Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

OH, DAMN. LANDON, I DON'T NEED TO KNOW YOUR NAME. I DON'T.

[ GRUNTS ] HEY! HEY!

WELL, YOU KNOW SHE'S HERE. WHERE?

I DON'T WHAT ROOM EXACTLY, BUT SHE'S HERE.

YOU DON'T WANT A CLEAN SLATE?

MAKE ME YOUR FIRST LADY.

THAT'S NOT GOING TO HAPPEN.

LADY! LADY, STOP! MOM!

WAR, I NEED TO SEE YOU.

MAN, THAT AIN'T HAPPENING. WHAT'S GOING ON WITH THIS GUY?

IF I DON'T FIND HIM, ALL HELL IS GOING TO BREAK LOOSE.

I THINK IT ALREADY HAS.

JENNIFER SALLISON'S BODY WAS HERE.

THE BODY HAD "CRYER VICTIM."

SO YOU DON'T DO CRAZY EXES?

YOURS IS FUN.

DID YOU GET IN TOUCH WITH THE LAWYER?

I SPOKE TO HER. SHE JUST DROVE UP.

WELL, WHO IS IT?

I AM.

OH, NO THE HELL YOU AIN'T.

WE HAVE A PROBLEM, DAVID.

ON MY WAY DOWN.

THERE WAS A MURDER. YOU CAN MAKE THAT GO AWAY?

SOMEONE HAS TO TAKE THE FALL FOR IT.

WHO?

WE NEED TO EXCLUDE YOU FROM A TERRORISM INVESTIGATION.

WHAT? YOUR BROTHER.

SO? THAT IS NOT AN OPTION.

CANDACE. I AM NOT GIVING MY BROTHER UP.

HE WAS AT THE SCENE! HOW DO YOU KNOW THAT?

I THINK WE SHOULD JUST LET HIM GO DOWN FOR THIS.

I AM NOT GOING TO DO THAT.

I WILL WALK DOWN THERE AND TURN MYSELF IN FIRST.

YOU LOVE HIM THAT MUCH? YES, I DO.

OKAY. OKAY. THIS IS CRAZY.

WOW. I NEVER KNEW THAT KIND OF LOVE.

YOU HAVE CHILDREN! YOU KNOW THAT KIND OF LOVE.

THAT'S DIFFERENT.

AND YOU WERE MADLY IN LOVE WITH YOUR WIFE,

FROM WHAT I READ.

FROM WHAT YOU READ? YEAH. AM I WRONG?

NO. YOU'RE NOT WRONG.

EVERYTHING YOU READ IS CORRECT.

SHE WAS A WONDERFUL WOMAN.

SO YOU KNOW LOVE.

AND I LOVE MY BROTHER WITH WITH EVERY PIECE OF MY HEART.

THEN WHY DID YOU FORGE HIS NAME ON THE BANK LOAN?

DO YOU KNOW WHAT COLOR PANTIES I HAVE ON?

NO. I HAVEN'T SEEN THEM YET.

I'M NOT GIVING UP MY BROTHER.

OKAY. OKAY.

IF THAT'S WHAT YOU NEED ME TO DO, I

I I WON'T DO IT.

WELL, I DON'T KNOW HOW TO ASK A WOMAN TO MY INAUGURATION

WHO'S WANTED FOR QUESTIONING IN A MURDER INVESTIGATION.

SELLING THE STORY THAT IT WAS HER BROTHER WOULD HAVE WORKED,

BUT...

WE DON'T EVEN NEED TO DISCUSS THAT

BECAUSE I'M NOT GOING TO YOUR INAUGURATION.

I WAS ACTUALLY GOING TO DANCE WITH MY DAUGHTER.

THAT'S NICE.

I NEED SOME AIR.

OKAY. I'M NOT STOPPING YOU.

ACTUALLY, YOU ARE. CAN YOU LEAVE, PLEASE?

REALLY? YEAH.

OKAY. SURE.

THANK YOU.

♪♪♪♪

YOU KNOW, YOU JUST TURNED DOWN THE GIFT OF A LIFETIME.

NO, YOU DID.

AND IF YOU EVER THINK I WOULD GIVE UP MY BROTHER,

YOU ARE WRONG.

♪♪♪♪

[ BOLTS DOOR ]

Captions by VITAC www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪♪♪

♪♪♪♪

[ KNOCKS ON DOOR ]

I'LL GET IT.

WHO COULD THAT BE? I DON'T WANT TO TALK TO ANYBODY.

♪♪♪♪

HI. OH, MY GOD. THANK YOU SO MUCH.

♪♪♪♪

YOU MOVING IN?

YEP.

THIS PLACE IS WIDE OPEN.

I'M NOT GOING TO TAKE MUCH SPACE, SO DON'T WORRY.

THERE'S ONE SHOWER.

YEP. I SAW THAT.

I GUESS THAT MEANS WE'RE GOING TO HAVE TO JUST...

DON'T.

[ SCOFFS ] OKAY.

SO HOW DO YOU FEEL?

I'M GOOD. GOOD.

LOOK. THE DAYTIME ISN'T THE PROBLEM. IT'S THE NIGHTTIME.

OKAY. THEN WE'RE GOING TO HAVE TO KEEP YOU BUSY.

DID YOU FILL OUT THE QUESTIONNAIRE?

I LOOKED AT IT. YOU...COME ON.

