Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

LOOK, I NEED SOME BLOW, MAN.

I'M NOT GONNA SELL YOU ANY MORE DRUGS.

YEAH, YOU THINK YOU'RE THE ONLY GAME IN TOWN, DUDE?

I KNOW I'M THE ONLY ONE THAT YOU KNOW.

BENNY, WAR AIN'T GONNA HURT CANDY.

YO, YOU DON'T KNOW WAR.

YEAH, I DO. I PRACTICALLY RAISED HIM.

HE THREATENED TO KILL HER, ALL RIGHT?

HE'S BAD NEWS. YOU DON'T KNOW HIM.

WHAT? AND I'M GOING TO GET HER.

WE BURIED THE BODY IN THE BACKYARD.

Veronica: WHAT? YOU'RE KIDDING.

I'M DEALING WITH TWO GENIUSES HERE.

WHAT THE HELL YOU WANT? I WAS LOOKING FOR SOME BLOW.

GOT SOME MONEY ON YOU? YEAH, YEAH.

LOOK, MAN, I JUST NEED A FIX. AH, AH, AH, HEY, HEY, HEY.

DON'T MOVE, HOMEY. DON'T DO THAT.

NOW, I'M GONNA ASK YOU THIS ONE MORE TIME, KATHERYN.

WHAT HAPPENED? I SHOT THE BITCH.

GIVE ME THE KEYS TO THE HOUSE.

I'M SURE THEY CHANGED THE LOCKS. WHY?

THE BANK FORECLOSED ON THE HOUSE.

THAT FORECLOSURE JUST SAVED YOUR LIFE.

I WANTED TO THANK YOU FOR THE FLOWERS.

THROW THEM OUT. WHAT?

Throw them out. OKAY.

Put them outside your room now.

WHAT'S THE MATTER?

YOU DON'T LIKE THE FLOWERS?

WHO ARE YOU?

I'M VERONICA HARRINGTON.

AND YOU ARE?

CAN I HELP YOU WITH SOMETHING?

ERICA, LET ME SPEAK TO HER.

I'M SORRY? LET ME SPEAK TO HER.

WHO IS THIS? Please.

AS I SAID, I'M VERONICA HARRINGTON.

AND YOU ARE?

Put her on the phone.

YES? VERONICA?

Oh. Hi, darling.

YOU NEED TO WALK AWAY FROM THIS RIGHT NOW.

OH, YEAH? Yeah.

I DON'T THINK SO. VERONICA.

Oh, you sound so stressed.

I'M NOT PLAYING WITH YOU.

MM. WHO IS THIS, DAVID?

AND HOW MUCH IS SHE CHARGING YOU?

She's young and pretty.

Got to be a hooker.

DARLING? MM?

WHERE CAN I FIND YOUR PIMP?

EXCUSE ME? Veronica, stop.

THIS WHORE IS HARD OF HEARING.

SOMEBODY MUST HAVE BANGED HER HEARING TO DEATH.

[ CHUCKLES ] [ Loudly ] YOUR PIMP?

WHERE CAN I FIND YOUR PIMP?

Leave her alone right now.

I'M NOT DOING ANYTHING TO HER.

CAN I HAVE MY PHONE PLEASE? SHE WANTS HER PHONE, BABY.

GIVE IT TO ME. IN A MOMENT.

I'M TALKING TO MY HUSBAND. JUST A MOMENT, OKAY?

I MEAN IT, VERONICA. LEAVE HER ALONE.

OKAY. [ CHUCKLES ] I WILL.

Veronica, listen.

WHAT'S GOING ON WITH YOU, DAVID?

YOU GO FROM WHITE GIRL TO BEIGE GIRL.

ARE YOU WORKING YOUR WAY BACK TO MY COMPLEXION,

OR HAVE YOU JUST GIVEN UP ON REAL BLACK ALL TOGETHER?

BECAUSE THAT'S HOW SOME OF YOU DO, YOU KNOW?

YOU MAKE A LITTLE MONEY,

AND THEN YOU WANT TO LEAVE US BEHIND.

BUT YOU KNOW ME.

I WILL NOT GO QUIETLY INTO THAT GREAT NIGHT.

Listen to me, Veronica.

THIS IS BETWEEN YOU AND ME.

IF YOU NEED TO SPEAK TO ME, THEN DO THAT.

BUT LEAVE HER OUT OF THIS.

YOU'RE VERY PROTECTIVE.

YOU ONLY GET THAT WAY WHEN YOU LIKE SOMEONE.

HOW LONG HAS THIS BEEN GOING ON, BABY?

Veronica.

YOU'RE NOT GONNA TELL ME ANYTHING.

UGH.

VERONICA?

DAMN IT!

[ ENGINE STARTS ]

♪♪♪♪

NOW CAN YOU GIVE ME MY PHONE, PLEASE?

SURE. EEXCUSE ME?

Captions by VITAC www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪♪♪

SO YOU'RE THE NEW ONE.

GET RID OF ONE, AND THEN HERE COMES ANOTHER.

YOU NEED TO LEAVE RIGHT NOW.

AS SOON AS I'M DONE.

I SAID LEAVE.

HOW OLD ARE YOU, LITTLE GIRL?

[ CHUCKLES ] LADY

LADY, YES.

I LIKE THAT.

YOU WON'T TELL ME YOUR AGE,

SO YOU MUST BE 30s, 40s?

YOU WON'T GET ME TO RESPOND TO YOUR INSULTS.

YOU KNOW I'M NOT AS OLD AS YOU ARE.

I CAN'T TELL.

YOU NEED TO LEAVE.

I WILL.

SO, NOW, WHAT'S YOUR NAME?

OKAY, DO I NEED TO CALL HOTEL SECURITY?

DO WHAT YOU LIKE.

I WILL.

SO TELL ME AGAIN, WHO'S YOUR PIMP?

[ TELEPHONE BEEPS ]

I MEAN, I'VE DEFENDED QUITE A FEW OF THEM HERE,

AND THERE ARE ABOUT SEVEN IN THIS TOWN

THAT WOULD HAVE SOMEONE LIKE YOU.

