE
909
01:08:19,949 --> 01:08:23,552
WOLF, WITH PATTON OSWALT, WITH
SAMANTHA BEE AND HER WONDERFUL
910
01:08:23,552 --> 01:08:27,823
STAFF, AND WITH STEVE MARTIN AND
MARTIN STEVE.
911
01:08:27,823 --> 01:08:31,527
YOU'VE ALL MADE ME LAUGH AND
MANY OTHER PEOPLE LAUGH SO MANY
912
01:08:31,527 --> 01:08:35,331
TIMES, AND THERE'S NO BETTER
FEELING THAN JUST LAUGHING
913
01:08:35,331 --> 01:08:38,033
UNCONTROLLABLY, SO THANK YOU.
AND I WANT TO THANK MY WIFE WHO
914
01:08:38,033 --> 01:08:40,536
IS IN NEW YORK TONIGHT.
SHE WAS VERY BUSY AND SHE SAID
915
01:08:40,536 --> 01:08:44,473
TO ME, I JUST CAN'T FLY ACROSS
THE COUNTRY TO WATCH YOU LOSE.
916
01:08:44,473 --> 01:08:50,112
[ LAUGHTER ]
I STILL THINK YOU MADE THE RIGHT
917
01:08:50,112 --> 01:08:54,850
DECISION.
I WANT TO THANK DAVID MINER,
918
01:08:54,850 --> 01:09:00,956
CARA MASSLIN, MICHAEL BERKOWITZ.
OUR DIRECTOR, OUR AMAZING SET
919
01:09:00,956 --> 01:09:04,693
DESIGNER, SCOTT PASK.
I WANT TO THANK EVERYONE WHO
920
01:09:04,693 --> 01:09:08,897
REPRESENTS ME AND THEIR
ASSISTANTS WHO DO ALL THE STUFF.
921
01:09:08,897 --> 01:09:11,700
AND THERE'S AN OLD STORY ABOUT
WHEN A REPORTER ASKED CHARLIE
922
01:09:11,700 --> 01:09:14,603
CHAPLIN WHAT'S IT LIKE TO
PERFORM COMEDY THAT YOU'VE
923
01:09:14,603 --> 01:09:17,473
WRITTEN, BUT IT'S NOT A VERY
GOOD STORY, SO I'M NOT GOING TO
924
01:09:17,473 --> 01:09:18,941
TELL IT.
THANK YOU VERY MUCH.
925
01:09:18,941 --> 01:09:21,744
[ APPLAUSE ]
>> Announcer: HERE ARE THE
926
01:09:21,744 --> 01:09:27,983
NOMINEES FOR OUTSTANDING
DIRECTING FOR A VARIETY SPECIAL.
927
01:09:27,983 --> 01:09:30,552
>> STAN LATHAN, "DAVE CHAPPELLE:
EQUANIMITY"
928
01:09:30,552 --> 01:09:35,758
>> MICHAEL BONFIGLIO, "JERRY
SEINFELD: JERRY BEFORE SEINFELD"
929
01:09:35,758 --> 01:09:41,497
>> GLENN WEISS, "THE OSCARS"
>> MARCUS RABOY, "STEVE MARTIN &
930
01:09:41,497 --> 01:09:43,565
MARTIN SHORT: AN EVENING YOU
WILL FORGET FOR THE REST OF YOUR
931
01:09:43,565 --> 01:09:47,703
LIFE"
>> HAMISH HAMILTON,
932
01:09:47,703 --> 01:09:52,441
"SUPER BOWL LII HALFTIME SHOW
STARRING JUSTIN TIMBERLAKE"
933
01:09:52,441 --> 01:09:55,577
>> Announcer: TO PRESENT THE
AWARD TO ONE OF THOSE FIVE
934
01:09:55,577 --> 01:09:58,180
NOMINEES, PLEASE WELCOME
STERLING K. BROWN AND THIS
935
01:09:58,180 --> 01:10:01,784
YEAR'S WINNER FOR GUEST ACTOR IN
A DRAMA SERIES,
936
01:10:01,784 --> 01:10:06,722
RON CEPHAS JONES.
[ APPLAUSE ]
937
01:10:06,722 --> 01:10:10,125
♪♪♪♪
>> HI.
938
01:10:10,125 --> 01:10:13,228
THANK YOU.
SO WE REALIZED THAT SINCE RON
939
01:10:13,228 --> 01:10:15,831
PLAYS MY DAD ON "THIS IS US" ‐‐
>> ‐‐ THAT WE WOULD DO SOME DAD
940
01:10:15,831 --> 01:10:25,274
JOKES FOR YOU.
>> OKAY.
941
01:10:25,274 --> 01:10:28,377
DID YOU HEAR ABOUT THE
RESTAURANT ON THE MOON?
942
01:10:28,377 --> 01:10:29,778
GOOD FOOD.
NO ATMOSPHERE.
943
01:10:29,778 --> 01:10:33,816
>> HERE'S ANOTHER.
DAD, CAN YOU PUT THE CAT OUT?
944
01:10:33,816 --> 01:10:39,621
>> I DIDN'T KNOW IT WAS ON FIRE.
[ LAUGHTER ]
945
01:10:39,621 --> 01:10:41,924
>> THAT ONE WAS ACTUALLY SAD.
>> MM‐HMM.
946
01:10:41,924 --> 01:10:46,528
>> WE CAN USE THAT FOR THE SHOW.
>> ABSOLUTELY.
947
01:10:46,528 --> 01:10:51,734
THE EMMY FOR DIRECTING FOR A
VARIETY SPECIAL GOES TO ‐‐
948
01:10:51,734 --> 01:10:55,904
GLENN WEISS, "THE OSCARS."
[ APPLAUSE ]
949
01:10:55,904 --> 01:11:17,359
♪♪♪♪
>> THANKS.
950
01:11:17,359 --> 01:11:20,896
TO MY DAUGHTERS, SYDNEY AND
TAYLOR, I LOVE YOU GIRLS MORE
951
01:11:20,896 --> 01:11:29,204
THAN YOU WILL EVER KNOW.
I WANT TO THANK JEN TODD, MIKE
952
01:11:29,204 --> 01:11:33,742
DI LUCA, ALL OF OUR FRIEND AT
ABC.
953
01:11:33,742 --> 01:11:37,546
I'M REALLY GRATEFUL TO BE HERE.
BUT IT'S BITTERSWEET.
954
01:11:37,546 --> 01:11:40,816
THE PERSON MOST PROUD AT THIS
MOMENT WOULD BE MY MOM AND SHE
955
01:11:40,816 --> 01:11:46,955
PASSED AWAY JUST TWO WEEKS AGO.
PART OF MY HEART IS BROKEN.
956
01:11:46,955 --> 01:11:49,358
I DON'T THINK IT WILL EVER BE
REPAIRED.
957
01:11:49,358 --> 01:11:51,727
BUT SHE'S IN ME AND SHE ALWAYS
WILL BE.
958
01:11:51,727 --> 01:11:54,329
MOM ALWAYS BELIEVED IN FINDING
THE SUNSHINE IN THINGS AND SHE
959
01:11:54,329 --> 01:11:59,234
ADORED MY GIRLFRIEND JAN.
JAN, YOU ARE THE SUNSHINE IN MY
960
01:11:59,234 --> 01:12:01,236
LIFE.
AND MOM WAS RIGHT, DON'T EVER
961
01:12:01,236 --> 01:12:05,941
LET GO OF YOUR SUNSHINE.
YOU WONDER WHY I DON'T LIKE TO
962
01:12:05,941 --> 01:12:09,144
CALL YOU MY GIRLFRIEND?
BECAUSE I WANT TO CALL YOU MY
963
01:12:09,144 --> 01:12:32,034
WIFE.
[ CHEERS AND APPLAUSE ]
964
01:12:32,034 --> 01:12:45,414
I DIDN'T ASK YET.
I DIDN'T ASK YET.
965
01:12:45,414 --> 01:12:49,651
HAMISH, I'M GOING TO BE A
MOMENT.
966
01:12:49,651 --> 01:12:56,692
THIS IS THE RING THAT MY DAD PUT
ON MY MOM'S FINGER 67 YEARS AGO.
967
01:12:56,692 --> 01:12:58,861
AND TO MY SISTERS AND BROTHERS,
I DIDN'T SWIPE IT, DAD KNOWS I
968
01:12:58,861 --> 01:13:06,568
HAVE IT, OKAY?
JAN, I WANT TO PUT THIS RING
969
01:13:06,568 --> 01:13:10,873
THAT MY MOM WORE ON YOUR FINGER
IN FRONT OF ALL THESE PEOPLE AND
970
01:13:10,873 --> 01:13:14,376
IN FRONT OF MY MOM AND YOUR
PARENTS WATCHING FROM ABOVE.
971
01:13:14,376 --> 01:13:33,262
WILL YOU MARRY ME?
[ CHEERS AND APPLAUSE ]
972
01:13:33,262 --> 01:13:39,868
THANK YOU TO THE ACADEMY!
THANK YOU, EVERYBODY.
973
01:13:39,868 --> 01:13:44,673
[ APPLAUSE ]
♪♪♪♪
974
01:13:44,673 --> 01:13:49,378
>> Announcer: UP NEXT, TINA FEY.
AND LATER, TARAJI P. HENSON,
975
01:13:49,378 --> 01:13:52,481
SAMANTHA BEE, ELISABETH MOSS,
AND THE DRAMA SERIES AWARDS.
976
01:13:52,481 --> 01:13:55,918
THE EMMYS, LIVE ON NBC.
977
01:14:06,728 --> 01:14:09,531
>> Announcer: PLEASE WELCOME
TINA FEY.
978
01:14:09,531 --> 01:14:19,107
[ APPLAUSE ]
♪♪♪♪
979
01:14:19,107 --> 01:14:23,745
>> TO WORK IN TELEVISION IS A
PRIVILEGE.
980
01:14:23,745 --> 01:14:25,514
PEOPLE INVITE US INTO THEIR
HOMES.
981
01:14:25,514 --> 01:14:27,516
WE BABYSIT THEIR CHILDREN.
WE STAY HOME WITH THEM WHEN THEY
982
01:14:27,516 --> 01:14:30,085
ARE SICK.
AND IF YOU LET US ON YOUR PHONE,
983
01:14:30,085 --> 01:14:34,256
WE WILL FOLLOW YOU INTO THE
BATHTUB.
984
01:14:34,256 --> 01:14:36,358
ONE OF US IS ALWAYS THERE TO SAY
GOOD MORNING.
985
01:14:36,358 --> 01:14:38,961
SOME OF US SHOW UP LATE AND STAY
UNTIL 1:00 A. M.
986
01:14:38,961 --> 01:14:43,131
WE TRY TO MAKE YOU LAUGH.
WE CHALLENGE YOUR ASSUMPTIONS.
987
01:14:43,131 --> 01:14:46,768
WE GENTLY DELIVER BAD NEWS.
WE FEEL A RESPONSIBILITY TO
988
01:14:46,768 --> 01:14:50,906
ALWAYS TELL YOU THE TRUTH.
SO IT'S UNDERSTANDABLE THAT WHEN
989
01:14:50,906 --> 01:14:55,077
SOMEONE FROM OUR FAVORITE SHOW
PASSES AWAY, WE FEEL LIKE WE
990
01:14:55,077 --> 01:14:57,713
HAVE LOST A FRIEND.
BECAUSE WE HAVE.
991
01:14:57,713 --> 01:15:00,315
TONIGHT, WE CELEBRATE THE LIVES
OF SOME PEOPLE WHO HAVE BEEN OUR
992
01:15:00,315 --> 01:15:05,087
VERY GOOD FRIENDS.
