Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

YOU DID THE RIGHT THING, MS. YOUNG.

GEORGE. Yeah?

I'M GONNA HELP YOU TRAP THIS LITTLE TRAMP

IN EXCHANGE FOR ONE THING.

I'll give you every photo that I have.

IF YOU WANT TO DO THIS, I THINK WE SHOULD JUST GO FOR IT.

NO, I THINK THAT YOU WANT TO DO THIS.

STOP, STOP, STOP!

LOOK, I NEED SOME BLOW, MAN.

WYATT, GO GET SOME HELP.

ARE YOU GONNA SELL TO ME OR NOT?

OH! OH, MY GOD.

OH, MY GOD. WHA WHY DID YOU DO THIS?!

I WANT THAT BITCH, CANDACE.

WE WILL GET THAT BITCH FOR EVERYTHING THAT SHE'S GOT.

[ INDISTINCT SHOUTING ]

OH, MY GOD.

MOMMA, ARE YOU SHOT? ARE YOU HIT?!

OH, MY GOD. MITCH, CALL AN AMBULANCE!

[ BREATHING HEAVILY ] MAMA, GIVE HIM TO ME.

MAMA, LET ME... MAMA, PLEASE, GIVE HIM TO ME.

COME HERE.

LET'S GET HIM DOWN. GET HIM DOWN.

MAMA, GIVE HIM TO ME.

GIVE HIM TO ME, MAMA! HE NEEDS HELP.

OH, MY GOD. OH, MY GOD, MAMA.

I GOT TO GET HIM TO A HOSPITAL.

PLEASE, LET ME GET HIM TO A HOSPITAL.

[ Sobbing ] IT'S TOO LATE!

MOMMY, LET ME TRY... MAMA, LET ME T

OH, MY GOD. IT'S TOO LATE!

[ BREATHING SHAKILY ]

OH, MY GOD.

[ STAMMERS ]

YOU ON THAT PHONE?!

CALL AN AMBULANCE!

Mitch: GET AN AMBULANCE!

YEAH. GIVE HIM TO ME.

OH, MY GOD.

OH!

YEAH, AT THE FOUNTAIN DROP.

LISTEN, SOMEONE'S BEEN SHOT!

WELL, HOW LONG?

LOOK, SOMEONE CAME INTO A ROOM, OH, MY GOD, MOMMY.

AND SHOT A KID HAS BEEN SHOT, OKAY?

NO, NO, NO, NO. THEY LEFT.

♪♪♪♪

SHH. [ WHIMPERS ]

[ Sobbing ] WE'RE GONNA GET YOU SOME HELP, OKAY?

WE'RE GOING TO THE HOSPITAL, OKAY?

THEY'RE COMING.

THEY'RE COMING. JUST STAY STRONG.

STAY STRONG. WE GOT YOU, BUDDY.

[ SIRENS IN DISTANCE ] I GOT YOU, BUDDY.

OKAY?

OH, MY GOD. OH, MY GOD!

MOMMY, THEY SHOT HIM IN HIS HEAD!

[ HYPERVENTILATING ]

[ WAILS, SOBS ]

♪♪♪♪

Captions by VITAC www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

[ CRICKETS CHIRPING ]

OH! OH, MY GOD.

OH, MY GOD! WHA WHY DID YOU DO THIS?

JUST LET ME DIE.

[ TELEPHONE BEEPS ]

YES, HELLO. YES. I NEED AN AMBULANCE.

[ STAMMERS ] UM... I HAVE A FEMALE AND SHE

SHE TRIED TO SLIT HER WRISTS.

YES. YES, SHE TRIED TO COMMIT SUICIDE.

YES. OKAY. OKAY. THANK YOU.

[ WHIMPERS ] WHY DID YOU

WHY DID YOU DO THIS?! THIS IS NOT THE ANSWER, MELISSA.

[ Sobbing ] I HURT MYSELF TO SAVE EVERYBODY.

YOU CAN'T DO THIS, MELISSA!

YOU C

IT'S DONE.

WAIT, WAIT, WAIT.

JUST STAY THERE. STAY THERE. STAY THERE.

[ SNIFFLES ]

STAY HERE. STAY HERE. STAY HERE.

HOLD ON. OH, NO. STOP IT. STOP IT. STOP IT.

DON'T TOUCH IT. NO. NO. NO. NO. NO.

WAIT. HOLD ON. NO, DON'T. STOP IT.

NO. NO. NO. WAIT. HEY!

I HAVE TO PUT PRESSURE ON IT TO STOP THE BLEEDING.

STOP! JUST STAY STILL. STAY STILL.

DON'T LET HER DO THIS TO YOU. SHH.

MOM! JEFFERY...

DON'T LET HER DO THIS TO YOU.

MELISSA MELISSA, PLEASE. MY FATHER.

WHAT ABOUT YOUR MOTHER? TALK ABOUT YOUR MOTHER.

TALK AB MOM! SHE'S JUST LIKE YOUR MOTHER.

OKAY. GOOD. GOOD. THAT'S GOOD. THAT'S GOOD.

SO YOU HAVE A LIFE. OKAY?

YOU HAVE A LIFE, MELISSA. JUST STAY HERE.

DON'T ACT LIKE YOU CARE. JUST STAY HERE.

STOP. NO, NO, NO! YOU HATE ME.

NO, I DON'T HATE YOU MELISSA. I JUST JUST...

MELISS MELISSA! PLEASE.

MOM!

DAMN IT. DAMN IT.

♪♪♪♪

MOM. MOM.

WHAT THE HELL IS WRONG WITH YOU?

DON'T YOU SEE I'M TRYING TO SLEEP?

LOOK, MOM. I

OH, PUT SOME BASS IN YOUR VOICE, PLEASE.

WHAT'S WHAT'S WRONG? YOU'RE ALL BLOODY.

WHA WHAT DID YOU DO?