THIS IS GOING TO HELP YOU.

WHERE IS IT? IT'S IN THE KITCHEN.

OKAY. I'LL GET IT.

♪♪♪♪

OKAY.

SO WE HAVE THE FIRST PART HERE.

AND...

WELL, THIS IS THE MOST IMPORTANT PART, GOALS IN LIFE.

[ SCOFFS ]

I DON'T KNOW. I DON'T KNOW.

YOU HAVE TO KNOW.

YOU'RE GOING TO THINK IT'S STUPID.

OH, MY. SO OKAY.

YOU WANT TO BE A FAMOUS MUSICIAN?

IS THAT WHAT IT IS? [ LAUGHS ]

NO. THEN WHAT?

I ALWAYS WANTED TO BE A FIREMAN.

AND WHY WOULD I THINK THAT'S STUPID?

MY PARENTS DID. REALLY?

YEAH. I MEAN, THEY WANTED ME TO RUN MY GRANDFATHER'S COMPANIES

OR FOLLOW MY DAD INTO LAW.

I MEAN, MY SISTER DID THAT.

YOU SAW WHAT HAPPENED THERE. YOU DON'T TALK ABOUT HER MUCH.

WHAT'S THERE TO TALK ABOUT? SHE'S DEAD.

BUT WERE YOU GUYS CLOSE, OR...?

YEAH.

WELL, THAT'S GOT TO BE PAINFUL.

THAT'S WHY I DON'T TALK ABOUT IT MUCH.

WELL, YOU'VE BEEN THROUGH REHAB ENOUGH

TO KNOW THAT YOU HAVE TO TALK.

HMM?

YEAH. I'VE NEVER WANTED TO TALK TO THOSE CLOWNS.

SO I'M A CLOWN.

[ BOTH LAUGH ]

YOU'RE DIFFERENT. HOW AM I DIFFERENT?

UH, YOU'RE A PRETTY CLOWN.

OKAY.

UM, [CHUCKLES]

WELL, I HAVE TO SEE HOW TO GET YOU A FIREMAN'S EXAM.

I'M A RECOVERING ADDICT. THEY'RE NOT GOING TO ACCEPT ME.

WELL, LET'S SEE HOW YOU DO IN THIS PROGRAM,

AND THEN MAYBE I CAN TALK TO SOME PEOPLE.

REALLY? MMHMM. YEAH. LISTEN.

DR. JARVIS KNOWS A LOT OF PEOPLE.

NAH. WHY NOT? HMM?

LOOK AT YOU. YOU EVEN HAVE THAT FIREMAN'S TYPE.

[ BOTH LAUGH ]

I MEAN, I GUESS I ALWAYS PICTURED MYSELF

RUNNING INTO BURNING FLAMES AND SAVING PEOPLE AND STUFF.

OKAY. YOU KNOW IT'S NOT ALWAYS GOING TO BE LIKE THAT, RIGHT?

YEAH, I KNOW. BUT IT

IT HAS ALWAYS SOUNDED EXCITING TO ME.

THEN THAT'S YOUR FIRST GOAL RIGHT THERE.

YOU'RE GOING TO DO RESEARCH ON HOW TO BE A FIREMAN.

THINK SO? YEAH. WHY SHOULDN'T YOU?

I DON'T KNOW. ME NEITHER.

IT'S JUST THAT EVER SINCE I WAS A KID,

MY ENTIRE LIFE HAS BEEN PLANNED OUT FOR ME,

FROM BAND CAMPS TO SUMMER CAMPS

TO BOARDING SCHOOLS, TIME WITH THE NAVY.

MY PARENTS NEVER WANTED US AROUND MUCH.

YEAH, I UNDERSTAND. [ CLEARS THROAT ]

YEAH.

I GUESS IT WAS A ROUGH CHILDHOOD.

THERE'S MORE THERE.

YEAH, BUT NOTHING THAT I CARE TO SHARE.

AT YOUR PACE.

OKAY. SO WHAT DO YOU WANT TO DO?

I DON'T KNOW. I DON'T KNOW. YOU TELL ME.

UH, I DON'T KNOW.

IS THAT YOUR CAMERA?

I GUESS. WHAT DO YOU MEAN, YOU GUESS?

[ SCOFFS ]

WELL, THE GUY THAT LIVED HERE BEFORE ME,

I THINK, WAS A PHOTOGRAPHER, AND HE MUST HAVE LEFT IT.

HE LEFT IT? OKAY. YEAH.

YOU KNOW WHAT WE SHOULD DO?

WE SHOULD GO AROUND TOWN,

TAKE PICTURES OF EVERY FIREHOUSE,

AND THEN WE COULD PUT IT, LIKE, ALL OVER THE APARTMENT.

WHAT DO YOU THINK? HMM?

YOU SERIOUS? YOU THINK SO?

YEAH. OKAY.

[ PHONE RINGS ]

JEFFREY IS THE ONLY ONE THAT CALLS ME.

MAYBE WE CAN INVITE HIM TO GO WITH US.

HE'S GOING TO LIKE THAT.

HELLO? Wyatt Cryer?

YEAH. This is George.

I am the district attorney.

How are you?

I'M FINE. WHERE'S D. A. SALLISON?

Well, that's what I was calling you about.

OKAY.

I'm sorry, but she's no longer with us.

