Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

Katheryn: VERONICA.

Jeffery: JUST BURIED THE BODY IN THE BACKYARD.

Justin: I'll stall them in the house.

BUT THERE'S A DAMN MUD PILE IN THE BACKYARD.

‐They're gonna find it. ‐WHO DID YOU KILL?

I'M GONNA GO HOME. I HAVE $20K IN A SAFE THERE.

AND I'M GONNA SELL SOME THINGS.

‐AND THEN I'LL BE BACK. ‐SHE IS LYING.

Jim: I need you to get somebody else out of here ‐‐

WARRICK MENSEY LEWIS.

YOU NEED TO DIE, TOO.

KATHERYN! STOP IT, NOW! STOP IT!

‐KATHERYN, DON'T MAKE ME ‐‐ ‐DON'T MAKE YOU DO WHAT?

[ SCREAMS ]

AAH! AAH! STOP IT!

PUT THE KNIFE DOWN!

AAH! STOP IT, KATHERYN!

STOP IT!

[ GASPS ] KATHERYN, STOP IT!

YOU'VE GONE MAD! STOP!

GET OFF OF ME!

YOU'LL PAY!

YOU ARE LOSING YOUR MIND.

I LOST IT A LONG TIME AGO, YOU BITCH!

STOP IT!

♪♪♪♪

[ DOORKNOB RATTLES ]

‐YOU CAN'T GO ANYWHERE. ‐STOP IT!

‐YOU CAN'T HIDE! ‐GET AWAY FROM ME,

‐YOU CRAZY‐ASS WOMAN. ‐YOU CAN'T HIDE FROM ME.

GET AWAY FROM ME! GET A HOLD OF YOURSELF!

A HOLD OF MYSELF? A HOLD OF MYSELF?

‐OH, I AM ‐‐ ‐KATHERYN, STOP IT!

I WANT TO SEE YOU HURT!

‐WHERE ARE YOU RUNNING? ‐STOP IT, WOMAN!

JUST LIKE I KILLED HER.

I'M JUST BEING CUTTHROAT LIKE YOU.

I'M GONNA BE A CUT‐‐

[ SCREAMS ]

‐I'M SORRY! ‐YES!

‐I'M SORRY! ‐I BET YOU ARE!

STOP IT! I'M SORRY.

I'M JUST BEING CUTTHROAT LIKE YOU!

KATHERYN! I'M SORRY, OKAY?

‐YOU'RE GONNA PAY! ‐I'M NOT PAYING TODAY!

YES, YOU BITCH!

[ SCREAMS ]

[ GRUNTING ]

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

WHAT THE HELL YOU PACING FOR, MAN? SIT DOWN.

I CAN'T SIT DOWN.

MAKING ME DIZZY.

WELL, I ‐‐ SORRY.

MY HEAD IS HURTING.

DO YOU NEED SOMETHING?

LET ME ‐‐ I'LL GO GET THE DOCTOR.

NO. DON'T CALL THE DOCTOR.

WELL, YOU NEED SOMETHING FOR YOUR HEAD!

I NEED YOU TO RELAX.

YOU'RE MAKING ME CRAZY, MAN.

WHAT THE HELL IS WRONG WITH YOU?

WHAT WERE YOU SAYING? WHO'D YOU STAB?

WHAT ‐‐ YOU ‐‐

WHAT ARE YOU TALKING ABOUT?

HEARD YOU ON THE PHONE.

I DIDN'T SAY THAT.

HM.

SO YOU WANT ME TO THINK I'M LOSING MY MIND, TOO?

YOU KNOW WHAT? I THINK IT'S THE MEDS

THAT ARE PROBABLY AFFECTING YOUR BRAIN.

OKAY.

YOU'LL TELL ME. I'LL GET IT OUT OF YA.

YOU DIDN'T HEAR ME SAY ANYTHING, SO...

YEAH.

OKAY.

WHAT ‐‐ HEY, WHAT ARE YOU DOING?

I'M GETTING OUT OF HERE.

NO, YOU'RE NOT. NO, YOU'RE NOT.

WATCH ME.

NO. YOU'RE IN NO CONDITION TO GET OUT.

YEAH, WHATEVER, MAN.

NO, YOU ‐‐ YOU SEE?

YOU SEE?

WAIT, WAIT, WAIT, WAIT.

THAT TURN YOU ON,

ME FALLING IN YOUR ARMS LIKE THAT?

WOULD YOU RATHER ME LET YOU FALL?

NO.

YOU WOULDN'T DO THAT, WOULD YOU?

NO, I WOULDN'T.

[ SIGHS ]

NOT EVEN IF I WANTED TO MYSELF?

NO, IT ‐‐ IT ‐‐ WHAT ‐‐ WHAT ‐‐

I WOULDN'T LET YOU DO THAT.

WHY?

