Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

WAR MAY BE GETTING OUT. MITCH SET HIM UP.

AND NOW HE'S GONNA COME AFTER ME LIKE I DID IT.

WHAT DO YOU WANT? I NEED YOUR HELP.

Candace: IF THEY CHECK THE BACKYARD...

I ALREADY BOUGHT YOU TIME.

THERE'S MONEY IN MY SAFE UPSTAIRS

AND PERSONAL ITEMS THAT I REALLY NEED.

THEY ALREADY WENT THROUGH THE SAFE.

SO, YOU'RE MITCH. YES, SIR.

YOU'RE UNDER ARREST.

WE GONNA BE AT THE FOUNTAIN DROP HOTEL.

SHE WILL BRING THE MONEY!

VERONICA, PUT THE GUN DOWN.

OH, LOOK HOW NICE YOU'VE GOTTEN ALL OF A SUDDEN.

VERONICA.

YES, DEAR?

DON'T DO THIS.

WHAT? I'M JUST HOLDING A GUN.

THIS IS NOT A GAME.

YOU THINK IT'S A GAME TO ME?

NO. NO, I I THINK

I THINK THIS IS NOT A GOOD THING THAT YOU'RE DOING.

TELL ME WHAT A GOOD THING IS FOR ME TO DO.

VERONICA. WHAT IS IT, DAVID?

SAY SOMETHING.

YOU THINK I WON'T KILL YOU RIGHT HERE?

YES, OF COURSE, YOU WOULD. SHUT UP, KATHERYN!

I WILL NOT. KATHERYN, PLEASE.

YOU THINK I WON'T BLOW YOUR...BRAINS OUT RIGHT HERE?

HUH?

PUT YOUR HANDS UP.

VERONICA PUT YOUR HANDS UP!

NOW PUT 'EM DOWN.

ALL I NEEDED WAS A GUN TO GET YOUR ASS IN LINE.

I LIKE THIS.

VERONICA.

GET ON YOUR KNEES.

GET ON YOUR KNEES.

WAIT. I HAVE AN IDEA.

[ SIGHS ]

YOU AND KATHERYN WERE HAVING AN AFFAIR.

JENNIFER CAME IN.

KATHERYN SHOT JENNIFER, AND THEN SHE SHOT YOU.

AND THEN SHE TRIED TO STAB ME.

VERONICA, PLEASE.

I COULD SELL THAT TO A JURY ALL DAY.

'CAUSE YOU ALREADY CONTAMINATED THE CRIME SCENE.

ALL RIGHT.

ALL RIGHT. WAIT.

NO, YOU LISTEN TO ME.

OKAY. OKAY, I'M I'M LISTENING.

YOU LIKE MY IDEA?

I DID.

NO, I DON'T THINK THAT'S A GOOD IDEA.

WHY DON'T YOU THINK IT'S A GOOD IDEA?

BECAUSE NO ONE ELSE NEEDS TO GET HURT IN THIS.

YOU WANT TO HURT ME?

NO! I DO NOT.

YOU FILED FOR DIVORCE.

YOU DIDN'T THINK THAT WOULD HURT ME?

I DIDN'T DO THAT TO HURT YOU.

THEN WHY'D YOU DO IT?

I WAS TRYING TO PROTECT YOU.

PROTECT ME FROM WHAT? FROM YOURSELF!

YOU TRYING TO SAY THAT I'M CRAZY?

I DIDN'T SAY THAT.

YOU CALLED ME A DELUSIONAL BITCH.

AND AND I WAS WRONG TO CALL YOU THAT.

REALLY? YEAH.

SHOULDN'T HAVE SAID THAT.

BUT YOU NEVER APOLOGIZED FOR IT.

WELL, I'M APOLOGIZING NOW.

I'M SORRY.

WELL, IT'S TOO LATE.

I ASKED YOU NOT TO EMBARRASS ME.

AND YOU DID ANYWAY.

AND NOW YOU MUST DIE.

Captions by VITAC www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪♪♪

YOU DON'T THINK I'LL DO THIS?

VERONICA.

YOU KNOW I'LL DO THIS, DON'T YOU?

YES. I KNOW.

HOW CAN YOU BE SO SURE?

BECAUSE YOU ALREADY TRIED TO KILL ME

WHEN YOU SET THE HOUSE ON FIRE.

I TOLD YOU I WASN'T TRYING TO KILL YOU.

I JUST WANTED YOU TO BURN A LITTLE BIT, JUST A LITTLE BIT,

MAYBE BURN YOUR FACE A LITTLE BIT OR YOUR BODY

SO THAT NOBODY WOULD WANT YOU BUT ME.

THAT'S ALL.

I BEGGED YOU NOT TO EMBARRASS ME.

BUT YOU DID IT ANYWAY.

I'M SORRY.

IT'S TOO LATE.

OKAY. FINE.

BUT THIS IS BETWEEN YOU AND ME, NOT KATHERYN.

LET HER GO AND WE WILL TALK THIS OUT,

JUST THE TWO OF US. THERE YOU GO.

THAT'S MY GUY.

ALWAYS THE NOBLE ONE.

ALWAYS LOOKING AFTER SOMEONE ELSE.

I'M JUST TELLING THE TRUTH.

NO.

[ CELLPHONE RINGING ]

DON'T YOU DARE ANSWER IT.

VERONICA. GIVE IT TO ME.

NOW NOW, WHAT GIVE IT TO ME.

WHAT WOULD THAT DO?

I WANT TO SEE WHO'S CALLING YOU.

GIVE IT TO ME. LET KATHERYN GO.

YOU'RE TRYING TO STALL SO THE PHONE WILL STOP RINGING.

WHY DO YOU ALWAYS THINK I'M UP TO SOMETHING?

BECAUSE YOU ALWAYS ARE.