SHE QUIT?! I MEAN, SHE WE HAD AN IMMUNITY DEAL.

She's dead, Mr. Cryer.

WHAT? Yes.

WHAT HAPPENED TO HER?

Well, that's what we want to talk to you about.

WHAT? I I DON'T KNOW. I'm sure. This is a formality.

Can you come down to our office? Or we can come to you.

OKAY. I'LL TELL YOU WHAT. WELL, JUST COME...

WHY DON'T YOU COME TO MY PLACE?

Okay. We can do that. What time?

UH, NOW. See you in a few.

ALL RIGHT. BYE.

IS EVERYTHING OKAY?

NO. WHAT HAPPENED?

IT WAS THE D. A. HE WANTS TO TALK TO ME.

OKAY. SHOULD WE CALL SOMEONE? LIKE WHO?

I DON'T KNOW, A LAWYER OR SOMEONE?

WHY? I DIDN'T DO ANYTHING WRONG.

OKAY. THEN WE'LL WAIT.

YEAH. THANKS.

HEY, BUDDY, I AM YOUR SHADOW.

[ SCOFFS ] [ GIGGLES ]

[ SIGHS ]

OKAY. WHAT ELSE DO WE HAVE ON THAT QUESTIONNAIRE?

OKAY.

ALL RIGHT. WE CAN SEE HIM.

UH, ONLY THE GRANDMOTHER.

I'M HIS MOTHER.

I'M SORRY. DID I SAY "GRANDMOTHER"?

I'M I'M SORRY. I GET IT CONFUSED SOMETIMES.

YES, MOTHER. COME ON.

LET'S GO, AFTER YOU.

♪♪♪♪

SO YOU GOT ARTHRITIS, SUGAR?

♪♪♪♪

GREAT.

WHAT DO YOU THINK THEY'RE DOING TO HIM BACK THERE?

QUESTIONING HIM. ABOUT?

I DON'T KNOW.

HOW LONG HAVE YOU KNOWN BENNY?

ABOUT 10 YEARS.

MMHMM. YEAH.

HE'S A GOOD FRIEND, YOU KNOW?

HE'S REALLY NICE. YEAH.

SO YOU'VE KNOWN HANNA ABOUT THAT LONG?

I DON'T KNOW. I MEAN, SHE SHE WOULD COME TO GAMES.

I'D SEE HER AT THE BALLPARK.

I DON'T KNOW HER THAT WELL.

DOES SHE KNOW WHO YOU ARE?

I'M JUST MITCH.

WITH A VERY POWERFUL LAST NAME.

I'M JUST MITCH.

WELL, MITCH, NO MATTER HOW HARD I TRY TO BE JUST KATHERYN,

THE HARDGRAVE ALWAYS SEEMS TO COME TO THE SURFACE.

YEAH, WELL, THAT LIFE IS NOT FOR ME, HARDGRAVE.

WELL, GOOD FOR YOU, MALONE, GOOD FOR YOU.

THANK YOU.

♪♪♪♪

SO ARE YOU DATING ANYBODY?

NO. WHY DO YOU ASK?

YOU KNOW, I'M GOING TO BE SINGLE SOON.

IS THAT RIGHT? MMHMM.

I COULD USE A MAN LIKE YOU.

OH, YEAH? MMHMM.

HOW MUCH YOU PAYING?

OH, I DON'T PAY. OH.

WHEN I'M DONE,

YOU'LL BE PAYING ME.

[ CHUCKLES ] IS THAT RIGHT?

[ Laughing ] YOU'RE JOKING, RIGHT?

ALL RIGHT. LISTEN. I'M OUT OF HERE.

I'M GOING TO THE CAR. I NEED TO GO TO THE BATHROOM.

YOU DON'T KNOW WHAT YOU'RE MISSING.

♪♪♪♪

[ DOOR CLOSES ]

MAMA. BENJAMIN.

I'M SO SORRY FOR THIS.

WHAT IS GOING ON? NOTHING.

WHY ARE YOU HERE?

I DON'T WANT YOU TO WORRY. YEAH, IT'S TOO LATE FOR THAT.

WHAT'S GOING ON? LOOK. I CAN'T TALK.

THEY'RE RECORDING EVERYTHING.

THEY CAN'T USE ANYTHING YOU SAY AGAINST YOU

AS LONG AS I'M IN HERE.

WHAT HAPPENED?

NOTHING.

N NOTHING NOTHING HAPPENED.

DID YOU KILL QUINCY?

MA, I TOLD YOU I DIDN'T.

THEN WHY ARE YOU HERE?

NONE OF THIS IS MAKING ANY SENSE.

WELL, THEY A THEY ASKED ME ABOUT IT.

I HAD A POLICEMAN TOLD ME THAT THERE WERE TWO PEOPLE,

AND ONE WAS A MAN.

NOW WHO DID IT?

I TOLD YOU WHO IT WAS.

WHO? I DON'T KNOW.

ARE YOU SURE YOU DON'T KNOW WHO DID THIS?

NO. ARE YOU SURE?

WHAT? YOUR EARS DON'T WORK?

I TOLD YOU THAT. I UNDERSTAND. WATCH THE ATTITUDE, SON.

REALLY? STOP. STOP.

YES, REALLY. WOW.

LOOK ME IN THE EYE.

LOOK AT ME!

LOOK ME IN MY EYE AND TELL ME YOU DIDN'T KILL THAT BOY.