BECAUSE YOU'RE MY FRIEND, AND I LOVE YOU.

[ SCOFFS ]

WHY, JEFFERY?

WHAT ‐‐ WHAT KIND OF QUESTION IS THAT?

WHY DO YOU LOVE ME, HUH?

WHY DO YOU LOVE ME?

NOBODY ELSE DOES.

AH, COME ON. THAT'S NOT TRUE.

MAN...

JUST LEAVE.

HEY ‐‐

I'M NOT LEAVING. SO...

I WISH YOU WOULD.

WELL, YOU CAN GO AHEAD AND TRY AND PUSH ME AWAY,

BUT I'M NOT GONNA WALK OUT ON YOU.

[ CHUCKLES ]

THAT'S A CHANGE.

YEAH, AND ‐‐ AND DON'T GET ANY IDEAS IN YOUR HEAD.

I'M ALSO NOT GONNA LET YOU DISRESPECT ME.

IF I DO...

IF I DO, WILL YOU LEAVE?

IN A HEARTBEAT.

OKAY.

OKAY.

I THINK IT'S DISGUSTING, YOU BEING GAY.

THE THOUGHT OF YOU WITH ANOTHER GUY

MAKES ME WANT TO VOMIT EVERY TIME I LOOK AT YOU.

I CAN GO ON IF YOU'D LIKE.

OH, PLEASE DO

'CAUSE ITS NEVER GONNA CHANGE WHO I AM.

AND IF YOU CAN'T LET GO AND JUST SEE ME AS JEFFERY,

AND IF YOU CAN'T NOT THINK OF WHO I'M CHOOSING TO SLEEP WITH,

WHICH IS MY DECISION,

THEN YOU ARE THE ONE WITH THE PROBLEM, NOT ME.

OH, YEAH?

YOU GOT IT.

I THINK YOU WANT ME TO BE BETTER FOR YOU, NOT ME.

WYATT, I WANT YOU TO BE BETTER FOR YOU.

YEAH, MAN, OKAY. YEAH, WHATEVER.

OKAY, WELL, YOU KNOW WHAT?

I'M NOT IN THE MOOD TO DO THIS ANYWAY, SO...

GET ‐‐ GET BACK IN THE BED.

‐I'M LEAVING. ‐GET ‐‐ GET ‐‐

WHY ARE YOU SO HELL‐BENT ON DESTROYING YOURSELF?

YOU KNOW, IT'S ‐‐

IT'S SAD TO SEE SOMEONE WHO YOU LOVE

WHO CAN'T EVEN LOVE THEMSELVES.

YEAH, MAN. BLAH, BLAH, BLAH, BLAH.

YOU JUST WANT ME.

OKAY?

YEAH. YOU KNOW WHAT, I DO.

BUT WHAT YOU'RE NOT GETTING IS THAT

I PUT THAT ASIDE IN MY OWN MIND.

WHAT I WANT IS FOR MY FRIEND,

WHO I LOVE, TO GET BETTER,

BECAUSE TOO MUCH IS GOIN' ON RIGHT NOW,

AND I MAY NOT ALWAYS BE HERE TO TAKE CARE OF YOU

IF YOU KEEP DOING THINGS LIKE THIS.

SO WHAT I'M HOPING IS THAT YOU GET IT,

AND YOU GET IT NOW, SO THAT WHEN I LEAVE YOU

WHERE YOU GOIN'? HUH?

WHATEVER. YOU DON'T CARE. IT DOESN'T MATTER.

YOU'RE RIGHT. I DON'T.

IN THE BED.

I'M LEAVING, OKAY?

NO, NO, NO. HEY! HEY!

I'M LEAVING.

STOP!

‐DAMN, JEFFERY. ‐I MEAN IT!

DAMN, JEFFERY.

I CAN'T DEAL WITH THIS RIGHT NOW!

DAMN, MY HEAD IS SPINNING AGAIN.

ALL RIGHT, I GOT TO ‐‐

I GOT TO GET OUT OF HERE FOR A LITTLE BIT.

HEY, COME ON.

JUST TAKE ME HOME, MAN. PLEASE.

JUST TAKE ME HOME.

NO, NO, NO. I'M NOT TAKING YOU ANYWHERE.

AND I'M DEFINITELY NOT TAKING YOU TO YOUR PARENTS'.

NO, NO, NO, NO.

NOT MY PARENTS' HOUSE.

‐WYATT ‐‐ ‐I BOUGHT AN APARTMENT, OKAY?

JUST TAKE ME THERE...

‐WYATT ‐‐ ‐...AND I'LL SHOW YOU, OKAY?

I'M NOT LETTING YOU GO ANYWHERE. SO YOU CAN DO THE SAME THINGS?

LOOK, MAN. NOBODY KNOWS WHERE IT IS, OKAY?

