Original subtitles

THAT IS NOT AN OPTION.

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

I AM NOT GIVING MY BROTHER UP. HE WAS AT THE SCENE!

I THINK WE SHOULD JUST LET HIM GO DOWN FOR THIS.

WELL, THAT'S NOT SUCH A BAD IDEA.

[ GASPS ] SHE JUST SLAPPED ME!

I HATE THAT HO.

I'MA GET HER, ALL RIGHT?

HE'S BEING QUESTIONED RIGHT NOW BY THE SECRET SERVICE.

AND THEY WANTED MY DNA.

AND YOU GAVE IT TO THEM?

WHAT COULD I DO? THEY TOOK IT FROM ME.

YOUR SON WAS THE CHILD CAUGHT IN THE CROSSFIRE.

HE WAS SHOT.

[ Voice breaking ] IS HE OKAY?

NO. HE'S NOT GONNA MAKE IT.

[ SOBS ]

This is the district attorney.

WHERE'S D. A. SALLISON?

WE HAD AN IMMUNITY DEAL.

She's dead.

WHAT HAPPENED TO HER?

That's what we want to talk to you about.

ROSE: I just need you to know

HOW REALLY PISSED OFF I AM.

SOME BLACK KID TAKES A SHOT AT MAMA ROSA'S GRANDSON.

IT'S US THAT SHE'S MAD AT.

IT'S US THAT GOT WAR OUT OF JAIL.

I AM NOT BURNING DOWN MY HOUSE.

NOW, IF THERE IS NO EVIDENCE, THERE IS NO CRIME.

NOW LIGHT THE DAMN MATCH.

♪♪♪♪

♪♪♪♪

KATHERYN!

WHAT IN THE HELL?

YES.

[ GLASS SHATTERING ]

WHAT ARE YOU DOING?

WATCHING THE HOUSE BURN DOWN.

WHAT IN THE HELL, KATHERYN?! DID YOU DO THIS?

YES, I DID.

WHY?!

I WAS HOPING YOU WERE IN THERE.

WHY WOULD YOU DO THAT?

I TOLD HER TO.

WHAT THE HELL IS GOING ON?

HMPH.

WHAT'S GOING ON IS THE TWO OF YOU.

VERONICA.

YOU LET SOMEONE DRIVE JENNIFER SALLISON'S BODY,

LEAVE HER AT THE FRONT OF NEWS STATION 7

WITH A SIGN THAT SAYS "MURDERED BY A CRYER."

CARE TO EXPLAIN THAT?

WE HAVE NOTHING TO EXPLAIN TO YOU.

THIS IS GONNA BE ON THE NEWS.

HOW IN THE HELL ARE WE GONNA EXPLAIN THIS?

VERY CAREFULLY.

THIS IS BY FAR THE DUMBEST THING YOU HAVE EVER DONE, KATHERYN.

WELL, THANK THE COUNSELOR OVER THERE.

DUMB, HUH?

YOU HEARD ME.

WELL, THEY HAVE THE BODY.

YEAH. SO?

THAT MEANS THEY HAVE THE EVIDENCE.

IF THEY HAVE THE BODY, THEN THEY HAVE DNA,

THEY HAVE CARPET FIBERS, THEY HAVE BLOOD SPATTER.

I HAD THE HOUSE CLEANED, VERONICA!

I HAD THIS TAKEN CARE OF.

[ CHUCKLES ] YOU.

YOU HAD IT TAKEN CARE OF? ‐YES, I DID.

AND THAT'S WHY THE BODY SHOWED UP AT THE NEWS STATION.

HMM. MAKES SENSE.

‐DAVID ‐‐ ‐WHY ARE YOU CALLING DAVID?

YOU NEED ‐‐

THERE IS NOTHING THAT I NEED OR CARE TO SAY TO HER.

I WILL REMEMBER THAT.

SURE YOU WILL. YOU REMEMBER EVERYTHING.

SHALL WE TALK ABOUT ALL THAT I REMEMBER?

SAVE IT FOR DIVORCE COURT.

DARLING, I HAVE.

YES, I'M SURE, AND I AM PREPARED.

YOU THINK SO?

I KNOW SO.

LOOK AT YOU.

HMM. GETTING ALL BOLD.

I LIKE IT.

IT'S KIND OF HOT.

[ CHUCKLES ]

NOT QUITE AS HOT AS BENJAMIN YOUNG, BUT IT'S GOOD.

I THINK YOU MIGHT BE ON TO SOMETHING.

KATHERYN ‐‐

...OFF.

KATHERYN, WHERE IN THE HELL ARE YOU GOING?!

WE NEED TO FIGURE OUT WHAT YOUR STORY IS!

YES.

WE NEED THE FIRE DEPARTMENT.

