Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

YOU'RE GONNA PAY!

AAH!

I'M GONNA GET OUT OF HERE.

I'M NOT LETTING YOU GO ANYWHERE

SO YOU CAN DO THE SAME THING.

NOTHING CAN LEAVE THIS PROPERTY.

YEAH, OKAY, BUDDY.

YEAH, THOUGHT I WAS PLAYING, HUH?

THAT'S MY CAR!

YEAH, YOU THOUGHT I WAS PLAYING?

YOU'RE GOING TO JAIL!

OF COURSE SHE PUT DRUGS IN YOUR CAR.

DON'T BE AN IDIOT.

JUST GET ME OUT OF HERE!

I'M GETTING YOU OUT OF HERE. WOULD YOU JUST SHUT UP?

I'M SORRY!

[ DOOR OPENS ] KATHERYN?

DAVID, HELP ME, PLEASE!

HELP ME!

DAVID, YOU HAVE TO HELP ME.

WHAT THE HELL IS GOING ON? YOU HAVE TO HELP ME, PLEASE!

GET OFF OF ME! MOVE! DAVID, YOU HAVE TO HELP ME!

STAY AWAY FROM ME, AND I MEAN IT.

SHE TRIED TO KILL ME!

NO!

DAVID, THANK GOD YOU'RE HERE.

SHE'S TRYING TO KILL ME.

WHAT?

LOOK AT ME. SHE STABBED ME.

NOW SHE'S TRYING TO KILL ME.

DAVID, SHE LOCKED ME IN HERE AND SHE WOULDN'T LET ME OUT.

HELP ME.

HELP ME. YOU'RE LYING.

WE NEED AN AMBULANCE.

ALL RIGHT, NOW. JUST STAY CALM, BOTH OF YOU.

‐DAVID... ‐KATHERYN?

I DON'T WANT TO DIE, DAVID.

I DON'T WANT TO DIE.

DAVID. WHAT THE HELL HAPPENED HERE?

YOU HAVE TO BELIEVE ME! YOU HAVE TO BELIEVE ME!

DON'T TOUCH ME!

DAVID, I DIDN'T DO THIS.

YOU'RE SMART TO BE AFRAID OF HER, DAVID.

I DIDN'T DO THIS.

YOU LYING BITCH.

[ BREATHES SHAKILY ] STOP IT.

KATHERYN, STOP IT WITH THE LIES!

STOP IT!

I'M TELLING THE TRUTH.

SHE DID THIS, DAVID.

WHAT THE HELL HAPPENED TO HER, VERONICA?

SHE SHOT HER. I DID NO SUCH THING.

SHOT WHO?

SHE SHOT HER.

I DID NO SUCH THING.

YES, YOU DID.

YOU SHOT HER, AND NOW YOU'RE TRYING TO KILL ME.

KATHERYN, WHAT ARE YOU SAYING?

DAVID, I'M SO GLAD YOU CAME. WE NEED TO CALL THE POLICE.

KATHERYN, STOP IT WITH THE LIES!

DAVID... CALL THE POLICE!

I'M NOT CALLING ANYBODY TILL I UNDERSTAND WHAT HAPPENED HERE!

DAVID ‐‐ NO, DAVID, CALL THEM BEFORE SHE KILLS ME.

SHE'S LYING.

IF YOU DON'T CALL THEM, DAVID, I WILL.

DAVID, YOU KNOW ME. YOU KNOW I DIDN'T DO THIS.

YOU KNOW ME! YES, YES.

I KNOW YOU.

WHAT DOES THAT MEAN?

DAVID?

DAVID. NO, STAY AWAY FROM ME.

DAVID. I SAID, STAY AWAY FROM ME!

DAVID, PLEASE! STAY AWAY FROM ME, DAMN IT!

DAVID!

♪♪♪♪

♪♪♪♪

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪♪♪

♪♪♪♪

WHAT THE HELL?

ARE YOU OKAY?

GET THE HELL AWAY FROM ME! LET ME HELP YOU.

I'M NOT GONNA TELL YOU AGAIN, DO NOT COME NEAR ME!

OKAY, OKAY.

NOW, WHO IS THAT?

THAT'S JENNIFER SALLISON.

KATHERYN SHOT HER.

WHAT?

SHE'S DEAD.

AND SHE KILLED HER.

I DID NOT.

DAVID, SHE'S DEAD.

VERONICA? DAVID, SHE'S DEAD.

WHY DO YOU KEEP CHECKING HER PULSE?

I TOLD YOU SHE WAS DEAD.

I'M SORRY. I KNOW HOW MUCH YOU LOVED HER, BUT SHE'S ‐‐

DO YOU SEE WHERE SHE KILLED HER?

WHAT?

YOU SEE?

KATHERYN, SHUT UP.

JUST SHUT UP!

DAVID, SHE'S ‐‐ SHE'S DEAD, SO COME ON.

JUST ‐‐ JUST GET UP NOW.

COME ON.

DAVID.

I SAID, DON'T!

THIS IS A CRIME SCENE, HON,

AND YOU SHOULDN'T BE KNEELING IN IT.

♪♪♪♪

TELL ME WHAT HAPPENED.

KATHERYN SHOT HER.

SHE'S LYING.

SHE SHOT HER.

SHE KNEW JENNIFER WAS AFTER YOU,

AND SHE DIDN'T WANT YOU TO HAVE AN AFFAIR WITH HER.

SHE'S LYING.

I DIDN'T DO THIS.

LIKE MAGGIE DAY WAS A LIE?

♪♪♪♪

THAT WAS A CASUALTY OF WAR.

WH‐WHAT HAPPENED TO MAGGIE DAY?

DID HE LIKE HER, TOO?

