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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:08,768 --> 00:00:10,999 >> Announcer: LADIES AND GENTLEMEN, PLEASE WELCOME TWO OF 2 00:00:10,999 --> 00:00:14,135 TONIGHT'S EMMY NOMINEES, KATE McKINNON AND 3 00:00:14,135 --> 00:00:17,517 KENAN THOMPSON. [ APPLAUSE ] 4 00:00:22,477 --> 00:00:33,988 ♪♪♪♪ >> YES. 5 00:00:33,988 --> 00:00:37,191 GOOD EVENING. >> AND WELCOME TO THE 6 00:00:37,191 --> 00:00:42,797 "70th PRIMETIME EMMY AWARDS." [ APPLAUSE ] 7 00:00:42,797 --> 00:00:45,400 TONIGHT IS A CELEBRATION OF THE HARD WORK AND TALENT OF EVERYONE 8 00:00:45,400 --> 00:00:49,203 IN THIS ROOM. >> THAT'S RIGHT. 9 00:00:49,203 --> 00:00:51,506 WE'RE ALSO CELEBRATING THE FACT THAT THIS YEAR'S EMMY 10 00:00:51,506 --> 00:00:53,608 AWARDS HAS THE MOST DIVERSE GROUP OF NOMINEES IN EMMY 11 00:00:53,608 --> 00:01:04,419 HISTORY. [ APPLAUSE ] 12 00:01:04,419 --> 00:01:07,822 >> YES, INDEEDY. ONE STEP CLOSER TO A BLACK 13 00:01:07,822 --> 00:01:10,324 SHELDON. THAT'S RIGHT. 14 00:01:10,324 --> 00:01:11,592 I'M GOING TO GO AHEAD AND SAY IT. 15 00:01:11,592 --> 00:01:17,165 WE SOLVED IT. >> SERIOUSLY? 16 00:01:17,165 --> 00:01:19,734 SO DIVERSITY IS NOT A PROBLEM IN HOLLYWOOD ANYMORE? 17 00:01:19,734 --> 00:01:20,835 >> NOPE. WE SOLVED IT. 18 00:01:20,835 --> 00:01:25,640 >> WHOA. THAT IS WONDERFUL NEWS. 19 00:01:25,640 --> 00:01:29,277 >> Both: WE SOLVED IT! ♪♪ WE'VE GOTTEN WITH THE TIMES 20 00:01:29,277 --> 00:01:31,879 THERE'S ROOM FOR ALL OUR VOICES ♪♪ 21 00:01:31,879 --> 00:01:39,620 ♪♪ BUT MOSTLY SHONDA RHIMES ♪♪ ♪♪ WELCOME ASIAN PEOPLE, WE GAVE 22 00:01:39,620 --> 00:01:42,490 YOU THAT ONE SHOW ♪♪ ♪♪ WHO CAN FORGET THE AMAZING 23 00:01:42,490 --> 00:01:49,263 SANDRA OH ♪♪ [ APPLAUSE ] 24 00:01:49,263 --> 00:01:51,365 >> SANDRA OH IS THE FIRST ASIAN WOMAN TO BE NOMINATED FOR A LEAD 25 00:01:51,365 --> 00:02:00,241 ACTRESS EMMY EVER. [ CHEERS AND APPLAUSE ] 26 00:02:00,241 --> 00:02:04,412 >> THANK YOU, BUT IT'S AN HONOR JUST TO BE ASIAN. 27 00:02:04,412 --> 00:02:07,014 ♪♪ SEE? THERE WERE NONE 28 00:02:07,014 --> 00:02:11,686 NOW THERE'S ONE ♪♪ ♪♪ SO WE'RE DONE ♪♪ 29 00:02:11,686 --> 00:02:16,390 ♪♪ CONGRATULATIONS ALL AROUND AND DO US ALL A FAVOR ♪♪ 30 00:02:16,390 --> 00:02:19,494 ♪♪ NOW PAT YOURSELF ON THE BACK ♪♪ ♪♪ BUT DON'T TOUCH YOUR 31 00:02:19,494 --> 00:02:22,096 NEIGHBOR ♪♪ >> WHAT? 32 00:02:22,096 --> 00:02:29,704 WHAT'D I DO? HE LIKES IT. 33 00:02:29,704 --> 00:02:33,641 >> HAVE YOU HEARD THE NEWS? >> YES, MY AGE JUST TOLD ME. 34 00:02:33,641 --> 00:02:35,309 WE SOLVED IT ♪♪ ♪♪ BANISHED EVERY CREEP 35 00:02:35,309 --> 00:02:37,278 WHO BROKE THE LAW ♪♪ ♪♪ NOW THEY'RE SERVING HARD TIME 36 00:02:37,278 --> 00:02:40,948 AT THAT ARIZONA SPA ♪♪ ♪♪ YES, WE SOLVED IT ♪♪ 37 00:02:40,948 --> 00:02:44,552 ♪♪ WON'T CUT THEM ANY SLACK THEY'VE BEEN AWAY NINE LONG 38 00:02:44,552 --> 00:02:47,155 MONTHS ♪♪ ♪♪ NOW LET THEM ALL COME BACK ♪♪ 39 00:02:47,155 --> 00:02:51,025 >> WHOA, TITUSS. I DON'T THINK SO. 40 00:02:51,025 --> 00:02:54,662 >> I'M SORRY. IT RHYMED. 41 00:02:54,662 --> 00:02:57,798 >> LOOK AT US. WE'RE ALL DIFFERENT IN THE SAME 42 00:02:57,798 --> 00:03:01,969 WAY. WE SOLVED IT! 43 00:03:01,969 --> 00:03:05,106 ♪♪ THIS ROOM IS SO DIVERSE FROM DEMOCRAT TO LIBERAL 44 00:03:05,106 --> 00:03:14,949 DEMOCRAT ♪♪ ♪♪ SHALL WE SING ANOTHER VERSE? ♪♪ 45 00:03:14,949 --> 00:03:16,851 ING IS GUYS. >> GUYS, GUYS. 46 00:03:16,851 --> 00:03:21,822 YOU GOT TO STOP. YOU HAVEN'T SOLVED IT. 47 00:03:21,822 --> 00:03:26,527 THIS SONG IS WAY TOO WHITE. ONE, TWO, THREE, FOUR. 48 00:03:26,527 --> 00:03:30,565 COME ON, COME ON. ♪♪ WE SOLVED IT 49 00:03:30,565 --> 00:03:32,633 WE FIXED IT WE CYNTHIA NIX'D IT ♪♪ 50 00:03:32,633 --> 00:03:34,735 ♪♪ AND AS FOR POLITICS YOU KNOW EXACTLY WHERE WE 51 00:03:34,735 --> 00:03:36,270 STAND ♪♪ ♪♪ WITH ROSEANNE ♪♪ 52 00:03:36,270 --> 00:03:40,441 >> NO! >> WHAT? 53 00:03:40,441 --> 00:03:47,715 DID SOMETHING HAPPEN? BUT WHAT ABOUT ME?♪♪ 54 00:03:47,715 --> 00:03:51,986 IS THERE ANY ROOM IN THIS SONG FOR A STRAIGHT WHITE GUY LIKE 55 00:03:51,986 --> 00:03:58,426 ME? >> WAS THAT SCARY? 56 00:03:58,426 --> 00:04:03,197 >> IT WAS SO SCARY. IT WAS NOT MY FAVORITE. 57 00:04:03,197 --> 00:04:06,801 IT'S LIMEKE, PLUMMET TO YOUR DEATH ON NATIONAL TV MUCH? 58 00:04:06,801 --> 00:04:11,272 >> HA HA HA. >> HMM. 59 00:04:11,272 --> 00:04:13,641 >> ANYWAY, YOU CAN'T BE A PART OF THIS. 60 00:04:13,641 --> 00:04:16,010 >> THAT'S GOOD. HAVE FUN, GUYS. 61 00:04:16,010 --> 00:04:18,079 >> LADIES AND GENTLEMEN, CHECKING EVERY BOX, PLEASE 62 00:04:18,079 --> 00:04:22,283 WELCOME THE ONE‐OF‐EACH DANCERS. 63 00:04:23,317 --> 00:04:27,722 ♪♪♪♪ 64 00:04:30,625 --> 00:04:39,066 >> MR. THOMPSON, A PHONE CALL. >> FOR ME? 65 00:04:39,066 --> 00:04:40,735 THANK YOU VERY MUCH. EXCUSE ME. 66 00:04:40,735 --> 00:04:43,871 HELLO? OH, WE DIDN'T SOLVE IT? 67 00:04:43,871 --> 00:04:45,940 I SEE. LONG WAY TO GO? 68 00:04:45,940 --> 00:04:49,076 OKAY. CART BEFORE THE HORSE? 69 00:04:49,076 --> 00:04:51,178 VERY GOOD. SPIKING THE BALL AT THE 70 00:04:51,178 --> 00:04:52,713 50‐YARD‐LINE? WELL, SURE. 71 00:04:52,713 --> 00:04:54,315 RIGHT. RIGHT. 72 00:04:54,315 --> 00:05:00,021 WELL, I APPRECIATE YOUR CALL. THANK YOU, RU. 73 00:05:00,021 --> 00:05:03,224 >> HOLD UP. Y'ALL CALLED ME UP HERE FOR ONE 74 00:05:03,224 --> 00:05:06,294 LINE IN A STUPID SKIT? >> IT'S OKAY, JUST TAKE YOUR 75 00:05:06,294 --> 00:05:08,296 SEAT, PLEASE. >> Y'ALL AIN'T RIGHT. 76 00:05:08,296 --> 00:05:09,063 >> I KNOW. WE'RE SORRY. 77 00:05:09,063 --> 00:05:09,864 THANK YOU. THANK YOU. 78 00:05:09,864 --> 00:05:17,305 [ APPLAUSE ] >> COME ON, EVERYBODY, WE GOT A 79 00:05:17,305 --> 00:05:21,676 SHOW TO DO. EVERYONE, PLEASE WELCOME 80 00:05:21,676 --> 00:05:24,445 MR. JOHN LEGEND. ♪♪ WE SOLVED IT 81 00:05:24,445 --> 00:05:28,649 CONGRATS TO YOU AND ME AND ME ♪♪ ♪♪ WE FIXED THE WORLD 82 00:05:28,649 --> 00:05:32,253 THROUGH THE MAGIC OF TV ♪♪ ♪♪ WE SOLVED IT 83 00:05:32,253 --> 00:05:45,066 WE SOLVED IT WE SOLVED IT ♪♪♪♪ 84 00:05:45,066 --> 00:05:53,941 [ CHEERS AND APPLAUSE ] 85 00:05:55,376 --> 00:05:57,978 >> Announcer: PLEASE WELCOME YOUR HOSTS, COLIN JOST AND 86 00:05:57,978 --> 00:06:05,252 MICHAEL CHE. [ APPLAUSE ] 87 00:06:05,252 --> 00:06:09,023 ♪♪♪♪ >> WHOA. 88 00:06:09,023 --> 00:06:11,525 GOOD EVENING. >> HELLO, EVERYONE. 89 00:06:11,525 --> 00:06:13,694 WELCOME TO THE "70th PRIMETIME EMMY AWARDS." 90 00:06:13,694 --> 00:06:19,700 I'M COLIN JOST. >> AND I'M MICHAEL CHE. 91 00:06:19,700 --> 00:06:21,836 >> THANK YOU. [ APPLAUSE ] 92 00:06:21,836 --> 00:06:23,671 YOU KNOW, IT IS AN HONOR TO BE HERE 93 00:06:23,671 --> 00:06:25,639 SHARING THIS NIGHT WITH THE MANY, MANY TALENTED AND CREATIVE 94 00:06:25,639 --> 00:06:32,947 PEOPLE IN HOLLYWOOD WHO HAVEN'T BEEN CAUGHT YET. 95 00:06:32,947 --> 00:06:37,284 [ LAUGHTER ] >> THIS YEAR THE AUDIENCE IS 96 00:06:37,284 --> 00:06:42,189 ALLOWED TO DRINK IN THEIR SEATS. HOPE YOU'RE EXCITED ABOUT THAT. 97 00:06:42,189 --> 00:06:44,792 [ APPLAUSE ] BECAUSE THE ONE THING HOLLYWOOD 98 00:06:44,792 --> 00:06:46,494 NEEDS RIGHT NOW IS PEOPLE LOSING THEIR INHIBITIONS AT A WORK 99 00:06:46,494 --> 00:06:54,602 FUNCTION. >> THAT'S TRUE, THAT'S TRUE. 100 00:06:54,602 --> 00:07:00,040 MM‐HMM. >> WE JUST WANT TO SAY A QUICK 101 00:07:00,040 --> 00:07:02,176 HELLO TO THE THOUSANDS OF YOU HERE IN THE AUDIENCE TONIGHT AND 102 00:07:02,176 --> 00:07:05,212 TO THE HUNDREDS WATCHING AT HOME. 103 00:07:05,212 --> 00:07:09,350 HI, "SILVER LINING" SENIOR CENTER. 104 00:07:09,350 --> 00:07:13,754 >> MY MOTHER'S NOT WATCHING TONIGHT. 105 00:07:13,754 --> 00:07:16,023 >> WHAT? >> SHE SAYS SHE DOESN'T LIKE 106 00:07:16,023 --> 00:07:18,526 WATCHING WHITE AWARD SHOWS BECAUSE Y'ALL DON'T THANK JESUS 107 00:07:18,526 --> 00:07:22,963 ENOUGH. >> THAT'S TRUE. 108 00:07:22,963 --> 00:07:29,069 >> THE ONLY WHITE PEOPLE THAT THAT ANYTHING ‐‐ THAT THANK 109 00:07:29,069 --> 00:07:34,008 JESUS AT AWARD SHOWS ARE REPUBLICANS AND EX‐CRACKHEADS. 110 00:07:34,008 --> 00:07:35,509 >> I DON'T KNOW IF YOU KNOW THIS. 111 00:07:35,509 --> 00:07:37,144 THE FIRST EMMYS WERE HELD BACK IN 1949. 112 00:07:37,144 --> 00:07:39,213 THINGS WERE VERY DIFFERENT BACK THEN. 113 00:07:39,213 --> 00:07:43,851 GAS WAS 17 CENTS A GALLON, A NEW HOME COST $7,000. 114 00:07:43,851 --> 00:07:52,960 AND WE ALL AGREED THAT NAZIS WERE BAD. 115 00:07:52,960 --> 00:07:56,497 >> MOSTLY. [ APPLAUSE ] 116 00:07:56,497 --> 00:07:59,700 >> IN FACT, ACTUALLY, COLIN, YOU'LL LIKE THIS, OUR NETWORK, 117 00:07:59,700 --> 00:08:01,702 NBC, HAS THE MOST NOMINATIONS OF ANY 118 00:08:01,702 --> 00:08:06,273 BROADCAST NETWORK. WHICH IS KINDA LIKE BEING THE 119 00:08:06,273 --> 00:08:12,580 SEXIEST PERSON ON LIFE SUPPORT. IT'S NOT GREAT. 120 00:08:12,580 --> 00:08:16,517 >> STILL NOT LOOKING GREAT. >> NOT GREAT FOR YOU GUYS, NO. 121 00:08:16,517 --> 00:08:17,685 >> NETFLIX OF COURSE HAS THE MOST 122 00:08:17,685 --> 00:08:21,088 NOMINATIONS TONIGHT. [ APPLAUSE ] 123 00:08:21,088 --> 00:08:21,856 THAT'S RIGHT. AND 124 00:08:21,856 --> 00:08:24,458 IF YOU'RE A NETWORK EXECUTIVE, THAT'S THE SCARIEST THING YOU 125 00:08:24,458 --> 00:08:27,595 CAN POSSIBLY HEAR EXCEPT MAYBE, "SIR, RONAN FARROW IS ON LINE 126 00:08:27,595 --> 00:08:35,836 ONE." >> YOU DON'T WANT THAT CALL. 127 00:08:35,836 --> 00:08:40,241 >> YOU DON'T WANT THAT CALL. OF COURSE THERE ARE SO MANY 128 00:08:40,241 --> 00:08:43,511 INCREDIBLE NOMINEES TONIGHT. >> "BLACK‐ISH" IS NOMINATED. 129 00:08:43,511 --> 00:08:47,882 [ APPLAUSE ] "BLACK‐ISH" IS ALSO HOW I'VE 130 00:08:47,882 --> 00:08:55,155 BEEN ASKED TO BEHAVE TONIGHT. WE'LL SEE HOW THAT GOES. 131 00:08:55,155 --> 00:08:56,690 >> ONE OF OUR FAVORITE SHOWS, "THIS IS US", IS NOMINATED FOR 132 00:08:56,690 --> 00:09:02,796 BEST DRAMA. [ APPLAUSE ] 133 00:09:02,796 --> 00:09:04,532 THAT'S RIGHT. MILO'S HERE. 134 00:09:04,532 --> 00:09:06,634 HE PLAYS JACK ON THE SHOW. THE NEXT SEASON OF "THIS IS US" 135 00:09:06,634 --> 00:09:10,304 WILL EXPLORE JACK'S EXPERIENCES IN VIETNAM. 136 00:09:10,304 --> 00:09:13,073 THIS WAS IN RESPONSE TO VIEWERS WHO WROTE IN AND SAID, "SADDER, 137 00:09:13,073 --> 00:09:20,948 PLEASE." >> SPEAKING OF SAD, "THE 138 00:09:20,948 --> 00:09:24,118 HANDMAID'S TALE" IS NOMINATED FOR BEST DRAMA. 139 00:09:24,118 --> 00:09:29,189 [ APPLAUSE ] I DON'T KNOW IF YOU'VE SEEN IT, 140 00:09:29,189 --> 00:09:30,991 BUT "THE HANDMAID'S TALE" TAKES 141 00:09:30,991 --> 00:09:32,560 PLACE IN AN IMAGINARY FUTURE WHERE AN ENTIRE GROUP OF PEOPLE 142 00:09:32,560 --> 00:09:34,662 IS VIOLENTLY FORCED TO WORK AND MAKE BABIES AGAINST THEIR WILL. 143 00:09:34,662 --> 00:09:42,670 IT'S WHAT BLACK PEOPLE CALL "HISTORY." 144 00:09:42,670 --> 00:09:44,605 IT'S "ROOTS" FOR WHITE WOMEN, THAT'S WHAT IT IS. 145 00:09:44,605 --> 00:09:54,615 >> OF COURSE. ROOTS WITH BONNETS. 146 00:09:54,615 --> 00:09:56,283 >> THERE WERE SEVERAL DRAMATIC RESCUES FOR TV SHOWS THIS 147 00:09:56,283 --> 00:09:58,352 SUMMER. "BROOKLYN NINE‐NINE" WAS 148 00:09:58,352 --> 00:10:00,287 CANCELLED BY FOX, BUT PICKED UP BY NBC. 149 00:10:00,287 --> 00:10:02,089 >> "LAST MAN STANDING" WAS CANCELLED BY ABC AND PICKED UP 150 00:10:02,089 --> 00:10:07,061 BY FOX. >> AND "ROSEANNE" WAS CANCELLED 151 00:10:07,061 --> 00:10:19,139 BY HERSELF, BUT PICKED UP BY WHITE NATIONALISTS. 152 00:10:19,139 --> 00:10:21,141 OKAY. >> SHE'S HAD A ROUGH YEAR. 153 00:10:21,141 --> 00:10:23,477 >> THAT'S TOUGH. >> I HEARD ROSEANNE IS ACTUALLY 154 00:10:23,477 --> 00:10:24,712 MOVING TO ISRAEL. 155 00:10:24,712 --> 00:10:28,882 HOW MESSED UP IS YOUR LIFE WHEN YOU HAVE TO GO TO THE MIDDLE 156 00:10:28,882 --> 00:10:32,152 EAST JUST TO GET PEACE OF MIND? BY THE WAY, CONGRATULATIONS TO 157 00:10:32,152 --> 00:10:34,655 LAURIE METCALF. PLEASE. 158 00:10:34,655 --> 00:10:37,825 [ APPLAUSE ] I MEAN, WOW. 159 00:10:37,825 --> 00:10:41,128 THAT'S INCREDIBLE. YOU KNOW HOW GREAT AN ACTRESS 160 00:10:41,128 --> 00:10:46,967 YOU HAVE TO BE TO GET NOMINATED FOR "ROSEANNE" NOW? 161 00:10:46,967 --> 00:10:49,837 THAT'S LIKE NOMINATING A COP FOR A B. E. T. AWARD. 162 00:10:49,837 --> 00:10:57,745 DOESN'T HAPPEN. IT WOULD BE WEIRD. 163 00:10:57,745 --> 00:11:01,582 [ APPLAUSE ] >> TELEVISION OBVIOUSLY HAS MORE 164 00:11:01,582 --> 00:11:02,516 CHOICES THAN EVER BEFORE. 165 00:11:02,516 --> 00:11:07,321 THIS YEAR, NETFLIX WILL SPEND $8 BILLION ON PROGRAMMING, AND 166 00:11:07,321 --> 00:11:11,525 THEY NOW HAVE 700 ORIGINAL SERIES. 167 00:11:11,525 --> 00:11:13,093 WHICH MAKES ME REALIZE THAT THE SHOW I PITCHED THEM MUST HAVE 168 00:11:13,093 --> 00:11:19,199 REALLY SUCKED. >> IT DID. 169 00:11:19,199 --> 00:11:34,415 >> IT'S LIKE BEING TURNED DOWN FOR A CVS REWARDS CARD. 170 00:11:34,415 --> 00:11:38,886 >> HOW DOES NETFLIX MAKE MONEY? IT'S LIKE $900 A MONTH AND 171 00:11:38,886 --> 00:11:50,798 EVERYBODY IS SHARING AN ACCOUNT. >> THE OBAMAS NOW EVEN HAVE 172 00:11:50,798 --> 00:11:52,666 THEIR OWN PRODUCTION DEAL AT NETFLIX. 173 00:11:52,666 --> 00:11:55,703 AND MY DREAM IS THAT THE ONLY THING THEY PRODUCE IS THEIR OWN 174 00:11:55,703 --> 00:12:03,410 VERSION OF HIGHER RATINGS. 175 00:12:03,410 --> 00:12:06,513 >> THINGS ARE GETTING BETTER, BUT AS WE ALL KNOW, TV HAS 176 00:12:06,513 --> 00:12:10,718 ALWAYS HAD A DIVERSITY PROBLEM. CAN YOU BELIEVE THEY DID 177 00:12:10,718 --> 00:12:17,424 15 SEASONS OF "ER" WITHOUT ONE FILIPINO NURSE? 178 00:12:17,424 --> 00:12:18,926 >> THAT'S CRAZY. THAT'S JUST CRAZY. 179 00:12:18,926 --> 00:12:24,331 >> HAVE YOU BEEN TO A HOSPITAL? >> THAT'S JUST CRAZY. 180 00:12:24,331 --> 00:12:28,335 >> EVEN ON A GREAT SHOW LIKE "CHEERS." 181 00:12:28,335 --> 00:12:31,472 I LOVE "CHEERS," BUT YOU'RE TELLING ME THEY MADE A 182 00:12:31,472 --> 00:12:33,273 SHOW ABOUT AN ALL‐WHITE SPORTS BAR IN 1980s BOSTON, AND NOT ONE 183 00:12:33,273 --> 00:12:35,109 BLACK DUDE WALKED IN, SAW ALL THESE WHITE PEOPLE, AND THEN 184 00:12:35,109 --> 00:12:39,513 WALKED RIGHT BACK OUT? I WOULD HAVE. 185 00:12:39,513 --> 00:12:41,615 >> AND THERE'S EVEN MORE DIVERSITY COMING TO TV. 186 00:12:41,615 --> 00:12:47,721 THERE'S A LATINO "MAGNUM P. I." THERE'S GOING TO BE A BLACK 187 00:12:47,721 --> 00:12:50,424 SAMANTHA ON A REBOOT OF "BEWITCHED." 188 00:12:50,424 --> 00:12:54,061 BUT IT'S GONNA GET BALANCED OUT BY AN ALL‐WHITE REBOOT OF 189 00:12:54,061 --> 00:12:59,099 "ATLANTA" CALLED "15 MILES OUTSIDE OF ATLANTA." 190 00:12:59,099 --> 00:13:04,371 [ APPLAUSE ] >> THAT'S GOOD. 191 00:13:04,371 --> 00:13:09,176 >> AND IT FOCUSES ON WHITE WOMEN WHO CALL THE POLICE ON THE CAST 192 00:13:09,176 --> 00:13:18,185 OF "ATLANTA." >> WELL, IT'S NOT PERFECT. 193 00:13:18,185 --> 00:13:22,022 BUT TV HAS COME A LONG WAY IN THE PAST 70 YEARS, I THINK 194 00:13:22,022 --> 00:13:23,390 THAT'S WHAT YOU'RE TRYING TO SAY, COLIN. 195 00:13:23,390 --> 00:13:25,526 >> THAT'S RIGHT. AND WITH THE AMAZING 196 00:13:25,526 --> 00:13:28,295 CONTRIBUTIONS FROM EVERYONE IN THIS ROOM TONIGHT, I THINK WE 197 00:13:28,295 --> 00:13:31,098 CAN KEEP TELEVISION GOING FOR ANOTHER FIVE, SIX YEARS TOPS. 198 00:13:31,098 --> 00:13:34,535 >> TOPS. BUT LET'S HAVE FUN TONIGHT. 199 00:13:34,535 --> 00:13:36,937 >> LET'S START GIVING OUT SOME TROPHIES. 200 00:13:36,937 --> 00:13:40,908 YOU GUYS EXCITED? [ APPLAUSE ] 201 00:13:40,908 --> 00:13:43,477 >> HERE ARE THE NOMINEES FOR SUPPORTING ACTOR IN A COMEDY 202 00:13:43,477 --> 00:13:50,184 SERIES. >> SON, I WAS THREATENING TO 203 00:13:50,184 --> 00:13:53,821 QUIT BACK WHEN I WAS IN DIAPERS. IT WAS FOR AN ADULT DIAPERS 204 00:13:53,821 --> 00:13:54,721 COMMERCIAL. AND I WAS FIRED. 205 00:13:54,721 --> 00:13:59,827 >> RONALD REAGAN! >> DON'T JUGGLE HIM. 206 00:13:59,827 --> 00:14:04,965 >> YOU BOSS SOME WHITE PEOPLE AROUND. 