Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

[ TIRES SQUEAL ]

MY JOB IS TO BE RIGHT HERE

SO YOU CAN TALK TO ME ABOUT ANYTHING.

HOW DO YOU KNOW SO MUCH ABOUT THIS?

I WAS AN ADDICT.

I JUST NEED YOU TO KNOW HOW REALLY PISSED OFF I AM.

YEAH, BUT WHAT ROOM ARE YOU IN?

WHY DO YOU KEEP ASKING ME ALL THESE QUESTIONS?

I JUST WANT TO KNOW. IT CHANGES EVERY DAY.

I DON'T WANT TO DO THIS. I DON'T WANT TO DO THIS.

WELL, WHY NOW? ALL RIGHT, MAN. SERIOUSLY.

WHAT THE HELL?

[ INSECTS CHIRPING ]

♪♪♪♪

[ INDISTINCT CONVERSATION ]

[ SIGHS ] OH, JESUS.

ALL RIGHT, LANDON. UM, JUST JUST GO.

OH, NO, NO, NO, NO, NO, NO. NOT A CHANCE.

WHO IS THIS? ALL RIGHT, STOP, STOP, STOP.

STOP. WAIT, I'VE SEEN YOU BEFORE.

STOP. GO. YOU NEED TO LEAVE.

OH, YOU'RE THAT COP THAT WAS IN THE LOBBY OF THE SARANDON?

OKAY. ALL RIGHT. JUST GO. I THOUGHT HE WAS STRAIGHT.

I TOLD YOU HE WAS STRAIGHT, BUT HE'S NOT.

NO, NO, NO, NO, NO. GO. I WAS WRONG.

COME ON. ALL RIGHT. I WAS WRONG ABOUT HIM.

MAYBE I'M WRONG ABOUT WYATT TOO.

ALL RIGHT, NO, NO, NO. COME ON.

COME ON. STOP THIS. NO, TRUST ME.

STOP THIS. YOU'RE DRUNK. JUST RELAX, OKAY?

RELAX.

HI, I'M LANDON.

JEFFERY.

ALL RIGHT, AND YOU ARE?

[ SCOFFS ] JEFFERY!

ALL RIGHT.

HE'S A FRIEND, OKAY, SO...

OH, OH, OH. NOW CAN YOU JUST GO?

NO WAY. NO, NO.

FRIEND, HUH? LEAVE.

YES, A FRIEND. STOP. COME ON.

WELL, IT LOOKS TO ME LIKE YOU AND THIS FRIEND

ARE DOING MORE THAN ANYONE KNOWS.

YOU DIDN'T TELL ME YOU HAD A FRIEND.

NO, I DIDN'T. NOW...

MY, MY, JEFFERY, YOU HAVE GRADUATED.

ARE YOU INTO THREESOMES, DADDY?

LANDON, COME ON. LEAVE. WHAT? NO, I'M NOT GOING.

YOU'VE GOT ME UP HERE AND EXCITED,

AND I'M GONNA GET SOME.

TRUST ME, YOU'RE GONNA LOVE IT, OKAY?

WHEN THERE'S MORE THAN TWO GUYS,

EVERY PART OF YOUR BODY IS STIMULATED.

LANDON. IT'S AMAZING.

JUST RELAX, OKAY? TRUST ME. GO. GO.

OH, NO, I'M NOT GOING. I'M NOT GONNA

YOU GOT ME UP HERE, AND I'M EXCITED,

AND THIS IS GOING DOWN, OKAY?

I THINK THE THREE OF US ARE ABOUT

WHAT ARE YOU LOOKING AT ME LIKE THAT FOR?

I'M PRETTY HOT, TOO, YOU KNOW?

CAN YOU GO?

NO, I'M NOT GOING ANYWHERE, OKAY?

THIS IS GONNA BE FUN.

WE'RE JUST GONNA DO WHAT WE ALWAYS DO.

WHAT?! WE DON'T ALWAYS DO ANYTHING.

WELL, WE DID ONE TIME BEFORE.

TRUST ME. NO.

I DIDN'T INVITE YOU UP HERE FOR SEX, LANDON,

SO JUST GET OUT. NO, BUT YOU DIDN'T STOP ME.

OOH, DAMN, JEFFERY. LANDON.

THAT IS NICE. WOULD YOU STOP THAT?

I DON'T NEED TO KNOW YOUR NAME I DON'T

BUT BEFORE THE END OF TONIGHT,

YOU'RE GONNA KNOW MINE. IT'S LANDON.

Jeffery: OKAY, HEY!

SAY IT. SAY IT. OH, MY GOD.

ALL RIGHT. HEY! HEY! ALL RIGHT. STOP IT.

LANDON, STOP IT. JUSTIN!

WAIT, WAIT, WAIT, WAIT. STOP IT. STOP IT.

STOP STOP IT. STOP IT. WAIT ONE SECOND.

LET GO!

GET OUT OF HERE. GET OUT! THE HELL?

JUST GO! I'M NOT INTO THE CHOKING.

ALL RIGHT. GOOD. GO.

YOU'RE DAMN STRAIGHT I'M GONNA GO.

MY JACKET.

WHAT'S THE MATTER WITH YOU PEOPLE?

GET OUT!

YEAH, THIS? WEIRD. GOOD. GO.

I'LL SEE YOU LATER, JEFFERY.

NO, YOU WON'T. GET OUT OF HERE.

WEIRD.

♪♪♪♪

GET OUT! WHO WAS THAT?

I SAID, "GET OUT!" JEFFERY? WHO WAS IT?

WHAT THE HELL ARE YOU DOING IN HERE?

I CAME HERE TO SEE YOU!

UNINVITED.

YOU KNOW I CAN'T CALL YOU.

NO. YOU CAN'T.

YEAH, RIGHT, 'CAUSE YOUR MOM IS WATCHING MY EVERY MOVE.

JUST GET OUT OF HERE.