993
01:15:35,584 --> 01:15:41,957
♪♪ AMAZING GRACE ♪♪
994
01:15:45,927 --> 01:15:48,597
>> THIS IS THE PATH TO TRUE
HAPPINESS AND WISDOM.
995
01:15:48,597 --> 01:15:57,906
GOOD TO SEE YOU AGAIN, MY
FRIEND.
996
01:15:57,906 --> 01:16:10,786
♪♪ HOW SWEET THE SOUND ♪♪
>> WE SET A GOAL, WE ACHIEVED
997
01:16:10,786 --> 01:16:45,387
IT.
♪♪ THAT SAVED A WRETCH LIKE ME ♪♪
998
01:16:45,387 --> 01:17:03,572
>> TOUCHDOWN!
♪♪ I ONCE ♪♪
999
01:17:03,572 --> 01:17:23,225
♪♪ WAS LOST ♪♪
♪♪ BUT NOW ♪♪
1000
01:17:23,225 --> 01:17:25,760
>> ASK YOURSELF, WHAT DO I
REALLY WANT?
1001
01:17:25,760 --> 01:17:39,107
WHAT IS REALLY GOING TO MAKE ME
HAPPY?
1002
01:17:39,107 --> 01:17:44,446
♪♪ AM FOUND, WAS BLIND ♪♪
>> WHATEVER YOU DO, DO IT FOR
1003
01:17:44,446 --> 01:17:54,890
YOUR REASONS, NOT ANYONE ELSE'S.
>> IT DOESN'T MATTER WHAT FAMILY
1004
01:17:54,890 --> 01:17:59,728
YOU COME FROM IN THIS COUNTRY.
YOU CAN BE ANYTHING YOU WANT TO
1005
01:17:59,728 --> 01:18:19,681
BE
♪♪ BUT NOW I SEE ♪♪
1006
01:18:19,681 --> 01:18:31,860
♪♪ THROUGH MANY DANGERS ♪♪
>> THERE ARE MILLIONS OF DEALS
1007
01:18:31,860 --> 01:18:34,062
TO BE MADE AND WE'LL MAKE THEM
EVERY DAY ON "LET'S MAKE A
1008
01:18:34,062 --> 01:18:41,369
DEAL."
>> THIS IS ABOUT CHANGE, ABOUT
1009
01:18:41,369 --> 01:18:49,978
PEOPLE GETTING A CHANCE TO DO
WHAT THEY DO BEST.
1010
01:18:49,978 --> 01:19:03,495
♪♪ FOR YOU ♪♪
1011
01:19:25,702 --> 01:19:26,848
>>> HELLO, EVERYONE, WELCOME
1012
01:19:26,848 --> 01:19:28,550
BACK.
>> WE'RE BACK.
1013
01:19:28,550 --> 01:19:32,621
WHAT A SHOW.
MY GIRL IS ACTUALLY HERE TOO.
1014
01:19:32,621 --> 01:19:39,761
I WANT TO ASK HER SOMETHING.
SHALL WE EAT LATER, OR ‐‐
1015
01:19:39,761 --> 01:19:43,265
>> THERE'S SO MANY GUYS WHO
DIDN'T WIN WITH ENGAGEMENT RINGS
1016
01:19:43,265 --> 01:19:48,570
IN THEIR POCKETS RIGHT NOW.
>> ALL RIGHT, EVERYONE.
1017
01:19:48,570 --> 01:19:52,274
IT'S TIME TO CHECK IN AGAIN WITH
FRED AND MAYA.
1018
01:19:52,274 --> 01:19:53,842
ARE YOU GUYS READY THIS TIME?
>> ABSOLUTELY.
1019
01:19:53,842 --> 01:19:56,478
>> LET HER RIP.
>> ARE YOU READY OR ARE YOU
1020
01:19:56,478 --> 01:19:58,647
EATING SALAD?
>> I DON'T KNOW, SALAD
1021
01:19:58,647 --> 01:20:03,218
DETECTIVE.
>> WELL, COLIN AND I WERE JUST
1022
01:20:03,218 --> 01:20:05,287
WONDERING, HAS THERE EVER BEEN A
TIE AT THE EMMYS?
1023
01:20:05,287 --> 01:20:06,855
>> YES.
YOU'RE WEARING ONE.
1024
01:20:06,855 --> 01:20:10,492
THANK YOU, GOOD NIGHT.
>> YOU GOOD?
1025
01:20:10,492 --> 01:20:16,464
>> NO.
STOP ASKING IF WE'RE GOOD.
1026
01:20:16,464 --> 01:20:18,800
WE'VE ALREADY RUN OUT OF TIME
AGAIN.
1027
01:20:18,800 --> 01:20:20,869
>> AWW.
>> OH, NO.
1028
01:20:20,869 --> 01:20:30,578
>> FRED AND MAYA, EVERYBODY.
[ APPLAUSE ]
1029
01:20:30,578 --> 01:20:33,848
>> NOW AS MY GRANDMOTHER SAYS
AFTER HER THIRD CHARDONNAY, TIME
1030
01:20:33,848 --> 01:20:42,123
FOR SOME DRAMA.
>> YOU ARE MY JOB.
1031
01:20:42,123 --> 01:20:46,428
THE ESSENCE OF MY DUTY.
>> THE DRAGON BURNED A THOUSAND
1032
01:20:46,428 --> 01:20:49,164
WAGONS.
>> AND SHE HAS THREE OF THEM.
1033
01:20:49,164 --> 01:20:50,965
>> NOTHING.
SOMETIMES NOTHING IS THE HARDEST
1034
01:20:50,965 --> 01:20:54,703
THING TO DO.
>> YOU DESERVE THIS.
1035
01:20:54,703 --> 01:20:58,707
BUT YOU'RE NOT GOING TO LET HER
TAKE ANY PART OF THIS AWAY FROM
1036
01:20:58,707 --> 01:21:01,943
YOU.
>> AN INTELLIGENCE OPERATION
1037
01:21:01,943 --> 01:21:03,578
INVOLVING ACTIVE MEASURES
AGAINST THE PRESIDENT OF THE
1038
01:21:03,578 --> 01:21:06,014
UNITED STATES.
>> ALL I ASK OF YOU IS THAT YOU
1039
01:21:06,014 --> 01:21:07,482
FOLLOW THREE SIMPLE RULES.
AND YOU KNOW WHAT?
1040
01:21:07,482 --> 01:21:12,554
YOU CAN'T EVEN DO THAT.
>> Announcer: NOW, TO REVEAL THE
1041
01:21:12,554 --> 01:21:14,122
WINNER, PLEASE WELCOME
SAMANTHA BEE AND
1042
01:21:14,122 --> 01:21:17,992
TARAJI P. HENSON.
[ APPLAUSE ]
1043
01:21:17,992 --> 01:21:23,531
♪♪♪♪
>> YOU'RE SO BEAUTIFUL.
1044
01:21:23,531 --> 01:21:24,799
>> YOU TOO.
>> SO, SAMANTHA, WHAT WAS YOUR
1045
01:21:24,799 --> 01:21:29,204
FAVORITE DRAMA THIS YEAR?
>> MY FAVORITE DRAMA, GOOD
1046
01:21:29,204 --> 01:21:33,908
QUESTION, GOOD QUESTION.
I'VE BEEN WATCHING THIS VERY
1047
01:21:33,908 --> 01:21:36,644
SHOCKING
DYSTOPIAN DRAMA CALLED THE NEWS?
1048
01:21:36,644 --> 01:21:40,248
I'M ON SEASON 9000.
IT GETS DARKER AND DARKER, BUT I
1049
01:21:40,248 --> 01:21:44,419
CAN'T STOP WATCHING.
THEY NEED TO RECAST THE LEAD
1050
01:21:44,419 --> 01:21:49,090
THOUGH.
I'D PREFER ROBIN WRIGHT.
1051
01:21:49,090 --> 01:21:51,893
ANYWAY, I DON'T RECOMMEND IT.
JUST WATCH "THE HANDMAID'S TALE"
1052
01:21:51,893 --> 01:21:56,664
INSTEAD.
IT'S A LOT MORE FUN.
1053
01:21:56,664 --> 01:22:02,303
>> OH, YEAH, THAT SHOW CRACKED
MY ASS UP.
1054
01:22:02,303 --> 01:22:03,872
AND THE EMMY FOR SUPPORTING
ACTOR IN A DRAMA SERIES GOES
1055
01:22:03,872 --> 01:22:09,811
TO ‐‐
PETER DINKLAGE.
1056
01:22:09,811 --> 01:22:38,039
[ CHEERS AND APPLAUSE ]
♪♪♪♪
1057
01:22:38,039 --> 01:22:43,678
>> REALLY, REALLY, 45, 44, 43.
THANK YOU, DAVE AND DAN FOR
1058
01:22:43,678 --> 01:22:47,482
CHANGING MY LIFE.
I CANNOT WALK DOWN THE STREET
1059
01:22:47,482 --> 01:22:51,219
ANYMORE.
BUT YOU ARE HONESTLY THE MOST
1060
01:22:51,219 --> 01:22:58,193
TALENTED, AMAZING PEOPLE I KNOW
BESIDES MY WIFE ERICA, WHO I
1061
01:22:58,193 --> 01:23:01,396
THINK I FORGOT TO THANK A COUPLE
OF YEARS AGO, SO THANK YOU,
1062
01:23:01,396 --> 01:23:04,332
ERICA, FOR PUTTING UP WITH ME.
I'M VERY TEMPERAMENTAL.
1063
01:23:04,332 --> 01:23:08,937
I LOVE YOU VERY MUCH.
THANK YOU TO MY BROTHER FROM
1064
01:23:08,937 --> 01:23:11,706
ANOTHER MOTHER, NIKOLAJ
COSTER‐WALDAU.
1065
01:23:11,706 --> 01:23:15,510
I LOVE YOU AND I SHARE THIS WITH
YOU, BECAUSE YOU ARE AN AMAZING
1066
01:23:15,510 --> 01:23:20,281
HANDSOME BROTHER.
AND GEORGE MARTIN, FOR CREATING
1067
01:23:20,281 --> 01:23:23,718
THIS DARN THING.
THANK YOU.
1068
01:23:23,718 --> 01:23:26,454
[ APPLAUSE ]
>> Announcer: NEXT, HERE ARE THE
1069
01:23:26,454 --> 01:23:32,427
NOMINEES FOR SUPPORTING ACTRESS
IN A DRAMA SERIES.
1070
01:23:32,427 --> 01:23:35,964
>> AND NOW YOU INSULT ME.
PEOPLE LIKE YOU DON'T GET TO
1071
01:23:35,964 --> 01:23:41,836
INSULT PEOPLE LIKE ME.
YOU GET TO BE ETERNALLY
1072
01:23:41,836 --> 01:23:44,272
GRATEFUL.
>> I WANT TO SPEAK TO YOUR
1073
01:23:44,272 --> 01:23:45,940
SUPERVISOR.
>> MENTION MY DAUGHTER ONE MORE
1074
01:23:45,940 --> 01:23:48,409
TIME AND I WILL SNAP YOU LIKE A
MATCH STICK.
1075
01:23:48,409 --> 01:23:50,578
>> YOU'LL JUST HAVE TO BE MY
VERY GOOD GIRL.
1076
01:23:50,578 --> 01:23:56,751
YOU CAN DO THAT, CAN'T YOU?
>> HE SET UP A MEETING WITHOUT
1077
01:23:56,751 --> 01:24:00,321
YOUR KNOWLEDGE OR CONSENT.