[ GASPS ] DAVID, YOU ‐‐ YOU GOT TO PROTECT ME.

PROTECT ME, DAVID.

KATHERYN, JUST SHUT UP, OKAY?

SHE'S LYING.

CALL THE POLICE, DAVID.

CALL THE POLICE NOW.

♪♪♪♪

[ SIGHS ]

I DIDN'T DO THIS.

CALL THE POLICE.

[ CELLPHONE RINGS ]

[ CELLPHONE BEEPS ]

JIM: David, yeah, I'm out.

I reached Hawthorn and I apologized to him,

and the snake let me out of jail.

Did you find Katheryn?

YES.

WHERE ARE YOU?

I'm at the jail.

Lloyd's gonna take me home.

OKAY, FINE. JUST ‐‐ JUST, UH...

HAVE HIM DROP YOU OFF IN FRONT OF THE HOUSE.

DO NOT ALLOW HIM TO COME INSIDE.

What? What's going on?

JUST GET HERE, QUICKLY.

What is it, David?

JUST HURRY.

Is it Wyatt?

NO, NO, NO.

What is it?

[ SIGHS ] JUST GET HERE.

IT'S ‐‐ IT'S TOO SENSITIVE TO DISCUSS OVER THE PHONE.

Is Katheryn okay?

SOMEWHAT.

So what the hell does that mean?

KATHERYN AND VERONICA ARE BOTH HERE,

AND THEY'RE BOTH POINTING FINGERS AT EACH OTHER OVER THIS.

About what?

JUST GET HERE.

What the hell is going on?

I'LL TRY TO KEEP THEM BOTH HERE AND CALM

UNTIL YOU ARRIVE.

I'm on my way.

[ Receiver clicks ]

[ CELLPHONE BEEPS ]

WHO WAS THAT?

WAS THAT JIM?

YES, IT WAS JIM.

ARE ‐‐ ARE WE GONNA CALL THE POLICE?

WE'RE GOING TO WAIT FOR JIM.

DAVID, WE CAN'T KEEP WAITING.

WE NEED TO CALL THE POLICE.

WE NEED TO WAIT FOR JIM.

I'M NOT WAITING FOR ANYBODY.

I'VE BEEN HERE ALL NIGHT.

I'VE ALREADY MISSED MY SON'S ENGAGEMENT PARTY.

NOW I'M GOING HOME.

YOU'RE NOT GOING ANYWHERE.

I'M GOING HOME. AND YOU ARE STILL ON THAT?

YES, I AM.

I SAID, YOU ARE NOT GOING ANYWHERE,

AND I DAMN SURE MEAN IT.

SO YOU'RE GONNA KEEP ME HERE AGAINST MY WILL, TOO?

BECAUSE YOU DID IT.

KATHERYN, SHUT UP!

I'VE HAD ENOUGH OF YOU AND THESE LIES.

YOU NEED TO CALL AN AMBULANCE. [ SIGHS ]

I'M NOT CALLING ANYONE,

AND NO ONE IS GOING ANYWHERE UNTIL JIM GETS HERE.

SO YOU'RE JUST GONNA LET ME STAND HERE AND BLEED TO DEATH?

KATHERYN, IT'S A FLESH WOUND.

I CAN SEE THAT FROM HERE. [ WHIMPERS ]

NOW, JUST CALM DOWN, BOTH OF YOU.

♪♪♪♪

[ POLICE RADIO CHATTER ]

[ CELLPHONE RINGS, BEEPS ]

WHAT?

HEY, WHAT'S GOING ON, GIRL?

HEY, I'M IN THE MIDDLE OF SOMETHING RIGHT NOW.

OH, OKAY. WELL, WHAT'S GOING ON?

Nothing I care to talk about.

ALL RIGHT, WELL, YOU SOUND STRESSED.

I'm fine.

ARE YOU SURE?

WHAT'S UP?

Well, I‐I was just calling to give you an update on David.

CAN THIS WAIT?

Yeah, sure.

UH, BUT IT'S GOING GOOD.

I MEAN, I ALMOST GOT HIM WHERE I WANT HIM.

OKAY. UH, I'LL CALL YOU BACK.

Wait, wait.

WHAT?!

WAR MAY BE GETTING OUT.

WHAT?

Yeah.

WHAT THE HELL ARE YOU TALKING ABOUT?

I‐I heard.

FROM WHO?

WELL, YOU KNOW I KNOW PEOPLE AT THE JAIL,

AND, UM ‐‐ AND THEY SAID HE'S GETTING OUT SOON.

DAMN.

Yeah. So if I were you, I wouldn't be at your house.

THAT'S EASIER SAID THAN DONE.

WHY? WHAT'S GOING ON?

The police are here.

WHAT?

They have a search warrant.

FOR WHAT?

It's a long story.

ARE YOU SURE YOU DON'T WANT ME TO KNOW?

Uh, I got this.

Wait!

HOW DID YOU KNOW WAR WAS GETTING OUT?

WHO TOLD YOU?

WELL, I SAID THAT I ‐‐

NO, YOU ‐‐ YOU SAID NOTHING.

WHO TOLD YOU?

UH, YOU KNOW, ONE OF MY TARGETS

KNOWS JENNIFER SALLISON, THE D. A.

You know her, right?

YEAH.

YEAH, WELL, I GUESS SHE TOLD HIM

A FEW MOMENTS AGO.

WHEN IS HE GETTING OUT?

UM, I JUST KNOW IT'S SOON.

OKAY.

You ‐‐ You sure you don't want me to help you?

NO, I'M GOOD.

GIRL, I MEAN, DIDN'T I GIVE YOU THE PAPERS

FOR THE HOUSE TO GET THAT MORTGAGE?

TELL ME.

Yeah, and they weren't very good.