I HAVEN'T EVEN SEEN ‐‐

YOU CAN STAY WITH ME UNTIL I GET STRONGER,

JUST LIKE I DID AT YOUR MOM'S PLACE, OKAY?

I'M NOT ‐‐

LOOK, YOU HELPED ME BEFORE, OKAY?

YOU CAN HELP ME AGAIN.

PLEASE, MAN. COME ON, MAN.

YOU ‐‐ YOU'RE THE ONLY ONE THAT CAN HELP ME, OKAY?

YOU KNOW WHAT, I'M ‐‐ I'M NOT.

LOOK, IF YOU DON'T, MAN,

I'M ‐‐ I'M GONNA GET OUT OF HERE.

I PROMISE YOU THAT.

BUT I'M GONNA BE ON MY OWN.

YOU ARE SO FULL OF CONTRADICTION.

YEAH, I KNOW.

AREN'T MOST ADDICTS?

SO YOU'RE AN ADDICT?

YEAH, I ADMIT THAT.

THAT IS THE FIRST TIME YOU ADMITTED THAT

WITHOUT BEING PROMPTED.

YEAH, I KNOW. I KNOW.

PLEASE, MAN.

JUST SEE ‐‐ TAKE ME HOME, PLEASE!

UM, ALL RIGHT. UH, LET ME TALK TO THE DOCTOR.

NO, THEY'RE NOT GONNA LET ME OUT OF HERE.

OKAY, THEN OBVIOUSLY YOU SHOULDN'T GO. RIGHT?

YOU'RE GONNA FIND THAT I'M GONE

WHENEVER YOU COME BACK FROM WHEREVER THE HELL

‐IT IS YOU'RE GOING. [ CELLPHONE RINGS ]

WHAT DOES THAT MEAN, ANYWAY?

WHERE ARE YOU GOING? WHO IS THAT?

[ DOOR CLOSES ]

I'VE BEEN CALLING YOU.

THE POLICE ARE HERE. AT MY HOUSE.

Yes, I know.

YOU KNOW? WHAT THE HELL!

I'VE BEEN CALLING YOU!

WHY DIDN'T YOU ‐‐ WHY DIDN'T YOU ‐‐

WHAT? WHAT? CALLED YOU OVER AND OVER AGAIN?

Why are they here?

I KNOW IT WAS YOUR MOTHER WHO CALLED THEM.

I DON'T KNOW. I DON'T KNOW.

SHE SAID THAT SHE DIDN'T.

JEFFERY, SHE'S LYING.

I KNOW WHEN SHE'S LYING.

AND WHEN DID YOU LEARN THAT?

WHEN I OPENED MY EYES TO HOW EVIL SHE IS.

WHAT? OH, REALLY?

WHAT ARE WE GONNA DO?

[ SIGHS ] I DON'T KNOW.

CANDACE, YOU KILLED QUINCY.

AND YOU BURIED HIM IN YOUR BACKYARD.

[ CELLPHONE BEEPS ]

HELLO? HEY.

KIDDING ME?

[ CELLPHONE RINGS ]

HELLO?

UH, DID YOU HANG UP ON ME?

WHY DID YOU JUST SAY THAT I KILLED QUINCY, JEFFERY,

when you did it?

WAIT, WHAT?!

YOU KNOW YOU KILLED HIM, JEFFERY.

I KNOW ‐‐ I KNOW ‐‐ I KNOW THAT.

WHY DID YOU JUST SAY IT WAS ME?

BECAUSE YOU STABBED HIM, TOO.

HOW WERE MY WOUNDS THE FATAL WOUNDS

WHEN YOU PUT THE KNIFE IN HIS BACK?

WHAT ARE YOU ‐‐ WHAT ARE YOU TALKING ABOUT?

WHAT ARE YOU ‐‐ WHAT ARE YOU SAYING TO ME RIGHT NOW?

WHY ARE YOU BLAMING THIS ON ME?

OKAY, YOU'RE ‐‐

YOU'RE GETTING INTO SEMANTICS, OKAY?

It was both of us. We both did it, okay?

[ SIGHS ] THAT'S BETTER.

WHAT ‐‐ WHAT IS THIS? WHAT IS WRONG WITH YOU?

I THOUGHT YOU WERE TRYING TO SAY THAT I DID THIS ALL ALONE.

No! We both did it!

I mean, did I miss something?

I THOUGHT ‐‐ I THOUGHT THE PHONE WAS BEING RECORDED.

WHAT ‐‐ YOU ‐‐ WHO DO YOU THINK I AM?

THE BOY WITH THE LAST NAME HARRINGTON

who has a ruthless bloodline.

OH, MY GOD.

I AM NOT DEALING WITH THAT RIGHT NOW.

IT'S JUST ‐‐

LOOK, THE PHONE WASN'T BEING RECORDED, OKAY?

You know me.