207 00:14:04,965 --> 00:14:09,303 >> YOU DON'T GET TO BE HAPPY UNTIL I CAN GET TO MY PIANO. 208 00:14:09,303 --> 00:14:11,505 >> OH, MY GOD. HOW DID YOU DO THAT? 209 00:14:11,505 --> 00:14:14,141 >> I CAN SHOW YOU. IT'S A TEACHABLE SKILL. 210 00:14:14,141 --> 00:14:17,377 >> I SAID I WAS GOING TO RUN THIS COUNTRY LIKE A BUSINESS. 211 00:14:17,377 --> 00:14:19,713 THAT BUSINESS IS A WAFFLE HOUSE AT 2:00 A. M. 212 00:14:19,713 --> 00:14:22,182 >> I LEFT BECAUSE OF THE CRIME SITUATION. 213 00:14:22,182 --> 00:14:28,055 I COMMITTED A BUNCH OF CRIMES. AND IT BECAME A SITUATION. 214 00:14:28,055 --> 00:14:32,993 >> AND NOW TO PRESENT THE AWARD FOR SUPPORTING ACTOR IN A COMEDY 215 00:14:32,993 --> 00:14:34,928 SERIES, PLEASE WELCOME CLAIRE FOY AND MATT SMITH. 216 00:14:34,928 --> 00:14:45,172 [ APPLAUSE ] >> GOOD EVENING. 217 00:14:45,172 --> 00:14:48,275 WE'RE HAVING A MARVELOUS TIME. WE ARE THRILLED TO PRESENT THE 218 00:14:48,275 --> 00:14:51,345 FIRST AWARD OF THE NIGHT. >> AND IF WE DON'T SOUND 219 00:14:51,345 --> 00:14:56,316 THRILLED, THAT'S JUST BECAUSE WE'RE VERY, VERY BRITISH. 220 00:14:56,316 --> 00:15:05,092 >> AND THE EMMY GOES TO. >> HENRY WINKLER. 221 00:15:05,092 --> 00:15:32,252 [ CHEERS AND APPLAUSE ] ♪♪♪♪ 222 00:15:32,252 --> 00:15:36,990 >> OH, MY GOD. OH, MY GOD. 223 00:15:36,990 --> 00:15:40,427 OH, MY GOD. OKAY. 224 00:15:40,427 --> 00:15:45,966 I ONLY HAVE 37 SECONDS. I WROTE THIS 43 YEARS AGO. 225 00:15:45,966 --> 00:15:53,507 CAN I JUST SAY SKIP BRITTENHAM SAID TO ME A LONG TIME AGO IF 226 00:15:53,507 --> 00:15:55,742 YOU STAY AT IT LONG ENOUGH, THE CHIPS COME TO YOU. 227 00:15:55,742 --> 00:15:57,210 TONIGHT I GOT TO CLEAR THE TABLE. 228 00:15:57,210 --> 00:16:02,049 IF YOU GET A CHANCE TO WORK WITH BILL HADER OR ALEC BERG, RUN, 229 00:16:02,049 --> 00:16:04,952 DON'T WORK. THANK YOU FOR PRODUCING US, FOR 230 00:16:04,952 --> 00:16:07,921 CREATING US, FOR DIRECTING US, AND BILL FOR ACTING WITH US, AND 231 00:16:07,921 --> 00:16:11,959 ALL OF OUR WONDERFUL WRITERS. SHERRY THOMPSON AND OUR 232 00:16:11,959 --> 00:16:17,297 WONDERFUL SHARON, SHERRY GOLDBERG, AN EXTRAORDINARY 233 00:16:17,297 --> 00:16:21,635 PUBLICIST, CLIFF AND AARON AND CHRIS WHO REPRESENT ME ALMOST 234 00:16:21,635 --> 00:16:23,003 FOR THE FIRST TIME I FEEL REPRESENTED. 235 00:16:23,003 --> 00:16:26,873 I CAN'T STOP YET. MY WIFE STACY, OH, MY GOD, MY 236 00:16:26,873 --> 00:16:31,278 CAST AND CREW, AND THE KIDS, KIDS, JED, ZOE AND MAX, YOU CAN 237 00:16:31,278 --> 00:16:37,484 GO TO BED NOW, DADDY WON! [ CHEERS AND APPLAUSE ] 238 00:16:37,484 --> 00:16:42,322 ♪♪♪♪ >> Announcer: COMING UP NEXT, 239 00:16:42,322 --> 00:16:45,959 JIMMY KIMMEL AND TRACY MORGAN, MILLIE BOBBY BROWN, 240 00:16:45,959 --> 00:16:50,368 EMILIA CLARKE, ANDY SAMBERG, AND SANDRA OH. 241 00:16:50,368 --> 00:16:51,885 ♪♪♪♪ 242 00:17:04,478 --> 00:17:07,614 >>> WELCOME BACK. >> WELCOME BACK, GUYS. 243 00:17:07,614 --> 00:17:11,284 >> WELCOME BACK. TONIGHT WE'RE STARTING WITH THE 244 00:17:11,284 --> 00:17:14,988 COMEDY AWARDS. >> THAT'S RIGHT. 245 00:17:14,988 --> 00:17:17,257 IF YOU HAVEN'T BEEN WATCHING TV LATELY, A COMEDY IS JUST A 246 00:17:17,257 --> 00:17:20,894 DRAMA THAT'S 30 MINUTES LONG. >> HERE ARE THE NOMINEES FOR 247 00:17:20,894 --> 00:17:26,900 SUPPORTING ACTRESS IN A COMEDY SERIES. 248 00:17:26,900 --> 00:17:32,906 >> SORRY I'M LATE, BUT I GOT HERE AS SOON AS I WANTED TO. 249 00:17:32,906 --> 00:17:38,245 >> FOLKS, LISTEN TO ME, BECAUSE I'M NO NONSENSE BUT I'M ALL 250 00:17:38,245 --> 00:17:41,415 NONSENSE. >> I'M LIBERTY BELL, THE 251 00:17:41,415 --> 00:17:45,352 AMERICAN HERO. I'M A PERFECT TEN AND YOU'RE A 252 00:17:45,352 --> 00:17:46,820 ZERO. >> THEY'RE ALL DANCING. 253 00:17:46,820 --> 00:17:48,889 OH, MY GOD. WAS HE HERE THE WHOLE TIME? 254 00:17:48,889 --> 00:17:52,492 >> YOU BOMBED. YOU TOOK OUT ANTWERP. 255 00:17:52,492 --> 00:17:54,895 PEOPLE WERE ASKING FOR DIRECTIONS FOR A FALLOUT 256 00:17:54,895 --> 00:17:55,662 SHELTER. YOU BOMBED. 257 00:17:55,662 --> 00:17:59,566 >> THEY WERE MAKING A SOUND THE WHOLE TIME, LIKE ‐‐ 258 00:17:59,566 --> 00:18:02,135 >> NOBODY KICKS OMAROSA OUT OF THE WHITE HOUSE. 259 00:18:02,135 --> 00:18:07,574 >> GET AWAY FROM THE WINDOW! >> Announcer: TO PRESENT THE 260 00:18:07,574 --> 00:18:09,643 AWARD FOR SUPPORTING ACTRESS IN A COMEDY SERIES, PLEASE WELCOME 261 00:18:09,643 --> 00:18:19,586 JIMMY KIMMEL AND TRACY MORGAN. [ APPLAUSE ] 262 00:18:19,586 --> 00:18:23,690 >> LET'S HAVE A HAND FOR MICHAEL AND COLIN. 263 00:18:23,690 --> 00:18:27,160 WEREN'T THEY VERY FUNNY? I THOUGHT THEY WERE GREAT. 264 00:18:27,160 --> 00:18:31,731 AND THIS IS WHAT THEY'RE GOING TO LOOK LIKE IN 30 YEARS. 265 00:18:31,731 --> 00:18:34,067 NOW, I KNOW I SPEAK FOR YOU, TRACY, WHEN 266 00:18:34,067 --> 00:18:36,136 WE SAY WE ARE DELIGHTED THIS YEAR TO HAVE SUCH A DIVERSE 267 00:18:36,136 --> 00:18:39,272 COLLECTION OF TALENTED SUPPORTING ACTRESS NOMINEES, 268 00:18:39,272 --> 00:18:41,875 EACH OF WHOM IS VERY DESERVING OF AN EMMY AWARD. 269 00:18:41,875 --> 00:18:49,015 >> I'M ONLY ROOTING FOR THE BLACK PEOPLE. 270 00:18:49,015 --> 00:18:51,051 >> WHAT HE'S SAYING IS, IN THIS CATEGORY IN 271 00:18:51,051 --> 00:18:54,621 PARTICULAR, IT'S HARD TO EVEN KNOW WHO TO ROOT FOR. 272 00:18:54,621 --> 00:18:58,158 BECAUSE THERE ARE SO MANY GREAT PEOPLE. 273 00:18:58,158 --> 00:19:02,496 >> I'M ROOTING FOR LESLIE JONES, ZAZIE BEETZ, AND 274 00:19:02,496 --> 00:19:08,869 MILLIE BOBBY BROWN. >> MILLIE BOBBY BROWN, SHE'S NOT 275 00:19:08,869 --> 00:19:12,706 BLACK AND SHE'S NOT NOMINATED IN THIS CATEGORY. 276 00:19:12,706 --> 00:19:14,274 >> WELL, THEN SHE'S UNINVITED TO THE COOKOUT. 277 00:19:14,274 --> 00:19:17,377 >> THERE'S A COOKOUT? >> YOU DIDN'T HEAR THAT FROM ME. 278 00:19:17,377 --> 00:19:20,013 >> THE EMMY FOR SUPPORTING ACTRESS IN A COMEDY SERIES GOES 279 00:19:20,013 --> 00:19:31,491 TO ‐‐ >> ALEX BORSTEIN. 280 00:19:31,491 --> 00:19:35,195 >> COME ON DOWN! [ APPLAUSE ] 281 00:19:35,195 --> 00:20:01,054 ♪♪♪♪ >> CONGRATULATIONS. 282 00:20:01,054 --> 00:20:06,726 >> THANK YOU. [ APPLAUSE ] 283 00:20:06,726 --> 00:20:10,397 >> I WENT WITHOUT THE BRA. WHAT A PLATFORM. 284 00:20:10,397 --> 00:20:12,732 LADIES, WHEN YOU USE A PUBLIC RESTROOM, SIT DOWN. 285 00:20:12,732 --> 00:20:18,872 IF YOU SIT, WE CAN ALL SIT. STOP PEEING ON THE SEAT. 286 00:20:18,872 --> 00:20:21,908 I WANT TO THANK EVERYONE AT AMAZON. 287 00:20:21,908 --> 00:20:25,845 I WANT TO THANK AMY SHERMAN‐PALLADINO, YOU'RE MY 288 00:20:25,845 --> 00:20:28,915 FRIEND, I LOVE YOU, I HATE YOU. THE CAST, THE CREW. 289 00:20:28,915 --> 00:20:33,920 THE CREW, THE CREW, YOU DO EVERYTHING, WE SEE YOU. 290 00:20:33,920 --> 00:20:35,755 MY FAMILY. YOU ARE EVERYTHING. 291 00:20:35,755 --> 00:20:39,960 MY FATHER, YOU ARE THE ONLY MAN WHO HAS EVER TRULY LOVED AND 292 00:20:39,960 --> 00:20:42,195 TAKEN CARE OF ME, THANK YOU FOR THAT. 293 00:20:42,195 --> 00:20:45,565 MY BROTHERS, MY LA LA, LIFE IS POSSIBLE WITH YOU. 294 00:20:45,565 --> 00:20:47,500 MY CHILDREN, YOU ARE EVERYTHING. THIS IS ALL FUN. 295 00:20:47,500 --> 00:20:49,402 THIS IS WONDERFUL. BUT NONE OF THIS MATTERS. 296 00:20:49,402 --> 00:20:50,570 YOU MATTER. I LOVE YOU. 297 00:20:50,570 --> 00:20:53,173 THANK YOU FOR GIVING ME A LIFE AND I'M GOING TO TRY TO BE THERE 298 00:20:53,173 --> 00:21:00,880 FOR MORE OF IT. [ CHEERS AND APPLAUSE ] 299 00:21:00,880 --> 00:21:04,017 >> Announcer: AND NOW HERE ARE THE NOMINEES FOR OUTSTANDING 300 00:21:04,017 --> 00:21:11,758 WRITING FOR A COMEDY SERIES. >> I WOULD SAY NICE TO MEET YOU, 301 00:21:11,758 --> 00:21:14,160 BUT I'M LEAVING TOWN. I'LL JUST SAY WE ALWAYS MET. 302 00:21:14,160 --> 00:21:18,665 >> I WANT TO GO OUT THERE AND TRY TO BURN A GUY AND HAVE HIM 303 00:21:18,665 --> 00:21:20,667 SAY, THERE'S THE GUY FROM THE CHICKEN COMMERCIAL. 304 00:21:20,667 --> 00:21:22,636 >> I DON'T KNOW IF I DO COMMERCIALS. 305 00:21:22,636 --> 00:21:25,171 >> DID YOU EVER THINK YOU WERE SUPPOSED TO BE SOMETHING AND YOU 306 00:21:25,171 --> 00:21:27,674 SUDDENLY REALIZED YOU'RE NOT? >> YES. 307 00:21:27,674 --> 00:21:28,575 MARRIED. >> THAT'S GOOD. 308 00:21:28,575 --> 00:21:31,344 YOU'RE GOOD. >> YOU SHOULD STICK TO YOUR 309 00:21:31,344 --> 00:21:34,147 HUSBAND SO WE'LL GET PAID. >> I WILL CALL MY HUSBAND AND 310 00:21:34,147 --> 00:21:37,217 THEN THE POLICE. >> DO IT, THEN, BEIGE LADY. 311 00:21:37,217 --> 00:21:41,521 >> WHO IS DOING "LONG DAY JOURNEY INTO NIGHT" WITH A BUNCH 312 00:21:41,521 --> 00:21:44,624 OF COKE HEADS? WE COULD BRING IT IN JUST UNDER 313 00:21:44,624 --> 00:21:47,160 37 MINUTES. >> THEY'RE ATTACKING US. 314 00:21:47,160 --> 00:21:49,062 >> IT'S THE 51% ATTACK. >> IT HAS TO BE. 315 00:21:49,062 --> 00:21:54,934 >> I'M SORRY, WHAT? >> Announcer: PRESENTING THIS 316 00:21:54,934 --> 00:21:57,037 WRITING AWARD ARE MILLIE BOBBY BROWN AND 317 00:21:57,037 --> 00:22:02,742 EMILIA CLARKE. >> AN ACTOR IS NOTHING WITHOUT 318 00:22:02,742 --> 00:22:06,613 WRITING. AT LEAST THAT'S WHAT A WRITER 319 00:22:06,613 --> 00:22:08,148 TOLD ME. >> TONIGHT, WE ARE HAPPY TO 320 00:22:08,148 --> 00:22:10,817 ANNOUNCE THAT THE COMEDY WRITING CATEGORY, ONCE DOMINATED BY 321 00:22:10,817 --> 00:22:13,386 WHITE MALE NERDS, NOW BOASTS MORE FEMALE AND DIVERSE NERDS 322 00:22:13,386 --> 00:22:17,524 THAN EVER BEFORE. >> THE EMMY FOR WRITING FOR A 323 00:22:17,524 --> 00:22:24,898 COMEDY SERIES GOES TO ‐‐ >> AMY SHERMAN‐PALLADINO. 324 00:22:24,898 --> 00:22:55,395 [ CHEERS AND APPLAUSE ] ♪♪♪♪ 325 00:22:55,395 --> 00:22:58,431 >> UH, HI. WHOEVER PUT THAT CARPET DOWN 326 00:22:58,431 --> 00:23:00,734 HATES WOMEN. I JUST WANT TO SAY THAT RIGHT 327 00:23:00,734 --> 00:23:07,774 AWAY. TIME'S UP, OKAY? 328 00:23:07,774 --> 00:23:09,542 ALEX BORSTEIN MADE ME RIP MY TIGHTS. 329 00:23:09,542 --> 00:23:11,044 WHATEVER. I'LL GET THROUGH THIS. 330 00:23:11,044 --> 00:23:14,180 I JUST WANT TO SAY MY FATHER INSPIRED THIS, REALLY. 331 00:23:14,180 --> 00:23:20,320 I HAD TO TURN A 6'2" BRONX JEW INTO RACHEL BROSNAHAN. 332 00:23:20,320 --> 00:23:22,822 THAT'S HOLLYWOOD. I WANT TO THANK HIM AND I WANT 333 00:23:22,822 --> 00:23:29,028 TO THANK MY HUSBAND, DANNY PALLADINO. 334 00:23:29,028 --> 00:23:32,966 AND MY CAST, MY CAST. YOUR GRACIOUSNESS, YOUR HARD 335 00:23:32,966 --> 00:23:35,101 WORK, YOUR BRILLIANCE AND YOUR ENDURANCE. 336 00:23:35,101 --> 00:23:38,605 AND THE FACT THAT YOU GRACIOUSLY ACCEPTED. 337 00:23:38,605 --> 00:23:41,274 SOMETIMES IT MATTERS WHEN YOU DROP A "THE." 338 00:23:41,274 --> 00:23:42,208 I THANK YOU. I LOVE YOU. 339 00:23:42,208 --> 00:23:46,246 GOODBYE. [ APPLAUSE ] 340 00:23:46,246 --> 00:23:48,314 >> Announcer: HERE ARE THE NOMINEES FOR DIRECTING FOR A 341 00:23:48,314 --> 00:23:55,622 COMEDY SERIES. >> DONALD GLOVER, "ATLANTA," 342 00:23:55,622 --> 00:23:57,690 "FUBU" >> HIRO MURAI, "ATLANTA," "TEDDY 343 00:23:57,690 --> 00:24:00,794 PERKINS" >> BILL HADER, "BARRY," "CHAPTER 344 00:24:00,794 --> 00:24:04,964 ONE: MAKE YOUR MARK" >> MARK CENDROWSKI, "THE BIG 345 00:24:04,964 --> 00:24:09,169 BANG THEORY," "THE BOW TIE ASYMMETRY" 346 00:24:09,169 --> 00:24:14,374 >> JESSE PERETZ, "GLOW," "PILOT" >> AMY SHERMAN‐PALLADINO, "THE 347 00:24:14,374 --> 00:24:18,745 MARVELOUS MRS. MAISEL," "PILOT" >> MIKE JUDGE, "SILICON VALLEY," 348 00:24:18,745 --> 00:24:24,284 "INITIAL COIN OFFERING" >> Announcer: TO PRESENT THIS 349 00:24:24,284 --> 00:24:32,959 DIRECTING AWARD, HERE ARE SANDRA OH AND ANDY SAMBERG. 350 00:24:32,959 --> 00:24:36,763 [ APPLAUSE ] >> GOOD EVENING. 351 00:24:36,763 --> 00:24:39,432 WE WERE SUPPOSED TO COME OUT HERE AND READ THE WINNER, BUT 352 00:24:39,432 --> 00:24:46,206 INSTEAD, I'VE DECIDED TO SPEAK FROM THE HEART. 353 00:24:46,206 --> 00:24:52,779 >> WHY'D YOU DO THAT? WHY DID YOU RIP THE ENVELOPE? 354 00:24:52,779 --> 00:24:54,447 >> I DON'T KNOW, I WAS IN THE MOMENT. 355 00:24:54,447 --> 00:24:56,049 I GOT OVERWHELMED. >> NOW WE DON'T KNOW WHO THE 356 00:24:56,049 --> 00:24:57,650 WINNER IS. >> OH, MY GOD, I SHOULDN'T HAVE 357 00:24:57,650 --> 00:24:59,652 DONE THAT. SHOULD WE JUST MAKE IT UP? 358 00:24:59,652 --> 00:25:01,721 >> I DON'T THINK WE CAN DO THAT. >> THE WINNER IS "LA LA LAND." 359 00:25:01,721 --> 00:25:05,024 >> NO, DON'T DO THAT. ANYTHING BUT THAT. 360 00:25:05,024 --> 00:25:06,559 JUST GIVE ME THE TWO SIDES. >> JEREMY PARK. 361 00:25:06,559 --> 00:25:08,661 >> WHO IS THAT? >> A GUY I DATED IN HIGH SCHOOL. 362 00:25:08,661 --> 00:25:10,296 >> YOU THINK HE WON THE AWARD FOR DIRECTING A COMEDY? 363 00:25:10,296 --> 00:25:12,799 >> WE LOST TOUCH. HE COULD BE DOING ANYTHING. 364 00:25:12,799 --> 00:25:16,469 >> ALL RIGHT, GIVE ME THAT. >> I MISS YOU, JEREMY. 365 00:25:16,469 --> 00:25:26,579 >> COME ON. AND THE EMMY GOES TO ‐‐ 366 00:25:26,579 --> 00:25:31,518 AMY SHERMAN‐PALLADINO. [ CHEERS AND APPLAUSE ] 367 00:25:31,518 --> 00:25:45,131 ♪♪♪♪ >> MY PANIC ROOM IS GOING TO BE 368 00:25:45,131 --> 00:25:51,571 SO PRETTY. OKAY. 369 00:25:51,571 --> 00:25:58,711 IT TAKES A GIANT VILLAGE FULL OF UNION CREW MEMBERS TO MAKE SURE 370 00:25:58,711 --> 00:26:01,347 THAT MAISEL GOES OUT ON THE STREETS OF NEW YORK AND TAKES 371 00:26:01,347 --> 00:26:02,682 YOUR PARKING SPACES AWAY FROM YOU. 372 00:26:02,682 --> 00:26:05,184 TO MY CREW, MY CREW, MY CREW, YOU ARE MY EVERYTHING. 373 00:26:05,184 --> 00:26:09,389 I WORSHIP YOU. TO DAVID MULLEN, PROFESSOR 374 00:26:09,389 --> 00:26:14,961 MULLEN, THE DP FROM THE GODS, TO MARIELLA, BEGGS A. D. IN THE 375 00:26:14,961 --> 00:26:18,064 WORLD, YOU ARE NEXT. TO DANA GILBERT, WHAT CAN SAY, 376 00:26:18,064 --> 00:26:21,568 YOU MAKE IT ALL HAPPEN. AND I HAVE TO SAY ONCE AGAIN, 377 00:26:21,568 --> 00:26:25,438 DANIEL PALLADINO, MY CONSIGLIERE, MY EVERYTHING, I 378 00:26:25,438 --> 00:26:29,809 LOVE YOU TO DEATH. MY ACTORS, GOD LOVE YOU, YOU 379 00:26:29,809 --> 00:26:32,879 DON'T FLINCH WHEN I SAY IT'S A SIX‐PAGE. 380 00:26:32,879 --> 00:26:34,847 I LOVE YOU, I LOVE YOU. THANK YOU AND GOODBYE. 381 00:26:34,847 --> 00:26:39,652 [ APPLAUSE ] >> Announcer: UP NEXT, 382 00:26:39,652 --> 00:26:42,789 TIFFANY HADDISH, ANGELA BASSETT, AND MICHAEL DOUGLAS. 383 00:26:42,789 --> 00:26:48,560 PLUS, THE AWARDS FOR LEAD ACTOR AND ACTRESS IN A COMEDY. EMMY AWARDS IS 384 00:26:48,560 --> 00:26:50,030 SPONSORED BY SAMSUNG. 385 00:26:54,701 --> 00:26:56,436 >> Announcer: OUR NEXT AWARD IS FOR LEAD ACTRESS IN A COMEDY 386 00:26:56,436 --> 00:27:01,975 SERIES. HERE ARE THE NOMINEES. 387 00:27:01,975 --> 00:27:06,579 >> AT THIS RATE, HUSBAND ADAM WILL ONLY BE HOCKEY GAMES, BALL 388 00:27:06,579 --> 00:27:09,849 SCRATCHES, AND FARTS. >> I HAVE TO FIGURE OUT WHAT TO 389 00:27:09,849 --> 00:27:13,186 DO FOR MAMA. >> PUT HER DOWN, BACK OF THE 390 00:27:13,186 --> 00:27:15,855 HEAD, DOUBLE TAP. >> I LOVE HOW WE CAN JOKE ABOUT 391 00:27:15,855 --> 00:27:17,557 THIS. >> COULD I GET SOME WATER? 392 00:27:17,557 --> 00:27:20,493 >> YES, SURE. >> THAT'S REALLY VODKA. 393 00:27:20,493 --> 00:27:22,962 >> WHAT CART, I DON'T SEE A CART? 394 00:27:22,962 --> 00:27:29,469 >> MY NAME IS MRS. MAISEL. THANK YOU AND GOOD NIGHT. 395 00:27:29,469 --> 00:27:32,071 >> Announcer: TO REVEAL THE WINNER, PLEASE WELCOME 396 00:27:32,071 --> 00:27:35,208 ANGELA BASSETT AND THIS YEAR'S WINNER FOR GUEST ACTRESS IN A 397 00:27:35,208 --> 00:27:43,182 COMEDY SERIES, TIFFANY HADDISH. [ APPLAUSE ] 398 00:27:43,182 --> 00:27:47,620 >> IT IS A PLEASURE TO PRESENT THIS AWARD AMONG SUCH A TALENTED 399 00:27:47,620 --> 00:27:49,756 GROUP OF WOMEN. >> YES. 400 00:27:49,756 --> 00:27:53,793 SO MANY EXCEPTIONAL ACTRESSES. >> WELL? 401 00:27:53,793 --> 00:27:58,464 YOU'VE HAD QUITE THE EXCEPTIONAL YEAR YOURSELF, TIFFANY. 402 00:27:58,464 --> 00:28:01,200 >> I HAVE, I HAVE. SEPTEMBER 28th. 403 00:28:01,200 --> 00:28:04,971 BUT I'M STANDING HERE WITH ANGELA BASSETT. 