WHAT ‐‐ WHAT HAPPENED?

The bank caught it,

and now, if I don't get them $2 million by 5:00,

they will foreclose on the property.

DAMN. WHAT?

YEAH.

SO WHOEVER CREATED YOUR DOCS, I WANT THEIR NUMBER.

I'M SORRY.

Okay.

I CAN MAKE IT UP TO YOU, CANDY.

Do you have some money?

UH, YEAH. HOW MUCH?

I NEED ABOUT 20K.

[ LAUGHS ]

OKAY, NO, I ‐‐ I DON'T HAVE THAT MUCH.

I MEAN, YOU KNOW THAT I HAVEN'T MADE THAT MUCH MONEY

SINCE I DROPPED GRAYSON FOR THIS HARRINGTON THING.

WELL, WHAT DO YOU HAVE?

NOTHING.

I MEAN, I SPENT MY LAST ON THIS HOTEL ROOM

TO MAKE THIS CATCH.

OKAY.

What are you gonna do?

I DON'T KNOW.

Well, Candace, if War finds you ‐‐

YOU DON'T NEED TO REMIND ME OF THAT.

WELL, I'M SORRY, BUT YOU KNOW

THAT HE THINKS THAT YOU SET HIM UP.

YOU KNOW MITCH DID THAT, RIGHT?

REALLY? MITCH DID THAT?

YEAH, MITCH.

Why?

[ SCOFFS ] I DON'T KNOW.

MITCH SET HIM UP,

AND NOW HE'S GONNA COME AFTER ME LIKE I DID IT.

DAMN, GIRL. THAT'S CRAZY.

Yeah, I know. I got to go.

OKAY.

WELL, WAIT. HOL‐‐ UM...

I'M SURE I COULD GET SOME MONEY OUT OF DAVID.

NO!

NO, NO, NO.

DON'T ‐‐ NO.

YOU HAVE TO FEED HIM SLOWLY OR ELSE HE'LL RUN.

WELL, THEN, HOW LONG UNTIL I HAVE SEX WITH HIM?

YOU SHOULD SOON.

WAIT, YOU SAID HE'S SOUTHERN.

As long as he thinks he's taking advantage of you, y‐you got him.

I MEAN, YOU KNOW, UH, PUT IT ON HIM,

BUT NOT LIKE A WORKING PROFESSIONAL.

Stop in the middle, cry, make up a story.

And if he holds you in the middle of the night,

then you know you have him.

ALL RIGHT, I GOT TO GO.

OKAY, BYE.

[ CELLPHONE BEEPS ]

♪♪♪♪

♪♪♪♪

[ DOOR OPENS ]

CANDACE ‐‐

OSCAR, GET YOUR ASS OUT OF MY CAR.

NO, LISTEN. HAVE YOU THOUGHT ABOUT WHAT I SAID?

OSCAR! I WANT YOU ‐‐

YOU ARE THE REASON WHY I'M IN THIS MESS.

GET OUT!

CANDACE, WHAT'S GOING ON IN THERE?

WHAT DID I JUST SAY? ARE YOU DEAF?

LISTEN, I HAVE A MARK, OKAY?

THIS IS GONNA BE HUGE.

OSCAR.

OKAY. ALL RIGHT, OKAY.

YOU HAVE MY NUMBER. CALL ME, OKAY?

I'M GONNA SCREAM.

CALL ME, PLEASE. WE'RE ‐‐

I'M GONNA SCREAM!

OKAY, OKAY, OKAY.

[ POLICE RADIO CHATTER ]

WE'RE RUNNING OUT OF TIME.

"WE"? [ SCOFFS ]

DAMN.

DAMN, I NEED THAT MONEY.

♪♪♪♪

[ SAW WHIRRING ]

♪♪♪♪

♪♪♪♪

♪♪♪♪

WOW.

WOW.

WHAT HAVE WE GOT? CASH.

IT'S ABOUT $20,000 OR SO.

OH, GOD.

♪♪♪♪

♪♪♪♪

[ VEHICLE APPROACHES ]

♪♪♪♪

‐YO. ‐WHAT'S UP?

MITCH, I'M SORRY, MAN.

YEP.

[ SIGHS ]

AW, WHAT HAPPENED TO THE TRUCK?

MINOR FENDER‐BENDER ‐‐ AIN'T NO THING.

YOU LOVED THAT TRUCK, RIGHT?

YEAH.

I'M SORRY.

YOU KNOW THE FEELING.

SHE'S, LIKE, THE ONLY THING THAT WAS MINE, YOU KNOW,

AND I DENTED IT ALL UP.

[ Sighing ] YEAH, I KNOW THE FEELING, MAN.

YEAH.

ABOUT TO LOSE MINE.

WELL, THAT AIN'T RIGHT.

FOR REAL?

LIFE AIN'T RIGHT, BUT IT'S HAPPENING.

DAMN. I'M SORRY, MAN.

WELL...

IT IS WHAT IT IS, RIGHT?

I MEAN, WE RAN IT FOR A MINUTE, YOU KNOW?

WE HAD A THING FOR A MINUTE.

YEAH.

YEAH, WE TRIED, HUH?

YEAH.

YOU ALL RIGHT, MAN?

YEAH, MAN, I'M GOOD.

YEAH, BRO.

ALL RIGHT.

♪♪♪♪

YOU SURE? YOU ALL RIGHT?

YEAH, BUDDY, I'M...

I'M OKAY, MAN. I'M GOOD.

WHAT, ARE YOU JUST SITTING OUT HERE, GETTING SOME AIR?

I'M WAITING ON CANDACE.

SHE'S ‐‐ SHE'S SUPPOSED TO BRING ME SOME MONEY.

SO I'M WAITING FOR HER.