WHAT DID YOU DO, JEFFERY? IT'S MELISSA.

WHAT'S WRONG WITH HER? DID SHE LOSE THE BABY?

SHE'S NOT LOSING THE BABY, IS SHE?

NO. NO.

WELL, WHAT IS IT? SHE SLIT HER WRISTS.

SHE'S TRYING TO KILL HERSELF, MOM.

JUST JUST COME ON.

THIS DAMN BITCH.

UGH! OKAY.

ALL RIGHT.

HEY. HEY. MOM!

YOU LOSE THIS BABY AFTER ALL THE HARD WORK I'VE DONE,

YOU'LL WISH YOU WERE DEAD.

NOW CALL AN AMBULANCE FOR THIS DUMB BITCH.

I DID CALL THE AMBULANCE! WELL, CALL THEM AGAIN!

I'M WHAT DID YOU DO?

WHAT DID YOU DO TO HER?

ME?! YES, YOU.

I DIDN'T DO ANYTHING, MOM. WHAT ARE YOU TALKING ABOUT?!

OH, YES, YOU DID.

IT WAS YOU WALKING AROUND HERE,

TALKING ABOUT HOW MUCH YOU LIKE THE SWEATYASS MEN ON YOU.

THAT WHAT? THAT HAS NOTHING TO DO WITH THIS, MOM.

IF ANYBODY DID SOMETHING TO HER, IT WAS YOU.

THAT PHONE CALL YOU'RE ABOUT TO MAKE

IS GOING TO BE RECORDED, SO SHUT THE HELL UP!

NO, YOU SHUT THE...UP.

WHAT?

WHAT DID YOU SAY TO ME, BOY?

I SAID SHUT UP!

DON'T YOU EVER TELL ME TO SHUT UP.

WAKE UP, BITCH.

DON'T YOU EVER TELL ME TO SHUT UP.

STOP IT! STOP HITTING HER.

I HIT HER WHEN I WANT TO HIT HER.

I HIT HER WHEN I... WAKE UP.

WAKE UP. WAKE YOUR ASS UP.

COULD YOU STOP IT?

JUST STOP IT, OKAY?

SHUT UP AND MAKE THE PHONE CALL.

HER DAD DIED!

THE BASTARD HAD CANCER.

HE WAS GONNA DIE ANYWAY. IS THAT WAS THIS IS ABOUT?

WHAT THE... ARE YOU THAT STUPID, BITCH?

PEOPLE DIE! JUST SHUT UP.

PEOPLE DIE! WOULD YOU SHUT UP?

OH, I WISH I'D HAVE CHOSEN ANOTHER GIRL.

[ Dialing ]

BOY, IF YOU TELL ME TO SHUT UP ONE MORE TIME...

SHUT UP.

YES. UH, YES. WE NEED AN AMBULANCE HERE.

YES, WHERE ARE THEY?

OKAY, THEY'RE THEY'RE HOW CLOSE?

OKAY. YEAH.

STOP IT. DON'T HIT HER AGAIN.

♪♪♪♪

STOP IT. STOP IT.

HEY, STOP HITTING HER. I'M TRYING TO SAVE HER LIFE.

WELL, THAT'S NOT HELPING!

JEFFERY...

I TOLD YOU THAT CALL WAS BEING RECORDED.

NOW SHUT THE HELL UP.

YES. UM... WWHERE IS THE AMBULANCE?

BLEEDING ALL OVER MY $1,100 SHEETS.

WHAT THE HELL IS WRONG WITH YOU?

WHAT IS WRONG WITH YOU? EH, STOP IT.

DON'T HIT HER AGAIN.

YES, SHE'S UNCONSCIOUS.

SHE'S GOT A HEARTBEAT.

YEAH, SHE'S GOT A HEARTBEAT. STOP TOUCHING HER.

YEAH, OKAY. PLEASE DIE.

I PROMISE YOU, IF YOU DIE,

I WILL MAKE YOUR MOTHER'S LIFE, YOUR GRANDMOTHER'S LIFE

AND YOUR WHOLE FAMILY'S LIFE A LIVING HELL, SO DIE.

DO YOU HEAR ME? DO YOU HEAR ME, MELISSA?

DIE, BITCH.

WOULD YOU STOP IT?

NO, SHE SAID IT WAS YES, SHE'S LOST A LOT OF BLOOD.

YEAH, OKAY. YEAH. ALL RIGHT.

THEY'RE TELLING ME... WHAT ARE YOU DOING?

THEY'RE TELLING ME TO STOP THE BLEEDING.

WOULD YOU... I'M GOING TO GRAB THIS ONE.

JUST GRAB THE OTHER ONE. WHAT?

WE'RE PUTTING PRESSURE ON IT TO STOP THE BLEEDING!

HOLD ON. HOLD ON.

WHERE ARE YOU GOING?

I'M GOING TO GET A PAIR OF GLOVES.

I DON'T WANT HER BLOOD ON ME.

YES, I'M PUTTING PRESSURE ON IT.

[ SIRENS IN DISTANCE ]

OKAY. OKAY. MOM, THEY'RE OUTSIDE.

CAN YOU GO OPEN THE DOOR?

WOULD YOU STOP IT AND GO OPEN THE

GO OPEN THE DOOR. THANK GOD.

[ VEHICLE DOORS CLOSE ]

♪♪♪♪

[ CELLPHONE CHIMES ]

HI. HEY.

[ CHUCKLES ]

HOW WAS YOUR NIGHT?

BORING.

YOU DIDN'T MAKE ANY MONEY?

NO.

OH.

OH, I DON'T HAVE... I KNOW YOU DON'T.

WELL, I DIDN'T THINK YOU WERE STAYING HERE.

WELL, I WAS WORKING THE BAR,

AND, UH... THEN I WENT TO BED.

AND YOU DIDN'T GET ANY MEN?