HMM. IS IT RICO?

THEY CALL HIM PRETTY RICKY.

OR ARE YOU JOHNNY WAN'S GIRL?

YOU LOOK LIKE YOU COULD BE JOHNNY WAN'S GIRL.

OR MAYBE JIETA?

YOU KNOW JIETA, DON'T YOU?

YES. YES, I NEED SECURITY TO MY ROOM.

I HAVE SOMEONE HERE THAT WON'T LEAVE.

THANK YOU.

I WILL FIND OUT.

[ CHUCKLES ] I WILL.

BECAUSE YOU WILL NOT HAVE MY HUSBAND.

YOU'RE THE EXWIFE.

I'M THE CURRENT WIFE.

[ CHUCKLES ]

I HEARD YOU WERE GETTING DIVORCED.

YOU HEARD WRONG.

WELL, ACCORDING TO THE PAPERS I SAW FILED,

I'M NOT WRONG.

YOU SAW PAPERS?

YES, I DID.

I DO RESEARCH ON THE MEN THAT I SLEEP WITH.

SLEEP WITH. YEAH.

[ CELLPHONE RINGING ]

MM, BETTER GET IT.

IT'S DAVID.

[ CHUCKLES ]

HELLO?

IS SHE STILL THERE?

YEP. I called hotel security.

YEAH, SO DID I. GOOD. STAY ON THE PHONE WITH ME

UNTIL THEY GET THERE. NO, THERE'S NO NEED.

Erica. THERE'S NO NEED.

I'LL TAKE CARE OF IT.

YOU DON'T KNOW WHO YOU'RE DEALING WITH.

TRUST ME, I CAN HANDLE THIS.

I'LL CALL YOU BACK. ERICA!

[ CELLPHONE BEEPS ] DAMN IT.

SO, YOU CAN HANDLE ME.

OH, YEAH.

THEN WHY DO YOU LOOK SO NERVOUS?

I'M NOT. YOU LIE WELL.

YOU SHOULD SEE ME ON MY BACK.

OH, I'M NOT INTO THAT,

BUT THANKS FOR THE OFFER.

SO WHAT DO YOU WANT?

I WANTED TO GET A LOOK AT YOU.

OKAY.

SHALL I TURN AROUND?

YOU DON'T KNOW ME.

SO LET ME INTRODUCE MYSELF.

I'M VERONICA HARRINGTON.

OH, YES, YOU SAID THAT. [ CHUCKLES ]

I KNOW, AND IT'S CUSTOMARY AND POLITE

THAT WHEN SOMEONE INTRODUCES THEMSELVES,

YOU THEN GIVE THEM YOUR FULL NAME.

ERICA IS ALL YOU NEED TO KNOW.

HOW LONG HAS THIS BEEN GOING ON BETWEEN YOU TWO?

I WILL NOT ANSWER ANY MORE OF YOUR QUESTIONS,

BECAUSE YOU BORE ME.

NOW GET THE HELL OUT OF HERE.

YOU'RE FROM FLORIDA, NO?

YEAH.

YOU LOOK LIKE YOU'RE FROM A WARM CLIMATE.

YOUR SKIN IS SUN DRENCHED AND...AGED.

YOU REALLY SHOULD WEAR SUNSCREEN AND WATCH THE U. V. s.

PROBABLY NEED A VERY HIGH SPF.

YEAH.

YOU'RE FROM FLORIDA, WHICH IS REALLY GOOD,

BECAUSE PEOPLE FROM FLORIDA KNOW

HOW TO BATTEN DOWN THE HOUSE WHEN A HURRICANE COMES.

YOU KNOW, WHEN THE METEOROLOGIST GI

WHEN THE WEATHERMAN GIVES A FORECAST

THAT A HURRICANE IS COMING, EVERYONE ON THE SHORE,

THEY THEY BRACE THEMSELVES FOR IT.

THEY DO THAT BY COVERING THE WINDOWS

AND COVERING THE DOORS,

AND SOMETIMES THEY EVEN PUT OUT SANDBAGS.

THEY DO WHATEVER THEY CAN TO STOP THE HURRICANE.

SOMETIMES THE HURRICANE COMES, AND SOMETIMES IT DOESN'T,

AND THEY WILL HAVE DONE ALL THAT WORK FOR NOTHING.

BUT I AM HERE TODAY WITH THE WARNING FOR YOU.

THERE'S A HURRICANE COMING, ERICA,

AND HER NAME IS VERONICA.

AND WHEN THIS BITCH HITS,

IT DESTROYS EVERYTHING YOU'VE EVER KNOWN.

NOW, YOU...

ARE VERY, VERY PRETTY.

[ CHUCKLES ] AND THAT'S SAD.

IT'S UNFORTUNATE, ACTUALLY, BECAUSE IT'S ALWAYS EASIER

FOR AN UNATTRACTIVE WOMAN TO LOSE HER LOOKS.

[ KNOCK ON DOOR ] HOTEL SECURITY.

I WAS JUST LEAVING. [ CHUCKLES ]

BYE, ERICA.

HELLO.

EVERYTHING ALL RIGHT, MA'AM?

YEAH. NO, THANK YOU. SHE WAS THE PROBLEM.

OKAY.

[ DOOR SHUTS ]

WHERE THE HELL IS YOUR MOTHER? I DON'T KNOW.

DAMN.

HOW LONG ARE WE GONNA STAY HERE?

WHAT DO YOU MEAN?

I MEAN, WE'RE JUST SITTING HERE.

I'M WAITING.

FOR WHAT? I DON'T KNOW.

WHAT DO WHAT DO YOU THINK SHE'S DOING?

[ CELLPHONE RINGING, BEEPS ]

UH, HOW WOULD I KNOW?

HOW WOULD YOU KNOW? BECAUSE THE TWO OF YOU THINK ALIKE.

NO, WE DON'T.

YES, YOU DO.

YOU BOTH THINK FROM THE FROM THE BOTTOM UP.

LIKE, YOU ANALYZE EVERYTHING, EVERY SCENARIO.