I AM NOT. GIVE ME THE PHONE.

GIVE IT TO ME NOW. ALL RIGHT.

GIVE ME THE PHONE, BABY.

[ RINGING CONTINUES ]

I'M NOT COMING OVER THERE. JUST THROW IT ON THE COUCH.

MISSED CALL, THE ARTESIAN HOTEL.

OH, SHE SHE'S PERSISTENT.

[ TYPING ]

[ SCOFFS ]

[ CELLPHONE BEEPS ]

[ CELLPHONE RINGS ]

HELLO?

YES?

I I WAS TRYING TO REACH DAVID.

Who's this?

THIS IS ERICA. WHO IS THIS?

THIS IS HIS WIFE.

OH. YOU HAVE HIS PHONE?

Yes, why wouldn't I?

AND WHO ARE YOU?

I'M A COLLEAGUE.

A COLLEAGUE.

YES. I'M A REPORTER.

A REPORTER.

YES.

AND I WAS CALLING TO SEE

IF DAVID HAD ANY COMMENT ON CHARLES FREDERICKSON.

HE SEEMS TO BE LEADING IN THE POLLS.

AND, UH, AS I UNDERSTAND, HE RAN AGAINST HIM.

Is he around for comment?

NO, HE'S NOT. HE'S IN THE SHOWER.

YOU KNOW THAT MIDDAY LOVEMAKING.

I READ YOU WERE GETTING A DIVORCE.

Well, that's not true.

OH.

WELL, YOU KNOW HOW WE PRESS PEOPLE CAN BE.

YES.

Well, now that I have you,

WHAT DO YOU THINK ABOUT CHARLES?

Here's what I think.

I THINK YOU SHOULD TRY TO CALL DAVID ON A BUSINESS LINE.

THERE'S A FORMAL WAY TO ASK FOR THESE REQUESTS.

AND THIS ISN'T IT.

Okay?

YES.

I'M SORRY.

I'LL BET YOU ARE. GOODBYE.

[ CHUCKLES ]

[ CELLPHONE BEEPS ]

[ SCOFFS ]

[ CELLPHONE BEEPS ]

YOU KNOW I DON'T BELIEVE THAT BITCH,

CALLING HERE PRETENDING TO BE THE PRESS.

ALL RIGHT. DON'T YOU GET UP.

DON'T YOU GET UP, DAVID.

VERONICA.

DAVID, YOU DON'T LISTEN!

I'M NOT GOING TO DO THIS. I TOLD YOU NOT TO GET UP.

NOW, GET BACK DOWN ON YOUR KNEES.

IF YOU'RE GONNA SHOOT ME, THEN SHOOT ME.

YOU DON'T THINK I WILL?

NOW, GET ON YOUR KNEES. YOU DON'T LISTEN!

NO, I DO LISTEN. AND THAT'S THE PROBLEM.

THEN WHY DIDN'T YOU LISTEN TO ME

WHEN I TOLD YOU I DIDN'T DO THIS?

I HAD NOTHING TO DO WITH THIS.

NOTHING! AND YOU WOULDN'T BELIEVE ME!

DAVID, KATHERYN CALLED ME

AND ASKED ME TO COME OVER HERE.

SHE PLANNED THIS WHOLE THING.

THIS IS ABSOLUTELY

SHUT UP, KATHERYN!

NOW, I DIDN'T DO THIS. YOU KNOW ME!

YES.

I KNOW YOU.

NOW, PUT THE GUN DOWN.

YOU WON'T LISTEN TO ME IF I DO.

I AM TRYING TO LISTEN TO YOU.

BUT I NEED YOU TO PUT THE GUN DOWN.

THIS IS CRAZY. I DIDN'T DO THAT.

I BELIEVE YOU. SHE DID IT.

SHUT UP, KATHERYN.

WHAT ARE YOU GONNA DO, SHOOT ME, TOO?

KATHERYN, I MEAN IT. YOU ALREADY STABBED ME.

KATHERYN. NOW YOU'RE TRYING TO KILL ME.

KATHERYN. GO AHEAD. GO AHEAD.

KATHERYN, PLEASE.

YOU DID IT. KATHERYN!

KATHERYN! STOP IT!

SHUT UP!

YOU DID IT.

SHE'S HAVING SOME KIND OF CRISIS.

AND YOU WOULD KNOW ABOUT THAT.

I'M NOT GIVING YOU THIS GUN FOR YOU TO HURT ME WITH IT.

VERONICA, I AM NOT GOING TO HURT YOU.

YOU'LL TRY. TAKE THE BULLETS OUT.

I DON'T KNOW I DON'T KNOW HOW TO DO THAT.

ALL RIGHT. THERE'S A BUTTON BESIDE YOUR THUMB.

THERE'S A BUTTON BESIDE YOUR THUMB.

PUSH IT AND THE CLIP WILL SLIDE OUT.

JUST DON'T POINT IT AT ME.

THERE.

THERE'S STILL ONE IN THE CHAMBER.

[ GASPS ]

DAVID, PLEASE DON'T HURT ME.

I'M NOT GOING TO PLEASE DON'T HURT ME.

VERONICA, I AM NOT GOING TO HURT YOU.

[ GUN COCKS, BULLET CLATTERS ]

DAVID! JIM!

DAVE. JIM.

DAVID, WHAT THE HELL? DAMN IT!

HEY, KATHERYN, DON'T TOUCH ME! THANK GOD YOU'RE HERE!

SHE VERONICA DID IT!

SHE TRIED TO KILL ME. WE NEED TO CALL THE POLICE.

VERONICA DID THIS.

DAVID, WHAT IN THE HELL IS GOING ON?

SHE DID IT.

VERONICA DID IT.

KATHERYN, YOU KNOW THAT'S A LIE.