I ALREADY TOLD YOU THAT.

THEN TELL ME AGAIN.

I DID NOT KILL QUINCY.

OKAY? THEN WHY ARE YOU HERE?

THEY ASKED ME ABOUT IT.

AND THE SECRET SERVICE!

YOU KNOW, WHY THEY WERE HERE, YOUR GUESS IS AS GOOD AS MINE.

I DON'T LIKE THIS. AND THEY WANTED MY DNA.

WHAT? WHAT? WAIT. WHAT?

YEAH.

AND YOU GAVE IT TO THEM?

WHAT COULD I DO? THEY TOOK IT FROM ME.

MM.

THEY HAD GUNS ON THEM AND EVERYTHING.

GUARD! [ KNOCKS ON DOOR ]

LET ME OUT OF HERE, PLEASE.

I'M GOING TO TALK TO A SUPERVISOR ABOUT THESE CLOWNS.

WATCH WHAT YOU SAY.

[ LOCK CLICKS ]

♪♪♪♪

[ SIGHS ]

MAMA, DON'T LOOK AT ME LIKE THAT.

I'M TELLING YOU THE TRUTH.

I KNOW YOU ARE.

AND I KNOW YOU DIDN'T KILL THAT BOY.

ARE YOU SURE IT WAS JEFFREY HARRINGTON?

YES.

YOU CAN'T SAY THAT IN FRONT OF HER.

I KNOW.

IS THAT GIRL...

IT'S YOUR SISTER? MAMA.

HER BABY IS DEAD!

IT'S BEEN ALL OVER THE NEWS,

AND SHE AIN'T EVEN BOTHERED TO CALL TO FIND OUT WHAT HAPPENED.

I MEAN, MAYBE SHE AIN'T BEEN WATCHING TV.

MAYBE SHE DOESN'T KNOW. YEAH, SHE KNOWS.

WELL, HOW DO YOU KNOW? DID YOU CALL?

DID YOU, AND SAY WHAT?

WELL, TELL HER ABOUT WHAT HAPPENED TO...

I AIN'T DOING THAT.

MOM. LOOK.

THAT GIRL GOT HER OWN BABY KILLED,

AND YOU ARE HERE IN JAIL AGAIN.

YOU THINK SHE CARES?

NO, I AIN'T, NO WAY. MAMA.

I AIN'T DOING THAT. LOOK.

I DON'T WANT TO TALK ABOUT IT NO MORE, BENJAMIN,

JUST NEED TO GET YOU OUT OF HERE.

WELL, VERONICA IS WORKING ON IT. AND DON'T YOU TRUST THAT HO.

MAMA, CHILL!

SHE'S A HO, AND DON'T YOU TRUST HER.

WELL, WHAT OTHER CHOICE DO WE GOT, HUH?

KATHERYN GOING TO FIND YOU A LAWYER.

NO. IT'S ALL RIGHT. LISTEN.

THAT SWEETHEART HAS DONE MORE THAN ENOUGH TO HELP US, NO WAY.

I CAN'T BELIEVE YOU ARE IN HERE AGAIN.

IT'S ALL RIGHT. I CAN'T BELIEVE IT.

IT'S ALL RIGHT.

NOW WHAT?

YOUR BEING IN JAIL AIN'T NEVER GOING TO BE ALL RIGHT,

AND THE SECRET SERVICE?

WHAT HAS THAT GIRL GONE AND DONE NOW?

WHO SHE BLAMING IT ON NOW?

SHE DONE LOST YOUR TOW YARD, YOUR HOUSE,

YOUR TRUCK, MY HOUSE.

SHE IS NOTHING BUT A WALKING TSUNAMI.

EVERYTHING THAT GIRL TOUCHES FALLS APART.

EVERYTHING AROUND HER IS JUST CHAOS AND DEATH AND DESTRUCTION.

HEY, MAMA, YOU ARE UPSET. YES, I AM.

MOM.

[ Voice breaking ] I WISH I COULD HAVE KEPT YOU AWAY FROM HER.

I TRIED TO KEEP YOU AWAY FROM HER.

I WISH I COULD HAVE KEPT BOTH OF Y'ALL AWAY FROM HER.

I WOULD HAVE DONE EVERYTHING TO TAKE CARE OF THAT BABY.

MAMA, DON'T GET UPSET.

[ SNIFFLES ]

OH, GOD, YOU'RE GOING TO HAVE TO GIVE ME SOME RELIEF HERE.

I JUST NEED SOME RELIEF. IT'S TOO MUCH.

HEY. WE'RE GOING TO MAKE IT THROUGH THIS.

[ PHONE BEEPS ]

HI.

YES. YES.

WELL, THEY'RE TELLING ME THEIR NAMES ARE HARRISON AND DOWNS?

UHHUH.

AND I'M TOLD THAT ONE OF THEM

IS SECRET SERVICE OR HOMELAND SECURITY.

YOU KNOW, REALLY, THEY'RE NOT TELLING ME ANYTHING.

WHAT CAN YOU FIND OUT?

ALL RIGHT.

WELL, CAN YOU LET ME KNOW WHAT YOU FIND OUT, MONTY?

THANK YOU. I'LL BE WAITING.

ALL RIGHT. BYE.

[ PHONE BEEPS ] [ CAR STARTS ]

♪♪♪♪

♪♪♪♪

HEY. YOU FREE, MAN?