OH.

[ Sighing ] ALL RIGHT, ALL RIGHT.

WHAT TIME IS IT?

ALMOST 5:00.

[ SNAPS FINGERS, CLAPS ]

MAN.

AIN'T NOTHING ELSE YOU CAN DO?

NO, MAN, THERE'S NOTHING I CAN DO ABOUT IT.

ALL RIGHT. WELL...

SCRATCH THAT, YOU KNOW?

LET'S JUST GO GET YOUR TRUCK OUT THE YARD, ALL RIGHT?

THE BANK'S COUNTING EVERYTHING, MITCH.

DUDE, THAT AIN'T RIGHT. THAT'S ‐‐ THAT'S YOUR TRUCK.

I MEAN, YOU HAD ‐‐ YOU OWNED THAT TRUCK

BEFORE YOU HAD THE LOT.

LIKE, THEY CAN'T DO THAT.

THE BANK'S... COUNTING...EVERYTHING.

ALL RIGHT?

INCLUDING EVERYTHING I GOT.

EVERYTHING I GOT IS GONE, MAN.

I ASKED THEM ‐‐ I SAID, "WHAT ABOUT MY TRUCK?"

I MEAN, THAT'S MY TRUCK.

THEY SAID I TRY TO TAKE MY TRUCK OUT OF MY OWN LOT,

THEY'RE GONNA PUT AN ARREST WARRANT OUT FOR ME.

MY OWN TRUCK.

THAT'S WHAT MY SISTER DID, MAN.

IT'S MORE THAN THE HOUSE, MAN.

SHE PUT EVERYTHING IN THAT MORTGAGE, MITCH.

THAT'S ‐‐ EVERYTHING.

I DON'T CARE, MAN. SCREW THE BANK.

SCREW THE MORTGAGE, YOUR SISTER.

LET'S JUST GO GET YOUR TRUCK OUT THE LOT.

IT'S THE LAST THING YOU GOT RIGHT NOW.

HOW?

SAME WAY I GOT MINE.

WHAT THE HELL DID YOU DO?

BACKED THAT BITCH STRAIGHT OUT THE GATE.

SO THE GATE'S WH‐‐

THE GATE'S THE REASON YOUR TRUCK'S MESSED UP LIKE THIS?

WELL, I MEAN, THE [BLEEP] FROM THE COURT WAS BLOCKING ME IN,

SO I HAD TO BACK OVER HIM, YOU KNOW?

WHO?

THE DUDE WHO WAS COUNTING CARS.

WELL, I AIN'T GETTING MY TRUCK BACK.

COPS ARE PROBABLY ALL OVER THAT PLACE IF YOU DID THAT.

YEAH.

YEAH, I'M SORRY, MAN.

I JUST LOST IT ON THAT DUDE.

I DIDN'T KNOW WHAT ELSE TO DO.

YOU KNOW?

TRUST ME, MAN, I'M GETTING THERE, TOO.

YEAH. YEAH, I BET.

I MEAN, THIS GIRL MORTGAGED MY HOUSE...

YEAH. YEAH, SHE WAS ‐‐

...MY TOW‐TRUCK YARD.

SHE WAS TRYING TO GET IT TO WAR.

AND WHAT GIVES HIM THE RIGHT?

DON'T WORRY. I TOOK CARE OF THAT.

I DON'T THINK YOU TOOK CARE OF IT GOOD ENOUGH.

I MEAN, COME ON, MAN. I AIN'T ABOUT THAT LIFE.

I AIN'T ABOUT THAT LIFE, EITHER.

BUT YOU TALKING ABOUT MY SISTER, HERE.

I GET THAT.

SPEAKING ABOUT THAT LIFE, MAN, UH...

NAH, NAH. I BEEN THINKING.

NAH, NAH, NAH, MAN. I KNOW WHAT YOU WANT TO DO.

BUT WE CAN'T DO THAT, BENNY.

WHY? YOU WANT TO GO TO MY FAMILY?

WHY? TELL ME WHY.

TELL ME WHY!

NO, I'M TELLING YOU, MAN.

THAT MONEY BE THE DEATH OF YOU.

YOU'LL NEVER BE ABLE TO PAY IT BACK.

THEY COME AFTER YOUR FOLKS. I KNOW.

I MEAN, LIKE I SAID... I KNOW!

...YOU DON'T WANT THAT MONEY.

SO, WHAT, THAT'S IT?

HMM?

I LOSE THE YARD, I LOSE THE HOUSE,

I JUST LOSE EVERYTHING.

YEAH?

YEAH, WELL, WE'VE BEEN HERE BEFORE.

DON'T HEAR THAT, MAN. I'M GETTING OLD, MITCH.

YOU KNOW?

DUDE, THIS IS...

[ STOMPS FOOT ]

DAMN!

MITCH, MAN, I HAD IT, BRO! I HAD IT!

AND SHE ‐‐ SHE MORTGAGED THIS, SHE STOLE THIS FROM ME, MAN!

NO, NO, NO, MAN. THAT WAS WARLOCK.

DUDE, STOP TALKING ABOUT HIM. I KNOW IT WAS HIM.

[ SIGHS ] YOU WAIT UNTIL AFTER THIS.

YOU ‐‐ YOU KNOW WHAT?

ALL RIGHT.

SO HOW LONG YOU BEEN HERE FOR?

SHE SAID SHE WAS COMING.

DID YOU CALL HER?

NO, I DIDN'T CALL HER, MAN. I'M NOT CALLING HER.

‐WHY NOT? ‐BECAUSE.

SHE NEEDS TO COME HERE ON HER OWN.

I WANT HER TO COME ON HER OWN.