WHO IS THAT ON MY FLOOR?

JENNIFER SALLISON.

KATHERYN. YOU HEARD ME.

SHE DID IT.

DAVID, IS THAT THE GUN?

YEAH.

GIVE IT TO ME.

♪♪♪♪

WE NEED TO CALL THE POLICE.

LET'S DO THAT.

NO, WE'RE NOT GOING TO CALL THE POLICE.

WHY NOT? KATHERYN, PLEASE.

WE NEED TO CALL THE AUTHORITIES, JIM.

I AM THE DAMN AUTHORITIES, KATHERYN.

VERONICA, I'M GOING TO LET YOU LEAVE THE HOUSE NOW.

WHAT THE HELL?

LET ME LEAVE?

THAT'S EXACTLY WHAT I SAID.

JIM, I KNOW IT'S HARD FOR YOU TO BELIEVE.

BUT YOU ARE NOT THE AUTHORITY OVER ME.

YOU DON'T LET ME DO ANYTHING.

I'M VERY SORRY THAT ALL OF US ARE GOING THROUGH THIS.

JIM. KATHERYN, THIS IS UGLY.

CAN'T YOU SEE IT?

THIS IS THE D. A.!

WE'RE NOT TALKING ABOUT LOCAL POLITICS ANYMORE.

WE ARE TALKING ABOUT FEDERAL POLITICS NOW!

AND IF THE FEDS COME DOWN HERE

AND THEY STICK THEIR NOSE INTO OUR BUSINESS,

THEY ARE GOING TO SHAKE THE TREE UNTIL THERE IS NOTHING LEFT!

THAT'S WHY THIS CANNOT HAPPEN.

I DIDN'T DO THIS.

NO, BUT I'M QUITE SURE THERE'S A WHOLE LOT OF THINGS IN YOUR PAST

THAT YOU DON'T WANT THE FBI STICKING THEIR NOSE INTO.

AM I RIGHT? YOU DON'T KNOW ME.

I KNOW YOU WELL ENOUGH TO KNOW

THAT YOU DON'T LIKE TO GO TO PRISON.

I WON'T BE THE ONE GOING TO PRISON.

YOU MIGHT NOT HAVE HAD ANYTHING TO DO WITH THIS.

BUT YOUR HANDS ARE ON PLENTY OF KNIVES

THROUGHOUT THE YEARS, VERONICA HARRINGTON.

AND YOU NEED TO CALL OFF YOURS.

I DID. THAT IS WHY NONE OF THIS CAN HAPPEN.

I'M LEAVING. DON'T LET HER LEAVE.

KATHERYN! WE NEED TO CALL THE POLICE!

SHUT UP!

I WILL NOT.

DAVID, LET HER GO.

DAVID, LET HER GO.

♪♪♪♪

SO YOU ARE JUST LETTING A MURDERER WALK OUT THE DOOR?

WE'RE GONNA NEED A CLEANUP HERE,

THE LIKES OF WHICH WE HAVE NEVER HAD BEFORE.

CAN YOU MAKE THE CALL?

[ DOOR OPENS, CLOSES ]

YEAH. CAN YOU MAKE THE DAMN CALL?

I WILL MAKE THE CALL.

THIS NEEDS TO LOOK LIKE ONE HELL OF SOMETHING GONE WRONG.

YES, I'VE GOT THAT.

ARE YOU SURE?

YEAH. GOT IT.

♪♪♪♪

ARE YOU OUT OF YOUR MIND?

YOU JUST LET HER LEAVE? YOU JUST LET HER LEAVE?

I'VE GOT A LOT ON MY MIND RIGHT NOW!

♪♪♪♪

YOU LEAVING?

YEAH.

AND I PACKED YOUR CLOTHES.

MOM, SHE'S COMING.

SHE TOLD ME.

OKAY.

I LOVE YOU.

[ SIGHS ]

I LOVE YOU, TOO, MOM.

COME ON, "Q."

YOU GET IN THE BACK SEAT.

♪♪♪♪

[ ENGINE STARTS ]

Wyatt: DAMN.

WHEW.

SO, ALL OF THIS IS YOURS.

YEP. WOW.

DAMN, I LIKE THIS.

OH, YEAH. YEAH.

WHAT'S WRONG? DON'T YOU LIKE IT?

YEAH, YOU KNOW. LOOK AT THAT VIEW!

YEAH, YEAH. IT'S NICE.

THE PARTIES I'M GONNA HAVE HERE, MAN...

[ WHISTLES ]

SO YOU'RE GONNA DO IT AGAIN, HUH?

YOU BET I AM.

WYATT, UM, YOU KNOW,

HAVING A PLACE LIKE THIS, I MEAN,

YOU DON'T WANT TO START RELAPSING.

JEFFERY, JUST RELAX, MAN.

JUST CHILL OUT.

WHERE YOU GOING?

AWAY FROM YOU.

I'M NOT GONNA WATCH YOU DO THIS.

JEFFERY, I'M NOT GONNA DO ANYTHING, MAN.

I'M NOT GONNA GET HIGH. JUST CHILL OUT.

OH, IT'S THAT EASY, HUH?

IT IS FOR ME.

SINCE WHEN?

I USE WHEN I'M STRESSED.

AND SAD AND HAPPY AND DEPRESSED AND HAVING FUN AND

OKAY, OKAY, OKAY. I GOT IT.

NO, I DON'T THINK YOU DO GET IT.

I'M TIRED OF CARING FOR YOU, MAN!

OKAY, MAN. OKAY.

OKAY. I'M SORRY. NO, STOP.

DON'T TELL ME YOU'RE SORRY!

TELL YOURSELF THAT.

OKAY, SELF, I'M SORRY.

OH, OKAY. ALL RIGHT.

SO YOU YOU THINK THIS IS FUNNY.

