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(female narrator) "I have enough jewelry"
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said no one ever.
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But luckily up and down the land is an army of jewelers
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putting in the hours to make us sparkle.
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And we're on the hunt for the next big star
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in the world of jewelry.
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This week..
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Here we go again.
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...seven up and coming
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jewelry designers were turned
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to the workshop to face two challenges.
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The best seller to create pieces everyone will want.
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What would you be excited to see from the jewelers?
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Sexiness.
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(female narrator) And the bespoke to design and make a one off
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for someone special.
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These people are talented.
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(female narrator) All to try and impress two of the biggest names
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in the industry.
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Jeweler to the stars, Shaun Leane.
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I was always told that a good jeweler is one
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that get themselves out of a problem.
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(female narrator) And renowned jewelry designer
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Solange Azagury-Partridge.
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(Solange) If they haven't followed our criteria
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then they could be in trouble.
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(female narrator) To win, they'll have to prove not only their
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technical ability..
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A rock and roll drama.
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The spillage, it's always good to see.
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(female narrator) ...but design prowess.
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You ever thought of just buying jewelry?
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[laughs ] Often.
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(female narrator) Or they'll have to leave the workshop.
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I've never enameled before, but how hard can it be.
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(female narrator) So, who will shine bright like a diamond?
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(Sonny) Ah, it looks a mess. How have I done that?
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(female narrator) Or remain a diamond in the rough.
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Bugger it!
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[blowing raspberry]
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Jewelry is so intense.
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(female narrator) Welcome to "All That Glitters."
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(female narrator) Birmingham is home to more canals than Venice.
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And in the heart of it's jewelry quarter
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the "All That Glitters" workshop.
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- Happy to be back? - Ehh.
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Little bit butterflies
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little butterflies.
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(female narrator) The first challenge the jewelers
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face test their ability to design
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and make a piece of jewelry
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that's the next must have.
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It's "The Bestseller."
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(Katherine) Hello, jewelers and welcome back to the "All that Glitters"
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workshop for some more tough challenges.
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'This week, we'll be testing your abilities using'
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the medium of wire and grain.
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If anyone watching at home doesn't know what that is
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just keep watching and the television narrative
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will unfold.
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'Using the silver wire in front of you'
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the judges would like you to create a chain collar.
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'Shaun, Solange, tell us more.'
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(Shaun) 'A chain can often take'
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a second billing to a main feature.
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But we want it to be the star of the show.
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Your chain collar must be 18 inches in length.
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It should include at least three different sized links.
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They can be any shape or size.
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(Solange) 'Your chain collar, it needs to sit'
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comfortably on the collar bone.
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'And as it's drawing attention to that part of the neck'
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make sure it's decorative and make it beautiful.
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(Katherine) 'And remember, the bestseller should be jewelry '
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that everyone wants in their collection.
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Totally trending hashtag chains. What is that?
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You have four hours and your time starts now.
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- 'Good luck.' - 'Good luck.'
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[instrumental music]
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(female narrator) This week the jewelers are using silver wire and grain
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which requires new levels of skill
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and will build on the techniques used
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in the first set of challenges.
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(Sonny) I'm excited by the challenge
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because there's few things
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you should have in your collection.
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A favorite ring, a favorite bracelet
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and a favorite chain.
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And I think this is the piece
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which you gladly wear everyday.
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(female narrator) For their day jobs, many of the jewelers work
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to other jeweler's designs.
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So, this is an opportunity to create something
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that showcases their own unique style.
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(Lee) The design today is-is quite simple.
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It's clean lines, uh, contemporary
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and that hopefully will catch the judge's eye
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and get a brownie point or two.
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What would you do if you were given this task?
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Going on again.
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[laughing]
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Shaun, what exactly is a chain collar?
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A collar is a series of decorative links
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that all interlock together to create a chain.
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'Most chains are made by machine nowadays.'
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So, to hammock a chain takes a lot of skill and dexterity.
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What would you be excited to see from the jewelers?
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Sexiness.
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- That's you and me both. - Mmm.
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It should compliment a neck. Not dominate it.
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(Katherine) 'What could go wrong today with this challenge?'
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(Shaun) 'When forming and shaping the links, the metal could split.'
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And when soldering, if they overheat the link
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they're working on, the chain could fall apart.
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'I'll be looking for clean solder joints'
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'even polished and fluidity in the links.'
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Well, let's hope they can deliver.
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They're getting in the zone.
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(female narrator) To create their chain, the jewelers have been given
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50 cm of 3 mm sterling silver wire
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that contains a small amount of copper
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to make it more durable. Vital.
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Because to make links in various shapes and sizes
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they'll need to lengthen it
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a lot.
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I'm going to make this
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around six meters long.
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(female narrator) And to do that, they have to start
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with a process called annealing.
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(Nicola) Basically, the molecules of metal as you work
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with them get really rigid and tight like this.
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And if you anneal them and get them hot to a cherry red color
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they all relax and it means you can bend it more easily.
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(female narrator) As well as working as a special need's teaching assistant
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Nicola from Hereford has started her own business
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making jewelry from home.
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(Nicola) My jewelry uses geometrical shapes and connections
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that might be found and drawn from architecture.
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I am quite new to this and I could easily feel overwhelmed
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that I'm gonna take each week as it comes
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and if I get to the final, I'll just be very shocked
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and pleased.
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(female narrator) Staying true to her signature style
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Nicola's chain collar design is inspired
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by Japanese rain chains
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which work like down pipes
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off the corners of traditional buildings.
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So, there's three different size links, uh, within my chain
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that build up a pattern, a repeated pattern.
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So, in order to reach the 18 inches of length
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I'm gonna use the draw horse
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and I'm gonna draw the wire around
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to a finer stock of wire.
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[instrumental music]
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Uhh..
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(female narrator) The draw horse allows the jewelers to accurately
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and quickly work their annealed silver wire
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to the required length and width.
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(Tamara) This process is called drawing down wire.
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Basically like it's extruding the wire
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through holes in a piece of steel
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So, as the silver goes through the drawplate
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it makes it thinner.
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You can feel, like, the tension in the silver
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because it's getting squashed.
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Well, that's like, a lot of work.
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Uh, you know what, you guys
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you ever thought of just buying jewelry?
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[laughs ] Often.
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That's a lot easier.
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- Can I pull it? - Yeah. Why not?
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- 'It's just that easy.' - 'It's just that easy?'
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Because it's good, it means you, uh
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don't have to put as much energy into it.
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You know, you can sell this
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to like middle-class mums
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as a workout because you're squatting
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and then you're making your own jewelry.
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So, if your ex-husband made off with all the stuff
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you already had you can have more.
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'Good luck with your squishing and pulling.'
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- Kim, how's it going? - Well, alright, yeah.
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Drawing down my wire.
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Do you want me to spin the thing for you?
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- No, no. I'm good. - Oh, alright.
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That's what I noticed when you came
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last week and I really liked it
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is that you enjoy every moment on the bench.
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Oh, absolutely nothing. I love working with the metal.
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That's my thing. It's actually handling it and making it.
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(female narrator) Kim is a real nature lover
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and makes jewelry from her small studio
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in Portsmouth.
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She's keen to test and develop her technical skills.
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(Kim) Natural forms, I think I would say inspire my work.
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The things I see around me, a plant growing over a fence
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or even a little weed coming out through the pavement.
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My style of work is very free. It's very organic.
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I almost think of myself as a painter
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with my torch when I work.
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It's.. It just flows really.
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(female narrator) Kim is once again embracing
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floral design in this challenge
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with her daisy chain collar.
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I'm bending a loop round on the end of each link
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and-and then I'm going to poke the stem up
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through the loop like this
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and then I'm going to melt the end of the stem.
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So, I'm going to get a bore on the end.
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And that's how I'm going to form the working of the chain.
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(female narrator) Whilst many of the jewelers have used the draw horse
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to lengthen their wire
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self-taught jeweler, Sonny
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is taking matters into his own hands.
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So, what I'm now is I'm forging the wire around.
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The forging is going to give it a nice texture and shimmer.
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(female narrator) Sonny's 18 inch chain collar has a series of inter-linked
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silver rings soldered together with gold.
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He's hoping the hand-finished
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shows the judges his signature style.
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(Sonny) The hammer is an extension of your own.
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It's kind of like a fingerprint on the wire.
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And I think, jewelry nowadays loses that.
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And I think to have that to have that organic
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human touch is big difference.
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(female narrator) The next step for our jewelers is forming the three
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sized links, which will form the main detail of their chain.
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(Tamara) I'm going to make a loop-in-loop chain.
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It's very ancient chain making technique
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dates back to the Roman and Greek times.
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I'm going to make lots of U shaped links.
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Once they were linked together
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it's this amazing feat of engineering
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and suddenly makes this beautiful chain.
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(female narrator) Tamara is originally from Essex
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but makes her jewelry from a shared art-space
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in Central London.
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I make jewelry not because it's jewelry
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it's more about the act of being creative.
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Creativity to me is therapy.
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It is the reason why I get up every morning..
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I'm worried about being too ambitious with what I want
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to do in a challenge and then realizing
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that it's not going to work.
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But I just want to enjoy it.
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Hopefully, all will come together.
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Time will tell.
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(female narrator) The jewelers have been asked that their chain collar
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is made with inter-locking links.
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But some are using jump rings
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which are additional joining hoops
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soldered onto their design.
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(Lee) I'm going for a, more of a bow link
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than a traditional sort of circular link.
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I've got these little jump rings to join it all together.
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Just a little bit different.
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So, hopefully that'll do the job and hopefully
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it's within the remix, so..
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- Hugo. - Hello.
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Hey, you feeling strong this week?
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00:12:08,000 --> 00:12:10,000
I'm feeling strong. I'm feeling strong. I'm feeling good.
262
00:12:10,000 --> 00:12:12,000
- Can we see your drawing? - Yeah, yeah, yeah.
263
00:12:12,000 --> 00:12:14,000
- Of course. - 'Ooh..'
264
00:12:14,000 --> 00:12:16,000
(Hugo) 'I've decided to make a chain based of, uh'
265
00:12:16,000 --> 00:12:17,000
'Russian wedding bands.'
266
00:12:18,000 --> 00:12:21,000
'So, I'm gonna interlock three different rings..'
267
00:12:21,000 --> 00:12:24,000
(Solange) 'And, um, how are you planning on linking them together?'
268
00:12:24,000 --> 00:12:27,000
So, I'm gonna have tiny little jump rings
269
00:12:27,000 --> 00:12:29,000
which I'm gonna be placing either side
270
00:12:29,000 --> 00:12:30,000
of each sort of corner.
271
00:12:30,000 --> 00:12:35,000
So, do the jump rings constitute parts of the chain link?
272
00:12:35,000 --> 00:12:38,000
Um, the way I'm gonna sort of bring it together
273
00:12:38,000 --> 00:12:41,000
it's gonna sort of flow as if it's part of the chain, so..
274
00:12:41,000 --> 00:12:43,000
(Katherine) 'Why do you ask? Are jump rings not allowed?'
275
00:12:43,000 --> 00:12:44,000
It's a chain link collar.
276
00:12:45,000 --> 00:12:47,000
So, every link needs to be inter-connected.
277
00:12:47,000 --> 00:12:49,000
Inter-connected.
278
00:12:52,000 --> 00:12:56,000
(female narrator) Hugo works for a jewelers in Haywards Heath in West Sussex.
279
00:12:56,000 --> 00:13:00,000
He started as an apprentice when he was 15 years old.
280
00:13:01,000 --> 00:13:04,000
I'd say, I'm the type of person that loves pressure.