404 00:28:04,971 --> 00:28:07,473 [ APPLAUSE ] ROYALTY. 405 00:28:07,473 --> 00:28:15,948 ROYALTY. >> YES, AND NOW LET'S GET DOWN 406 00:28:15,948 --> 00:28:23,222 TO BUSINESS. >> SHE READY. 407 00:28:23,222 --> 00:28:27,794 THE EMMY FOR LEAD ACTRESS IN A COMEDY SERIES GOES TO ‐‐ 408 00:28:27,794 --> 00:28:35,034 >> RACHEL BROSNAHAN. >> "THE MARVELOUS MRS. MAISEL." 409 00:28:35,034 --> 00:28:49,682 [ APPLAUSE ] ♪♪♪♪ 410 00:28:49,682 --> 00:28:52,652 >> THERE YOU GO, GIRL. >> THANK YOU. 411 00:28:52,652 --> 00:29:00,693 OH, BYE. >> THERE YOU GO. 412 00:29:00,693 --> 00:29:02,095 WOW. THANK YOU GUYS SO MUCH. 413 00:29:02,095 --> 00:29:07,834 HI. OKAY. 414 00:29:07,834 --> 00:29:11,070 THANK YOU TO OUR BRILLIANT WRITERS AND CREATORS, AMY 415 00:29:11,070 --> 00:29:14,240 SHERMAN‐PALLADINO AND DAN PALLADINO, I'LL BE THANKING YOU 416 00:29:14,240 --> 00:29:17,410 FOR THE REST OF MY LIFE FOR TRUSTING ME WITH YOUR MIDGE. 417 00:29:17,410 --> 00:29:20,813 THANK YOU TO ALL OUR PRODUCERS, OUR TEAM AT AMAZON, TO JEFF AND 418 00:29:20,813 --> 00:29:23,883 JEN AND MARK AND KEN AND ALBERT AND DONNA. 419 00:29:23,883 --> 00:29:27,887 AND THANK YOU TO OUR INCREDIBLE CAST. 420 00:29:27,887 --> 00:29:30,556 AND OUR EARTH‐SHATTERINGLY TALENTED CREW. 421 00:29:30,556 --> 00:29:33,392 THIS IS INSANE. THANK YOU TO MY TEAM AT CAA AND 422 00:29:33,392 --> 00:29:37,563 KEN LEE AND CAROL AND TED. MY FRIENDS AND MY FAMILY, YOU 423 00:29:37,563 --> 00:29:41,901 ARE ABSOLUTELY EVERYTHING TO ME. AND ONE OF THE THINGS I LOVE THE 424 00:29:41,901 --> 00:29:44,036 MOST ABOUT THIS SHOW WHILE I HAVE YOU CAPTIVE FOR ANOTHER TWO 425 00:29:44,036 --> 00:29:48,007 SECONDS, IT'S ABOUT A WOMAN WHO IS FINDING HER VOICE ANEW. 426 00:29:48,007 --> 00:29:50,076 IT'S SOMETHING THAT'S HAPPENING ALL OVER THE COUNTRY RIGHT NOW. 427 00:29:50,076 --> 00:29:53,780 ONE OF THE MOST IMPORTANT WAYS THAT WE CAN FIND AND USE OUR 428 00:29:53,780 --> 00:29:56,115 VOICES IS TO VOTE. SO IF YOU HAVEN'T ALREADY 429 00:29:56,115 --> 00:29:58,451 REGISTERED, DO IT ON YOUR CELLPHONE RIGHT NOW. 430 00:29:58,451 --> 00:30:00,686 VOTE, SHOW UP, AND BRING A FRIEND TO THE POLLS. 431 00:30:00,686 --> 00:30:08,094 THANK YOU SO MUCH. [ CHEERS AND APPLAUSE ] 432 00:30:08,094 --> 00:30:10,196 >> Announcer: OUR NEXT AWARD IS FOR LEAD ACTOR IN A COMEDY 433 00:30:10,196 --> 00:30:16,169 SERIES. HERE ARE THE NOMINEES ‐‐ 434 00:30:16,169 --> 00:30:21,274 >> I'M STRESS EATING AND I'M GAINING WEIGHT AND MY THIGHS, 435 00:30:21,274 --> 00:30:25,378 LOOK AT THAT. >> COFFEE IS FOR CLOSERS ONLY. 436 00:30:25,378 --> 00:30:29,482 >> YOU CALL YOURSELF A SALESMAN? YOU SON OF A BITCH. 437 00:30:29,482 --> 00:30:32,485 >> WHAT DID YOU DO LAST NIGHT? >> I'M JOKING. 438 00:30:32,485 --> 00:30:38,391 >> YOU'RE LIKE THE OLD CLOTHES RICH PEOPLE DONATE TO GOODWILL. 439 00:30:38,391 --> 00:30:40,459 SOMETHING THEY DON'T NEED BUT THEY CAN PAT THEMSELVES ON THE 440 00:30:40,459 --> 00:30:45,364 BACK FOR ANYWAY. >> I'M RICH! 441 00:30:45,364 --> 00:30:47,800 >> THAT'S ENOUGH ALREADY. I CAN'T HEAR A THING. 442 00:30:47,800 --> 00:30:52,638 SHUT UP. >> Announcer: TO PRESENT THE 443 00:30:52,638 --> 00:30:54,540 AWARD FOR LEAD ACTOR IN A COMEDY SERIES, PLEASE WELCOME 444 00:30:54,540 --> 00:31:05,017 MICHAEL DOUGLAS. >> GOOD EVENING. 445 00:31:05,017 --> 00:31:06,886 SO I'VE WON A FEW AWARDS IN MY CAREER. 446 00:31:06,886 --> 00:31:13,759 BUT I'VE LOST A HELL OF A LOT MORE. 447 00:31:13,759 --> 00:31:16,462 SO I WANT TO GIVE SOME ADVICE TO THE LOSERS. 448 00:31:16,462 --> 00:31:22,401 CARRY THAT RAGE. LET IT FUEL EVERYTHING YOU DO 449 00:31:22,401 --> 00:31:25,004 FROM THIS NIGHT FORWARD. KNOW THAT YOU WERE CHEATED. 450 00:31:25,004 --> 00:31:32,311 YOU WERE ROBBED. THAT IS A FACT. 451 00:31:32,311 --> 00:31:36,983 LET THAT FIRE BURN IN YOUR BELLY UNTIL YOUR COLD, DEAD BODY IS IN 452 00:31:36,983 --> 00:31:41,120 A PINE BOX, SIX FEET DEEP, CLUTCHING ALL ITS EMMYS TO ITS 453 00:31:41,120 --> 00:31:50,363 CHEST. [ APPLAUSE ] 454 00:31:50,363 --> 00:31:58,404 AND THE AWARD FOR LEAD ACTOR IN A COMEDY SERIES GOES TO ‐‐ 455 00:31:58,404 --> 00:32:01,507 BILL HADER, "BARRY." [ APPLAUSE ] 456 00:32:01,507 --> 00:32:16,656 ♪♪♪♪ 457 00:32:21,761 --> 00:32:26,432 >> UHH, I DIDN'T THINK THIS WAS GOING TO HAPPEN. 458 00:32:26,432 --> 00:32:28,834 OKAY. SO, YEAH, I TOOK CLASSES AT 459 00:32:28,834 --> 00:32:34,240 SECOND CITY, L. A. NOTHING. 460 00:32:34,240 --> 00:32:37,109 I WAS TAUGHT THERE THAT YOU SHOULD ALWAYS MAKE THE OTHER 461 00:32:37,109 --> 00:32:39,812 PEOPLE LOOK GOOD. SO WHAT I DID WAS I HIRED A 462 00:32:39,812 --> 00:32:43,215 BUNCH OF REALLY GREAT ACTORS THAT MADE ME LOOK REALLY GOOD. 463 00:32:43,215 --> 00:32:50,356 SO I SHARE THIS WITH THE CAST. HENRY WINKLER, STEVEN ROOT, 464 00:32:50,356 --> 00:32:57,463 SARAH GOLDBERG, ANTHONY CARRIGAN, PAULA NEWSOM. 465 00:32:57,463 --> 00:32:59,999 ALL OF YOU, THANK YOU SO, SO MUCH. 466 00:32:59,999 --> 00:33:03,269 THANK YOU, ALEC BERG, THANK YOU, HBO. 467 00:33:03,269 --> 00:33:14,513 AND HANNAH, HARPER, HALEY. [ APPLAUSE ] 468 00:33:14,513 --> 00:33:20,453 >> Announcer: NEXT, BOB ODENKIRK, 469 00:33:20,453 --> 00:33:23,392 CONSTANCE WU, KIT HARINGTON, CHRISSY TEIGEN AND JOHN LEGEND. 470 00:33:34,033 --> 00:33:38,004 ♪♪♪♪ >> WE'RE BACK. 471 00:33:38,004 --> 00:33:38,804 >> HELLO. >> THANK YOU. 472 00:33:38,804 --> 00:33:43,075 [ APPLAUSE ] >> I JUST WANT TO SAY, SIX 473 00:33:43,075 --> 00:33:46,012 AWARDS, ALL WHITE WINNERS. NOBODY THANKED JESUS YET. 474 00:33:46,012 --> 00:33:52,651 [ LAUGHTER ] >> ONE LADY ONE TWICE AND STILL 475 00:33:52,651 --> 00:33:56,756 DIDN'T THANK JESUS. >> WE'RE NOW INTO THE 476 00:33:56,756 --> 00:33:59,358 "LIMITED SERIES" CATEGORIES. >> A LIMITED SERIES IS WHEN A 477 00:33:59,358 --> 00:34:02,495 MOVIE STAR REACHES THE LIMIT ON ALL THEIR CREDIT CARDS SO THEY 478 00:34:02,495 --> 00:34:05,731 HAVE TO DO TV. CUMBERBATCH KNOWS WHAT I'M 479 00:34:05,731 --> 00:34:15,141 TALKING ABOUT. >> GET YOUR MONEY, MAN. 480 00:34:15,141 --> 00:34:17,643 >> AS YOU KNOW, IT'S THE EMMYS 70th ANNIVERSARY TONIGHT, AND WE 481 00:34:17,643 --> 00:34:19,745 THOUGHT IT WOULD BE FUN TO GIVE YOU ALL SOME INTERESTING FACTS 482 00:34:19,745 --> 00:34:21,814 ABOUT TELEVISION'S RICH HISTORY WITH THE HELP OF OUR GOOD 483 00:34:21,814 --> 00:34:23,849 FRIENDS MAYA RUDOLPH AND FRED ARMISEN. 484 00:34:23,849 --> 00:34:32,625 [ APPLAUSE ] ♪♪♪♪ 485 00:34:32,625 --> 00:34:35,094 >> HI. >> HI, GUYS. 486 00:34:35,094 --> 00:34:36,862 >> HEY. >> SO YOU GUYS KNOW EVERYTHING 487 00:34:36,862 --> 00:34:38,731 THERE IS TO KNOW ABOUT THE EMMYS. 488 00:34:38,731 --> 00:34:41,834 >> OKAY. >> GREAT. 489 00:34:41,834 --> 00:34:44,970 BECAUSE THERE ARE SO MANY NOMINEES, AND SO MANY 490 00:34:44,970 --> 00:34:47,039 CATEGORIES, AND WE'RE GONNA BE COMING TO YOU WITH A LOT OF 491 00:34:47,039 --> 00:34:51,343 QUESTIONS TONIGHT. YOU MUST HAVE DONE WEEKS OF 492 00:34:51,343 --> 00:34:53,045 RESEARCH. >> OH, MY GOD. 493 00:34:53,045 --> 00:34:59,118 YES! >> SO MUCH RESEARCH. 494 00:34:59,118 --> 00:35:02,655 IT WAS LIKE, THIS IS ME NORMALLY, AHHH. 495 00:35:02,655 --> 00:35:06,325 AND THIS IS MY RESEARCHING. >> WOW. 496 00:35:06,325 --> 00:35:09,295 SO DID YOU MEMORIZE IT ALL OR DO YOU HAVE NOTES? 497 00:35:09,295 --> 00:35:11,497 >> WE MEMORIZED IT. >> WE HAVE NOTES. 498 00:35:11,497 --> 00:35:16,469 >> YEAH, WE MADE A NOTE FOR OURSELVES TO MEMORIZE IT. 499 00:35:16,469 --> 00:35:23,342 >> BUT, YOU KNOW. >> IT SOUNDS LIKE YOU GUYS ARE 500 00:35:23,342 --> 00:35:24,510 VERY PREPARED. >> OH, YEAH. 501 00:35:24,510 --> 00:35:30,316 >> I'M GLAD IT SOUNDS LIKE IT. >> YOU KNOW WHAT, WE'RE ACTUALLY 502 00:35:30,316 --> 00:35:33,486 OVERPREPARED. >> IT'S LIKE, DIAL IT BACK, IT'S 503 00:35:33,486 --> 00:35:35,154 LIKE TOO MUCH FASCINATING INFORMATION. 504 00:35:35,154 --> 00:35:36,922 >> TOO MUCH. >> WHEN WE HAVE A QUESTION, 505 00:35:36,922 --> 00:35:38,157 WE'RE GOING TO COME LOOKING FOR YOU GUYS. 506 00:35:38,157 --> 00:35:45,364 >> YOU BETTER, LITTLE MAN. ALSO, IS THERE A SMOOTHIE PLACE 507 00:35:45,364 --> 00:35:47,366 AROUND HERE? >> FRED AND MAYA, EVERYBODY. 508 00:35:47,366 --> 00:35:52,938 [ APPLAUSE ] >> AND NOW, HERE ARE THE 509 00:35:52,938 --> 00:35:56,609 NOMINEES FOR SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE. 510 00:35:56,609 --> 00:36:00,546 >> WE LOST OUR HUSBANDS AND A FEW HORSES. 511 00:36:00,546 --> 00:36:06,085 AND WE'RE STILL HERE. THAT MEANS WE'VE STILL GOT 512 00:36:06,085 --> 00:36:10,055 CHOICES. ♪♪ HOW DID IT COME TO THIS ♪♪ 513 00:36:10,055 --> 00:36:12,057 >> I DON'T BELIEVE IN YOU OR ANYONE. 514 00:36:12,057 --> 00:36:14,627 NOT EVEN MYSELF. >> WHAT DO YOU WANT FROM ME? 515 00:36:14,627 --> 00:36:18,130 >> I WANT EVERYTHING. >> YOU HAVE IT ALL. 516 00:36:18,130 --> 00:36:20,766 I GIVE YOU ALL. >> FIND HIM. 517 00:36:20,766 --> 00:36:24,270 CATCH HIM. BUT DON'T TALK TO ME ABOUT WHAT 518 00:36:24,270 --> 00:36:26,872 MIGHT OR MIGHT NOT BE GOING THROUGH HIS MIND. 519 00:36:26,872 --> 00:36:29,642 >> NEVER ACCEPT DRINKS FROM STRANGERS. 520 00:36:29,642 --> 00:36:34,046 MY DADDY TAUGHT ME THAT. >> Announcer: YOU'VE SEEN THE 521 00:36:34,046 --> 00:36:35,781 NOMINEES. NOW, TO PRESENT THE AWARD, 522 00:36:35,781 --> 00:36:39,718 PLEASE WELCOME JOHN LEGEND AND CHRISSY TEIGEN. 523 00:36:39,718 --> 00:36:46,625 [ APPLAUSE ] >> WELL, IT HAS BEEN AN 524 00:36:46,625 --> 00:36:51,397 INCREDIBLE WEEK. >> OH, MY GOD, WE GET IT, YOU 525 00:36:51,397 --> 00:36:57,169 WON THE E. G. O. T., WE GET IT. GUYS, DON'T ENCOURAGE THIS 526 00:36:57,169 --> 00:36:58,704 BEHAVIOR. >> I WAS TALKING ABOUT OUR 527 00:36:58,704 --> 00:37:04,376 ANNIVERSARY. >> OKAY, THANK YOU, JESUS. 528 00:37:04,376 --> 00:37:10,115 THAT'S FOR YOU, MICHAEL. THAT'S FOR YOU. 529 00:37:10,115 --> 00:37:18,457 >> AND THE EMMY GOES TO ‐‐ MERRITT WEVER, "GODLESS." 530 00:37:18,457 --> 00:37:38,310 [ APPLAUSE ] ♪♪♪♪ 531 00:37:38,310 --> 00:37:43,282 >> UMM, OH, I'M SO SORRY, I REALLY APPRECIATE THIS, AND I 532 00:37:43,282 --> 00:37:46,085 REALLY HOPE THAT YOU DON'T MISTAKE MY FEAR RIGHT NOW FOR A 533 00:37:46,085 --> 00:37:51,457 LACK OF GRATITUDE. I'M SO ‐‐ I JUST WANTED TO SAY 534 00:37:51,457 --> 00:37:53,726 HELLO AND CONGRATULATIONS TO ‐‐ I CAME PREPARED AND IT'S BOMBING 535 00:37:53,726 --> 00:37:58,731 ALREADY. I WANTED TO BE A GROWN UP ABOUT 536 00:37:58,731 --> 00:38:00,199 THIS. BUT I WANTED TO SAY 537 00:38:00,199 --> 00:38:03,135 CONGRATULATIONS TO THE OTHER NOMINEES, IT'S VERY MUCH AN 538 00:38:03,135 --> 00:38:06,905 HONOR TO BE COUNTED AMONG YOU TONIGHT. 539 00:38:06,905 --> 00:38:10,476 IT'S A REALLY LOVELY THING. UMM, THERE'S A LOT OF PEOPLE I 540 00:38:10,476 --> 00:38:13,145 WANT TO THANK. BUT I THINK I'M GOING TO TRY AND 541 00:38:13,145 --> 00:38:16,115 DO IT IN PRIVATE. I JUST WANT TO SAY I'M STILL 542 00:38:16,115 --> 00:38:19,485 SHOCKED THAT YOU'VE MADE A SPACE FOR ME AND THAT YOU MADE A SPACE 543 00:38:19,485 --> 00:38:22,621 FOR MARY AGNES. I LOVE HER AND I STILL MISS HER. 544 00:38:22,621 --> 00:38:26,358 AND I HOPE SHE'S WELL. AND I WISH I COULD TELL HER 545 00:38:26,358 --> 00:38:29,094 ABOUT TONIGHT. AND THANK YOU FROM THE BOTH OF 546 00:38:29,094 --> 00:38:30,796 US, SO VERY MUCH. THANK YOU SO MUCH. 547 00:38:30,796 --> 00:38:38,170 [ CHEERS AND APPLAUSE ] 548 00:38:41,173 --> 00:38:43,776 >> WE WANTED TO TAKE A QUICK BREAK TO CHECK IN WITH OUR EMMY 549 00:38:43,776 --> 00:38:49,882 EXPERTS FRED AND MAYA AND SEE IF THEY COULD ANSWER SOME QUESTIONS 550 00:38:49,882 --> 00:38:51,884 FOR US. >> HEY, GUYS. 551 00:38:51,884 --> 00:38:52,885 READY TO GIVE US SOME EMMY FACTS? 552 00:38:52,885 --> 00:38:56,588 >> UH. YEAH. 553 00:38:56,588 --> 00:38:57,956 SHOOT. >> GREAT. 554 00:38:57,956 --> 00:39:02,127 WELL, I'VE ALWAYS WONDERED ABOUT THE EMMY STATUE ITSELF. 555 00:39:02,127 --> 00:39:05,931 CAN YOU TELL US SOMETHING ABOUT ITS HISTORY? 556 00:39:05,931 --> 00:39:08,067 >> OH! OF COURSE. 557 00:39:08,067 --> 00:39:09,601 WELL, IT'S ABOUT THIS BIG. >> ACTUALLY, THERE'S AN EMMY 558 00:39:09,601 --> 00:39:11,170 RIGHT NEXT TO YOU GUYS. >> OH! 559 00:39:11,170 --> 00:39:12,738 THIS? THIS IS ‐‐ WE KNEW THAT. 560 00:39:12,738 --> 00:39:19,211 >> HERE SHE IS. >> THE ORIGINAL GOLDEN GIRL. 561 00:39:19,211 --> 00:39:21,580 >> THAT'S RIGHT. AND IT'S GOT A TOP AND IT'S GOT 562 00:39:21,580 --> 00:39:22,715 A BOTTOM. >> YES. 563 00:39:22,715 --> 00:39:27,319 AND THAT'S THE HISTORY. >> YOU GOOD? 564 00:39:27,319 --> 00:39:28,487 >> ALL RIGHT. LET'S TRY A DIFFERENT 565 00:39:28,487 --> 00:39:32,624 QUESTION. >> WHY? 566 00:39:32,624 --> 00:39:35,427 >> I'VE HEARD THE EMMY WAS ACTUALLY 567 00:39:35,427 --> 00:39:39,231 MODELED AFTER THE DESIGNER'S WIFE? 568 00:39:39,231 --> 00:39:40,999 >> OKAY. MM‐HMM. 569 00:39:40,999 --> 00:39:44,136 >> UH, YEP. MRS. JOHNSON. 570 00:39:44,136 --> 00:39:46,438 >> YOU GOOD? >> HANG ON, I'VE ALWAYS WONDERED 571 00:39:46,438 --> 00:39:50,376 WHAT SHE'S HOLDING. >> WHO? 572 00:39:50,376 --> 00:39:51,977 >> MRS. JOHNSON? >> YES. 573 00:39:51,977 --> 00:39:53,479 THE THING SHE IS HOLDING. WHAT IS THAT? 574 00:39:53,479 --> 00:39:57,182 >> OH. THAT ‐‐ THAT'S ‐‐ THAT'S HER 575 00:39:57,182 --> 00:40:02,588 FAMOUS BALL OF RIBBONS. >> RIGHT. 576 00:40:02,588 --> 00:40:05,324 AND SHE'S HOLDING IT UP TO THE LIGHT TO SEE IF IT'S DIRTY. 577 00:40:05,324 --> 00:40:10,095 >> AND IT'S NOT, YAY. >> DOES IT SYMBOLIZE ANYTHING? 578 00:40:10,095 --> 00:40:16,235 >> YOU TELL ME. YOU GOOD? 579 00:40:16,235 --> 00:40:18,737 >> NO, WE'RE NOT GOOD. BUT NOW IT LOOKS LIKE WE'RE OUT 580 00:40:18,737 --> 00:40:23,542 OF TIME. >> OH, NO. 581 00:40:23,542 --> 00:40:26,378 >> FRED AND MAYA, EVERYONE. [ APPLAUSE ] 582 00:40:26,378 --> 00:40:28,447 >> AND NOW, HERE ARE THE NOMINEES FOR SUPPORTING ACTOR IN 583 00:40:28,447 --> 00:40:40,826 A LIMITED SERIES OR MOVIE. ♪♪♪♪ 584 00:40:40,826 --> 00:40:46,799 >> TO THE LOVED ONES OF THE VICTIMS OF 9/11, YOUR GOVERNMENT 585 00:40:46,799 --> 00:40:50,235 FAILED YOU. >> THE BARS, THE MEALS, THE MEN, 586 00:40:50,235 --> 00:40:53,105 IT MEANS NOTHING. I WANT MY LIFE BACK. 587 00:40:53,105 --> 00:40:55,808 >> THEY KNOW YOU'RE COMING, STOP! 588 00:40:55,808 --> 00:41:05,184 THEY KNOW YOU'RE COMING, STOP! >> WAS I PAID TO LOVE HIM? 589 00:41:05,184 --> 00:41:15,427 >> IT'S GODLESS COUNTRY. >> Announcer: NOW, TO PRESENT 590 00:41:15,427 --> 00:41:24,636 THE AWARD, PLEASE WELCOME, KIT HARINGTON AND CONSTANCE WU. 591 00:41:24,636 --> 00:41:27,840 >> THE PERFORMANCES OF THOSE NOMINEES ELEVATE OUR INDUSTRY 592 00:41:27,840 --> 00:41:30,809 AND OUR ART. >> AND GAVE US HOURS AND HOURS 593 00:41:30,809 --> 00:41:33,245 OF COMPELLING AND CAPTIVATING TELEVISION. 594 00:41:33,245 --> 00:41:38,484 >> AND THE EMMY GOES TO ‐‐ >> JEFF DANIELS. 595 00:41:38,484 --> 00:41:40,085 >> JEFF DANIELS. [ CHEERS AND APPLAUSE ] 596 00:41:40,085 --> 00:41:52,498 ♪♪♪♪ 597 00:41:54,333 --> 00:42:00,372 >> THANK YOU VERY MUCH. IF YOU'RE GOING TO DO A WESTERN, 598 00:42:00,372 --> 00:42:09,047 DO IT WITH SCOTT FRANK. THANK YOU TO NETFLIX FOR YOUR 599 00:42:09,047 --> 00:42:14,686 SUPPORT OF ARTISTS, LETTING ARTISTS BE ARTISTS. 600 00:42:14,686 --> 00:42:22,261 PAUL MARTINO, EDDIE YABLONZ HAVE BEEN WITH ME SINCE THE LATE 601 00:42:22,261 --> 00:42:25,864 '40s. JEN CURRAN, MICHELLE SCHWARTZ, 602 00:42:25,864 --> 00:42:29,234 BRANDON CLARK, WHO TRAINED ME ON A HORSE IN MICHIGAN. 603 00:42:29,234 --> 00:42:42,781 FELIX DELGADO, MY DRIVER. KATHLEEN, MY WIFE, MY FAMILY. 604 00:42:42,781 --> 00:42:48,053 MARK WARRICK, MY HORSE WRANGLER. LITTLE TIP FOR YOU YOUNG ACTORS. 605 00:42:48,053 --> 00:42:53,492 WHEN THEY CALL AND SAY CAN YOU RIDE A HORSE, DON'T LIE. 606 00:42:53,492 --> 00:42:58,897 YOU WILL FIND ON DAY ONE YOU'RE IN THE KENTUCKY DERBY. 