I THINK IT'S HYSTERICAL, MAN.

THAT'S IT. COME ON.

WHAT ARE YOU DOING? NO, NO, NO.

JUST STAY. JUST STAY. ALL RIGHT? STOP IT.

NO, I MEAN IT. STOP IT. COME ON, MAN.

I I SAID MOVE.

NO, I'LL MOVE YOU. I'LL MOVE YOU.

I MEAN IT. STOP.

WHAT THE HELL IS WRONG WITH YOU?

I'M SICK OF IT. I'M SICK OF IT!

I'M JUST JUST I'M SICK OF THIS TOWN, THIS

THIS PLACE, YOU.

JUST I'M JUST DONE, MAN. I'M DONE WITH ALL THIS.

OKAY. OKAY.

DON'T LEAVE, ALL RIGHT?

HEY. GOODBYE.

PLEASE, MAN, PLEASE.

I SAID LOOK, LOOK

HEY, WHAT WHAT DO I HAVE TO DO TO MAKE YOU STAY?

WHOA. I'M NOT DOING THAT.

I KNEW YOU WOULDN'T.

COME ON, MAN. DON'T LEAVE.

GOODBYE.

SERIOUSLY?

GOODBYE.

I'M SCARED, MAN.

I'M SCARED.

I THOUGHT I WANTED TO DIE.

I THOUGHT I WANTED TO

JEFFERY, I CAN'T CONTROL MYSELF.

IF YOU LEAVE, I'M GONNA DIE.

YOU'RE THE ONLY ONE WHO'S EVER CARED FOR ME.

YOU'RE THE ONLY ONE THAT'S EVER TRIED TO HELP ME.

YOU'RE THE ONLY ONE THAT'S EVER LOVED ME.

AND I RESENT YOU FOR IT. [ CHUCKLES ]

I'M

I'M WRONG FOR TREATING YOU THE WAY THAT I DO.

AND I'M SORRY FOR THAT. I AM.

BUT IF YOU WALK OUT OF THAT DOOR,

I'M GONNA DIE.

MAN, JUST STAY, PLEASE.

I NEED YOU.

YOU KNOW, THIS REMINDS ME OF MY FATHER.

HE LOVED MY MOTHER SO MUCH THAT HE'S

WAS WILLING TO STAY WITH HER THROUGH ALL KINDS OF HELL.

LOOK, I KNOW YOU LOVE ME.

YEP. I DO.

AND THAT'S WHY I HAVE TO GO.

OKAY. YOU CAN'T LEAVE ME, JEFFERY.

BUT I CAN'T HELP YOU.

LOOK, MAN, I'M OPENING UP TO YOU. I'M GIVING YOU MY HEART.

I'M SORRY.

SO SO YOU'RE JUST GONNA WALK OUT ON ME,

JUST LIKE THAT?

I'M GONNA TEXT YOU THE NAME OF A GROUP THAT CAN HELP YOU.

YOU'RE REALLY DOING THIS?

YOU CAN'T BLAME ME. NO, I CAN'T. BUT

CALL THEM. THEY CAN HELP YOU.

THEY HAVE SPONSORS WHO WILL

THEY'LL COME AND THEY'LL LIVE WITH YOU.

AND THEY'LL HELP YOU TO STAY STRONG.

[ SIGHS ]

I DON'T WANT THEM, JEFFERY. I WANT YOU.

THEY'LL LIVE WITH YOU YOU.

BUT CALL THEM RIGHT NOW.

THEY'RE NOT CHEAP, BUT YOU CAN AFFORD IT.

YOU HAVE THE MONEY.

SHOW THAT YOU WANT TO GET BETTER.

JEFFERY.

I'M DONE.

ALL RIGHT. THIS IS WHERE I GET OFF.

GO TO HELL WITH THAT. I DON'T NEED YOU.

YES, YOU DO.

AND THAT'S THE PROBLEM.

THE PROBLEM IS YOU WANT ME.

YOU JUST CAN'T CONTROL WHAT'S IN YOUR PANTS.

THAT'S WHAT IT IS.

YOU SON OF A BITCH.

GO TO HELL.

GO TO HELL! GET OUT OF HERE! GO!

[ SIGHS ]

♪♪♪♪

DAMN.

♪♪♪♪

[ POLICE RADIO CHATTER ]

COME HERE! Psst! Psst!

COME HERE!

IT'S GOOD TO SEE YOU AGAIN. YEAH, YEAH.

WHAT'S GOING ON?

WELL, I THINK THEY'RE AFTER THAT MAN.

WHAT MAN?

WELL, THE ONE THAT WENT IN THAT HOUSE

AND HE NEVER CAME OUT.

YOU TOLD ME ABOUT THAT.

I DID.

CANDACE!

WHAT THE HELL ARE YOU DOING HERE?

WHAT IS GOING ON? WHAT?

JUST GO HOME, TO WHEREVER YOU'RE LIVING NOW.

OKAY.

DON'T TELL ME. I'M NOT GOING TO.

ARE THEY LOOKING FOR QUINCY?

BYE, HANNA.

DID YOU DO SOMETHING TO QUINCY?

WHAT DID I JUST SAY?

IS HE IN THAT HOUSE?

WHY ARE YOU HERE?

YOUR BROTHER IS SITTING OVER THERE

AT THAT HOUSE YOU BOUGHT FOR HIM.

HE'S SITTING OVER THERE IN TEARS WAITING FOR YOU.

CAN YOU AT LEAST CALL HIM AND TELL HIM YOU'RE NOT COMING

SO HE CAN COME WITH ME TO THE HOTEL I GOT FOR US?

CANDACE, YOU SHOULD JUST SEE HIS FACE.

I I DON'T WANT TO HEAR THIS.

SO YOU JUST GONNA LET HIM SIT THERE WAITING ON YOU?