YEAH, I GET THAT, BUT SHE ‐‐ BUT SHE CAN'T ‐‐

NO, I'M NOT TRYING TO HEAR ANY EXCUSES, ALL RIGHT?

NOT FROM YOU, NOT FROM HER. I'M NOT TRYING TO HEAR IT!

ALL RIGHT, ALL RIGHT, CALM DOWN.

I'M GOOD, MAN. I'M ALL GOOD.

[ SIREN WAILS ] DON'T TELL ME TO CALM DOWN!

ALL RIGHT.

WHAT?

‐DAMN. ‐OH.

SHOULD'VE BROUGHT THE REST OF THAT CHAMPAGNE.

UH, MITCH, YOU SHOULD, UH...

‐HERE WE GO, MAN. ‐MITCH.

DUDE, I‐I AIN'T GONNA BE ABLE TO BAIL YOU OUT, BRO.

I KNOW. DON'T WORRY ABOUT IT.

TOLD MY BROTHER I MIGHT BE GOING DOWN.

WHAT, YOU'RE JUST GONNA SIT HERE?

[ CAR DOOR CLOSES ]

WHAT DO YOU WANT TO BET

THEY WALK UP AND LOOK AT YOU FIRST?

WELL, DUDE, THAT'S A GIVEN, MAN.

[ LAUGHS ]

OH, MAN.

ARE YOU MITCHELL MALONE?

[ SCOFFS ]

I SHOULD HAVE BET YOUR ASS.

I AIN'T GOT NO MONEY TO PAY YOU, MAN.

HEY, I ASKED YOU A QUESTION.

WELL, I AIN'T MITCH.

SO BOTH OF Y'ALL CAN GET OUT OF HERE WITH THAT CRAP.

[ SIGHS ]

SO YOU'RE MITCH.

YES, SIR.

ALL RIGHT, PUT YOUR HANDS BEHIND YOUR BACK.

YOU'RE UNDER ARREST.

SURE THING.

[ HANDCUFFS CLICK ]

HEY, GET THAT TRUCK TO IMPOUND, WILL YOU?

‐I'LL BE OUT OF HERE SOON. ‐ALL RIGHT, BROTHER.

GIVE ME A COUPLE DAYS. ALL RIGHT, BROTHER, MAN.

YOU HAVE THE RIGHT TO REMAIN SILENT.

‐ALL RIGHT. ‐ANYTHING YOU SAY OR YOU DO

CAN BE USED AGAINST YOU IN A COURT OF LAW.

YOU GOT IT, BUDDY.

YOU HAVE THE RIGHT TO AN ATTORNEY.

IF YOU CANNOT AFFORD AN ATTORNEY,

WE WILL APPOINT ONE FOR YOU.

HE JUST READ ME MY RIGHTS.

DO YOU UNDERSTAND YOUR RIGHTS AS I HAVE GIVEN THEM TO YOU?

‐YES, SIR. ‐ALL RIGHT.

[ CAR ENGINE STARTS ]

[ POLICE RADIO CHATTER ] [ CELLPHONE BEEPS ]

HELLO?

CANDACE: Where are you?

I'M AT THE HOSPITAL.

HAVE YOU SPOKEN TO JUSTIN? I'M RUNNING OUT OF TIME.

I CALLED HIM TO SEE IF YOU WERE THERE.

WHAT DID HE SAY?

He didn't say anything.

WELL, CALL HIM BACK.

[ SIGHS ] CANDACE, HEY, LOOK,

I THINK WE NEED TO JUST GIVE THIS UP.

WHAT ARE YOU SAYING?

[ SIGHS ] I'M ‐‐ I'M TIRED.

Have you ever been raped, Jeffery?

WHAT?

HAVE YOU EVER BEEN ‐‐ No.

HAVE YOU EVER BEEN STABBED?

NO, CANDACE.

I CAN GUARANTEE YOU

THAT AND MORE WILL HAPPEN TO YOU IF YOU GO TO PRISON.

HEY, OKAY, DON'T ‐‐ DON'T THREATEN ME.

DO NOT THREATEN ME.

I'M NOT THREATENING YOU.

I'M TELLING YOU WHAT'S GOING TO HAPPEN

IF YOU GO TO JAIL.

YOU DON'T KNOW ANYTHING ABOUT THAT LIFE.

You don't want that to happen, trust me.

CALL HIM, NOW.

All right.

ON THREE‐WAY.

All right, I will. Just stop.

Just hold on.

[ CELLPHONE BEEPS ]

[ Ringing ]

JUSTIN: Jeffery, let me tell you something.

I don't know what you told that bitch, but you better tell ‐‐

JUSTIN, JUST ‐‐ No, you listen to me.

You better tell her

that nothing ever happened between us, you got me?

JUSTIN ‐‐ No, no, no.

You're not hearing me, are you?

I THINK HE HEARS YOU.

♪♪♪♪

Who's this?

THE BITCH THAT YOU DON'T WANT HIM TO TELL

THAT ANYTHING HAPPENED BETWEEN YOU TWO.

Jeffery?

I TRIED TO TELL YOU.

Now, listen to me, Justin.

You called me with her on the phone?

She needed to talk to you.

No, I'm not talking to her.

JUST HOLD ON, JUSTIN.

[ Static ]

DID HE HANG UP?

JUSTIN?

JUSTIN!

I'm here.

OKAY.

OKAY, LISTEN TO ME.

Let me tell you something.

You threaten me one more time, and I'm ‐‐

I TOLD YOU, YOU HAVEN'T SEEN A THREAT.

Yeah, Candace, just shut up.

EXCUSE ME?

Just shut the hell up.

LOOK, JUSTIN, SHE HAS A WAY

OF RUBBING PEOPLE THE WRONG WAY.

SO, SHE WON'T HOLD ANYTHING, SHE WON'T SAY ANYTHING.