JANICE WANTS TO SPEAK TO YOU IN THE BACK FOR A SECOND.

♪♪♪♪

♪♪♪♪

COME HERE. OH!

GIRL, YOU'RE STRONG. DELETE THE VIDEO.

WHAT VIDEO?

THE ONE ON YOUR PHONE.

YOU DELETE IT. GIVE ME THE PHONE.

TAKE IT. YOU DON'T THINK I WILL?

I DON'T THINK YOU HAVE THE GUTS.

YOU HAVE NO IDEA WHAT I'M CAPABLE OF.

NO.

YOUR WIFE HAS NO IDEA WHAT YOU'RE CAPABLE OF,

BUT SHE'LL FIND OUT IN OPEN COURT.

LADY, I'M WARNING YOU.

OKAY. WHAT'S YOUR WARNING?

LADY.

HONEY, YOU GOT A NERVOUS TWITCH.

YOU ALL RIGHT?

OH. PLEASE.

OH. NOW ANOTHER TACTIC.

PLEASE GIVE ME THE VIDEO.

I ASKED YOU TO STAY AWAY FROM MY SON.

YEAH, YOU DID. AND YOU DIDN'T DO THAT.

NO, I DIDN'T. NO.

INSTEAD, YOU WENT AROUND PULLING HIM INTO STAIRWELLS,

MEETING HIM IN ROOMS,

TELLING HIM HOW YOU WANTED HIM ON TOP OF YOU.

DIDN'T YOU?

YEAH, I DID, AND I'M SORRY.

CAN YOU PLEASE GIVE ME THE VIDEO?

I WON'T BE DOING THAT.

YOU'RE REALLY GOING TO GO THROUGH WITH THIS?

YOU BET YOUR SWEET ASS.

YOU'RE NOT GOING TO LIKE THE OUTCOME.

OH, I'M SCARED. WHAT YOU GOING TO DO?

YOU GOING TO HIT ME WITH STRAWBERRIES AND RAINBOWS

AND [CLICKS TONGUE] FEATHERS?

[ LAUGHS ] CHILD.

♪♪♪♪

♪♪♪♪

[ KNOCKS ON DOOR ]

WHO IS IT? CANDACE.

HI. HEY.

CANDACE, YOU YOU DIDN'T CALL.

I KNOW.

WELL, YOU SHOULD HAVE. HE COULD HAVE BEEN HERE.

I SAW HIM IN THE LOBBY.

IS HE COMING BACK UP? NO, NOT THAT I KNOW OF.

WOULD HE CALL FIRST?

YEAH. OKAY.

WHAT'S WHAT'S WRONG WITH YOU? I'M SO DAMN FRUSTRATED.

WHY?

THERE'S THERE'S THIS GUY. WHAT GUY?

I CAN'T TELL YOU WHO. OKAY.

I JUST MET A VERY POWERFUL MAN.

A NEW MARK?

NO, THE MARK. WHO IS HE?

JUST LISTEN. OKAY.

SO I THOUGHT I HAD HIM. MMHMM.

I WAS GOING TO TAPE HIM, BLACKMAIL HIM, EVERYTHING.

BUT THEN I THOUGHT, "IF I PLAY THIS RIGHT,

I CAN GET WAY MORE OUT OF HIM."

MM. I MEAN, I KNOW I'M GOOD,

BUT I HAD THIS GUY'S EYES ROLLING IN THE BACK OF HIS HEAD.

I MEAN, I'VE NEVER SEEN A GUY GO THIS CRAZY BEFORE.

WOW. YEAH.

ANYWAY, SO WHEN HE DRINKS,

HE'S SWEET, KIND OF PASSIVE, NICE.

BUT THEN, WHEN HE'S SOBER, HE'S LIKE A A BEAST.

WHAT DOES THAT MEAN? HE KNEW WHAT I WAS UP TO.

HE KNEW EVERYTHING ABOUT ME. HE WAS 10 STEPS AHEAD OF ME.

WHAT? EVERYTHING.

BUT HOW DOES HE KNOW THAT?

I TOLD YOU. HE'S POWERFUL.

DAMN. YEAH.

I DON'T KNOW IF I LIKE THAT.

I DON'T EITHER.

THAT'S KIND OF SCARY, RIGHT?

YEAH. YEAH.

AND THEN HE OFFERED TO CHANGE MY LIFE

IF I GAVE BENNY UP FOR QUINCY'S...

QUINCY'S MURDER.

YEAH.

HEY. WHY DIDN'T YOU EVER TELL ME

ABOUT HIM BEING BURIED IN THE BACKYARD?

BECAUSE IT'S NONE OF YOUR BUSINESS.

WELL, I KNOW. BUT I COULD HAVE HELPED YOU.

NO, YOU COULDN'T HAVE.

WELL, AT LEAST I COULD HAVE GOTTEN...

NO! YOU NEEDED TO STAY OUT OF IT.

ANYWAY, HE WANTS ME TO GIVE UP BENNY,

SO I CAN WALK AWAY FREE AND CLEAR.

WELL, THAT'S NOT SUCH A BAD IDEA.

[ SMACK! ] [ GASPS ]

[ GASPS ]

SAY IT AGAIN.

DAMN, CANDACE. DON'T FORGET YOUR PLACE.

SORRY.