NO! NOT UNTIL YOU TELL ME WHO THAT WAS.

NONE OF YOUR DAMN BUSINESS.

JEFFERY. NO. I DON'T OWE YOU ANYTHING.

I'M NOT GONNA ANSWER ANY OF YOUR QUESTIONS.

WHY DON'T YOU JUST GO HOME TO YOUR WIFE?

GO.

I WANT TO SEE YOU.

JUSTIN, I'M NOT DOING THIS.

YOU CAN'T DO THIS TO ME.

YOU ARE DOING IT TO YOU.

JEFFERY.

WHAT?

I FELL FOR YOU,

AND YOU BRING THAT SON OF A BITCH IN HERE?!

JUSTIN... [ STAMMERS ]

I'M IN LOVE WITH YOU.

WHAT?

YOU HEARD ME.

JUSTIN, YOU JUST MET ME. I KNOW.

I KNOW IT SOUNDS CRAZY,

BUT I THINK ABOUT YOU ALL DAY AND ALL NIGHT.

OH, MY GOD. I CAN'T BELIEVE THIS.

AND YOU COME IN HERE WITH THAT GUY?

I DON'T BELONG TO YOU!

WHO IS HE? GET OUT.

WHO IS HE?!

WHAT ARE YOU GONNA DO?

HUH? ARE YOU GONNA ATTACK ME AGAIN?

HMM?

NO.

NO, I'M NOT GOING TO ATTACK YOU AGAIN.

YOU SURE? 'CAUSE YOU HAD THAT LOOK IN YOUR EYES.

I'M NOT GOING TO ATTACK YOU, OKAY?

THEN LEAVE.

PLEASE, DON'T MAKE ME LEAVE.

YOU NEED HELP.

I KNOW THAT.

GET THERAPY.

YOU'RE A THERAPIST. WHY DON'T YOU HELP ME?

NO. NO. NO. NOT LIKE THIS.

JEFFERY...

GO.

[ SIGHS ]

WHAT HAVE YOU DONE TO ME?

JUSTIN, WHWHAT DO YOU MEAN?

I WASN'T LIKE THIS UNTIL YOU.

NO. YOU WERE IN THE BACK OF YOUR PATROL CAR,

SUCKING OFF PRISONERS.

WHAT ARE YOU GONNA DO?

YOU GONNA HIT ME AGAIN?

DON'T SAY THAT ABOUT ME.

GET OFF OF ME.

IT'S TRUE.

NO. NO.

YOU DID SOMETHING TO ME.

I DID NOTHING TO YOU.

NO, I HAVE

I HAVE NEVER ENJOYED THIS UNTIL YOU.

[ SIGHS ]

JUSTIN...

YOU HAVE ALWAYS ENJOYED IT.

♪♪♪♪

YOU'RE JUST NEVER WERE GONNA ADMIT IT UNTIL NOW.

JEFFERY, PLEASE.

JUSTIN, PLEASE LEAVE.

♪♪♪♪

I LOVE YOU.

YOU DON'T KNOW ME.

I DON'T KNOW ANY OF THIS.

BUT I DO KNOW THAT I LOVE YOU.

WELL...[SIGHS] ALL THE MORE REASON

FOR YOU TO GET HELP.

NO. I'M NOT LEAVING.

OKAY.

THEN I'LL LEAVE. NO. NO. NO. NO.

HEY. HEY! JUSTIN... NO, JEFFERY. JEFFERY, NO.

LET ME GO. LET ME GO.

WHERE ARE YOU GONNA GO? YOU GONNA GO TO HIM?

LET ME GO.

AND WHAT IF I AM?

DON'T SAY THAT.

WHAT IF I AM?

OH, I SEE WHAT YOU'RE TRYING TO DO.

WHAT AM I TRYING TO DO?

YOU WANT ME TO ATTACK YOU

SO THAT YOU HAVE A REASON TO LEAVE.

OH...NO.

IS THAT WHAT YOU THINK I'M DOING?

IS IT?

I NEED YOU TO MOVE.

FINE, GO.

♪♪♪♪

YEAH. GO TO HIM.

♪♪♪♪

MOM. MOM. LADY, HEY. LADY, STOP.

STOP! MOM, STOP IT.

MOM, WHAT ARE YOU DOING?

♪♪♪♪

MOM MOM! WOULD YOU STOP IT?

STOP! MOM!

♪♪♪♪

[ DOOR SLAMS ]

[ SIGHS DEEPLY ]

♪♪♪♪

♪♪♪♪

♪♪♪♪

SIT DOWN.

HI. TALK TO ME.

WELL, I HAVE A NUMBER.

WHAT, AND THAT'S IT?

WELL, HIS NUMBER CHANGED.

[ SIGHS ] WHAT ABOUT HIS OLD NUMBERS?

WELL, IT CHANGED, AS WELL, ACCORDING

TO THE CELLPHONETOWER DATA LOG.

OKAY, LET ME TALK TO HIM. GIVE ME A PHONE.

YOU'RE GOING TO SPOOK HIM. GIVE ME A PHONE.

I NEED TO TALK TO HIM.

HEY, LISTEN.

I NEED HIM ON THE PHONE FOR 12 MINUTES

IN ORDER TO PINPOINT HIS LOCATION.

YEAH. YEAH. LET ME TALK TO HIM.

WHAT'S THE NUMBER?

IF YOU SPOOK HIM, WE'RE GONNA LOSE HIM.

I UNDERSTAND THAT.

I'M WILLING TO TAKE THAT CHANCE.

WHAT IS THE NUMBER?

OKAY.

WELL, I HAVE THREE,

AND IT'S ONE OF THESE. [ GLASS CLINKS ]

OKAY, FINE. I'LL CALL ALL THREE.

YOU KNOW HIS VOICE?

YES, I KNOW HIS VOICE.

OKAY.

♪♪♪♪

[ Ringing ]

[ CELLPHONE RINGING ]

YO.