SHE'LL JUST ‐‐ JUST KEEP US SAFE.

How the hell do you know?

I know she won't. You're ‐‐ You're safe.

NOW, WE NEED YOUR HELP.

NOW, PLEASE ‐‐ PLEASE, CANDACE, JUST APOLOGIZE?

OKAY, I'M SORRY.

I'M SORRY.

Justin?

♪♪♪♪

DID HE HANG UP?

Justin.

What?

JUSTIN, I‐I NEED YOU TO TALK TO HER, OKAY?

I NEED YOU. SHE NEEDS YOU, AND I NEED YOU.

SO, JUST, PLEASE.

Fine. I'm doing this for you.

Okay. Thank you.

[ Beep ]

OKAY.

DID HE HANG UP?

He hung up.

ARE YOU SURE?

YES, YES.

UH, YES, I'M SURE.

MY PHONE SAYS THAT HE HUNG UP.

DAMN, JEFFERY. YOU GOT HIM.

YOU'VE BEEN TAKING LESSONS FROM ME.

CANDACE, I DON'T WANT TO HEAR THIS.

WHAT DID YOU SAY TO HIM?

WHAT I HAD TO.

CANDACE, THIS IS NOT HELPING!

WELL, YOU DO THINGS YOUR WAY, AND I'LL DO THINGS MY WAY.

No. Him, we do my way.

Do you understand?

WHAT?

YOU HEARD ME. WE DO HIM MY WAY.

Okay, but he better hurry up.

HE'LL BE THERE. JUST GIVE HIM A SECOND.

OKAY.

I got to go.

[ CELLPHONE BEEPS ]

HEY, WHERE ARE YOU GOING?

HOME.

WYATT.

[ SIGHS ] I DON'T WANT TO HEAR IT, OKAY?

NO, YOU ‐‐ YOU CAN'T LEAVE.

WITH OR WITHOUT YOU, ALL RIGHT?

WHO WERE YOU TALKING TO?

THE DOCTOR HASN'T DISCHARGED YOU.

YEAH. OKAY.

NO, NO, YOU'RE NOT LEAVING.

I HEAR YOU. I HEAR YOU.

♪♪♪♪

[ POLICE RADIO CHATTER ]

[ INDISTINCT CONVERSATION ]

♪♪♪♪

♪♪♪♪

♪♪♪♪

♪♪♪♪

♪♪♪♪

♪♪♪♪

♪♪♪♪

♪♪♪♪

♪♪♪♪

HEY, I THINK WE GOT SOMETHING.

YOU WANT TO COME HELP ME WITH THIS?

WHAT IS IT?

I THINK WE BETTER GET A FORENSICS TEAM OUT HERE

TO LOOK AT THIS HOT TUB.

DOES THAT LOOK LIKE DNA TO YOU?

YOU KNOW, I DON'T KNOW.

WELL, IT LOOKS LIKE THAT TO ME.

WELL... [ SIGHS ]

I THINK WE BETTER GET CSI OUT HERE.

YEAH, YOU'RE PROBABLY RIGHT.

YEAH, I THINK I AM.

HOW LONG TILL THEY GET HERE?

NOT SURE. I CAN CALL THEM.

NO, NO, NO, I'LL ‐‐ I'LL CALL THEM.

I GOT IT. HERE, GUYS, HELP ME MOVE THIS.

JUST PUT IT RIGHT OVER HERE.

RIGHT HERE. RIGHT HERE'S GOOD.

THANKS, GUYS.

♪♪♪♪

♪♪♪♪

♪♪♪♪

♪♪♪♪

I'M SORRY.

WHAT DO YOU WANT?

I SHOULDN'T HAVE SAID THAT TO YOU.

WHAT DO YOU WANT?

I NEED YOUR HELP.

THAT'S WHAT I WAS TRYING TO DO.

OKAY.

LISTEN...

IF THEY CHECK THE BACKYARD ‐‐

I ALREADY BOUGHT YOU TIME.

BUT THAT WILL HAPPEN.

OKAY.

[ INHALES ] OKAY.

LOOK, YOU NEED TO GET OUT OF HERE.

AND TELL JEFFERY TO GET SOMEWHERE WHERE HE CAN'T BE FOUND.

YOU LIKE HIM.

HE'S A FRIEND.

YOU DON'T HAVE TO PRETEND.

MS. YOUNG, DON'T.

I'M JUST SAYING, IT'S OKAY IF ‐‐

I DON'T LIKE HIM LIKE THAT.

OKAY.

IS THERE ANYTHING ELSE YOU NEEDED?

THERE'S MONEY IN MY SAFE UPSTAIRS,

AND A FEW PERSONAL ITEMS THAT I REALLY NEED.

THEY ALREADY WENT THROUGH THE SAFE.

WHA‐‐ WHY WOULD THEY DO THAT?

WE HAVE A WARRANT.

WHAT ABOUT THE MONEY?

IT'S BEEN PACKED AS EVIDENCE.

AS EVIDENCE TO WHAT?

MS. YOUNG, THEY DON'T KNOW WHAT YOUR MOTIVES WERE FOR DOING THIS,

SO THEY PACKED IT UP AS EVIDENCE.

[ SIGHS ]

THEY TOOK EVERYTHING OUT?

THE COMPROMISING PHOTOS OF JUDGE CRYER?

EVIDENCE.

THOSE ARE GONE, TOO.

CAN YOU GET THEM?

NO.

OKAY.

YOU REALLY SHOULD GO.

[ SIGHS ]

ARE YOU GONNA CALL ME AND TELL ME WHAT'S GOING ON ‐‐

OR ‐‐ OR JEFFERY?