607 00:42:58,897 --> 00:43:08,840 I WOULD ALSO FINALLY LIKE TO THANK MY HORSE, APOLLO. 608 00:43:08,840 --> 00:43:13,545 HE WAS JEFF BRIDGES' HORSE ON "TRUE GRIT" AND I FELT HE WAS 609 00:43:13,545 --> 00:43:21,219 MAKING UNFAIR COMPARISONS. THREE TIMES HE THREW ME OFF THE 610 00:43:21,219 --> 00:43:22,521 HORSE. THREE TIMES. 611 00:43:22,521 --> 00:43:27,659 THE THIRD AND LAST TIME, I BROKE MY WRIST, LITERALLY BROKE MY 612 00:43:27,659 --> 00:43:29,795 WRIST. IT WAS MY LEFT WRIST. 613 00:43:29,795 --> 00:43:32,931 IT'S NOW OFFICIALLY HEALED. THANK YOU VERY MUCH. 614 00:43:32,931 --> 00:43:39,838 [ APPLAUSE ] >> Announcer: THESE ARE THE 615 00:43:39,838 --> 00:43:41,907 NOMINEES FOR WRITING FOR A LIMITED SERIES, MOVIE OR 616 00:43:41,907 --> 00:43:50,549 DRAMATIC SPECIAL. >> WE HAD A FUTURE. 617 00:43:50,549 --> 00:43:53,085 >> ANDREW. >> WE HAD A FUTURE, DAVID. 618 00:43:53,085 --> 00:43:56,588 >> DID YOU FORGET YOUR PENCIL? AND YOU'LL BE LIKE, ACTUALLY, 619 00:43:56,588 --> 00:43:59,524 YEAH. OH, I HAVE AN EXTRA ONE. 620 00:43:59,524 --> 00:44:04,396 THEY'LL BE LIKE, BOOM. >> NOW IT SEEMS MY TWILIGHT'S 621 00:44:04,396 --> 00:44:06,498 COME HOME AND I DIDN'T EVEN HEAR IT KNOCKING. 622 00:44:06,498 --> 00:44:10,235 >> WE'LL SHOW YOU MERCY. >> GREAT MERCY SHOWING, CAPTAIN. 623 00:44:10,235 --> 00:44:13,538 >> TOMORROW YOU SHOULD RECONSIDER YOUR AMENIBILITY. 624 00:44:13,538 --> 00:44:20,145 >> WHAT YEAR IS THIS? [ SCREAMING ] 625 00:44:20,145 --> 00:44:24,216 >> SIR, CARE FOR DESSERT? >> HOW DO YOU CARE FOR A 626 00:44:24,216 --> 00:44:25,050 DESSERT? FEED IT? 627 00:44:25,050 --> 00:44:27,486 VISIT IT ON SUNDAYS? >> Announcer: THOSE ARE THE 628 00:44:27,486 --> 00:44:35,260 NOMINEES. NOW, TO PRESENT THE AWARD, 629 00:44:35,260 --> 00:44:44,269 PLEASE WELCOME AMY BRYANT AND BOB ODENKIRK. 630 00:44:44,269 --> 00:44:45,837 >> THE EMMY AWARDS BEGAN IN 1949 WITH A BRIEF READING OF THE 631 00:44:45,837 --> 00:44:47,572 NOMINEES AND WINNERS. THE ENTIRE SHOW LASTED TEN 632 00:44:47,572 --> 00:44:53,545 MINUTES. >> THE AUDIENCE WAS NOT 633 00:44:53,545 --> 00:44:56,314 IMPRESSED. THEY WANTED IT TO BE SO MUCH 634 00:44:56,314 --> 00:44:57,783 LONGER. >> THAT'S RIGHT. 635 00:44:57,783 --> 00:45:01,920 SO THE NEXT YEAR, ACTORS AND ACTRESSES WERE FORCED TO READ 636 00:45:01,920 --> 00:45:05,290 CHARMING PATTER BETWEEN EACH, UMM, AWARD. 637 00:45:05,290 --> 00:45:11,930 >> AND SUDDENLY THEY HAD A HIT. PEOPLE LOVED THE NATURAL AND 638 00:45:11,930 --> 00:45:15,600 VERY COOL BANTER AND HILARIOUS SEGUES. 639 00:45:15,600 --> 00:45:18,904 >> THAT'S RIGHT, AIDY. SPEAKING OF HILARIOUS SEGUES, 640 00:45:18,904 --> 00:45:26,278 THE EMMY GOES TO ‐‐ >> THE EMMY GOES TO WILLIAM 641 00:45:26,278 --> 00:45:33,618 BRIDGES AND CHARLIE BROOKER, "BLACK MIRROR: USS CALLISTER." 642 00:45:33,618 --> 00:46:01,246 [ APPLAUSE ] ♪♪♪♪ 643 00:46:01,246 --> 00:46:06,985 >> OH, MY GOODNESS ME. WHAT A DELIGHTFUL BUT HORRIFYING 644 00:46:06,985 --> 00:46:17,696 OUT OF BODY EXPERIENCE THIS IS. WE NEED TO THANK EVERYONE AT NET 645 00:46:17,696 --> 00:46:19,898 LICKS NETFLIX FOR BEING SUPPORTIVE. 646 00:46:19,898 --> 00:46:25,103 OUR INCREDIBLE CAST AND CREW. ANNABELLE JONES, CO‐SHOW‐RUNNER 647 00:46:25,103 --> 00:46:27,739 WITHOUT WHOM NONE OF THIS OCCURS. 648 00:46:27,739 --> 00:46:32,410 OUR FAMILIES AND OUR WIVES, I HAVE TO THANK MY WIFE DOWN 649 00:46:32,410 --> 00:46:33,945 THERE. >> AND JULES. 650 00:46:33,945 --> 00:46:38,416 >> WHO CAME BACK JUST IN TIME. AND I NEED TO THANK MY CHILDREN, 651 00:46:38,416 --> 00:46:42,387 WHO I DON'T KNOW WHY, THEY'RE ONLY 4 AND 6 YEARS OLD, IT TURNS 652 00:46:42,387 --> 00:46:47,759 OUT THEY'RE NOT REALLY INTO "BLACK MIRROR." 653 00:46:47,759 --> 00:46:50,262 TINY INGRATES. I WANT TO ACKNOWLEDGE THE 654 00:46:50,262 --> 00:46:55,600 CREATIVE DEBT THIS STORY IN PARTICULAR OWES TO PROGRESSIVE 655 00:46:55,600 --> 00:47:01,139 U.S. TITANS OF SCI‐FI, "TWILIGHT ZONE" AND "STAR TREK." 656 00:47:01,139 --> 00:47:04,209 THANK YOU VERY MUCH. >> Announcer: UP NEXT, 657 00:47:04,209 --> 00:47:05,744 LESLIE JONES, RUPAUL, JAMES CORDEN, LARRY DAVID AND 658 00:47:05,744 --> 00:47:08,880 RACHEL BROSNAHAN. PLUS, THE AWARDS FOR LEAD ACTOR 659 00:47:08,880 --> 00:47:13,671 AND ACTRESS IN A LIMITED SERIES. THE EMMYS, ON NBC. 660 00:47:21,092 --> 00:47:25,330 ♪♪♪♪ >> Announcer: PLEASE WELCOME 661 00:47:25,330 --> 00:47:32,237 ALEC BALDWIN AND KATE McKINNON. [ APPLAUSE ] 662 00:47:32,237 --> 00:47:35,907 >> THE VERY FIRST EMMY AWARDS WERE HELD AT THE HOLLYWOOD 663 00:47:35,907 --> 00:47:40,011 ATHLETIC CLUB IN 1949. >> ONLY 9% OF AMERICANS OWNED A 664 00:47:40,011 --> 00:47:43,148 TELEVISION AT THE TIME, BUT THE INDUSTRY THOUGHT, "WE'VE BEEN ON 665 00:47:43,148 --> 00:47:49,354 THE AIR FOR A YEAR. WE SHOULD GIVE OURSELVES SOME 666 00:47:49,354 --> 00:47:51,523 AWARDS." >> THERE ARE VERY FEW PEOPLE WHO 667 00:47:51,523 --> 00:47:53,925 WERE AROUND THEN THAT ARE STILL WORKING IN TELEVISION TODAY, AND 668 00:47:53,925 --> 00:47:57,028 WE ARE LUCKY TO BE JOINED BY ONE OF THEM TONIGHT. 669 00:47:57,028 --> 00:47:59,764 THE GREATEST OF ALL TIME, BETTY WHITE. 670 00:47:59,764 --> 00:48:08,773 [ CHEERS AND APPLAUSE ] >> BETTY WAS NOMINATED FOR THE 671 00:48:08,773 --> 00:48:13,445 EMMY 24 TIMES. AND SHE WON EIGHT. 672 00:48:13,445 --> 00:48:17,115 >> AND AT 96 YEARS OLD SHE STILL THINKS ABOUT THOSE EMMYS SHE 673 00:48:17,115 --> 00:48:22,120 DIDN'T WIN. AND SHE'S STILL BITTER. 674 00:48:22,120 --> 00:48:25,390 [ LAUGHTER ] >> LADIES AND GENTLEMEN, THE 675 00:48:25,390 --> 00:48:28,994 INCOMPARABLE, BETTY WHITE. [ CHEERS AND APPLAUSE ] 676 00:48:28,994 --> 00:48:41,873 ♪♪♪♪ 677 00:48:44,643 --> 00:49:01,593 >> OH, MY GOODNESS. OH, MY GOODNESS. 678 00:49:01,593 --> 00:49:16,174 [ CHEERS AND APPLAUSE ] THANK YOU. 679 00:49:16,174 --> 00:49:21,379 I'M JUST GOING TO QUIT WHILE I'M AN AHEAD. 680 00:49:21,379 --> 00:49:27,986 ‐‐ WHILE I'M AHEAD. OH, MY GOODNESS, GOODNESS, 681 00:49:27,986 --> 00:49:30,355 GOODNESS. THIS IS VERY EXCITING. 682 00:49:30,355 --> 00:49:37,662 I THOUGHT THE BIGGEST, MOST EXCITING NIGHT I HAD EVER HAD, 683 00:49:37,662 --> 00:49:47,939 I'M TALKING TO LORNE MICHAELS NOW, WAS THE NIGHT THAT HE GAVE 684 00:49:47,939 --> 00:49:52,877 ME AN HONOR. BUT BOY, YOU TOPPED YOURSELF 685 00:49:52,877 --> 00:50:04,789 TONIGHT, LORNE. [ APPLAUSE ] 686 00:50:04,789 --> 00:50:15,200 YOU THINK I'M GOING TO MISS A CHANCE WHEN I GET IT? 687 00:50:15,200 --> 00:50:22,107 BELIEVE ME, THIS GOES BACK TO ‐‐ SOMEBODY SAID SOMETHING THE 688 00:50:22,107 --> 00:50:24,776 OTHER DAY ABOUT FIRST LADY OF TELEVISION. 689 00:50:24,776 --> 00:50:30,015 AND I TOOK IT AS A BIG COMPLIMENT. 690 00:50:30,015 --> 00:50:35,086 AND THEN I HEARD HER TALKING TO HER DAUGHTER A LITTLE LATER, SHE 691 00:50:35,086 --> 00:50:39,657 SAID, FIRST LADY, YES, SHE'S THAT OLD, SHE WAS THE FIRST WON, 692 00:50:39,657 --> 00:50:49,134 WAY, WAY BACK. BUT LITTLE DID I DREAM THEN THAT 693 00:50:49,134 --> 00:50:56,041 I WOULD BE HERE. IT'S INCREDIBLE THAT I'M STILL 694 00:50:56,041 --> 00:50:59,377 IN THIS BUSINESS, THAT I'M STILL ‐‐ AND YOU ARE STILL 695 00:50:59,377 --> 00:51:06,684 PUTTING UP WITH ME. [ APPLAUSE ] 696 00:51:06,684 --> 00:51:13,258 NO, I'M THANKING YOU. IT'S INCREDIBLE THAT YOU CAN 697 00:51:13,258 --> 00:51:18,329 STAY IN A CAREER THIS LONG AND STILL HAVE PEOPLE PUT UP WITH 698 00:51:18,329 --> 00:51:30,675 YOU. I WISH THEY DID THAT AT HOME. 699 00:51:30,675 --> 00:51:36,381 I WANT TO THANK LORNE MICHAELS FOR DOING NOT ONLY THIS TONIGHT, 700 00:51:36,381 --> 00:51:44,856 BUT ALL THE WONDERFUL THINGS HE'S DONE WITH ME ‐‐ NO, FOR ME. 701 00:51:44,856 --> 00:51:54,132 [ LAUGHTER ] AND ALL I CAN SAY IS, IT'S SUCH 702 00:51:54,132 --> 00:52:00,705 A BLESSED BUSINESS TO BE IN, AND HOW LUCKY CAN I BE, AND HOW MUCH 703 00:52:00,705 --> 00:52:05,510 I SAY, THANK YOU TO EACH AND EVERY ONE OF YOU. 704 00:52:05,510 --> 00:52:08,480 THANK YOU SO MUCH. [ CHEERS AND APPLAUSE ] 705 00:52:08,480 --> 00:52:15,386 >> LADIES AND GENTLEMEN, BETTY WHITE. 706 00:52:15,386 --> 00:52:19,023 >> Announcer: AND NOW, HERE ARE THE NOMINEES FOR DIRECTING FOR A 707 00:52:19,023 --> 00:52:22,160 LIMITED SERIES, MOVIE OR DRAMATIC SPECIAL. 708 00:52:22,160 --> 00:52:25,797 >> RYAN MURPHY, "THE ASSASSINATION OF GIANNI VERSACE: 709 00:52:25,797 --> 00:52:29,434 AMERICAN CRIME STORY," "THE MAN WHO WOULD BE VOGUE" 710 00:52:29,434 --> 00:52:34,672 >> SCOTT FRANK, "GODLESS" >> DAVID LEVEAUX, ALEX 711 00:52:34,672 --> 00:52:38,276 RUDZINSKI, "JESUS CHRIST SUPERSTAR LIVE IN CONCERT" 712 00:52:38,276 --> 00:52:42,080 >> CRAIG ZISK, "THE LOOMING TOWER 9/11" 713 00:52:42,080 --> 00:52:46,584 >> BARRY LEVINSON, "PATERNO" >> EDWARD BERGER, "PATRICK 714 00:52:46,584 --> 00:52:52,857 MELROSE" >> DAVID LYNCH, "TWIN PEAKS" 715 00:52:52,857 --> 00:52:54,959 >> Announcer: TO REVEAL THE WINNER, PLEASE WELCOME 716 00:52:54,959 --> 00:53:00,598 JAMES CORDEN. [ CHEERS AND APPLAUSE ] 717 00:53:00,598 --> 00:53:13,178 ♪♪♪♪ >> HELLO, GOOD EVENING. 718 00:53:13,178 --> 00:53:20,451 WHAT ABOUT THAT BETTY WHITE. LAST NIGHT SHE BROKE UP A FIGHT 719 00:53:20,451 --> 00:53:22,687 BETWEEN TOM ARNOLD AND MARK BURNETT. 720 00:53:22,687 --> 00:53:27,992 SHE NEVER STOPS. LET'S GET IT TRENDING. 721 00:53:27,992 --> 00:53:36,834 EMMYS SO WHITE. WITHOUT THIS NEXT GROUP OF 722 00:53:36,834 --> 00:53:40,038 NOMINEES, DARREN CRISS WOULD JUST BE WANDERING AROUND SOUTH 723 00:53:40,038 --> 00:53:44,409 BEACH AIMLESSLY IN A TANK TOP. BENEDICT CUMBERBATCH WOULDN'T 724 00:53:44,409 --> 00:53:51,149 KNOW WHICH ANGLE TO TURN HIS RAZOR SHARP CHEEKBONES, AND JOHN 725 00:53:51,149 --> 00:53:53,785 LEGEND WOULD STILL BE, LET'S BE HONEST, FLAWLESS. 726 00:53:53,785 --> 00:54:05,863 THE EMMY GOES TO RYAN MURPHY. [ APPLAUSE ] 727 00:54:05,863 --> 00:54:32,323 ♪♪♪♪ >> I'M SO SHOCKED. 728 00:54:32,323 --> 00:54:35,860 THANK YOU. THANK YOU TO MY GUYS. 729 00:54:35,860 --> 00:54:45,470 DAVID AND LOGAN AND FORTY. I WANT TO THANK DANA WALDEN AND 730 00:54:45,470 --> 00:54:52,610 PETER RICE AND GARY NEWMAN AND JOHN LANGRAF AND JOE COHEN AND 731 00:54:52,610 --> 00:55:00,852 BRIAN LORD AND KEVIN UBAINE. I WOULD NOT BE HERE WITHOUT BRAD 732 00:55:00,852 --> 00:55:03,388 FALCHECK AND TOM ROB SMITH, I DEFINITELY WOULD NOT BE HERE 733 00:55:03,388 --> 00:55:14,832 WITHOUT YOUR BRILLIANT SCRIPT. I WANT TO THANK MY BEAUTIFUL 734 00:55:14,832 --> 00:55:18,836 CAST CAST, DARREN CRISS, AND MOST OF 735 00:55:18,836 --> 00:55:21,572 ALL I JUST WANT TO THANK ALL THE WOMEN IN MY LIFE WHO HAVE 736 00:55:21,572 --> 00:55:27,412 SUPPORTED ME FROM DAY ONE. JULIA AND GWYNETH AND SARAH 737 00:55:27,412 --> 00:55:28,613 PAULSON. I LOVE YOU. 738 00:55:28,613 --> 00:55:32,317 AND ANGELA BASSETT AND KATHY BATES. 739 00:55:32,317 --> 00:55:35,253 I DO NOT DESERVE YOU. I WORK HARD FOR YOU, I LOVE YOU. 740 00:55:35,253 --> 00:55:36,954 I'M VERY SHOCKED. THANK YOU SO MUCH. 741 00:55:36,954 --> 00:55:43,328 [ CHEERS AND APPLAUSE ] >> Announcer: NOW, HERE ARE THE 742 00:55:43,328 --> 00:55:51,069 NOMINEES FOR LEAD ACTRESS IN A LIMITED SERIES OR MOVIE. 743 00:55:51,069 --> 00:55:54,238 >> I SHOULD HAVE JUST DID IT. AND I DON'T KNOW WHY. 744 00:55:54,238 --> 00:55:58,076 >> I AM NOT A VICTIM. I DON'T NEED YOU OR ANYBODY TO 745 00:55:58,076 --> 00:56:02,513 CALL ME A VICTIM. >> DO IT. 746 00:56:02,513 --> 00:56:05,717 WE'RE GOING TO BE AWFUL DAMN SICK FROM THE BULLET IN YOUR 747 00:56:05,717 --> 00:56:07,719 CHEST. >> I NEVER PRAYED FOR ANYTHING 748 00:56:07,719 --> 00:56:10,455 HARDER IN MY LIFE THAN FOR MY SON TO LIVE. 749 00:56:10,455 --> 00:56:13,524 >> IF YOU CONVICT HIM NOW OF FIRST‐DEGREE MURDER, IT WILL BE 750 00:56:13,524 --> 00:56:20,665 HIS FATHER'S LAST ACT OF TERROR. >> I AM NOT CRAZY. 751 00:56:20,665 --> 00:56:23,534 YOU PEOPLE ARE TERRORIZING MY FAMILY AND IT STOPS NOW. 752 00:56:23,534 --> 00:56:26,137 >> Announcer: TO PRESENT THIS DIRECTING AWARD, PLEASE WELCOME 753 00:56:26,137 --> 00:56:32,510 LESLIE JONES AND RUPAUL. [ APPLAUSE ] 754 00:56:32,510 --> 00:56:42,286 ♪♪♪♪ >> LESLIE AND I HAVE SOMETHING 755 00:56:42,286 --> 00:56:47,024 IN COMMON. >> GUYS, WE BOTH LOVE THE SHOW 756 00:56:47,024 --> 00:56:48,760 "RUPAUL'S DRAG RACE." THAT SHOW IS SO FIERCE. 757 00:56:48,760 --> 00:56:50,728 >> FIERCE. >> THAT'S WHY WE'VE GIVEN ALL 758 00:56:50,728 --> 00:56:55,333 THE NOMINEES A DRAG NAME LIKE SIR LADY ALEC BALDWIN. 759 00:56:55,333 --> 00:57:03,941 >> OH, I LIKE THAT, THAT'S CUTE. MISS ZSA ZSA LEGUIZAMO. 760 00:57:03,941 --> 00:57:08,479 >> ANTHONY "THE TUCK" ANDERSON. >> I LIKE THAT. 761 00:57:08,479 --> 00:57:13,751 AND SANDRA OH NO SHE BETTER DO. >> AND THE EMMY GOES TO ‐‐ 762 00:57:13,751 --> 00:57:18,856 >> HERE, LET ME HELP YOU. >> HELP ME, BABY. 763 00:57:18,856 --> 00:57:39,977 OKAY, ALL RIGHT. WOO, REGINA KING! 764 00:57:39,977 --> 00:57:58,429 [ CHEERS AND APPLAUSE ] ♪♪♪♪ 765 00:57:58,429 --> 00:58:02,099 >> OKAY. REALLY? 766 00:58:02,099 --> 00:58:05,870 SAY WORD. OH, MY GOD. 767 00:58:05,870 --> 00:58:07,805 OKAY. SO I DROPPED LIPSTICK ON MY 768 00:58:07,805 --> 00:58:10,942 DRESS AND I WAS DOWN THERE TRYING TO GET IT OUT BECAUSE I 769 00:58:10,942 --> 00:58:15,880 KNEW ‐‐ WOW. OKAY. 770 00:58:15,880 --> 00:58:17,849 I DIDN'T HAVE NOTHING TO SAY BECAUSE I WASN'T REALLY 771 00:58:17,849 --> 00:58:22,119 EXPECTING THIS. BUT I AM SO GRATEFUL, TELEVISION 772 00:58:22,119 --> 00:58:24,789 ACADEMY. Y'ALL MY FRIENDS, MY PEERS, 773 00:58:24,789 --> 00:58:34,298 THANK YOU, THANK YOU, THANK YOU. FOX 21, NETFLIX, OH, MY GOD, 774 00:58:34,298 --> 00:58:38,736 THANK YOU FOR CREATING AN OPPORTUNITY NOTO TELL A STORY AND 775 00:58:38,736 --> 00:58:41,272 HOLD A MIRROR UP TO WHAT'S GOING ON. 776 00:58:41,272 --> 00:58:46,811 TODAY I AM JUST FLOORED. RUSSELL HORNSBY, THE INCREDIBLE 777 00:58:46,811 --> 00:58:53,150 CAST. OH, MY GOD. 778 00:58:53,150 --> 00:58:53,851 I I 779 00:58:53,851 --> 00:58:54,986 IAN, IF YOU ARE AT HOME, NO CAPS, WHAT? 780 00:58:54,986 --> 00:58:58,155 I PROBABLY SAID IT WRONG. NO CAP. 781 00:58:58,155 --> 00:59:03,928 THAT'S WHAT IT'S SUPPOSED TO BE. I AM ‐‐ THANK YOU. 782 00:59:03,928 --> 00:59:09,233 THIS IS AMAZING. I WANT TO CURSE RIGHT NOW. 783 00:59:09,233 --> 00:59:13,304 THIS IS GOOD. THANK YOU, JESUS, MICHAEL CHE. 784 00:59:13,304 --> 00:59:30,054 [ APPLAUSE ] >> Announcer: AND NOW, HERE ARE 785 00:59:30,054 --> 00:59:31,222 THE NOMINEES FOR LEAD ACTOR IN A LIMITED 786 00:59:31,222 --> 00:59:38,596 SERIES OR MOVIE. ♪♪ NOW I'M SAD AND TIRED ♪♪ 787 00:59:38,596 --> 00:59:45,603 >> YOU WON'T DIE, YOU KNOW. NO ONE DIES IN HERE UNLESS I 788 00:59:45,603 --> 00:59:50,274 WANT THEM TO. >> I CAN'T ALLOW THIS TO DESTROY 789 00:59:50,274 --> 00:59:52,310 YOUR LIFE. I CAN'T ALLOW THAT. 790 00:59:52,310 --> 00:59:56,180 >> I REALLY WISH PEOPLE WOULD STOP TELLING ME TO CALM DOWN. 791 00:59:56,180 --> 00:59:58,482 THERE ARE BOMBS GOING OFF AROUND THE WORLD. 792 00:59:58,482 --> 01:00:01,419 THAT DOESN'T MAKE ME FEEL CALM. >> NO ONE CAN HELP YOU. 793 01:00:01,419 --> 01:00:07,892 YOU HAVE TO DO IT ON YOUR OWN. >> YOU FAILED TO DO THE ONE 794 01:00:07,892 --> 01:00:18,302 THING, TO PROTECT HER SON. >> Announcer: TO PRESENT THIS 795 01:00:18,302 --> 01:00:20,404 ACTING AWARD, PLEASE WELCOME RACHEL BROSNAHAN AND 796 01:00:20,404 --> 01:00:22,707 LARRY DAVID. [ APPLAUSE ] 797 01:00:22,707 --> 01:00:26,344 ♪♪♪♪ >> IT'S NICE BEING OUT HERE WITH 798 01:00:26,344 --> 01:00:32,049 YOU, LARRY. >> YEAH, YEAH, IT'S NICE. 799 01:00:32,049 --> 01:00:36,387 LOVELY. IT'S LOVELY. 800 01:00:36,387 --> 01:00:39,457 >> WHAT'S WRONG? >> I CAN'T DO THE BANTER. 801 01:00:39,457 --> 01:00:43,327 I CAN'T. I DON'T KNOW HOW TO BANTER. 