♪♪♪♪

♪♪♪♪

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

[ INSECTS CHIRPING ]

[ RADIO CHATTER ]

LOOKS LIKE WE JUST MISSED HER.

SHE'LL BE BACK.

SIR, SO YOU HAVE YOUR PRIME MERIDIAN BREAKFAST AT 9:30.

THEN YOUR MEETING WITH SENATOR BURTON AT 11:00 A. M.

IT'S GOT TO BE SHARP. HE'S VERY PUNCTUAL.

THEN YOU HAVE THE BOYS AND GIRLS CLUB MEETING AT 12:45,

THEN YOU HAVE ‐‐

[ BEEP ]

SIR, WE JUST HAVE A FEW MORE.

THURSDAY MORNING, YOUR MEETING ‐‐

IS EVERYTHING OKAY?

SIR?

LANDON, I NEED TO TALK TO YOU.

SURE.

YOU LIKE YOUR JOB?

YES, SIR.

DO YOU?

YES.

ARE YOU NOT HAPPY WITH MY PERFORMANCE?

I'M NOT HAPPY WITH YOU CALLING THE POLICE.

SIR, I DID WHAT I ‐‐

WHY WOULD YOU DO THAT

WHEN I MADE IT CLEAR YOU WERE TO HELP HER?

SIR, WITH ALL DUE RESPECT,

I'M SURE I KNOW OF MANY WOMEN WHO WOULD BE A BETTER FIT FOR ‐‐

I WANT HER.

WHY?

EXCUSE ME?

I'M SORRY, SIR.

WHY IS SHE SO SPECIAL, IF I MAY ASK?

[ SIGHS ] SIR, I AM SORRY.

I JUST THINK THAT THIS IS THE MOST ASININE THING.

YOU ARE GOING TO BE PRESIDENT OF THE UNITED STATES,

AND YOU'RE DEALING WITH A STREET‐LEVEL CRIMINAL.

WOULD IT SURPRISE YOU IF I TOLD YOU

I WAS A STREET‐LEVEL CRIMINAL?

UH, YES, IT WOULD.

WELL, HER AND I AREN'T THAT DIFFERENT.

I THINK YOU ARE.

THAT WOULD BE A FATAL MISTAKE ON YOUR PART.

SIR, IF I MAY JUST PLEASE IMPLORE YOU ‐‐

LANDON.

I'M GONNA SAY THIS ONE MORE TIME.

AND THIS IS NOT SOMETHING I DO WELL

OR SOMETHING I'M ACCUSTOMED TO.

HELP HER.

YES, SIR.

THAT'LL BE ALL.

BUT WE NEED TO GO OVER THE ‐‐

♪♪♪♪

I'M SORRY.

♪♪♪♪

SEND VINCENT IN HERE.

♪♪♪♪

[ DOOR CLOSES ]

Vincent: SIR?

♪♪♪♪

WHAT WAS THAT ABOUT?

THEY WERE LOOKING FOR SOME YOUNG LADY, SIR.

WHAT DID YOU TELL THEM?

THAT WE HAVE THIS FLOOR

AND WE'LL LET THEM KNOW IF SHE RETURNS.

THANK YOU.

SURE.

WOULD YOU LIKE TO SEE HER WHEN SHE GETS HERE, SIR?

MAYBE.

I'LL LET YOU KNOW.

YES, SIR.

[ DOOR OPENS ]

[ DOOR CLOSES ]

♪♪♪♪

[ INSECTS CHIRPING ]

♪♪♪♪

♪♪♪♪

♪♪♪♪

[ GASPS ]

[ SOBS ]

[ CRYING ]

♪♪♪♪

WHAT DID...

WHAT DID THEY...

OH, MY GOD, Q.

Q.

WHAT DID...

OH, Q.

Q.

♪♪♪♪

WHERE ARE YOU, GOD? HUH?

[ SNIFFLES ]

WHERE?

WHERE ARE YOU?

YEAH, WYATT CRYER. I NEED YOU TO

GO OVER THERE WITH ME. ‐YES, SIR.

I NEED TO FIND OUT WHAT HE KNOWS

ABOUT JENNIFER'S MURDER. ‐YES, SIR.

‐I'M GONNA GET THE FILE. ‐OKAY.

HEY, TELL FORD I'M GONNA BE GONE FOR A COUPLE HOURS.

I'M GOING OUT WITH THE D. A. ‐OKAY.

HEY, BRENT? ‐YEAH?

I'M SORRY. YOU SAID YOU WERE GOING...?

ALWAYS TRYING TO BE DETECTIVE.

‐YOU KNOW I PASSED THE WRITTEN. ‐YES.

‐AND THE ORAL. ‐YES, I KNOW.

LET ME GO.