How are you, baby?

I'M ALL RIGHT.

IS IT STILL HOT OUT THERE?

[ INHALES SHARPLY ] YEAH, BUT IT'S COOLING OFF.

Okay.

WELL, YOU KNOW SHE'S HERE?

WHERE?

I don't know which room exactly, but she's here.

SHE CAN'T GO TOO FAR.

THEY LOOKING FOR HER ASS EVERYWHERE.

YEAH. I KNOW.

HEY, MAYBE I SHOULD TELL THE COPS THAT SHE'S HERE.

NO! NO!

BBUT THEN, SHE WOULD GET GOT?

BUT I WANT THAT BITCH!

Baby...

LOOK YOU KNOW I WANT HER.

YEAH, AND I KNOW THE WAY YOU HIT.

YEAH, AND THAT... SHE'S MINE.

WELL, SHE WON'T TELL ME WHAT ROOM.

WHY?

I DON'T KNOW.

BUT YOU KNOW CANDACE.

SHE...

SHE SENSES THINGS.

DAMN, THAT BITCH IS LIKE A CAT WITH NINE LIVES.

YEAH, BUT I'M TAKING ALL OF THEM WHEN I CATCH HER.

[ Call waiting beeps ]

HOLD ON.

YEAH?

WAR?

MAN, WHO'S THIS?

JIM CRYER.

MAN, HOW YOU GET THIS NUMBER?!

Don't you worry about that, all right?

I need to see you. MAN, THAT AIN'T HAPPENING.

YO, HOLD ON. Don't you hang up

[ Beep ]

YO, I NEED TO CALL YOU BACK.

BABY, WHAT'S UP?

SOMEBODY I NEED TO SHAKE.

OKAY.

I'LL CALL YOU LATER.

ALL RIGHT.

[ BEEP ] Hello?

WHAT?

I NEED TO MEET YOU.

MAN, I AIN'T MEETING YOU.

WAR, THIS IS SERIOUS.

[ KEYBOARD CLACKING ]

[ SCOFFS ] YEAH. LOOK WHO'S BEGGING.

Listen. I can help you get out of this, okay?

OUT OF WHAT?

THE WARRANTS THAT ARE OUT FOR YOU.

Yeah, and what you want in return?

LISTEN TO ME. LISTEN TO ME. WE HAD A DEAL. OKAY?

I KNOW THAT THERE ARE MORE PICTURES,

SO I WILL TAKE CARE OF YOU, AND YOU WILL TAKE CARE OF ME.

OKAY?

MAN, I AIN'T DOING A DAMN THING, BRO.

WAR, WHAT HAPPENED TO YOUR CODE?

CODE? Yes, your code.

MAN, I'M A THUG, BRO.

I know that. AND YOU A JUDGE.

♪♪♪♪

WAR...

YO, MAN, I'M HANGING UP THE PHONE.

YOU DON'T NEED TO CALL THIS NUMBER BACK NO MORE

'CAUSE IT'S GONE.

Warrick, don't you [ BEEP ]

MAN, GET RID OF THAT PHONE, BRO.

[ SCOFFS ]

DAMN IT!

WELL, I COULDN'T GET A LOCK ON THE LOCATION.

WHAT DID YOU GET?

JUST A GENERAL AREA.

DAMN IT!

WHAT'S GOING ON WITH THIS GUY?

[ SIGHS ]

IF I DON'T FIND HIM, ALL HELL'S GONNA BREAK LOOSE.

I THINK IT ALREADY HAS.

[ KEYBOARD CLACKING ]

WHAT ARE YOU TALKING ABOUT?

WELL, HAVEN'T YOU SEEN THE NEWS?

WHAT NEWS?

LET ME PULL IT UP FOR YOU.

D.A. JENNIFER SALLISON'S BODY WAS FOUND HERE,

RIGHT OUTSIDE OF OUR STATION.

THE BODY HAD "CRYER VICTIM"

WRITTEN ON THE PLASTIC WRAP THAT SHE WAS FOUND IN.

DAMN IT!

WHAT THE HELL?

WHAT THE HELL IS THIS?!

YOU DIDN'T KNOW ABOUT THIS?

NO, I DIDN'T KNOW ABOUT TH

[ Whispering ] DOES IT LOOK LIKE I KNEW ABOUT THIS?

JIM...

IT'S EVERYWHERE.

♪♪♪♪

[ KNOCKS AT DOOR ]

HEY. SHHSHH, HE'S SLEEPING.

COME IN.

♪♪♪♪

Anna: WHAT ARE YOU DOING HERE?

Jeffery: HOW'S HE DOING?

HE'S FINE.

WHAT'S HE DOING?

OH. HE'S RESTING.

OKAY.

YOU WANT TO SEE HIM?

NO. IT'S FINE. I DON'T WANT TO WAKE HIM.

I KNOW. IT'S HARD TO GET HIM TO SLEEP.

SO WHENEVER HE'S DOING IT, I JUST LET HIM.

YEAH? THAT'S GOOD.

HE'S A NICE GUY. I LIKE HIM.

IS HE? YEAH. [ CHUCKLES ]

YOU DON'T KNOW THAT?

WELL, I JUST HAVEN'T SEEN A NICE GUY

IN A LONG TIME A COUPLE OF YEARS PROBABLY.

I MEAN, THAT'S THE GUY WHO I FEEL IN LOVE WITH.

"IN LOVE"?

YEAH. I LOVE HIM. OH. I'M...

I JUST DIDN'T KNOW YOU TWO WERE...

OH. WELL, NO. WE'RE NOT,

LIKE, YOU KNOW, I DON'T...

I CAN LOVE HIM AND NOT BE...

YEAH. YEAH. II KNOW. [ CHUCKLES ]

'CAUSE HE'S NOT GAY.

I AM.

OKAY. WELL, YOU KNOW I DON'T CARE EITHER WAY

SO THAT'S... NO. NO.