802 01:00:43,327 --> 01:00:46,864 I FEEL LIKE I'M ON A DATE. I'M ALL DRESSED UP. 803 01:00:46,864 --> 01:00:50,568 I'M NERVOUS. I GOTTA BE ON. 804 01:00:50,568 --> 01:00:52,336 IT'S NOT GOOD. >> YEAH. 805 01:00:52,336 --> 01:00:53,537 IT KIND OF FEELS LIKE WE GOT SET UP. 806 01:00:53,537 --> 01:01:00,378 >> RIGHT? YEAH. 807 01:01:00,378 --> 01:01:02,813 SO? >> YEAH. 808 01:01:02,813 --> 01:01:06,517 >> THIS IS MAISEL. >> LARRY DAVID. 809 01:01:06,517 --> 01:01:19,597 >> HOW AM I DOING? >> AND THE WINNER IS ‐‐ DARREN 810 01:01:19,597 --> 01:01:34,111 CRISS, "THE ASSASSINATION OF GIANNI VERSACE: AMERICAN CRIME ♪♪ 811 01:01:34,111 --> 01:01:37,348 >> OH, MY GOD, YOU GUYS ARE WITNESSING THE MOST 812 01:01:37,348 --> 01:01:39,283 EXTRAORDINARY MOMENT OF MY LIFE THUS FAR. 813 01:01:39,283 --> 01:01:45,122 SO THIS IS PRETTY COOL. I AM SO VERY PRIVILEGED TO BE IN 814 01:01:45,122 --> 01:01:48,392 THIS ROOM AMONG SO MANY PEOPLE THAT INSPIRE THE LIVING CRAP OUT 815 01:01:48,392 --> 01:01:52,363 OF ME. AND I AM SO HONORED TO BE 816 01:01:52,363 --> 01:01:55,132 NOMINATED. A LOT OF YOU GUYS I HAVE BEEN A 817 01:01:55,132 --> 01:01:58,602 FAN OF FOR SUCH A LONG TIME. ACTORS ARE ONLY AS GOOD AS THE 818 01:01:58,602 --> 01:02:00,337 MOMENTS THEY'RE GIVEN AND GRANTED. 819 01:02:00,337 --> 01:02:04,742 I'M SO PROFOUNDLY INDEBTED TO MY FRIEND RYAN MURPHY FOR 820 01:02:04,742 --> 01:02:07,278 ENTRUSTING ME WITH THIS OPPORTUNITY OF A LIFETIME AND 821 01:02:07,278 --> 01:02:10,514 FOR BELIEVING IN ME. I HOPE THE PEOPLE FROM THE SHOW 822 01:02:10,514 --> 01:02:13,284 FORGIVE ME, I WILL THANK YOU LATER. 823 01:02:13,284 --> 01:02:16,687 I NEED TO THANK SOME FAMILY. RICKY, YOU WORKED HARD ON THIS 824 01:02:16,687 --> 01:02:18,856 THAN I DID. MOM, DAD, CHUCK. 825 01:02:18,856 --> 01:02:21,726 UNLIKE THE CHARACTER I PLAYED, I WAS LUCKY ENOUGH TO BE RAISED IN 826 01:02:21,726 --> 01:02:25,629 A HOME THAT WAS VERY LOVING AND EMPHASIZED THE VALUE OF HARD 827 01:02:25,629 --> 01:02:29,233 WORK AND COMPASSION AND NOT TAKING YOURSELF SERIOUSLY. 828 01:02:29,233 --> 01:02:32,403 TO MY DARLING MIA, YOU ROLL THE WINDOWS DOWN AND PUMP THE 829 01:02:32,403 --> 01:02:36,240 WINDOWS UP IN MY LIFE AND I'M SO THANKFUL, I'M SO LUCKY TO HAVE 830 01:02:36,240 --> 01:02:37,942 YOU. CONGRATULATIONS TO ALL OF YOU. 831 01:02:37,942 --> 01:02:39,043 THANK YOU TO THE TELEVISION ACADEMY. 832 01:02:39,043 --> 01:02:44,615 AND GO BLUE. [ CHEERS AND APPLAUSE ] 833 01:02:44,615 --> 01:02:47,685 >> Announcer: NEXT, STERLING K. BROWN, 834 01:02:47,685 --> 01:02:51,322 RON CEPHAS JONES, ABBI JACOBSON AND ILANA GLAZER. 835 01:02:51,322 --> 01:02:54,484 THE EMMYS, ON NBC. ♪♪♪♪ 836 01:03:03,734 --> 01:03:04,781 >> WE'RE BACK 837 01:03:06,419 --> 01:03:07,953 CONGRATULATIONS TO REGINA KING 838 01:03:07,953 --> 01:03:08,833 FOR WINNING 839 01:03:13,872 --> 01:03:16,708 I JUST WANT TO REMIND EVERYBODY 840 01:03:16,708 --> 01:03:20,311 THAT JEFF DANIELS THANKED HIS HORSE. 841 01:03:22,938 --> 01:03:25,388 YOU KNOW, AS A BLACK COMEDIAN FOR SO MANY YEARS, OUR TV 842 01:03:25,388 --> 01:03:27,690 LEGENDS AND HEROES HAVE GONE UNRECOGNIZED. 843 01:03:27,690 --> 01:03:34,463 SO THIS YEAR AS HOST, I TOOK IT UPON MYSELF TO FINALLY RIGHT 844 01:03:34,463 --> 01:03:44,807 SOME OF THOSE WRONGS. I PRESENT THE REPARATIONS EMMYS. 845 01:03:44,807 --> 01:03:47,743 >> EXCUSE ME, MISS MARLA GIBBS. >> YES. 846 01:03:47,743 --> 01:03:51,347 >> WE WOULD LIKE TO PRESENT TO YOU THIS REPARATIONS EMMY. 847 01:03:51,347 --> 01:03:54,016 YOUR ROLE AS FLORENCE THE MADE IS THE REASON WHY I GOT FIRED 848 01:03:54,016 --> 01:03:56,085 FROM EVERY SERVICE JOB I'VE EVER HAD. 849 01:03:56,085 --> 01:03:58,621 >> WELL, THANK YOU. I THINK. 850 01:03:58,621 --> 01:04:02,158 >> IS THIS THE REAL EMMY? >> YES, THE REAL THING. 851 01:04:02,158 --> 01:04:06,429 >> MAN, I CANNOT BELIEVE THIS. I JUST GOT ONE WORD FOR THIS 852 01:04:06,429 --> 01:04:08,064 THING. >> WELL, SAY IT. 853 01:04:08,064 --> 01:04:14,904 >> IT IS DYNAMIC! HA HA HA! 854 01:04:14,904 --> 01:04:19,909 >> WHAT UP, JAY? >> YOUR CHARACTER ON "A 855 01:04:19,909 --> 01:04:22,111 DIFFERENT WORLD." >> I DON'T THINK YOU REALIZED 856 01:04:22,111 --> 01:04:24,246 HOW MANY YOUNG BROTHERS YOU INSPIRED TO GO TO COLLEGE. 857 01:04:24,246 --> 01:04:26,649 >> I'M GLAD YOU WENT TO COLLEGE, BRO. 858 01:04:26,649 --> 01:04:28,851 THAT'S BEAUTIFUL. >> YEAH. 859 01:04:28,851 --> 01:04:39,228 YEAH, BECAUSE I WENT TO COLLEGE. >> STEVE URKEL WAS THE ORIGINAL 860 01:04:39,228 --> 01:04:42,031 BLACK NERD. WITHOUT YOU THERE WOULD BE NO 861 01:04:42,031 --> 01:04:44,734 KANYE WEST. THERE WOULD BE NO OBAMA. 862 01:04:44,734 --> 01:04:49,038 >> DID I DO THAT? >> YEAH, MAN, YOU DID THAT. 863 01:04:49,038 --> 01:04:55,177 >> THIS IS FOR YOUR AMAZING WORK AND BEING THE BEST SITCOM 864 01:04:55,177 --> 01:05:00,449 ACTRESS I'VE EVER SEEN. >> THE ACADEMY GAVE THIS TO YOU? 865 01:05:00,449 --> 01:05:04,453 >> LET'S JUST SAY I STOLE THIS FROM BILL COSBY. 866 01:05:04,453 --> 01:05:08,591 >> YOU WHAT? >> BRYAN CRANSTON GOT SIX EMMYS. 867 01:05:08,591 --> 01:05:12,728 >> ANYBODY FROM "THE WIRE" IS BETTER THAN BRYAN CRANSTON. 868 01:05:12,728 --> 01:05:14,797 >> HE ONLY WON BECAUSE HE WAS WHITE. 869 01:05:14,797 --> 01:05:17,400 IF HE WAS BLACK, HE WOULD BE BAGGING GROCERIES AT TRADER 870 01:05:17,400 --> 01:05:23,572 JOE'S SOMEWHERE. >> MR. JOHN WITHERSPOON, I 871 01:05:23,572 --> 01:05:25,875 PRESENT TO YOU THIS REPARATIONS EMMY. 872 01:05:25,875 --> 01:05:29,078 >> THAT'S FOR YOUR LIFETIME OF WORK ON TELEVISION, YOU'RE A 873 01:05:29,078 --> 01:05:31,647 LEGEND AND IT'S ABOUT TIME YOU GOT RECOGNIZED. 874 01:05:31,647 --> 01:05:33,883 >> MAN. >> ENJOY THAT. 875 01:05:33,883 --> 01:05:39,388 >> 1968, "I SPY"? NO, I CAN'T HAVE THIS IN MY 876 01:05:39,388 --> 01:05:43,025 HOUSE. >> IT'S REPARATION EMMY, IT'S 877 01:05:43,025 --> 01:05:46,529 FOR YOU. >> REPARATION IS NOT FOR AN 878 01:05:46,529 --> 01:05:48,898 EMMY. IT'S FOR 40 ACRES AND A MULE. 879 01:05:48,898 --> 01:05:52,034 I'LL TAKE THAT. >> WHEN WE DID "A DIFFERENT 880 01:05:52,034 --> 01:05:53,969 WORLD," IT WASN'T ABOUT AWARDS. IT WAS FOR THE PEOPLE. 881 01:05:53,969 --> 01:05:56,739 >> YOU DON'T WANT IT? >> NO, I'M GOING TO KEEP THIS, 882 01:05:56,739 --> 01:05:59,708 I'M GOING TO FIND SOMETHING TO DO WITH THIS. 883 01:05:59,708 --> 01:06:01,377 >> WHO ARE YOU NOW? WHO ARE YOU? 884 01:06:01,377 --> 01:06:04,447 >> I'M MICHAEL CHE. I DO THE NEWS ON TV. 885 01:06:04,447 --> 01:06:06,449 >> LIKE TREVOR NOAH? YOU KNOW HIM? 886 01:06:06,449 --> 01:06:08,851 >> I'M GLAD YOU GOT YOUR EMMY, MAN. 887 01:06:08,851 --> 01:06:14,557 >> HEY, YOUNG FELLA. WITH THAT FUNNY HAT ON LIKE YOU 888 01:06:14,557 --> 01:06:16,826 MR. BIG SHOT. TREVOR NOAH IS THE MAN. 889 01:06:16,826 --> 01:06:27,403 [ APPLAUSE ] BEE PRESENTS: THE GREAT AMERICAN 890 01:06:27,403 --> 01:06:30,539 >> Announcer: AND NOW IT'S TIME FOR OUR NEXT AWARD. 891 01:06:30,539 --> 01:06:34,977 HERE ARE THE NOMINEES FOR WRITING FOR A VARIETY SPECIAL. 892 01:06:34,977 --> 01:06:40,382 >> IF THE GUY WHO BUILT THE VENUE COULD SEE ME ON THE STAGE, 893 01:06:40,382 --> 01:06:42,218 HE WOULD BE A LITTLE BIT BUMMED ABOUT IT. 894 01:06:42,218 --> 01:06:44,520 >> SOMETIMES YOU'RE A PERSON WITH A SHRILL VOICE AND THERE'S 895 01:06:44,520 --> 01:06:54,296 NOTHING YOU CAN DO ABOUT IT. >> GOT TO KEEP THE RACES PURE. 896 01:06:54,296 --> 01:06:56,465 I HOPE THEY DON'T USE THAT AS A PROMO. 897 01:06:56,465 --> 01:07:00,703 >> OF ALL THE PEOPLE I HAVE A FAKE SHOW BUSINESS RELATIONSHIP 898 01:07:00,703 --> 01:07:02,404 WITH, I FEEL FAKE CLOSEST TO YOU. 899 01:07:02,404 --> 01:07:04,740 >> AWW BUDDY. >> Announcer: TO PRESENT THIS 900 01:07:04,740 --> 01:07:11,313 WRITING AWARD, PLEASE WELCOME ABBI JACOBSON AND ILANA GLAZER. 901 01:07:11,313 --> 01:07:16,018 [ APPLAUSE ] ♪♪♪♪ 902 01:07:16,018 --> 01:07:19,321 >> WE PLAY BEST FRIEND ON TV. >> BUT WHAT A LOT OF PEOPLE 903 01:07:19,321 --> 01:07:34,370 DON'T KNOW IS THAT IN REAL LIFE, I'M ABBI'S FATHER. 904 01:07:34,370 --> 01:07:44,947 >> WOW. THIS IS LIKE ‐‐ OKAY. 905 01:07:44,947 --> 01:07:57,026 >> AND THE EMMY GOES TO ‐‐ >> JOHN MULANEY! 906 01:07:57,026 --> 01:08:10,973 [ APPLAUSE ] ♪♪♪♪ 907 01:08:10,973 --> 01:08:14,910 >> THANK YOU VERY MUCH. THIS IS INCREDIBLE. 908 01:08:14,910 --> 01:08:19,949 WOW. I SHARE THIS AWARD WITH MICHELLE 909 01:08:19,949 --> 01:08:23,552 WOLF, WITH PATTON OSWALT, WITH SAMANTHA BEE AND HER WONDERFUL 910 01:08:23,552 --> 01:08:27,823 STAFF, AND WITH STEVE MARTIN AND MARTIN STEVE. 911 01:08:27,823 --> 01:08:31,527 YOU'VE ALL MADE ME LAUGH AND MANY OTHER PEOPLE LAUGH SO MANY 912 01:08:31,527 --> 01:08:35,331 TIMES, AND THERE'S NO BETTER FEELING THAN JUST LAUGHING 913 01:08:35,331 --> 01:08:38,033 UNCONTROLLABLY, SO THANK YOU. AND I WANT TO THANK MY WIFE WHO 914 01:08:38,033 --> 01:08:40,536 IS IN NEW YORK TONIGHT. SHE WAS VERY BUSY AND SHE SAID 915 01:08:40,536 --> 01:08:44,473 TO ME, I JUST CAN'T FLY ACROSS THE COUNTRY TO WATCH YOU LOSE. 916 01:08:44,473 --> 01:08:50,112 [ LAUGHTER ] I STILL THINK YOU MADE THE RIGHT 917 01:08:50,112 --> 01:08:54,850 DECISION. I WANT TO THANK DAVID MINER, 918 01:08:54,850 --> 01:09:00,956 CARA MASSLIN, MICHAEL BERKOWITZ. OUR DIRECTOR, OUR AMAZING SET 919 01:09:00,956 --> 01:09:04,693 DESIGNER, SCOTT PASK. I WANT TO THANK EVERYONE WHO 920 01:09:04,693 --> 01:09:08,897 REPRESENTS ME AND THEIR ASSISTANTS WHO DO ALL THE STUFF. 921 01:09:08,897 --> 01:09:11,700 AND THERE'S AN OLD STORY ABOUT WHEN A REPORTER ASKED CHARLIE 922 01:09:11,700 --> 01:09:14,603 CHAPLIN WHAT'S IT LIKE TO PERFORM COMEDY THAT YOU'VE 923 01:09:14,603 --> 01:09:17,473 WRITTEN, BUT IT'S NOT A VERY GOOD STORY, SO I'M NOT GOING TO 924 01:09:17,473 --> 01:09:18,941 TELL IT. THANK YOU VERY MUCH. 925 01:09:18,941 --> 01:09:21,744 [ APPLAUSE ] >> Announcer: HERE ARE THE 926 01:09:21,744 --> 01:09:27,983 NOMINEES FOR OUTSTANDING DIRECTING FOR A VARIETY SPECIAL. 927 01:09:27,983 --> 01:09:30,552 >> STAN LATHAN, "DAVE CHAPPELLE: EQUANIMITY" 928 01:09:30,552 --> 01:09:35,758 >> MICHAEL BONFIGLIO, "JERRY SEINFELD: JERRY BEFORE SEINFELD" 929 01:09:35,758 --> 01:09:41,497 >> GLENN WEISS, "THE OSCARS" >> MARCUS RABOY, "STEVE MARTIN & 930 01:09:41,497 --> 01:09:43,565 MARTIN SHORT: AN EVENING YOU WILL FORGET FOR THE REST OF YOUR 931 01:09:43,565 --> 01:09:47,703 LIFE" >> HAMISH HAMILTON, 932 01:09:47,703 --> 01:09:52,441 "SUPER BOWL LII HALFTIME SHOW STARRING JUSTIN TIMBERLAKE" 933 01:09:52,441 --> 01:09:55,577 >> Announcer: TO PRESENT THE AWARD TO ONE OF THOSE FIVE 934 01:09:55,577 --> 01:09:58,180 NOMINEES, PLEASE WELCOME STERLING K. BROWN AND THIS 935 01:09:58,180 --> 01:10:01,784 YEAR'S WINNER FOR GUEST ACTOR IN A DRAMA SERIES, 936 01:10:01,784 --> 01:10:06,722 RON CEPHAS JONES. [ APPLAUSE ] 937 01:10:06,722 --> 01:10:10,125 ♪♪♪♪ >> HI. 938 01:10:10,125 --> 01:10:13,228 THANK YOU. SO WE REALIZED THAT SINCE RON 939 01:10:13,228 --> 01:10:15,831 PLAYS MY DAD ON "THIS IS US" ‐‐ >> ‐‐ THAT WE WOULD DO SOME DAD 940 01:10:15,831 --> 01:10:25,274 JOKES FOR YOU. >> OKAY. 941 01:10:25,274 --> 01:10:28,377 DID YOU HEAR ABOUT THE RESTAURANT ON THE MOON? 942 01:10:28,377 --> 01:10:29,778 GOOD FOOD. NO ATMOSPHERE. 943 01:10:29,778 --> 01:10:33,816 >> HERE'S ANOTHER. DAD, CAN YOU PUT THE CAT OUT? 944 01:10:33,816 --> 01:10:39,621 >> I DIDN'T KNOW IT WAS ON FIRE. [ LAUGHTER ] 945 01:10:39,621 --> 01:10:41,924 >> THAT ONE WAS ACTUALLY SAD. >> MM‐HMM. 946 01:10:41,924 --> 01:10:46,528 >> WE CAN USE THAT FOR THE SHOW. >> ABSOLUTELY. 947 01:10:46,528 --> 01:10:51,734 THE EMMY FOR DIRECTING FOR A VARIETY SPECIAL GOES TO ‐‐ 948 01:10:51,734 --> 01:10:55,904 GLENN WEISS, "THE OSCARS." [ APPLAUSE ] 949 01:10:55,904 --> 01:11:17,359 ♪♪♪♪ >> THANKS. 950 01:11:17,359 --> 01:11:20,896 TO MY DAUGHTERS, SYDNEY AND TAYLOR, I LOVE YOU GIRLS MORE 951 01:11:20,896 --> 01:11:29,204 THAN YOU WILL EVER KNOW. I WANT TO THANK JEN TODD, MIKE 952 01:11:29,204 --> 01:11:33,742 DI LUCA, ALL OF OUR FRIEND AT ABC. 953 01:11:33,742 --> 01:11:37,546 I'M REALLY GRATEFUL TO BE HERE. BUT IT'S BITTERSWEET. 954 01:11:37,546 --> 01:11:40,816 THE PERSON MOST PROUD AT THIS MOMENT WOULD BE MY MOM AND SHE 955 01:11:40,816 --> 01:11:46,955 PASSED AWAY JUST TWO WEEKS AGO. PART OF MY HEART IS BROKEN. 956 01:11:46,955 --> 01:11:49,358 I DON'T THINK IT WILL EVER BE REPAIRED. 957 01:11:49,358 --> 01:11:51,727 BUT SHE'S IN ME AND SHE ALWAYS WILL BE. 958 01:11:51,727 --> 01:11:54,329 MOM ALWAYS BELIEVED IN FINDING THE SUNSHINE IN THINGS AND SHE 959 01:11:54,329 --> 01:11:59,234 ADORED MY GIRLFRIEND JAN. JAN, YOU ARE THE SUNSHINE IN MY 960 01:11:59,234 --> 01:12:01,236 LIFE. AND MOM WAS RIGHT, DON'T EVER 961 01:12:01,236 --> 01:12:05,941 LET GO OF YOUR SUNSHINE. YOU WONDER WHY I DON'T LIKE TO 962 01:12:05,941 --> 01:12:09,144 CALL YOU MY GIRLFRIEND? BECAUSE I WANT TO CALL YOU MY 963 01:12:09,144 --> 01:12:32,034 WIFE. [ CHEERS AND APPLAUSE ] 964 01:12:32,034 --> 01:12:45,414 I DIDN'T ASK YET. I DIDN'T ASK YET. 965 01:12:45,414 --> 01:12:49,651 HAMISH, I'M GOING TO BE A MOMENT. 966 01:12:49,651 --> 01:12:56,692 THIS IS THE RING THAT MY DAD PUT ON MY MOM'S FINGER 67 YEARS AGO. 967 01:12:56,692 --> 01:12:58,861 AND TO MY SISTERS AND BROTHERS, I DIDN'T SWIPE IT, DAD KNOWS I 968 01:12:58,861 --> 01:13:06,568 HAVE IT, OKAY? JAN, I WANT TO PUT THIS RING 969 01:13:06,568 --> 01:13:10,873 THAT MY MOM WORE ON YOUR FINGER IN FRONT OF ALL THESE PEOPLE AND 970 01:13:10,873 --> 01:13:14,376 IN FRONT OF MY MOM AND YOUR PARENTS WATCHING FROM ABOVE. 971 01:13:14,376 --> 01:13:33,262 WILL YOU MARRY ME? [ CHEERS AND APPLAUSE ] 972 01:13:33,262 --> 01:13:39,868 THANK YOU TO THE ACADEMY! THANK YOU, EVERYBODY. 973 01:13:39,868 --> 01:13:44,673 [ APPLAUSE ] ♪♪♪♪ 974 01:13:44,673 --> 01:13:49,378 >> Announcer: UP NEXT, TINA FEY. AND LATER, TARAJI P. HENSON, 975 01:13:49,378 --> 01:13:52,481 SAMANTHA BEE, ELISABETH MOSS, AND THE DRAMA SERIES AWARDS. 976 01:13:52,481 --> 01:13:55,918 THE EMMYS, LIVE ON NBC. 977 01:14:06,728 --> 01:14:09,531 >> Announcer: PLEASE WELCOME TINA FEY. 978 01:14:09,531 --> 01:14:19,107 [ APPLAUSE ] ♪♪♪♪ 979 01:14:19,107 --> 01:14:23,745 >> TO WORK IN TELEVISION IS A PRIVILEGE. 980 01:14:23,745 --> 01:14:25,514 PEOPLE INVITE US INTO THEIR HOMES. 981 01:14:25,514 --> 01:14:27,516 WE BABYSIT THEIR CHILDREN. WE STAY HOME WITH THEM WHEN THEY 982 01:14:27,516 --> 01:14:30,085 ARE SICK. AND IF YOU LET US ON YOUR PHONE, 983 01:14:30,085 --> 01:14:34,256 WE WILL FOLLOW YOU INTO THE BATHTUB. 984 01:14:34,256 --> 01:14:36,358 ONE OF US IS ALWAYS THERE TO SAY GOOD MORNING. 985 01:14:36,358 --> 01:14:38,961 SOME OF US SHOW UP LATE AND STAY UNTIL 1:00 A. M. 986 01:14:38,961 --> 01:14:43,131 WE TRY TO MAKE YOU LAUGH. WE CHALLENGE YOUR ASSUMPTIONS. 987 01:14:43,131 --> 01:14:46,768 WE GENTLY DELIVER BAD NEWS. WE FEEL A RESPONSIBILITY TO 988 01:14:46,768 --> 01:14:50,906 ALWAYS TELL YOU THE TRUTH. SO IT'S UNDERSTANDABLE THAT WHEN 989 01:14:50,906 --> 01:14:55,077 SOMEONE FROM OUR FAVORITE SHOW PASSES AWAY, WE FEEL LIKE WE 990 01:14:55,077 --> 01:14:57,713 HAVE LOST A FRIEND. BECAUSE WE HAVE. 991 01:14:57,713 --> 01:15:00,315 TONIGHT, WE CELEBRATE THE LIVES OF SOME PEOPLE WHO HAVE BEEN OUR 992 01:15:00,315 --> 01:15:05,087 VERY GOOD FRIENDS. 993 01:15:35,584 --> 01:15:41,957 ♪♪ AMAZING GRACE ♪♪ 994 01:15:45,927 --> 01:15:48,597 >> THIS IS THE PATH TO TRUE HAPPINESS AND WISDOM. 995 01:15:48,597 --> 01:15:57,906 GOOD TO SEE YOU AGAIN, MY FRIEND. 996 01:15:57,906 --> 01:16:10,786 ♪♪ HOW SWEET THE SOUND ♪♪ >> WE SET A GOAL, WE ACHIEVED 997 01:16:10,786 --> 01:16:45,387 IT. ♪♪ THAT SAVED A WRETCH LIKE ME ♪♪ 998 01:16:45,387 --> 01:17:03,572 >> TOUCHDOWN! ♪♪ I ONCE ♪♪ 999 01:17:03,572 --> 01:17:23,225 ♪♪ WAS LOST ♪♪ ♪♪ BUT NOW ♪♪ 1000 01:17:23,225 --> 01:17:25,760 >> ASK YOURSELF, WHAT DO I REALLY WANT? 1001 01:17:25,760 --> 01:17:39,107 WHAT IS REALLY GOING TO MAKE ME HAPPY? 