>> THE FUTURE AND THE FUTURE OF
1078
01:24:00,321 --> 01:24:09,531
MANKIND DEPENDS ON ONE THING.
>> FRIENDS DON'T LIE.
1079
01:24:09,531 --> 01:24:11,633
>> Announcer: TO PRESENT THE
AWARD TO ONE OF THOSE NOMINEES,
1080
01:24:11,633 --> 01:24:13,701
PLEASE WELCOME ELISABETH MOSS
AND THIS YEAR'S WINNER FOR GUEST
1081
01:24:13,701 --> 01:24:21,776
ACTRESS IN A DRAMA SERIES,
SAMIRA WILEY.
1082
01:24:21,776 --> 01:24:25,046
[ APPLAUSE ]
>> THE OUTSTANDING ARTISTS YOU
1083
01:24:25,046 --> 01:24:28,149
SEE BEHIND US GAVE US SOME OF
THIS SEASON'S MOST RIVETING AND
1084
01:24:28,149 --> 01:24:30,752
ENTERTAINING PERFORMANCES.
>> THEY SHOW THE MAGIC THAT CAN
1085
01:24:30,752 --> 01:24:33,354
HAPPEN WHEN A PHENOMENAL
PERFORMER IS MATCHED WITH THE
1086
01:24:33,354 --> 01:24:35,957
PERFECT ROLE.
>> PLUS, WE WORK WITH A COUPLE
1087
01:24:35,957 --> 01:24:40,028
OF THEM.
THREE, ACTUALLY.
1088
01:24:40,028 --> 01:24:41,763
>> THE EMMY FOR SUPPORTING
ACTRESS IN A DRAMA SERIES GOES
1089
01:24:41,763 --> 01:24:51,339
TO ‐‐
>> THANDIE NEWTON.
1090
01:24:51,339 --> 01:25:14,329
[ CHEERS AND APPLAUSE ]
♪♪♪♪
1091
01:25:14,329 --> 01:25:18,232
>> I DON'T EVEN BELIEVE IN GOD
BUT I'M GOING TO THANK HER
1092
01:25:18,232 --> 01:25:22,337
TONIGHT.
[ APPLAUSE ]
1093
01:25:22,337 --> 01:25:24,939
I AM SO BLESSED.
I AM SO BLESSED.
1094
01:25:24,939 --> 01:25:31,212
WITHOUT THIS, I AM EVEN
[ MUTED ].
1095
01:25:31,212 --> 01:25:35,583
TO WORK WITH THE PEOPLE THAT I
HAVE GOTTEN TO WORK WITH.
1096
01:25:35,583 --> 01:25:40,455
THE CAST AND CREW OF ‐‐ I CAN'T
BELIEVE I'M HERE ‐‐ THE CAST AND
1097
01:25:40,455 --> 01:25:44,158
CREW OF "WESTWORLD," I LOVE YOU
ALL SO MUCH.
1098
01:25:44,158 --> 01:25:51,432
LISA JOY, JONAH NOLAN, HOME BOX
OFFICE.
1099
01:25:51,432 --> 01:25:56,170
J.J. ABRAMS, OUR GUARDIAN ANGEL.
MY GOD, I'VE GOT FIVE SECONDS.
1100
01:25:56,170 --> 01:25:59,207
MY FAMILY, MY DAUGHTER RIPLEY
TURNS 18 TODAY AND I GET TO
1101
01:25:59,207 --> 01:26:02,210
GUIDE YOU AND LOVE YOU AND
PROTECT YOU, WHICH IS MY NORTH
1102
01:26:02,210 --> 01:26:03,811
STAR.
I LOVE YOU SO MUCH, BABY.
1103
01:26:03,811 --> 01:26:08,549
THANK YOU, THANK YOU FOR THIS.
[ CHEERS AND APPLAUSE ]
1104
01:26:08,549 --> 01:26:11,819
♪♪♪♪
>> Announcer: UP NEXT,
1105
01:26:11,819 --> 01:26:14,422
LIL REL HOWERY, GINA RODRIGUEZ,
AND HANNAH GADSBY.
1106
01:26:14,422 --> 01:26:20,035
THE EMMYS, ON NBC.
1107
01:26:33,108 --> 01:26:35,277
WELCOME BACK.
CONGRATULATIONS TO PETER
1108
01:26:35,277 --> 01:26:37,178
DINKLAGE.
I'M A HUGE "GAME OF THRONES"
1109
01:26:37,178 --> 01:26:39,013
FAN.
I'M SO HAPPY HE DIDN'T START HIS
1110
01:26:39,013 --> 01:26:44,419
SPEECH, THEN WAIT A YEAR AND A
HALF TO FINISH IT.
1111
01:26:44,419 --> 01:26:47,305
>> HERE ARE THE NOMINEES FOR
WRITING FOR A DRAMA SERIES.
1112
01:26:48,823 --> 01:26:52,026
>> BRUCE MILLER, "THE HANDMAID'S
TALE," "JUNE"
1113
01:26:52,026 --> 01:26:53,261
>> JOEL FIELDS, JOE WEISBERG,
"THE AMERICANS," "START"
1114
01:26:53,261 --> 01:26:56,898
>> PETER MORGAN, "THE CROWN,"
"MYSTERY MAN"
1115
01:26:56,898 --> 01:26:59,534
>> DAVID BENIOFF, D. B. WEISS,
"GAME OF THRONES," "THE DRAGON
1116
01:26:59,534 --> 01:27:02,670
AND THE WOLF"
>> THE DUFFER BROTHERS ‐‐ MATT
1117
01:27:02,670 --> 01:27:05,239
DUFFER, ROSS DUFFER, "STRANGER
THINGS, CHAPTER NINE: THE GATE"
1118
01:27:05,239 --> 01:27:11,512
>> PHOEBE WALLER‐BRIDGE,
"KILLING EVE," "NICE FACE"
1119
01:27:11,512 --> 01:27:15,650
>> Announcer: TO PRESENT THE
DRAMA SERIES WRITING AWARD,
1120
01:27:15,650 --> 01:27:24,992
PLEASE WELCOME LIL REL HOWERY
AND GINA RODRIGUEZ.
1121
01:27:24,992 --> 01:27:28,129
>> THOMAS EDISON SAID, "GENIUS
IS 1% INSPIRATION, 99%
1122
01:27:28,129 --> 01:27:36,671
PERSPIRATION."
>> WITH A ‐‐ WHAT?
1123
01:27:36,671 --> 01:27:41,309
I MEAN, ARE YOU SAYING THE
NOMINEES ARE SWEATY?
1124
01:27:41,309 --> 01:27:45,113
>> I GUESS THE QUOTE DID,
BECAUSE THEY'RE ALL GENIUSES.
1125
01:27:45,113 --> 01:27:48,850
>> SO YOU'RE SAYING SWEATY
GENIUSES.
1126
01:27:48,850 --> 01:27:51,352
>> SURE.
>> IF THEY'VE BEEN SWEATING,
1127
01:27:51,352 --> 01:27:55,123
THEY PROBABLY SMELL BAD.
>> REAL BAD.
1128
01:27:55,123 --> 01:28:02,597
>> THE EMMY FOR WRITING FOR A
DRAMA SERIES GOES TO ‐‐
1129
01:28:02,597 --> 01:28:13,107
JOEL FIELDS, JOE WEISBERG, "THE
AMERICANS."
1130
01:28:13,107 --> 01:28:43,237
[ APPLAUSE ]
♪♪♪♪
1131
01:28:43,237 --> 01:28:46,274
>> ALL RIGHT.
THANK YOU.
1132
01:28:46,274 --> 01:28:51,913
EVERY DAY FOR SIX SEASONS WE GOT
TO WORK WITH KERI, MATTHEW,
1133
01:28:51,913 --> 01:28:56,184
NOAH, ACTORS, WRITERS,
DIRECTORS, AN AMAZING CREW WHO
1134
01:28:56,184 --> 01:28:57,518
PUT EVERYTHING THEY HAD INTO THE
SHOW.
1135
01:28:57,518 --> 01:29:00,421
IT'S THE KIND OF TEAM YOU WAIT
YOUR WHOLE LIFE TO BE ON.
1136
01:29:00,421 --> 01:29:07,061
>> IT STARTS AT THE TOP.
JOHN LANGRAF, OUR FRIEND, OUR
1137
01:29:07,061 --> 01:29:13,501
INSPIRATION.
ERIC SCHREIER, LANA KIM, THE
1138
01:29:13,501 --> 01:29:19,207
AMAZING WHOLE TEAM AT FX.
>> DANA WALDEN, GARY NEWMAN,
1139
01:29:19,207 --> 01:29:23,511
EVERYONE AT FOX 21.
>> WE WOULD HAVE DIED WITHOUT
1140
01:29:23,511 --> 01:29:26,647
YOU.
>> DARRYL FRANK, STEVEN
1141
01:29:26,647 --> 01:29:28,783
SPIELBERG.
>> JOE COHEN, THERE WOULD BE NO
1142
01:29:28,783 --> 01:29:31,385
TELEVISION WITHOUT YOU.
>> THE TELEVISION CRITICS WHO
1143
01:29:31,385 --> 01:29:36,624
HELPED KEEP US ON THE AIR.
AND OF COURSE OUR PASSIONATE,
1144
01:29:36,624 --> 01:29:39,160
DIEHARD, SLIGHTLY TREASONOUS
FANS.
1145
01:29:39,160 --> 01:29:41,863
>> JESSICA, DORA, JOSH, YOU'RE
HERE TONIGHT.
1146
01:29:41,863 --> 01:29:44,665
YOU'RE HERE WITH ME ALWAYS.
I WOULDN'T DO THIS WITHOUT YOU,
1147
01:29:44,665 --> 01:29:50,972
I COULDN'T, I LOVE YOU.
>> JULIE AND ROSA, THANK YOU FOR
1148
01:29:50,972 --> 01:29:54,141
MAKING THE LAST SIX YEARS WORTH
IT, THANK YOU SO MUCH.
1149
01:29:54,141 --> 01:29:55,676
>> THANK YOU, GUYS, IT'S
AMAZING.
1150
01:29:55,676 --> 01:29:57,478
>> Announcer: AND NOW, HERE ARE
THE NOMINEES FOR DIRECTING FOR A
1151
01:29:57,478 --> 01:30:02,416
DRAMA SERIES.
>> STEPHEN DALDRY, "THE CROWN,"
1152
01:30:02,416 --> 01:30:06,587
"PATERFAMILIAS"
>> ALAN TAYLOR, "GAME OF
1153
01:30:06,587 --> 01:30:11,792
THRONES," "BEYOND THE WALL"
>> JEREMY PODESWA, "GAME OF
1154
01:30:11,792 --> 01:30:14,896
THRONES," "THE DRAGON AND THE
WOLF"
1155
01:30:14,896 --> 01:30:18,532
>> KARI SKOGLAND, "THE
HANDMAID'S TALE," "AFTER"
1156
01:30:18,532 --> 01:30:22,737
>> JASON BATEMAN, "OZARK," "THE
TROLL"
1157
01:30:22,737 --> 01:30:27,408
>> DANIEL SACKHEIM, "OZARK,"
"TONIGHT WE IMPROVISE"
1158
01:30:27,408 --> 01:30:29,176
>> THE DUFFER BROTHERS ‐‐ MATT
DUFFER, ROSS DUFFER, "STRANGER
1159
01:30:29,176 --> 01:30:32,647
THINGS," "CHAPTER NINE: THE
GATE"
1160
01:30:32,647 --> 01:30:36,751
>> Announcer: TO PRESENT THE
DRAMA SERIES DIRECTING AWARD,
1161
01:30:36,751 --> 01:30:50,231
PLEASE WELCOME HANNAH GADSBY.