NO, IT WAS SLOW.

BUT THERE ARE SOME HEAVY HITTERS DOWN THERE

PRESIDENTIAL CANDIDATES AND SECRET SERVICE,

AND YOU DIDN'T GET ONE OF THEM?

PRESIDENTIAL CANDIDATE?

MMHMM. YEAH.

CHARLES FREDRICKSON IS STAYING HERE.

IS HE? YEAH.

AND DAVID KNOWS HIM.

OH, REALLY? MMHMM.

YEAH, WE WERE IN THE LOBBY,

AND THEY SAID "HI" TO EACH OTHER.

WOW. OKAY.

HUH.

I THOUGHT YOU WERE STAYING AT THE FOUNTAIN DROP MOTEL?

[ CHUCKLES ]

[ LAUGHS ]

WHAT? ARE YOU KIDDING ME?

WHAT? NO.

SO, WHERE ARE YOU STAYING?

I'M STAYING HERE.

OH.

WELL, I'D LOVE FOR YOU TO STAY WITH ME,

BUT DAVID MIGHT BE COMING BACK.

OH, NO, I'M NOT ASKING. I'M STAYING IN ANOTHER ROOM.

OH, WHAT ROOM?

3019.

OH.

AND YOU GOT THAT BY YOURSELF?

GIRL...I FOUND SOMEBODY AT THE BAR

WHO WAS ABOUT TO CHECK OUT, TOOK HIS KEY,

UNLOCKED HIS DOOR BEFORE HE LEFT,

AND I PROBABLY HAVE UNTIL THE MORNING

TILL HOUSEKEEPING COMES.

YOU'RE RESOURCEFUL. YOU KNOW ME.

YEAH. YEAH.

[ CELL PHONE RINGS ]

WHO'S THAT?

BENNY.

AND YOU'RE NOT GONNA GET IT?

NO, HE'S GONNA WANT TO KNOW WHERE I'M AT,

AND HE'S GOING TO WANT ME TO COME BACK TO THE FOUNTAIN DROP.

WELL, YEAH. THAT PLACE IS A DUMP.

YEAH. DON'T I KNOW IT.

MMHMM.

SO HOW LONG ARE YOU

ARE YOU GONNA TRY TO STAY HERE?

I DON'T KNOW.

I'LL LET YOU KNOW.

OKAY.

SO, HOW ARE THINGS GOING WITH YOU AND DAVID?

[ CHUCKLES ]

THEY'RE GOING.

DID YOU HAVE SEX YET?

YEP. MMHMM.

UNGH.

"UNGH" WHAT DOES WHAT DOES UNGH

WHAT DOES THAT MEAN? I DON'T KNOW.

HE JUST REMINDS ME

OF AN OLD CIVILRIGHTS LEADER.

I'M JUST GLAD I'M NOT SLEEPING WITH HIM.

I DON'T KNOW, I MEAN

UNDER THAT SUIT IS THE BODY OF...

OF AN ATHLETE...

AND THE STAMINA OF ONE.

OKAY, ENOUGH.

JUST SAYING.

FINE. LISTEN.

I HATE TO ASK YOU THIS,

BUT I DON'T HAVE ANYTHING ELSE.

AND I NEED ANOTHER...

WHAT?

I JUST HAD DéJà VU.

ABOUT WHAT?

HERE I AM WITH NOTHING AGAIN.

THIS HAPPENED TO ME BEFORE

I LOST MY APARTMENT AND MY CLOTHES.

I'M...BACK AT THE SAME SPOT.

[ SIGHS ]

WELL, NO LOOKING BACK, RIGHT?

I HAD MILLIONS.

YEAH, I KNOW.

DAMN.

WELL, YOU KNOW, YOU'RE MY GIRL.

YOU CAN BORROW ANY DRESS THAT YOU LIKE,

OH, EXCEPT THE YELLOW ONE ON THE RIGHT.

I NEED THAT ONE.

OKAY.

ALL RIGHT. THANKS.

♪♪♪♪

CAN I TAKE THIS?

YEAH.

YEAH. YOU KNOW WHAT'S MINE IS YOURS.

YYOU KNOW THAT.

THANK YOU.

WHO ARE YOU TEXTING?

OH, DAVID.

THAT'S NOT GOOD.

I WAS JUST SAYING, "GOOD NIGHT."

OH, REALLY? GOOD NIGHT?

YOU'RE NOT FALLING FOR HIM, ARE YOU?

NO. NO WAY. [ SCOFFS ]

I MEAN, YOU HAVE BEEN GIVING HIM A LOT OF COMPLIMENTS.

N NO. I'M NOT FALLING, NO.

OKAY.

HEY, ARE YOU GONNA TALK TO YOUR BROTHER?

NO. ACTUALLY, I'M NOT.

HE AND MITCH HAVE BEEN TRYING TO REACH OUT TO ME.

I'M GOING TO TURN OFF MY PHONE AND USE, UH, THE BAT PHONE.

YOU HAVE THAT NUMBER, RIGHT?

YEAH. YEAH, I HAVE IT.

OKAY.

WELL, UH... YOU HAVE A GOOD SLEEP.

I'M GONNA HAVE THIS CLEANED BEFORE I BRING IT BACK.

OKAY. OKAY.

[ Chuckling ] WWELL, GIVE ME A HUG.

ALL RIGHT?

♪♪♪♪

'KAY. I'LL CALL YOU LATER.

MM.

WAIT, ARE YOU

ARE YOU SURE YOU DON'T WANT TO STAY HERE TONIGHT?

DIDN'T YOU JUST SAY THAT DAVID IS...

YEAH, NO. I KNOW THAT, BUT I MEAN NOW.

ERICA?

FOR OLD TIMES' SAKE. [ CHUCKLES ]

I'LL CALL YOU.

OKAY. OKAY.

BYE.

BYE.