1002 01:17:39,107 --> 01:17:44,446 ♪♪ AM FOUND, WAS BLIND ♪♪ >> WHATEVER YOU DO, DO IT FOR 1003 01:17:44,446 --> 01:17:54,890 YOUR REASONS, NOT ANYONE ELSE'S. >> IT DOESN'T MATTER WHAT FAMILY 1004 01:17:54,890 --> 01:17:59,728 YOU COME FROM IN THIS COUNTRY. YOU CAN BE ANYTHING YOU WANT TO 1005 01:17:59,728 --> 01:18:19,681 BE ♪♪ BUT NOW I SEE ♪♪ 1006 01:18:19,681 --> 01:18:31,860 ♪♪ THROUGH MANY DANGERS ♪♪ >> THERE ARE MILLIONS OF DEALS 1007 01:18:31,860 --> 01:18:34,062 TO BE MADE AND WE'LL MAKE THEM EVERY DAY ON "LET'S MAKE A 1008 01:18:34,062 --> 01:18:41,369 DEAL." >> THIS IS ABOUT CHANGE, ABOUT 1009 01:18:41,369 --> 01:18:49,978 PEOPLE GETTING A CHANCE TO DO WHAT THEY DO BEST. 1010 01:18:49,978 --> 01:19:03,495 ♪♪ FOR YOU ♪♪ 1011 01:19:25,702 --> 01:19:26,848 >>> HELLO, EVERYONE, WELCOME 1012 01:19:26,848 --> 01:19:28,550 BACK. >> WE'RE BACK. 1013 01:19:28,550 --> 01:19:32,621 WHAT A SHOW. MY GIRL IS ACTUALLY HERE TOO. 1014 01:19:32,621 --> 01:19:39,761 I WANT TO ASK HER SOMETHING. SHALL WE EAT LATER, OR ‐‐ 1015 01:19:39,761 --> 01:19:43,265 >> THERE'S SO MANY GUYS WHO DIDN'T WIN WITH ENGAGEMENT RINGS 1016 01:19:43,265 --> 01:19:48,570 IN THEIR POCKETS RIGHT NOW. >> ALL RIGHT, EVERYONE. 1017 01:19:48,570 --> 01:19:52,274 IT'S TIME TO CHECK IN AGAIN WITH FRED AND MAYA. 1018 01:19:52,274 --> 01:19:53,842 ARE YOU GUYS READY THIS TIME? >> ABSOLUTELY. 1019 01:19:53,842 --> 01:19:56,478 >> LET HER RIP. >> ARE YOU READY OR ARE YOU 1020 01:19:56,478 --> 01:19:58,647 EATING SALAD? >> I DON'T KNOW, SALAD 1021 01:19:58,647 --> 01:20:03,218 DETECTIVE. >> WELL, COLIN AND I WERE JUST 1022 01:20:03,218 --> 01:20:05,287 WONDERING, HAS THERE EVER BEEN A TIE AT THE EMMYS? 1023 01:20:05,287 --> 01:20:06,855 >> YES. YOU'RE WEARING ONE. 1024 01:20:06,855 --> 01:20:10,492 THANK YOU, GOOD NIGHT. >> YOU GOOD? 1025 01:20:10,492 --> 01:20:16,464 >> NO. STOP ASKING IF WE'RE GOOD. 1026 01:20:16,464 --> 01:20:18,800 WE'VE ALREADY RUN OUT OF TIME AGAIN. 1027 01:20:18,800 --> 01:20:20,869 >> AWW. >> OH, NO. 1028 01:20:20,869 --> 01:20:30,578 >> FRED AND MAYA, EVERYBODY. [ APPLAUSE ] 1029 01:20:30,578 --> 01:20:33,848 >> NOW AS MY GRANDMOTHER SAYS AFTER HER THIRD CHARDONNAY, TIME 1030 01:20:33,848 --> 01:20:42,123 FOR SOME DRAMA. >> YOU ARE MY JOB. 1031 01:20:42,123 --> 01:20:46,428 THE ESSENCE OF MY DUTY. >> THE DRAGON BURNED A THOUSAND 1032 01:20:46,428 --> 01:20:49,164 WAGONS. >> AND SHE HAS THREE OF THEM. 1033 01:20:49,164 --> 01:20:50,965 >> NOTHING. SOMETIMES NOTHING IS THE HARDEST 1034 01:20:50,965 --> 01:20:54,703 THING TO DO. >> YOU DESERVE THIS. 1035 01:20:54,703 --> 01:20:58,707 BUT YOU'RE NOT GOING TO LET HER TAKE ANY PART OF THIS AWAY FROM 1036 01:20:58,707 --> 01:21:01,943 YOU. >> AN INTELLIGENCE OPERATION 1037 01:21:01,943 --> 01:21:03,578 INVOLVING ACTIVE MEASURES AGAINST THE PRESIDENT OF THE 1038 01:21:03,578 --> 01:21:06,014 UNITED STATES. >> ALL I ASK OF YOU IS THAT YOU 1039 01:21:06,014 --> 01:21:07,482 FOLLOW THREE SIMPLE RULES. AND YOU KNOW WHAT? 1040 01:21:07,482 --> 01:21:12,554 YOU CAN'T EVEN DO THAT. >> Announcer: NOW, TO REVEAL THE 1041 01:21:12,554 --> 01:21:14,122 WINNER, PLEASE WELCOME SAMANTHA BEE AND 1042 01:21:14,122 --> 01:21:17,992 TARAJI P. HENSON. [ APPLAUSE ] 1043 01:21:17,992 --> 01:21:23,531 ♪♪♪♪ >> YOU'RE SO BEAUTIFUL. 1044 01:21:23,531 --> 01:21:24,799 >> YOU TOO. >> SO, SAMANTHA, WHAT WAS YOUR 1045 01:21:24,799 --> 01:21:29,204 FAVORITE DRAMA THIS YEAR? >> MY FAVORITE DRAMA, GOOD 1046 01:21:29,204 --> 01:21:33,908 QUESTION, GOOD QUESTION. I'VE BEEN WATCHING THIS VERY 1047 01:21:33,908 --> 01:21:36,644 SHOCKING DYSTOPIAN DRAMA CALLED THE NEWS? 1048 01:21:36,644 --> 01:21:40,248 I'M ON SEASON 9000. IT GETS DARKER AND DARKER, BUT I 1049 01:21:40,248 --> 01:21:44,419 CAN'T STOP WATCHING. THEY NEED TO RECAST THE LEAD 1050 01:21:44,419 --> 01:21:49,090 THOUGH. I'D PREFER ROBIN WRIGHT. 1051 01:21:49,090 --> 01:21:51,893 ANYWAY, I DON'T RECOMMEND IT. JUST WATCH "THE HANDMAID'S TALE" 1052 01:21:51,893 --> 01:21:56,664 INSTEAD. IT'S A LOT MORE FUN. 1053 01:21:56,664 --> 01:22:02,303 >> OH, YEAH, THAT SHOW CRACKED MY ASS UP. 1054 01:22:02,303 --> 01:22:03,872 AND THE EMMY FOR SUPPORTING ACTOR IN A DRAMA SERIES GOES 1055 01:22:03,872 --> 01:22:09,811 TO ‐‐ PETER DINKLAGE. 1056 01:22:09,811 --> 01:22:38,039 [ CHEERS AND APPLAUSE ] ♪♪♪♪ 1057 01:22:38,039 --> 01:22:43,678 >> REALLY, REALLY, 45, 44, 43. THANK YOU, DAVE AND DAN FOR 1058 01:22:43,678 --> 01:22:47,482 CHANGING MY LIFE. I CANNOT WALK DOWN THE STREET 1059 01:22:47,482 --> 01:22:51,219 ANYMORE. BUT YOU ARE HONESTLY THE MOST 1060 01:22:51,219 --> 01:22:58,193 TALENTED, AMAZING PEOPLE I KNOW BESIDES MY WIFE ERICA, WHO I 1061 01:22:58,193 --> 01:23:01,396 THINK I FORGOT TO THANK A COUPLE OF YEARS AGO, SO THANK YOU, 1062 01:23:01,396 --> 01:23:04,332 ERICA, FOR PUTTING UP WITH ME. I'M VERY TEMPERAMENTAL. 1063 01:23:04,332 --> 01:23:08,937 I LOVE YOU VERY MUCH. THANK YOU TO MY BROTHER FROM 1064 01:23:08,937 --> 01:23:11,706 ANOTHER MOTHER, NIKOLAJ COSTER‐WALDAU. 1065 01:23:11,706 --> 01:23:15,510 I LOVE YOU AND I SHARE THIS WITH YOU, BECAUSE YOU ARE AN AMAZING 1066 01:23:15,510 --> 01:23:20,281 HANDSOME BROTHER. AND GEORGE MARTIN, FOR CREATING 1067 01:23:20,281 --> 01:23:23,718 THIS DARN THING. THANK YOU. 1068 01:23:23,718 --> 01:23:26,454 [ APPLAUSE ] >> Announcer: NEXT, HERE ARE THE 1069 01:23:26,454 --> 01:23:32,427 NOMINEES FOR SUPPORTING ACTRESS IN A DRAMA SERIES. 1070 01:23:32,427 --> 01:23:35,964 >> AND NOW YOU INSULT ME. PEOPLE LIKE YOU DON'T GET TO 1071 01:23:35,964 --> 01:23:41,836 INSULT PEOPLE LIKE ME. YOU GET TO BE ETERNALLY 1072 01:23:41,836 --> 01:23:44,272 GRATEFUL. >> I WANT TO SPEAK TO YOUR 1073 01:23:44,272 --> 01:23:45,940 SUPERVISOR. >> MENTION MY DAUGHTER ONE MORE 1074 01:23:45,940 --> 01:23:48,409 TIME AND I WILL SNAP YOU LIKE A MATCH STICK. 1075 01:23:48,409 --> 01:23:50,578 >> YOU'LL JUST HAVE TO BE MY VERY GOOD GIRL. 1076 01:23:50,578 --> 01:23:56,751 YOU CAN DO THAT, CAN'T YOU? >> HE SET UP A MEETING WITHOUT 1077 01:23:56,751 --> 01:24:00,321 YOUR KNOWLEDGE OR CONSENT. >> THE FUTURE AND THE FUTURE OF 1078 01:24:00,321 --> 01:24:09,531 MANKIND DEPENDS ON ONE THING. >> FRIENDS DON'T LIE. 1079 01:24:09,531 --> 01:24:11,633 >> Announcer: TO PRESENT THE AWARD TO ONE OF THOSE NOMINEES, 1080 01:24:11,633 --> 01:24:13,701 PLEASE WELCOME ELISABETH MOSS AND THIS YEAR'S WINNER FOR GUEST 1081 01:24:13,701 --> 01:24:21,776 ACTRESS IN A DRAMA SERIES, SAMIRA WILEY. 1082 01:24:21,776 --> 01:24:25,046 [ APPLAUSE ] >> THE OUTSTANDING ARTISTS YOU 1083 01:24:25,046 --> 01:24:28,149 SEE BEHIND US GAVE US SOME OF THIS SEASON'S MOST RIVETING AND 1084 01:24:28,149 --> 01:24:30,752 ENTERTAINING PERFORMANCES. >> THEY SHOW THE MAGIC THAT CAN 1085 01:24:30,752 --> 01:24:33,354 HAPPEN WHEN A PHENOMENAL PERFORMER IS MATCHED WITH THE 1086 01:24:33,354 --> 01:24:35,957 PERFECT ROLE. >> PLUS, WE WORK WITH A COUPLE 1087 01:24:35,957 --> 01:24:40,028 OF THEM. THREE, ACTUALLY. 1088 01:24:40,028 --> 01:24:41,763 >> THE EMMY FOR SUPPORTING ACTRESS IN A DRAMA SERIES GOES 1089 01:24:41,763 --> 01:24:51,339 TO ‐‐ >> THANDIE NEWTON. 1090 01:24:51,339 --> 01:25:14,329 [ CHEERS AND APPLAUSE ] ♪♪♪♪ 1091 01:25:14,329 --> 01:25:18,232 >> I DON'T EVEN BELIEVE IN GOD BUT I'M GOING TO THANK HER 1092 01:25:18,232 --> 01:25:22,337 TONIGHT. [ APPLAUSE ] 1093 01:25:22,337 --> 01:25:24,939 I AM SO BLESSED. I AM SO BLESSED. 1094 01:25:24,939 --> 01:25:31,212 WITHOUT THIS, I AM EVEN [ MUTED ]. 1095 01:25:31,212 --> 01:25:35,583 TO WORK WITH THE PEOPLE THAT I HAVE GOTTEN TO WORK WITH. 1096 01:25:35,583 --> 01:25:40,455 THE CAST AND CREW OF ‐‐ I CAN'T BELIEVE I'M HERE ‐‐ THE CAST AND 1097 01:25:40,455 --> 01:25:44,158 CREW OF "WESTWORLD," I LOVE YOU ALL SO MUCH. 1098 01:25:44,158 --> 01:25:51,432 LISA JOY, JONAH NOLAN, HOME BOX OFFICE. 1099 01:25:51,432 --> 01:25:56,170 J.J. ABRAMS, OUR GUARDIAN ANGEL. MY GOD, I'VE GOT FIVE SECONDS. 1100 01:25:56,170 --> 01:25:59,207 MY FAMILY, MY DAUGHTER RIPLEY TURNS 18 TODAY AND I GET TO 1101 01:25:59,207 --> 01:26:02,210 GUIDE YOU AND LOVE YOU AND PROTECT YOU, WHICH IS MY NORTH 1102 01:26:02,210 --> 01:26:03,811 STAR. I LOVE YOU SO MUCH, BABY. 1103 01:26:03,811 --> 01:26:08,549 THANK YOU, THANK YOU FOR THIS. [ CHEERS AND APPLAUSE ] 1104 01:26:08,549 --> 01:26:11,819 ♪♪♪♪ >> Announcer: UP NEXT, 1105 01:26:11,819 --> 01:26:14,422 LIL REL HOWERY, GINA RODRIGUEZ, AND HANNAH GADSBY. 1106 01:26:14,422 --> 01:26:20,035 THE EMMYS, ON NBC. 1107 01:26:33,108 --> 01:26:35,277 WELCOME BACK. CONGRATULATIONS TO PETER 1108 01:26:35,277 --> 01:26:37,178 DINKLAGE. I'M A HUGE "GAME OF THRONES" 1109 01:26:37,178 --> 01:26:39,013 FAN. I'M SO HAPPY HE DIDN'T START HIS 1110 01:26:39,013 --> 01:26:44,419 SPEECH, THEN WAIT A YEAR AND A HALF TO FINISH IT. 1111 01:26:44,419 --> 01:26:47,305 >> HERE ARE THE NOMINEES FOR WRITING FOR A DRAMA SERIES. 1112 01:26:48,823 --> 01:26:52,026 >> BRUCE MILLER, "THE HANDMAID'S TALE," "JUNE" 1113 01:26:52,026 --> 01:26:53,261 >> JOEL FIELDS, JOE WEISBERG, "THE AMERICANS," "START" 1114 01:26:53,261 --> 01:26:56,898 >> PETER MORGAN, "THE CROWN," "MYSTERY MAN" 1115 01:26:56,898 --> 01:26:59,534 >> DAVID BENIOFF, D. B. WEISS, "GAME OF THRONES," "THE DRAGON 1116 01:26:59,534 --> 01:27:02,670 AND THE WOLF" >> THE DUFFER BROTHERS ‐‐ MATT 1117 01:27:02,670 --> 01:27:05,239 DUFFER, ROSS DUFFER, "STRANGER THINGS, CHAPTER NINE: THE GATE" 1118 01:27:05,239 --> 01:27:11,512 >> PHOEBE WALLER‐BRIDGE, "KILLING EVE," "NICE FACE" 1119 01:27:11,512 --> 01:27:15,650 >> Announcer: TO PRESENT THE DRAMA SERIES WRITING AWARD, 1120 01:27:15,650 --> 01:27:24,992 PLEASE WELCOME LIL REL HOWERY AND GINA RODRIGUEZ. 1121 01:27:24,992 --> 01:27:28,129 >> THOMAS EDISON SAID, "GENIUS IS 1% INSPIRATION, 99% 1122 01:27:28,129 --> 01:27:36,671 PERSPIRATION." >> WITH A ‐‐ WHAT? 1123 01:27:36,671 --> 01:27:41,309 I MEAN, ARE YOU SAYING THE NOMINEES ARE SWEATY? 1124 01:27:41,309 --> 01:27:45,113 >> I GUESS THE QUOTE DID, BECAUSE THEY'RE ALL GENIUSES. 1125 01:27:45,113 --> 01:27:48,850 >> SO YOU'RE SAYING SWEATY GENIUSES. 1126 01:27:48,850 --> 01:27:51,352 >> SURE. >> IF THEY'VE BEEN SWEATING, 1127 01:27:51,352 --> 01:27:55,123 THEY PROBABLY SMELL BAD. >> REAL BAD. 1128 01:27:55,123 --> 01:28:02,597 >> THE EMMY FOR WRITING FOR A DRAMA SERIES GOES TO ‐‐ 1129 01:28:02,597 --> 01:28:13,107 JOEL FIELDS, JOE WEISBERG, "THE AMERICANS." 1130 01:28:13,107 --> 01:28:43,237 [ APPLAUSE ] ♪♪♪♪ 1131 01:28:43,237 --> 01:28:46,274 >> ALL RIGHT. THANK YOU. 1132 01:28:46,274 --> 01:28:51,913 EVERY DAY FOR SIX SEASONS WE GOT TO WORK WITH KERI, MATTHEW, 1133 01:28:51,913 --> 01:28:56,184 NOAH, ACTORS, WRITERS, DIRECTORS, AN AMAZING CREW WHO 1134 01:28:56,184 --> 01:28:57,518 PUT EVERYTHING THEY HAD INTO THE SHOW. 1135 01:28:57,518 --> 01:29:00,421 IT'S THE KIND OF TEAM YOU WAIT YOUR WHOLE LIFE TO BE ON. 1136 01:29:00,421 --> 01:29:07,061 >> IT STARTS AT THE TOP. JOHN LANGRAF, OUR FRIEND, OUR 1137 01:29:07,061 --> 01:29:13,501 INSPIRATION. ERIC SCHREIER, LANA KIM, THE 1138 01:29:13,501 --> 01:29:19,207 AMAZING WHOLE TEAM AT FX. >> DANA WALDEN, GARY NEWMAN, 1139 01:29:19,207 --> 01:29:23,511 EVERYONE AT FOX 21. >> WE WOULD HAVE DIED WITHOUT 1140 01:29:23,511 --> 01:29:26,647 YOU. >> DARRYL FRANK, STEVEN 1141 01:29:26,647 --> 01:29:28,783 SPIELBERG. >> JOE COHEN, THERE WOULD BE NO 1142 01:29:28,783 --> 01:29:31,385 TELEVISION WITHOUT YOU. >> THE TELEVISION CRITICS WHO 1143 01:29:31,385 --> 01:29:36,624 HELPED KEEP US ON THE AIR. AND OF COURSE OUR PASSIONATE, 1144 01:29:36,624 --> 01:29:39,160 DIEHARD, SLIGHTLY TREASONOUS FANS. 1145 01:29:39,160 --> 01:29:41,863 >> JESSICA, DORA, JOSH, YOU'RE HERE TONIGHT. 1146 01:29:41,863 --> 01:29:44,665 YOU'RE HERE WITH ME ALWAYS. I WOULDN'T DO THIS WITHOUT YOU, 1147 01:29:44,665 --> 01:29:50,972 I COULDN'T, I LOVE YOU. >> JULIE AND ROSA, THANK YOU FOR 1148 01:29:50,972 --> 01:29:54,141 MAKING THE LAST SIX YEARS WORTH IT, THANK YOU SO MUCH. 1149 01:29:54,141 --> 01:29:55,676 >> THANK YOU, GUYS, IT'S AMAZING. 1150 01:29:55,676 --> 01:29:57,478 >> Announcer: AND NOW, HERE ARE THE NOMINEES FOR DIRECTING FOR A 1151 01:29:57,478 --> 01:30:02,416 DRAMA SERIES. >> STEPHEN DALDRY, "THE CROWN," 1152 01:30:02,416 --> 01:30:06,587 "PATERFAMILIAS" >> ALAN TAYLOR, "GAME OF 1153 01:30:06,587 --> 01:30:11,792 THRONES," "BEYOND THE WALL" >> JEREMY PODESWA, "GAME OF 1154 01:30:11,792 --> 01:30:14,896 THRONES," "THE DRAGON AND THE WOLF" 1155 01:30:14,896 --> 01:30:18,532 >> KARI SKOGLAND, "THE HANDMAID'S TALE," "AFTER" 1156 01:30:18,532 --> 01:30:22,737 >> JASON BATEMAN, "OZARK," "THE TROLL" 1157 01:30:22,737 --> 01:30:27,408 >> DANIEL SACKHEIM, "OZARK," "TONIGHT WE IMPROVISE" 1158 01:30:27,408 --> 01:30:29,176 >> THE DUFFER BROTHERS ‐‐ MATT DUFFER, ROSS DUFFER, "STRANGER 1159 01:30:29,176 --> 01:30:32,647 THINGS," "CHAPTER NINE: THE GATE" 1160 01:30:32,647 --> 01:30:36,751 >> Announcer: TO PRESENT THE DRAMA SERIES DIRECTING AWARD, 1161 01:30:36,751 --> 01:30:50,231 PLEASE WELCOME HANNAH GADSBY. [ APPLAUSE ] 1162 01:30:50,231 --> 01:30:57,038 >> THIS IS NOT NORMAL. THE WORLD'S GONE A BIT CRAZY. 1163 01:30:57,038 --> 01:31:04,679 I MEAN, FOR SOMEBODY LIKE ME, A NOBODY FROM NOWHERE, GETS THIS 1164 01:31:04,679 --> 01:31:08,716 SWEET GIG, PRETTY SUIT, NEW BOOTS, JUST BECAUSE I DON'T LIKE 1165 01:31:08,716 --> 01:31:17,291 MEN. THAT'S A JOKE, OF COURSE. 1166 01:31:17,291 --> 01:31:23,731 JUST JOKES, FELLAS, CALM DOWN. #NOTALLMEN. 1167 01:31:23,731 --> 01:31:27,168 BUT A LOT OF THEM. IT IS JUST JOKES. 1168 01:31:27,168 --> 01:31:32,406 BUT WHAT ARE JOKES THESE DAYS? WE DON'T KNOW. 1169 01:31:32,406 --> 01:31:37,745 NOBODY KNOWS WHAT JOKES ARE, ESPECIALLY NOT MEN. 1170 01:31:37,745 --> 01:31:47,355 AM I RIGHT, FELLAS? THAT'S WHY I'M PRESENTING ALONE. 1171 01:31:47,355 --> 01:31:57,598 THERE IS A WINNER. AND THE EMMY GOES TO STEVEN 1172 01:31:57,598 --> 01:32:04,872 DALDRY, "THE CROWN." [ APPLAUSE ] 1173 01:32:04,872 --> 01:32:08,342 AND OF COURSE STEVEN COULD NOT BE WITH US TONIGHT TO ACCEPT THE 1174 01:32:08,342 --> 01:32:13,581 EMMY ON HIS OWN BEHALF BECAUSE OF PROBABLY ME. 1175 01:32:13,581 --> 01:32:20,121 SO I THINK I'LL JUST LEAVE NOW. WELL DONE, HIM. 1176 01:32:20,121 --> 01:32:23,858 [ APPLAUSE ] >> Announcer: NEXT, THE FAB FIVE 1177 01:32:23,858 --> 01:32:25,960 FROM "QUEER EYE," SARAH PAULSON, AND THE AWARDS FOR LEAD ACTOR 1178 01:32:25,960 --> 01:32:33,280 AND ACTRESS IN A DRAMA. THE EMMYS, ON NBC. 1179 01:32:40,445 --> 01:32:42,980 >> Announcer: HERE ARE THE NOMINEES FOR LEAD ACTOR IN A 1180 01:32:42,980 --> 01:32:53,291 DRAMA SERIES. >> IF I KNOW WHAT I AM, THEY'LL 1181 01:32:53,291 --> 01:32:56,594 SEARCH MY MIND. >> I HAVE TO ABANDON MY SON. 1182 01:32:56,594 --> 01:32:58,796 HE CAN'T COME WITH US BECAUSE I GOT CAUGHT. 1183 01:32:58,796 --> 01:33:06,771 >> I WANT MY KIDS TO BE OKAY. I WANT MY FAMILY TO BE OKAY. 1184 01:33:06,771 --> 01:33:12,110 >> SAME BOARD, SAME GHOST. SOMETIMES YOU GET A BUNCH OF 1185 01:33:12,110 --> 01:33:14,779 CHERRIES BUT INEVITABLY THOSE GHOSTS CATCH UP WITH YOU. 1186 01:33:14,779 --> 01:33:17,782 >> IN FACT THE SATISFYING SOUND OF YOUR LOVER SMACKING THE 1187 01:33:17,782 --> 01:33:20,818 PAVEMENT IS THE ONLY THING THAT GETS ME TO SLEEP EVERY NIGHT. 1188 01:33:20,818 --> 01:33:24,188 >> I NEVER TOLD ANYONE ABOUT MY PROFILE. 1189 01:33:24,188 --> 01:33:27,458 THE ONLY OTHER WAY SHE COULD HAVE KNOWN IS YOU. 1190 01:33:27,458 --> 01:33:31,662 >> Announcer: NOW, TO PRESENT THE AWARD, PLEASE WELCOME THE 1191 01:33:31,662 --> 01:33:36,300 NEW FAB FIVE FROM "QUEER EYE" ‐‐ BOBBY BERK, KARAMO BROWN, 1192 01:33:36,300 --> 01:33:45,209 TAN FRANCE, ANTONI POROWSKI AND JONATHAN VAN NESS. 1193 01:33:45,209 --> 01:33:47,912 >> I DON'T KNOW, GUYS, IT FEELS LIKE SOME OF THESE CHARACTERS 1194 01:33:47,912 --> 01:33:54,485 COULD REALLY USE OUR HELP. >> FOR THE MAN IN BLACK FROM 1195 01:33:54,485 --> 01:33:59,590 "WESTWORLD," MAYBE TRY A BULKY COLOR. 