YEAH, I KNOW.

ANNE, THANK YOU FOR DOING THIS.

I'M JUST DOING MY JOB.

WELL, YOU'RE DOING REALLY GOOD AT IT.

THANK YOU. THANK YOU.

SO, I OWE HIS MOTHER A PHONE CALL

ABOUT HIS PROGRESS,

AND I GUESS I CAN TELL HER THAT EVERYTHING IS GOING GREAT?

YEAH. YEAH. YOU CAN TELL HER THAT EVERYTHING IS FINE.

OKAY. AWESOME.

SO I'LL SEE YOU LATER? SURE.

[ CELLPHONE VIBRATES ] MY PHONE IS VIBRATING.

OH, OKAY. YEAH. WELL, TAKE IT.

THANK YOU. I'LL SEE YOU LATER.

[ BEEP ]

HELLO?

Oscar: HI.

WHO IS THIS?

This is Oscar.

WHO?

You know, the guy you talked to

in the parking lot the other day?

OH, YEAH. YEAH. I...

You haven't called about my offer.

WELL, I DON'T THINK I'M GONNA BE ABLE TO HELP.

I will up my offer to you to $50,000.

I'M SORRY, BUT I'M NOT FOR SALE.

No. Wait. Wait. Okay, listen. Listen to me.

NO. THIS IS WRONG,

AND I DON'T WANT TO BE A PART OF IT.

Well... Just think about it.

LISTEN. GOODBYE. AND PLEASE DON'T CALL ME AGAIN.

[ BEEP ]

HE SOUNDS JEALOUS.

I THOUGHT YOU WERE SLEEPING.

[ SIGHS ] I SLEEP LIKE A CAT.

OH, I SEE THAT.

IS JEFFERY GONE?

YEAH.

GOOD. GOOD.

WHY? YOU DON'T WANT TO SEE HIM?

NOT YET.

WHY NOT?

HE'S JUST GOT THIS LOOK OF WORRY AND SYMPATHY

EVERY TIME HE LOOKS AT ME.

I HATE IT. WELL, HE DOES WORRY.

YEAH.

IT'S 'CAUSE HE'S IN LOVE WITH ME.

YEAH, I I HEARD THAT.

BUT YOU KNOW I'M NOT...

I KNOW.

[ CHUCKLES ] YEAH.

SO HE'S WISHFUL THINKING.

I DON'T KNOW IF HE IS.

WHAT? YOU SEE SOMETHING ELSE?

ACTUALLY, I DO.

I SEE A FRIEND THAT LOVES YOU,

AND YOU SAID NO ONE LOVES YOU, RIGHT?

WELL, HE DOES.

YEAH, JUST 'CAUSE HE WANTS TO HAVE SEX WITH ME.

WELL, [STAMMERS] I DON'T KNOW IF HE DOES,

BUT WHAT I SEE FROM HIM IS THAT...

HIS LOVE HAS NO CONDITIONS.

♪♪♪♪

REALLY?

YEAH.

WELL, THE MAN YOU WERE TALKING TO ON THE PHONE

HAS CONDITIONS.

EXCUSE ME?

THE MAN ON THE PHONE?

OH. NO.

THAT'S, UM...

THAT'S NO ONE I KNOW.

WHO IS IT?

JUST I DON'T KNOW. JUST SOME TELEMARKETER THAT...

HE WANTED A FAVOR.

I DON'T EVEN KNOW WHAT HE WANTED.

HMM. [ SCOFFS ]

YOU'RE LYING TO ME.

WHAT?

YEAH. I MEAN...

IF YOU'RE GONNA HELP ME, I'VE GOT TO TRUST YOU, RIGHT?

YEAH. YEAH.

YEAH, SO DON'T LIE TO ME.

I'M SORRY.

EVERYBODY HAS DONE IT MY ENTIRE LIFE.

♪♪♪♪

IS IT A BOYFRIEND? NO.

[ Chuckling ] NO.

WHO IS IT?

THAT'S PERSONAL.

[ Chuckling ] OH.

I GOT IT. IT'S DR. JARVIS.

HE'S DOING A LITTLE BIT MORE THAN BEING YOUR BOSS NOW.

OH, MY GOD. NO.

NO! [ CHUCKLES ]

OKAY.

YEAH. YEAH.

THAT WAS HIM ON THE PHONE. HE'S YOUR PIMP, HUH?

OH, MY GOD. YEAH.

YOU KNOW WHAT? YOU COULD TRY ALL YOU WANT.

I'M NOT GONNA TELL YOU.

WHY NOT?

BECAUSE THE GUY ON THE PHONE, HE'S JUST NOT WORTH MENTIONING.

WELL, WHY DON'T YOU JUST LET ME BE THE JUDGE OF THAT?

I WILL NOT.

SO, NOW, TELL ME, WHAT DO YOU WANT TO DO?

YOU WANT SLEEP? WATCH A MOVIE?

NO. I CAN'T SLEEP.

HERE.

CHOOSE SOMETHING. YOU'RE GIVING IT TO ME?

YEAH. GO AHEAD.

GOOD.

VERY GOOD. OKAY.

W WAIT.

I FEEL A CHICK FLICK COMING ON.

YES. YOU DO. GIVE IT BACK TO ME.

NO, YOU CAN'T HAVE IT BACK.

COME ON.

I WILL NOT GIVE IT BACK TO YOU.

[ CHUCKLES ] OKAY, FINE. HERE.

YOU CAN HAVE IT. THANKS.

♪♪♪♪

[ CHUCKLES ]

WHO WERE YOU TALKING TO?

I THOUGHT YOU WERE ASLEEP.

YES. I WAS, BUT I HEARD YOU TALKING.

ROOM SERVICE. MM.

I GOT YOU SOMETHING TO EAT.

ARE YOU HUNGRY?

NO.

ARE YOU SURE YOU DIDN'T WORK UP AN APPETITE?

OH, I HAVE AN APPETITE.