YOU WON'T EVEN GO CALL HIM AND TELL HIM YOU NOT COMING?

THAT BOY BELIEVES IN YOU, GIRL.

HE BELIEVES IN YOU.

I GOD KNOWS I DON'T KNOW WHY.

[ SIGHS ]

DID YOU DO SOMETHING TO QUINCY?

DID HE ATTACK YOU AND YOU FOUGHT BACK?

'CAUSE IF YOU DID, YOU CAN JUST TELL THESE FOLKS THAT, CANDACE.

BUT IF YOU COVERING IT UP AND HE'S IN THAT HOUSE,

YOU GONNA BE IN TROUBLE SOMETHING AWFUL.

IGNORE ME?

GO ON. IGNORE ME.

BUT I CAN'T HELP YOU IF YOU WON'T HELP YOURSELF.

NOW, LISTEN HERE.

IT IS 5 MINUTES TO 5:00.

AND THOSE FOLKS ARE COMING.

AND YOU AND I BOTH KNOW THAT YOUR BROTHER WILL SIT THERE

AND WAIT FOR YOU ALL NIGHT, ALL NIGHT.

NOW, YOU BETTER CALL HIM AND TELL HIM YOU AIN'T COMING.

♪♪♪♪

HI.

HI.

ARE YOU OKAY? I'M FINE.

YOU'RE BLEEDING. I WAS MUGGED.

OH, NO!

HAVE TO DO SOMETHING ABOUT THESE THUGS AROUND HERE.

MELISSA, PLEASE APOLOGIZE

TO YOUR PARENTS FOR MISSING THE PARTY LAST NIGHT.

I GOT HELD UP AT MY FIRST LOCATION YESTERDAY.

OKAY.

IS JEFFERY HERE?

NO, HE'S NOT. HE'S NOT.

NO.

I SHOULD GET CHANGED AND, UH, GO FIND HIM.

OF COURSE.

MELISSA...

I'M REALLY SORRY ABOUT LAST NIGHT.

OKAY.

[ CLEARS THROAT ]

♪♪♪♪

[ SIGHS ]

[ CELLPHONE BEEPS ]

[ Line ringing ]

[ CELLPHONE RINGS ]

HELLO?

Jeffery? WHAT?

IS THAT A WAY TO TALK TO ME?

What? WHAT?

YEAH, WHAT? WHAT THE HELL DO YOU WANT?

I MEAN, YOU'VE DONE EVERYTHING YOU COULD DO TO ME.

YOU CALLED OFFICER STEWART.

AND THEY'RE AT CANDACE'S HOUSE, MOM.

I DIDN'T DO ANYTHING TO YOU.

I DIDN'T CALL THEM. YOU DID.

No, I did not. I DON'T I DON'T BELIEVE YOU.

WELL, I DON'T CARE. I'M TELLING YOU THE TRUTH.

ALL RIGHT. SO WHO TOLD THEM? Your sister.

MY SISTER? SHE DOESN'T EVEN KNOW HE'S THERE.

She put it together.

EVEN A DUMBASS HOOD RAT CAN FOLLOW A TRAIL

WHEN IT'S LEFT BY TWO IDIOTS. COME ON.

YOU KNOW YOU KNOW WHAT? I DON'T I DON'T

I DON'T EVEN WANT TO TALK TO YOU RIGHT NOW. SO

YOU AND THAT GIRL NEED TO MEET ME.

WHAT GIRL? THAT THING, CANDACE.

YOU NEED TO MEET ME IN THE LOBBY

OF THE ARTESIAN HOTEL IN 30 MINUTES.

WHY THE HELL WOULD I DO THAT? I DON'T KNOW.

MAYBE YOU'D LIKE TO WALK AROUND FREE.

OR WOULD YOU LIKE TO GO TO PRISON?

WELL, A CELL NEXT TO YOURS MIGHT BE NICE.

NO, DARLING. AS MUCH AS YOU LIKE TO WALK AROUND

ACTING LIKE A GIRL,

I ASSURE YOU THAT YOU AND ME

WILL NEVER BE ON THE SAME SIDE OF ANY PRISON.

NOW, YOU AND THAT THING NEED TO MEET ME IN 30 MINUTES.

[ SCOFFS ] OR NOT.

TRY YOUR LUCK IF YOU LIKE.

[ CELLPHONE BEEPS ]

DAMN. THE BANK IS HERE.

[ SIGHS ]

♪♪♪♪

IT'S NOT BLOOD. NO?

NO. IT'S A MARKER.

OH.

GOOD EYE. THANKS.

GUYS, LET'S MOVE THIS.

DAMN.

WHAT?

NOBODY NOTICED THIS?

OH, WELL, SHE SAID SHE HAD SOME YARD WORK DONE.

I TAKE BACK WHAT I SAID. WHAT'S THAT?

A FRESH PILE OF DIRT IN THE BACKYARD AND NOBODY NOTICES?

COME ON, GUYS. IT WAS COVERED.

YOU HELPED US PUT IT THERE.

GET SOME SHOVELS IN HERE, PLEASE.

SURE.

THEY'RE ASKING FOR SHOVELS. YOU NEED TO GET OUT OF HERE NOW.

[ POLICE RADIO CHATTER ]

[ SIGHS ]

[ CELLPHONE RINGS ]

[ CELLPHONE BEEPS ] JEFFERY.

CANDACE, MY MOM SAYS THAT SHE WANTS TO MEET WITH US.

NO, I'M NOT MEETING WITH THAT BITCH.

WELL, LOOK, SHE SAYS SHE CAN HELP US.

WHAT? Yeah.

NO. NO.

NO. I DON'T I DON'T TRUST HER.

OH, I KNOW. AND TRUST ME, I CAN HEAR IT IN HER VOICE.