[ APPLAUSE ]
1162
01:30:50,231 --> 01:30:57,038
>> THIS IS NOT NORMAL.
THE WORLD'S GONE A BIT CRAZY.
1163
01:30:57,038 --> 01:31:04,679
I MEAN, FOR SOMEBODY LIKE ME, A
NOBODY FROM NOWHERE, GETS THIS
1164
01:31:04,679 --> 01:31:08,716
SWEET GIG, PRETTY SUIT, NEW
BOOTS, JUST BECAUSE I DON'T LIKE
1165
01:31:08,716 --> 01:31:17,291
MEN.
THAT'S A JOKE, OF COURSE.
1166
01:31:17,291 --> 01:31:23,731
JUST JOKES, FELLAS, CALM DOWN.
#NOTALLMEN.
1167
01:31:23,731 --> 01:31:27,168
BUT A LOT OF THEM.
IT IS JUST JOKES.
1168
01:31:27,168 --> 01:31:32,406
BUT WHAT ARE JOKES THESE DAYS?
WE DON'T KNOW.
1169
01:31:32,406 --> 01:31:37,745
NOBODY KNOWS WHAT JOKES ARE,
ESPECIALLY NOT MEN.
1170
01:31:37,745 --> 01:31:47,355
AM I RIGHT, FELLAS?
THAT'S WHY I'M PRESENTING ALONE.
1171
01:31:47,355 --> 01:31:57,598
THERE IS A WINNER.
AND THE EMMY GOES TO STEVEN
1172
01:31:57,598 --> 01:32:04,872
DALDRY, "THE CROWN."
[ APPLAUSE ]
1173
01:32:04,872 --> 01:32:08,342
AND OF COURSE STEVEN COULD NOT
BE WITH US TONIGHT TO ACCEPT THE
1174
01:32:08,342 --> 01:32:13,581
EMMY ON HIS OWN BEHALF BECAUSE
OF PROBABLY ME.
1175
01:32:13,581 --> 01:32:20,121
SO I THINK I'LL JUST LEAVE NOW.
WELL DONE, HIM.
1176
01:32:20,121 --> 01:32:23,858
[ APPLAUSE ]
>> Announcer: NEXT, THE FAB FIVE
1177
01:32:23,858 --> 01:32:25,960
FROM "QUEER EYE," SARAH PAULSON,
AND THE AWARDS FOR LEAD ACTOR
1178
01:32:25,960 --> 01:32:33,280
AND ACTRESS IN A DRAMA.
THE EMMYS, ON NBC.
1179
01:32:40,445 --> 01:32:42,980
>> Announcer: HERE ARE THE
NOMINEES FOR LEAD ACTOR IN A
1180
01:32:42,980 --> 01:32:53,291
DRAMA SERIES.
>> IF I KNOW WHAT I AM, THEY'LL
1181
01:32:53,291 --> 01:32:56,594
SEARCH MY MIND.
>> I HAVE TO ABANDON MY SON.
1182
01:32:56,594 --> 01:32:58,796
HE CAN'T COME WITH US BECAUSE I
GOT CAUGHT.
1183
01:32:58,796 --> 01:33:06,771
>> I WANT MY KIDS TO BE OKAY.
I WANT MY FAMILY TO BE OKAY.
1184
01:33:06,771 --> 01:33:12,110
>> SAME BOARD, SAME GHOST.
SOMETIMES YOU GET A BUNCH OF
1185
01:33:12,110 --> 01:33:14,779
CHERRIES BUT INEVITABLY THOSE
GHOSTS CATCH UP WITH YOU.
1186
01:33:14,779 --> 01:33:17,782
>> IN FACT THE SATISFYING SOUND
OF YOUR LOVER SMACKING THE
1187
01:33:17,782 --> 01:33:20,818
PAVEMENT IS THE ONLY THING THAT
GETS ME TO SLEEP EVERY NIGHT.
1188
01:33:20,818 --> 01:33:24,188
>> I NEVER TOLD ANYONE ABOUT MY
PROFILE.
1189
01:33:24,188 --> 01:33:27,458
THE ONLY OTHER WAY SHE COULD
HAVE KNOWN IS YOU.
1190
01:33:27,458 --> 01:33:31,662
>> Announcer: NOW, TO PRESENT
THE AWARD, PLEASE WELCOME THE
1191
01:33:31,662 --> 01:33:36,300
NEW FAB FIVE FROM "QUEER EYE" ‐‐
BOBBY BERK, KARAMO BROWN,
1192
01:33:36,300 --> 01:33:45,209
TAN FRANCE, ANTONI POROWSKI AND
JONATHAN VAN NESS.
1193
01:33:45,209 --> 01:33:47,912
>> I DON'T KNOW, GUYS, IT FEELS
LIKE SOME OF THESE CHARACTERS
1194
01:33:47,912 --> 01:33:54,485
COULD REALLY USE OUR HELP.
>> FOR THE MAN IN BLACK FROM
1195
01:33:54,485 --> 01:33:59,590
"WESTWORLD," MAYBE TRY A BULKY
COLOR.
1196
01:33:59,590 --> 01:34:02,426
>> THING WITH SE ING WITHWIGS, CAN WE HAVE A
LITTLE CHAT?
1197
01:34:02,426 --> 01:34:05,196
>> THE GUYS IN "THIS IS US,"
THEY'RE A LITTLE EMOTIONAL EVEN
1198
01:34:05,196 --> 01:34:09,467
FOR ME.
>> AND JASON BATEMAN, I'M
1199
01:34:09,467 --> 01:34:16,507
THINKING LIKE A SUPER SIMPLE
CEVICHE.
1200
01:34:16,507 --> 01:34:19,844
>> OH, GOD.
AND THE EMMY GOES TO MATTHEW
1201
01:34:19,844 --> 01:34:24,515
RHYS.
[ CHEERS AND APPLAUSE ]
1202
01:34:24,515 --> 01:34:46,137
♪♪♪♪
>> THANK YOU SO MUCH.
1203
01:34:46,137 --> 01:34:49,874
I'LL BE BRIEF.
JOE WEISBERG, PARTS LIKE THESE
1204
01:34:49,874 --> 01:34:53,244
COME ALONG SO RARELY.
WHAT YOU CREATED AND RISKED, I
1205
01:34:53,244 --> 01:35:01,586
WILL BE FOREVER IN YOUR DEBT.
YOUR GOOD SELF NOT ONLY GAVE ME
1206
01:35:01,586 --> 01:35:04,789
THE PART AND OPPORTUNITY OF A
LIFETIME, YOU ALSO GAVE ME A
1207
01:35:04,789 --> 01:35:07,291
SON.
I JUST HOPE THE LITTLE BUGGER IS
1208
01:35:07,291 --> 01:35:09,560
ASLEEP.
TO ALL THOSE WHO GAVE SO MUCH,
1209
01:35:09,560 --> 01:35:14,398
JOE FIELDS, EVERYTHING YOU WROTE
AND BROUGHT TO THIS BOUNTIFUL
1210
01:35:14,398 --> 01:35:16,634
TABLE, YOUR MENTORSHIP MEANT
EVERYTHING.
1211
01:35:16,634 --> 01:35:25,142
WE HAD A CAST AND SHOW WE COULD
ONLY WISH FOR IN A FAIRY TALE.
1212
01:35:25,142 --> 01:35:37,221
NOAH EMMERICK LEAST OF ALL.
THANK YOU FOR GETTING ME TO THIS
1213
01:35:37,221 --> 01:35:41,726
AWARDS CEREMONY.
THE BEAUTIFUL BRIGADE THAT IS
1214
01:35:41,726 --> 01:35:45,696
AMBLIN TELEVISION, THANK YOU.
THANK YOU, FX.
1215
01:35:45,696 --> 01:35:49,934
AND TO THE WOMAN WHO TRULY GOT
ME TO THIS AWARD WHO STANDS IN
1216
01:35:49,934 --> 01:35:52,069
FRONT OF ME EVERY DAY AND PUTS
UP WITH ME, SHE SAID IF YOU
1217
01:35:52,069 --> 01:35:56,607
PROPOSE TO ME, I'LL PUNCH YOU
CLEAN IN THE MOUTH.
1218
01:35:56,607 --> 01:35:58,709
I DON'T HAVE THE WORDS.
I DON'T HAVE THE TIME.
1219
01:35:58,709 --> 01:36:01,445
NEITHER OF WHICH WOULD DO YOU
JUSTICE, EXCEPT THANK YOU, MORE
1220
01:36:01,445 --> 01:36:05,650
TO COME.
THANK YO
1221
01:36:05,650 --> 01:36:09,487
[ APPLAUSE ]
>> Announcer: NOW, HERE ARE THE
1222
01:36:09,487 --> 01:36:17,795
NOMINEES FOR LEAD ACTRESS IN A
DRAMA SERIES.
1223
01:36:17,795 --> 01:36:22,400
>> THAT THIS THING ‐‐ THAT'S THE
THING ABOUT UNHAPPINESS, ALL IT
1224
01:36:22,400 --> 01:36:25,670
TAKES IS FOR SOMETHING WORSE TO
COME ALONG AND YOU REALIZE IT
1225
01:36:25,670 --> 01:36:28,572
WAS HAPPINESS AFTER ALL.
>> I KNOW YOU'RE A PSYCHOPATH.
1226
01:36:28,572 --> 01:36:35,813
>> SHE IS MY DAUGHTER.
I WANT TO SEE MY OWN DAUGHTER.
1227
01:36:35,813 --> 01:36:38,716
>> YOU LOVE TO TALK.
IF YOU REALLY WANTED TO TELL ME,
1228
01:36:38,716 --> 01:36:43,287
YOU WOULD HAVE DONE IT.
>> I SURVIVED YOU.
1229
01:36:43,287 --> 01:36:48,092
WE SURVIVED YOU.
THIS IS EVOLUTION.
1230
01:36:48,092 --> 01:36:52,229
>> I DON'T WANT TO PLAY COWBOYS
AND INDIANS ANYMORE, BERNARD.
1231
01:36:52,229 --> 01:36:55,666
I WANT THEIR WORLD.
THE WORLD THEY DENIED US.
1232
01:36:55,666 --> 01:36:58,269
>> Announcer: TO PRESENT LEAD
ACTRESS IN A DRAMA SERIES,
1233
01:36:58,269 --> 01:37:08,679
PLEASE WELCOME SARAH PAULSON.
>> SIMPLY PUT, SIX EXTRAORDINARY
1234
01:37:08,679 --> 01:37:12,350
ARTISTS, SIX DIVERSE CHARACTERS,
SIX OPPORTUNITIES FOR WOMEN TO
1235
01:37:12,350 --> 01:37:15,486
MAKE BOTH A STATEMENT AND A
DIFFERENCE.
1236
01:37:15,486 --> 01:37:18,055
ALL ARE DESERVING OF THIS
INCREDIBLE HONOR.
1237
01:37:18,055 --> 01:37:26,030
THE EMMY FOR LEAD ACTRESS IN A
DRAMA SERIES GOES TO ‐‐
1238
01:37:26,030 --> 01:37:28,632
CLAIRE FOY, "THE CROWN."
[ CHEERS AND APPLAUSE ]
1239
01:37:28,632 --> 01:37:47,618
♪♪♪♪
>> THIS WASN'T SUPPOSED TO
1240
01:37:47,618 --> 01:37:50,388
HAPPEN.
I JUST FELT SO PROUD THEN OF
1241
01:37:50,388 --> 01:37:53,190
BEING IN THE COMPANY OF SUCH
EXTRAORDINARY PERFORMANCES.