YEAH?

WELL, I HOPE YOU DON'T MIND THAT I'M WEARING YOUR SHIRT.

NOT AT ALL.

IT SMELLS LIKE YOU.

IT LOOKS SEXY AS HELL ON YOU.

[ CHUCKLES ]

YEAH?

NOTHING SEXIER.

WELL, HOW'S THAT?

OH, SEXIER.

HMM.

I THINK SO, TOO.

THANK YOU.

FOR...?

FOR DEALING WITH MY SITUATION.

WHAT DOES THAT MEAN?

WELL, YOU SAID YOU DON'T DO CRAZY EXES.

OH, NO, YEAH. YOU'RE RIGHT. I DON'T.

BUT YOURS IS FUN.

ERICA...

NO, SHE'S FUN.

SHE'S...

SHE'S EXTRA.

WHAT DOES THAT MEAN?

JUST THESE AIRS THAT SHE PUTS ON,

AND SHE'S SO DRAMATIC.

YES, SHE IS MY...

...EXTRA VERYSOONTOBE EX.

NOT SOON ENOUGH.

MM, TELL ME ABOUT IT.

[ CHUCKLES ]

[ TELEPHONE RINGS ]

THAT'S THE PHONE RINGS.

IT'S PROBABLY HER.

YEAH.

NO. IT'S NOT.

HMM?

YES?

DAVID.

YES?

It's Jim. Where are you?

AT THE ARTESIAN. WHAT'S ON YOUR MIND?

WE HAVE A PROBLEM, DAVID.

WHAT IS IT NOW?

What room are you in? I'll come up to you.

NO. NO.

I'LL MEET YOU IN THE LOBBY.

I'M HERE NOW.

I'M ON MY WAY DOWN.

Good.

[ BEEP ]

MM.

SO, YOU'RE LEAVING?

IT'S BUSINESS.

OH, OKAY. I'M SORRY.

YEAH, NO PROBLEM. I'LL SEE YOU LATER.

YES. YOU WILL.

OKAY.

WELL, I'M TEMPTED TO STAY DRESSED LIKE THIS

UNTIL I SEE YOU AGAIN.

HMM.

I COULD WORK WITH THAT.

GIVE ME SOMETHING TO HURRY BACK TO.

WAIT, AM I NOT ENOUGH?

MORE THAN.

BUT I NEED MY SHIRT.

RIGHT. ALL RIGHT.

♪♪♪♪

I'LL SEE YOU IN A BIT.

OKAY.

♪♪♪♪

♪♪♪♪

[ Ringing ]

HI, IS THIS VERONICA?

VERONICA: Who is this?

VERONICA, THIS IS MITCH MALONE.

Malone?

YEP.

You've got my attention.

I'M A FRIEND OF BENNY YOUNG'S.

What can I do for you?

HE NEEDS A LAWYER.

What makes you think he doesn't already have one?

ARE YOU REPRESENTING HIM?

Why?

WELL, IF YOU ARE, THAT'S GOOD,

BUT HE NEEDS SOME HELP.

I've seen him once, and I'm here to see him again.

OKAY, GOOD.

I'm in the parking lot.

OKAY, YOU WANT TO MEET ME IN THE LOBBY?

Okay. OKAY, GOOD.

THANK YOU. Sure, Mr. Malone.

ALL RIGHT. [ BEEP ]

♪♪♪♪

Mitch: MS. YOUNG, HEY.

MITCHELL. YEAH.

DO YOU KNOW WHAT'S GOING ON WITH BENNY?

I HAVE NO IDEA.

'CAUSE THESE PEOPLE WON'T TELL ME NOTHING.

WELL, THAT'S WHY I'M HERE.

HOPEFULLY, WE'LL FIND SOMETHING OUT, HUH?

HEY. HI. HEY.

DID YOU GET IN TOUCH WITH THE LAWYER?

I SPOKE TO HER. SHE JUST DROVE UP.

WHO, BENNY'S LAWYER? YEAH.

WELL, WHO IS IT?

I DON'T KNOW.

WHAT DO YOU MEAN YOU DON'T KNOW?

I CALLED MARTY. HE HASN'T CALLED ME BACK.

WHO IS BENNY'S LAWYER?

I JUST SPOKE TO HER IN THE...

I AM.

OH, NO, THE HELL YOU AIN'T.

IS THAT A WAY TO SPEAK TO YOUR SAVING GRACE, MS. HANNA?

YOU AIN'T NONE OF MY SAVING GRACE.

WELL, I'VE SEEN HIM, SO I AM HIS LAWYER.

WELL, WHEN I SEE HIM, HE'LL BE FIRING YOUR ASS.

OKAY. WELL, I'LL SEE YOU GUYS LATER.

BYE. HANNA.

WHAT? SHE'S THE BEST,

AND SOMETIMES, THE DEVIL YOU KNOW

IS BETTER THAN THE DEVIL YOU DON'T.

I DON'T WANT NO DEVIL AROUND ME OR MINE.

WOW. WELL, YOU'RE STANDING NEAR ONE NOW.

IS THAT A REFERENCE TO ME, VERONICA?

OF COURSE.

NOW, HAVE YOU MET MR. MITCHELL MALONE?

MALONE?

YEAH. THE MALONE?

YEAH.

WELL, NOW.

SO, YOU SAY BENNY? WHAT'S GOING ON WITH HIM?

SHE AIN'T HIS LAWYER!

OKAY, THEN. I WILL LEAVE.

WELL, BYE!

MS. HANNA, COME ON.

WHAT? SHE CAN'T HURT.

YES, THE HELL SHE CAN.

LET HER DO IT.

[ Sternly ] LET HER DO IT.

YOU KNOW WHAT? ALL THIS CONVINCING...

I CAN GO HOME.

VERONICA CAN GO TO BED.

I AM TIRED WHERE IS HE?

DOES SHE WANT TO KNOW? YES.