YOU DON'T JUST DO THINGS RANDOMLY.

SO, WHAT IS SHE UP TO?

[ SIGHS ] I DON'T KNOW.

I WOULD THINK SHE'S

SHE WENT TO THE HOUSE TO CHALLENGE THE WARRANT.

THEN THAT'S WHAT SHE'S GONNA DO.

[ CELLPHONE RINGING ]

YOU GONNA ANSWER IT?

[ CELLPHONE BEEPS ] WHO IS THAT?

BENNY. ANSWER IT.

I CAN'T FACE HIM RIGHT NOW.

WHY NOT? YOU KNOW WHAT? JUST FORGET IT.

I DON'T I DON'T EVEN WANT TO KNOW. I DON'T WANT TO KNOW

YOUR PROBLEMS DID SOMETHING TO HIM, TOO.

JEFFERY.

NO, LOOK, IT'S NONE OF MY BUSINESS.

I DON'T I DON'T WANT TO ARGUE WITH YOU.

GOOD, BECAUSE I'M NOT IN THE MOOD RIGHT NOW.

SO WHAT DID YOU DO?

THE MORTGAGE.

IT'S HIS, THE TOW YARD.

YOU ALREADY KNOW. OH, WOW.

[ SIGHS ]

I GOT INTO SOME TROUBLE AND I NEEDED MONEY,

SO...I DID IT.

SEE THAT? YOU'RE JUST LIKE MY MOM.

YOU USE PEOPLE TO DO WHAT YOU NEED.

♪♪♪♪

I DIDN'T USE HIM.

YEAH, OKAY.

OKAY.

I DID SOMETHING GOOD FOR HIM.

OH, YEAH. I

I BOUGHT HIM A PLACE.

AND MORTGAGED IT AND TOOK IT BACK.

YOU WANT TO TALK ABOUT USING?

WHAT? EXCUSE ME?

LIKE YOU'RE NOT USING THAT OFFICER.

WHAT DOES THAT MEAN? WAIT.

IIIT'S NOT EVEN LIKE THAT.

WHAT ARE YOU TALKING ABOUT?

YOU'RE NOT USING HIM?

NO. II'VE NEVER THREATENED HIM.

YOU THINK YOU HAVE TO THREATEN SOMEONE TO USE THEM?

YOU AND I BOTH KNOW THERE IS A DIFFERENCE

BETWEEN THREATENING SOMEONE AND USING SOMEONE.

YES. WE DO.

SO I'M NOT USING HIM.

LOOK AT YOU.

YOU LIKE HIM.

WHAT? I DON'T EVEN KNOW HIM THAT WELL.

YOU LIKE HIM.

YOU'VE FALLEN IN LOVE WITH HIM, JEFFERY.

I DON'T EVEN KNOW HIM.

IT'S NOT LIKE THAT.

BUT YOU LIKE HIM, AND HE SURE AS HELL LIKES YOU.

NO, HE DOESN'T.

DAMN.

I TOLD YOU TO GET CLOSE TO HIM, BUT...

I DIDN'T SAY FALL IN LOVE WITH HIM.

I DON'T LOVE HIM. GOOD.

BECAUSE THAT'S THE FIRST THING THAT WILL GET YOU MESSED UP

IN THIS GAME.

I DID IT TWICE, AND...

I WILL NEVER DO IT AGAIN.

FIRST OF ALL, I AM NOT IN THE GAME. OKAY?

THAT'S YOU AND MY MOTHER.

SAY WHAT YOU WANT TO FEEL WHAT YOU NEED TO FEEL.

SECONDLY, I DO NOT LOVE HIM.

MM.

BUT YOU LIKE HIM, AND HE LIKES THE HELL OUT OF YOU.

NO, HE DOESN'T.

JEFFERY, THAT MAN CAN GO TO JAIL FOR DOING WHAT HE'S DOING.

HE'S A COP.

II DON'T KNOW WHAT YOU DID TO HIM,

BUT YOU'RE DOING SOMETHING TO HIM.

CANDACE, I'M NOT EVEN DOING THIS WITH YOU RIGHT NOW.

WHAT ARE YOU DOING WITH HIM?

NOTHING. I'M I'M

[ CELLPHONE RINGING ]

ANSWER IT.

NO. YOU

YOU'RE ONLY GONNA MAKE HIM MAD AND UPSET.

YOU JUST WANT TO SEE ME UPSET, DON'T YOU?

YOU? UPSET? PLEASE.

EXCUSE ME?

YOU HAVE TO HAVE FEELINGS AND A HEART TO BE UPSET.

SOCIOPATHS DON'T GET UPSET.

GO TO HELL, JEFFERY.

OH, HELL NO.

[ Sighing ] OH, HELL NO.

WHAT? YOU WANT TO SEE UPSET?

WHAT? WATCH.

CANDACE.

WHAT ARE YOU DOING HERE?

GET AWAY FROM ME, OR I WILL FALL ON THIS FLOOR

AND SCREAM RAPE AND MURDER.

WAIT, YOU KNOW WHAT?

THERE'S A REASON FOR THIS. YOU'RE HERE FOR A REASON.

I SAID GET AWAY FROM ME. CAN YOU GET LOST, PLEASE?

EXCUSE ME? I'M TALKING TO HER.

YEAH? DON'T YOU DARE.

UH, YOU KNOW WHAT? I'M GONNA GET ME A KNIFE,

HELP YOU GET RID OF THIS ONE, TOO.

I MEAN, WE ALREADY IN DEEP, RIGHT?

WHAT'S ONE MORE?

YEAH, HANG OUT.

GET LOST. WHAT'S HE TALKING ABOUT?

IF YOU DON'T LEAVE, I'M GONNA CAUSE THE BIGGEST SCENE.

OH, YOU'RE ABOUT TO SEE THE BIGGEST SCENE.

YOU HAVE 10 SECONDS. I JUST NEED 5.

[ DOOR OPENS ]

YOU SEE?

THAT'S MY MAN.

THAT'S MY MARK, CANDACE.