1242
01:37:53,190 --> 01:37:55,926
I KNOW EVERYONE IS TALKING AT
THE MOMENT ABOUT WOMEN IN THE
1243
01:37:55,926 --> 01:38:00,231
INDUSTRY, BUT IF THAT'S ANYTHING
TO GO BY, BLOODY HELL.
1244
01:38:00,231 --> 01:38:05,336
THAT'S TECHNICALLY NOT SWEARING.
SANDRA OH, I JUST LOVE YOU.
1245
01:38:05,336 --> 01:38:09,106
LISTEN, THANK YOU, EMMYS.
I HAD THE MOST EXTRAORDINARY 2
1246
01:38:09,106 --> 01:38:14,011
1/2 YEARS OF MY LIFE.
I'M NOT GOING TO CRY ON THIS
1247
01:38:14,011 --> 01:38:16,047
PROGRAM.
I WAS GIVEN A ROLE THAT I NEVER
1248
01:38:16,047 --> 01:38:18,249
THOUGHT I WOULD EVER GET A
CHANCE TO PLAY.
1249
01:38:18,249 --> 01:38:22,787
AND I MET PEOPLE WHO I WILL LOVE
FOREVER AND EVER AND EVER.
1250
01:38:22,787 --> 01:38:26,490
AND THE SHOW GOES ON, WHICH
MAKES ME SO, SO PROUD.
1251
01:38:26,490 --> 01:38:30,561
SO I DEDICATE THIS TO THE NEXT
CAST, THE NEXT GENERATION.
1252
01:38:30,561 --> 01:38:33,731
I ALSO DEDICATE THIS TO MATT
SMITH.
1253
01:38:33,731 --> 01:38:35,132
THANK YOU SO MUCH.
THIS MEANS SO MUCH.
1254
01:38:35,132 --> 01:38:44,875
THANK YOU.
[ APPLAUSE ]
1255
01:38:44,875 --> 01:38:47,711
>> BEFORE WE GO TO COMMERCIAL,
WE JUST WANTED TO TAKE A MOMENT
1256
01:38:47,711 --> 01:38:51,982
TO ACKNOWLEDGE ALL THE PEOPLE IN
NORTH AND SOUTH CAROLINA AND
1257
01:38:51,982 --> 01:38:55,653
VIRGINIA WHO ARE JUST BEGINNING
NOW TO RECOVER FROM HURRICANE
1258
01:38:55,653 --> 01:39:01,525
FLORENCE.
[ APPLAUSE ]
1259
01:39:01,525 --> 01:39:04,428
IF YOU'RE WATCHING RIGHT NOW AT
HOME, PLEASE DURING THIS
1260
01:39:04,428 --> 01:39:10,634
COMMERCIAL BREAK, CONSIDER GOING
ONLINE AND DONATING OR TEXTING
1261
01:39:10,634 --> 01:39:14,939
GIVEFLORENCE TO 41411 TO SUPPORT
THE AMERICAN RED CROSS DIRECT
1262
01:39:14,939 --> 01:39:18,409
RELIEF AND TEAM RUBICON.
THESE CHARITIES HAVE HELPED SO
1263
01:39:18,409 --> 01:39:21,011
MUCH TO REBUILD IN HOUSTON AND
IN PUERTO RICO AND THEY ARE
1264
01:39:21,011 --> 01:39:23,481
READY TO HELP IN THE CAROLINAS
AND VIRGINIA NOW.
1265
01:39:23,481 --> 01:39:28,018
THANK YOU VERY MUCH.
[ APPLAUSE ]
1266
01:39:28,018 --> 01:39:31,622
>> Announcer: COMING UP, THE
OUTSTANDING SERIES AWARDS.
1267
01:39:31,622 --> 01:39:34,725
PLUS, DAVE CHAPELLE AND AN
APPEARANCE BY RICK AND MORTY.
1268
01:39:34,725 --> 01:39:38,917
AND LATER, WILL FERRELL.
THE EMMYS, LIVE ON NBC.
1269
01:39:47,204 --> 01:39:53,077
>> Announcer: PLEASE WELCOME THE
CHAIRMAN OF THE
1270
01:39:53,077 --> 01:39:58,282
TELEVISION ACADEMY,
HAYMA WASHINGTON.
1271
01:39:58,282 --> 01:40:01,418
>> GOOD EVENING.
IT'S AN HONOR TO BE HERE AS WE
1272
01:40:01,418 --> 01:40:08,058
CELEBRATE OUR 70th ANNIVERSARY.
YOU KNOW,
1273
01:40:08,058 --> 01:40:09,627
TRY AND IMAGINE BEING AT THOSE
FIRST EMMYS IN 1949.
1274
01:40:09,627 --> 01:40:14,331
THINK ABOUT THOSE EARLY DAYS OF
TELEVISION.
1275
01:40:14,331 --> 01:40:17,434
NOW LOOK AROUND AND THINK ABOUT
WHO WE ARE HONORING TONIGHT.
1276
01:40:17,434 --> 01:40:21,105
WE ARE MORE DIVERSE, MORE
INCLUSIVE, AND MORE COMMITTED
1277
01:40:21,105 --> 01:40:25,242
THAN EVER TO TELLING STORIES
THAT REPRESENT ALL OF US IN
1278
01:40:25,242 --> 01:40:30,648
2018.
LET'S GIVE OURSELVES A HAND.
1279
01:40:30,648 --> 01:40:36,887
[ APPLAUSE ]
BUT TO TRULY APPRECIATE HOW FAR
1280
01:40:36,887 --> 01:40:40,090
WE'VE COME, WE CAN NEVER FORGET
OUR HISTORY AND THE EMMY MOMENTS
1281
01:40:40,090 --> 01:40:46,330
THAT HAVE MATTERED ALONG THE
WAY.
1282
01:40:46,330 --> 01:40:51,902
>> FOR THE VERY FIRST TIME, OUR
EMMY AWARDS PRESENTATION IS
1283
01:40:51,902 --> 01:41:00,644
BEING NATIONALLY WAYS TOTELEVISED.
>> TAKE AN IMAGE AND HURL IT.
1284
01:41:00,644 --> 01:41:02,546
>> I'VE SEEN TELEVISION BECOME
PART OF THE FABRIC OF OUR
1285
01:41:02,546 --> 01:41:06,217
SOCIET
♪♪♪♪
1286
01:41:06,217 --> 01:41:07,818
>> I'VE HAD FUN IN THIS
BUSINESS.
1287
01:41:07,818 --> 01:41:13,524
IT'S BEEN MARVELOUS.
>> WE'RE AWFUL PROUD TO BE A
1288
01:41:13,524 --> 01:41:17,528
PART OF THIS INDUSTRY, REALLY WE
ARE.
1289
01:41:17,528 --> 01:41:22,933
♪♪♪♪
>> THANK YOU FOR THE TELEVISION
1290
01:41:22,933 --> 01:41:29,506
ACADEMY.
[ APPLAUSE ]
1291
01:41:29,506 --> 01:41:31,742
>> YOU KNOW,
EVERY YEAR THE TELEVISION
1292
01:41:31,742 --> 01:41:35,379
ACADEMY FOUNDATION PROVIDES
OPPORTUNITIES TO DOZENS OF
1293
01:41:35,379 --> 01:41:37,114
PEOPLE ACROSS THE COUNTRY FROM
ALL DIFFERENT BACKGROUNDS AND
1294
01:41:37,114 --> 01:41:39,516
WALKS OF LIFE.
TECHNICALLY THEY'RE CALLED
1295
01:41:39,516 --> 01:41:44,755
INTERNS.
WE CALL THEM THE FUTURE OF
1296
01:41:44,755 --> 01:41:47,825
TELEVISION FOR THEY ARE THE
GENERATION WHO'LL BE DRIVING
1297
01:41:47,825 --> 01:41:50,427
TELEVISION EXCELLENCE FOR YEARS
TO COME.
1298
01:41:50,427 --> 01:41:53,063
PLEASE WELCOME SOME OF THESE
EXTRAORDINARY YOUNG PEOPLE,
1299
01:41:53,063 --> 01:41:58,369
SEVERAL OF WHOM ARE SERVING AS
TROPHY PRESENTERS TONIGHT.
1300
01:41:58,369 --> 01:42:06,844
[ APPLAUSE ]
AND NOW, HERE IS THE ENTIRE
1301
01:42:06,844 --> 01:42:11,782
CLASS OF 2018.
[ APPLAUSE ]
1302
01:42:11,782 --> 01:42:18,555
THANK YOU FOR BEING PART OF
TONIGHT'S CELEBRATION.
1303
01:42:18,555 --> 01:42:24,361
>> GIVE IT UP ONE MORE TIME FOR
THE CHAIRMAN OF THE ACADEMY,
1304
01:42:24,361 --> 01:42:25,663
PLEASE.
>> YEAH, HAYMA.
1305
01:42:25,663 --> 01:42:29,833
[ APPLAUSE ]
>> DURING TONIGHT'S AWARDS WE
1306
01:42:29,833 --> 01:42:31,602
ARE HAPPY TO HAVE THE
ACCOUNTANTS FROM ERNST AND YOUNG
1307
01:42:31,602 --> 01:42:34,505
KEEPING ALL THE ENVELOPES SAFE
UNTIL THE WINNERS ARE ANNOUNCED.
1308
01:42:34,505 --> 01:42:37,641
>> HERE WITH MORE INFO ON THE
ACCOUNTANTS ‐‐ AND I AM AGAINST
1309
01:42:37,641 --> 01:42:47,484
THIS ‐‐ FRED AND MAYA.
>> YES, THIS IS THEM.
1310
01:42:47,484 --> 01:42:53,223
THE ACCOUNTANTS.
>> PAUL CHAN, SUZANNE DI YOUNG
1311
01:42:53,223 --> 01:42:56,860
AND ANDY SALES.
>> HOW MUCH MONEY DOES A PERSON
1312
01:42:56,860 --> 01:43:01,732
NEED, SOMEONE WHO IS 5'10", I
JUST EAT SMALL MEALS, A LOT OF
1313
01:43:01,732 --> 01:43:06,003
THEM, I DON'T REALLY DRINK SODA.
>> HOW ABOUT CASH, IF YOU WRITE
1314
01:43:06,003 --> 01:43:08,839
A DIFFERENT NUMBER ON THE CASH,
DOES IT BECOME THAT DIFFERENT
1315
01:43:08,839 --> 01:43:10,874
AMOUNT?
>> I HAVE AN IDEA FOR AN APP,
1316
01:43:10,874 --> 01:43:12,576
YOU PUSH IT AND MONEY SHOOTS OUT
OF YOUR PHONE.
1317
01:43:12,576 --> 01:43:19,717
HOW WOULD THAT WORK?
>> ONCE AGAIN, OUT OF TIME.
1318
01:43:19,717 --> 01:43:22,052
>> OH NO!
>> FRED AND MAYA, EVERYONE.
1319
01:43:22,052 --> 01:43:23,721
[ APPLAUSE ]
>> Announcer: UP NEXT,
1320
01:43:23,721 --> 01:43:26,323
DAVE CHAPELLE WITH THE AWARD FOR
VARIETY SKETCH SERIES.
1321
01:43:26,323 --> 01:43:29,993
PLUS, RICK AND MORTY PRESENT
REALITY COMPETITION SERIES.
1322
01:43:29,993 --> 01:43:32,100
THE EMMYS, ON NBC.
1323
01:43:39,486 --> 01:43:40,993
>>> HERE ARE THE NOMINEES FOR
1324
01:43:40,993 --> 01:43:51,849
OUTSTANDING REALITY COMPETITION.