LOOK, I'VE TAKEN YOU OUT ON THINGS BEFORE

THAT WAS WELL ABOVE YOUR PAY GRADE.

AND I KNOW THIS IS WELL ABOVE MY PAY GRADE.

‐YES. ‐HOW AM I SUPPOSED TO LEARN

IF I DON'T TAKE A FEW TRIPS WITH THE GUYS?

OKAY, OKAY, COME ON. YOU CAN JUST FOLLOW US.

ALL RIGHT, THANK YOU.

♪♪♪♪

♪♪♪♪

LANDON.

YOU STAY AWAY FROM ME.

I'M SORRY ABOUT WHAT HAPPENED.

WHO WAS THAT GUY?

A FRIEND. A FRIEND.

WAIT, DID ‐‐ HOW DID ‐‐ DID YOU KNOW HE'D BE IN THE ROOM?

NO, I DIDN'T.

SO WHY WAS HE THERE?

I KNOW WHY HE WAS THERE, BUT WHY DIDN'T YOU KNOW?

WELL, HE'S BEEN SHOWING UP PLACES.

IS HE STALKING YOU?

NO.

ARE YOU SURE? YEAH.

"SHOWING UP PLACES" SOUNDS LIKE STALKING.

I DON'T KNOW. IT'S NOT STALKING.

HE'S JUST CRAZY ABOUT ME.

OR JUST CRAZY.

NO, IT'S ‐‐ IT'S FINE.

OKAY, JEFFERY, IS HE STRAIGHT?

THAT'S WHAT HE SAYS.

OKAY, YOU HAVE NO IDEA HOW DANGEROUS THIS IS.

WHY?

JEFFERY, THE GUY ‐‐ HE'S GOT PROBLEMS.

HOW DO YOU KNOW THAT?

[ SCOFFS ] THE GUY SHOWS UP PLACES, OKAY?

HE IDENTIFIES AS STRAIGHT,

AND YET YOU'RE THE OBJECT OF HIS AFFECTIONS?

LOOK, I'M ‐‐ I'M TIRED,

SO I'M JUST GONNA GO UP AND GO TO BED.

OKAY, WELL, IF HE'S IN THE ROOM, YOU HAD BETTER NOT GO IN THERE.

NO, HE ‐‐ HE WON'T BE.

HOW DO YOU KNOW?

MY MOM MADE SURE OF THAT.

OH, GREAT.

WHAT DID THAT WITCH DO NOW?

SHE'S ALWAYS DOING SOMETHING.

YEAH, GREAT. OH, LOOK, HERE SHE IS NOW.

SHE'S THE ONE YOU NEED A RESTRAINING ORDER AGAINST.

YEAH. I HAVE ONE.

IT'S CLEARLY NOT WORKING.

NO, IT ISN'T.

JEFFERY.

YES?

I AM SICK OF YOU AND THESE GIRLS.

WELL, THEN STOP POPPING UP.

WELL, I WOULDN'T HAVE TO IF YOU WEREN'T HERE.

I'M STAYING HERE.

NO, YOU'RE NOT. YOU'RE COMING HOME.

MOM ‐‐

JEFFERY, DON'T "MOM" ME.

NOW, I ‐‐

LITTLE GIRL, DON'T YOU HAVE TO CHECK YOUR LIPSTICK?

I'M SURE IT LOOKS BETTER THAN YOUR FOUNDATION.

IN YOUR DREAMS. BYE‐BYE.

I'M NOT COMING HOME.

JEFFERY, I'VE WORKED TOO HARD ON THIS,

AND I AM NOT IN THE MOOD.

NOW, YOU'RE COMING HOME.

WORKED ON WHAT?

MELISSA AND THAT BABY.

NOW, YOU'RE COMING HOME, JEFFERY.

NO, I'M NOT.

YOU KNOW THAT I GO BEFORE THE JUDGE TOMORROW, RIGHT?

YES.

TO TRY TO KEEP THAT BODY OUT OF EVIDENCE.

YES.

THEN YOU ARE COMING HOME.

NO, I'M NOT.

WHAT?

THAT GIRL TRIED TO KILL HERSELF. I MEAN, DON'T YOU GET IT?

YES, I GET IT.

THAT'S WHY I NEED YOU TO GO HOME TO BE SURE

THAT CRAZY DOESN'T BLEED ON MY GOOD SHEETS AGAIN.

YOUR GOOD SHEETS?

IS THAT ALL YOU CARE ABOUT?

YES.

THAT GIRL IS IN PAIN.

NO, SHE'S NOT.

MOM, SHE TRIED TO KILL HERSELF.

SHE'S CALLING OUT FOR ATTENTION, JEFFERY.

NO, SHE'S NOT. SHE'S DEPRESSED AND SHE ‐‐

OH, WELL, THEN YOU KNOW HOW TO PICK THEM, NOW, DON'T YA?