HE'S THE FAVORITE FOR THE PRESIDENTIAL ELECTION.

HE'S HERE IN THIS HOTEL

STOMPING ALL OVER THE STATE OF GEORGIA FOR HIS CAMPAIGN.

HE'S CLEAN AS A WHISTLE.

HE'S SINGLE, AND YOU CAN GET HIM.

YOU CAN GET HIM, AND I NEED YOUR HELP TO GET HIM.

I'M GETTING PAID BY SOME VERY POWERFUL PEOPLE

TO GET IN BED WITH HIM.

WELL, NOT LITERALLY.

I NEED A WAY IN, AND YOU CAN GET HIM.

YOU WON'T GET HURT IN THIS. HE WILL FALL FOR YOU.

LOOK, YOU'RE HIS TYPE.

THIS IS HIS LATE WIFE.

SHE DIED A YEAR AGO, AND THE SYMPATHY VOTE

IS GONNA TAKE HIM ALL THE WAY TO THE WHITE HOUSE.

CANDACE, HE'S A KID.

HE'S ONLY 37. YOU CAN GET HIM, CANDACE.

CANDACE, GO GET AWAY FROM ME.

GO GET HIM, CANDACE. GET AWAY FROM ME.

GET AWAY FROM ME!

[ CELLPHONE RINGING ] [ SPEAKS INDISTINCTLY ]

[ CELLPHONE BEEPS ]

Hey. HI.

Are you safe? YEAH.

Where are you? UM, I'M AT THE HOTEL.

All right, I'm on my way.

I'M AT THE ARTESIAN. What room?

ROOM? I DON'T HAVE A ROOM.

Get one. [ Beep ]

[ STAMMERS ] HELLO? JUSTIN?

HELLO?

YOU GETTING A ROOM? [ CELLPHONE RINGING ]

GETTING YOUR PHONE?

[ CELLPHONE RINGS, BEEPS ]

HELLO?

HOW ARE YOU?

UH, NOT GOOD.

Yeah, neither am I.

WHAT'S GOING ON?

YOU FIRST. No. You. Go on.

OKAY, WELL I JUST GOT A VISIT FROM VERONICA HARRINGTON.

WHAT? Yeah.

AT THE SARANDON? No, I didn't stay there.

WELL, WHERE ARE YOU?

I'M AT THE ARTESIAN.

REALLY? SO AM I.

Are you? YEAH.

Well, then, come up to my room. 2015.

OKAY, I'M ON MY WAY.

DAVID, IT'S FINE.

Are you sure? YES.

I'm so sorry.

WELL, DON'T BE.

YOU CAN MAKE IT UP TO ME.

Anything.

TAKE ME OUT TO DINNER TONIGHT.

That's the least I can do.

[ CHUCKLES ] OKAY.

What time?

UH, II CAN BE READY IN AN HOUR.

Yes, yes, I can be free by then.

OKAY. I'll see you then.

OKAY, BYE. Bye.

[ KNOCKING ON DOOR ]

HEY. HEY.

[ BOTH CHUCKLE ]

SO SHE CAME HERE?

YEAH.

HMM.

HOW DOES SHE KNOW ABOUT YOU?

II DON'T KNOW.

SHE'S HAVING HIM FOLLOWED.

MIGHT BE.

WATCH OUT FOR HER, ERICA. SHE'S CRAZY.

[ CHUCKLES ] YEAH, WELL, YOU KNOW ME.

YEAH, I DO.

AND WE'RE CRAZIER.

YEAH, BUT SHE'S ON ANOTHER LEVEL OF CRAZY

LIKE, "MENTALLY ILL BUT SOMETIMES SANE MOMENTS" CRAZY.

[ CHUCKLES ] YEAH.

WELL, YEAH, THOSE ARE THE MOST DANGEROUS ONES.

TELL ME ABOUT IT.

LIKE WAR.

YEAH. YEAH.

YOU HAVEN'T HEARD FROM HIM LATELY, HAVE YOU?

NO. GOOD.

NO.

SO, SHE JUST SHOWED UP HERE.

WHAT DID SHE SAY?

OH, SHE THREATENED ME.

YOU KNOW HOW WIVES DO.

NOTHING NEW. I MEAN, WE'RE USED TO IT.

YEAH. JUST INSULTS.

YOU WENT TOE FOR TOE?

WORD FOR WORD. THAT'S MY GIRL.

I THOUGHT SHE LEFT TO GO TAKE CARE OF A SITUATION FOR ME.

SHE WAS UP HERE WITH YOU.

WHAT SITUATION?

THE MORTGAGE.

ALL OF IT BACKFIRED.

YOU KNOW, THE PAPERWORK.

I'M SORRY.

I LOST THE HOUSE.

WHAT? YEAH.

NO. CANDACE, WHAT ARE YOU GONNA DO?

I DON'T KNOW.

WELL, OSCAR, HE'S

NO, HE'S NO HELP AT ALL.

DAMN.

YOU KNOW, THEY TOOK ALL MY MONEY FROM THE HOUSE.

WHO?

THE POLICE.

WAIT, CANDACE, WHAT'S GOING ON?

CANDACE, WHAT'S WHAT'S GOING ON?

I MAY AS WELL TELL YOU.

WE STABBED QUINCY.

WHAT? YEAH.

WE KILLED HIM.

BENNY BURIED HIM IN MY BACKYARD.

WWAIT, WHAT?

WE HAD NO CHOICE.

NEIGHBOR'S CAMERAS WERE FIXED ON MY DOOR.

DAMN, THAT'S CRAZY.

WHY DIDN'T YOU TELL ME?

FOR WHAT?

I COULD HAVE HELPED YOU. HOW?

THERE'S ALREADY ENOUGH PEOPLE INVOLVED.

WELL, YOU KNOW I KNOW PEOPLE, SO...

YOUR PEOPLE ARE MY PEOPLE.

DON'T YOU THINK I KNOW THAT?

MMHMM.

I THOUGHT ABOUT IT,

BUT THE POLICE FOUND THE BODY,

SO WHO KNOWS HOW LONG I'LL BE FREE.