SOMETIMES I KNOW YOU, AND OTHER TIMES, I DON'T.

No, no, no. Okay.

DON'T YOU DARE. DON'T YOU DARE.

BECAUSE YOU HAVE DRAGGED ME INTO THIS KICKING AND SCREAMING.

AND I AM SICK OF IT.

I'm not setting you up, okay?

OKAY. I BELIEVE YOU.

I need you to get me the hell out of it.

WHAT IS THE PLAN, CANDACE?

WHAT DO YOU MEAN?

YOU ARE LIKE MY MOTHER.

THE ONE THING I KNOW IS THAT YOU ALWAYS HAVE SOME SORT OF BULL...

UP YOUR SLEEVE.

So what is the plan?

I DON'T KNOW. I DON'T KNOW.

I DON'T KNOW.

ALL I CAN THINK OF RIGHT NOW IS THAT WE NEED

TO KEEP COOL AND STICK TOGETHER.

I DON'T ‐‐ WE CAN'T DO THAT.

Why?

WELL, YOU JUST THOUGHT THAT I WAS TRYING TO SET YOU UP.

WELL, I HAD TO BE SURE.

GOSH!

OKAY, WHAT IS THE PLAN?

HOW LONG HAVE THE POLICE BEEN HERE?

I DON'T KNOW.

WELL, THEN HOW DID YOU KNOW THEY WERE HERE?

JUSTIN CALLED ME.

Is that all?

YES.

UH, CAN YOU TRUST HIM?

TO A ‐‐ TO A POINT.

Is he the kind of positive man

WHO WOULD RATHER DIE

THAN TO LET THE WORLD KNOW HE'S GAY?

YES.

Okay.

Okay.

THAT'S IN OUR FAVOR.

WHAT DO YOU ‐‐

I DON'T KNOW IF I CAN TRUST HIM FULLY.

WE HAVE TO. WHAT OTHER CHOICE DO WE HAVE?

IS ‐‐ IS HE ‐‐ IS HE THERE?

YEAH. UH, YES, YES.

OKAY.

OKAY, WAIT, WAIT. WHAT ARE YOU GONNA DO?

I'M GONNA LAY LOW FOR TONIGHT.

BUT IF THE POLICE ARE STILL HERE TOMORROW,

I'M GONNA COME HOME.

CANDACE, YOU CANNOT GO THERE. THEY WILL ARREST YOU.

WHAT OTHER CHOICE DO I HAVE?

WAIT, WAIT, WAIT, WAIT. WAIT.

WHAT ABOUT ME? WHAT AM I GONNA DO?

Jeffery, this is not about you right now.

‐I'LL ‐‐ I'LL CALL YOU. ‐Are you sure?

YES!

ALL RIGHT. BYE.

[ CELLPHONE BEEPS ]

[ SIGHS ]

[ ENGINE STARTS ]

OKAY, ONE MORE. GET IT GOOD.

YES! MM!

YOU DID A GOOD JOB HELPING GRANDMA.

‐DID I? ‐YES!

I'M VERY, VERY PROUD OF YOU.

‐THANK YOU. ‐YOU'RE WELCOME.

[ CHUCKLES ] SUCH A BIG BOY.

OKAY!

THAT'S ENOUGH OF WASHING DISHES.

COME ON. GIVE ME THOSE HANDS.

OKAY.

MM‐HMM.

YES. I WANT YOU TO GO ON UPSTAIRS.

AND I'M GONNA GO IN HERE AND TALK TO YOUR UNCLE BENNY.

OKAY.

OKAY.

HERE.

WHAT IS THIS?

THE ADDRESS TO A HOTEL.

MOM!

IT'S NOT NICE, BUT WE CAN STAY THERE.

IT'S PAY‐BY‐THE‐WEEK.

WE HAVE TO SHARE A ROOM.

[ SCOFFS ]

CANDACE IS GONNA BRING THE MONEY.

I WILL GO LOOK FOR A JOB.

AND I'M HOPING MAYBE WE CAN SCRAPE UP ENOUGH

FOR TWO OR THREE WEEKS,

AND I PRAY WE CAN GO HOME FROM THERE.

I'M TELLING YOU, SHE'S GONNA COME.

I KEEP THINKIN' I CAN SELL SOMETHIN'.

BUT I AIN'T GOT NOTHIN'.

YOU STILL GOT YOUR TOW TRUCK,

SO YOU CAN MAKE SOME MONEY.

SHE'S GONNA GET THE MONEY.

WAIT.

YOU STILL GOT YOUR TRUCK, RIGHT?

I MEAN, THEY'RE NOT TRYING TO TAKE YOUR TRUCK.

LOOK, SHE'S GONNA GET THE MONEY.

LORD, THEY'RE TRYING TO TAKE YOUR TRUCK?

[ SIGHS ]

YOU WORKED HARD FOR THAT TRUCK.