281
00:13:04,000 --> 00:13:06,000
While working, I sort of tend to get get sort of
282
00:13:06,000 --> 00:13:08,000
tunnel vision and I'm kind of a person
283
00:13:08,000 --> 00:13:10,000
who doesn't sort of stop until the job's done.
284
00:13:10,000 --> 00:13:13,000
So much so I spend so much time on a piece
285
00:13:13,000 --> 00:13:14,000
it just never sees the light of day
286
00:13:15,000 --> 00:13:16,000
because I'm not happy with it.
287
00:13:18,000 --> 00:13:20,000
Now, do you know what? Yeah.
288
00:13:20,000 --> 00:13:23,000
Pretty sure I'm hanging, pretty sure I'm hanging that brief.
289
00:13:23,000 --> 00:13:25,000
'But at the end of the day, it's up to what the judges think'
290
00:13:25,000 --> 00:13:28,000
so, I'll leave that for them to decide whether
291
00:13:28,000 --> 00:13:30,000
it is what they're looking for or not.
292
00:13:33,000 --> 00:13:35,000
(Katherine) 'Wow, this looks very beautiful.'
293
00:13:35,000 --> 00:13:38,000
Of course, winner of jeweler of the week, last week.
294
00:13:38,000 --> 00:13:41,000
Ohh, you must be feeling wild today.
295
00:13:41,000 --> 00:13:44,000
I certainly got felt very good last week.
296
00:13:44,000 --> 00:13:45,000
But now it's just the pressure again this week.
297
00:13:45,000 --> 00:13:47,000
Isn't it? Back to it.
298
00:13:47,000 --> 00:13:51,000
I can see that you are positioning jump rings.
299
00:13:51,000 --> 00:13:54,000
(Dan) 'Yeah, I'm doing a, quite an angular link.'
300
00:13:55,000 --> 00:13:57,000
'But to keep it flat I'm gonna have a couple of jump rings'
301
00:13:57,000 --> 00:14:00,000
'in between, just to it lays really flat to the body.'
302
00:14:00,000 --> 00:14:02,000
I like crisp, sharp edges.
303
00:14:02,000 --> 00:14:05,000
Um, so hopefully, they're gonna be crisp and sharp.
304
00:14:08,000 --> 00:14:10,000
I think a chain is one of the hardest things
305
00:14:10,000 --> 00:14:12,000
to design for a jeweler.
306
00:14:12,000 --> 00:14:16,000
And you can't just link something with a piece of wire
307
00:14:16,000 --> 00:14:18,000
or a little jump ring and say that's a chain.
308
00:14:18,000 --> 00:14:20,000
That's not a chain. That's a necklace.
309
00:14:22,000 --> 00:14:25,000
'If they haven't actually made a chain collar'
310
00:14:25,000 --> 00:14:26,000
'and they've made a necklace'
311
00:14:27,000 --> 00:14:29,000
and not followed our criteria
312
00:14:29,000 --> 00:14:30,000
then they could be in trouble.
313
00:14:39,000 --> 00:14:40,000
(Katherine) 'One hour left.'
314
00:14:40,000 --> 00:14:42,000
You have an hour remaining.
315
00:14:45,000 --> 00:14:46,000
A little bit panicked.
316
00:14:46,000 --> 00:14:48,000
Um, got a fair amount still to do
317
00:14:48,000 --> 00:14:49,000
but we'll see how it goes.
318
00:14:53,000 --> 00:14:54,000
[instrumental music]
319
00:14:59,000 --> 00:15:02,000
(Lee) It's a very important stage, need to get a triangle.
320
00:15:02,000 --> 00:15:04,000
That's tringle is shaped as I can.
321
00:15:05,000 --> 00:15:07,000
I don't really know whether I'm on target or not.
322
00:15:07,000 --> 00:15:09,000
Just got to keep on, keep on going.
323
00:15:15,000 --> 00:15:17,000
[instrumental music]
324
00:15:21,000 --> 00:15:23,000
(female narrator) While most are using silver solder on their joints
325
00:15:23,000 --> 00:15:25,000
so they can't be seen.
326
00:15:25,000 --> 00:15:28,000
Sonny wants his to stand out.
327
00:15:28,000 --> 00:15:30,000
(Sonny) What I'm doing is, I'm soldering every link
328
00:15:30,000 --> 00:15:32,000
with 18 carat solder.
329
00:15:32,000 --> 00:15:36,000
The issue that could happen here is you melt a link
330
00:15:36,000 --> 00:15:38,000
which is a nightmare.
331
00:15:38,000 --> 00:15:41,000
Because I not only you do..
332
00:15:41,000 --> 00:15:45,000
You lose the link, you also lose length.
333
00:15:45,000 --> 00:15:47,000
It's bit of school boy error there.
334
00:15:47,000 --> 00:15:49,000
(Katherine) 'Do you think you're gonna make Shaun angry'
335
00:15:49,000 --> 00:15:52,000
because he likes no soldering joints?
336
00:15:53,000 --> 00:15:55,000
And you are highlighting these joints.
337
00:15:55,000 --> 00:15:57,000
Its intentional. It's not through lack of technique.
338
00:15:57,000 --> 00:15:59,000
That's what I say when I fall over.
339
00:16:06,000 --> 00:16:09,000
(Tamara) I can only laugh this week, not cry.
340
00:16:09,000 --> 00:16:12,000
I've been trying to make a loop in loop necklace.
341
00:16:12,000 --> 00:16:14,000
And it's
342
00:16:14,000 --> 00:16:17,000
really, really, really tricky.
343
00:16:18,000 --> 00:16:21,000
- 'Hey, Tamara.' - Hi, Tamara.
344
00:16:21,000 --> 00:16:23,000
Uh-oh! Rusting link face.
345
00:16:23,000 --> 00:16:26,000
- What's wrong? - My loop in loops' not working.
346
00:16:26,000 --> 00:16:27,000
- What does that mean? - How come?
347
00:16:28,000 --> 00:16:30,000
Because I've been
348
00:16:30,000 --> 00:16:34,000
just forming them and it's just taking so long.
349
00:16:34,000 --> 00:16:36,000
(Katherine) 'This is lovely. So, this is what it's meant to do?'
350
00:16:36,000 --> 00:16:39,000
Yeah, but it's.. I can't get 18 inches of that.
351
00:16:39,000 --> 00:16:41,000
It's just not gonna happen.
352
00:16:41,000 --> 00:16:43,000
Well, I was always told that a good jeweler
353
00:16:43,000 --> 00:16:45,000
is one that gets themselves out of a problem.
354
00:16:46,000 --> 00:16:50,000
(Tamara) What I'm going to do is make some of the necklace
355
00:16:50,000 --> 00:16:53,000
just plain thin link.
356
00:16:53,000 --> 00:16:55,000
As long as I've got a necklace with three different size links.
357
00:16:55,000 --> 00:16:59,000
- So, I have to do that. So.. - 'I think that's a great idea.'
358
00:16:59,000 --> 00:17:00,000
You can think your way out of this. I know you can.
359
00:17:00,000 --> 00:17:02,000
I will do my best. Thank you.
360
00:17:04,000 --> 00:17:06,000
[instrumental music]
361
00:17:25,000 --> 00:17:27,000
(Katherine) Jewelers, you have ten minutes remaining.
362
00:17:27,000 --> 00:17:29,000
Ten!
363
00:17:30,000 --> 00:17:31,000
Ten minutes.
364
00:17:34,000 --> 00:17:36,000
(Hugo) In the next couple of minutes determines
365
00:17:37,000 --> 00:17:39,000
on wherever much you're gonna hit that 18 inch.
366
00:17:39,000 --> 00:17:42,000
It's starting to swell over, you know.
367
00:17:42,000 --> 00:17:44,000
Jewelry is so intense.
368
00:17:48,000 --> 00:17:51,000
I'm just polishing and I'm really hoping to make it.
369
00:17:56,000 --> 00:17:57,000
Five minutes then I'll start polishing.
370
00:17:57,000 --> 00:18:00,000
So, hope, I can get this bit done in five minutes.
371
00:18:00,000 --> 00:18:02,000
(Lee) 'It's together.'
372
00:18:02,000 --> 00:18:04,000
'Just gotta tidy it up and polish it.'
373
00:18:06,000 --> 00:18:08,000
I'm not gonna get it
374
00:18:08,000 --> 00:18:10,000
as finished as nicely as I want it.
375
00:18:10,000 --> 00:18:15,000
I normally would weld all my jump ring shots.
376
00:18:15,000 --> 00:18:17,000
(Sonny) I'm just a touch short, I'm just making
377
00:18:17,000 --> 00:18:20,000
the smaller links oval.
378
00:18:20,000 --> 00:18:22,000
They'll just give me an extra touch of length.
379
00:18:26,000 --> 00:18:28,000
It's tight. It's very tight.
380
00:18:35,000 --> 00:18:38,000
Yes, Tamara. Yes, Hugo. Yes, Dan. Yes, Kim.
381
00:18:40,000 --> 00:18:42,000
'Four, three'
382
00:18:42,000 --> 00:18:46,000
'two, one. That's time.'
383
00:18:46,000 --> 00:18:49,000
Congratulations on another great challenge.
384
00:18:51,000 --> 00:18:53,000
[whistling]
385
00:18:53,000 --> 00:18:55,000
It's done. I'm gonna sit down now.
386
00:19:00,000 --> 00:19:02,000
(female narrator) After just four hours
387
00:19:02,000 --> 00:19:03,000
all the jewelers have finished
388
00:19:03,000 --> 00:19:06,000
their bestseller challenge.
389
00:19:06,000 --> 00:19:09,000
But who made an 18-inch chain collar
390
00:19:09,000 --> 00:19:13,000
with three different sized interlocking links
391
00:19:13,000 --> 00:19:15,000
and created a piece of jewelry with mass appeal
392
00:19:16,000 --> 00:19:18,000
with their own personal style?
393
00:19:22,000 --> 00:19:25,000
Well done, you've created a chain collar.
394
00:19:25,000 --> 00:19:27,000
'And you've got your hammered linked'
395
00:19:27,000 --> 00:19:29,000
'and you've got your slightly D shaped link'
396
00:19:29,000 --> 00:19:33,000
and then you've got this really beautiful link round here.
397
00:19:33,000 --> 00:19:36,000
(Solange) 'I love the way you've disguised the soldering'
398
00:19:36,000 --> 00:19:39,000
with the gold and made it a design feature.
399
00:19:39,000 --> 00:19:41,000
- It's really lovely. - Thank you.
400
00:19:41,000 --> 00:19:43,000
Vey brave.
401
00:19:43,000 --> 00:19:45,000
- 'Impressed.' - Thank you.
402
00:19:45,000 --> 00:19:46,000
Shall we measure your 18 collar?
403
00:19:46,000 --> 00:19:48,000
Please.
404
00:19:49,000 --> 00:19:50,000
[indistinct chatter]
405
00:19:50,000 --> 00:19:52,000
- Hmm. - There we go.
406
00:19:52,000 --> 00:19:54,000
- Bang on 18 inches. - Happy days.
407
00:19:54,000 --> 00:19:56,000
(Shaun) 'Happy days. Well done.'
408
00:19:56,000 --> 00:20:00,000
(female narrator) Hugo is next with his Russian Bands.
409
00:20:01,000 --> 00:20:02,000
- Hi, Hugo. - Hello. Hello.
410
00:20:03,000 --> 00:20:04,000
Judges, what do you think?
411
00:20:04,000 --> 00:20:10,000
I think, as always, some really interesting technique.
412
00:20:10,000 --> 00:20:12,000
'I really like how you fused the gold'
413
00:20:12,000 --> 00:20:13,000
'and the silver in the twisted wire'
414
00:20:13,000 --> 00:20:15,000
'that's difficult thing to do.'