♪♪♪♪

[ DOOR OPENS ]

[ DOOR CLOSES ]

♪♪♪♪

DAVID, HOW ARE YOU?

CAN I BUY YOU A DRINK?

UH, SURE.

YOU ALL RIGHT?

JUST A A LONG NIGHT.

MM.

MINE, AS WELL.

YOU WANT TO TALK ABOUT IT?

YOU'RE IN ASSET RECOVERY AND COUNSELING?

NO, I JUST DON'T WANT TO TALK ABOUT MINE.

I DON'T PARTICULARLY CARE TO TALK ABOUT MINE EITHER,

BUT PERHAPS AFTER I FINISH MY DRINK.

DEAL.

OH, AND BY THE WAY,

THANKS FOR THE JIM CRYER REFERRAL.

YES, WHAT DOES HE HAVE YOU WORKING ON?

TRYING TO LOCATE HIS SON, WHICH I DID.

NOW I'M TRYING TO GET BACK THE $12 MILLION THAT HE HAS.

YOU KNOW, THAT SHOULD BE A GOOD PAYDAY FOR YOU.

YEAH, BUT MEN ARE ALWAYS HARDER FOR ME.

WELL, UNLESS THEY'RE GAY.

I DIDN'T REALIZE YOU WERE INTO THAT.

NO, I CAN JUST, USUALLY, FLIRT ENOUGH

TO GET THEM TO TRUST ME.

HMM. IS WYATT?

NO, NOT THAT I'M AWARE.

JUST MY LUCK.

UM, HE DOES HAVE A MEAN DRUG PROBLEM,

SO YOU BETTER HURRY.

WELL, I GAVE HIS ADDRESS TO JIM,

AND I'M GONNA WORK ON A PLAN.

AND THERE YOU ARE AT THE BOTTOM OF YOUR DRINK,

SO WHAT'S UP?

[ SIGHS ]

I THINK I BLEW IT WITH ERICA,

PUSHED TOO HARD.

WHAT DO YOU MEAN, YOU PUSHED?

WHAT? PUSHED HOW?

WELL... I WANTED TO BE WITH HER,

SO I...

WENT IN FOR THE SCORE.

DAVID.

I DIDN'T DO ANYTHING WE DIDN'T BOTH WANT TO DO.

WOULD SHE SAY THE SAME?

YES, WHO DO YOU THINK I AM?

WELL, HEY. I DON'T KNOW THIS SIDE OF YOU.

I JUST HAD TO ASK.

WE WERE BOTH ENJOYING EACH OTHER.

AND, SUDDENLY, SHE ASKED ME TO STOP.

AND YOU'RE SURE SHE WAS ENJOYING IT?

YES.

AND SHE HAD TO ASK YOU TO STOP MIDSTROKE?

UH...[ SIGHS ]

YES.

[ LAUGHS ] WOW, SHE'S GOOD.

YEAH, SHE WAS GREAT.

WHAT DO YOU MEAN?

WELL, TWO THINGS EITHER SHE WAS ENJOYING IT,

AND IT GOT TOO MUCH FOR HER TO HANDLE,

AND SHE HAD TO ASK YOU TO STOP

OR...

OR WHAT?

SHE DIDN'T LIKE IT.

OH, THAT'S CERTAINLY NOT IT.

OKAY, OR...

OR WHAT? YOU SAID TWO.

THAT WOULD BE THREE.

WELL, THIS COULD BE MY ASSETRECOVERY TRAINING,

BUT...SHE COULD BE SETTING YOU UP.

YOU HAVE BEEN SPENDING TOO MUCH TIME

WITH WOMEN LIKE CANDACE.

WELL, I HAVE, AND THEY'VE TAUGHT ME

TO BE GOOD AT WHAT I DO. YES.

WELL...

YOU THINK I'M BEING PLAYED?

NO.

I THINK YOU'RE MOVING TOO FAST.

PERHAPS.

WATCH YOUR HEART.

MY HEART IS FINE.

IT'S ANOTHER PART OF MY ANATOMY

THAT IS LACKING ATTENTION.

DAVID, HEAR MY CLEARLY, OKAY?

YOU JUST ENDED THE MARRIAGE

WITH THE PERSON WHO'S THE APPLE OF YOUR EYE.

THESE THINGS JUST DON'T GO AWAY.

I KNOW THAT. DO YOU REALLY?

BECAUSE I'VE BEEN HAVING TO GET A LOT OF WOMEN'S

FORTUNES AFTER A DIVORCE.

I'M NOT A WOMAN.

LOVE DOESN'T KNOW THE DIFFERENCE.

WE ARE NOT IN LOVE. WE ARE JUST HAVING SEX.

OKAY, AND SEX IS THE QUICKEST WAY TO YOUR HEART.

WOMAN, PERHAPS.

OR A DIVORCED MAN.

TAKE YOUR TIME.

HEY, YOU KNOW WHAT?

YOU KNOW YOURSELF BETTER THAN ANYONE.

YES, I DO.

[ CELLPHONE CHIMES ]

IS THAT HER? YES.

SAYING, "I HOPE YOU MADE IT HOME SAFE."

WHAT? [ CHUCKLES ]

YOU TEXTING HER BACK?

YES, I'M LETTING HER KNOW I'M STILL HERE, AT THE BAR.

NO, DON'T DO THAT.

OSCAR. NO, LOOK.

RIDE THIS OUT TONIGHT. ALL RIGHT?

AND IF SHE SENDS YOU A PICTURE, THEN...

[ CELLPHONE CHIMES ] SHE JUST DID.

NO, YOU CAN'T REPLY.

WHY NOT?

LET HER WONDER WHERE YOUR HEAD IS.

I'M NOT PLAYING THESE GAMES.

LOOK, I'M TRYING TO TELL YOU.

TELL ME WHAT?

THERE ARE NEW RULES NOW.