YOU WERE MY BOTTOM BITCH WHEN I WAS RUNNING THINGS,

AND YOU DIDN'T BRING IN A LOT OF MONEY.

YOU'RE RIGHT. I'M SORRY.

I'M STILL CANDACE. I KNOW THAT.

I'M I'M SORRY. I'M SORRY. I'M JUST...

I KNOW. YOU'RE STRESSED.

[ GROANS ] YEAH.

SO WHAT ARE YOU GOING TO DO?

I DON'T KNOW.

ALL RIGHT. WELL, LOOK. LET ME JUST TELL YOU THIS.

DON'T SAY IT.

I WASN'T GOING TO SAY, "GIVE UP BENNY."

OKAY, BUT MAYBE THERE'S SOME WAY AROUND THIS,

ESPECIALLY IF YOU PUT IT ON HIM LIKE THAT.

RIGHT?

I DON'T KNOW IF I BELIEVE WHAT HE SAYS.

TALKING TO HIM IS LIKE TALKING TO A S SNAKE.

I DON'T KNOW. WELL, LOOK. WHAT HAVE YOU GOT TO LOSE?

I GOT TO GO. WHERE ARE YOU GOING?

YOU KNOW WHY I'M NOT GOING TO TELL YOU, ERICA?

BECAUSE IT'S NONE OF MY BUSINESS.

NO, BECAUSE THAT DRESS YOU LET ME BORROW THE OTHER NIGHT...

YEAH.

...IT HAD THIS SCENT ON IT,

AND I COULDN'T FIGURE OUT, FOR THE LIFE OF ME,

WHERE I KNEW IT FROM.

AND THEN IT HIT ME THAT IT WAS THAT GHETTO,

CHEAPASS COLOGNE THAT WAR WEARS.

WHAT?

CANDACE, YOU KNOW I DON'T I I DON'T DEAL WITH WAR.

I BETTER KNOW THAT. I DON'T!

WE'RE COOL AND ALL, BUT YOU KNOW I'LL THROW YOU OUT OF A WINDOW.

CANDACE, YOU KNOW I KNOW THAT.

OKAY. I NEED ANOTHER DRESS.

YEAH, TAKE WHAT YOU NEED.

THANK YOU.

YOU SURE YOU YOU DON'T WANT TO STAY HERE?

YOU KNOW, I NEED YOU TO WORK HARDER ON DAVID.

YOU SHOULD HAVE HIS CREDIT CARD BY NOW.

I'M WORKING ON IT.

YOU BETTER BE.

YOU KNOW, I DON'T LIKE YOU LIKE THIS.

YOU'RE REALLY STRESSED OUT.

I MEAN, DO YOU WANT ME TO FIX IT FOR YOU?

♪♪♪♪

♪♪♪♪

[ INHALES/EXHALES SHARPLY ]

[ DIAL TONE ]

[ PHONE VIBRATING ]

[ PHONE BEEPS ]

YO.

WAR, YOU BETTER COME GET THIS BITCH!

YO, WHAT YOU TALKING ABOUT? THIS BITCH, CANDACE!

BABY. SHE JUST SLAPPED ME!

LOOK. I'M GOING TO GET HER.

ALL RIGHT? OH, MY GOD. I HATE THAT HO.

I KNOW, BUT I'M WORKING ON SOME STUFF RIGHT NOW.

I CAN'T GO. ALL RIGHT? IT'S TOO HOT RIGHT NOW.

OH. OH. OH. OKAY. OKAY. YEAH.

I GOT SOMETHING UP. I NEED TO CALL YOU.

OKAY. I'LL CALL YOU BACK.

NO. YOU DON'T UNDERSTAND. SHE'S HERE.

YEAH, I KNOW.

WELL, SEND SOMEBODY! I NEED THEM.

I NEED THEM ALL WITH ME RIGHT NOW.

WAR! LOOK. I'LL CALL YOU BACK.

[ SCREAMS ]

HEY, WAR, WE FOUND HIM.

WHERE HE AT? AT HIS GRANDMA'S RESTAURANT.

THEN GO OVER THERE AND TALK TO HIM.

THAT'S FINE. HEY, THAT'S THE MOB, MAN.

LET'S GET THE MOTHER [BLEEP] MOBSTER!

LET'S GO! NOW!

♪♪♪♪

♪♪♪♪

IS HE OKAY? YEAH.

VERONICA? YES.

WHAT'D YOU FIND OUT? WAITING FOR A PHONE CALL.

HOW LONG DOES HE HAVE TO STAY HERE?

I DON'T KNOW.

WELL, I'M GOING TO WAIT FOR HIM.

HANNA, BENNY WOULDN'T WANT YOU TO DO THAT.

I DON'T CARE.

[ CLEARS THROAT ] WE HAVE A LOT OF WORK TO DO AT HOME,

AND I'M GOING TO NEED YOUR HELP.

I ALMOST FORGOT.

OKAY.

I'M SORRY, MISS YOUNG.

IT'S NOT YOUR FAULT, MITCH.

COME ON.

I DROVE. I'LL MEET YOU THERE.

ALL RIGHT.

LET'S GO.

MISS HARRINGTON, THANK YOU AGAIN.

THANK YOU. MISS CRYER. TAKE CARE.

I GOT THE DOOR.

MRS. CRYER. YES?

I WAS TOLD YOU WERE HERE. WE JUST LEFT YOUR HOUSE.