415
00:20:15,000 --> 00:20:18,000
'But these are a little bit open for debate'
416
00:20:18,000 --> 00:20:22,000
'whether it's a chain collar or a say necklace.'
417
00:20:23,000 --> 00:20:24,000
(Katherine) Solange, this is where you come in.
418
00:20:24,000 --> 00:20:25,000
I know you have strong feelings about--
419
00:20:25,000 --> 00:20:28,000
I would personally call this a necklace.
420
00:20:28,000 --> 00:20:30,000
It looks lovely and it's decorative.
421
00:20:31,000 --> 00:20:32,000
But it's not a chain collar.
422
00:20:32,000 --> 00:20:36,000
Basically, a chain is interlocking links.
423
00:20:37,000 --> 00:20:38,000
(Katherine) 'Shall we measure it?'
424
00:20:40,000 --> 00:20:41,000
(Hugo) Oh, God.
425
00:20:43,000 --> 00:20:45,000
Eighteen...inches.
426
00:20:48,000 --> 00:20:52,000
(female narrator) Next, it's Dan's Angular Chain Collar.
427
00:20:52,000 --> 00:20:56,000
(Shaun) Um, Dan, you've got different size links.
428
00:20:56,000 --> 00:20:59,000
It's nice to see the shapes coming from you.
429
00:20:59,000 --> 00:21:02,000
'It's an identity beginning to build.'
430
00:21:02,000 --> 00:21:06,000
One thing I do have to pick up on is you've not soldered
431
00:21:06,000 --> 00:21:07,000
these joining jump rings.
432
00:21:07,000 --> 00:21:09,000
No.
433
00:21:09,000 --> 00:21:11,000
- 'Um.' - Just too squeezed for time.
434
00:21:11,000 --> 00:21:14,000
On the subject of links, these are jump rings.
435
00:21:14,000 --> 00:21:18,000
'So, Solange, where does this sit in your classic battle'
436
00:21:18,000 --> 00:21:21,000
'between necklace and chain collar?'
437
00:21:21,000 --> 00:21:23,000
Yeah, I mean, I would always like
438
00:21:23,000 --> 00:21:26,000
to see the chain's interlocking.
439
00:21:26,000 --> 00:21:28,000
'On many levels, it-it works'
440
00:21:29,000 --> 00:21:30,000
'but I'm not sure it's a chain collar.'
441
00:21:31,000 --> 00:21:33,000
But I think it sits very nicely.
442
00:21:33,000 --> 00:21:35,000
And it's very well finished.
443
00:21:36,000 --> 00:21:37,000
(female narrator) Will Kim impress with her
444
00:21:37,000 --> 00:21:39,000
Daisy Chain Collar design?
445
00:21:40,000 --> 00:21:41,000
It's very pretty.
446
00:21:42,000 --> 00:21:44,000
I think there are some areas
447
00:21:44,000 --> 00:21:45,000
that are little bit rough
448
00:21:45,000 --> 00:21:48,000
um, in the craft.
449
00:21:48,000 --> 00:21:52,000
'It is a chain collar because each piece is linked.'
450
00:21:52,000 --> 00:21:54,000
(Solange) And it's very feminine.
451
00:21:54,000 --> 00:21:57,000
Yes, just a little bit more cleaning up and then
452
00:21:57,000 --> 00:21:59,000
and then you're there.
453
00:21:59,000 --> 00:22:03,000
Just, that's a bit shy of 18 inches.
454
00:22:03,000 --> 00:22:04,000
But sits beautifully.
455
00:22:08,000 --> 00:22:11,000
(female narrator) Lee is next with his contemporary triangular design.
456
00:22:13,000 --> 00:22:15,000
(Shaun) 'I think this piece borders'
457
00:22:15,000 --> 00:22:18,000
'whether it's a chain collar or a necklace.'
458
00:22:18,000 --> 00:22:20,000
(Solange) 'Yeah. I'm sorry.'
459
00:22:20,000 --> 00:22:22,000
I would definitely say it is a necklace.
460
00:22:22,000 --> 00:22:25,000
And as a necklace it's very attractive.
461
00:22:25,000 --> 00:22:27,000
It's lovely to again to see your style.
462
00:22:27,000 --> 00:22:29,000
It's your style coming through
463
00:22:29,000 --> 00:22:33,000
'quite simple lines and the textures are even.'
464
00:22:33,000 --> 00:22:35,000
And you make it, you know, you execute it well.
465
00:22:35,000 --> 00:22:36,000
Thank you.
466
00:22:39,000 --> 00:22:41,000
(female narrator) And now, Nicola's Rain Chain Collar.
467
00:22:43,000 --> 00:22:45,000
- 'Hi, Nicola.' - Hey.
468
00:22:45,000 --> 00:22:46,000
'We're very happy to see you finish'
469
00:22:46,000 --> 00:22:47,000
'the chain collar.'
470
00:22:47,000 --> 00:22:48,000
(Solange) 'Yeah, it's a chain'
471
00:22:49,000 --> 00:22:52,000
'because it's, it's, uh, interlinked.
472
00:22:52,000 --> 00:22:56,000
'And very original and very true to you.'
473
00:22:56,000 --> 00:22:58,000
If no one told us who was making what
474
00:22:58,000 --> 00:23:00,000
we could tell it would by you.
475
00:23:00,000 --> 00:23:02,000
That means a lot. Thank you.
476
00:23:02,000 --> 00:23:04,000
- Here we go. - 'Hmm.'
477
00:23:04,000 --> 00:23:06,000
- 18 inches. - Great.
478
00:23:06,000 --> 00:23:07,000
- Well done. - 'Well measured.'
479
00:23:10,000 --> 00:23:13,000
(female narrator) Last up for judging is Tamara.
480
00:23:13,000 --> 00:23:15,000
I know you ran into a few bumps along the way
481
00:23:16,000 --> 00:23:18,000
but here is your finished product.
482
00:23:18,000 --> 00:23:21,000
(Solange) 'Well, it's definitely a chain collar'
483
00:23:21,000 --> 00:23:24,000
But you haven't done what you set out to do.
484
00:23:24,000 --> 00:23:28,000
'Which is why perhaps the finish is not as great as it could be.'
485
00:23:28,000 --> 00:23:30,000
It's a shame you didn't stick with the original design
486
00:23:30,000 --> 00:23:31,000
because I was looking forward to seeing that.
487
00:23:31,000 --> 00:23:33,000
- Me too. - 'But..'
488
00:23:33,000 --> 00:23:35,000
(Shaun) 'You completed the chain collar'
489
00:23:35,000 --> 00:23:38,000
and it fits the brief.
490
00:23:38,000 --> 00:23:40,000
- 'So, well done.' - Thank you.
491
00:23:40,000 --> 00:23:41,000
- Thank you. - 'Thank you'.
492
00:23:45,000 --> 00:23:48,000
Right then, Shaun and Solange need to put their heads together
493
00:23:48,000 --> 00:23:51,000
and decide which of you have the best chain reaction
494
00:23:51,000 --> 00:23:53,000
and which were the weakest links.
495
00:23:53,000 --> 00:23:55,000
'As you know, when you return tomorrow'
496
00:23:55,000 --> 00:23:57,000
some of your plinth lights will still be on
497
00:23:57,000 --> 00:24:01,000
and some of your lights unfortunately will be off.
498
00:24:01,000 --> 00:24:03,000
Those of you whose lights are off, don't lose hope.
499
00:24:03,000 --> 00:24:06,000
It just means you need to really step up to the mark
500
00:24:06,000 --> 00:24:09,000
'in tomorrow's bespoke challenge if you want to remain here'
501
00:24:10,000 --> 00:24:12,000
'in the "All That Glitters" workshop next week.'
502
00:24:12,000 --> 00:24:15,000
Off you go. Get some rest. And I'll see you in the morning.
503
00:24:16,000 --> 00:24:17,000
Well done today.
504
00:24:19,000 --> 00:24:20,000
(female narrator) With the workshop to themselves
505
00:24:20,000 --> 00:24:22,000
the judges now have to decide
506
00:24:22,000 --> 00:24:23,000
which jewelers have impressed
507
00:24:23,000 --> 00:24:26,000
and whose lights will remain on.
508
00:24:26,000 --> 00:24:28,000
But they also need to agree
509
00:24:28,000 --> 00:24:30,000
which lights will be switched off.
510
00:24:32,000 --> 00:24:34,000
I was really relieved that the judges have recognized
511
00:24:34,000 --> 00:24:37,000
that it was a risk to do a piece like that.
512
00:24:37,000 --> 00:24:40,000
Today, it was a good springboard for the next challenge.
513
00:24:40,000 --> 00:24:42,000
Sonny has done a lovely design.
514
00:24:42,000 --> 00:24:45,000
'It's original and it's a chain collar.'
515
00:24:45,000 --> 00:24:47,000
It's exactly what it's set out to be.
516
00:24:47,000 --> 00:24:49,000
(Shaun) 'I think Hugo has put in technique'
517
00:24:49,000 --> 00:24:51,000
before design.
518
00:24:51,000 --> 00:24:56,000
And he's not embracing the brief as best as he could.
519
00:24:56,000 --> 00:24:58,000
Dan
520
00:24:58,000 --> 00:25:00,000
again finished beautifully.
521
00:25:00,000 --> 00:25:02,000
(Solange) 'It's not a chain collar.'
522
00:25:02,000 --> 00:25:04,000
'But it's graphic and it looks good.'
523
00:25:04,000 --> 00:25:05,000
He's consistent in his execution.
524
00:25:05,000 --> 00:25:07,000
Yeah. He is. He is.
525
00:25:07,000 --> 00:25:08,000
- 'Tamara.' - 'Tamara.'
526
00:25:09,000 --> 00:25:10,000
- She panicked. - She panicked.
527
00:25:10,000 --> 00:25:12,000
(Solange) 'She knows it, but it's heart breaking.'
528
00:25:13,000 --> 00:25:14,000
(Shaun) 'Yeah.'
529
00:25:14,000 --> 00:25:17,000
I have to deal with it if the lights turned off tomorrow.
530
00:25:17,000 --> 00:25:20,000
I have to just think about getting
531
00:25:20,000 --> 00:25:21,000
the next challenge done.
532
00:25:21,000 --> 00:25:24,000
I can't allow myself to dwell on it.
533
00:25:24,000 --> 00:25:27,000
(Shaun) 'So Lee, it does look more like a necklace.'
534
00:25:28,000 --> 00:25:31,000
'Uhm, it doesn't overwhelm me.'
535
00:25:31,000 --> 00:25:33,000
- Yeah, I would worry about Lee. - Yeah.
536
00:25:34,000 --> 00:25:36,000
Because he hasn't really hit the brief.
537
00:25:36,000 --> 00:25:39,000
(Solange) 'With Kim, her style is always present.'
538
00:25:40,000 --> 00:25:42,000
- 'It was a bit scruffy.' - 'Yeah.'
539
00:25:42,000 --> 00:25:44,000
I'm a little bit nervous
540
00:25:44,000 --> 00:25:46,000
that Kim is becoming very middle of the road.
541
00:25:47,000 --> 00:25:50,000
'I wanna walk past Kim's piece and go "Wow!"'
542
00:25:50,000 --> 00:25:51,000
- 'Haven't had that yet.' - 'Hmm..'
543
00:25:51,000 --> 00:25:53,000
Do you think she's vulnerable?
544
00:25:53,000 --> 00:25:55,000
- I'm 50-50. - 'Yeah.'