MA!

GOD, THAT GIRL.

BENNY, THAT'S YOUR TRUCK.

‐YOU WERE SO PROUD OF THAT ‐‐ ‐MA!

SHE'S GONNA BRING THE MONEY.

AND I'M TELLING YOU SHE WONT.

WELL, THEN I'M ‐‐ I'M GONNA WAIT, THEN.

ALL RIGHT? I HAVE TO WAIT.

TELL ME WHY.

BECAUSE I'M LOSING FAITH IN HER. YOU HAPPY TO HEAR THAT?

FINALLY. I'M LOSING FAITH IN HER.

‐THAT'S WHY. ‐YOU JUST STARTING TO?

YOU SEE? YOU DON'T UNDERSTAND.

WHAT YOU TALKIN' 'BOUT? I BEEN RIGHT HERE WATCHIN'.

‐I UNDERSTAND. ‐NO, YOU DON'T.

IT'S MY SISTER. IT'S A BIG DEAL FOR ME.

YEAH, I DO! IT'S MY CHILD.

AND I BEEN WATCHIN' HER WALK DOWN THIS ROAD FOR YEARS,

TEARIN' PEOPLE DOWN.

‐I KNOW ABOUT HER WORKS. ‐YEAH, WHATEVER.

DON'T YOU "WHATEVER" ME.

AND I'M TELLIN' YOU, SHE NOT GONNA COME THROUGH.

YOU KNOW, THAT'S ALL YOU EVER DO,

IS JUDGE HER.

YOU TEAR HER DOWN.

I'M NOT TEARING HER DOWN OR JUDGING HER.

SHE IS WHO SHE IS. THAT'S NOT JUDGIN'.

‐THAT'S SEEING THE TRUTH. ‐YEAH, WHATEVER.

WHY YOU GOT TO TALK TO HER LIKE THAT?

‐LIKE WHAT, BENJAMIN? ‐THE WAY YOU TALK TO HER.

I DON'T COME AT HER CRAZY UNLESS SHE COME AT ME CRAZY.

AND WHEN I DO TALK TO HER, I TRY TO TELL HER SOMETHIN'

THAT'LL REST SOMEWHERE DOWN IN HER SOUL

'CAUSE I KNOW SHE GOT ONE.

EVEN IF SHE WANNA ACT LIKE IT EXISTS, SHE DON'T.

SHE WON'T DO RIGHT, BENNY!

OH, AND YOU'RE SUCH A SAINT. HAVE YOU ALWAYS DONE RIGHT?

NO, I DO WRONG EVERY DAY, AND I PRAY TO KEEP ON TRACK.

I MEAN, HAVE YOU EVER TRIED SOMETHIN' DIFFERENT

TO GET HER TO SEE AT LEAST WHAT YOU'RE TRYING TO SAY

OR WHERE YOU'RE TRYING TO COME FROM?

‐YES. ‐NO, YOU DON'T. YOU DON'T.

ALLS YOU DO IS YOU KICK HER BACK IN.

YOU TEAR HER DOWN. LET ME TELL YOU WHAT YOU DON'T DO.

YOU NEVER ENCOURAGE HER ‐‐ EVER!

NO, I NEVER WILL ENCOURAGE HER TO DO THE WRONG SHE BEEN DOIN'.

NEVER.

THAT'S NOT WHAT I'M TRYING TO SAY.

‐THAT'S NOT WHAT I'M SAYIN'. ‐I KNOW WHAT YOU SAYIN'.

AND YOU HAVE NO IDEA WHAT I'VE BEEN THROUGH WITH HER,

WHAT I'M STILL GOIN' THROUGH!

ALL I'M SAYING IS YOU MIGHT WANNA TRY SOMETHING DIFFERENT.

YOU'RE SO STUBBORN. TRY SOMETHING DIFFERENT.

IT MIGHT REACH HER, YOU KNOW?

OKAY, YOU KNOW WHAT?

YOU SIT RIGHT THERE. AND YOU ‐‐ YOU DO THAT.

‐YEAH. ‐MM‐HMM.

ME AND Q GONNA GO TO A HOTEL.

ALL RIGHT, WELL, I'M GONNA SIT RIGHT HERE

BECAUSE SHE'S COMING WITH THE MONEY.

OKAY. AND I'M GONNA GO UPSTAIRS AND PACK.

‐AND YOU'RE STILL GONNA PACK? ‐MM‐HMM.

ALL I GOT LEFT IS UPSTAIRS IN THAT CLOSET.

OKAY.

AND I DON'T WANT THEM PEOPLE TO TAKE IT.

SO, YES. I'M GONNA GO PACK.

ALL RIGHT, PACK THIS, TOO. GO AHEAD.

AND I'M GONNA SIT RIGHT HERE

BECAUSE SHE'S BRINGIN' THE MONEY. WATCH.