WELL, I AM OLD SCHOOL.

WELL, OLD SCHOOL IS OBSOLETE, MY DEAR BOY.

VINTAGE IS ALWAYS APPRECIATED.

DAVID. AH, JIM!

I BELIEVE YOU KNOW OSCAR.

HI, HOW ARE YOU? HI.

I'M GOING TO FINE IN A MINUTE I NEED A BOURBON, STRAIGHT UP.

YES, SIR. THANK YOU.

WHAT THE HELL IS SHE DOING HERE?

Jim: I'M GUESSING WHAT SHE DOES BEST.

AND SHE IS GOOD AT THAT.

SO YOU'VE HAD HER, TOO?

YES.

WELL, I SUPPOSE DAVID IS THE ONLY ONE, PERHAPS,

IN THIS ENTIRE ROOM WHO HASN'T.

[ CHUCKLES ] AND NEVER WILL.

DON'T KNOCK IT TILL YOU'VE TRIED IT.

OH, MISS YOUNG!

DO NOT CALL HER OVER HERE.

NO. NO. PLEASE DO.

MISS YOUNG.

♪♪♪♪

PLEASE.

AH.

WELL, [SIGHS] ISN'T THIS PREDICTABLE?

MS. YOUNG.

MR. OLD.

[ LAUGHTER ]

HOW THE HELL ARE YOU?

I'M AS GOOD AS I LOOK.

OH, YES. YES, YOU ARE. MMHMM.

YOU DO KNOW I LET YOU SEE ME.

I'VE BEEN WATCHING YOU THREE FROM OVER THERE.

OH, REALLY?

HIDING SO NOT YOU'RE STYLE.

NO, NOT AT ALL.

WELL, PERHAPS, AVOIDING PRISON IS.

PRISON?

YES, THERE'S A WARRANT OUT FOR YOUR ARREST.

OH, IS THAT SO?

YEAH.

THEY HAVE TO FIND ME FIRST.

WELL, AS AN OFFICER OF THE COURT

I COULD MAKE A CITIZEN'S ARREST.

YOU HAVE HANDCUFFS?

OH, I HAVE THOSE RIGHT HERE IN MY BACK POCKET.

YOU DO? SO DO I. YEAH.

I ALSO HAVE THEM IN PHOTOS.

OH, NO. NOT REALLY.

NOT ANYMORE. POLICE HAVE THOSE.

YOU SEE, DAVID, DID YOU KNOW

THAT ALL OF THE PHOTOS

THAT MISS YOUNG WAS USING TO BLACKMAIL ME ARE NOW

IN THE POSSESSION OF THE POLICE?

ARE THEY?

YES, THEY ARE.

AND ALSO, SHE KILLED SOMEONE

AND BURIED HIM IN HER BACKYARD.

I'M SURE YOU REMEMBER HIM. HE WAS AT THE PARTY THAT NIGHT.

QUINCY BITCH... WAS HIS NAME.

OH, YES. YES, I DO RECALL.

SHE KILLED HIM, BURIED HIM IN HER BACKYARD.

BACKYARD?

DAMN, THAT'S NOT VERY SMART.

YOUR OWN BACKYARD.

COULDN'T COME UP WITH ANYWHERE BETTER?

NO COULDN'T. YOU SEE, I'VE BEEN TO HER NEIGHBORHOOD.

MMHMM. SHE HAS THIS NOSY NEIGHBOR

ACROSS THE STREET, LOTS OF CAMERAS EVERYWHERE.

AND I'M THINKING THAT ONE OF THEM WAS

PROBABLY POINTED AT MISS YOUNG'S FRONT DOOR,

WHICH IS WHY SHE BURIED HIM THE BACKYARD.

NOW, I COULD BE WRONG.

DAMN. WAIT. WHAT DOES THIS GUY LOOK LIKE?

YOU MET HIM. OH, DID I?

YEAH, THE ONE THAT BEAT YOUR ASS

BEFORE YOU RAN OUT THE DOOR

AND LEFT HIM THERE TO KILL ME.

OH, THAT GUY? THAT GUY.

WELL, HE WAS STRONG.

HOW DID YOU MANAGE TO KILL HIM?

I HAD SOME HELP.

WHAT FOOL DID YOU GET TO HELP YOU WITH THAT?

YOUR SON, JEFFERY HARRINGTON.

HE HELPED ME.

JEFFERY WOULDN'T DO THAT.

WELL, YOUR WIFE'S BREAST IMPLANTS

WERE VERY GOOD PRACTICE.

HE'S GREAT WITH A KNIFE.

JEFFERY WOULD NOT GO THAT FAR.

WELL, HE DID.

Jim: GENTLEMEN, I WONDER IF I MIGHT HAVE

A FEW MOMENTS ALONE WITH MISS YOUNG.

SURE, SO YOU CAN GIVE THEM TIME TO CALL THE POLICE?

OH, THAT'D BE NICE.

WELL, I

I DON'T THINK DAVID WILL

UNTIL HE CHECKS IN WITH HIS SON.

COME HERE.

PLEASE. WHAT?

I MISSED YOU.

IF YOU'RE TRYING TO HOLD ME HERE

UNTIL THE COPS GET HERE, I'LL BE LONG GONE.

NO, NOT DOING THAT.

THEN, WHAT ARE YOU DOING?

DO YOU HAVE A ROOM HERE, CANDACE?

I DON'T.

I THINK YOU'RE LYING.

I'M NOT.

OKAY, THEN. I'LL TELL YOU WHAT.

WHY DON'T WE GO TO YOUR PLACE?

YOU MEAN THE ONE YOU FORECLOSED ON?

YEAH.

PRETTY SWEET MOVE, WASN'T IT?

NICE MOVE. THANK YOU.

WHAT DO YOU WANT?

LISTEN, I KNOW YOU DON'T HAVE ANYTHING LEFT.