545
00:25:55,000 --> 00:25:57,000
When I go in tomorrow, if my light's off
546
00:25:57,000 --> 00:25:58,000
it's not gonna stop me at all.
547
00:25:58,000 --> 00:26:00,000
I'm just gonna get over there
548
00:26:00,000 --> 00:26:02,000
and I'm gonna do what I do.
549
00:26:02,000 --> 00:26:05,000
One light unfortunately does go out tonight.
550
00:26:05,000 --> 00:26:07,000
And there, there is a couple of others
551
00:26:07,000 --> 00:26:08,000
that we need to think about.
552
00:26:08,000 --> 00:26:09,000
Yeah.
553
00:26:15,000 --> 00:26:17,000
(female narrator) A new day in the "All That Glitters" workshop
554
00:26:18,000 --> 00:26:20,000
brings a brand new challenge.
555
00:26:22,000 --> 00:26:23,000
"The Bespoke"
556
00:26:23,000 --> 00:26:25,000
tests the jewelers ability to create
557
00:26:25,000 --> 00:26:26,000
a personalized piece of jewelry
558
00:26:26,000 --> 00:26:29,000
for a special client.
559
00:26:29,000 --> 00:26:30,000
Hello.
560
00:26:30,000 --> 00:26:32,000
Hi, Chris. Really nice to meet you.
561
00:26:32,000 --> 00:26:33,000
Welcome to the "All That Glitters" workshop.
562
00:26:33,000 --> 00:26:36,000
Thank you very much. Nice to be here.
563
00:26:36,000 --> 00:26:39,000
(female narrator) Chris works in the Armed Forces as a radio DJ.
564
00:26:39,000 --> 00:26:41,000
And he's here to commission a special piece of jewelry
565
00:26:42,000 --> 00:26:44,000
for his military wife, Kelly
566
00:26:44,000 --> 00:26:47,000
to take with her on her next tour of duty.
567
00:26:47,000 --> 00:26:50,000
Do you feel that you've let your land down?
568
00:26:50,000 --> 00:26:52,000
- Why? - Well, the monarchy needs you..
569
00:26:52,000 --> 00:26:54,000
And all of a sudden you meet this American actress
570
00:26:54,000 --> 00:26:56,000
and you go to Canada.
571
00:26:56,000 --> 00:26:58,000
So, obviously you look like Prince Harry.
572
00:26:58,000 --> 00:27:00,000
Tell me something else about yourself.
573
00:27:00,000 --> 00:27:03,000
- How did you and Kelly meet? - So, Kelly's in the REME.
574
00:27:03,000 --> 00:27:05,000
(Chris) It's the Royal electrical mechanical engineers.
575
00:27:05,000 --> 00:27:07,000
And we met in the Falkland Islands.
576
00:27:07,000 --> 00:27:09,000
I was over there working on Forces radio
577
00:27:09,000 --> 00:27:12,000
and Kelly was posted over there with the army.
578
00:27:12,000 --> 00:27:15,000
We have recently had a little baby called Holly.
579
00:27:15,000 --> 00:27:16,000
(Katherine) So, Kelly has given you Holly.
580
00:27:16,000 --> 00:27:20,000
And I hear that Kelly is about to go on a trip.
581
00:27:20,000 --> 00:27:22,000
Yeah, she's gonna be going away
582
00:27:22,000 --> 00:27:23,000
and I'm gonna be a stay-at-home dad.
583
00:27:24,000 --> 00:27:25,000
Yes, Chris, yes. Thank you for this.
584
00:27:25,000 --> 00:27:27,000
- There are stay-at-home dads. - Yeah, there are.
585
00:27:27,000 --> 00:27:28,000
Stay-at-home husbands.
586
00:27:28,000 --> 00:27:31,000
Thank you for pushing for equality.
587
00:27:31,000 --> 00:27:34,000
Good for you. What do you want from the jewelers today?
588
00:27:34,000 --> 00:27:38,000
So back in the day, um, when men went to war
589
00:27:38,000 --> 00:27:40,000
they would give their wife or their girlfriend
590
00:27:40,000 --> 00:27:42,000
a brooch called a sweetheart brooch.
591
00:27:42,000 --> 00:27:44,000
So, I thought flip around
592
00:27:44,000 --> 00:27:46,000
it's not the man going away, it's the wife going away.
593
00:27:46,000 --> 00:27:50,000
So, you're going to give Kelly a sweetheart brooch.
594
00:27:50,000 --> 00:27:52,000
What should the jewelers be thinking about
595
00:27:52,000 --> 00:27:54,000
when they're competing to make this bespoke brooch for Kelly?
596
00:27:54,000 --> 00:27:57,000
I'd love them to think about, um, our travelling.
597
00:27:57,000 --> 00:27:59,000
We travel all around the world together.
598
00:27:59,000 --> 00:28:02,000
Uh, the Falkland Islands is so massive in our hearts.
599
00:28:02,000 --> 00:28:04,000
The Falkland Islands is also full of penguins.
600
00:28:04,000 --> 00:28:06,000
So, our house is full of penguins.
601
00:28:06,000 --> 00:28:07,000
Penguins everywhere. Pictures all over the wall.
602
00:28:07,000 --> 00:28:10,000
- So, penguins, radio.. - Radio, yeah.
603
00:28:11,000 --> 00:28:13,000
Would you like a little piece of, of Holly in that brooch?
604
00:28:13,000 --> 00:28:14,000
Yeah, it should be great as well.
605
00:28:14,000 --> 00:28:16,000
That'll be like the perfect brooch.
606
00:28:16,000 --> 00:28:19,000
Let's see what they can do.
607
00:28:19,000 --> 00:28:22,000
(female narrator) But before the jewelers take on their last challenge
608
00:28:22,000 --> 00:28:25,000
they're going to find out whose chain collar's failed
609
00:28:25,000 --> 00:28:27,000
to meet the judge's expectations.
610
00:28:30,000 --> 00:28:32,000
If their plinth light is still on
611
00:28:32,000 --> 00:28:34,000
their efforts have impressed.
612
00:28:35,000 --> 00:28:38,000
But if it's turned off, that jeweler will have to work
613
00:28:38,000 --> 00:28:41,000
extra hard to redeem themselves in the Bespoke challenge
614
00:28:41,000 --> 00:28:44,000
where they could be in danger of going home.
615
00:28:45,000 --> 00:28:47,000
Shaun and Solange have decided
616
00:28:47,000 --> 00:28:50,000
to switch off the plinth lights of
617
00:28:50,000 --> 00:28:51,000
Tamara
618
00:28:52,000 --> 00:28:53,000
Lee
619
00:28:54,000 --> 00:28:55,000
and Hugo.
620
00:28:58,000 --> 00:29:00,000
- You alright? - Hmm.
621
00:29:00,000 --> 00:29:02,000
Do your best today. It's what you can do.
622
00:29:02,000 --> 00:29:04,000
- Yeah. - Do your best.
623
00:29:04,000 --> 00:29:09,000
I haven't really shown what I'm capable of I think.
624
00:29:09,000 --> 00:29:13,000
It does make me want to whether, um, I should be here..
625
00:29:15,000 --> 00:29:17,000
When I came in, I didn't even look at it
626
00:29:17,000 --> 00:29:18,000
because I thought it was gonna be off.
627
00:29:19,000 --> 00:29:21,000
So, it's on. And I'm..
628
00:29:21,000 --> 00:29:22,000
[exhales]
629
00:29:22,000 --> 00:29:23,000
[laughs] Amazing.
630
00:29:23,000 --> 00:29:27,000
- 'You alright?' - Yeah, yeah.
631
00:29:27,000 --> 00:29:28,000
- You okay? - I'm alright, Lee.
632
00:29:30,000 --> 00:29:33,000
(Hugo) Yesterday didn't really go quite I planned
633
00:29:33,000 --> 00:29:36,000
as a necklace rather than a neck collar.
634
00:29:36,000 --> 00:29:37,000
But today is the Bespoke day.
635
00:29:37,000 --> 00:29:40,000
You know, I'm gonna smash it. So, it should be alright.
636
00:29:49,000 --> 00:29:51,000
Hello, jewelers.
637
00:29:51,000 --> 00:29:53,000
For the "Bespoke" challenge today
638
00:29:53,000 --> 00:29:56,000
Chris would like you to make his engineering officer wife, Kelly
639
00:29:56,000 --> 00:29:58,000
a small sweetheart brooch.
640
00:29:58,000 --> 00:30:02,000
But only one of your designs will be chosen to be with Kelly
641
00:30:03,000 --> 00:30:06,000
when she's deployed on her next tour of duty.
642
00:30:06,000 --> 00:30:09,000
We want to see more of your skill range today.
643
00:30:09,000 --> 00:30:12,000
Your brooch can be made using any method
644
00:30:12,000 --> 00:30:15,000
but at least one element
645
00:30:15,000 --> 00:30:18,000
must be cast from silver grain.
646
00:30:18,000 --> 00:30:22,000
And there must be an additional layer of color.
647
00:30:22,000 --> 00:30:24,000
We would like you to try and capture the sentiment
648
00:30:24,000 --> 00:30:26,000
behind this gift.
649
00:30:26,000 --> 00:30:28,000
'Remember Kelly will be taking this away with her'
650
00:30:28,000 --> 00:30:30,000
'when she leaves her family.'
651
00:30:30,000 --> 00:30:32,000
'So, she would really treasure it.'
652
00:30:32,000 --> 00:30:33,000
Good luck.
653
00:30:33,000 --> 00:30:35,000
(Katherine) 'You have five whole hours'
654
00:30:35,000 --> 00:30:37,000
to complete this bespoke challenge.
655
00:30:37,000 --> 00:30:39,000
You five hours starts now.
656
00:30:46,000 --> 00:30:49,000
(female narrator) To help them craft a truly personalized sweetheart brooch
657
00:30:49,000 --> 00:30:52,000
for Kelly, Chris has given the jewelers
658
00:30:52,000 --> 00:30:54,000
a detailed brief of the most precious moments
659
00:30:54,000 --> 00:30:56,000
in their life together.
660
00:30:56,000 --> 00:31:00,000
And they've already come up with their designs.
661
00:31:00,000 --> 00:31:01,000
(Hugo) It's really one of the best bits of the job, you know
662
00:31:02,000 --> 00:31:04,000
when you can actually make something that you know
663
00:31:04,000 --> 00:31:07,000
the customer is gonna value, passed on to generations
664
00:31:07,000 --> 00:31:08,000
and cherish.
665
00:31:11,000 --> 00:31:13,000
(Nicola) I find two days away from my son hard.
666
00:31:13,000 --> 00:31:16,000
I can't imagine going away on duty.
667
00:31:17,000 --> 00:31:18,000
So, I just wanna pour
668
00:31:18,000 --> 00:31:21,000
everything I want into this piece.
669
00:31:21,000 --> 00:31:24,000
(Sonny) I can 100 percent relate to their story especially
670
00:31:24,000 --> 00:31:26,000
as we've got baby on the way.
671
00:31:26,000 --> 00:31:29,000
And you can see obviously how close they are.
672
00:31:29,000 --> 00:31:30,000
And it's kind of like looking forward
673
00:31:30,000 --> 00:31:32,000
to that being the same case
674
00:31:32,000 --> 00:31:34,000
for me and my little family. It's cute.
675
00:31:37,000 --> 00:31:41,000
(female narrator) Sonny and his fiancee Leane, live in North London.
676
00:31:41,000 --> 00:31:46,000
And are expecting their first baby in just three weeks time.
677
00:31:46,000 --> 00:31:49,000
Before Sonny became a jeweler, he tried being a footballer
678
00:31:49,000 --> 00:31:52,000
and a personal trainer.