THEN SHE NEEDS TO ASK ME NICELY.

I AIN'T ASKING YOUR BLACK ASS NOTHING.

MM.

YOU'RE SO GHETTO,

BUT I UNDERSTAND WHAT YOU'RE GOING THROUGH.

HE WAS BROUGHT IN ON ATTEMPTED MURDER CHARGES

BUT THEN THE SECRET SERVICE GOT INVOLVED AND I...

SEE?

SECRET SERVICE? I...

HOW DID HE EVEN GET INVOLVED?

I DON'T KNOW. YEAH, YOU DO.

WHAT ARE YOU TRYING TO DO?

[ SCOFFS ]

YOU UP TO SOMETHING.

I CAN ASSURE YOU, SHE CAN'T REACH THAT HIGH.

WELL, MY REACH IS HIGHER THAN YOURS.

OH, YOU CAN COUNT ON THAT.

I DO.

♪♪♪♪

[ CELLPHONE VIBRATING ]

DAMN, JIM. I'M NOT TALKING TO HIM.

I WANT TO SEE MY SON.

WELL, I CAN ARRANGE THAT.

WILL YOU PLEASE?

SHE NEEDS TO ASK ME.

MS. HANNA. WHAT?

COME ON.

LOOK, VERONICA

AND SHE NEEDS TO ASK ME NICELY.

VERONICA...

GET ON YOUR KNEES. GO TO HELL.

[ Southern accent ] ALL RIGHT, MS. TUBMAN.

I'LL JUST GO ON TO HELL.

BYE, BYE. SHE IS NOT GETTING

ON HER KNEES, BITCH.

[ Sternly ] NOW, GET HER IN THERE.

HMM, "BITCH." YES.

DO I NEED TO TELL A FEW MORE TRUTHS AROUND HERE?

I HAVE A FEW TRUTHS OF MY OWN,

REMEMBER?

BANG, BANGBANGBANGBANG.

ALL RIGHT. POW.

MS. VERONICA... [ CHUCKLES ]

I CAN TELL YOU THAT MY FAMILY AND I

WOULD BE MOST APPRECIATIVE IF YOU COULD HELP US SEE BENNY.

WOW.

NOW, SEE, THAT'S HOW SOMEONE ASKS FOR A FAVOR.

THANK YOU.

I WILL BE HAPPY TO DO THAT.

THANK YOU.

I'LL SEE WHAT I CAN DO.

Y'ALL GO ON AND SIT DOWN NOW,

MS. HANNA. ALL RIGHT? OKAY.

SEE? SHE'LL TAKE CARE OF IT.

ALL RIGHT?

[ ENGINE STARTS IN DISTANCE ]

[ DOOR OPENS ]

MR. YOUNG? YEAH.

I'M AGENT VINCE. THIS IS AGENT HARRIS.

ALL RIGHT. LOOK.

FELLAS, WHAT THE HELL IS GOING ON, HERE?

WE NEED A SAMPLE OF YOUR DNA.

WHAT? YEAH.

WE NEED TO EXCLUDE YOU FROM A TERRORISM INVESTIGATION.

LOOK. I DON'T HAVE NOTHING TO DO WITH NO DAMN TERRORISTS.

♪♪♪♪

YOU KNOW MITCH MALONE?

WHAT ABOUT HIM? YOU KNOW HIM?

LOOK, I'VE BEEN HERE FOR A LONG TIME.

OKAY? WHAT IS GOING ON?

HIS FAMILY IS BEING INVESTIGATED FOR ORGANIZED CRIME

WHICH TIES INTO SYRIAN TERRORIST ORGANIZATIONS.

WHAT?

YEAH.

I DON'T KNOW NOTHING ABOUT THAT.

WELL, WE NEED TO EXCLUDE YOU.

EXCLUDE ME FROM WHAT?

LOOK, DO YOU WANT TO GET OUT OF HERE?

NO, I WANT TO SIT HERE FOR

HELL YEAH, I WANT TO GET OUT OF HERE.

LET'S GET YOUR DNA, AND WE CAN GET YOU OUT.

OKAY. WELL, I'M NOT DOING THAT.

I'M SORRY. YOU THINK THIS IS A CHOICE?

YEAH.

LAST TIME I CHECKED, THIS IS AMERICA.

YEAH, IT'S A CHOICE.

WELL, YOU'RE NOT IN AMERICA.

OH, I'M NOT. OKAY. WHERE AM I AT, TOUGH GUY?

YOU'RE IN THE ARMS OF HOMELAND SECURITY.

LOOK.

YOU CAN GIVE IT TO US WILLINGLY...

OR WE CAN TAKE IT FROM YOU.

[ HUFFS ]

WE FINE.

FINE.

FINE. TAKE MY BLOOD, AND GET ME OUT OF HERE.

FINE.

♪♪♪♪

♪♪♪♪

YOU HAVEN'T SEEN THIS? NO, I HAVE NOT SEEN THAT.

IT'S EVERYWHERE.

[ SIGHS ] DAVID?

YEAH.

SHOW HIM.

♪♪♪♪

D.A. JENNIFER SALLISON'S BODY WAS FOUND HERE...

WHAT THE HELL?

I THOUGHT YOU SAID YOU HAD THIS ALL HANDLED, DAVID?

OSCAR, PLEASE.

♪♪♪♪

MAMA ROSA HAS THIS TAKEN CARE OF.

WHAT THE HELL ARE YOU TALKING ABOUT

MAMA ROSA? MAMA ROSA DID THIS!

WHAT?

SHE'S MAD AS HELL AT ME.

WHY? YOU KNOW MAMA ROSA.

SHE'S GOT THORNS LIKE NO OTHER.

JIM, WHAT HAPPENED?

WAR TOOK A POTSHOT AT HER GRANDSON.

I KNOW THAT.

WELL, I'M SUPPOSED TO FIND WAR,

AND I CAN'T, SO SHE'S PISSED.