1196 01:33:59,590 --> 01:34:02,426 >> THING WITH SE ING WITHWIGS, CAN WE HAVE A LITTLE CHAT? 1197 01:34:02,426 --> 01:34:05,196 >> THE GUYS IN "THIS IS US," THEY'RE A LITTLE EMOTIONAL EVEN 1198 01:34:05,196 --> 01:34:09,467 FOR ME. >> AND JASON BATEMAN, I'M 1199 01:34:09,467 --> 01:34:16,507 THINKING LIKE A SUPER SIMPLE CEVICHE. 1200 01:34:16,507 --> 01:34:19,844 >> OH, GOD. AND THE EMMY GOES TO MATTHEW 1201 01:34:19,844 --> 01:34:24,515 RHYS. [ CHEERS AND APPLAUSE ] 1202 01:34:24,515 --> 01:34:46,137 ♪♪♪♪ >> THANK YOU SO MUCH. 1203 01:34:46,137 --> 01:34:49,874 I'LL BE BRIEF. JOE WEISBERG, PARTS LIKE THESE 1204 01:34:49,874 --> 01:34:53,244 COME ALONG SO RARELY. WHAT YOU CREATED AND RISKED, I 1205 01:34:53,244 --> 01:35:01,586 WILL BE FOREVER IN YOUR DEBT. YOUR GOOD SELF NOT ONLY GAVE ME 1206 01:35:01,586 --> 01:35:04,789 THE PART AND OPPORTUNITY OF A LIFETIME, YOU ALSO GAVE ME A 1207 01:35:04,789 --> 01:35:07,291 SON. I JUST HOPE THE LITTLE BUGGER IS 1208 01:35:07,291 --> 01:35:09,560 ASLEEP. TO ALL THOSE WHO GAVE SO MUCH, 1209 01:35:09,560 --> 01:35:14,398 JOE FIELDS, EVERYTHING YOU WROTE AND BROUGHT TO THIS BOUNTIFUL 1210 01:35:14,398 --> 01:35:16,634 TABLE, YOUR MENTORSHIP MEANT EVERYTHING. 1211 01:35:16,634 --> 01:35:25,142 WE HAD A CAST AND SHOW WE COULD ONLY WISH FOR IN A FAIRY TALE. 1212 01:35:25,142 --> 01:35:37,221 NOAH EMMERICK LEAST OF ALL. THANK YOU FOR GETTING ME TO THIS 1213 01:35:37,221 --> 01:35:41,726 AWARDS CEREMONY. THE BEAUTIFUL BRIGADE THAT IS 1214 01:35:41,726 --> 01:35:45,696 AMBLIN TELEVISION, THANK YOU. THANK YOU, FX. 1215 01:35:45,696 --> 01:35:49,934 AND TO THE WOMAN WHO TRULY GOT ME TO THIS AWARD WHO STANDS IN 1216 01:35:49,934 --> 01:35:52,069 FRONT OF ME EVERY DAY AND PUTS UP WITH ME, SHE SAID IF YOU 1217 01:35:52,069 --> 01:35:56,607 PROPOSE TO ME, I'LL PUNCH YOU CLEAN IN THE MOUTH. 1218 01:35:56,607 --> 01:35:58,709 I DON'T HAVE THE WORDS. I DON'T HAVE THE TIME. 1219 01:35:58,709 --> 01:36:01,445 NEITHER OF WHICH WOULD DO YOU JUSTICE, EXCEPT THANK YOU, MORE 1220 01:36:01,445 --> 01:36:05,650 TO COME. THANK YO 1221 01:36:05,650 --> 01:36:09,487 [ APPLAUSE ] >> Announcer: NOW, HERE ARE THE 1222 01:36:09,487 --> 01:36:17,795 NOMINEES FOR LEAD ACTRESS IN A DRAMA SERIES. 1223 01:36:17,795 --> 01:36:22,400 >> THAT THIS THING ‐‐ THAT'S THE THING ABOUT UNHAPPINESS, ALL IT 1224 01:36:22,400 --> 01:36:25,670 TAKES IS FOR SOMETHING WORSE TO COME ALONG AND YOU REALIZE IT 1225 01:36:25,670 --> 01:36:28,572 WAS HAPPINESS AFTER ALL. >> I KNOW YOU'RE A PSYCHOPATH. 1226 01:36:28,572 --> 01:36:35,813 >> SHE IS MY DAUGHTER. I WANT TO SEE MY OWN DAUGHTER. 1227 01:36:35,813 --> 01:36:38,716 >> YOU LOVE TO TALK. IF YOU REALLY WANTED TO TELL ME, 1228 01:36:38,716 --> 01:36:43,287 YOU WOULD HAVE DONE IT. >> I SURVIVED YOU. 1229 01:36:43,287 --> 01:36:48,092 WE SURVIVED YOU. THIS IS EVOLUTION. 1230 01:36:48,092 --> 01:36:52,229 >> I DON'T WANT TO PLAY COWBOYS AND INDIANS ANYMORE, BERNARD. 1231 01:36:52,229 --> 01:36:55,666 I WANT THEIR WORLD. THE WORLD THEY DENIED US. 1232 01:36:55,666 --> 01:36:58,269 >> Announcer: TO PRESENT LEAD ACTRESS IN A DRAMA SERIES, 1233 01:36:58,269 --> 01:37:08,679 PLEASE WELCOME SARAH PAULSON. >> SIMPLY PUT, SIX EXTRAORDINARY 1234 01:37:08,679 --> 01:37:12,350 ARTISTS, SIX DIVERSE CHARACTERS, SIX OPPORTUNITIES FOR WOMEN TO 1235 01:37:12,350 --> 01:37:15,486 MAKE BOTH A STATEMENT AND A DIFFERENCE. 1236 01:37:15,486 --> 01:37:18,055 ALL ARE DESERVING OF THIS INCREDIBLE HONOR. 1237 01:37:18,055 --> 01:37:26,030 THE EMMY FOR LEAD ACTRESS IN A DRAMA SERIES GOES TO ‐‐ 1238 01:37:26,030 --> 01:37:28,632 CLAIRE FOY, "THE CROWN." [ CHEERS AND APPLAUSE ] 1239 01:37:28,632 --> 01:37:47,618 ♪♪♪♪ >> THIS WASN'T SUPPOSED TO 1240 01:37:47,618 --> 01:37:50,388 HAPPEN. I JUST FELT SO PROUD THEN OF 1241 01:37:50,388 --> 01:37:53,190 BEING IN THE COMPANY OF SUCH EXTRAORDINARY PERFORMANCES. 1242 01:37:53,190 --> 01:37:55,926 I KNOW EVERYONE IS TALKING AT THE MOMENT ABOUT WOMEN IN THE 1243 01:37:55,926 --> 01:38:00,231 INDUSTRY, BUT IF THAT'S ANYTHING TO GO BY, BLOODY HELL. 1244 01:38:00,231 --> 01:38:05,336 THAT'S TECHNICALLY NOT SWEARING. SANDRA OH, I JUST LOVE YOU. 1245 01:38:05,336 --> 01:38:09,106 LISTEN, THANK YOU, EMMYS. I HAD THE MOST EXTRAORDINARY 2 1246 01:38:09,106 --> 01:38:14,011 1/2 YEARS OF MY LIFE. I'M NOT GOING TO CRY ON THIS 1247 01:38:14,011 --> 01:38:16,047 PROGRAM. I WAS GIVEN A ROLE THAT I NEVER 1248 01:38:16,047 --> 01:38:18,249 THOUGHT I WOULD EVER GET A CHANCE TO PLAY. 1249 01:38:18,249 --> 01:38:22,787 AND I MET PEOPLE WHO I WILL LOVE FOREVER AND EVER AND EVER. 1250 01:38:22,787 --> 01:38:26,490 AND THE SHOW GOES ON, WHICH MAKES ME SO, SO PROUD. 1251 01:38:26,490 --> 01:38:30,561 SO I DEDICATE THIS TO THE NEXT CAST, THE NEXT GENERATION. 1252 01:38:30,561 --> 01:38:33,731 I ALSO DEDICATE THIS TO MATT SMITH. 1253 01:38:33,731 --> 01:38:35,132 THANK YOU SO MUCH. THIS MEANS SO MUCH. 1254 01:38:35,132 --> 01:38:44,875 THANK YOU. [ APPLAUSE ] 1255 01:38:44,875 --> 01:38:47,711 >> BEFORE WE GO TO COMMERCIAL, WE JUST WANTED TO TAKE A MOMENT 1256 01:38:47,711 --> 01:38:51,982 TO ACKNOWLEDGE ALL THE PEOPLE IN NORTH AND SOUTH CAROLINA AND 1257 01:38:51,982 --> 01:38:55,653 VIRGINIA WHO ARE JUST BEGINNING NOW TO RECOVER FROM HURRICANE 1258 01:38:55,653 --> 01:39:01,525 FLORENCE. [ APPLAUSE ] 1259 01:39:01,525 --> 01:39:04,428 IF YOU'RE WATCHING RIGHT NOW AT HOME, PLEASE DURING THIS 1260 01:39:04,428 --> 01:39:10,634 COMMERCIAL BREAK, CONSIDER GOING ONLINE AND DONATING OR TEXTING 1261 01:39:10,634 --> 01:39:14,939 GIVEFLORENCE TO 41411 TO SUPPORT THE AMERICAN RED CROSS DIRECT 1262 01:39:14,939 --> 01:39:18,409 RELIEF AND TEAM RUBICON. THESE CHARITIES HAVE HELPED SO 1263 01:39:18,409 --> 01:39:21,011 MUCH TO REBUILD IN HOUSTON AND IN PUERTO RICO AND THEY ARE 1264 01:39:21,011 --> 01:39:23,481 READY TO HELP IN THE CAROLINAS AND VIRGINIA NOW. 1265 01:39:23,481 --> 01:39:28,018 THANK YOU VERY MUCH. [ APPLAUSE ] 1266 01:39:28,018 --> 01:39:31,622 >> Announcer: COMING UP, THE OUTSTANDING SERIES AWARDS. 1267 01:39:31,622 --> 01:39:34,725 PLUS, DAVE CHAPELLE AND AN APPEARANCE BY RICK AND MORTY. 1268 01:39:34,725 --> 01:39:38,917 AND LATER, WILL FERRELL. THE EMMYS, LIVE ON NBC. 1269 01:39:47,204 --> 01:39:53,077 >> Announcer: PLEASE WELCOME THE CHAIRMAN OF THE 1270 01:39:53,077 --> 01:39:58,282 TELEVISION ACADEMY, HAYMA WASHINGTON. 1271 01:39:58,282 --> 01:40:01,418 >> GOOD EVENING. IT'S AN HONOR TO BE HERE AS WE 1272 01:40:01,418 --> 01:40:08,058 CELEBRATE OUR 70th ANNIVERSARY. YOU KNOW, 1273 01:40:08,058 --> 01:40:09,627 TRY AND IMAGINE BEING AT THOSE FIRST EMMYS IN 1949. 1274 01:40:09,627 --> 01:40:14,331 THINK ABOUT THOSE EARLY DAYS OF TELEVISION. 1275 01:40:14,331 --> 01:40:17,434 NOW LOOK AROUND AND THINK ABOUT WHO WE ARE HONORING TONIGHT. 1276 01:40:17,434 --> 01:40:21,105 WE ARE MORE DIVERSE, MORE INCLUSIVE, AND MORE COMMITTED 1277 01:40:21,105 --> 01:40:25,242 THAN EVER TO TELLING STORIES THAT REPRESENT ALL OF US IN 1278 01:40:25,242 --> 01:40:30,648 2018. LET'S GIVE OURSELVES A HAND. 1279 01:40:30,648 --> 01:40:36,887 [ APPLAUSE ] BUT TO TRULY APPRECIATE HOW FAR 1280 01:40:36,887 --> 01:40:40,090 WE'VE COME, WE CAN NEVER FORGET OUR HISTORY AND THE EMMY MOMENTS 1281 01:40:40,090 --> 01:40:46,330 THAT HAVE MATTERED ALONG THE WAY. 1282 01:40:46,330 --> 01:40:51,902 >> FOR THE VERY FIRST TIME, OUR EMMY AWARDS PRESENTATION IS 1283 01:40:51,902 --> 01:41:00,644 BEING NATIONALLY WAYS TOTELEVISED. >> TAKE AN IMAGE AND HURL IT. 1284 01:41:00,644 --> 01:41:02,546 >> I'VE SEEN TELEVISION BECOME PART OF THE FABRIC OF OUR 1285 01:41:02,546 --> 01:41:06,217 SOCIET ♪♪♪♪ 1286 01:41:06,217 --> 01:41:07,818 >> I'VE HAD FUN IN THIS BUSINESS. 1287 01:41:07,818 --> 01:41:13,524 IT'S BEEN MARVELOUS. >> WE'RE AWFUL PROUD TO BE A 1288 01:41:13,524 --> 01:41:17,528 PART OF THIS INDUSTRY, REALLY WE ARE. 1289 01:41:17,528 --> 01:41:22,933 ♪♪♪♪ >> THANK YOU FOR THE TELEVISION 1290 01:41:22,933 --> 01:41:29,506 ACADEMY. [ APPLAUSE ] 1291 01:41:29,506 --> 01:41:31,742 >> YOU KNOW, EVERY YEAR THE TELEVISION 1292 01:41:31,742 --> 01:41:35,379 ACADEMY FOUNDATION PROVIDES OPPORTUNITIES TO DOZENS OF 1293 01:41:35,379 --> 01:41:37,114 PEOPLE ACROSS THE COUNTRY FROM ALL DIFFERENT BACKGROUNDS AND 1294 01:41:37,114 --> 01:41:39,516 WALKS OF LIFE. TECHNICALLY THEY'RE CALLED 1295 01:41:39,516 --> 01:41:44,755 INTERNS. WE CALL THEM THE FUTURE OF 1296 01:41:44,755 --> 01:41:47,825 TELEVISION FOR THEY ARE THE GENERATION WHO'LL BE DRIVING 1297 01:41:47,825 --> 01:41:50,427 TELEVISION EXCELLENCE FOR YEARS TO COME. 1298 01:41:50,427 --> 01:41:53,063 PLEASE WELCOME SOME OF THESE EXTRAORDINARY YOUNG PEOPLE, 1299 01:41:53,063 --> 01:41:58,369 SEVERAL OF WHOM ARE SERVING AS TROPHY PRESENTERS TONIGHT. 1300 01:41:58,369 --> 01:42:06,844 [ APPLAUSE ] AND NOW, HERE IS THE ENTIRE 1301 01:42:06,844 --> 01:42:11,782 CLASS OF 2018. [ APPLAUSE ] 1302 01:42:11,782 --> 01:42:18,555 THANK YOU FOR BEING PART OF TONIGHT'S CELEBRATION. 1303 01:42:18,555 --> 01:42:24,361 >> GIVE IT UP ONE MORE TIME FOR THE CHAIRMAN OF THE ACADEMY, 1304 01:42:24,361 --> 01:42:25,663 PLEASE. >> YEAH, HAYMA. 1305 01:42:25,663 --> 01:42:29,833 [ APPLAUSE ] >> DURING TONIGHT'S AWARDS WE 1306 01:42:29,833 --> 01:42:31,602 ARE HAPPY TO HAVE THE ACCOUNTANTS FROM ERNST AND YOUNG 1307 01:42:31,602 --> 01:42:34,505 KEEPING ALL THE ENVELOPES SAFE UNTIL THE WINNERS ARE ANNOUNCED. 1308 01:42:34,505 --> 01:42:37,641 >> HERE WITH MORE INFO ON THE ACCOUNTANTS ‐‐ AND I AM AGAINST 1309 01:42:37,641 --> 01:42:47,484 THIS ‐‐ FRED AND MAYA. >> YES, THIS IS THEM. 1310 01:42:47,484 --> 01:42:53,223 THE ACCOUNTANTS. >> PAUL CHAN, SUZANNE DI YOUNG 1311 01:42:53,223 --> 01:42:56,860 AND ANDY SALES. >> HOW MUCH MONEY DOES A PERSON 1312 01:42:56,860 --> 01:43:01,732 NEED, SOMEONE WHO IS 5'10", I JUST EAT SMALL MEALS, A LOT OF 1313 01:43:01,732 --> 01:43:06,003 THEM, I DON'T REALLY DRINK SODA. >> HOW ABOUT CASH, IF YOU WRITE 1314 01:43:06,003 --> 01:43:08,839 A DIFFERENT NUMBER ON THE CASH, DOES IT BECOME THAT DIFFERENT 1315 01:43:08,839 --> 01:43:10,874 AMOUNT? >> I HAVE AN IDEA FOR AN APP, 1316 01:43:10,874 --> 01:43:12,576 YOU PUSH IT AND MONEY SHOOTS OUT OF YOUR PHONE. 1317 01:43:12,576 --> 01:43:19,717 HOW WOULD THAT WORK? >> ONCE AGAIN, OUT OF TIME. 1318 01:43:19,717 --> 01:43:22,052 >> OH NO! >> FRED AND MAYA, EVERYONE. 1319 01:43:22,052 --> 01:43:23,721 [ APPLAUSE ] >> Announcer: UP NEXT, 1320 01:43:23,721 --> 01:43:26,323 DAVE CHAPELLE WITH THE AWARD FOR VARIETY SKETCH SERIES. 1321 01:43:26,323 --> 01:43:29,993 PLUS, RICK AND MORTY PRESENT REALITY COMPETITION SERIES. 1322 01:43:29,993 --> 01:43:32,100 THE EMMYS, ON NBC. 1323 01:43:39,486 --> 01:43:40,993 >>> HERE ARE THE NOMINEES FOR 1324 01:43:40,993 --> 01:43:51,849 OUTSTANDING REALITY COMPETITION. >> IT'S LIKE THE TERMINATOR WAS 1325 01:43:51,849 --> 01:43:56,587 ON MY CHEST. >> CAN YOUR GRANDPA DO THAT? 1326 01:43:56,587 --> 01:43:59,523 >> HE'S TRYING TO BE IRONIC OR SOMETHING. 1327 01:43:59,523 --> 01:44:01,892 >> YOU'RE GIVING HIM TOO MUCH CREDIT. 1328 01:44:01,892 --> 01:44:08,432 >> ALL OF THESE GIRLS SAID THAT YOU HAVE AT SOME POINT GOT ON 1329 01:44:08,432 --> 01:44:11,201 THEIR NERVES. >> I DIDN'T SAY THAT. 1330 01:44:11,201 --> 01:44:15,839 >> RIGHT SIDE UP IS THE BEST WAY TO SERVE AN UPSIDE DOWN CAKE. 1331 01:44:15,839 --> 01:44:19,143 >> RUBIN McINTYRE IS ‐‐ >> THAT'S SO WEIRD, I'M JUST 1332 01:44:19,143 --> 01:44:23,414 SAYING. >> TO PRESENT THE AWARD FOR 1333 01:44:23,414 --> 01:44:25,082 OUTSTANDING REALITY COMPETITION PROGRAM, HERE ARE RICK AND 1334 01:44:25,082 --> 01:44:32,423 MORTY. >> THANK YOU VERY MUCH. 1335 01:44:32,423 --> 01:44:36,059 NOBODY KNOWS REALITY MORE THAN US BECAUSE NOBODY'S BEEN TO MORE 1336 01:44:36,059 --> 01:44:37,594 REALITIES. RIGHT, RICK? 1337 01:44:37,594 --> 01:44:40,197 >> SORRY, MORTY, I'M DOING IT. I'M GOING OFF PROMPTER. 1338 01:44:40,197 --> 01:44:41,765 >> OH, GOD, YOU PROMISED. >> YOU GUYS WANT AN AWARD FOR 1339 01:44:41,765 --> 01:44:43,867 REALITY? HERE'S A REALITY ABOUT YOUR 1340 01:44:43,867 --> 01:44:46,437 AWARD. THIS IS A LIVING EMMY. 1341 01:44:46,437 --> 01:44:48,539 YOU'RE LOOKING AT IT BEFORE ITS FEET ARE MOUNTED TO A WOODEN 1342 01:44:48,539 --> 01:44:51,642 BASE AND ITS WRISTS ARE BOUND TO A WEIGHTED SPHERE THAT HOLDS ITS 1343 01:44:51,642 --> 01:44:54,778 BODY IN A CELEBRATORY POSE WHILE IT'S DIPPED INTO MOLTEN GOLD. 1344 01:44:54,778 --> 01:44:56,847 IT'S AN HERBIVORE, IT MATES FOR LIFE, AND IT'S CAPABLE OF 1345 01:44:56,847 --> 01:44:59,450 COMPLEX EMOTIONS. HOW DO YOU THINK "ATLANTA" WILL 1346 01:44:59,450 --> 01:45:01,718 DO TONIGHT, LITTLE FELLA? >> RICK, YOU'RE RUINING THE 1347 01:45:01,718 --> 01:45:03,120 NIGHT. >> AW. 1348 01:45:03,120 --> 01:45:05,689 HE SAYS HE IS ROOTING FOR "ATLANTA" BECAUSE SMALLER CREWS 1349 01:45:05,689 --> 01:45:08,826 MEAN FEWER OF HIS OFFSPRING DIE. THAT IS A COMPLEX EMOTION. 1350 01:45:08,826 --> 01:45:11,428 >> CAN WE PRESENT THE AWARD? >> EVERYONE THAT TAKES ONE OF 1351 01:45:11,428 --> 01:45:15,332 THESE HOME IS A MONSTER. >> AND THE WINNER IS ‐‐ 1352 01:45:15,332 --> 01:45:19,069 "RUPAUL'S DRAG RACE." [ CHEERS AND APPLAUSE ] 1353 01:45:19,069 --> 01:45:45,696 ♪♪♪♪ >> ACCEPTING THE EMMY IS RUPAUL. 1354 01:45:45,696 --> 01:45:48,799 >> THANK YOU SO MUCH. THIS IS SO LOVELY. 1355 01:45:48,799 --> 01:45:52,669 THANK YOU SO MUCH. THANK YOU SO MUCH. 1356 01:45:52,669 --> 01:45:55,005 THANK YOU TO THE ACADEMY. THIS IS SO LOVELY. 1357 01:45:55,005 --> 01:45:58,375 WE ARE SO HAPPY TO PRESENT THIS SHOW. 1358 01:45:58,375 --> 01:46:03,146 I WOULD LIKE TO THANK, ON BEHALF OF THE 140 DRAG QUEENS WE HAVE 1359 01:46:03,146 --> 01:46:10,254 RELEASED INTO THE WILD, I WOULD LOVE TO THANK DICK RICHARDS FOR 1360 01:46:10,254 --> 01:46:18,562 INTRODUCING ME TO RANDY BARBATO, TOM CAMPBELL, AND PAM POST, AND 1361 01:46:18,562 --> 01:46:27,337 STEVEN CORIFF, JOEL HOCKS, AND ALL OF THE DREAMERS OUT THERE. 1362 01:46:27,337 --> 01:46:32,175 LISTEN, IF YOU CAN'T LOVE YOURSELF, HOW IN THE HELL YOU 1363 01:46:32,175 --> 01:46:35,012 GONNA LOVE SOMEBODY ELSE? CAN I GET AN AMEN IN HERE? 1364 01:46:35,012 --> 01:46:44,888 NOW LET THE MUSIC PLAY! [ CHEERS AND APPLAUSE ] 1365 01:46:44,888 --> 01:46:46,423 >> Announcer: THIS NEXT AWARD IS FOR OUTSTANDING VARIETY SKETCH 1366 01:46:46,423 --> 01:46:53,497 SERIES. >> YOU KNOW MY DOG MARY LOVES 1367 01:46:53,497 --> 01:46:56,800 RUNNING. SHE LOVES GETTING HER BELLY 1368 01:46:56,800 --> 01:46:59,770 TICKLED. SHE LOVES A T‐R‐E ‐‐ OH, SHE'S 1369 01:46:59,770 --> 01:47:01,238 NOT HERE. A TREAT. 1370 01:47:01,238 --> 01:47:04,007 >> LIVING WITH THE FEELING THAT WE'LL NEVER BE ABLE TO LEAVE. 1371 01:47:04,007 --> 01:47:08,111 >> DO YOU WANT ME TO GET RID OF THESE GUYS? 1372 01:47:08,111 --> 01:47:11,348 >> YOU WANT TO DO YOUR BUSINESS? LET'S MAKE SURE WE DO IT 1373 01:47:11,348 --> 01:47:14,651 PROPERLY, SHALL WE? POP IT IN A BAG AND THEN ONE, 1374 01:47:14,651 --> 01:47:21,625 TWO, THREE. >> I'M SUPPOSED TO DO 25 MORE 1375 01:47:21,625 --> 01:47:26,597 TALK SHOW APPEARANCES TODAY AND I'M TRYING TO MAKE IT LIKE AN 1376 01:47:26,597 --> 01:47:29,566 ADVENT WHERE I REVEAL ONE NEW CRIME ON EACH SHOW. 1377 01:47:29,566 --> 01:47:35,839 >> IT WAS JEREMY BLACK. DELICIOUS. 1378 01:47:35,839 --> 01:47:45,015 >> HA HA HA! >> Announcer: TO REVEAL THE 1379 01:47:45,015 --> 01:47:54,591 WINNER, PLEASE WELCOME THE CREATORS OF "THE CHAPELLE 1380 01:47:54,591 --> 01:47:59,429 SHOW," NEAL BRENNAN AND DAVE CHAPELLE. 1381 01:47:59,429 --> 01:48:01,498 >> THANK YOU VERY MUCH. THIS IS A BEAUTIFUL BUSINESS. 