SHE HAS SOMETHING UP HER SLEEVE.

THERE IS NO WAY.

[ SIGHS ] I don't trust her.

WHAT CHOICE DO WE HAVE, CANDACE?

NOT MUCH. THEY JUST ASKED FOR SHOVELS.

OH, MY GOD. ALL RIGHT.

WELL, LET'S LET'S JUST MEET HER.

[ SIGHS ] I DON'T KNOW, JEFFERY.

I MEAN, WHAT MORE CAN SHE DO?

SHE HAS TO HAVE SOMETHING UP HER SLEEVE.

SHE SAYS THAT SHE CAN HELP US,

SO WE'RE GONNA HAVE TO DO WHATEVER SHE'S ASKING.

So let's just OKAY. OKAY. WHERE?

The Artesian Hotel lobby in 30 minutes.

ALL RIGHT. I I HAVE TO TALK TO MY BROTHER FIRST.

WHAT? CANDACE, THIS IS SERIOUS!

SO IS TALKING TO MY BROTHER! Candace, if you

I'LL MEET YOU I'LL MEET YOU AFTER.

NO, IF YOU'RE NOT THERE, SHE'S GONNA LEAVE.

THEN LET HER!

NO, WE DON'T HAVE A CHOICE BUT TO TRUST HER.

OKAY?

[ SIGHS ]

Okay? OKAY.

SO ARE YOU COMING NOW? YES!

I'M ON MY WAY. Right now!

I'M ON MY WAY.

ALL RIGHT. I'LL SEE YOU THERE.

[ CELLPHONE BEEPS ]

[ ENGINE STARTS ]

[ CELL BUZZES ]

Man: WELL...

AW, MAN, AIN'T THIS A BITCH.

YEAH, I'M LOOKING AT ONE.

YEAH, OKAY. [ CHUCKLES ]

Y'ALL HAVE TO PUT ME IN HERE WITH THIS CLOWN?

ALL RIGHT.

[ LAUGHS ]

SO, HOW LONG YOU IN FOR?

OH, I'M GETTING OUT ANY SECOND.

ALL RIGHT. DON'T COUNT ON IT.

OH, NO? NO, SIR. NOT A CHANCE.

WHY NOT?

YOU INTO DRUGS?

DRUGS, ME? YEAH, YOU.

PFFT, COME ON, MAN. YOU GOT ME ALL WRONG.

YEAH, YEAH, ALL RIGHT. WHATEVER.

WHAT YOU KNOW ABOUT ME AND DRUGS?

ALL I KNOW IS YOU AIN'T GETTING OUT OF HERE ANY TIME SOON.

BUT WHAT YOU DON'T KNOW

IS I GOT SOME POWERFUL CONNECTIONS.

[ LAUGHS ] IS THAT RIGHT?

YES, SIR. ALL RIGHT.

AS YOU SAY.

YEAH, ALL RIGHT. WHATEVER.

YEAH, YOU AND HER, Y'ALL DID IT, HUH?

WHAT? YOU AND CANDACE.

WHAT THE HELL YOU TALKING ABOUT? Y'ALL TRIED TO SET ME UP.

MAN, I DON'T KNOW WHAT YOU'RE TALKING ABOUT.

OH, I THINK YOU DO. YEAH, ALL RIGHT.

YOU AND CANDACE. GET OUT OF HERE WITH ALL THAT.

I KNOW! YEAH? HOW DO YOU KNOW?

BOY, I GOT EARS IN PLACES YOU DON'T EVEN THINK I DO.

YEAH. YEAH, ALL RIGHT.

I KNOW YOU KIND OF HARD TO TOUCH BEING WHO YOU ARE AND ALL.

BUT I CAN TELL YOU SOMETHING. YOU CROSSED A LINE THIS TIME.

OH, DID I? OH, YEAH.

CAN'T HIDE BEHIND YOUR NAME TOO LONG PRETENDING.

LET'S GO TO WAR, THEN. THAT'S MY NAME.

AND THE FIRST THING IN WAR IS TAKE OUT YOUR ENEMIES.

SO CANDACE, THAT BITCH DEAD.

YOU AIN'T GONNA TOUCH HER. YEAH, OKAY.

YOU KNOW HOW MUCH HEAT I BRING DOWN ON YOUR PUNK ASS?

I'M SHAKING.

YEAH, Y'ALL TWO, Y'ALL SLICK,

YOU AND CANDACE. OKAY.

OKAY, THAT'S GOOD TO KNOW.

SHE DIDN'T SET YOU UP.

I DID IT.

YOU HEAR ME?

I DID IT.

PUT THEM DRUGS ALL IN YOUR TRUNK, BRO.

STACKED THAT SPARE TIRE FULL OF DOPE!

YOU'RE NEVER GONNA GET OUT OF HERE TO BOTHER HER AGAIN.

OH, I MEAN, I HAD SO MUCH METH, COKE, AND WEED.

I DIDN'T EVEN TOUCH THEM DRUGS, I WAS A LITTLE HIGH.

MATTER OF FACT, LOOKING AT YOUR PUNK ASS

RIGHT NOW ALL LOCKED UP,

STILL A LITTLE HIGH.

SHE PUT YOU UP TO IT?

WHAT, YOU DON'T LISTEN? I JUST TOLD YOU. IT WAS ALL ME.

YEAH, WELL, WHEN I GET OUT OF HERE,

IT AIN'T GONNA MATTER WHO DID IT.

WHY NOT? SHE DEAD AND YOU ARE, TOO.

[ LAUGHS ]

YEAH. YOU AIN'T GONNA HAVE TO WORRY ABOUT THAT

'CAUSE YOU AIN'T GETTING OUT OF HERE ANY TIME SOON.

OH, YOU WANT TO BET? HOW MUCH YOU GOT?