WOW, THIS THIS CAN'T BE HAPPENING.

YEAH, IT IS.

[ CELLPHONE RINGING ]

UGH.

WHAT? BENNY.

ARE YOU ARE YOU GONNA GET IT?

HE CALLED ME LIKE 25 TIMES.

IT COULD BE IMPORTANT.

BENNY.

BENNY: Where are you?

I'M SORRY I DIDN'T COME.

Where are you?

I'M AT A HOTEL.

What hotel?

THE ARTESIAN.

I'm on my way.

BENNY? What room?

BBENNY. What room?

I'LL BE IN THE LOBBY.

I'm on my way.

"B."

[ Beep ]

HE SOUNDS MAD. YOU HEARD HIM?

[ Chuckling ] YEAH.

ALL RIGHT, WELL,

I'LL CALL YOU.

YEAH.

WELL, LET ME KNOW IF YOU NEED ANYTHING.

MONEY.

WELL, YOU KNOW I'M HERE IN THIS HOTEL ROOM ON A STUNT.

YEAH, I KNOW.

I'LL CALL YOU.

OKAY.

MAN, LOOK AT THIS, MAN.

LOOK LIKE A LITTLE CRYER.

GUYS DAMN.

PLEASE, JUST TAKE WHAT YOU WANT AND LEAVE.

OH, WE GONNA DO THAT.

I DON'T HAVE ANYTHING ELSE. COME ON.

YOU GOT A BANK CARD. [ GROANS ]

I TOOK ALL THE MONEY I CAN OUT.

[ LAUGHS ]

THAT'S TODAY.

JUST JUST LEAVE, AND I WON'T CALL THE POLICE.

[ LAUGHS ]

THE POLICE?

MAN, WHITE BOY, YOU FUNNY.

GOT SOME FOOD AROUND HERE OR SOMETHING?

FOR REAL.

NO. I DON'T.

LOOK AT HIM. HE SWEATING.

YOU SCARED?

NO, HE JUST ON A COMEDOWN. HE FEENIN'.

PLEASE, JUST

OH, THAT'S RIGHT.

WE SUPPOSED TO GET YOU SOMETHING, HUH?

I JUST WANT

HEY, YOU YOU AIN'T GOING NOWHERE.

NO, I NEED SOMETHING. COME ON. JUST GIVE ME

WHAT YOU NEED? ANYTHING.

ANYTHING, MAN, PLEASE. DO YOU HAVE ANYTHING?

YOU KNOW WHAT? YEAH, I GOT SOMETHING.

PLEASE. PLEASE. PLEASE, JUST

"PLEASE, PLEASE, PLEASE."

LOOK AT THIS DUDE, MAN.

I SEE HIM.

DAMN. THAT'S A NICE BED.

I LIKE THIS, OOH.

GOT THEM GOOD SHEETS.

HOW MUCH MONEY YOU GOT, WHITE BOY?

YOU HAVE IT. OH, NO, WE DIDN'T.

COME ON.

JUST TAKE WHAT YOU WANT.

YOU GOT MORE MONEY IN THE BANK.

NO. OH, YOU GOT MORE.

NO, I DON'T.

[ CHUCKLES ] YEAH, YOU DO.

WE GONNA STAY WITH YOU TONIGHT.

WHAT? YEAH,

WE GONNA STAY WITH YOU TILL TOMORROW,

AND THEN WE GOING TO THE BANK,

AND WE GETTING ALL THE MONEY FROM YOU.

WHAT?

COME ON, PLEASE.

"PLEASE." THAT'S RIGHT.

PLEASE GIVE US ALL YOUR MONEY.

YOU GOT SOME FOOD OR SOMETHING? I NEED SOME FOOD OR SOMETHING.

MAN, FOR REAL LET'S GET A PIZZA.

OKAY. HERE, TAKE THE CREDIT CARD.

OKAY.

WHO TOLD YOU YOU COULD MOVE, HOMEBOY?

LET HIM MOVE.

TOLD YOU HE ON THE COMEDOWN.

HE GONNA BE THROWING UP IN A MINUTE, TOO.

GOOD THING THIS AIN'T MY CRIB.

WHERE THE PHONE AT, MAN?

WHAT'S IN THERE? NOTHING.

[ SPEAKING INDISTINCTLY ]

HEY.

LET'S GO. BENNY, I'M SORRY.

COME ON. HEAR ME?

NO, I DON'T WANT TO HEAR IT.

NO. BENNY, PLEASE.

THERE'S NOTHING YOU CAN SAY TO ME, CANDACE.

LET ME TELL YOU WHAT I NEED TO SAY.

YO, COME ON. WHERE ARE YOU GOING?

I'M NOT PLAYING WITH YOU RIGHT NOW, LITTLE GIRL.

BENNY, PLEASE. I SAID COME ON.

I TRIED TO GET THE MONEY, OKAY?

YOU WANT TO DO THIS RIGHT HERE? THIS IS GONNA PISS ME OFF.

I'M NOT TRYING TO DO THAT. YEAH, YOU ALREADY HAVE!

JUST HEAR ME. JUST HEAR ME.

ALL RIGHT, WHAT?

I WENT TO THE HOUSE TO GET THE MONEY.

THE POLICE TOOK IT, OKAY? I DON'T BELIEVE

ANYTHING YOU'RE SAYING TO ME. I'M NOT LYING.

YOU'RE NOT LYING? NO.

AND WHY IN THE HELL SHOULD I BELIEVE THAT?!

YOU ARE CAUSING A SCENE.

I DON'T GIVE A...ABOUT THAT!

BENNY. IF THAT WAS THE CASE,

WHY COULDN'T YOU JUST CALL ME AND TELL ME YOU COULDN'T GET IT?

BECAUSE III KEEP DISAPPOINTING YOU.

YEAH. AND I COULDN'T.

YO, LET'S GO. NO, I'M NOT GOING.

BENNY, I'M SORRY.

YOU'RE SORRY? NO. HOW IN THE HELL

CAN YOU LET THOSE WORDS COME OUT OF YOUR MOUTH?