ALL RIGHT.

LET ME MAKE SURE I UNDERSTAND THIS.

YOU MAD AT ME 'CAUSE OF HER?

YES, I'M MAD AT YOU!

YOU DON'T SUPPORT HER WHEN SHE'S GOIN' THROUGH IT.

YOU DON'T SUPPORT ME WHEN WE'RE GOIN' THROUGH IT.

YOU'RE JUST MAD AT THE WORLD.

YOU'RE GONNA GO UPSTAIRS AND PRAY ABOUT IT.

GO AHEAD, PRAY ABOUT IT.

I AM SUPPORTING.

[ SCOFFS ]

I JUST OFFERED YOU A ROOF OVER YOUR HEAD.

THIS IS MY ROOF.

OKAY, YOUR ROOF.

I'LL BE UPSTAIRS...

PACKING AND PRAYING.

MM‐HMM.

WHAT ELSE IS NEW?

DID YOU ENJOY OUR DATE?

OH, THIS WAS A DATE?

YES.

AM I GETTING ANY BETTER AT IT?

MM...

OOH, UM, YOU'RE A LITTLE RUSTY.

RUSTY? WHAT DO YOU MEAN?

IS THAT SOME KIND OF REFERENCE TO MY AGE?

NO. AS I SAID, I LIKE YOU A LITTLE OLDER.

I AM A LOT OLDER.

[ LAUGHS ]

WELL, AS I SAID BEFORE, I DIDN'T NOTICE IT.

THANK YOU.

MM‐HMM.

YOU DID GOOD.

BUT...

YOU SEEM A LITTLE DISTRACTED.

WELL...

YES.

IS IT ‐‐ IT'S YOUR WIFE.

OR, SORRY, FUTURE EX, RIGHT?

WELL, IT'S ‐‐ IT'S A LOT MORE THAN THAT.

IT'S...

YEAH.

THEN TELL ME ABOUT IT.

I DON'T ‐‐

I REALLY THINK I'M ‐‐

I'M STILL TRYING TO WRAP MY MIND

AROUND THIS WHOLE IDEA OF A NEW LIFE.

OKAY.

THIS WILL BE YOUR ONE CHANCE.

TALK TO ME ABOUT HER.

NO.

TELL ME.

I DON'T KNOW YOU WELL ENOUGH TO TALK TO YOU ABOUT HER.

WELL, ALL THE MORE REASON.

I DON'T GET THAT.

I DON'T KNOW HER AT ALL, RIGHT?

AND ‐‐ AND I DON'T KNOW YOU VERY WELL.

SO TALK.

WELL...

YOUR ONE CHANCE IS PASSING.

[ SIGHS ]

WE GOT TOGETHER IN COLLEGE,

FELL IN LOVE,

GRADUATED, GOT MARRIED, HAD A SON...

STRUGGLED TOGETHER.

AND WE BUILT THIS BEAUTIFUL, EXCEPTIONAL LIFE TOGETHER

UNTIL...

AH.

UNTIL...?

UNTIL IT ALL UNRAVELED.

WHO HAD THE AFFAIR?

WHY DO YOU SAY "AFFAIR"?

WELL, BECAUSE USUALLY IT'S AN AFFAIR

OR MONEY OR SOMETHING.

BUT, UM, YOU DON'T LOOK LIKE YOU NEED MONEY,

SO I CHOSE AFFAIR.

YEAH.

SHE DID.

BUT IT'S MORE COMPLICATED THAN THAT.

OH, OKAY.

SO YOU'RE LOOKING FOR THE REVENGE GIRL.

AND, UM, YOU WANT ME TO BE HER?

NO, NO, YOU'RE NOT.

YEAH, YEAH.

I'M THE REVENGE GIRL.

THAT IS NOT WHAT THIS IS.

I KIND OF LIKE IT.

‐DO YOU? ‐MM‐HMM.

I'M FREE AND UNATTACHED TO YOU.

AND WE CAN SEE EACH OTHER

WHEN WE WANT TO AND NOT HAVE SEX.

I'M A SOUTHERN GIRL, AND I HAVE GREAT VALUES.

YES, OF COURSE.

AND WE CAN BE FRIENDS.

WOW. VERY MATURE OF YOU.

MM. I'M VERY MATURE.

YES.

I SEE THAT.

I'M THINKING I'M TOO OLD TO HAVE ANYTHING...

OH, MY GOD. THE AGE THING AGAIN.

...MORE SERIOUS THAN THAT WITH YOU.

LISTEN, WHY DON'T YOU JUST LET TIME

AND ME BE THE JUDGE OF THAT?

I DO LIKE YOU.

THANK YOU.

I LIKE YOU.

THANK YOU.

OKAY.

IT'S TIME FOR ME TO GO UPSTAIRS TO MY ROOM.

GOODBYE, DAVID.