>> IT'S LIKE THE TERMINATOR WAS
1325
01:43:51,849 --> 01:43:56,587
ON MY CHEST.
>> CAN YOUR GRANDPA DO THAT?
1326
01:43:56,587 --> 01:43:59,523
>> HE'S TRYING TO BE IRONIC OR
SOMETHING.
1327
01:43:59,523 --> 01:44:01,892
>> YOU'RE GIVING HIM TOO MUCH
CREDIT.
1328
01:44:01,892 --> 01:44:08,432
>> ALL OF THESE GIRLS SAID THAT
YOU HAVE AT SOME POINT GOT ON
1329
01:44:08,432 --> 01:44:11,201
THEIR NERVES.
>> I DIDN'T SAY THAT.
1330
01:44:11,201 --> 01:44:15,839
>> RIGHT SIDE UP IS THE BEST WAY
TO SERVE AN UPSIDE DOWN CAKE.
1331
01:44:15,839 --> 01:44:19,143
>> RUBIN McINTYRE IS ‐‐
>> THAT'S SO WEIRD, I'M JUST
1332
01:44:19,143 --> 01:44:23,414
SAYING.
>> TO PRESENT THE AWARD FOR
1333
01:44:23,414 --> 01:44:25,082
OUTSTANDING REALITY COMPETITION
PROGRAM, HERE ARE RICK AND
1334
01:44:25,082 --> 01:44:32,423
MORTY.
>> THANK YOU VERY MUCH.
1335
01:44:32,423 --> 01:44:36,059
NOBODY KNOWS REALITY MORE THAN
US BECAUSE NOBODY'S BEEN TO MORE
1336
01:44:36,059 --> 01:44:37,594
REALITIES.
RIGHT, RICK?
1337
01:44:37,594 --> 01:44:40,197
>> SORRY, MORTY, I'M DOING IT.
I'M GOING OFF PROMPTER.
1338
01:44:40,197 --> 01:44:41,765
>> OH, GOD, YOU PROMISED.
>> YOU GUYS WANT AN AWARD FOR
1339
01:44:41,765 --> 01:44:43,867
REALITY?
HERE'S A REALITY ABOUT YOUR
1340
01:44:43,867 --> 01:44:46,437
AWARD.
THIS IS A LIVING EMMY.
1341
01:44:46,437 --> 01:44:48,539
YOU'RE LOOKING AT IT BEFORE ITS
FEET ARE MOUNTED TO A WOODEN
1342
01:44:48,539 --> 01:44:51,642
BASE AND ITS WRISTS ARE BOUND TO
A WEIGHTED SPHERE THAT HOLDS ITS
1343
01:44:51,642 --> 01:44:54,778
BODY IN A CELEBRATORY POSE WHILE
IT'S DIPPED INTO MOLTEN GOLD.
1344
01:44:54,778 --> 01:44:56,847
IT'S AN HERBIVORE, IT MATES FOR
LIFE, AND IT'S CAPABLE OF
1345
01:44:56,847 --> 01:44:59,450
COMPLEX EMOTIONS.
HOW DO YOU THINK "ATLANTA" WILL
1346
01:44:59,450 --> 01:45:01,718
DO TONIGHT, LITTLE FELLA?
>> RICK, YOU'RE RUINING THE
1347
01:45:01,718 --> 01:45:03,120
NIGHT.
>> AW.
1348
01:45:03,120 --> 01:45:05,689
HE SAYS HE IS ROOTING FOR
"ATLANTA" BECAUSE SMALLER CREWS
1349
01:45:05,689 --> 01:45:08,826
MEAN FEWER OF HIS OFFSPRING DIE.
THAT IS A COMPLEX EMOTION.
1350
01:45:08,826 --> 01:45:11,428
>> CAN WE PRESENT THE AWARD?
>> EVERYONE THAT TAKES ONE OF
1351
01:45:11,428 --> 01:45:15,332
THESE HOME IS A MONSTER.
>> AND THE WINNER IS ‐‐
1352
01:45:15,332 --> 01:45:19,069
"RUPAUL'S DRAG RACE."
[ CHEERS AND APPLAUSE ]
1353
01:45:19,069 --> 01:45:45,696
♪♪♪♪
>> ACCEPTING THE EMMY IS RUPAUL.
1354
01:45:45,696 --> 01:45:48,799
>> THANK YOU SO MUCH.
THIS IS SO LOVELY.
1355
01:45:48,799 --> 01:45:52,669
THANK YOU SO MUCH.
THANK YOU SO MUCH.
1356
01:45:52,669 --> 01:45:55,005
THANK YOU TO THE ACADEMY.
THIS IS SO LOVELY.
1357
01:45:55,005 --> 01:45:58,375
WE ARE SO HAPPY TO PRESENT THIS
SHOW.
1358
01:45:58,375 --> 01:46:03,146
I WOULD LIKE TO THANK, ON BEHALF
OF THE 140 DRAG QUEENS WE HAVE
1359
01:46:03,146 --> 01:46:10,254
RELEASED INTO THE WILD, I WOULD
LOVE TO THANK DICK RICHARDS FOR
1360
01:46:10,254 --> 01:46:18,562
INTRODUCING ME TO RANDY BARBATO,
TOM CAMPBELL, AND PAM POST, AND
1361
01:46:18,562 --> 01:46:27,337
STEVEN CORIFF, JOEL HOCKS, AND
ALL OF THE DREAMERS OUT THERE.
1362
01:46:27,337 --> 01:46:32,175
LISTEN, IF YOU CAN'T LOVE
YOURSELF, HOW IN THE HELL YOU
1363
01:46:32,175 --> 01:46:35,012
GONNA LOVE SOMEBODY ELSE?
CAN I GET AN AMEN IN HERE?
1364
01:46:35,012 --> 01:46:44,888
NOW LET THE MUSIC PLAY!
[ CHEERS AND APPLAUSE ]
1365
01:46:44,888 --> 01:46:46,423
>> Announcer: THIS NEXT AWARD IS
FOR OUTSTANDING VARIETY SKETCH
1366
01:46:46,423 --> 01:46:53,497
SERIES.
>> YOU KNOW MY DOG MARY LOVES
1367
01:46:53,497 --> 01:46:56,800
RUNNING.
SHE LOVES GETTING HER BELLY
1368
01:46:56,800 --> 01:46:59,770
TICKLED.
SHE LOVES A T‐R‐E ‐‐ OH, SHE'S
1369
01:46:59,770 --> 01:47:01,238
NOT HERE.
A TREAT.
1370
01:47:01,238 --> 01:47:04,007
>> LIVING WITH THE FEELING THAT
WE'LL NEVER BE ABLE TO LEAVE.
1371
01:47:04,007 --> 01:47:08,111
>> DO YOU WANT ME TO GET RID OF
THESE GUYS?
1372
01:47:08,111 --> 01:47:11,348
>> YOU WANT TO DO YOUR BUSINESS?
LET'S MAKE SURE WE DO IT
1373
01:47:11,348 --> 01:47:14,651
PROPERLY, SHALL WE?
POP IT IN A BAG AND THEN ONE,
1374
01:47:14,651 --> 01:47:21,625
TWO, THREE.
>> I'M SUPPOSED TO DO 25 MORE
1375
01:47:21,625 --> 01:47:26,597
TALK SHOW APPEARANCES TODAY AND
I'M TRYING TO MAKE IT LIKE AN
1376
01:47:26,597 --> 01:47:29,566
ADVENT WHERE I REVEAL ONE NEW
CRIME ON EACH SHOW.
1377
01:47:29,566 --> 01:47:35,839
>> IT WAS JEREMY BLACK.
DELICIOUS.
1378
01:47:35,839 --> 01:47:45,015
>> HA HA HA!
>> Announcer: TO REVEAL THE
1379
01:47:45,015 --> 01:47:54,591
WINNER, PLEASE WELCOME
THE CREATORS OF "THE CHAPELLE
1380
01:47:54,591 --> 01:47:59,429
SHOW,"
NEAL BRENNAN AND DAVE CHAPELLE.
1381
01:47:59,429 --> 01:48:01,498
>> THANK YOU VERY MUCH.
THIS IS A BEAUTIFUL BUSINESS.
1382
01:48:01,498 --> 01:48:03,500
WE MAKE MILLIONS OF DOLLARS.
AND WE GET TROPHIES FROM TIME TO
1383
01:48:03,500 --> 01:48:08,472
TIME.
>> BUT LET'S BE HONEST, EVERYONE
1384
01:48:08,472 --> 01:48:10,807
IN THIS ROOM HAS EMOTIONAL
WOUNDS THAT NO AMOUNT OF MONEY
1385
01:48:10,807 --> 01:48:19,716
OR PRIZES COULD EVER FIX.
SHOUT‐OUT TO THERAPY AND
1386
01:48:19,716 --> 01:48:22,552
MEDICATION.
>> HERE IS TO THAT EMMY‐SIZED
1387
01:48:22,552 --> 01:48:29,660
HOLE IN YOUR SOUL.
OH, AND THE WINNER IS ‐‐ LET'S
1388
01:48:29,660 --> 01:48:39,770
JUST READ IT.
"SATURDAY NIGHT LIVE."
1389
01:48:39,770 --> 01:48:45,842
[ CHEERS AND APPLAUSE ]
♪♪♪♪
1390
01:48:45,842 --> 01:49:07,097
>> Announcer: ACCEPTING THE EMMY
IS LORNE MICHAELS.
1391
01:49:07,097 --> 01:49:14,237
>> WORKING ON THIS SHOW OVER THE
LAST MONTH OR SO, WHEN YOU'RE
1392
01:49:14,237 --> 01:49:17,174
URGING EVERYONE TO TALK FOR A
VERY SHORT TIME, IT WOULD BE
1393
01:49:17,174 --> 01:49:21,912
WRONG FOR ME TO TALK AT LENGTH.
SO LET ME JUST SAY, I LOVE MY
1394
01:49:21,912 --> 01:49:29,786
JOB, AND I LOVE THE PEOPLE I
WORK WITH, AND THAT IN 1975 WHEN
1395
01:49:29,786 --> 01:49:32,923
WE STARTED, THERE WERE A LOT OF
ARTICLES FOR MOST OF THAT DECADE
1396
01:49:32,923 --> 01:49:35,926
ABOUT HOW THE NETWORKS WOULDN'T
BE HERE MUCH LONGER.
1397
01:49:35,926 --> 01:49:43,200
AND HERE WE ARE, IT'S 2018, AND
WE'RE THE EMMYS, AND WE'RE ON
1398
01:49:43,200 --> 01:49:43,800
NBC.
THANKS.
1399
01:49:43,800 --> 01:49:51,842
[ CHEERS AND APPLAUSE ]
>> UP NEXT, CONNIE BRITTON AND
1400
01:49:51,842 --> 01:49:53,977
ERIC BANA PRESENT VARIETY TALK
SERIES.
1401
01:49:53,977 --> 01:49:55,746
THEN LATER,
BEN STILLER, BENICIO DEL TORO
1402
01:49:55,746 --> 01:49:56,804
AND PARTICIA ARQUETTE.
1403
01:50:05,962 --> 01:50:07,190
>> Announcer: HERE ARE THE
1404
01:50:07,190 --> 01:50:10,827
NOMINEES FOR OUTSTANDING VARIETY
TALK SERIES.