THE TOW YARD, THE TWO HOUSES THEY'RE ALL GONE.

I HAVE ONE QUESTION FOR YOU, CANDACE

WAS IS IT WORTH IT?

YEAH, IT WAS FUN.

IT WAS, WASN'T IT.

SO, WHO ARE YOU BLACKMAILING NOW?

NO ONE.

COME ON. I KNOW YOU BETTER THAN THAT.

YOU DON'T.

I KNOW YOU USED TO LOVE WHAT I DID TO YOU.

AND I KNOW HOW MUCH YOU USED TO LOVE WHAT I DID TO YOU.

[ INHALES DEEPLY ] HMM.

I WANT YOU.

YOU WANT TO TRAP ME.

[ SCOFFS ] WHY ARE YOU SO DAMN SUSPICIOUS?

HUH? GET OVER IT.

WE'RE EVEN.

I GOT MOST OF MY MONEY BACK. YOU TRIED TO GET AHEAD.

YOU FAILED, END OF STORY, END OF GAME.

GET OVER IT. TAKE THE MARTINI.

CANDACE, TAKE THE MARTINI.

LET'S GO UPSTAIRS AND MAKE THIS WHOLE THING HAPPEN AGAIN.

YOU DON'T UNDERSTAND.

TAKE THE MARTINI.

I DON'T WANT THE MARTINI. YOU WANT ME.

NOR DO I WANT YOU EVER AGAIN.

YOU SO WANT ME. I CAN SEE IT IN YOUR EYES.

TAKE THE MARTINI.

I DON'T WANT THE MARTINI. IT'S SALTY AND BITTER.

AS I RECALL, YOU LIKE SALTY AND BITTER.

MM, YOURS WAS A LITTLE SOUR.

ANYWAY, I HAVE TO GO.

EXCUSE ME.

I'LL BE AT THE BAR IF YOU WANT TO CALL.

I DON'T.

DAMN.

[ CELLPHONE BEEPS ]

[ Ringing ]

JEFFERY: Leave a message. [ Beep ]

JEFFERY, THIS IS YOUR FATHER.

PLEASE, CALL ME. I KNOW IT'S LATE,

BUT I NEED YOU TO CALL ME AS SOON AS YOU GET THIS.

♪♪♪♪

[ INDISTINCT TALKING OVER P. A. ]

[ SIGHS ]

UH, MOM.

MOMMY.

[ Weakly ] CAN I USE YOUR PHONE?

♪♪♪♪

COULD YOU UNLOCK IT FOR ME?

[ SIGHS ] [ Ringing ]

[ TELEPHONE RINGING ]

HANNA, ARE YOU OKAY?

UH, MISS CRYER.

WHO IS THIS?

[ SIGHS ] IT'S BENNY.

WH WHAT'S WRONG? WHERE'S YOUR MOTHER?

Is she okay?

[ Voice breaking ] WE NEED SOME HELP.

WELL, WHAT IS IT? WHY DO YOU HAVE HER PHONE?

'CAUSE WE'RE AT THE HOSPITAL.

[ Sternly ] WHAT IS GOING ON, BENNY?

[ EXHALES DEEPLY ]

MY NEPHEW DIED.

WHAT? Yeah.

Q?

[ SOBBING ] Yes.

[ WHIMPERS ]

[ Voice breaking ] HOW?

[ INHALES DEEPLY ]

THEY...

THEY SHOT HIM IN HIS HEAD.

ARE YOU KIDDING ME?

NO.

OH, UM...

WELL, UH...

WHAT HOSPITAL?

AT SAINTCLAUDE.

I'm on my way.

ALL RIGHT. THANK YOU, BENNY.

I'M ON MY WAY. OKAY.

THANK YOU.

[ EXHALES DEEPLY ]

[ BEEP ]

♪♪♪♪

RIGHT.

HEY. YEAH.

HOW IS HE?

HIS PROBLEM IS THE WORST WE EVER TREATED.

THE DOSAGE I'VE GIVEN HIM SHOULD'VE TAKEN DOWN A MAN

THREE TIMES HIS SIZE.

WYATT.

[ GRUNTS ]

THIS ISN'T WORKING.

I KNOW. LISTEN.

I THINK WE'RE GOING TO HAVE TO TAKE YOU TO A HOSPITAL.

NO. NO.

I'LL BE RIGHT HERE WITH YOU, OKAY?

NO, I DON'T WANT TO GO TO THE HOSPITAL.

SO YOU WANT TO STAY IN THIS PAIN?

I JUST NEED SOME HELP, OKAY? PLEASE.

NO, WE'RE NOT GONNA DO THAT.

COME ON, LET'S GO TO THE HOSPITAL.

COME ON. I DON'T WANT TO GO.

WYATT, THIS IS FOR THE BEST, OKAY?

DON'T YOU WANT TO FEEL BETTER?

I DON'T WANT TO FEEL LIKE THIS.

OKAY. WELL, THEN, YOU NEED TO COME WITH US.

COME ON. OKAY. COME ON. COME ON.

OKAY.

COME ON.

STAND.

[ WYATT GRUNTING ]

[ INDISTINCT CONVERSATIONS ]

[ SIGHS ]

HERE.

WANT SOME?

I DON'T WANT NO WATER.

OKAY.

DONE KILLED HIM, BENNY. [ SNIFFLES ]

I know.

I KNOW.

THAT BABY'S HAD IT HARD...

EVER SINCE HE GOT HERE.

I KNOW.

I TR

♪♪♪♪

I TRIED TO GIVE HIM A BETTER LIFE,

BUT I DID

UM...

SHH.

DON'T GET UPSET. DON'T GET MAD.

OH.

HOW COULD YOU SAY THAT TO ME?

HOW COULD YOU SAY "DON'T GET UPSET?"

YOU SEE?