OSCAR...

OSCAR IS USELESS.

WHY THE HELL CAN'T YOU FIND HIM?

I HAD HIM ON THE PHONE,

AND THEN JIM SPOOKED HIM, AND WE LOST HIM.

I SEE. THANK YOU.

THIS IS BAD.

I KNOW.

WE'VE BEEN THROUGH A LOT OF...

YOU AND ME, DAVID, BUT THIS IS BAD.

I KNOW, BECAUSE WHEN ROSE IS UPSET...

EVERYBODY IS UPSET.

OKAY. I'LL TALK TO HER.

NO, WHAT ARE YOU? [ SCOFFS ] CRAZY?

WHAT? ROSE AND I HAVE A GOOD RELATIONSHIP.

THAT WOMAN WILL HANG YOU IN THE FREEZER AT HER RESTAURANT.

DO YOU UNDERSTAND WHAT'S GOING ON HERE?

SOMEONE TOOK A POTSHOT AT MAMA ROSA'S GRANDSON.

I HEARD YOU.

THEN DO YOU GET WHAT'S GOING ON?

YES.

SOME BLACK KID TAKES A SHOT AT MAMA ROSA'S GRANDSON,

WE'RE TALKING ABOUT CAUSE FOR REAL WAR HERE.

I KNOW THAT.

DO YOU REMEMBER BLOOD RED TUESDAY?

WHEN A BLACK THUG WENT AFTER ONE OF MAMA ROSA'S THUGS?

SHE TOOK OUT AN ENTIRE HOUSING PROJECT,

14 PEOPLE DEAD

WOMEN, CHILDREN, EVERY DAMN THING THAT MOVED

DEAD.

JIM, I KNOW THAT. I WAS ON THE BENCH.

YEAH. SO WAS I. YES.

WE WERE BOTH ON THE BENCH.

AND WE HELPED MAMA ROSA GET OUT OF THAT MESS.

THAT'S WHY I NEED TO GO TALK TO HER.

IT DOESN'T MAKE ANY DIFFERENCE, DAVID.

THIS IS DIFFERENT.

IT'S US THAT SHE'S MAD AT.

IT'S US THAT GOT WAR OUT OF JAIL.

DAMN IT

WE NEED TO CONTROL THE DAMAGE SOMEHOW.

YEAH, IT'S ALREADY STARTED.

I GOT TO GET KATHERYN ON THE PHONE.

THEY'RE GONNA TRY TO CALL HER, BUT SHE WON'T TAKE MY CALLS.

CAN YOU CALL HER FOR ME?

[ SIGHS ]

YES.

THANK YOU.

WHAT THE HELL ARE YOU LOOKING AT, HUH?

YOU JUST FIND THAT DAMN KID. [ BEEP ]

This is Katheryn. Please leave a message.

KATHERYN...

IT'S DAVID.

WHEN YOU GET THIS, WILL YOU PLEASE CALL ME?

IT'S URGENT.

WHAT DO YOU MEAN, "I CAN'T HAVE MY OLD NUMBER"?

[ DOOR OPENS ]

IT'S BEEN GIVEN TO WHO?

WHAT?

NO, I I DIDN'T CANCEL IT.

OKAY. [ SCOFFS ]

OKAY. OKAY. THANK YOU.

[ BEEP ]

HAVING TROUBLE GETTING A NEW PHONE?

I JUST WANT MY OLD NUMBER.

I DON'T THINK YOU CAN GET THAT.

[ SIGHS ]

CHARLES...

GET A NEW ONE.

THAT'S NOT GOING TO HELP WITH MY CONTACTS.

YOU DON'T NEED TO KEEP IN TOUCH WITH THOSE PEOPLE ANYMORE.

YOU KNOW I HAVE A SON, RIGHT?

YEAH. I DO.

WHAT IF HE'S TRYING TO CALL ME?

CALL YOUR MOTHER.

SHE HAS CUSTODY.

I DON'T LIKE THIS.

WHAT?

THIS SITUATION.

[ CHUCKLES ]

WHY?

IS IT BECAUSE I HAVE THE UPPER HAND

SINCE I HAVE ALL THE INFORMATION?

HOW DO YOU KNOW ALL THIS?

THIS IS ILLEGAL.

NOT THESE DAYS.

[ SCOFFS ]

REALLY?

NO.

EVERYTHING IS ACCESSIBLE,

THESE PHONES...

THE COMPUTERS, EVERYTHING.

WE CAN GET ALL YOU NEED.

I SEE THAT.

YOU SHOULD BE MORE CAREFUL.

I DON'T LIKE BEING TREATED LIKE A PRISONER.

WHO'S DOING THAT?

YOU ARE BY WITHHOLDING MY PHONES.

I'M NOT HOLDING THEM.

WELL, THEN, GIVE THEM BACK.

THEY'VE BEEN DESTROYED.

OKAY.

GREAT.

COME ON.

A NEW START ISN'T SUCH A BAD THING.

I DON'T WANT A NEW START.

YOU KNOW WHAT I'M OFFERING YOU HERE?

DO I GET A CHOICE IN THE OFFER?

HOW MANY TIMES ARE YOU GONNA GET THE CHANCE

TO WIPE YOUR PAST CLEAN?

PEOPLE HAVE MEMORIES.

NOT OF THINGS THEY DON'T WANT TO GET OUT.

YEAH.

YOU'RE...

YOU'RE RIGHT.

YES. I AM.

[ SIGHS ]

SO WHAT'S THE PLAN?

PLAN?

YEAH, YOU'RE YOU'RE DOING ALL THESE THINGS.

YYOU HAVE A PLAN.

NO PLAN.

CHARLES?

I JUST WANT TO GIVE YOU A NEW START.

AND WHY WOULD YOU WANT TO DO THAT?

SO YOU CAN BE AROUND ME WHEN I'M PRESIDENT.

CHARLES...

LOOK.