YOU NAME IT.

ALL RIGHT, BROKEASS. JUST KNOW THIS.

BEFORE I GO HOME, BEFORE I SHOWER,

BEFORE I DO ANYTHING,

I'M GONNA GO IN THAT BITCH HOUSE.

AND I'MA CUT HER THROAT OUT.

SO SURE YOU GETTING OUT OF HERE, HUH?

YES, SIR.

Officer: WARWICK MENCY LEWIS?

[ CELL BUZZES ]

THAT'S MY RIDE RIGHT THERE.

THAT'S ME, RIGHT HERE.

WHAT?

YOU'RE FREE TO GO.

BYE, BITCH. ALL RIGHT.

ALL RIGHT. Y'ALL, WHAT THE

YO, YO, I NEED A PHONE CALL.

YO, WH YO, YOU HEAR ME? I NEED A PHONE CALL RIGHT NOW!

YOU HEAR ME? YO!

DAMN!

Hanna: STAY IN THE CAR, "Q," OKAY?

Quincy: OKAY, GRANDMA.

♪♪♪♪

BENNY?

SHE'S COMING, MOM.

DID SHE KNOW WHAT TIME?

YEAH, SHE DID.

♪♪♪♪

COME ON, BABY. I GOT A PLACE.

MOM, NO.

NO.

IT'S GOT TWO BEDS AND A KITCHEN.

IT'S NOT NICE, BUT IT'S CLEAN.

WE WILL GET BACK ON OUR FEET, BABY.

I FOUND OUT YOUR FATHER WAS MARRIED.

I WAS DEVASTATED.

I THOUGHT FOR SURE HE WAS THE ONE.

I FELT SO GOOD WHEN I WAS WITH HIM.

MMHMM.

OH, WE WERE IN LOVE.

I THOUGHT "THIS WAS THE ONE I MUST'VE BEEN WAITING FOR,

SOMEONE WHO LOVED ME, SOMEONE TO HELP ME."

HE WAS SO SMART AND KIND IN THE BEGINNING.

HE EVEN PUT ME UP IN A REAL NICE APARTMENT

WHEN HE FIRST FOUND OUT I WAS PREGNANT.

THEN IN MY 8th MONTH, I GET A KNOCK AT THE DOOR.

HE COMES IN AND TELLS ME THAT HIS WIFE FOUND OUT.

AND I HAD TO GO, I HAD TO GO NOW.

HE PUT US OUT, BABY,

ME AND YOUR SISTER WHEN I WAS 8 MONTHS...

I HAD NOTHING.

AND I DIDN'T HAVE NOWHERE TO GO.

I COULDN'T GO BACK TO MY MAMA'S HOUSE.

NOT LIKE THAT. MY MAMA WASN'T GONNA LET ME COME BACK THERE.

YOU KNOW WHAT I DID?

I KEPT MOVING.

I KEPT WORKING.

AND I KEPT PRAYING.

GOD HAS ALWAYS MADE A WAY FOR ME.

AND HE WILL FOR US NOW.

I'M TELLING YOU.

I PROMISE YOU.

ALL THIS IS ALL RIGHT.

THERE'S NO NEED FOR YOU TO BE SITTING OUT HERE

SHEDDING THOSE TEARS.

IT'S ALL GONNA BE ALL RIGHT.

IT'S NOT GONNA BE ALL RIGHT, MOM.

YEAH, IT WILL.

I'M SICK OF TRYING, YOU KNOW?

THE HONEST WAY, I'M SICK OF TRYING SO

I TRY SO HARD TO TAKE ONE STEP FORWARD...

MMHMM. ...AND I GET DRAGGED BACK DOWN

EVERY TIME, YOU KNOW WHAT I MEAN?

YES, I DO. AND I KNOW

[ SOBS ] I KNOW.

SOME PEOPLE LOOK LIKE THEY CAN DO ANYTHING

AND GET AWAY WITH IT AND PROSPER.

BUT I'M TELLING YOU,

WHEN IT COMES TO FOLKS LIKE US,

WHO GOT A CALLING ON THEIR LIVES,

OH, BABY, THAT CALLING,

IT WON'T LET YOU GET IT WRONG.

IT WON'T LET YOU LIVE IT WRONG.

AND, BENNY, EVEN YOUR SISTER GOT A CALLING ON HER LIFE.

WHAT DOES THAT MEAN?

IT MEANS THAT GOD'S GOT SOMETHING GREATER FOR HER LIFE,

SOMETHING GREATER FOR HER TO DO, IF SHE COULD ONLY SEE IT.

BUT ALL SHE EVER SEES IS DECEIT AND DECEPTION.

THAT'S WHY EVERYTHING SHE PUTS HER HANDS ON FALLS APART.

IF SHE WOULD JUST DO THE RIGHT THING,

I'M TELLING YOU, SHE WOULD SEE IT GET BETTER.

SHE WOULD SEE SOMETHING GROW. BUT SHE CAN'T.

WHAT HAPPENS IF SHE DOESN'T WANT TO HAVE THAT CALLING?

THEN WHAT? IF SHE DON'T WANT TO HAVE IT?

YEAH. BABY, THAT'S DONE.

GOD DOES THE CHOOSING.

WE DON'T.

THIS CHOOSING AND STUFF, I JUST WANT TO BE HAPPY, MOM.

I'M BUSTING MY BUTT.

I'M JUST TRYING TO BE HAPPY.

THEN SURRENDER IT TO GOD.

MOM, I'M NOT TRYING TO HEAR THIS RIGHT NOW.

I'M REALLY NOT. LISTEN.

NOT RIGHT NOW. LISTEN.

I AIN'T TRYING TO UPSET YOU.

I'M TRYING TO TELL YOU WHAT I KNOW.