679
00:31:52,000 --> 00:31:54,000
(Sonny) I describe myself as an alternative fine jeweler.
680
00:31:54,000 --> 00:31:56,000
And most fine jewelry is made traditionally
681
00:31:56,000 --> 00:31:58,000
very old school methods.
682
00:31:58,000 --> 00:32:01,000
I'm self taught, so, it's my approach
683
00:32:01,000 --> 00:32:04,000
to how things would've been done back in the day.
684
00:32:04,000 --> 00:32:08,000
(female narrator) Sonny's Brooch symbolizes Chris, Kelly and Holly
685
00:32:08,000 --> 00:32:11,000
as a family of penguins walking on pebble beach.
686
00:32:11,000 --> 00:32:14,000
And the penguin that represents baby Holly
687
00:32:14,000 --> 00:32:16,000
will be enameled in blue.
688
00:32:16,000 --> 00:32:19,000
Part the beauty of a bespoke piece
689
00:32:19,000 --> 00:32:22,000
is that you can go along this journey with these people.
690
00:32:22,000 --> 00:32:25,000
Which is really cool when you play a little role in it.
691
00:32:25,000 --> 00:32:27,000
I love brooches. Do you?
692
00:32:27,000 --> 00:32:28,000
(Solange) 'I do love brooches.'
693
00:32:28,000 --> 00:32:30,000
They suddenly become a thing, you know
694
00:32:30,000 --> 00:32:33,000
from loyalty to high street, they're everywhere.
695
00:32:33,000 --> 00:32:36,000
Long live the brooch. I'm glad to hear it's coming back.
696
00:32:36,000 --> 00:32:39,000
Can you tell me more about a sweetheart brooch?
697
00:32:39,000 --> 00:32:42,000
The sweetheart brooch is almost like a family photo album
698
00:32:42,000 --> 00:32:45,000
encapsulated into one piece of jewelry
699
00:32:46,000 --> 00:32:47,000
that you can carry around and keep
700
00:32:47,000 --> 00:32:49,000
it close to your heart.
701
00:32:49,000 --> 00:32:51,000
It's like a comfort
702
00:32:51,000 --> 00:32:53,000
to know that your family are with you.
703
00:32:53,000 --> 00:32:54,000
What are you hoping to see from the jewelers?
704
00:32:54,000 --> 00:32:55,000
What are you looking for?
705
00:32:55,000 --> 00:32:58,000
Well, I really hope they
706
00:32:58,000 --> 00:32:59,000
'take in the brief this time'
707
00:32:59,000 --> 00:33:03,000
'so that, we don't have any chain collar situations.'
708
00:33:03,000 --> 00:33:05,000
'But I really want to see their style.'
709
00:33:05,000 --> 00:33:09,000
'Because when somebody commissions a bespoke piece'
710
00:33:09,000 --> 00:33:10,000
'they go to certain jewelers because they like'
711
00:33:10,000 --> 00:33:12,000
'their particular style.'
712
00:33:12,000 --> 00:33:13,000
So, it's actually an incredibly
713
00:33:13,000 --> 00:33:15,000
important factor.
714
00:33:15,000 --> 00:33:17,000
That's when you really need to collaborate
715
00:33:17,000 --> 00:33:18,000
with a good designer
716
00:33:18,000 --> 00:33:19,000
because if my husband commissioned
717
00:33:19,000 --> 00:33:21,000
a piece of jewelry for me
718
00:33:21,000 --> 00:33:23,000
it would be a football with a piece of cheese on it.
719
00:33:23,000 --> 00:33:26,000
[laughing]
720
00:33:26,000 --> 00:33:27,000
(female narrator) The judges have asked that one element
721
00:33:28,000 --> 00:33:29,000
of the brooch is cast.
722
00:33:29,000 --> 00:33:31,000
So, as well as sheets of silver and copper
723
00:33:32,000 --> 00:33:36,000
the jewelers have been given 13 grams of silver grain.
724
00:33:36,000 --> 00:33:38,000
These tiny blobs are made by melting silver
725
00:33:38,000 --> 00:33:40,000
to over 1000 degrees
726
00:33:40,000 --> 00:33:44,000
then solidifying it into fragments using ice water.
727
00:33:45,000 --> 00:33:47,000
Silver grain is ideal for casting
728
00:33:47,000 --> 00:33:50,000
as it can be weighed out more precisely than a big bar
729
00:33:50,000 --> 00:33:52,000
and has a greater surface area.
730
00:33:52,000 --> 00:33:55,000
So, it melts faster and more evenly.
731
00:33:55,000 --> 00:33:57,000
(Lee) The place where Chris proposed to Kelly
732
00:33:57,000 --> 00:33:58,000
was a place called Pebble Island
733
00:33:58,000 --> 00:34:00,000
and Falkland Islands were known
734
00:34:00,000 --> 00:34:02,000
for their translucent pebbles.
735
00:34:02,000 --> 00:34:05,000
That'll be my, um, casting grain element.
736
00:34:05,000 --> 00:34:10,000
And then, penguin's beaks formed like a heart shape.
737
00:34:10,000 --> 00:34:11,000
This is right up my street.
738
00:34:11,000 --> 00:34:13,000
You could call me an old romantic.
739
00:34:16,000 --> 00:34:20,000
(female narrator) Lee works in a jewelers shop in Pontypool in South Wales.
740
00:34:20,000 --> 00:34:23,000
He's used to repairing other people's jewelry.
741
00:34:23,000 --> 00:34:26,000
But he is eager to make his own designs.
742
00:34:26,000 --> 00:34:28,000
(Lee) I really enjoy making the jewelry.
743
00:34:28,000 --> 00:34:30,000
The big thing for me is handmade.
744
00:34:30,000 --> 00:34:32,000
That's what I wanted is get that longevity into my work
745
00:34:33,000 --> 00:34:35,000
that it can't be passed on and hopefully people in the future
746
00:34:36,000 --> 00:34:39,000
would be saying, "Oh, it was made by Lee Appleby."
747
00:34:39,000 --> 00:34:41,000
Casting grain, Something it's new to me.
748
00:34:42,000 --> 00:34:43,000
So it's a little bit of a worry.
749
00:34:43,000 --> 00:34:46,000
But, um, yeah. Give it a go.
750
00:34:49,000 --> 00:34:52,000
(female narrator) Hugo's design focuses on Kelly's fondness
751
00:34:52,000 --> 00:34:55,000
for penguins and Chris's passion for music
752
00:34:55,000 --> 00:34:58,000
symbolized by a treble clef.
753
00:34:58,000 --> 00:35:00,000
Is the treble clef the more intricate work, Hugo?
754
00:35:00,000 --> 00:35:03,000
Yes, they're more intricate part of the design.
755
00:35:03,000 --> 00:35:05,000
'The part that I'm casting is gonna be set'
756
00:35:05,000 --> 00:35:07,000
'at the belly part of the penguin'
757
00:35:07,000 --> 00:35:09,000
'which I'm then gonna texture'
758
00:35:09,000 --> 00:35:11,000
'and then I'm gonna have the back of the penguin'
759
00:35:11,000 --> 00:35:13,000
'oxidized, so it's getting slightly back.'
760
00:35:13,000 --> 00:35:15,000
So, I think it's going to be quite nice.
761
00:35:15,000 --> 00:35:16,000
(Shaun) 'Good.'
762
00:35:16,000 --> 00:35:17,000
Am I the only one who feels like
763
00:35:17,000 --> 00:35:18,000
we're are your parents
764
00:35:18,000 --> 00:35:21,000
who are looming over you.
765
00:35:21,000 --> 00:35:23,000
Eyes kind of feels like it.
766
00:35:23,000 --> 00:35:25,000
Look at him.
767
00:35:25,000 --> 00:35:27,000
- He's so grown up. - He's so grown up.
768
00:35:27,000 --> 00:35:28,000
- Our boy. - Thanks, Hugo.
769
00:35:29,000 --> 00:35:31,000
- Cheers. - Good luck.
770
00:35:31,000 --> 00:35:33,000
(Katherine) Why don't you fill the car with gas once in a while?
771
00:35:39,000 --> 00:35:42,000
(female narrator) To cast their brooch, the jewelers have to make a mold
772
00:35:42,000 --> 00:35:46,000
into which they'll pour melted silver.
773
00:35:46,000 --> 00:35:48,000
Today, they're using a method that dates back
774
00:35:48,000 --> 00:35:50,000
to the sixth century.
775
00:35:50,000 --> 00:35:55,000
And a material loved by budgerigar's cuttlefish bone.
776
00:35:55,000 --> 00:35:57,000
Cuttlefish is really good for casting
777
00:35:57,000 --> 00:36:01,000
because it's very easy to carve a shape into it.
778
00:36:01,000 --> 00:36:04,000
Or you can also press a form into it.
779
00:36:07,000 --> 00:36:11,000
(Sonny) You get a beautiful wavy texture with cuttlefish.
780
00:36:11,000 --> 00:36:14,000
So, I'm gonna keep that texture on the casting.
781
00:36:16,000 --> 00:36:20,000
(Nicola) The cuttlefish inside is really, really soft.
782
00:36:20,000 --> 00:36:22,000
You can actually mark it with a nail.
783
00:36:22,000 --> 00:36:24,000
So, so, I've just used a toothpick
784
00:36:24,000 --> 00:36:27,000
to carve out the shape of my Holly leaf.
785
00:36:28,000 --> 00:36:30,000
- 'Nicola.' - Hi.
786
00:36:30,000 --> 00:36:31,000
How you doing with this challenge?
787
00:36:32,000 --> 00:36:33,000
Yeah, I'm okay actually.
788
00:36:33,000 --> 00:36:36,000
Well, I'll tell you what we like about you, Nicola, is that
789
00:36:36,000 --> 00:36:39,000
you have a very strong personal style.
790
00:36:39,000 --> 00:36:42,000
- Thank you. - And we can see it here again.
791
00:36:42,000 --> 00:36:44,000
- Can you tell us about it-- - 'Of course.'
792
00:36:44,000 --> 00:36:47,000
(Nicola) 'So, I'm gonna create a angular brooch'
793
00:36:47,000 --> 00:36:49,000
'with a map of Europe on it.'
794
00:36:49,000 --> 00:36:53,000
'Because when Kelly and Chris went to on a honeymoon'
795
00:36:53,000 --> 00:36:56,000
'they went to lots of different places in France and Italy.'
796
00:36:56,000 --> 00:36:58,000
'The element I'm gonna cast'
797
00:36:58,000 --> 00:37:02,000
'is a holly leaf to represent their daughter, Holly.'
798
00:37:02,000 --> 00:37:05,000
It's like a charm that's gonna hang
799
00:37:05,000 --> 00:37:07,000
so you could add more, like a charm bracelet.
800
00:37:08,000 --> 00:37:09,000
Well, it sounds like you've got a lot to do.
801
00:37:09,000 --> 00:37:13,000
I do but I'm pleased with the speed in which I've cracked on.
802
00:37:13,000 --> 00:37:14,000
- Thanks, Nicola. - Thank you.
803
00:37:14,000 --> 00:37:16,000
Thank you.
804
00:37:16,000 --> 00:37:19,000
(female narrator) To make their mold, the jewelers have
805
00:37:19,000 --> 00:37:22,000
to carve their design into two cuttlefish bones
806
00:37:22,000 --> 00:37:24,000
as a mirror image.
807
00:37:24,000 --> 00:37:26,000
Then when they're put together and the space filled
808
00:37:26,000 --> 00:37:28,000
with liquid silver
809
00:37:28,000 --> 00:37:31,000
they should end up with a 3-D form.