OH, REALLY? HOW CAN I HELP YOU?

I WANT TO TALK TO YOU ABOUT JENNIFER SALLISON.

WHAT ABOUT HER?

WELL, WE FOUND HER BODY THIS MORNING.

OH. THAT'S SAD.

YES, VERY SAD.

WHAT HAPPENED TO HER?

WE WERE HOPING YOU COULD TELL US.

[ Scoffing ] WELL, WHY WOULD I KNOW THAT?

WELL, YOU WERE THE LAST PERSON TO SEE HER ALIVE.

EXCUSE ME?

MRS. CRYER, WE LOOKED INTO HER PHONE CALLS

AND THE LOCATOR ON HER CAR.

YOUR HOUSE WAS THE LAST PLACE SHE WAS SEEN.

WELL, I DON'T KNOW WHY SHE WOULD BE THERE.

KATHERYN, DON'T SAY ANOTHER WORD TO HIM.

HELLO, MISS HARRINGTON.

GEORGE, YOU KNOW BETTER THAN THIS.

YOU CAN'T QUESTION HER LIKE THIS.

YOU NEED AN ARREST WARRANT.

AND EVEN THEN, I WOULDN'T LET YOU QUESTION HER.

WELL, WE CAN GET IT. WELL, THEN, YOU DO THAT.

VERONICA. YOU KNOW I CAN GET IT. YOU DO THAT.

YOU DO THAT.

YOU SURE REPRESENT A LOT OF PEOPLE, DON'T YOU?

FOR AS LONG AS YOU'VE KNOWN ME, GEORGE.

GOOD.

KATHERYN, LET'S GO.

I'LL SEE YOU SOON, MRS. CRYER, VERONICA.

GEORGE.

KATHERYN,

MEET ME AT YOUR HOUSE IN 15 MINUTES.

I DON'T TRUST YOU.

I KNOW, COME ON.

♪♪♪♪

♪♪♪♪

[ SIGHS HEAVILY ]

[ DOOR OPENS] [ MONITOR BEEPING ]

HEY.

GET OUT.

I JUST WANTED TO LET YOU KNOW THAT I WAS THINKING ABOUT YOU.

I DON'T CARE.

AND I'M SORRY...

YOU'RE SORRY?

...ABOUT YOUR DAD...

YEAH, WHATEVER.

...AND FOR BOTH OF US BEING IN THIS SITUATION.

JEFFREY, BYE.

LOOK. I DON'T WANT YOU TO HURT YOURSELF BECAUSE OF MY MOM.

IT'S TOO LATE FOR THAT.

LOOK. THIS WILL WORK OUT.

HOW?

I I DON'T KNOW, BUT...

WILL MY FATHER COME BACK TO LIFE?

NO, HE WON'T.

OKAY.

THEN I DON'T HAVE ANYTHING ELSE TO SAY TO YOU.

[ BEEPING CONTINUES ]

MELISSA JANE, STOP BEING THIS WAY.

HI. HI, I'M DORIS.

I'M JEFFREY. I'M HER MOTHER.

OH, HI.

SHE'S NOT GIVING YOU A HARD TIME, IS SHE?

UH, NO, NO. ARE YOU SURE?

YEAH. YEAH, I'M SURE.

WELL, SHE CAN BE STUBBORN.

NO. NO, I MEAN, IT'S IT'S FINE.

UM, LET ME LET YOU TWO TALK NOW.

NO, NO, NO.

I JUST CAME BY TO SEE YOU, SEE HOW SHE WAS TAKING IT.

AND I SEE NOW THAT IT'S NOT GOOD.

SO YOU'RE TRYING IT AGAIN, HUH?

AGAIN?

THIRD TIME.

TWICE WHEN SHE WAS A TEENAGER, AND NOW THIS.

♪♪♪♪

I'M SORRY. DON'T BE.

SHE NEEDS TO GROW UP AT SOME POINT.

BUT TRYING TO KILL YOURSELF IS NOT THE ANSWER.

WELL, YOU KNOW, THERE IS TREATMENT FOR THIS.

I MEAN, IT'S...

WHO CAN PAY FOR IT, YOUR MOTHER?

WE ALREADY OWE HER OUR LIVES.

WELL, THERE'S TREATMENT OUT THERE THAT...

YOU KNOW WHAT? I'M NOT INTO TAKING HANDOUTS,

BUT I HEAR YOU'RE INTO TAKING HAND JOBS.

EXCUSE ME? YOU ARE GAY, RIGHT?

DON'T GET THAT LOOK.

WE ALL KNOW. SHE TOLD ME EVERYTHING.

YES, I AM.

AND FOR YOUR INFORMATION, GAY OR STRAIGHT,

ANYBODY CAN GET A HAND JOB.

WELL, YOUR MOTHER IS... YES, II KNOW.

SHE CAN MAKE A BLIND MAN BLINDER.

YES. I KNOW THAT, TOO.

WELL, MELISSA.

MELISSA. YES.

YOU HAVE GOT TO STOP THIS.

DO YOU HEAR ME?

YES.

I MEAN, I CAN'T BURY YOUR FATHER AND THEN TAKE CARE OF YOU, TOO.

OF COURSE NOT.

THIS IS BEST FOR ALL OF US.

WHAT ABOUT WHAT'S BEST FOR ME?