MOM.

ALL RIGHT, YOU KNOW WHAT?

YOU REALLY NEED TO STOP THIS.

THAT GIRL IS CARRYING MY GRANDCHILD.

I'M NOT STOPPING ANYTHING.

NOW, I NEED YOU TO GET IT TOGETHER

AND GO TO THAT HOSPITAL

AND PICK HER UP AND TAKE HER TO MY HOUSE.

IS THAT CLEAR?

THOUGHT I SMELLED SOMETHING.

NO SNAPPY COMEBACK?

OH, SHE MUST HAVE FOUND OUT.

FOUND OUT WHAT?

HER SON DIED.

HMM. SORRY TO HEAR THAT.

[ SIGHS ]

APPARENTLY MINE WANTS TO, AS WELL, HUH?

MOM, JUST...

[ SIGHS ]

JEFFERY, I WILL SEE YOU AT HOME, OKAY?

AND STAY AWAY FROM THESE BOYS.

♪♪♪♪

♪♪♪♪

ARE YOU OKAY?

[ ELEVATOR BELL DINGS ]

♪♪♪♪

♪♪♪♪

[ KNOCK ON DOOR ]

YOU WANT ME TO GET IT? NO, NO, I GOT IT.

[ TELEVISION PLAYING ]

George: WYATT CRYER?

YEAH.

UH, HI. I'M GEORGE.

YEAH, YEAH.

AND THIS IS DETECTIVE HINES.

YEAH.

THANKS FOR SEEING US.

SURE.

OH, HI.

HI.

OH, THIS IS ANNA.

YOUR GIRLFRIEND?

OH, NO, NO, WE'RE ‐‐ WE'RE NOT TOGETHER.

OH. OKAY.

George: MR. CRYER.

DOES HE HAVE TO BE HERE?

I'M SORRY?

NEVER MIND.

WHAT CAN YOU TELL US ABOUT YOUR RELATIONSHIP

WITH JENNIFER SALLISON?

NOT MUCH.

SHE WAS THE D. A. IN MY CASE

AGAINST LIZZIE CASTILLO, OFFERED ME IMMUNITY.

YES, THAT WE KNOW. WE HAVE THE DEAL.

OKAY, WELL, YOU GUYS GONNA HONOR IT, OR WHAT?

YEAH. WE WILL.

OKAY. AND JEFFERY, TOO?

OF COURSE.

OKAY, SO, I MEAN, WHEN DO WE GO TO TRIAL?

WELL, UH, ACTUALLY, I'M NOT HERE TO TALK ABOUT THAT.

I'M HERE TO TALK ABOUT HER MURDER.

WHOSE?

JENNIFER SALLISON'S.

MURDERED?

YES.

I'M SORRY. I DIDN'T ‐‐

I TOLD YOU THAT.

NO, NO, NO. YOU DIDN'T TELL ME THAT.

WHAT YOU TOLD ME WAS THAT SHE DIED.

I THOUGHT SHE HAD, LIKE, A HEART ATTACK OR SOMETHING.

NO.

SHE WAS MURDERED.

SHOT EIGHT TIMES AT POINT BLANK RANGE.

WOW. I'M SORRY.

AND HER BODY WAS FOUND A FEW DAYS LATER,

WRAPPED IN PLASTIC AND WRITTEN ON IT "MURDERED BY A CRYER."

♪♪♪♪

WHAT?

YEAH.

YOU'RE KIDDING ME.

WISH I WAS.

WHAT CAN I SAY? I...

HOW IS, UH, HOW WAS HER RELATIONSHIP WITH YOUR PARENTS?

IT'S FINE, I GUESS. I MEAN, THEY WERE ENEMIES.

WERE THEY?

YEAH.

YEAH, MY PARENTS ALWAYS HATED HER.

I DON'T KNOW WHY.

I SEE.

THEN WHEN SHE GOT MY INHERITANCE RELEASED TO ME,

THAT JUST SET THEM OFF.

I'M SORRY. SHE DID WHAT?

YEAH, D. A. SALLISON HAD A JUDGE RELEASE MY INHERITANCE TO ME,

AND MY FOLKS JUST...

REALLY PISSED OFF ABOUT THAT.

I, YOU KNOW, IT'S JUST...

HOW MUCH WAS IT?

IT WAS $12 MILLION.

WELL, YOUR PARENTS ARE RICH, RIGHT?

THEY DON'T NEED $12 MILLION.

IT'S ABOUT CONTROL FOR THEM.

I MEAN, THEY JUST WANTED TO CONTROL ME, THAT'S ALL.

OKAY.

HOW MUCH ARE YOUR PARENTS WORTH?

MY MOM'S WORTH $250 MILLION.