LOOK, I'M ALREADY IN TOO DEEP WITH YOU TWO,

AND I DON'T KNOW WHY.

'CAUSE OF JEFFERY.

DIDN'T I TELL YOU ‐‐

YES, YOU DID TELL ME.

I'M JUST ‐‐ I'M JUST LETTING YOU KNOW

HE'S A REALLY GOOD GUY,

AND IT'S OKAY THAT YOU LIKE HIM.

MS. YOUNG, THIS IS AN ACTIVE INVESTIGATION STILL,

AND I HIGHLY CONSIDER‐‐

Man: CALL THE OFFICERS TO COME BACK INSIDE.

I GOT TO GO.

RIGHT NOW, PLEASE.

THANK YOU.

♪♪♪♪

♪♪♪♪

YOU KNOW WHAT TIME IT IS?

YEAH.

BENNY, BABY, YOU NEED TO PACK YOUR CLOTHES NOW.

LOOK, SHE'S COMING, MOM.

BABY, SHE'S NOT COMING.

YES, SHE IS. SHE'S COMING!

[ SIGHS ]

OKAY.

OKAY.

♪♪♪♪

♪♪♪♪

[ SIGHS ] WHAT ARE YOU DOING?

WAITING HERE WITH YOU.

I'M FINE. I CAN WAIT BY MYSELF.

WHY DON'T YOU GO IN THE HOUSE?

YOU DON'T WANT ME TO SIT HERE?

NO.

WHY NOT?

BECAUSE EVERY FIVE MINUTES,

YOU'RE GONNA BE TELLING ME TO PACK MY BAGS,

OR "DO THIS" OR "DO THAT."

NO, I'M NOT.

I BET YOU WILL.

NO, I WON'T.

♪♪♪♪

MM.

THIS REALLY IS A NICE HOUSE.

AND YOU KNOW WHAT?

WHAT?

I'M ACTUALLY GLAD YOUR SISTER GAVE IT TO YOU.

[ SCOFFS ] AND THE TOW YARD.

HEY, DON'T LOOK AT ME LIKE THAT. I MEAN IT.

I AM.

IT SHOWS ME SHE'S STILL ACTUALLY CAPABLE

OF CARING ABOUT SOMETHING OR SOMEBODY.

[ SIGHS ]

[ SCOFFS ] MAYBE THERE'S STILL HOPE FOR HER, YET.

OH, YOU KNOW? I'M NOT DOING THIS WITH YOU RIGHT NOW.

‐WHAT'D I DO? ‐RUNNING HER DOWN.

I JUST SAID SOMETHING GOOD.

AND FINISHED IT WITH "MAYBE THERE'S HOPE."

MA, THAT AIN'T GOOD. THAT'S NOT POSITIVE.

[ CHUCKLES DERISIVELY ]

WHAT'S FUNNY? THIS IS FUNNY TO YOU?

BABY, YOU JUST MAD AT ME 'CAUSE I'M RIGHT.

BUT YOU GO ON AND YOU GET MAD.

[ SCOFFS ]

YOU KNOW, WHY DON'T YOU GO IN THE HOUSE?

YEAH, OKAY.

I'M GONNA ON IN AND GET "Q,"

AND WE GONNA GO ON TO THE HOTEL.

ALL RIGHT, WELL, SHE'S COMING, SO...

BENNY.

SHE'S COMING HERE.

EVEN IF SHE COMES, WE STILL GOT TO LEAVE, BABY.

I KNOW.

THEN WHY ARE YOU SITTING HERE?

SO AT LEAST, I DON'T KNOW,

WE CAN HAVE ENOUGH MONEY TO GET A NICE HOTEL

OR SOME GOOD FOOD OR SOMETHING.

YEAH, WELL, AS I SAID,

I GOT THIS LITTLE BIT OF MONEY AND I'M GOING TO THE HOTEL.

WELL, SHE'S GONNA BRING SOME REAL MONEY.

WELL, WE GONNA BE AT THE FOUNTAIN DROP HOTEL ON DUBLIN.

[ SCOFFS ] MAMA.

LOOK, IT'S ALL I CAN AFFORD.

THEY GOT A KITCHEN, YOU CAN PAY BY THE WEEK.

MAMA, YOU CAN'T GO OVER THERE.

WHERE ELSE AM I GONNA GO?

SHE WILL BRING THE MONEY HERE!

LISTEN, I GOT THAT BABY TO THINK ABOUT.

AND HE NEEDS A ROOF OVER HIS HEAD TONIGHT.

MA ‐‐ AND I DON'T WANT HIM

TO SEE THE POLICE OR THE SHERIFF OR WHOEVER'S COMING

TO PUT US OUT OF THIS HOUSE.

MAMA, THEY'RE NOT GONNA PUT US OUT ‐‐

BABE, BABE, BABE.

SHE'S GONNA BRING SOME ‐‐ AH.

♪♪♪♪

I LOVE YOU VERY MUCH.

AND I LOVE YOU AND THE WAY YOU LOVE YOUR SISTER.

BUT I'M TELLING YOU...

...SHE NOT GONNA COME THROUGH, BABY.

I'M SORRY.

NOW, I'M GONNA GO IN THERE AND GET "Q,"

AND WE GOING ON OVER TO THE HOTEL.

♪♪♪♪

♪♪♪♪

[ SIGHS ]

♪♪♪♪

♪♪♪♪

I'M JUST GONNA PUT THIS ON. HOLD IT FOR ME.

HOW'S THAT? THANK YOU.

ALL RIGHT, JUST KEEP A LITTLE PRESSURE ON IT.

THANK YOU.

THERE YOU GO.

[ SIGHS ]

SUCH CARE.

I REMEMBER THAT'S HOW YOU USED TO BE WITH ME.

SO GENTLE, CARING.