THIS IS NO TIME TO BE SELFISH.

[ LAUGHS HUMORLESSLY ]

OF COURSE.

THIS IS A NICELOOKING MAN.

YOU HAVE A BABY BY HIM, AND EVERYTHING WILL BE ALL RIGHT.

OKAY? YOU UNDERSTAND?

[ EXHALES SHARPLY ]

I'M SORRY. PLEASE FORGIVE MY DAUGHTER.

NOW TELL YOUR MOTHER SHE'S FINE, AND SHE WILL DO BETTER.

OKAY. IT WAS NICE TO MEET YOU.

YOU, TOO.

[ BEEPING CONTINUES ]

[ DOOR OPENS, CLOSES ] [ SIGHS ]

YOU SEE?

YEP.

[ Voice breaking ] JUST LIKE YOUR MOTHER.

YEAH.

TELL ME AGAIN WHY I WANT TO LIVE.

COME ON, MELISSA. NO, NO.

GO BACK TO THE PART WHERE EVERYTHING IS GOING TO BE OKAY.

EVERYTHING IS GOING TO GET BETTER.

IT WILL. IT WILL. IT WILL.

HOW?

I DON'T KNOW, BUT IT IT HAS TO.

CAN YOU PLEASE JUST GO?

♪♪♪♪

I'M SORRY.

YEAH. ME, TOO.

[ BEEPING CONTINUES ]

♪♪♪♪

[ INHALES, SIGHS DEEPLY ]

[ DOOR CLOSES ]

[ SNIFFS ]

[ KNOCKS ON DOOR ]

[ BOTTLE CLINKS ]

♪♪♪♪

I DON'T EVEN WANT TO DEAL WITH THIS RIGHT NOW.

I HAVE SOMETHING TO TELL...

CANDACE! [ SIGHS ]

WHAT?

YOU'RE FRUSTRATED.

I'M NOT PLAYING THESE GAMES WITH YOU.

I HAVE SOMETHING TO TELL YOU.

I DON'T I DON'T CARE WHAT IT IS AS LONG

AS YOU'RE NOT MESSING WITH MY BROTHER.

IT'S ABOUT YOUR SON.

WHAT ABOUT MY SON?

I WAS ASKED TO SPEAK ABOUT GUN VIOLENCE,

AND YOUR SON WAS THE CHILD CAUGHT IN THE CROSSFIRE.

WHAT DID YOU DO? WHAT?

I SWEAR TO GOD, IF YOU HURT MY SON...

I WOULD NEVER DO ANYTHING LIKE THAT.

WHERE IS HE?

HE WAS SHOT.

[ Voice breaking ] IS HE OKAY?

NO. HE'S NOT GOING TO MAKE IT.

WHERE WAS HE SHOT?

AT A MOTEL CALLED THE FOUNTAIN DREAM.

OH. OH.

I'M SO SORRY.

OH.

[ SIGHS ]

[ SNIFFS ]

GO.

GET OUT.

[ SCREAMS ] GET OUT!

[ SLAMS DOOR ]

OH.

OH, GOD.

GOD. NO.

♪♪♪♪

NO, NO.

Q! WHAT DID I DO?

WHAT DID I DO?

WHAT DID I DO?

[ SOBS ]

HERE.

WHAT THE HELL ARE YOU DOING?

I'M BURNING THIS MOTHER DOWN.

VERONICA, ARE YOU CRAZY?

YOU KNOW I LOVE STARTING FIRES, HONEY.

IF JIM WERE IN THERE, IT WOULD BE EVEN MORE FUN.

WAIT. QUIT POURING THE GASOLINE!

EVIDENCE, IT ALL HAS TO BE DESTROYED.

VERONICA, I AM NOT BURNING DOWN MY HOUSE.

YOU ARE NOT DRAGGING ME INTO THIS.

NOW IF THERE IS NO EVIDENCE, THERE IS NO CRIME.

NOW LIGHT THE DAMN MATCH.

♪♪♪♪

♪♪♪♪

YOU SURE JIM IS NOT IN THERE?

WHO GIVES A DAMN?

♪♪♪♪

NEXT ON "THE HAVES AND THE HAVE NOTS"...

I JUST THINK THAT THIS IS THE MOST ASININE THING.

YOU ARE GOING TO BE PRESIDENT OF THE UNITED STATES,

AND YOU'RE DEALING WITH A STREETLEVEL CRIMINAL.

I WANT HIM DEAD. HE'S NOT STALKING.

HE'S JUST CRAZY ABOUT ME.

OR JUST CRAZY.

ARE YOU WITH ME? YES.

I DON'T KNOW WHY YOU KEEP ASKING ME THAT.

YOU KNOW YOU GOT TO DIE, RIGHT?

YEAH, WAR.

TELL GRANDMA ROSE I'M COMING TO THE RESTAURANT.

I'M DELIVERING WAR.

WHEN THIS GOES DOWN, I WANT YOU TO STAY LOW.

ALL RIGHT? MY GUYS ARE REALLY GOOD.

THEY'LL TAKE CARE OF EVERYTHING. YOU DON'T HAVE TO WORRY.

LITTLE GIRL, DON'T YOU HAVE TO CHECK YOUR LIPSTICK?

I'M SURE IT LOOKS BETTER THAN YOUR FOUNDATION.

IN YOUR DREAMS. BYEBYE.