AND MY DAD, HE'S NOT WORTH MUCH WITHOUT HER.

OKAY.

YEAH, SO, ARE THEY GONNA GO TO JAIL FOR IT, OR WHAT?

UH, PERHAPS. WE'RE BUILDING A CASE.

GOOD.

"GOOD"?

YEAH, THEY'RE NOT GOOD PEOPLE, MAN.

OH. WOW.

‐NO. ‐NO, NO, NO, NO.

TELL ME MORE.

WHERE DO YOU WANT ME TO START?

UH, WITH WHATEVER YOU'D LIKE TO SAY.

♪♪♪♪

BUT I WANT HIM TO LEAVE FIRST.

WHO?

HIM.

ME?

YEAH, YOU.

MAY I ASK WHY, SIR?

YES, WHY.

I DON'T LIKE YOU STARING AT ME LIKE THAT.

I DON'T LIKE YOU STANDING BEHIND ME.

I DON'T LIKE THE WAY YOU TREAT MY FRIENDS.

WHAT'S HE TALKING ABOUT?

BEATS ME.

CAN YOU WAIT OUTSIDE, PLEASE?

YEAH, SURE.

♪♪♪♪

NOW, GO ON, WYATT.

[ DOOR CLOSES ]

WHAT DO YOU WANT TO TELL ME ABOUT YOUR PARENTS?

♪♪♪♪

MA'AM. CHAR‐‐

MA'AM. GET OFF OF ME. CHARLES!

MA'AM. DON'T TOUCH ME!

CHARLES! ‐MA'AM, BACK.

‐CHARLES! ‐BACK.

DON'T TOUCH ME.

CAN I HAVE MY PHONES, PLEASE?

‐CANDACE ‐‐ ‐PLEASE.

PLEASE.

VINCE, I NEED HER PHONES.

[ SIGHS ]

[ SNIFFLES ]

[ Beep ]

BENNY: Leave a message.

HEY, BENNY, IT'S ME.

CALL ME, PLEASE.

VINCE, CAN I GET A MINUTE?

YES, SIR.

THANK YOU.

[ SNIFFLES ]

ARE YOU OKAY?

[ Voice breaking ] NO.

I'M SORRY.

[ SNIFFLES ]

WHAT HAPPENED?

WELL, I...I...

DID YOU DO THIS?

OF COURSE NOT.

THEN WHAT HAPPENED?

ALL I KNOW IS HE WAS CAUGHT IN THE CROSSFIRE.

I CAN FIND OUT.

♪♪♪♪

[ DOOR BEEPS ]

♪♪♪♪

♪♪♪♪

[ CELLPHONE BEEPS ]

[ CELLPHONE VIBRATES ]

[ CELLPHONE BEEPS ]

HELLO?

ERICA.

Yeah?

I NEED YOU.

OKAY, WELL, WHERE ‐‐ WHERE ARE YOU?

Come to 3031.

OKAY. I'LL BE RIGHT THERE.

[ CELLPHONE BEEPS ]

[ CELLPHONE BEEPS ]

[ Ringing ]

WAR. ‐Yo?

SHE IS IN ROOM 3031 OF THE HOTEL.

WARLOCK: Yeah, she's next on my stop.

ALL RIGHT, I'LL TRY TO KEEP HER THERE.

‐All right. ‐HURRY.

‐I'm on it. ‐OKAY.

[ CELLPHONE BEEPS ]

[ CELLPHONE BEEPS ]

[ Ringing ]

[ CELLPHONE RINGS ]

[ CELLPHONE BEEPS ]

HELLO?

CANDACE: It's me.

WHAT DO YOU WANT?

SO, IS IT TRUE?

YEAH.

♪♪♪♪

[ SNIFFLES ]

[ SIGHS ] SO, MY SON IS DEAD.

YES. [ SIGHS ]

WHAT HAPPENED?

Candace.

TELL ME WHAT HAPPENED.

♪♪♪♪

WAR BUST IN OUR ROOM LOOKING FOR YOU.

AND MITCH AND BENNY GOT INTO IT, AND...

he went at him, and he ‐‐ he started shooting,

and he [Sniffles]...

OKAY. AND HE SHOT MY SON.

YEAH.

WHERE WAS HE?

In the bathroom.

WHY WAS HE IN THE BATHROOM?

I RAN IN THERE WITH HIM.

HOW COME YOU DIDN'T PROTECT HIM?

WHAT?

[ SNIFFLES ]

HE WOULDN'T HAVE GOTTEN SHOT IF YOU PROTECTED HIM.

CANDACE, I WAS ON TOP OF THAT BABY.

THEN WHY DIDN'T YOU GET SHOT?

♪♪♪♪

I DON'T KNOW.