BYE, ERICA.

OH.

REMEMBERS MY NAME.

YEAH.

[ CHUCKLES ]

[ KNOCK ON DOOR ]

OSCAR, COME ON IN.

THE HELL HAPPENED TO YOU?

LOST A FIGHT.

I SEE YOU'RE GETTIN' MOVED IN.

WHERE'D YOU FIND THIS PLACE?

YEAH, WORKIN' ON IT.

OWNED THIS PLACE FOR YEARS.

IT'S A RENTAL PROPERTY FROM ONE OF MY BUSINESSES.

SO I GUESS THIS DIVORCE IS THE REAL THING.

YES. AND I CAN'T WAIT FOR IT TO BE FINAL.

HAVE YOU HEARD FROM YOUR WIFE?

NO, I HAVE NOT.

WELL, THAT'S A GOOD THING.

I'M NOT SO SURE ABOUT THAT.

WHY NOT?

WELL, I KNOW VERONICA.

SHE'S PROBABLY SOMEWHERE COOKIN' UP ONE HELL OF A PLAN.

‐YOU THINK SO? ‐OH, I KNOW HER.

SEEN HER GO TO GREAT LENGTHS TO ANNIHILATE HER ENEMIES.

BUT, DAVID, YOU WERE HER HUSBAND.

I AM THE MAN WHO FILED FOR DIVORCE.

IN HER PRESENT STATE OF MIND,

THAT IS MORE THAN ENOUGH INCENTIVE FOR HER

TO MAKE ME HER ENEMY.

WOW. AFTER ALL THESE YEARS OF MARRIAGE.

SHE WON'T GIVE A DAMN ABOUT THAT.

BUT DAVID, YOU HAVE A SON.

YES, I KNOW.

AND SHE STILL WON'T LET ‐‐

OSCAR, PLEASE.

‐YEAH, SURE. ‐STOP.

WELL, IT'S A NICE PLACE.

YEAH, IT'LL ‐‐ IT'LL DO FOR NOW.

DOES SHE KNOW WHERE YOU LIVE?

NO, SHE DOESN'T EVEN KNOW THIS PLACE EXISTS.

I BURIED THE PURCHASE IN SEVERAL BUSINESSES YEARS AGO.

GOOD FOR YOU.

STILL, I HAVE TO WATCH MY BACK.

PROBABLY GONNA HIRE A PRIVATE INVESTIGATOR TO FIND ME.

WELL, I'LL BE ON THE LOOKOUT FOR ANYTHING ON THE GROUND.

HEY, I APPRECIATE THAT.

SPEAKING OF KEEPING YOUR EYES OPEN,

ANYTHING NEW ON ERICA?

NOTHING ON THE SURFACE. NOTHING NEFARIOUS SO FAR.

BUT I'LL KEEP DIGGING.

NO. NO NEED.

‐YOU SURE? ‐YEAH.

YOU HAVEN'T FOUND ANYTHING?

NO, NOTHING ON THE SURFACE. NO.

OKAY. WELL, I WASN'T CONCERNED.

I WAS ‐‐ I WAS JUST CURIOUS.

WELL, LET ME KEEP DIGGING A LITTLE BIT.

NO, NO, NO. IT'S FINE, REALLY.

ALL RIGHT. IF YOU SAY SO.

I SAY SO.

YOU'RE SERIOUS ABOUT HER.

[ LAUGHS ]

NOW, LOOK, HOW CAN I BE SERIOUS ABOUT HER?

WE'VE ONLY JUST MET.

WELL, YOU'VE BEEN OUT OF THIS FIELD FOR A LONG TIME.

YES, AND IT FEELS STRANGE.

BUT...

BUT WHAT?

I DON'T KNOW.

IT'S ALSO A BIT EXCITING.

[ LAUGHS ] YEAH, I KNOW THE FEELING.

YES.

BUT KEEP YOUR ANTENNA UP.

I KNOW. DON'T WORRY.

I'VE GOT MY ANTENNA UP.

WELL, IT'S OKAY TO KEEP YOUR ANTENNA UP

AND OTHER PARTS OF YOUR ANATOMY UP, TOO.

OSCAR.

OH, WHAT. COME ON, ARE YOU SHY?

NO, I'M NOT SHY.

I'M A GROWN MAN.

LET'S JUST DROP IT.

I APPRECIATE YOUR CONCERN AND YOUR ADVICE.

SHE MUST BE A BEAUTIFUL GIRL.

I THINK SHE'S STUNNING.

THAT'S GREAT.

WELL, LET ME KNOW IF YOU WANT ME TO DO

ANY MORE RESEARCH, UH, FIND SOME MORE PHOTOS,

‐WHATEVER. ‐ALL RIGHT.

WELL, THERE'S NO NEED FOR ANY OF THAT RIGHT NOW.

[ CELLPHONE RINGS ] ‐I APPRECIATE IT.