[ Voice breaking ] YOU SEE WHAT I'M TELLING YOU A

YOU SEE WHAT I WAS TELLING YOU ABOUT HER?

THAT GIRL?

I KNOW.

SHE DON'T GET IT.

SHE DON'T GET IT.

♪♪♪♪

IT'S A CYCLE.

IT JUST KEEPS GOING ROUND AND ROUND...

AND WORSE AND WORSE.

IT'S

IT'S A LOOP.

LIFE IS A LOOP, BENNY.

IT'S ALL GONNA COME BACK AROUND.

AND I WAS TRYING [INHALES DEEPLY]

TO STOP IT BEF

BEFORE IT'S TOO LATE.

AND NOW THAT BABY IS DEAD!

GOD, HE'S DEAD! CALM DOWN, MAMA. CALM DOWN.

OOH, THAT BABY. JESUS, JESUS!

JUST CALM DOWN. CALM DOWN. CALM DOWN, OKAY?

[ SOBS ]

SHH. LET'S PRAY. HMM?

CAN YOU SAY THAT PRAYER YOU ALWAYS SAY TO ME?

I DON'T HAVE NOTHING TO PRAY FOR.

[ Voice breaking ] OH, MAMA, DON'T SAY THAT.

DON'T SAY THAT RIGHT NOW.

I DON'T.

I DON'T.

[ NORMAL VOICE ] OKAY. OKAY.

LET'S GO. COME ON.

SHH. LET'S GET OUT OF HERE.

LET'S GO BACK TO WHERE WE STAY.

MM!

I CANT.

I CAN'T.

I CAN GET IT CLEANED UP,

AND THEN WE'LL GO.

HMM.

I CAN'T GO BACK THERE, EVER.

PLEASE?

[ SOBS ]

OKAY.

UH...

YOU JUST YOU STAY RIGHT HERE.

♪♪♪♪

I'M GOING TO GO HANDLE A FEW THINGS,

AND I'LL BE RIGHT BACK, OKAY?

HMM?

♪♪♪♪

[ Sobbing ] DAMN IT, MAN. OH, COME ON.

I KNOW, MAN. I KNOW.

HE SHOT HIM IN HIS HEAD.

I KNOW, MAN. COME ON.

COME ON. LET'S GO.

WE'RE GOING HOME. I'M GONNA KILL HIM.

I SWEAR TO GOD, I'M GOING TO KILL HIM.

BEN, YOU'VE GOT TO KEEP YOUR COOL.

YOU'VE GOT TO KEEP YOUR COOL, BENNY. ALL RIGHT?

COME ON. LISTEN. WE'RE GONNA MAKE THIS RIGHT.

WE'RE GONNA MAKE THIS RIGHT.

COME ON. LET'S GET OUT OF HERE.

BEFORE YOUR MAMA SEE. COME ON.

WE CAN'T LET YOUR MOMMA SEE YOU LIKE THAT, ALL RIGHT?

WE'LL TAKE CARE OF IT. ALL RIGHT.

Woman: MITCH!

OH, MY LORD.

HI.

SAMMY, WHY'D YOU BRING HER DOWN HERE?

SOMEBODY TRIED TO TAKE OUT MY BROTHER,

AND YOU DON'T THINK I'M TELLING HER?

HEY, IT WASN'T SUPPOSED TO BE LIKE THIS.

ALL RIGHT? IT'S TOO LATE.

I'M IN THIS.

[ Sternly ] WHO IS HE?

TELL HER.

THIS WASN'T SUPPOSED TO HAPPEN, ALL RIGHT?!

HE SHOT AT YOU.

IT IS HAPPENING. WHO IS IT?

HIS NAME IS WARWICK LEWIS. [ BREATHING SHAKILY ]

HE HANGS OUT AT THE PROJECTS OVER ON SECTOR.

AND IF HE AIN'T THERE... ALL RIGHT. ALL RIGHT.

...HE GOT A SETUP FOR MYERS HOMES.

ALL RIGHT. THAT'S ENOUGH. BUT SHE NEEDS TO KNOW!

THAT'S ENOUGH. I DON'T CARE ANYMORE, MAN.

GET THAT BODY OF THAT DAMNED D. A. BITCH,

AND FIND HIM.

PUT THE BODY IN THE TRUNK OF HIS CAR,

AND UNLEASH ALL HELL ON WHEREVER HE IS.

I DON'T CARE WHO GIVES HIM AWAY

MAN, WOMAN, CHILD!

WE CAN NEVER LET THEM KNOW THAT IT IS ALL RIGHT

TO GO AFTER A MALONE.

♪♪♪♪

[ ENGINE REVS IN DISTANCE ]

[ TELEPHONE RINGING ]

♪♪♪♪

HI, HEARD ANYTHING ABOUT THE BABY?

NO.

SHE DIDN'T DIE, DID SHE?

I DON'T KNOW ANYTHING.

HI. HI.

I'M VERONICA HARRINGTON.

I'D LIKE TO CHECK ON THE STATUS OF MELISSA WILSON.

I'M SORRY.

THE DOCTOR IS WITH PATIENTS RIGHT NOW.

THE ONLY PATIENT THAT SHOULD HAVE PRIORITY RIGHT NOW

IS THE PATIENT CARRYING MY UNBORN GRANDCHILD.

I WANT TO BE SURE EVERYTHING POSSIBLE

IS BEING DONE TO SAVE THAT CHILD.

LISTEN, WE ARE DOING ALL WE CAN FOR ALL OUR PATIENTS.

WHO IS THE DOCTOR?

I WILL PAGE HIM FOR YOU... THANK YOU.

...AS SOON AS HE'S DONE WITH HIS PATIENT.

WHAT IS YOUR NAME?

UH, NURSE CALLAHAN. NURSE CALLAHAN.

AND HOW LONG WERE YOU IN NURSING SCHOOL?

EXCUSE ME? I'M JUST ASKING.