[ Sobbing ] YOU'RE LYING.

YOU'RE A LIAR.

YOU DIDN'T PROTECT MY SON.

AND YOU'RE THE ONE WHO SHOULD BE DEAD.

♪♪♪♪

♪♪♪♪

[ SNIFFLES ]

[ SIGHS DEEPLY ]

[ CELLPHONE RINGS ]

[ CELLPHONE BEEPS ]

HELLO? Hey, Mitch.

CANDACE.

Hey. YOU OKAY?

WOULD YOU BE?

You heard.

YEAH.

I'M SORRY, BABY.

I DON'T BELIEVE THIS.

I know. Me neither.

[ SIGHS ]

SO, ARE YOU SURE IT WAS HIM?

Oh, yeah. I saw him.

We ‐‐ We all saw him.

WE WERE ALL THERE.

HE WAS IN THE ROOM.

AND JUST LIKE THAT?

YEAH. HE SHOT THE PLACE UP.

OKAY.

So, uh...

WHAT DO YOU WANT TO DO?

♪♪♪♪

I WANT HIM DEAD.

O‐OKAY.

WHAT'S THE PLAN?

MY GRANDMOTHER HAS A RESTAURANT, ROSA MALONE.

JUST GET HIM THERE.

OH, I WILL.

♪♪♪♪

[ CELLPHONE BEEPS ]

[ CELLPHONE BEEPS ]

[ Ringing ]

TONY, TELL GRANDMA ROSE I'M COMING TO THE RESTAURANT.

I'M DELIVERING WAR.

‐YOU'RE DOING WHAT? ‐Just tell her what I said.

YOU'RE BRINGING HIM HERE

to her new restaurant?

YEAH.

Is he after you?

NO.

BUT YOU KNOW WHERE HE IS?

Yeah.

[ CHUCKLES ]

FINALLY YOU'RE COMING INTO THE FAMILY.

JUST DO WHAT I ASKED.

WE'LL BE READY, ALL OF US.

I'LL LET MAMA KNOW.

[ CELLPHONE BEEPS ]

♪♪♪♪

[ INSECTS CHIRPING, KNOCK ON DOOR ]

♪♪♪♪

♪♪♪♪

HI.

HI.

WHAT'S GOING ON?

COME IN.

SIT.

♪♪♪♪

♪♪♪♪

ARE YOU WITH ME?

YES.

WHY DOES YOUR DRESS SMELL LIKE WAR?

I HAVE NO IDEA.

YOU DON'T DEAL WITH THAT LEVEL OF THUG.

NO.

SO HOW COULD YOU GET THAT FRAGRANCE?

I DON'T KNOW, CANDACE.

YOU KNOW I DON'T ‐‐

I'M SCARED TO DEATH OF WAR.

ARE YOU WITH ME?

YES. I DON'T KNOW WHY YOU KEEP ASKING ME THAT.

WHAT'S GOING ON?

HE KILLED MY SON.

WHAT?

YEP.

CANDACE, I'M SO SORRY.

HE SHOT HIM.

WHY?

WHY?

IT'S OKAY.

NO, IT'S ‐‐ IT'S NOT. NO, IT'S NOT OKAY.

IT'S SO WRONG.

[ SNIFFLES ] [ CELLPHONE BEEPS ]

[ Ringing ]

[ CELLPHONE VIBRATES ]

War.

HMM?

CANDY.

Yeah.

YOU KNOW I'M LOOKING FOR YOU.

I KNOW.

You know, you lied to me.

YEAH.

I KNOW.

SO YOU DID LIE TO ME.

YEP.

YOU GOT $7.4 MILL.

YEAH, I DID.

YOU KNOW YOU GOT TO DIE, RIGHT?

[ SCOFFS ] YEAH, WAR.

Where you at?

YOU KNOW.

No, I don't know.

I'M AT THE ARTISAN HOTEL, ROOM 3031.

YOU KNOW.

DON'T MOVE.

NO.

I'M MOVING.

YOU AIN'T GONNA WAIT FOR ME, BABY?

NO.

COME ON, BABY.

YOU SHOT MY SON.

GIRL, THAT WAS AN ACCIDENT.

OKAY.

You waiting for me?

YOU KNOW I'M ABOUT TO JUMP IN THE CAR

AND BE ON MY WAY, ALL RIGHT?

NO.

I'M NOT.

[ CELLPHONE BEEPS ]

[ CELLPHONE THUDS ]

WHY DID YOU CALL HIM?

GIVE ME YOUR PHONE.

WHAT?

GIVE ME YOUR PHONE.

‐CANDACE ‐‐ ‐GIVE IT TO ME NOW.

♪♪♪♪

WHO ARE YOU GONNA CALL NOW?

[ CELLPHONE RINGING ]

WHAT?