810
00:37:31,000 --> 00:37:34,000
(Kim) It's very important to have the two pieces of the cuttlefish
811
00:37:34,000 --> 00:37:36,000
really snapping tight together
812
00:37:36,000 --> 00:37:40,000
Because if I open, metal would just run out.
813
00:37:40,000 --> 00:37:41,000
- 'Hi, Kim.' - 'Hi, Katherine.'
814
00:37:41,000 --> 00:37:43,000
Can you just walk me through the design a little bit?
815
00:37:43,000 --> 00:37:46,000
Um, and how you're gonna execute it.
816
00:37:46,000 --> 00:37:48,000
(Kim) 'So, obviously, the daughter is called Holly.'
817
00:37:48,000 --> 00:37:50,000
'So, for me, I had to do a holly leaf.'
818
00:37:50,000 --> 00:37:52,000
'And I'm casting the pebbles'
819
00:37:52,000 --> 00:37:56,000
'and I'm going to use, uh, copper for the red berries'
820
00:37:56,000 --> 00:37:57,000
'to give another level of color to that.'
821
00:37:57,000 --> 00:37:59,000
(Shaun) 'That's another layer of technique.'
822
00:37:59,000 --> 00:38:04,000
So, what I would love to see today is that technical side.
823
00:38:04,000 --> 00:38:05,000
I would like to see that elevated
824
00:38:06,000 --> 00:38:08,000
some more today. It would be great.
825
00:38:08,000 --> 00:38:10,000
I'm glad I've got bit more time so that I can really focus on
826
00:38:10,000 --> 00:38:13,000
'just getting it perfectly which is what I meant to do.
827
00:38:14,000 --> 00:38:16,000
Good luck. I look forward to seeing your piece later.
828
00:38:16,000 --> 00:38:17,000
Lovely, thank you.
829
00:38:18,000 --> 00:38:19,000
[grunting]
830
00:38:25,000 --> 00:38:26,000
(female narrator) Once the cuttlefish is carved
831
00:38:26,000 --> 00:38:28,000
it's all about the casting.
832
00:38:30,000 --> 00:38:34,000
I've got no experience, previous experience of casting.
833
00:38:34,000 --> 00:38:36,000
'I have smelted metal.'
834
00:38:36,000 --> 00:38:39,000
But I've never done the tipping.
835
00:38:39,000 --> 00:38:42,000
(female narrator) The silver grain needs to be melted
836
00:38:42,000 --> 00:38:44,000
to what is known as a rolling melt
837
00:38:44,000 --> 00:38:47,000
about 960 degree Celsius.
838
00:38:47,000 --> 00:38:51,000
Then it must be tipped quickly into the mold.
839
00:38:51,000 --> 00:38:55,000
If it cools too soon, it'll form an uneven shape.
840
00:38:58,000 --> 00:39:00,000
(Lee) Hopefully, it was molten enough and it spread into..
841
00:39:00,000 --> 00:39:04,000
But it looked pretty molten when it went in
842
00:39:04,000 --> 00:39:05,000
so, fingers crossed and it stinks
843
00:39:05,000 --> 00:39:08,000
so that's always a good sign, that was hot enough.
844
00:39:16,000 --> 00:39:18,000
Ohh..
845
00:39:29,000 --> 00:39:31,000
Well, it went in, but I don't know if it's gone in.
846
00:39:31,000 --> 00:39:34,000
'At least it's in there and it's not all over my bench.'
847
00:39:34,000 --> 00:39:36,000
It smells awful.
848
00:39:40,000 --> 00:39:41,000
A rock and roll drama.
849
00:39:41,000 --> 00:39:45,000
The spillage is always good to see.
850
00:39:45,000 --> 00:39:48,000
(female narrator) But the jewelers will have no idea if it's worked
851
00:39:48,000 --> 00:39:51,000
until it's cooled, and they've opened it up.
852
00:39:51,000 --> 00:39:54,000
(Tamara) I can just see a blob of silver.
853
00:39:57,000 --> 00:39:59,000
- Hi, Tamara. - Hello.
854
00:39:59,000 --> 00:40:01,000
Hey, sorry to see that your light was off today.
855
00:40:02,000 --> 00:40:04,000
Are you able to let that go and focus-
856
00:40:04,000 --> 00:40:08,000
- I feel okay. - 'Good.'
857
00:40:08,000 --> 00:40:11,000
'Cause I'm actually looking forward to making the brooch.
858
00:40:11,000 --> 00:40:13,000
Well, I mean, just remember last week, your light was off
859
00:40:14,000 --> 00:40:16,000
but you made such a beautiful pendant
860
00:40:16,000 --> 00:40:18,000
so, um, you can do it again today.
861
00:40:18,000 --> 00:40:19,000
I hope so.
862
00:40:19,000 --> 00:40:21,000
'It's kind of a play on'
863
00:40:21,000 --> 00:40:23,000
'you know, the military brooches'
864
00:40:23,000 --> 00:40:27,000
'which have, like, ribbons, et cetera, hanging down.'
865
00:40:27,000 --> 00:40:29,000
'So rather than ribbons, I'll have little'
866
00:40:29,000 --> 00:40:32,000
'small abstract shapes and forms.'
867
00:40:32,000 --> 00:40:34,000
That's great, Tamara, I would say..
868
00:40:34,000 --> 00:40:36,000
...that I've watched you struggle with confidence
869
00:40:37,000 --> 00:40:41,000
a little bit, but I think you're so talented and you can do this.
870
00:40:41,000 --> 00:40:42,000
I believe in very little.
871
00:40:42,000 --> 00:40:47,000
I believe in tacos and taxes and Tamara.
872
00:40:47,000 --> 00:40:49,000
(Katherine) 'Okay, so it's saying a lot.'
873
00:40:49,000 --> 00:40:50,000
Yeah, pool your emotion into the brooch
874
00:40:50,000 --> 00:40:52,000
because that's what it is.
875
00:40:52,000 --> 00:40:54,000
- It's a very emotional thing. - Yeah, totally, yeah.
876
00:40:54,000 --> 00:40:56,000
- 'Good luck.' - Thank you.
877
00:40:56,000 --> 00:40:57,000
- Good luck, Tamara. - Thank you.
878
00:41:02,000 --> 00:41:06,000
(female narrator) Now the silver has had time to cool and harden in the cast.
879
00:41:07,000 --> 00:41:10,000
All can be revealed.
880
00:41:10,000 --> 00:41:11,000
Oh, my God.
881
00:41:12,000 --> 00:41:14,000
It so nerve wracking.
882
00:41:14,000 --> 00:41:16,000
So, okay..
883
00:41:16,000 --> 00:41:18,000
Okay, this is the moment of truth.
884
00:41:20,000 --> 00:41:23,000
[instrumental music]
885
00:41:27,000 --> 00:41:29,000
Yup, it's done it.
886
00:41:38,000 --> 00:41:39,000
Yeah, all in all pretty happy with it.
887
00:41:41,000 --> 00:41:43,000
Yes, pretty good.
888
00:41:43,000 --> 00:41:45,000
It's pretty much how I wanted.
889
00:41:45,000 --> 00:41:46,000
Hmm..
890
00:41:50,000 --> 00:41:52,000
(Tamara) I think it's worked.
891
00:41:52,000 --> 00:41:55,000
It's exactly what I wanted.
892
00:41:55,000 --> 00:42:00,000
So, I couldn't have asked for a perfect piece of casting.
893
00:42:01,000 --> 00:42:03,000
So, I'm happy.
894
00:42:05,000 --> 00:42:07,000
Looks amazing. That's worked. That's worked.
895
00:42:07,000 --> 00:42:08,000
That is amazing.
896
00:42:08,000 --> 00:42:10,000
Why would a cuttlefish in the wild
897
00:42:10,000 --> 00:42:13,000
have this supernatural ability to withstand fire?
898
00:42:13,000 --> 00:42:17,000
Did you know that after mating the female cuttlefish dies?
899
00:42:17,000 --> 00:42:19,000
I hope the mating was worth it.
900
00:42:20,000 --> 00:42:21,000
Never is, Kim.
901
00:42:24,000 --> 00:42:25,000
Oh..
902
00:42:28,000 --> 00:42:29,000
I've done a hurty.
903
00:42:33,000 --> 00:42:36,000
(female narrator) Dan's brooch design combines a record from Chris's Time
904
00:42:37,000 --> 00:42:40,000
as a DJ with Kelly's love of penguins.
905
00:42:40,000 --> 00:42:44,000
He's also included a holly leaf to represent their daughter.
906
00:42:44,000 --> 00:42:49,000
You've totally incorporated all of Chris and Kelly's brief.
907
00:42:49,000 --> 00:42:51,000
I've tried to get in three things.
908
00:42:51,000 --> 00:42:53,000
I thought anyone of three is gonna make it just too busy.
909
00:42:53,000 --> 00:42:55,000
(Solange) 'And what about you, are you in there at all?'
910
00:42:55,000 --> 00:42:58,000
Can we see your signature?
911
00:42:58,000 --> 00:43:00,000
(Dan) 'Um, I don't know.'
912
00:43:00,000 --> 00:43:02,000
Because penguins. I don't know how I do a Dan style penguin.
913
00:43:05,000 --> 00:43:09,000
(female narrator) Dan lives and works in Frome in Somerset.
914
00:43:09,000 --> 00:43:11,000
Despite selling some of his own pieces online
915
00:43:11,000 --> 00:43:13,000
most of his time is spent making jewelry
916
00:43:13,000 --> 00:43:16,000
to other people's designs.
917
00:43:16,000 --> 00:43:18,000
(Dan) I'd love to have a little shop one day and-and just sort of
918
00:43:19,000 --> 00:43:20,000
just sell work that I've made myself.
919
00:43:21,000 --> 00:43:25,000
It's lovely to think that in 50, 100, 150th time somebody
920
00:43:25,000 --> 00:43:27,000
could still have one of the engagement rings I've made.
921
00:43:27,000 --> 00:43:29,000
It will be handed down to the next generation
922
00:43:29,000 --> 00:43:30,000
which I think is a beautiful thing.
923
00:43:33,000 --> 00:43:36,000
At the time it's okay, provided nothing goes wrong.
924
00:43:36,000 --> 00:43:39,000
That's my big fear is everything gonna be fine
925
00:43:39,000 --> 00:43:40,000
'but if the enameling doesn't go to plan'
926
00:43:40,000 --> 00:43:42,000
and then it will start to get really tight.
927
00:43:48,000 --> 00:43:50,000
(female narrator) To add color to their brooches
928
00:43:50,000 --> 00:43:56,000
Dan, Sonny and Nicola have chosen to use enamel
929
00:43:56,000 --> 00:43:58,000
by carefully sprinkling powdered glass
930
00:43:58,000 --> 00:44:00,000
and then heating it in a kiln.
931
00:44:00,000 --> 00:44:02,000
They should create a smooth finish.
932
00:44:02,000 --> 00:44:07,000
(Nicola) I'm just mixing the enamel colors and hopefully
933
00:44:07,000 --> 00:44:10,000
that will look...like the ocean.
934
00:44:10,000 --> 00:44:13,000
(female narrator) It's a delicate and skilled process
935
00:44:13,000 --> 00:44:16,000
but I'm sure they're all really practiced at it.
936
00:44:16,000 --> 00:44:19,000
I've never enameled before, but how hard can it be.
937
00:44:19,000 --> 00:44:23,000
- How you doing? - I don't know.
938
00:44:23,000 --> 00:44:26,000
[laughs]
939
00:44:26,000 --> 00:44:29,000
(Shaun) 'The enamel's fire at 790 degrees.'