II LOVE YOU, OKAY?

YOU YOU LOVE ME?

YES. HOW CAN YOU SAY THAT?

THAT DON'T MEAN NOTHING COMING FROM YOU.

THEY KICKED ME OUT OF MY HOUSE!

I KNOW THAT. YOU KNOW THAT?

DID YOU KNOW YOUR SON WAS WATCHING ME?

YES. SHUT UP. JUST SHUT UP!

LET'S GO. NO. WHERE ARE WE GOING?

YOU'RE GOING TO THE HOTEL

WITH ME AND MOMMY, YOUR NEW HOME.

NO, I'M NOT DOING THAT. I'M NOT DOING THAT.

YO, DON'T YOU START THAT... DON'T START IT, AND I MEAN IT.

YOU'RE GOING. NO, I'M NOT.

CANDACE, I'LL DRAG YOUR ASS OUT OF HERE.

BENNY, PLEASE, I'LL WHAT?

CANDACE, YOU BROUGHT THIS BASTARD INTO OUR LIVES, OKAY?

YOU HAD HIM BURN DOWN MOMMY'S HOUSE.

I DIDN'T TELL HIM TO DO THAT. IT DOESN'T MATTER.

YOU BROUGHT HIM INTO OUR LIVES, DON'T YOU GET THAT?

DO YOU GET THAT?

YOU ARE RESPONSIBLE FOR THIS. LOOK AT ME.

TAKE SOME RESPONSIBILITY FOR IT. GROW UP. YOU DID THIS, DAMN IT.

I "I" NOTHING!

YOU MORTGAGED EVERYTHING YOU GAVE ME.

[ Voice breaking ] I'M GONNA TRY AND FIX IT, OKAY?

YOU CAN'T. YOU CAN'T, ALL RIGHT?

IT'S ENOUGH OF THIS BULL...

THAT'S ALL IT IS, BULL... IT'S ENOUGH.

BENNY, I'M SORRY, OKAY?

I'M SORRY.

I'M NOT GOING WITH MAMA. I'M NOT.

LET ME TELL YOU SOMETHING, CANDACE.

YOU'RE GOING WHERE I SAY YOU'RE GOING, OKAY?

I LOST EVERYTHING BECAUSE OF YOU!

I GOT NOTHING! 'CAUSE OF YOU!

I WAS ONLY TRYING TO HELP. OH, YOU'RE TRYING TO HELP,

AND I'M BROKE. SO THAT DON'T MEAN NOTHING, DOES IT?

LET'S GO. NO, I'M NOT.

I'M NOT GOING.

I'VE BEEN ON MY OWN SINCE I WAS 17,

AND I CAN TAKE CARE OF MYSELF.

DON'T CARE ABOUT NONE OF THAT. IF YOU AIN'T GOING,

WHERE WHERE YOU GONNA STAY AT? WHERE YOU GOING?

I'M RIGHT HERE. RIGHT HERE?

YEAH. WITH WHAT MONEY?

I'LL FIGURE IT OUT. OH, YOU GONNA FIGURE OUT

WHAT, YOU GONNA TURN A TRICK OUT OF ONE OF THESE CATS?

GET YOUR ASS IN THE TRUCK.

YO, I'M SO PISSED OFF AT YOU RIGHT NOW, CANDACE.

I PROMISE I WILL TAKE YOU OUT OF HERE!

I HAVE A CAR. YO, GET YOUR ASS IN THE TRUCK.

I HAVE A CAR. YOU DON'T HAVE NOTHING.

YOU DON'T HAVE A DAMN THING.

A CAR? YOU DON'T HAVE A CAR. THEY'RE LOOKING FOR IT.

WHAT? YES, THEY'RE LOOKING FOR IT.

YOU SEE, CANDACE, IT'S STOLEN PROPERTY,

SO THE BANK'S LOOKING FOR IT.

THE BANK OWNS IT. THAT'S WHY MITCH IS IN JAIL RIGHT NOW.

WWHAT IS HE WHY?

YO, DO YOU HEAR ME? ARE YOU STUPID?

LISTEN, THIS IS HOW IT WORKS.

THE BANK TOOK HIS TRUCK.

LIKE ANY MAN, HE TRIED TO GET IT BACK,

AND THEY ARRESTED HIM. AND THAT'S HIS!

I DIDN'T KNOW THAT. OH. WELL, DID YOU KNOW THIS?

THEY TOOK MY TRUCK, TOO?

THE TRUCK I JUST BOUGHT IS GONE.

IT'S GONE! I'M GONNA MAKE UP FOR IT.

NO, YOU CAN'T MAKE THIS UP.

DON'T YOU GET THAT? DO YOU HEAR ME?

NOT THIS TIME. YOU CAN'T MAKE IT UP.

BENNY, I'M SORRY. BUT

YO, COME ON. YOU'RE COMING WITH ME.

NO, I'M NOT.

YES, YOU ARE.

NO. NO, I'M NOT.

YOU GONNA SIT ON YOUR OWN?

WHAT YOU GONNA DO, RUN AROUND

IN THE WORLD BY YOURSELF, ON YOUR OWN?

I'VE BEEN ON MY OWN SINCE I WAS 17.

II CAN TAKE CARE OF MYSELF.

WAR IS OUT! YOU HEAR ME?!

HE'S OUT, AND HE'S LOOKING FOR YOU.

WHAT? YES.

HE'S LOOKING FOR YOU. A BUDDY OF MINE JUST CALLED ME

AND SAID HE'S BEEN LOOKING EVERYWHERE FOR YOU.

I'M SURPRISED HE AIN'T HERE.

HOW DID HE GET OUT? NO. I DON'T KNOW,

BUT I'M NOT JUST GONNA SIT HERE

AND LET HIM HURT YOU, SO LET'S GO.

MA'AM, IT'S ALL RIGHT. WE'VE ALREADY CALLED SECURITY.

NO, GET YOUR ASS OUT OF HERE BEFORE I KNOCK YOU OUT.

IT'S FINE. YO, COME ON, COME ON. COME ON.

LET'S GO. GO!