1405
01:50:10,827 --> 01:50:13,430
>> "THE LATE LATE SHOW WITH
JAMES CORDEN"
1406
01:50:13,430 --> 01:50:15,499
>> "FULL FRONTAL WITH SAMANTHA
BEE"
1407
01:50:15,499 --> 01:50:18,635
>> "LAST WEEK TONIGHT WITH JOHN
OLIVER"
1408
01:50:18,635 --> 01:50:21,738
>> "JIMMY KIMMEL LIVE!"
>> "THE DAILY SHOW WITH TREVOR
1409
01:50:21,738 --> 01:50:25,108
NOAH"
>> "THE LATE SHOW WITH STEPHEN
1410
01:50:25,108 --> 01:50:29,045
COLBERT"
>> Announcer: TO PRESENT THE
1411
01:50:29,045 --> 01:50:35,685
AWARD, HERE ARE ERIC BANA AND
CONNIE BRITTON.
1412
01:50:35,685 --> 01:50:44,261
[ APPLAUSE ]
♪♪♪♪
1413
01:50:44,261 --> 01:50:49,466
>> WHOA.
YEAH.
1414
01:50:49,466 --> 01:50:54,304
EVERY WEEK THE NOMINEES IN THIS
CATEGORY DO THE IMPOSSIBLE.
1415
01:50:54,304 --> 01:50:59,042
>> THEY MAKE THE NEWS FUNNY.
>> AND THE EMMY FOR OUTSTANDING
1416
01:50:59,042 --> 01:51:04,815
VARIETY TALK SERIES GOES TO ‐‐
>> "LAST WEEK TONIGHT WITH JOHN
1417
01:51:04,815 --> 01:51:07,083
OLIVER."
[ CHEERS AND APPLAUSE ]
1418
01:51:07,083 --> 01:51:21,598
♪♪♪♪
>> Announcer: ACCEPTING THE EMMY
1419
01:51:21,598 --> 01:51:29,272
IS JOHN OLIVER.
>> THANK YOU VERY MUCH.
1420
01:51:29,272 --> 01:51:31,007
THANK YOU.
THANK YOU.
1421
01:51:31,007 --> 01:51:35,645
ALL THE SHOWS EVERY YEAR, WE FLY
OUR STAFF HERE AND WE PUT THEM
1422
01:51:35,645 --> 01:51:39,816
IN THE WORST SEATS IN THE
BUILDING TO SEND A MIXED
1423
01:51:39,816 --> 01:51:41,818
MESSAGE.
SO THANK YOU TO OUR STAFF.
1424
01:51:41,818 --> 01:51:45,689
WE'RE INCREDIBLY PROUD OF YOU.
THANK YOU, ON BEHALF OF EVERYONE
1425
01:51:45,689 --> 01:51:50,360
IN THIS ROOM, I WOULD LIKE TO
THANK GLENN WEISS' FIANCE FOR
1426
01:51:50,360 --> 01:51:52,062
SAYING YES.
THIS COULD HAVE BEEN A VERY
1427
01:51:52,062 --> 01:51:54,764
DIFFERENT EVENING.
YOU REALLY CAME THROUGH.
1428
01:51:54,764 --> 01:52:00,403
WE WOULD LIKE TO THANK HBO,
CASEY, ESPECIALLY NINA FOR THEIR
1429
01:52:00,403 --> 01:52:02,372
CONSTANT SUPPORT, THEY'VE BEEN
INCREDIBLE.
1430
01:52:02,372 --> 01:52:08,011
WHETHER WE WANT TO DO A STORY
ABOUT TRADE POLICY OR BUY
1431
01:52:08,011 --> 01:52:17,153
RUSSELL CROWE'S JOCK STRAP.
I WOULD LIKE TO THANK TIM CARR
1432
01:52:17,153 --> 01:52:18,555
VILLE
CARRVEL, THE BACKBONE OF THE
1433
01:52:18,555 --> 01:52:19,956
SHOW.
I WOULD LIKE TO THANK MY WIFE
1434
01:52:19,956 --> 01:52:22,559
AND CHILDREN, WE LOVE YOU VERY
MUCH.
1435
01:52:22,559 --> 01:52:25,829
MY SON, 2 1/2 YEARS OLD, HATES
OUR SHOW.
1436
01:52:25,829 --> 01:52:31,001
IF OUR SHOW IS ANYTHING, IT'S
THE PRECISE OPPOSITE OF "PAW
1437
01:52:31,001 --> 01:52:32,035
PATROL."
THANK YOU VERY MUCH.
1438
01:52:32,035 --> 01:52:37,374
GOOD NIGHT.
[ CHEERS AND A
1439
01:52:37,374 --> 01:52:39,476
>> Announcer: AND NOW, HERE ARE
THE NOMINEES FOR OUTSTANDING
1440
01:52:39,476 --> 01:52:48,385
LIMITED SERIES.
>> THESE BOYS AIN'T GONNA BLAME
1441
01:52:48,385 --> 01:52:51,821
YOU.
I SEEN MY DEATH.
1442
01:52:51,821 --> 01:52:55,959
THIS AIN'T IT.
>> IF I'M CORRECT, YOUR MEN WILL
1443
01:52:55,959 --> 01:53:00,764
BE ILL‐EQUIPPED TO FATHOM THE
MOTIVES.
1444
01:53:00,764 --> 01:53:07,070
>> MY LIFE IS AN ENDLESS REEL OF
DECAPITATIONS AND THE LIVER THAT
1445
01:53:07,070 --> 01:53:10,106
I WOULD QUITE LIKE BACK, THANK
YOU VERY MUCH.
1446
01:53:10,106 --> 01:53:14,477
>> HERE THERE IS ONLY PICASSO.
>> SO THEN YOU DID THIS.
1447
01:53:14,477 --> 01:53:18,181
>> NO, YOU DID.
>> BEING HERE LIKE THIS, WITH
1448
01:53:18,181 --> 01:53:26,022
YOU, IT FEELS LIKE DESTINY.
>> Announcer: TO PRESENT THE
1449
01:53:26,022 --> 01:53:27,657
AWARD FOR OUTSTANDING LIMITED
SERIES, PLEASE WELCOME
1450
01:53:27,657 --> 01:53:30,694
PATRICIA ARQUETTE,
BENICIO DEL TORO AND
1451
01:53:30,694 --> 01:53:34,864
BEN STILLER.
>> AS ACTORS, WE ARE CONSTANTLY
1452
01:53:34,864 --> 01:53:39,035
CHALLENGING OURSELVES.
>> WE'RE EXPLORING NEW
1453
01:53:39,035 --> 01:53:45,976
CHARACTERS, NEW TERRAINS, AND
NEW EXPERIENCES.
1454
01:53:45,976 --> 01:53:59,289
>> AND WE KILL AND WE WILL KILL
AGAIN.
1455
01:53:59,289 --> 01:54:05,528
>> WHAT WAS THAT?
>> I SAID, NEW EXPERIENCES.
1456
01:54:05,528 --> 01:54:19,876
LIKE PATRICIA SAID.
>> OH.
1457
01:54:19,876 --> 01:54:23,613
>> OKAY.
AND THE EMMY FOR OUTSTANDING
1458
01:54:23,613 --> 01:54:31,554
LIMITED SERIES GOES TO ‐‐ A
LIVING PERSON AND GROUP OF
1459
01:54:31,554 --> 01:54:32,589
PEOPLE.
"THE ASSASSINATION OF GIANNI
1460
01:54:32,589 --> 01:54:35,625
VERSACE:
[ CHEERS AND APPLAUSE ]
1461
01:54:35,625 --> 01:54:44,067
♪♪♪♪
>> Announcer: ACCEPTING THE EMMY
1462
01:54:44,067 --> 01:54:52,709
IS RYAN MURPHY.
1463
01:55:07,123 --> 01:55:11,828
>> THANK YOU SO MUCH.
THANK YOU TO THE ACADEMY.
1464
01:55:11,828 --> 01:55:15,331
NONE OF US WOULD BE HERE WITHOUT
THE BRILLIANT WRITING OF TOM ROB
1465
01:55:15,331 --> 01:55:17,667
SMITH WHO WROTE EVERY ONE OF OUR
EPISODES.
1466
01:55:17,667 --> 01:55:21,337
THANK YOU, TOM.
THANK YOU TO ALEXIS, TO BRAD
1467
01:55:21,337 --> 01:55:32,916
SIMPSON, TO NINA JACOBSON, TO
DANA WALDEN, GARY NEWMAN, JOHN
1468
01:55:32,916 --> 01:55:37,487
LANGRAF, PETER RICE.
"THE ASSASSINATION OF GIANNI
1469
01:55:37,487 --> 01:55:39,556
VERSACE" IS ABOUT A LOT OF
THINGS.
1470
01:55:39,556 --> 01:55:44,160
IT'S ABOUT HOMOPHOBIA,
INTERNALIZED AND EXTERNALIZED.
1471
01:55:44,160 --> 01:55:47,697
ONE OF OUT OF EVERY FOUR LGBTQ
PEOPLE IN THIS COUNTRY WILL BE
1472
01:55:47,697 --> 01:55:52,102
THE VICTIM OF A HATE CRIME.
WE DEDICATE THIS AWARD TO THEM,
1473
01:55:52,102 --> 01:55:56,739
TO AWARENESS, TO STRICTER HATE
CRIME LAWS, AND MOSTLY THIS IS
1474
01:55:56,739 --> 01:56:00,677
FOR THE MEMORY OF JEFF AND DAVID
AND GIANNI AND FOR ALL OF THOSE
1475
01:56:00,677 --> 01:56:02,112
TAKEN TOO SOON.
THANK YOU VERY MUCH.
1476
01:56:02,112 --> 01:56:06,449
[ APPLAUSE ]
>> Announcer: UP NEXT,
1477
01:56:06,449 --> 01:56:08,551
WILL FERRELL PRESENTS
OUTSTANDING COMEDY SERIES.
1478
01:56:08,551 --> 01:56:11,654
AND LATER, KENAN THOMPSON WILL
REVEAL WHICH DRAMA SERIES WILL
1479
01:56:11,654 --> 01:56:16,093
TAKE HOME THE GOLD.
THE EMMYS, ON NBC.
1480
01:56:23,733 --> 01:56:26,269
>> Announcer: AND NOW HERE ARE
THE NOMINEES FOR OUTSTANDING
1481
01:56:26,269 --> 01:56:33,710
COMEDY SERIES.
>> WHAT FLAVOR IS A FLAMING HOT
1482
01:56:33,710 --> 01:56:41,351
CHEETO?
>> EVERY ELSE HAS SOMETHING.
1483
01:56:41,351 --> 01:56:43,887
>> OH, YEAH, ABSOLUTELY.
WHAT'S THE SCENE?
1484
01:56:43,887 --> 01:56:48,925
>> SORRY, NO RENT FOR JAIL
BIRDS.
1485
01:56:48,925 --> 01:56:52,228
THAT'S WHITE JUSTICE.
>> TO MAKE HIM WAIT ANOTHER TEN
1486
01:56:52,228 --> 01:56:55,765
MINUTES FOR A FEW MEASLY
POTATOES?
1487
01:56:55,765 --> 01:57:00,570
>> AM I TO WAIT ALL DAY?
WHERE IS THE MANAGER OF THIS
1488
01:57:00,570 --> 01:57:04,707
ESTABLISHMENT?
I'M EXTREMELY WHITE OVER HERE.
1489
01:57:04,707 --> 01:57:14,217
>> AND BIG FINISH.
>> WHEN I AGREED TO SEND YOU TO
1490
01:57:14,217 --> 01:57:22,125
THAT FANCY GOYISHE COLLEGE, WHAT
WAS THE IMPORTANT THING I TOLD
1491
01:57:22,125 --> 01:57:25,762
YOU?