940
00:44:29,000 --> 00:44:31,000
'So they've got to really keep an eye on that'
941
00:44:31,000 --> 00:44:34,000
because silver melts at 960 degrees.
942
00:44:34,000 --> 00:44:37,000
'If they take their eyes off the bowl, the enamel could burn'
943
00:44:37,000 --> 00:44:39,000
or the piece could melt.
944
00:44:39,000 --> 00:44:41,000
And that would be disastrous.
945
00:44:49,000 --> 00:44:51,000
(Nicola) 'It looks okay.'
946
00:44:51,000 --> 00:44:53,000
I would want to do another layer, but I just
947
00:44:53,000 --> 00:44:55,000
don't think I've got time.
948
00:44:59,000 --> 00:45:01,000
(Sonny) 'Ah, it looks a mess.'
949
00:45:01,000 --> 00:45:02,000
'How have I done that?'
950
00:45:02,000 --> 00:45:03,000
- 'Are you out?' - 'Yeah.'
951
00:45:03,000 --> 00:45:05,000
I'm going in then.
952
00:45:09,000 --> 00:45:12,000
(Sonny) 'I'm too stressful, that me.'
953
00:45:12,000 --> 00:45:16,000
Hi, Jewelers, 15 minutes to finish, please.
954
00:45:18,000 --> 00:45:20,000
[instrumental music]
955
00:45:52,000 --> 00:45:55,000
It's become a puddle of silver.
956
00:45:55,000 --> 00:45:56,000
(Dan) 'Oh, no.'
957
00:45:56,000 --> 00:45:59,000
I took me eye of the bowl, and it's gone
958
00:45:59,000 --> 00:46:01,000
into the ether.
959
00:46:01,000 --> 00:46:05,000
Ten minutes, please, jewelers. You have ten minutes left.
960
00:46:05,000 --> 00:46:08,000
Okay, I'll have to finish this bit quick.
961
00:46:09,000 --> 00:46:13,000
Just going to get the pin on and then we're away.
962
00:46:13,000 --> 00:46:15,000
[intense music]
963
00:46:17,000 --> 00:46:20,000
It's all gonna wrong. All of the sudden, a funny five minutes.
964
00:46:20,000 --> 00:46:22,000
I'm so sorry. Well, I'll let you finish.
965
00:46:22,000 --> 00:46:25,000
See you. Good luck, good luck.
966
00:46:25,000 --> 00:46:27,000
(Lee) I think, I'm gonna leave it there.
967
00:46:27,000 --> 00:46:30,000
Do I want to do more? I don't know. Umm!
968
00:46:30,000 --> 00:46:32,000
- Hi, Kim. - Not now.
969
00:46:32,000 --> 00:46:34,000
I know. I don't know why I'm talking to Kim, she's fire.
970
00:46:34,000 --> 00:46:36,000
[laughs] Please, not right now.
971
00:46:38,000 --> 00:46:40,000
One minute, jewelers
972
00:46:40,000 --> 00:46:42,000
to get your brooches on the plinth.
973
00:46:42,000 --> 00:46:45,000
[intense music]
974
00:46:46,000 --> 00:46:47,000
(Katherine) '15 seconds..'
975
00:46:50,000 --> 00:46:52,000
Don't run, you have to do a penguin model, yep.
976
00:46:52,000 --> 00:46:53,000
(Dan) 'Very efficient.'
977
00:46:53,000 --> 00:46:55,000
[intense music]
978
00:46:56,000 --> 00:46:58,000
(Katherine) 'Five, four..'
979
00:47:02,000 --> 00:47:04,000
'One.'
980
00:47:04,000 --> 00:47:05,000
Well done, another challenge
981
00:47:05,000 --> 00:47:07,000
under your belts.
982
00:47:07,000 --> 00:47:08,000
Well done.
983
00:47:11,000 --> 00:47:14,000
[instrumental music]
984
00:47:16,000 --> 00:47:18,000
(female narrator) In just five hours, the jewelers have each
985
00:47:19,000 --> 00:47:21,000
created a bespoke sweetheart brooch.
986
00:47:23,000 --> 00:47:25,000
But whose piece have captured the emotion
987
00:47:25,000 --> 00:47:28,000
behind Chris's brief
988
00:47:28,000 --> 00:47:30,000
crafting a high quality piece of jewelry
989
00:47:30,000 --> 00:47:34,000
with contrasting color in their own personal style.
990
00:47:37,000 --> 00:47:41,000
Sonny's piece is first to face the judges' critique..
991
00:47:41,000 --> 00:47:43,000
(Solange) 'His design is very sweet.'
992
00:47:43,000 --> 00:47:46,000
'And we know that Chris and Kelly love a Penguin.'
993
00:47:46,000 --> 00:47:48,000
There's a beauty in simplicity.
994
00:47:48,000 --> 00:47:53,000
Technically, the enamel has sprayed all over the place
995
00:47:53,000 --> 00:47:54,000
to be honest, um..
996
00:47:55,000 --> 00:47:58,000
Overall, I think, it's tactile, it's sweet, it's endearing.
997
00:48:00,000 --> 00:48:03,000
[instrumental music]
998
00:48:03,000 --> 00:48:06,000
(Katherine) This is Dan's brooch. What do you say?
999
00:48:06,000 --> 00:48:08,000
(Solange) There were two holly leaves there with berries
1000
00:48:08,000 --> 00:48:11,000
'and in the enameling, they got melted.'
1001
00:48:11,000 --> 00:48:15,000
'However, as usual, he's made it very beautifully.'
1002
00:48:15,000 --> 00:48:17,000
The only thing missing is their lovely daughter.
1003
00:48:17,000 --> 00:48:19,000
(Shaun) It's a real shame that Dan didn't complete
1004
00:48:19,000 --> 00:48:22,000
with the enameled holly 'cause that pop of color
1005
00:48:22,000 --> 00:48:25,000
would have really finish this piece beautifully.
1006
00:48:31,000 --> 00:48:34,000
(female narrator) Up next is Nicholas map of Europe.
1007
00:48:34,000 --> 00:48:36,000
(Shaun) 'I'm actually quite saddened.'
1008
00:48:36,000 --> 00:48:39,000
'She wanted to have the seas blue enamel'
1009
00:48:39,000 --> 00:48:43,000
'and unfortunately the enamel has burned'
1010
00:48:43,000 --> 00:48:46,000
and it sprayed onto the other areas
1011
00:48:46,000 --> 00:48:47,000
'which is a real shame.'
1012
00:48:47,000 --> 00:48:50,000
But what I do love about it is.
1013
00:48:51,000 --> 00:48:53,000
'It's Nicola, it's her style.'
1014
00:48:53,000 --> 00:48:55,000
(Solange) 'Definitely, you know, the hardest thing for any artist'
1015
00:48:55,000 --> 00:48:57,000
is to know when to stop.
1016
00:48:57,000 --> 00:49:00,000
And I think she could have stopped a lot earlier
1017
00:49:00,000 --> 00:49:02,000
'and perfected it and refined it.'
1018
00:49:02,000 --> 00:49:04,000
'It could have been something really marvelous.'
1019
00:49:07,000 --> 00:49:10,000
(female narrator) Next, it's Tamara.
1020
00:49:11,000 --> 00:49:14,000
(Shaun) 'I am very pleased to see this piece.'
1021
00:49:14,000 --> 00:49:18,000
'I think it's very refined, very elegant.'
1022
00:49:18,000 --> 00:49:21,000
The pebbles are sweet, and there's three of them
1023
00:49:21,000 --> 00:49:23,000
to resemble the three in the family.
1024
00:49:23,000 --> 00:49:25,000
Contrast of textures.
1025
00:49:25,000 --> 00:49:27,000
'Enamel is there.'
1026
00:49:27,000 --> 00:49:28,000
- Does it make noise? - Yeah.
1027
00:49:28,000 --> 00:49:30,000
It's got a really sweet little ring to it.
1028
00:49:30,000 --> 00:49:32,000
I don't know if you want noise with enemies about..
1029
00:49:32,000 --> 00:49:34,000
[laughs]
1030
00:49:34,000 --> 00:49:36,000
(Shaun) 'Very good point. Very good point.'
1031
00:49:36,000 --> 00:49:39,000
'I'm, yeah, overall, I'm very pleased with this piece.'
1032
00:49:39,000 --> 00:49:43,000
You know, this is the piece I would wear, bravo.
1033
00:49:43,000 --> 00:49:46,000
I'm really happy that she's come back
1034
00:49:46,000 --> 00:49:49,000
from yesterday's mistake.
1035
00:49:49,000 --> 00:49:50,000
(Solange) 'It's very feminine.'
1036
00:49:50,000 --> 00:49:52,000
'It's got lovely movement.'
1037
00:49:52,000 --> 00:49:55,000
She's made it look beautiful all the way around.
1038
00:49:55,000 --> 00:49:57,000
I think she should be pleased with herself
1039
00:49:57,000 --> 00:49:59,000
she's definitely come back from the brink.
1040
00:50:00,000 --> 00:50:03,000
[indistinct chatter]
1041
00:50:05,000 --> 00:50:06,000
(female narrator) Kim is next.
1042
00:50:09,000 --> 00:50:11,000
She has pebbles.
1043
00:50:11,000 --> 00:50:13,000
'She has a Holly leaf and berries.'
1044
00:50:13,000 --> 00:50:15,000
'But I'm not sure there's enough
1045
00:50:15,000 --> 00:50:17,000
of the Chris and Kelly story there.'
1046
00:50:17,000 --> 00:50:20,000
'And it's a little bit roughly made.'
1047
00:50:20,000 --> 00:50:24,000
There's a lot of solder run from the veins of the leaf.
1048
00:50:24,000 --> 00:50:27,000
The solder has run out from all of that.
1049
00:50:27,000 --> 00:50:29,000
(Shaun) 'A little bit messy.'
1050
00:50:30,000 --> 00:50:33,000
'Overall, I think technically, it could have been better.'
1051
00:50:33,000 --> 00:50:38,000
And there was so much more in Chris and Kelly's story
1052
00:50:38,000 --> 00:50:40,000
that could have been incorporated into that piece.
1053
00:50:46,000 --> 00:50:48,000
I think it's a little bit flat.
1054
00:50:48,000 --> 00:50:50,000
'The pebbles are the three dimension.'
1055
00:50:50,000 --> 00:50:52,000
'They're a little bit rough.'
1056
00:50:52,000 --> 00:50:54,000
(Solange) 'I think this is the other side.'
1057
00:50:54,000 --> 00:50:58,000
You know, Kim's was very subtle incorporating the brief.
1058
00:50:58,000 --> 00:51:01,000
'And this one's all very obvious because we have virtually'
1059
00:51:02,000 --> 00:51:03,000
every element of the brief in this.
1060
00:51:06,000 --> 00:51:08,000
(female narrator) Last but not least
1061
00:51:08,000 --> 00:51:10,000
it's Hugo penguin on a treble clef.
1062
00:51:11,000 --> 00:51:14,000
(Solange) 'Hugo, that's just lovely.'
1063
00:51:14,000 --> 00:51:16,000
'You know, he's done such a beautiful thing with the brief.'
1064
00:51:16,000 --> 00:51:18,000
'He's got the musical element'
1065
00:51:18,000 --> 00:51:21,000
'and he's got the Penguins that they love'
1066
00:51:21,000 --> 00:51:25,000
um...who looks like he's kind of flying away
1067
00:51:25,000 --> 00:51:29,000
on the wave of musical sounds.
1068
00:51:29,000 --> 00:51:31,000
I am ecstatic about this piece.
1069
00:51:31,000 --> 00:51:34,000
(Shaun) 'This is exactly what I've been waiting for.'