YEAH, YES, OKAY.

THANK YOU.

WHY THE HELL ARE YOU STILL HERE?

POLICE HAVE CONFIRMED THAT D. A. JENNIFER SALLISON IS MISSING.

ARE YOU LISTENING TO ME? Shh.

DON'T YOU DARE SHUSH ME.

THE D. A.'s OFFICE WENT TO HER HOME,

WHERE THEY DID NOT FIND HER.

THERE WAS NO SIGN OF FOUL PLAY.

ONE WITNESS SAID THIS IS NOT LIKE HER AT ALL.

THERE'S NO WAY SHE WOULD HAVE DISAPPEARED.

WE HAVE THE ENTIRE POLICE FORCE ON THE MATTER.

WE'LL TALK TO THE FBI.

WHEN WE COME BACK, A CHILD GETS HIS WISH GRANTED.

JIM, I WANT YOU OUT OF THIS HOUSE.

DID YOU NOT HEAR WHAT THEY JUST SAID?

I DON'T GIVE A DAMN.

THIS IS THE FBI, KATHERYN,

NOT OUR BLUNDERING IDIOTS FROM COUNTY.

I DON'T CARE IF IT'S THE KGB OR THE CIA.

I WANT YOU OUT OF THIS HOUSE.

YOU NEED TO UNDERSTAND THAT ME BEING IN THIS HOUSE

IS YOUR BEST CHANCE RIGHT NOW.

GET OUT.

NO. I'M NOT LEAVING.

ARE YOU KIDDING ME? DO I LOOK LIKE I'M KIDDING?

I'M NOT LEAVING, KATHERYN,

BECAUSE IF I LEAVE YOU TO YOUR OWN DEVICES,

YOU'RE LIABLE TO DO SOMETHING ELSE REALLY STUPID.

STUPID. YES, LIKE KILLING THE D. A.

IN COLD BLOOD IN THE MIDDLE OF THE DAMN LIVING ROOM.

I HANDLED IT. NO, YOU DIDN'T, KATHERYN,

WHAT YOU DID WAS YOU CREATED A MESS,

AND NOW I'VE GOT TO CLEAN IT UP.

[ SCOFFS ] YOU SON OF A BITCH.

YOU CREATED THIS MESS A LONG TIME AGO.

ALL RIGHT, HERE WE GO. YES, HERE WE GO.

I'M ALWAYS CLEANING UP YOUR MESSES.

GO AHEAD, SING THE OLD SONG

SONG ABOUT THE PRIEST, SONG ABOUT AMANDA, SONG ABOUT WYATT.

SING A SONG? YES,

THE SONG THAT HAS EVERY BAD THING

THAT'S EVER HAPPENED TO US BE MY FAULT.

OUR DAUGHTER IS DEAD.

REALLY?

I WASN'T AWARE OF THAT, KATHERYN.

DON'T YOU THINK I HAVE TO LIVE WITH THAT EVERY DAMN DAY?

AND OUR SON? YES, I KNOW.

I DON'T KNOW WHY I HAVE LET THIS GO ON SO LONG.

JIM, I WANT YOU OUT OF THIS HOUSE.

I AM NOT LEAVING THIS HOUSE UNTIL I AM RELATIVELY SURE

THAT THIS IS UNDER CONTROL,

AND UNTIL I'M RELATIVELY SURE THAT YOU'VE GOT SOME AIR

IN THAT OXYGENDEPRIVED BRAIN OF YOURS.

OXYGENDEPRIVED? YES.

HOW ELSE WOULD YOU EXPLAIN IT, KATHERYN? HMM?

HOW DO YOU EXPLAIN THE FACT

THAT YOU ARE GOING AFTER A MASTERMIND OF DEFENSE

WITH THE BULL... STORY THAT YOU TOLD ME?

HOW ARE YOU GOING TO EXPLAIN THAT?

GET OUT OF THIS HOUSE.

YOU NEED TO CALM DOWN.

NOT UNTIL YOU'RE GONE.

OKAY, YOU WANT ME GONE THAT BAD?

I'LL LEAVE. FINE.

THANK YOU. UNDER ONE CONDITION.

YOU ARE IN NO POSITION TO MAKE CONDITIONS.

YOU NEED TO TALK TO VERONICA.

WHAT?! YOU NEED TO TALK TO VERONICA.

YOU NEED TO TELL HER YOU WERE WRONG,

AND YOU NEED TO MAKE NICE.

JIM, I AM NEVER TALKING TO HER AGAIN.

YOU SEE? THIS IS THE PROBLEM WITH YOU, ALL RIGHT?

YOU'RE ALWAYS THINKING ABOUT THE SMALL PICTURE.

THE SMALL PICTURE, KATHERYN.

WHAT YOU NEED TO UNDERSTAND IS THAT BITCH NEEDS TO THINK

THAT WE ARE ALL IN THIS TOGETHER.

SHE NEEDS TO THINK THAT WE ARE ON HER SIDE.

IF SHE SAYS ONE WRONG WORD, THE WHOLE THING CRUMBLES.

I WILL HAVE THE BANK FORECLOSE ON EVERYTHING SHE OWNS,

AND HER ENTIRE WORLD WILL CRUMBLE.

SO WHAT? SO WHAT?

REPUTATION IS EVERYTHING TO HER,

SO MUCH SO THAT SHE WON'T EVEN LET HER OWN SON BE GAY.

I UNDERSTAND THAT, BUT NO ONE IS TALKING TO HER.

IF NO ONE IS TALKING TO HER,

THEN WE DON'T KNOW WHAT SHE'S THINKING.

IF WE DON'T KNOW WHAT SHE'S THINKING,

WE HAVE NO IDEA WHAT HER NEXT MOVE IS.

I DON'T CARE!

DAVID'S NOT TALKING TO HER, ALL RIGHT?

YOU NEED TO DO IT. YOU NEED TO MAKE THIS HAPPEN.

ONLY YOU CAN DO THAT.

GET YOUR ASS OUT OF HERE.

YOU GET YOUR ASS ON THE PHONE. CALL AND APOLOGIZE TO HER.