I TOLD YOU,

THAT BUBBLE IS SMALL.

SO I'M GETTING PREPARED TO ENTER IT

WITH A HEALTHY LIST OF...

I DON'T WANT TO BE ON A LIST.

SURE YOU WILL.

[ SCOFFS ] YOU'RE SO CONCEITED.

[ CHUCKLES ]

ONLY IN PRIVATE.

THIS IS CRAZY.

YOU DON'T WANT A DOOVER?

BE RESPECTED...

AND RESPECTABLE?

IT CAN'T BE DONE.

YES, IT CAN.

LOOK AT ME.

WHAT ABOUT YOU?

LETS JUST SAY...

I WAS PLUCKED FROM THE MILITARY,

SENT TO COLLEGE

AND PUT IN THE SENATE,

GROOMED FOR THIS DAY.

ALL MY PAST WENT AWAY.

ARE YOU SERIOUS?

YEAH.

THIS IS UNREAL.

[ CHUCKLES ] THIS IS POLITICS.

NOW, TAKE THIS RESET AND ENJOY IT.

AND YOU GET TO BE ONE OF THE PRESIDENT'S REGULARS.

A REGULAR WHAT?

WOMEN.

[ CHUCKLES ]

EXCUSE ME?

I'M GONNA CLEAN YOU UP,

MAKE YOU ABLE TO PASS.

NOW, I'VE ACTUALLY BEEN LOOKING FOR SOMEONE LIKE YOU,

SOMEONE WITH JUST ENOUGH CLASS,

THE RIGHT LOOK...

AND JUST ENOUGH DIRT.

[ SCOFFS ] SO, I'M A PROJECT NOW?

YEAH.

AH.

WELL, THAT MAKES ME FEEL LIKE CRAP.

DON'T.

I REALLY LIKE YOU.

CHARLES...

CHARLES

CANDACE, LOOK AT ME.

YOU DON'T WANT A CLEAN SLATE?

GO TO SCHOOL.

FINALLY GET YOUR DEGREE.

WE CAN MAKE THAT HAPPEN.

GET YOU A HOUSE,

PUT YOU UP,

MAKE YOU STRONG,

INDEPENDENT,

SELFSUFFICIENT.

YOU'LL HAVE POWER.

BUT WHY?

I WANT YOU.

THAT'S WHY.

AND THAT'S ALL?

YES.

AREN'T YOU TIRED? [ SIGHS ]

AREN'T YOU?

YES. WOULDN'T IT BE GREAT TO REST

AND NOT HAVE TO LOOK OVER YOUR SHOULDER,

HONESTLY?

YES.

THEN, TAKE THIS CHANCE.

NOBODY GETS IT.

YOU DID.

YEAH. I DID.

IF I SAID "YES"...

YOU WOULD OWN ME.

[ SCOFFS ]

NO.

I WOULDN'T.

SOMEONE WOULD.

NO.

THAT'S NOT HOW THIS WORKS.

YOU JUST STAY STRAIGHT, AND YOU LIVE FINE.

YOU TAKE CARE OF ME,

AND I'LL TAKE CARE OF YOU.

NOW, THEY'VE FOUND SOME WOMEN FOR ME

BUT NONE OF THEM HAVE BEEN AS AMAZING AS YOU ARE.

♪♪♪♪

WHEN YOU SAY "THEY," WHO ARE YOU TALKING ABOUT?

YOU DON'T GET IT.

THESE SUPER PACs ARE SOME VERY POWERFUL PEOPLE.

SAY "YES."

I WILL NOT BE A NUMBER.

OKAY.

THEN BE THE ONLY ONE.

[ SIGHS ]

MAKE ME YOUR FIRST LADY.

[ CHUCKLES ]

DON'T TELL ME YOUR ONE OF THOSE,

LIKE, YOU GIVE THEM AN INCH, AND THEY WANT A MILE.

YOU SAID YOU CAN DO ANYTHING,

AND IT'S BUSINESS, RIGHT?

THAT'S NOT GOING TO HAPPEN.

AND IF I SAY "NO"?

THEN, YOU GO BACK TO YOUR OLD LIFE.

ARE THERE GOOD THINGS WAITING FOR YOU THERE?

NO. NO. I DIDN'T THINK SO.

SO, THIS SEEMS LIKE A NOBRAINER TO ME.

ALTHOUGH...

THERE IS ONE MATTER.

HMM. YEP.

I KNEW THERE WAS A CATCH.

THERE WAS A MURDER...

AND A BODY.

YOU CAN MAKE THAT GO AWAY?

[ SIGHS ]

TOO PUBLIC.

SOMEONE HAS TO TAKE THE FALL FOR IT.

YOU CAN MAKE THAT HAPPEN?

YEAH.

IT'S BEING DONE NOW.

WHO?

YOUR BROTHER.

WWHAT?

YEAH. HE'S IN CUSTODY NOW. NOW, YOU HAVE TO UNDERSTAND,

THERE ARE CASUALTIES TO LIVE THIS LIFE.

WAIT? MY BROTHER?

ALL YOU GOT TO DO IS SAY "YES."

AND GIVE UP MY BROTHER?

WHAT'S YOUR CHOICE?

♪♪♪♪

[ SCOFFS ]

NEXT ON "THE HAVES AND THE HAVE NOTS"...

SHE DONE LOST YOUR TOW YARD,

YOUR HOUSE, YOUR TRUCK, MY HOUSE.

SHE IS NOTHING, BUT A WALKING TSUNAMI.

SHE JUST SLAPPED ME!

LOOK, I'MA GET HER, ALL RIGHT?

OH, MY GOD! II I HATE THAT HO!

YOU HAVE NO IDEA WHAT I'M CAPABLE OF.

NO.

YOUR WIFE HAS NO IDEA WHAT YOU'RE CAPABLE OF.

YOU KNOW, I'M GONNA BE SINGLE SOON.

I COULD USE A MAN LIKE YOU.