>> THE LAST GUY TO CREATE THE
1492
01:57:25,762 --> 01:57:28,598
INTERNET, AL GORE.
HIS IDEAS WERE EXCELLENT BUT I
1493
01:57:28,598 --> 01:57:34,904
TALKED LIKE A NARCOLEPTIC
PLANTATION OFFER SO HE LOST THE
1494
01:57:34,904 --> 01:57:36,739
PRESIDENCY.
>> TO PRESENT THE AWARD FOR
1495
01:57:36,739 --> 01:57:46,749
OUTSTANDING COMEDY SERIES HERE
IS WILL FERRELL.
1496
01:57:46,749 --> 01:58:13,276
♪♪♪♪
[ APPLAUSE ]
1497
01:58:13,276 --> 01:58:17,847
>> I'M SORRY THE WALK WAS SO
LONG.
1498
01:58:17,847 --> 01:58:23,353
IT'S JUST ENDLESS.
IT LOOKS MUCH SMALLER ON
1499
01:58:23,353 --> 01:58:32,962
TELEVISION.
IT'S ABOUT A THOUSAND YARDS.
1500
01:58:32,962 --> 01:58:38,468
AND THESE WERE NOT THE SHOES TO
DO IT IN EITHER.
1501
01:58:38,468 --> 01:58:45,008
I JUST NEED A MINUTE TO COLLECT
MYSELF.
1502
01:58:45,008 --> 01:58:48,511
MY CREDENTIALS, DID I BRING
MY ‐‐ I HAVE MY CREDENTIALS,
1503
01:58:48,511 --> 01:58:54,550
OKAY.
THIS ALLOWS ME AN RC, FM, BK AND
1504
01:58:54,550 --> 01:59:05,261
PC.
THE 70th EMMYS.
1505
01:59:05,261 --> 01:59:11,934
AND THE EMMY FOR OUTSTANDING
COMEDY SERIES GOES TO ‐‐
1506
01:59:11,934 --> 01:59:13,636
"THE MARVELOUS MRS. MAISEL."
[ CHEERS AND APPLAUSE ]
1507
01:59:13,636 --> 01:59:27,884
♪♪♪♪
>> Announcer: ACCEPTING THE EMMY
1508
01:59:27,884 --> 01:59:33,523
IS DANIEL PALLADINO.
1509
01:59:51,140 --> 01:59:54,510
>> I HAD SOMETHING MEMORIZED AND
IT ALL DUMPED OUT.
1510
01:59:54,510 --> 01:59:59,248
THANK YOU TO THE ACADEMY AND TO
ALL OF VIEWERS WHO WATCH.
1511
01:59:59,248 --> 02:00:04,053
TO OUR AGENTS AT CAA WHO GUIDE
US IN OUR CAREERS.
1512
02:00:04,053 --> 02:00:09,392
AMY AND I WOULD ALSO LIKE TO
THANK OUR CREW, BILL GROOM, YOU
1513
02:00:09,392 --> 02:00:13,696
GUYS TURN MODERN DAY NEW YORK
INTO 1958 NEW YORK, AND IT'S
1514
02:00:13,696 --> 02:00:17,266
AMAZING, THE JOB YOU DO.
TO OUR FAMILIES WATCHING AT
1515
02:00:17,266 --> 02:00:25,675
HOME, PARTICULARLY OUR MOTHERS,
AND GUYS, THEY ARE AVAILABLE.
1516
02:00:25,675 --> 02:00:29,245
ALSO TO EVERYONE AT AMAZON, IT'S
BEEN A REALLY GREAT RIDE.
1517
02:00:29,245 --> 02:00:31,714
YOU GUYS HAVE BEEN NOTHING BUT
SUPPORTIVE FROM THE VERY
1518
02:00:31,714 --> 02:00:33,082
BEGINNING.
THANK YOU SO MUCH FOR THAT.
1519
02:00:33,082 --> 02:00:39,222
AND TO OUR CAST, WHO BITE INTO
OUR 80‐PAGE SCRIPTS EVERY WEEK.
1520
02:00:39,222 --> 02:00:47,230
WE JUST WRAPPED A DAY AND A HALF
AGO, WE MISS WORKING YOU GUYS,
1521
02:00:47,230 --> 02:00:49,232
WE LOOK FORWARD TO SEASON 3.
THANK YOU TO THE VIEWERS.
1522
02:00:49,232 --> 02:00:58,941
THANK YOU.
[ APPLAUSE ]
1523
02:00:58,941 --> 02:01:01,043
>> Announcer: WHEN WE COME BACK,
KENAN THOMPSON PRESENTS
1524
02:01:01,043 --> 02:01:05,877
OUTSTANDING DRAMA SERIES.
THE EMMYS, ON NBC.
1525
02:01:12,099 --> 02:01:14,688
>> Announcer: AND NOW HERE ARE
THE NOMINEES FOR OUTSTANDING
1526
02:01:14,688 --> 02:01:23,664
DRAMA SERIES.
>> STAN, WE'RE NOT LYING ON THE
1527
02:01:23,664 --> 02:01:24,898
GROUND WHILE YOU HAVE THAT GUN
POINTED AT US.
1528
02:01:24,898 --> 02:01:27,835
>> STOP, ELIZABETH, JUST STOP.
>> YOU SEEM TO BE ENGAGING IN
1529
02:01:27,835 --> 02:01:36,343
THE DIRTY BUSINESS OF POLITICS.
>> GO!
1530
02:01:36,343 --> 02:01:42,249
>> YOU SHALL FEEL THE PAIN OF
HIS JUDGMENT.
1531
02:01:42,249 --> 02:01:53,994
FOR THAT IS HIS LOVE.
>> GROW THE HELL UP!
1532
02:01:53,994 --> 02:01:59,566
>> IT WAS EASIER, HE DIDN'T
RECOIL WHEN I TOUCHED HIM AND HE
1533
02:01:59,566 --> 02:02:04,805
WASN'T SOME SULLEN TEENAGER AND
HE DIDN'T ABANDON ME.
1534
02:02:04,805 --> 02:02:06,707
>> THAT'S NOT A PLACE.
IT'S A WEAPON.
1535
02:02:06,707 --> 02:02:09,443
AND I'M GOING TO USE IT TO
DESTROY THEM.
1536
02:02:09,443 --> 02:02:13,080
>> Announcer: TO PRESENT THE
AWARD FOR OUTSTANDING DRAMA
1537
02:02:13,080 --> 02:02:21,388
SERIES, HERE IS KENAN THOMPSON.
[ APPLAUSE ]
1538
02:02:21,388 --> 02:02:24,558
>> WOW, WHAT A NIGHT IT HAS
BEEN.
1539
02:02:24,558 --> 02:02:26,827
GREAT NIGHT FOR HENRY WINKLER.
SO PROUD OF YOU, SIR, SO PROUD
1540
02:02:26,827 --> 02:02:32,332
OF YOU.
LIKE HE NEEDS ME TO BE PROUD OF
1541
02:02:32,332 --> 02:02:35,035
HIM.
ALL RIGHT.
1542
02:02:35,035 --> 02:02:39,039
WE'VE GOT ONE MORE AWARD TO GO.
THE EMMY FOR OUTSTANDING DRAMA
1543
02:02:39,039 --> 02:02:48,916
SERIES GOES TO ‐‐ "GAME OF
THRONES."C
1544
02:02:48,916 --> 02:03:01,295
[ CHEERS AND APPLAUSE ]
♪♪
1545
02:03:01,295 --> 02:03:33,360
>> Announcer: ACCEPTING THE EMMY
IS D. B. WEISS.
1546
02:03:33,360 --> 02:03:38,432
>> WRITING FOR THESE ACTORS
BEHIND US IS THE HONOR OF A
1547
02:03:38,432 --> 02:03:41,034
LIFETIME.
BUT WE DIDN'T INVENT THESE
1548
02:03:41,034 --> 02:03:42,669
CHARACTERS.
THAT WAS GEORGE R. R. MARTIN.
1549
02:03:42,669 --> 02:03:46,239
THE SHOW COULD NOT BE, WITHOUT
THE MAD GENIUS OF GEORGE.
1550
02:03:46,239 --> 02:03:49,810
THANK YOU FOR LETTING US TAKE
CARE OF YOUR PEOPLE.
1551
02:03:49,810 --> 02:03:52,312
HBO, THERE'S NO BETTER PLACE TO
WORK.
1552
02:03:52,312 --> 02:03:57,017
THANK YOU, RICHARD PEPLOR, YOU
SAID YES TO US AND THAT'S THE
1553
02:03:57,017 --> 02:04:01,088
REASON WE'RE STANDING HERE NOW.
>> THE SHOW IS ONLY AS GOOD AS
1554
02:04:01,088 --> 02:04:04,925
THE PEOPLE WHO MAKE IT.
WE ARE BLESSED AND LUCKY TO HAVE
1555
02:04:04,925 --> 02:04:10,897
THE GREATEST CAST, THE GREATEST
CREW, AND THE GREATEST TEAM OF
1556
02:04:10,897 --> 02:04:16,336
PRODUCERS LED BY THE INIMITABLE
BERNIE CAULFIELD.
1557
02:04:16,336 --> 02:04:18,038
THIS IS THE WOMAN WHO ACTUALLY
MAKES THE SHOW.
1558
02:04:18,038 --> 02:04:23,844
THE REST OF US ORDER LUNCH.
AND IT IS AN HONOR TO WORK WITH
1559
02:04:23,844 --> 02:04:29,516
THEM FROM SPAIN TO ICELAND, ALL
THE WAY TO OUR HOME BASE OF
1560
02:04:29,516 --> 02:04:33,387
BELFAST, NORTHERN IRELAND.
HERE'S TO YOU, BELFAST.
1561
02:04:33,387 --> 02:04:37,391
IT'S BEEN AN HONOR.
>> AMANDA PEET, I LOVE YOU SO
1562
02:04:37,391 --> 02:04:39,960
MUCH.
FRANKIE, MOLLIE, HENRY, I LOVE
1563
02:04:39,960 --> 02:04:43,730
YOU ALL.
>> ANDREA, HUGO, WE LOVE YOU
1564
02:04:43,730 --> 02:04:45,666
VERY MUCH.
>> WE LOVE ALL YOU GUYS.
1565
02:04:45,666 --> 02:04:52,239
[ APPLAUSE ]
1566
02:04:54,908 --> 02:04:57,310
>> ALL RIGHT, GUYS.
THAT IS THE END OF OUR SHOW
1567
02:04:57,310 --> 02:04:59,780
TONIGHT.
THANK YOU SO MUCH FOR HAVING US.
1568
02:04:59,780 --> 02:05:06,620
PLEASE GIVE IT UP FOR LENNY
PICKETT AND THE SATURDAY NIGHT
1569
02:05:06,620 --> 02:05:07,888
BAND.
[ APPLAUSE ]
1570
02:05:07,888 --> 02:05:10,323
AND WE APOLOGIZE, THE SHOW RAN
LONG.
1571
02:05:10,323 --> 02:05:12,793
OUR APOLOGIES TO ALL THE
PRESENTERS WE DID NOT GET TO
1572
02:05:12,793 --> 02:05:17,130
TONIGHT, BEYONCE, BILL CLINTON.
>> OPRAH WINFREY, COLIN
1573
02:05:17,130 --> 02:05:21,802
KAEPERNICK.
>> THE DOG FROM "FRAZIER."
1574
02:05:21,802 --> 02:05:26,139
>> JAY LENO'S GARAGE.
>> STAY TUNED FOR "SHOWTIME AT
1575
02:05:26,139 --> 02:05:30,944
THE APOLLO."
>> GOOD NIGHT!
130052
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