SHE IS UNSTABLE.

I AM NOT SPEAKING TO HER EVER AGAIN.

KATHERYN, SHE IS A WILD CARD.

WE NEED TO CONTROL HER. WE NEED TO CONTROL THIS.

GET ON THE PHONE AND APOLOGIZE TO VERONICA.

HELL WILL FREEZE OVER FIRST.

OH. ALL RIGHT, FINE. THEN I'LL DO IT.

I'LL DO IT. WELL, YOU DO THAT.

AND THEN AFTER YOU DO THAT, GET YOUR THINGS AND GET OUT OF HERE.

I'M NOT JOKING WITH YOU, JIM.

[ CHUCKLES ] OH, I KNOW THAT.

SWEETHEART, I KNOW THAT.

ALL RIGHT.

[ TV TURNS ON ]

AND THE BODY WAS BURIED IN THE BACKYARD OF THE HOUSE.

THE BODY APPARENTLY HAD BEEN BURIED THERE.

THE BODY IS THAT OF QUINCY MA

THE

THE HELL ARE YOU DOING THERE?

...BODY IS THAT OF QUINCY MAXWELL.

THE POLICE ARE LOOKING FOR THE OWNER OF THE HOUSE,

A CANDACE YOUNG.

THE POLICE ARE NOT CONSIDERING HER A SUSPECT AT THIS TIME.

HOWEVER, THEY ARE CONSIDERING HER A SPECIAL INTEREST.

THIS IS DIANA NICELLA REP [ TV SHUTS OFF ]

♪♪♪♪

ARE LOOKING FOR THE OWNER OF THE HOUSE,

A CANDACE YOUNG. MAMA.

WHAT? THAT'S MY MAMA.

AT THIS TIME. HOWEVER... WHAT?

THEY ARE CONSIDERING HER A SPECIAL INTEREST.

ALL THE POLICE ARE SAYING THE BODY WAS FOUND IN THE BACKYARD.

Diana: IN THE BACKYARD OF THE HOUSE. APPARENTLY, THE BODY

"Q." YEAH, GRANDMA?

THE BODY IS THAT OF QUINCY MAXWELL.

GO LISTEN TO YOUR MUSIC. POLICE ARE LOOKING

FOR THE OWNER OF THE HOUSE, A CANDACE YOUNG.

THEY'RE ACTUALLY TRYING TO LOCATE THE HOMEOWNER,

WHO HAS BEEN IDENTIFIED AS CANDACE YOUNG.

IT'S NOT MUSIC. IT'S A VIDEO GAME.

GO PLAY IT. PUT YOUR GO OVER THERE AND

TAKE IT OVER THERE. PUT YOUR HEADPHONES ON NOW.

NOW, WHEN I WAS OUT THERE EARLIER,

THE SCENE WAS VERY BIZARRE.

WHEN I LOOKED AROUND, THERE WERE POLICE ALL OVER THE PLACE.

AND I ASKED ONE OF THE OFFICERS IF HE HAD SPOKEN TO MS. YOUNG.

HE SAID SHE WAS THERE

BUT HAD LEFT WHEN THEY TRIED TO FIND HER.

I HAVE THEM ON. OKAY!

DON'T HAVE TO YELL. SORRY, BABY.

I'M SORRY.

NOW, OUR SOURCES HAVE CONFIRMED

THERE WAS A SET OF JAGUAR CAR KEYS FOUND ON THE BODY.

THE POLICE WILL BE RUNNING THE SERIAL NUMBERS

ON THOSE KEYS, AS WELL AS A BRACELET

WHICH DID NOT SEEM TO BELONG TO THE VICTIM.

IT WAS A BRAIDED, ROPETYPE MATERIAL,

SO THEY SHOULD BE ABLE TO RUN THAT FOR DNA.

NOW, THAT'S ALL THE INFORMATION I HAVE AT THIS TIME,

BUT WHAT I CAN CONFIRM IS A BODY

THAT IS BELIEVED TO BE QUINCY MAXWELL

WAS FOUND IN THE BACKYARD

OF A HOME OWNED BY CANDACE YOUNG.

♪♪♪♪

THE CAUSE OF DEATH IS UNKNOWN,

AND THE POLICE CONTINUE TO INVESTIGATE AT THIS TIME.

Man: WELL, A LOT TO GO OVER TONIGHT.

WE'RE ALSO GETTING WORD THAT THE D. A.'s OFFICE

IS LOOKING FOR D. A. JENNIFER SALLISON.

THE SEARCH HAS BEEN ON SINCE SHE MISSED SEVERAL APPOINTMENTS.

AT THIS POINT, THEY'RE NOT RULING OUT FOUL PLAY.

WHERE'S YOUR BRACELET, BENNY?

NEXT ON "THE HAVES AND THE HAVE NOTS"...

WHEN YOU LOOK INTO MY EYES, I GET HOT.

AND WHEN MY HAND IS ON THE SMALL OF YOUR BACK, I GET HARD.

I WOULD LIKE YOU TO BE DAMN SURE

THAT YOU DON'T GO TALKING TO THE COPS

ABOUT OUR FRIEND WHO GOT SHOT.

GRANDMA, YOU'RE SCREAMING. I DON'T LIKE THAT.

WHAT YOU GOT FOR ME? I AIN'T GOT NOTHING FOR YOU.

[ LAUGHING ]

WHO CARES ABOUT ALL THIS? OUR DAUGHTER IS DEAD.

WYATT IS GOD KNOWS WHERE, AND NOW I'M READY TO GO.

TAKE YOUR CLOTHES OFF.

YOU DON'T HAVE TO HELP, OKAY? I'LL DO IT MYSELF.

YOU LIKE THEM MUCH YOUNGER. AND DARK.

I'VE BEEN KNOWN TO DIP

INTO THAT FLAVOR OF MY ICE CREAM MYSELF.

IF I GOT TO BEAT YOUR ASS EVERY DAY OF YOUR LIFE

TO SAVE YOUR LIFE, I WILL DO IT! TELL ME!

STOP IT!