I DON'T KNOW HOW OR WHY HE COULD'VE EVER LOVED YOU.

LOOK AT ALL YOU'VE DONE.

I'VE DONE NOTHING.

KATHERYN, DON'T.

[ CHUCKLES ] YOU TAKE HER SIDE,

EVEN AFTER SHE TRIED TO KILL ME.

SHUT UP!

OKAY.

WOMAN, I HAVE LOVED YOU BEYOND REASON.

I HAVE STOOD BY YOUR SIDE IN SPITE OF YOUR PSYCHOSIS.

BUT NOW I AM DONE.

SO, I'M THE BLACK BITCH

THAT PUSHED YOU TO ANOTHER WOMAN, HUH?

BLACK DOESN'T MATTER.

YOU'RE THE BITCH THAT PUSHED HIM TO ANOTHER WOMAN.

AND YOUR MARRIAGE TO JIM IS SO GRAND.

NO, I HATE THE BASTARD SOMETIMES.

BUT I'M NOT DELUSIONAL.

I DON'T KNOW WHY I'M EVEN TALKING TO YOU.

I WAS WONDERING THE SAME THING.

BECAUSE I CAN'T GET OUT OF THIS DAMN HOUSE!

WELL, I WISH YOU WOULD.

I WISH I WOULD, TOO, BUT DAVID WON'T LET ME.

HE'S WAITING FOR YOUR MAN TO CALL

AND TELL US WHAT TO DO.

[ SCOFFS ]

HE'S WAITING FOR THE BOSS MAN TO TELL US WHAT TO DO,

'CAUSE YOU KNOW, US POOR NEGROES,

WE CAN'T DO NOTHING

'LESS THE BOSS MAN COME TELL US WHAT TO DO,

LESS'N MISSA JIM CRYER COME TELL US WHAT TO DO!

WOW, DAVID.

I SEE WHY YOU LEFT HER, WHY YOU FILED FOR DIVORCE.

KATHERYN.

YES, DEAR?

YOU NEED TO STAY OUT OF THIS.

SHOULD I?

KATHERYN, I AM NOT THE KIND OF ENEMY

THAT YOU WANT TO MAKE.

WELL, NOW.

ISN'T THAT A CHANGE OF PACE

FROM THE PERSON WHO WAS JUST HERE A FEW MINUTES AGO?

REALLY?

HOW IS THAT?

YOU WERE TRYING TO KILL ME.

THAT MAKES NO SENSE.

IF I WAS TRYING TO KILL YOU,

THEN I'M THE SAME PERSON, AREN'T I?

HMM?

YOU CAN'T BAIT ME, VERONICA.

I JUST DID.

AND I WILL DO IT OVER AND OVER AGAIN IN COURT.

NOW, IF YOU WANT TO TAKE ME DOWN THIS PATH...

YOU DON'T WANT TO TAKE ME DOWN THIS PATH.

DO YOU UNDERSTAND ME?

THE T‐‐

THE TWO OF YOU ARE IN THIS TOGETHER.

VERONICA.

THE TWO OF YOU PLANNED...

THE THREE OF YOU PLANNED THIS!

IS THIS YOUR WAY OF GETTING RID OF ME, DAVID?

WHAT IS WRONG WITH YOU?

WHY IS EVERYTHING A CONSPIRACY AGAINST YOU?

I DON'T KNOW, IT JUST IS.

DAMN, DAVID.

I SEE WHAT YOU MEAN.

YOU BEEN TALKING ABOUT ME BEHIND MY BACK?

WOW.

IT'S THAT EASY.

ALL RIGHT, KATHERYN, DON'T.

WELL, LET'S SEE WHAT ELSE I CAN SAY.

BECAUSE YOU'RE WITNESSING IT FIRST HAND, BUT DON'T.

DAMN, WHERE ARE YOU, JIM?

[ CHUCKLES DERISIVELY ]

STILL CAN'T MAKE ONE MOVE ‐‐ NOT ONE MOVE ‐‐ WITHOUT JIM!

THAT HASN'T CHANGED.

SEE, JIM'S GONNA COME,

AND JIM'S GONNA TELL ALL US PO' LI'L PEOPLE WHAT TO DO.

AND ONCE HE GET HERE, LIFE WILL BE SO GOOD,

'CAUSE HE'LL TELL US WHAT TO DO!

I'M SICK OF THIS!

CAN YOU NOT SEE THAT THERE IS A DEAD BODY ON JIM'S FLOOR?

CAN YOU NOT SEE THAT I DON'T GIVE A DAMN?

BECAUSE YOU DID IT.

I DIDN'T DO THIS.

DAVID, WE NEED TO CALL AN AMBULANCE.

I'M STILL BLEEDING.

[ SIGHS ]

OH, NO.

WHAT?

THE GUN'S NEAR HER.

WHAT?

THE GUN.

WHAT?

♪♪♪♪

VERONICA.

♪♪♪♪

♪♪♪♪

NEXT ON "THE HAVES AND THE HAVE NOTS"...

SHE DID IT.

SHUT UP, KATHERYN.

WHAT ARE YOU GONNA DO, SHOOT ME, TOO?

WHAT DO I HAVE TO DO TO MAKE YOU STAY?

OH. [ SCOFFS ] I'M NOT DOING THAT.

BEFORE I SHOWER, BEFORE I DO ANYTHING,

I'M GONNA GO IN THAT BITCH HOUSE

AND I'M GONNA CUT HER THROAT OUT.

I TRIED SO HARD TO TAKE ONE STEP FORWARD,

AND I GET DRAGGED BACK DOWN EVERY TIME.

CANDACE.

WHAT THE HELL ARE YOU DOING HERE?

DID YOU DO SOMETHING TO QUINCY?