IT WOULD BE A SHAME TO SPEND ALL THOSE YEARS IN SCHOOL

ONLY TO WIND UP ASKING, "OH, MY GOD.

WOULD YOU LIKE SOME FRIES WITH THAT?"

NOW, I KNOW THE HEAD OF THIS HOSPITAL,

AND I WANT TO SEE A DOCTOR RIGHT NOW.

AND IF I DON'T, YOU WILL LOSE YOUR JOB.

AND THEN, ALL THOSE STUDENT LOANS

WILL START PILING UP AND PILING UP AND PILING UP.

I'M GONNA GO SIT OVER THERE, OKAY.

I WANT TO SEE A DOCTOR WITHIN THREE MINUTES.

YOU ARE ON THE CLOCK.

EXCUSE ME, I WOULD LIKE TO HAVE THIS CHAIR...

SIT NEXT TO MY SON.

[ SIGHS ]

YOU SHOULDN'T SIT THERE EITHER.

THIS IS A PRIVATE CONVERSATION.

ALL THESE SEATS, ALL OF THEM ARE AVAILABLE.

YOU JUST CAN'T DO IT, CAN YOU?

DO WHAT?

NOT BE A BITCH.

WELL, MY SON IS TRYING VERY HARD

TO BE ONE AT PRESENT.

THIS GIRL TRIED TO KILL HERSELF BECAUSE OF YOU.

BECAUSE OF ME? DON'T YOU DARE.

WHAT? BLAME THAT ON ME.

ARE YOU KIDDING ME? WHAT?

YOU'RE DOING ALL THIS.

OH! SO I'M THE VILLAIN.

YES, YOU ARE.

SO I TOOK HER WRIST AND SLIT THEM MYSELF?

That was her. That was her, Jeffery.

II CAN'T EVEN TALK TO YOU RIGHT NOW.

WELL, YOU HAVE TO...

because I'm your defense attorney.

YEP.

[ INDISTINCT TALKING OVER P. A. ]

[ CELLPHONE BEEPS ]

[ SIGHS ] ROSITA, HI.

IT'S VERONICA HARRINGTON.

YES, I KNOW WHAT TIME IT IS.

YEAH, I... LISTEN, I KNOW YOU HAD

YOUR KIDS' GRADUATION OR SOMETHING TOMORROW,

BUT I'M GONNA NEED YOU TO COME IN.

MMHMM.

YES.

WELL, YOU EITHER COME IN,

OR I GET SOMEONE ELSE TO DO YOUR JOB, OKAY?

YOU KNOW WHAT? YOU COULD COME TONIGHT.

IF YOU COME TONIGHT,

THEN YOU DON'T HAVE TO COME TOMORROW.

MELISSA HAS HAD A TERRIBLE ACCIDENT,

AND, UM, YOU CAN LEAVE EVERYTHING THERE.

DON'T TOUCH A THING, BUT CLEAN AROUND IT.

I NEED THE HOUSE AROUND IT CLEAN.

I DON'T WANT TO HAVE TO THINK ABOUT THAT, OKAY?

MMHMM.

OH.

I DON'T CARE ABOUT A BUS.

AND DON'T MAKE UP THE BED, OKAY?

THANK YOU. NO.

I DON'T CARE ABOUT A BUS.

BYEBYE.

[ BEEP ]

THE HELP. [ CHUCKLES ]

LIKE HER HAVING TO GET A BUS AT 4:00 A. M.

IS MY PROBLEM, RIGHT?

[ CELLPHONE RINGS ]

[ BEEPS ]

HELLO. DAVID: Jeffery.

OH, HEY, DAD.

WHAT DOES HE WANT?

Where are you?

UH, I'M AT THE HOSPITAL. What's wrong?

[ SIGHS ] UM...

WHAT DOES HE WANT?

MELISSA TRIED TO TAKE HER LIFE.

What? YEAH.

Your mother behind this?

YOU KNEW IT.

Damn it.

Are you okay?

YEAH, I'M FINE.

What hospital?

UH, SAINTCLAUDE.

I'm on my way.

WAIT. WAIT. WAIT. NO, DAD. DON'T EVEN COME OUT HERE.

BECAUSE SHE'S HERE, AND YOU KNOW HOW SHE IS.

No, I need to talk to you.

TO ME? ABOUT WHAT? Just stay there.

I'm coming to talk to you in person.

OKAY. ALL RIGHT. I'LL I'LL BE HERE.

ALL RIGHT. BYE.

[ BEEPS ]

WHAT DID HE WANT?

HE WAS JUST CHECKING ON ME.

DOES HE KNOW?

YES.

SO, HE'S COMING?

YES.

I THINK THAT'S GOOD.

YOU KNOW WHAT?

IF I HAVE BAGS UNDER MY EYES IN COURT IN THE MORNING,

I'M GONNA STOMP THAT HO.

THIS GIRL TRIED TO KILL HERSELF, MOM.

AND...?

WOW. YOU

YOU DON'T HAVE ANY SYMPATHY AT ALL, DO YOU?

NO, I DON'T.

VERONICA.

KATHERYN.

NEXT ON "THE HAVES AND THE HAVE NOTS"...

I HAVEN'T SEEN HIM IN DAYS.

WELL, YOU'RE ALSO A SOURCE OF WHAT AGITATES HIM.

I AM HIS MOTHER.

SO, YOU WANT TO BE MY PIMP?

NO, I WANT TO BE YOUR PARTNER.

I NEED TO SEND A CLEAR MESSAGE

THAT THE MALONES ARE NOT TO BE...WITH, EVER.

I THINK THIS TOWN UNDERSTANDS THAT, ROSE, ALREADY.

[ Voice breaking ] GOD, YOU GOT SOME EXPLAINING TO DO.

I HAVE DONE MY BEST...

TO DO MY BEST.

AND WHAT GOOD IS IT?