UNKNOWN NUMBER.

YEAH?

WHO IS IT?

HOW AM I SUPPOSED TO KNOW?

ANSWER IT.

CANDACE ‐‐

ANSWER IT ON SPEAKERPHONE.

[ RINGING CONTINUES ]

[ CELLPHONE BEEPS ]

HELLO?

DAVID: Erica.

HI, DAVID.

I must apologize. Something has come up,

and I'm not going to be able to make it back to you tonight.

OH, THAT'S DISAPPOINTING.

Yes, I know.

I WAS REALLY LOOKING FORWARD TO IT.

Perhaps tomorrow?

YEAH, OKAY.

Are you busy?

I'M ON THE OTHER LINE WITH A FRIEND.

SHE'S HAVING TRUST ISSUES.

Oh, so sorry you're having to deal with that.

SO AM I.

SHE'S A REALLY GOOD FRIEND, AND...

AND FOR SOME REASON, DOUBT IS CREEPING IN.

SHE'S ABOUT TO SCREW UP

THE ONLY GOOD THING IN HER LIFE

BECAUSE OF TRUST.

That's no good at all.

NO, IT'S NOT.

I'll let you get back to your friend.

OKAY.

I'LL CALL YOU.

Okay.

BYE.

[ SNIFFLES ]

[ CELLPHONE BEEPS ]

SO YOU DON'T TRUST ME, CANDACE?

I'M YOUR GIRL.

I ALWAYS HAVE BEEN.

PLEASE DON'T DOUBT THAT.

DON'T DOUBT THAT. I LOVE YOU.

I...

DON'T TOUCH ME.

I'M SORRY.

[ SIGHS ]

PASS ME MY BAG?

♪♪♪♪

COME ON.

WHERE ARE WE GOING?

TO DINNER.

OKAY.

♪♪♪♪

♪♪♪♪

[ INSECTS CHIRPING ]

GIRL, I KNOW THIS PLACE IS EXPENSIVE.

I GOT IT.

OKAY.

ARE YOU OKAY?

YEAH.

WELL, I'M ‐‐ I'M GONNA GO TO THE BATHROOM.

OKAY.

CANDACE. HEY.

HOW YOU DOING, BABY? YOU LOOK BEAUTIFUL.

‐THANK YOU. ‐GOOD TO SEE YOU.

YOU, TOO. HMM.

THE TABLE'S ALMOST READY FOR YOU, OKAY?

YEAH.

ALL RIGHT, NOW, LISTEN, WHEN THIS GOES DOWN,

I WANT YOU TO STAY LOW, ALL RIGHT?

‐OKAY. ‐MY GUYS ARE REALLY GOOD.

THEY'LL TAKE CARE OF EVERYTHING. YOU DON'T HAVE TO WORRY.

I'M NOT WORRIED.

ALL RIGHT. I'LL BE LOOKING OUT FOR YOU, TOO.

‐OKAY. ‐OKAY.

IS HE ON HIS WAY?

I'M SURE SHE'S CALLING HIM RIGHT NOW.

WHAT? WHO'S ‐‐ WHO'S CALLING HIM?

MY FRIEND.

THAT ERICA CHICK?

YEAH.

I KNEW YOU COULDN'T TRUST THAT GIRL.

ALL RIGHT, LOOK, I'M GOING TO THE BACK.

I'M GONNA GET READY. ‐MM‐HMM.

‐ALL RIGHT? ‐OKAY.

‐I'LL BE LOOKING OUT FOR YOU. ‐ALL RIGHT.

‐ALL RIGHT, STAY LOW. ‐I WILL.

OKAY.

JUST KILL THAT ASSHOLE.

DONE. COME ON.

‐OKAY. ‐I'LL TAKE YOU TO YOUR TABLE.

♪♪♪♪

I'LL BE BACK, ALL RIGHT?

‐UH‐HUH. ‐ALL RIGHT.

[ SIGHS ]

♪♪♪♪

[ DOOR OPENS ]

BENNY YOUNG.

LOOK, AM I GETTING OUT OF HERE, OR WHAT, MAN?

YOU SURE ARE.

HUH?

YOU'RE FREE TO GO.

I KNOW THAT'S RIGHT.

I'M ‐‐ I'M ABOUT TO LEAVE?

OKAY.

RIGHT NOW?

OKAY.

THAT MY PHONE?

♪♪♪♪

♪♪♪♪

[ INSECTS CHIRPING ]

[ HELICOPTER BLADES WHIRRING ]

♪♪♪♪

[ CELLPHONE BEEPS ]

[ Ringing ]

HANNA: Hey, baby.

I'M OUT.

Thank God.

What'd they say?

NOTHING.

What do you mean?

MA, I STILL DON'T KNOW.

Where are you?