I'M TRYING TO HELP YOU, BABY.

MOM, I CAN'T BELIEVE THIS.

I DON'T EVEN KNOW ABOUT THIS HOUSE. I'M JUST

I'M I'M GETTING TO WHERE YOU ARE WITH CANDACE.

NOW I'M STARTING TO GET MAD.

SHE DIDN'T HAVE TO DO US LIKE THIS, MA, YOU KNOW?

BUT

IT'S NOT ALL THAT BAD, BABY. NO, I BEEN DOING GOOD.

I'VE BEEN DOING REAL GOOD FOR MYSELF.

WE WERE ON OUR FEET. SHE BROUGHT THIS TO ME.

YES. BUT I'MA TELL YOU SOMETHING.

I I HONESTLY

I HONESTLY BELIEVE SHE THOUGHT

SHE WAS DOING SOMETHING GOOD FOR YOU.

OH. SO NOW YOU GONNA STICK UP FOR HER?

NO, NO, I'M TELLING YOU THE TRUTH.

I DON'T

I DON'T THINK YOUR SISTER DID THIS ON PURPOSE.

I MEAN, ACTUALLY, WHEN IT COMES TO YOUR SISTER,

I DON'T KNOW WHAT I THINK. BUT I'M JUST SAYING,

I DON'T THINK I COULD SEE HER DOING THIS ON PURPOSE, BENNY.

AS IF SHE SHE THOUGHT MAYBE I WAS LIVING HERE OR SOMETHING.

BENJAMIN YOUNG? AW, WHAT?

THIS IS A WRIT OF EVICTION.

YOU NEED TO LEAVE THE PREMISES. THAT RIGHT?

COME ON, BABY. WE CAN

LOOK, MAN. I'M WAITING FOR MY SISTER.

SO READ THAT TO YOURSELF IN THE MEANTIME!

YOU NEED TO LEAVE, SIR. YES, SIR. GIVE ME A MINUTE.

GIVE ME A MINUTE. COME ON, BABY. COME ON, BENNY.

MAMA COME ON, BENNY. COME ON.

SHE HAS TO LOOK, I I'M WAITING FOR CANDACE, OKAY?

BENNY, CANDACE IS NOT COMING.

MAMA. SHE'S NOT COMING.

LOOK, MAN. I'M WAITING FOR MY SISTER.

YOU CAN'T WAIT HERE. LOOK, PLEASE, MAN!

I TOLD YOU I'M WAITING ON HER! SHE'S COMING! SHE'S ON THE WAY!

BENNY, COME ON. SHE'S GOT TO COME!

IT'S 5:00! BENNY, LOOK AT ME!

LISTEN TO ME, BABY! LISTEN! WE GOT TO GO.

COME ON. SHE NOT COMING. NO. NO, MAMA.

MAMA, I'M NOT LEAVING HERE!

NAH! NAH.

SIR, WE NEED YOU OFF THE PROPERTY.

I TOLD YOU, SHE'S COMING!

YOU WANT ME TO TELL YOU THAT AGAIN?

SIR, EITHER YOU LEAVE OR WE WILL REMOVE YOU.

OH, IS THAT RIGHT? OH, NO, NO, NO.

IS THAT RIGHT? YOU DON'T HAVE TO DO THAT.

YOU DON'T HAVE TO DO NONE OF THAT.

NO, MAMA, I NEED HER TO COME HERE.

WE GOT TO GO. I NEED HER TO BE HERE FOR ME.

I KNOW YOU DO, BABY. ALL RIGHT? I NEED HER TO!

I NEED HER TO COME HERE. REMOVE HIM NOW!

NO, NO, WAIT NOW! DON'T HURT HIM!

WAIT, STOP! STOP, BENNY! STOP FIGHTING!

LISTEN, I'M WAITING FOR MY SISTER.

STOP FIGHTING! STOP!

DON'T TOUCH ME! COME ON, BOY.

I'M WAITING ON MY SISTER. SHUT UP!

HOW YOU GONNA LET THEM TAKE ME LIKE THIS?

HOW YOU GONNA LET THEM TAKE ME LIKE THIS?

STOP, BENNY! STOP! STOP IT! WAITING ON MY SISTER!

STOP IT!

I EARNED IT TO WAIT FOR MY SISTER!

BENNY, STOP TALKING! STOP TALKING!

SIT DOWN! DON'T HURT HIM!

I'M NOT GOING IN THERE. PLEASE, MAN! IT'S MY SISTER!

WE JUST WAITING FOR MY SISTER! THAT'S MY HOUSE!

SIT DOWN! MY

SHUT THE DOOR.

LET'S GO.

[ SCREAMS ]

♪♪♪♪

[ DIGGING ]

HOLD ON.

IS THAT A HAND?

WE'VE GOT A BODY.

NEXT ON "THE HAVES AND THE HAVE NOTS"...

THE HELL YOU WANT?

I THINK I'M LOST. AHAHAH.

HEY, MAN. LOOK. I JUST HEY, HEY. DON'T MOVE, HOMEY.

SAVE UP SOME MONEY AND BUY YOURSELF

A NEW TOW TRUCK. IT AIN'T THAT EASY.

WHOEVER SAID MAKING A DREAM COME TRUE IS EASY?

SHE PUSHED ME.

AND I SAVED A FEW BULLETS FOR YOU, TOO.

ARE YOU INSANE? YES.

THAT'S YOUR DAUGHTER THAT HE'S OUT THERE AFTER!

I DON'T WANT YOU IN NO MESS, BENNY.

WELL, THAT'S MY SISTER! I'M IN IT.

AND HERE WE GO AGAIN. AND HERE WE GO AGAIN.

I'M GOING TO GET HER.

I'M NOT GIVING YOU AMMUNITION TO USE AGAINST ME.

WE STABBED HIM.