1070
00:51:34,000 --> 00:51:37,000
A combination of perfect
1071
00:51:38,000 --> 00:51:43,000
'technical skills fused with really slick seamless design.'
1072
00:51:43,000 --> 00:51:45,000
It's a beautiful piece.
1073
00:51:49,000 --> 00:51:51,000
(female narrator) Before the judges can decide who goes home
1074
00:51:51,000 --> 00:51:54,000
Chris must choose which of the sweetheart broaches
1075
00:51:54,000 --> 00:51:56,000
he'd like to give to his wife, Kelly.
1076
00:51:56,000 --> 00:51:57,000
- Chris! - Hello.
1077
00:51:57,000 --> 00:51:59,000
Hey, so nice to see you.
1078
00:51:59,000 --> 00:52:01,000
(female narrator) To take on tour with the Royal
1079
00:52:01,000 --> 00:52:02,000
electrical and mechanical engineers.
1080
00:52:04,000 --> 00:52:06,000
[instrumental music]
1081
00:52:08,000 --> 00:52:10,000
Sonny has gonna with the Penguins.
1082
00:52:10,000 --> 00:52:14,000
He's made a family on Pebble Beach there.
1083
00:52:14,000 --> 00:52:16,000
Wow, these people are talented.
1084
00:52:18,000 --> 00:52:22,000
Hugo has done a Penguin and a trouble clef.
1085
00:52:22,000 --> 00:52:23,000
(Chris) 'Oh, that's beautiful.'
1086
00:52:23,000 --> 00:52:26,000
'This one's just. It's really subtle, isn't it?'
1087
00:52:26,000 --> 00:52:28,000
This is Tamara's.
1088
00:52:28,000 --> 00:52:29,000
(Chris) 'The metal thing, that's..'
1089
00:52:29,000 --> 00:52:31,000
- 'That's a genius idea.' - 'Mm-hmm.'
1090
00:52:31,000 --> 00:52:33,000
(Chris) 'Really good idea.'
1091
00:52:33,000 --> 00:52:34,000
(Katherine) 'So many beautiful brooches'
1092
00:52:34,000 --> 00:52:35,000
'to choose from.'
1093
00:52:35,000 --> 00:52:38,000
It's such a hard decision, um, but I think
1094
00:52:38,000 --> 00:52:42,000
I have chosen one that I would like to take to Kelly.
1095
00:52:42,000 --> 00:52:43,000
- Well, don't tell me yet. - Okay.
1096
00:52:43,000 --> 00:52:45,000
You reveal it in your own time. Let's go.
1097
00:52:45,000 --> 00:52:46,000
Let's go.
1098
00:52:52,000 --> 00:52:56,000
If the client does choose me, that will be amazing.
1099
00:52:56,000 --> 00:52:58,000
And I'll be super happy.
1100
00:52:58,000 --> 00:53:02,000
But I just don't want to go home today.
1101
00:53:02,000 --> 00:53:05,000
(Sonny) In this scenario where there's other really talented
1102
00:53:05,000 --> 00:53:07,000
to have your piece of work picked out of bunch
1103
00:53:07,000 --> 00:53:10,000
it'll be an honor, of course.
1104
00:53:10,000 --> 00:53:12,000
(Hugo) I feel like I ticked all the boxes from the brief
1105
00:53:13,000 --> 00:53:15,000
I'll be over the moon if he picks my one.
1106
00:53:15,000 --> 00:53:17,000
It would mean everything, but again
1107
00:53:17,000 --> 00:53:19,000
it's all in his hands now.
1108
00:53:19,000 --> 00:53:21,000
(female narrator) But who will be next to leave
1109
00:53:21,000 --> 00:53:23,000
the "All That Glitters" workshop?
1110
00:53:23,000 --> 00:53:26,000
[instrumental music]
1111
00:53:26,000 --> 00:53:28,000
(Katherine) It's been another week of very tough challenges.
1112
00:53:29,000 --> 00:53:30,000
Who under performed?
1113
00:53:30,000 --> 00:53:33,000
Lee's necklace was a necklace. It wasn't a chain.
1114
00:53:33,000 --> 00:53:37,000
And his brooch was not remarkable either.
1115
00:53:37,000 --> 00:53:40,000
So, you know, he could be in danger.
1116
00:53:40,000 --> 00:53:43,000
For me, Kim, didn't shine as brilliantly as she could have
1117
00:53:43,000 --> 00:53:45,000
because her chain, it just lost
1118
00:53:45,000 --> 00:53:48,000
that fluidity for me in the design..
1119
00:53:48,000 --> 00:53:51,000
And then when it came to the brooch
1120
00:53:51,000 --> 00:53:53,000
I don't really feel she took on board
1121
00:53:54,000 --> 00:53:58,000
the client's story as much as she could have.
1122
00:53:58,000 --> 00:54:00,000
We gave them enameling to do
1123
00:54:00,000 --> 00:54:02,000
which is a notoriously difficult technique.
1124
00:54:02,000 --> 00:54:07,000
Dan had a disaster because his enamel melted.
1125
00:54:07,000 --> 00:54:10,000
And Nichola's burnt.
1126
00:54:10,000 --> 00:54:12,000
You never know who the client will choose.
1127
00:54:12,000 --> 00:54:14,000
Exactly.
1128
00:54:14,000 --> 00:54:17,000
Who are you leaning towards for Jeweler of the Week?
1129
00:54:17,000 --> 00:54:18,000
It's such a hard one, isn't it?
1130
00:54:19,000 --> 00:54:23,000
Because one challenge they can really fold
1131
00:54:23,000 --> 00:54:25,000
and then they can pull it back.
1132
00:54:25,000 --> 00:54:30,000
And Tamara and Hugo did exactly that this week.
1133
00:54:30,000 --> 00:54:32,000
They both had their lights off.
1134
00:54:32,000 --> 00:54:36,000
Then they brought it back with their brooches.
1135
00:54:36,000 --> 00:54:39,000
(Katherine) Well, I'm excited to see who the client chooses.
1136
00:54:39,000 --> 00:54:41,000
And we're going to find out who's Jewelry of the Week.
1137
00:54:41,000 --> 00:54:44,000
And sadly who's leaving the "All The Glitters"
1138
00:54:45,000 --> 00:54:46,000
'workshop tonight.'
1139
00:54:49,000 --> 00:54:51,000
(female narrator) The judges have taken the client's choice of brooch
1140
00:54:51,000 --> 00:54:55,000
into account before making their final decision
1141
00:54:55,000 --> 00:54:57,000
for Jeweler Of The Week
1142
00:54:57,000 --> 00:54:59,000
and who will be going home?
1143
00:55:00,000 --> 00:55:02,000
[intense music]
1144
00:55:04,000 --> 00:55:05,000
(Katherine) 'Hi, Jewelers.'
1145
00:55:05,000 --> 00:55:07,000
Congratulations on completing
1146
00:55:07,000 --> 00:55:10,000
another tough round of challenges.
1147
00:55:10,000 --> 00:55:13,000
You've all created some stunning pieces.
1148
00:55:13,000 --> 00:55:16,000
And now we have to hear from Chris whose sweetheart brooch
1149
00:55:16,000 --> 00:55:18,000
he's chosen to accompany Kelly
1150
00:55:18,000 --> 00:55:21,000
'on her next deployment tour.'
1151
00:55:21,000 --> 00:55:23,000
(Chris) First of all, I just like to say thank you so much.
1152
00:55:23,000 --> 00:55:26,000
It's so humbling to know that you've made these
1153
00:55:26,000 --> 00:55:29,000
for my wife and you've listened to our story.
1154
00:55:29,000 --> 00:55:30,000
They're all beautiful.
1155
00:55:30,000 --> 00:55:31,000
You're so charming.
1156
00:55:31,000 --> 00:55:34,000
He really is, he's the people's prince.
1157
00:55:34,000 --> 00:55:36,000
[laughs]
1158
00:55:38,000 --> 00:55:42,000
Um.. I kind of thought what would Kelly like?
1159
00:55:42,000 --> 00:55:45,000
'And the broach I've chosen was from..'
1160
00:55:48,000 --> 00:55:49,000
Hugo.
1161
00:55:49,000 --> 00:55:52,000
[applauding]
1162
00:55:54,000 --> 00:55:56,000
Yay!
1163
00:56:03,000 --> 00:56:05,000
(Katherine) 'Well, that's not all the good news.'
1164
00:56:05,000 --> 00:56:08,000
The judges have, of course, chosen another
1165
00:56:08,000 --> 00:56:09,000
Jeweler of the week.
1166
00:56:10,000 --> 00:56:12,000
And this jeweler was able to listen
1167
00:56:12,000 --> 00:56:15,000
to critique and come back fighting.
1168
00:56:15,000 --> 00:56:17,000
Jeweler of the week is
1169
00:56:17,000 --> 00:56:18,000
Hugo!
1170
00:56:18,000 --> 00:56:21,000
[upbeat music]
1171
00:56:22,000 --> 00:56:25,000
[applauding]
1172
00:56:27,000 --> 00:56:28,000
I couldn't be happier, I couldn't be happier.
1173
00:56:33,000 --> 00:56:36,000
Unfortunately, we do have to send
1174
00:56:36,000 --> 00:56:38,000
one jeweler home from the workshop today.
1175
00:56:39,000 --> 00:56:42,000
Taking into account both the challenges
1176
00:56:42,000 --> 00:56:46,000
the judges have decided that the jeweler leaving us today is..
1177
00:56:49,000 --> 00:56:51,000
...Kim.
1178
00:56:51,000 --> 00:56:53,000
I'm so sorry, Kim. Well done.
1179
00:56:53,000 --> 00:56:56,000
[applauding]
1180
00:56:56,000 --> 00:56:58,000
(Katherine) Everything you made was so beautiful.
1181
00:56:59,000 --> 00:57:02,000
I'm quite upset to be going home
1182
00:57:02,000 --> 00:57:04,000
but I kind of expected it, I think, really.
1183
00:57:04,000 --> 00:57:06,000
and they were totally justified.
1184
00:57:06,000 --> 00:57:10,000
Just the time constraint for me was just too hard.
1185
00:57:10,000 --> 00:57:12,000
Um, actually, I've had a brilliant time.
1186
00:57:12,000 --> 00:57:13,000
It's been an amazing experience.
1187
00:57:13,000 --> 00:57:15,000
And I am so glad that I've been a part of this.
1188
00:57:17,000 --> 00:57:19,000
This week's been quite intense
1189
00:57:20,000 --> 00:57:23,000
and a lot of them have come back from disaster.
1190
00:57:23,000 --> 00:57:26,000
Hugo transcended his mistake yesterday
1191
00:57:26,000 --> 00:57:29,000
and he really nailed it today.
1192
00:57:29,000 --> 00:57:31,000
(Hugo) Honestly, I couldn't be happier.
1193
00:57:31,000 --> 00:57:33,000
It means so much to me, the fact that Chris picks
1194
00:57:33,000 --> 00:57:34,000
mine out out of all those beautiful pieces.
1195
00:57:34,000 --> 00:57:36,000
I know that's going to be something
1196
00:57:36,000 --> 00:57:38,000
that his family is gonna cherish.
1197
00:57:38,000 --> 00:57:40,000
And hopefully pass down generations.
1198
00:57:41,000 --> 00:57:43,000
It feels amazing to get "Jeweler of the Week."
1199
00:57:43,000 --> 00:57:45,000
And I hopefully, I can keep it going.
1200
00:57:46,000 --> 00:57:49,000
[upbeat music]
1201
00:57:59,000 --> 00:58:02,000
[theme music]
88839
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