WELL, I'M OUT FRONT OF THE POLICE STATION RIGHT NOW.

UH, WANT TO COME PICK ME UP?

Yeah, I'm on my way.

OKAY.

I'll be there in a few minutes.

OKAY. THANKS.

[ CELLPHONE BEEPS ]

[ SIGHS ]

I GOT TO TELL YOU, WHEN I FIRST SAW

THIS LITTLE BRIGHT‐EYED SENATOR FROM MICHIGAN,

I THOUGHT, "WHO IS THIS KID?"

I MEAN, I'M TWICE HIS AGE.

AND IN THAT SHORT FOUR YEARS,

HE HAS COME ALL THIS WAY.

NOW YOU NEED TO GET OUR VOTE.

IN SPITE OF HIS AGE, THE TENDER AGE OF 36.

AH, 37.

[ LAUGHTER ]

37.

HAPPY BIRTHDAY.

LAST WEEK.

LAST WEEK, HE SAYS.

[ LAUGHTER ]

NOW I WANT Y'ALL TO GET OUT THERE AND VOTE FOR THIS MAN.

HE IS NOT ONLY GOOD FOR THE STATE OF GEORGIA.

HE IS GOOD FOR THESE ENTIRE UNITED STATES.

[ CHEERS AND APPLAUSE ]

♪♪♪♪

I WANT YOU TO GIVE A GOOD, OLD GEORGIA WELCOME

FOR YOUR NEXT PRESIDENT OF THE UNITED STATES OF AMERICA,

CHARLES FREDERICKSON!

[ CHEERS AND APPLAUSE ]

♪♪♪♪

I WANT YOU TO TRAVEL WITH US

AND INTRODUCE ME EVERYWHERE I GO.

[ LAUGHTER ]

I KNOW YOU CAN'T. I KNOW YOU CAN'T,

'CAUSE YOU'RE TOO BUSY RUNNING THIS GREAT STATE.

AND I LOVE GEORGIANS.

[ CHEERS AND APPLAUSE ]

♪♪♪♪

♪♪♪♪

♪♪♪♪

NOW, I WOULD BE REMISS IF I DIDN'T START OUT

BY ASKING FOR A MOMENT OF SILENCE

FOR A YOUNG BOY WHO WAS GUNNED DOWN TRAGICALLY

NOT FAR FROM HERE.

I HAPPEN TO KNOW MEMBERS OF THE FAMILY PERSONALLY.

AND THERE IS NOTHING SO SENSELESS AND TRAGIC

THAN SHOOTING AND HARMING AN INNOCENT CHILD.

♪♪♪♪

♪♪♪♪

[ GUNSHOTS ]

[ ALL SCREAMING ]

♪♪♪♪

♪♪♪♪

♪♪♪♪

A MOMENT OF SILENCE, PLEASE.

[ WOMAN SOBBING ]

♪♪♪♪

YOU OKAY? YOU OKAY? YEAH.

YOU GOOD? UH‐HUH.

♪♪♪♪

[ WOMAN SOBBING ]

♪♪♪♪

♪♪♪♪

♪♪♪♪

THANK YOU.

THANK YOU SO MUCH.

I KNOW THE YOUNG FAMILY WILL APPRECIATE IT.

I THANK YOU. THANK YOU, GEORGIA.

I LOVE YOU. [ CHEERS AND APPLAUSE ]

[ TELEVISION TURNS OFF ]

♪♪♪♪

NEXT ON "THE HAVES AND THE HAVE NOTS"...

DID YOU THINK I WAS GONNA GET THE MAID TO CLEAN IT UP?

ENJOY CLEANING.

WHO'S THE GIRL?

DO YOU WANT HER TO LIVE?

STAY HERE WITH ME?

YOU KNOW I CAN'T DO THAT.

YOU CAN ALWAYS COME VISIT ME.

SHOULD THAT BE BEFORE OR AFTER I BURY MY SON?

CANDACE NEEDS TO BE A PART OF THIS.

SO SHE SHOULD BE A PART OF US BURYING HIM

WHEN SHE WASN'T THERE WHEN HE WAS ALIVE.

WHAT HAPPENED TO YOUR FACE?

WAS IT VERONICA?

‐WHERE ARE YOU GOING? ‐I'M GOING TO TALK TO VERONICA.

YOU BURNED DOWN A HOUSE FOR NO REASON!

BECAUSE I WAS WISHING YOU WERE IN IT.

KATHERYN, YOU LOVE ME.

‐NO, I DON'T. ‐YEAH.

‐I'M NOT HAVING THIS. ‐COME HERE.

WILL YOU ‐‐ IT'S TOO LONG TO START OVER.

STOP IT! STOP IT! ‐HEY, HEY, HEY. EASY, STOP!