1382 01:48:01,498 --> 01:48:03,500 WE MAKE MILLIONS OF DOLLARS. AND WE GET TROPHIES FROM TIME TO 1383 01:48:03,500 --> 01:48:08,472 TIME. >> BUT LET'S BE HONEST, EVERYONE 1384 01:48:08,472 --> 01:48:10,807 IN THIS ROOM HAS EMOTIONAL WOUNDS THAT NO AMOUNT OF MONEY 1385 01:48:10,807 --> 01:48:19,716 OR PRIZES COULD EVER FIX. SHOUT‐OUT TO THERAPY AND 1386 01:48:19,716 --> 01:48:22,552 MEDICATION. >> HERE IS TO THAT EMMY‐SIZED 1387 01:48:22,552 --> 01:48:29,660 HOLE IN YOUR SOUL. OH, AND THE WINNER IS ‐‐ LET'S 1388 01:48:29,660 --> 01:48:39,770 JUST READ IT. "SATURDAY NIGHT LIVE." 1389 01:48:39,770 --> 01:48:45,842 [ CHEERS AND APPLAUSE ] ♪♪♪♪ 1390 01:48:45,842 --> 01:49:07,097 >> Announcer: ACCEPTING THE EMMY IS LORNE MICHAELS. 1391 01:49:07,097 --> 01:49:14,237 >> WORKING ON THIS SHOW OVER THE LAST MONTH OR SO, WHEN YOU'RE 1392 01:49:14,237 --> 01:49:17,174 URGING EVERYONE TO TALK FOR A VERY SHORT TIME, IT WOULD BE 1393 01:49:17,174 --> 01:49:21,912 WRONG FOR ME TO TALK AT LENGTH. SO LET ME JUST SAY, I LOVE MY 1394 01:49:21,912 --> 01:49:29,786 JOB, AND I LOVE THE PEOPLE I WORK WITH, AND THAT IN 1975 WHEN 1395 01:49:29,786 --> 01:49:32,923 WE STARTED, THERE WERE A LOT OF ARTICLES FOR MOST OF THAT DECADE 1396 01:49:32,923 --> 01:49:35,926 ABOUT HOW THE NETWORKS WOULDN'T BE HERE MUCH LONGER. 1397 01:49:35,926 --> 01:49:43,200 AND HERE WE ARE, IT'S 2018, AND WE'RE THE EMMYS, AND WE'RE ON 1398 01:49:43,200 --> 01:49:43,800 NBC. THANKS. 1399 01:49:43,800 --> 01:49:51,842 [ CHEERS AND APPLAUSE ] >> UP NEXT, CONNIE BRITTON AND 1400 01:49:51,842 --> 01:49:53,977 ERIC BANA PRESENT VARIETY TALK SERIES. 1401 01:49:53,977 --> 01:49:55,746 THEN LATER, BEN STILLER, BENICIO DEL TORO 1402 01:49:55,746 --> 01:49:56,804 AND PARTICIA ARQUETTE. 1403 01:50:05,962 --> 01:50:07,190 >> Announcer: HERE ARE THE 1404 01:50:07,190 --> 01:50:10,827 NOMINEES FOR OUTSTANDING VARIETY TALK SERIES. 1405 01:50:10,827 --> 01:50:13,430 >> "THE LATE LATE SHOW WITH JAMES CORDEN" 1406 01:50:13,430 --> 01:50:15,499 >> "FULL FRONTAL WITH SAMANTHA BEE" 1407 01:50:15,499 --> 01:50:18,635 >> "LAST WEEK TONIGHT WITH JOHN OLIVER" 1408 01:50:18,635 --> 01:50:21,738 >> "JIMMY KIMMEL LIVE!" >> "THE DAILY SHOW WITH TREVOR 1409 01:50:21,738 --> 01:50:25,108 NOAH" >> "THE LATE SHOW WITH STEPHEN 1410 01:50:25,108 --> 01:50:29,045 COLBERT" >> Announcer: TO PRESENT THE 1411 01:50:29,045 --> 01:50:35,685 AWARD, HERE ARE ERIC BANA AND CONNIE BRITTON. 1412 01:50:35,685 --> 01:50:44,261 [ APPLAUSE ] ♪♪♪♪ 1413 01:50:44,261 --> 01:50:49,466 >> WHOA. YEAH. 1414 01:50:49,466 --> 01:50:54,304 EVERY WEEK THE NOMINEES IN THIS CATEGORY DO THE IMPOSSIBLE. 1415 01:50:54,304 --> 01:50:59,042 >> THEY MAKE THE NEWS FUNNY. >> AND THE EMMY FOR OUTSTANDING 1416 01:50:59,042 --> 01:51:04,815 VARIETY TALK SERIES GOES TO ‐‐ >> "LAST WEEK TONIGHT WITH JOHN 1417 01:51:04,815 --> 01:51:07,083 OLIVER." [ CHEERS AND APPLAUSE ] 1418 01:51:07,083 --> 01:51:21,598 ♪♪♪♪ >> Announcer: ACCEPTING THE EMMY 1419 01:51:21,598 --> 01:51:29,272 IS JOHN OLIVER. >> THANK YOU VERY MUCH. 1420 01:51:29,272 --> 01:51:31,007 THANK YOU. THANK YOU. 1421 01:51:31,007 --> 01:51:35,645 ALL THE SHOWS EVERY YEAR, WE FLY OUR STAFF HERE AND WE PUT THEM 1422 01:51:35,645 --> 01:51:39,816 IN THE WORST SEATS IN THE BUILDING TO SEND A MIXED 1423 01:51:39,816 --> 01:51:41,818 MESSAGE. SO THANK YOU TO OUR STAFF. 1424 01:51:41,818 --> 01:51:45,689 WE'RE INCREDIBLY PROUD OF YOU. THANK YOU, ON BEHALF OF EVERYONE 1425 01:51:45,689 --> 01:51:50,360 IN THIS ROOM, I WOULD LIKE TO THANK GLENN WEISS' FIANCE FOR 1426 01:51:50,360 --> 01:51:52,062 SAYING YES. THIS COULD HAVE BEEN A VERY 1427 01:51:52,062 --> 01:51:54,764 DIFFERENT EVENING. YOU REALLY CAME THROUGH. 1428 01:51:54,764 --> 01:52:00,403 WE WOULD LIKE TO THANK HBO, CASEY, ESPECIALLY NINA FOR THEIR 1429 01:52:00,403 --> 01:52:02,372 CONSTANT SUPPORT, THEY'VE BEEN INCREDIBLE. 1430 01:52:02,372 --> 01:52:08,011 WHETHER WE WANT TO DO A STORY ABOUT TRADE POLICY OR BUY 1431 01:52:08,011 --> 01:52:17,153 RUSSELL CROWE'S JOCK STRAP. I WOULD LIKE TO THANK TIM CARR 1432 01:52:17,153 --> 01:52:18,555 VILLE CARRVEL, THE BACKBONE OF THE 1433 01:52:18,555 --> 01:52:19,956 SHOW. I WOULD LIKE TO THANK MY WIFE 1434 01:52:19,956 --> 01:52:22,559 AND CHILDREN, WE LOVE YOU VERY MUCH. 1435 01:52:22,559 --> 01:52:25,829 MY SON, 2 1/2 YEARS OLD, HATES OUR SHOW. 1436 01:52:25,829 --> 01:52:31,001 IF OUR SHOW IS ANYTHING, IT'S THE PRECISE OPPOSITE OF "PAW 1437 01:52:31,001 --> 01:52:32,035 PATROL." THANK YOU VERY MUCH. 1438 01:52:32,035 --> 01:52:37,374 GOOD NIGHT. [ CHEERS AND A 1439 01:52:37,374 --> 01:52:39,476 >> Announcer: AND NOW, HERE ARE THE NOMINEES FOR OUTSTANDING 1440 01:52:39,476 --> 01:52:48,385 LIMITED SERIES. >> THESE BOYS AIN'T GONNA BLAME 1441 01:52:48,385 --> 01:52:51,821 YOU. I SEEN MY DEATH. 1442 01:52:51,821 --> 01:52:55,959 THIS AIN'T IT. >> IF I'M CORRECT, YOUR MEN WILL 1443 01:52:55,959 --> 01:53:00,764 BE ILL‐EQUIPPED TO FATHOM THE MOTIVES. 1444 01:53:00,764 --> 01:53:07,070 >> MY LIFE IS AN ENDLESS REEL OF DECAPITATIONS AND THE LIVER THAT 1445 01:53:07,070 --> 01:53:10,106 I WOULD QUITE LIKE BACK, THANK YOU VERY MUCH. 1446 01:53:10,106 --> 01:53:14,477 >> HERE THERE IS ONLY PICASSO. >> SO THEN YOU DID THIS. 1447 01:53:14,477 --> 01:53:18,181 >> NO, YOU DID. >> BEING HERE LIKE THIS, WITH 1448 01:53:18,181 --> 01:53:26,022 YOU, IT FEELS LIKE DESTINY. >> Announcer: TO PRESENT THE 1449 01:53:26,022 --> 01:53:27,657 AWARD FOR OUTSTANDING LIMITED SERIES, PLEASE WELCOME 1450 01:53:27,657 --> 01:53:30,694 PATRICIA ARQUETTE, BENICIO DEL TORO AND 1451 01:53:30,694 --> 01:53:34,864 BEN STILLER. >> AS ACTORS, WE ARE CONSTANTLY 1452 01:53:34,864 --> 01:53:39,035 CHALLENGING OURSELVES. >> WE'RE EXPLORING NEW 1453 01:53:39,035 --> 01:53:45,976 CHARACTERS, NEW TERRAINS, AND NEW EXPERIENCES. 1454 01:53:45,976 --> 01:53:59,289 >> AND WE KILL AND WE WILL KILL AGAIN. 1455 01:53:59,289 --> 01:54:05,528 >> WHAT WAS THAT? >> I SAID, NEW EXPERIENCES. 1456 01:54:05,528 --> 01:54:19,876 LIKE PATRICIA SAID. >> OH. 1457 01:54:19,876 --> 01:54:23,613 >> OKAY. AND THE EMMY FOR OUTSTANDING 1458 01:54:23,613 --> 01:54:31,554 LIMITED SERIES GOES TO ‐‐ A LIVING PERSON AND GROUP OF 1459 01:54:31,554 --> 01:54:32,589 PEOPLE. "THE ASSASSINATION OF GIANNI 1460 01:54:32,589 --> 01:54:35,625 VERSACE: [ CHEERS AND APPLAUSE ] 1461 01:54:35,625 --> 01:54:44,067 ♪♪♪♪ >> Announcer: ACCEPTING THE EMMY 1462 01:54:44,067 --> 01:54:52,709 IS RYAN MURPHY. 1463 01:55:07,123 --> 01:55:11,828 >> THANK YOU SO MUCH. THANK YOU TO THE ACADEMY. 1464 01:55:11,828 --> 01:55:15,331 NONE OF US WOULD BE HERE WITHOUT THE BRILLIANT WRITING OF TOM ROB 1465 01:55:15,331 --> 01:55:17,667 SMITH WHO WROTE EVERY ONE OF OUR EPISODES. 1466 01:55:17,667 --> 01:55:21,337 THANK YOU, TOM. THANK YOU TO ALEXIS, TO BRAD 1467 01:55:21,337 --> 01:55:32,916 SIMPSON, TO NINA JACOBSON, TO DANA WALDEN, GARY NEWMAN, JOHN 1468 01:55:32,916 --> 01:55:37,487 LANGRAF, PETER RICE. "THE ASSASSINATION OF GIANNI 1469 01:55:37,487 --> 01:55:39,556 VERSACE" IS ABOUT A LOT OF THINGS. 1470 01:55:39,556 --> 01:55:44,160 IT'S ABOUT HOMOPHOBIA, INTERNALIZED AND EXTERNALIZED. 1471 01:55:44,160 --> 01:55:47,697 ONE OF OUT OF EVERY FOUR LGBTQ PEOPLE IN THIS COUNTRY WILL BE 1472 01:55:47,697 --> 01:55:52,102 THE VICTIM OF A HATE CRIME. WE DEDICATE THIS AWARD TO THEM, 1473 01:55:52,102 --> 01:55:56,739 TO AWARENESS, TO STRICTER HATE CRIME LAWS, AND MOSTLY THIS IS 1474 01:55:56,739 --> 01:56:00,677 FOR THE MEMORY OF JEFF AND DAVID AND GIANNI AND FOR ALL OF THOSE 1475 01:56:00,677 --> 01:56:02,112 TAKEN TOO SOON. THANK YOU VERY MUCH. 1476 01:56:02,112 --> 01:56:06,449 [ APPLAUSE ] >> Announcer: UP NEXT, 1477 01:56:06,449 --> 01:56:08,551 WILL FERRELL PRESENTS OUTSTANDING COMEDY SERIES. 1478 01:56:08,551 --> 01:56:11,654 AND LATER, KENAN THOMPSON WILL REVEAL WHICH DRAMA SERIES WILL 1479 01:56:11,654 --> 01:56:16,093 TAKE HOME THE GOLD. THE EMMYS, ON NBC. 1480 01:56:23,733 --> 01:56:26,269 >> Announcer: AND NOW HERE ARE THE NOMINEES FOR OUTSTANDING 1481 01:56:26,269 --> 01:56:33,710 COMEDY SERIES. >> WHAT FLAVOR IS A FLAMING HOT 1482 01:56:33,710 --> 01:56:41,351 CHEETO? >> EVERY ELSE HAS SOMETHING. 1483 01:56:41,351 --> 01:56:43,887 >> OH, YEAH, ABSOLUTELY. WHAT'S THE SCENE? 1484 01:56:43,887 --> 01:56:48,925 >> SORRY, NO RENT FOR JAIL BIRDS. 1485 01:56:48,925 --> 01:56:52,228 THAT'S WHITE JUSTICE. >> TO MAKE HIM WAIT ANOTHER TEN 1486 01:56:52,228 --> 01:56:55,765 MINUTES FOR A FEW MEASLY POTATOES? 1487 01:56:55,765 --> 01:57:00,570 >> AM I TO WAIT ALL DAY? WHERE IS THE MANAGER OF THIS 1488 01:57:00,570 --> 01:57:04,707 ESTABLISHMENT? I'M EXTREMELY WHITE OVER HERE. 1489 01:57:04,707 --> 01:57:14,217 >> AND BIG FINISH. >> WHEN I AGREED TO SEND YOU TO 1490 01:57:14,217 --> 01:57:22,125 THAT FANCY GOYISHE COLLEGE, WHAT WAS THE IMPORTANT THING I TOLD 1491 01:57:22,125 --> 01:57:25,762 YOU? >> THE LAST GUY TO CREATE THE 1492 01:57:25,762 --> 01:57:28,598 INTERNET, AL GORE. HIS IDEAS WERE EXCELLENT BUT I 1493 01:57:28,598 --> 01:57:34,904 TALKED LIKE A NARCOLEPTIC PLANTATION OFFER SO HE LOST THE 1494 01:57:34,904 --> 01:57:36,739 PRESIDENCY. >> TO PRESENT THE AWARD FOR 1495 01:57:36,739 --> 01:57:46,749 OUTSTANDING COMEDY SERIES HERE IS WILL FERRELL. 1496 01:57:46,749 --> 01:58:13,276 ♪♪♪♪ [ APPLAUSE ] 1497 01:58:13,276 --> 01:58:17,847 >> I'M SORRY THE WALK WAS SO LONG. 1498 01:58:17,847 --> 01:58:23,353 IT'S JUST ENDLESS. IT LOOKS MUCH SMALLER ON 1499 01:58:23,353 --> 01:58:32,962 TELEVISION. IT'S ABOUT A THOUSAND YARDS. 1500 01:58:32,962 --> 01:58:38,468 AND THESE WERE NOT THE SHOES TO DO IT IN EITHER. 1501 01:58:38,468 --> 01:58:45,008 I JUST NEED A MINUTE TO COLLECT MYSELF. 1502 01:58:45,008 --> 01:58:48,511 MY CREDENTIALS, DID I BRING MY ‐‐ I HAVE MY CREDENTIALS, 1503 01:58:48,511 --> 01:58:54,550 OKAY. THIS ALLOWS ME AN RC, FM, BK AND 1504 01:58:54,550 --> 01:59:05,261 PC. THE 70th EMMYS. 1505 01:59:05,261 --> 01:59:11,934 AND THE EMMY FOR OUTSTANDING COMEDY SERIES GOES TO ‐‐ 1506 01:59:11,934 --> 01:59:13,636 "THE MARVELOUS MRS. MAISEL." [ CHEERS AND APPLAUSE ] 1507 01:59:13,636 --> 01:59:27,884 ♪♪♪♪ >> Announcer: ACCEPTING THE EMMY 1508 01:59:27,884 --> 01:59:33,523 IS DANIEL PALLADINO. 1509 01:59:51,140 --> 01:59:54,510 >> I HAD SOMETHING MEMORIZED AND IT ALL DUMPED OUT. 1510 01:59:54,510 --> 01:59:59,248 THANK YOU TO THE ACADEMY AND TO ALL OF VIEWERS WHO WATCH. 1511 01:59:59,248 --> 02:00:04,053 TO OUR AGENTS AT CAA WHO GUIDE US IN OUR CAREERS. 1512 02:00:04,053 --> 02:00:09,392 AMY AND I WOULD ALSO LIKE TO THANK OUR CREW, BILL GROOM, YOU 1513 02:00:09,392 --> 02:00:13,696 GUYS TURN MODERN DAY NEW YORK INTO 1958 NEW YORK, AND IT'S 1514 02:00:13,696 --> 02:00:17,266 AMAZING, THE JOB YOU DO. TO OUR FAMILIES WATCHING AT 1515 02:00:17,266 --> 02:00:25,675 HOME, PARTICULARLY OUR MOTHERS, AND GUYS, THEY ARE AVAILABLE. 1516 02:00:25,675 --> 02:00:29,245 ALSO TO EVERYONE AT AMAZON, IT'S BEEN A REALLY GREAT RIDE. 1517 02:00:29,245 --> 02:00:31,714 YOU GUYS HAVE BEEN NOTHING BUT SUPPORTIVE FROM THE VERY 1518 02:00:31,714 --> 02:00:33,082 BEGINNING. THANK YOU SO MUCH FOR THAT. 1519 02:00:33,082 --> 02:00:39,222 AND TO OUR CAST, WHO BITE INTO OUR 80‐PAGE SCRIPTS EVERY WEEK. 1520 02:00:39,222 --> 02:00:47,230 WE JUST WRAPPED A DAY AND A HALF AGO, WE MISS WORKING YOU GUYS, 1521 02:00:47,230 --> 02:00:49,232 WE LOOK FORWARD TO SEASON 3. THANK YOU TO THE VIEWERS. 1522 02:00:49,232 --> 02:00:58,941 THANK YOU. [ APPLAUSE ] 1523 02:00:58,941 --> 02:01:01,043 >> Announcer: WHEN WE COME BACK, KENAN THOMPSON PRESENTS 1524 02:01:01,043 --> 02:01:05,877 OUTSTANDING DRAMA SERIES. THE EMMYS, ON NBC. 1525 02:01:12,099 --> 02:01:14,688 >> Announcer: AND NOW HERE ARE THE NOMINEES FOR OUTSTANDING 1526 02:01:14,688 --> 02:01:23,664 DRAMA SERIES. >> STAN, WE'RE NOT LYING ON THE 1527 02:01:23,664 --> 02:01:24,898 GROUND WHILE YOU HAVE THAT GUN POINTED AT US. 1528 02:01:24,898 --> 02:01:27,835 >> STOP, ELIZABETH, JUST STOP. >> YOU SEEM TO BE ENGAGING IN 1529 02:01:27,835 --> 02:01:36,343 THE DIRTY BUSINESS OF POLITICS. >> GO! 1530 02:01:36,343 --> 02:01:42,249 >> YOU SHALL FEEL THE PAIN OF HIS JUDGMENT. 1531 02:01:42,249 --> 02:01:53,994 FOR THAT IS HIS LOVE. >> GROW THE HELL UP! 1532 02:01:53,994 --> 02:01:59,566 >> IT WAS EASIER, HE DIDN'T RECOIL WHEN I TOUCHED HIM AND HE 1533 02:01:59,566 --> 02:02:04,805 WASN'T SOME SULLEN TEENAGER AND HE DIDN'T ABANDON ME. 1534 02:02:04,805 --> 02:02:06,707 >> THAT'S NOT A PLACE. IT'S A WEAPON. 1535 02:02:06,707 --> 02:02:09,443 AND I'M GOING TO USE IT TO DESTROY THEM. 1536 02:02:09,443 --> 02:02:13,080 >> Announcer: TO PRESENT THE AWARD FOR OUTSTANDING DRAMA 1537 02:02:13,080 --> 02:02:21,388 SERIES, HERE IS KENAN THOMPSON. [ APPLAUSE ] 1538 02:02:21,388 --> 02:02:24,558 >> WOW, WHAT A NIGHT IT HAS BEEN. 1539 02:02:24,558 --> 02:02:26,827 GREAT NIGHT FOR HENRY WINKLER. SO PROUD OF YOU, SIR, SO PROUD 1540 02:02:26,827 --> 02:02:32,332 OF YOU. LIKE HE NEEDS ME TO BE PROUD OF 1541 02:02:32,332 --> 02:02:35,035 HIM. ALL RIGHT. 1542 02:02:35,035 --> 02:02:39,039 WE'VE GOT ONE MORE AWARD TO GO. THE EMMY FOR OUTSTANDING DRAMA 1543 02:02:39,039 --> 02:02:48,916 SERIES GOES TO ‐‐ "GAME OF THRONES."C 1544 02:02:48,916 --> 02:03:01,295 [ CHEERS AND APPLAUSE ] ♪♪ 1545 02:03:01,295 --> 02:03:33,360 >> Announcer: ACCEPTING THE EMMY IS D. B. WEISS. 1546 02:03:33,360 --> 02:03:38,432 >> WRITING FOR THESE ACTORS BEHIND US IS THE HONOR OF A 1547 02:03:38,432 --> 02:03:41,034 LIFETIME. BUT WE DIDN'T INVENT THESE 1548 02:03:41,034 --> 02:03:42,669 CHARACTERS. THAT WAS GEORGE R. R. MARTIN. 1549 02:03:42,669 --> 02:03:46,239 THE SHOW COULD NOT BE, WITHOUT THE MAD GENIUS OF GEORGE. 1550 02:03:46,239 --> 02:03:49,810 THANK YOU FOR LETTING US TAKE CARE OF YOUR PEOPLE. 1551 02:03:49,810 --> 02:03:52,312 HBO, THERE'S NO BETTER PLACE TO WORK. 1552 02:03:52,312 --> 02:03:57,017 THANK YOU, RICHARD PEPLOR, YOU SAID YES TO US AND THAT'S THE 1553 02:03:57,017 --> 02:04:01,088 REASON WE'RE STANDING HERE NOW. >> THE SHOW IS ONLY AS GOOD AS 1554 02:04:01,088 --> 02:04:04,925 THE PEOPLE WHO MAKE IT. WE ARE BLESSED AND LUCKY TO HAVE 1555 02:04:04,925 --> 02:04:10,897 THE GREATEST CAST, THE GREATEST CREW, AND THE GREATEST TEAM OF 1556 02:04:10,897 --> 02:04:16,336 PRODUCERS LED BY THE INIMITABLE BERNIE CAULFIELD. 1557 02:04:16,336 --> 02:04:18,038 THIS IS THE WOMAN WHO ACTUALLY MAKES THE SHOW. 1558 02:04:18,038 --> 02:04:23,844 THE REST OF US ORDER LUNCH. AND IT IS AN HONOR TO WORK WITH 1559 02:04:23,844 --> 02:04:29,516 THEM FROM SPAIN TO ICELAND, ALL THE WAY TO OUR HOME BASE OF 1560 02:04:29,516 --> 02:04:33,387 BELFAST, NORTHERN IRELAND. HERE'S TO YOU, BELFAST. 1561 02:04:33,387 --> 02:04:37,391 IT'S BEEN AN HONOR. >> AMANDA PEET, I LOVE YOU SO 1562 02:04:37,391 --> 02:04:39,960 MUCH. FRANKIE, MOLLIE, HENRY, I LOVE 1563 02:04:39,960 --> 02:04:43,730 YOU ALL. >> ANDREA, HUGO, WE LOVE YOU 1564 02:04:43,730 --> 02:04:45,666 VERY MUCH. >> WE LOVE ALL YOU GUYS. 1565 02:04:45,666 --> 02:04:52,239 [ APPLAUSE ] 1566 02:04:54,908 --> 02:04:57,310 >> ALL RIGHT, GUYS. THAT IS THE END OF OUR SHOW 1567 02:04:57,310 --> 02:04:59,780 TONIGHT. THANK YOU SO MUCH FOR HAVING US. 1568 02:04:59,780 --> 02:05:06,620 PLEASE GIVE IT UP FOR LENNY PICKETT AND THE SATURDAY NIGHT 1569 02:05:06,620 --> 02:05:07,888 BAND. [ APPLAUSE ] 1570 02:05:07,888 --> 02:05:10,323 AND WE APOLOGIZE, THE SHOW RAN LONG. 1571 02:05:10,323 --> 02:05:12,793 OUR APOLOGIES TO ALL THE PRESENTERS WE DID NOT GET TO 1572 02:05:12,793 --> 02:05:17,130 TONIGHT, BEYONCE, BILL CLINTON. >> OPRAH WINFREY, COLIN 1573 02:05:17,130 --> 02:05:21,802 KAEPERNICK. >> THE DOG FROM "FRAZIER." 1574 02:05:21,802 --> 02:05:26,139 >> JAY LENO'S GARAGE. >> STAY TUNED FOR "SHOWTIME AT 1575 02:05:26,139 --> 02:05:30,944 THE APOLLO." >> GOOD NIGHT! 130052

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