OH.

EXCUSE ME. I NEED TO TAKE THIS.

YEAH, SURE. I'LL SEE MY WAY OUT.

ALL RIGHT. THANK YOU.

[ DOOR OPENS ]

YES?

Female voice: You have a call

from an inmate at the county jail.

MM‐HMM.

Jim: DAVID.

YES. JIM?

HAVE YOU TALKED TO KATHERYN TODAY?

NO, I HAVE NOT.

I've been trying to get her on the phone all damn day.

WHY ARE YOU STILL IN JAIL?

I CAN'T GET HAWTHORNE ON THE PHONE.

HE'S UNAVAILABLE. THAT'S WHY.

‐What? ‐YES!

DAMN.

You tell me about it.

OKAY, UM...

I WILL REACH OUT TO HIM, YOU KNOW.

I'LL ALSO GIVE KATHERYN A CALL.

LOOK, I NEED YOU TO GO OVER THERE, ALL RIGHT?

Yes, I will.

HEY! HOW THE ‐‐ HOW'S WARRICK?

WHAT'S GOING ON WITH THE KID?

Oh.

I SPOKE WITH WALLY.

THE KID HAS A ‐‐ A RAP SHEET TWO MILES LONG.

I KNOW HE HAS A RECORD TWO MILES LONG.

I NEED HIM OUT OF HERE, NOW.

OKAY, FINE. HE'S WORKING ON IT.

GOOD. NOW GO OVER TO THE HOUSE

AND SEE KATHERYN.

I WILL.

‐And David? ‐YES?

SHE'S STILL PISSED AT ME.

WHAT ABOUT NOW?

Who the hell knows for what.

FOR SOMETHING, FOR NOTHING. I DON'T KNOW.

LOOK, THERE'S A KEY UNDER THE FLOWERPOT.

IF YOU NEED TO GO INSIDE, GO INSIDE.

OKAY, FINE. I WILL GO.

THANK YOU.

[ CELLPHONE BEEPS ]

DAMN.

CAN I HELP YOU?

NO, SIR.

WHAT ARE YOU DOING?

MY JOB.

OKAY?

WHO ARE YOU?

SOMEONE WHO IS HERE ON BEHALF OF THE COURT.

WHAT?

MY NAME IS JOHN LENO

‐AND...? ‐I'M WORKING.

YEAH, I GET THAT, BUT WHAT ARE YOU DOING?

I WAS SENT HERE TO COUNT CARS.

WHAT ARE YOU TALKING ABOUT?

YOU SHOULD KNOW, MR. YOUNG.

‐NO, NO, I'M NOT MR. YOUNG. ‐WHO ARE YOU?

NO, NO, NO, WHO ARE YOU, AND WHAT ARE YOU DOING?

‐IS MR. YOUNG HERE? ‐NO.

WELL, YOU SHOULD TALK TO HIM.

ABOUT WHAT?

I'M NOT AT LIBERTY TO SAY.

[ CELLPHONE RINGS ]

[ SIGHS ]

Mitch: Yo.

YEAH.

WANT TO FILL ME IN ON WHAT'S GOING ON

AT THE YARD, RIGHT NOW?

WHY? WHAT'S GOIN' ON?

DUDE'S OUT HERE. SAYS HE'S COUNTIN' CARS.

WHAT ARE YOU TALKING ABOUT?

Yeah, don't act like you don't hear me.

HE'S FROM THE COURT. HE SAID I SHOULD CALL YOU.

Damn.

IT'S THIS SITUATION WITH CANDACE, BRO.

WHAT ABOUT?

MITCH, I'M GONNA LOSE THE PLACE.

BENNY...

But we know that already, so I don't even ‐‐

YEAH, I KNOW, BUT NOW HE'S LOOKING AT MY TRUCK.

ALL RIGHT. WELL, LOOK...

YOU NEED TO GET YOUR TRUCK OUT OF THERE.

‐Oh, Ben, I am. ‐LIKE, NOW, MAN.

I'M RUNNIN' OUT OF TIME HERE, MITCH.

ALL RIGHT, LOOK, WHEN I SEE YOU NEXT,

YOU NEED TO TELL ME WHAT'S REALLY GOING ON AROUND HERE.

ALL RIGHT, WE CAN TALK THEN. ALL RIGHT?

FOR RIGHT NOW, JUST GET THE TRUCK OUT OF THE LOT.

THEY'RE GONNA THINK IT'S MINE.

MY TRUCK'S REGISTERED IN MY NAME.

I get it.

There should be no way they can take your truck.

IT'S STILL GOT "BLUE'S TOWING" ON THE SIDE OF IT, MAN.

BUT THEY'RE UP MY ASS RIGHT NOW.

SO JUST BE SAFE, GET THE TRUCK OUT OF THERE

AND LOCK THE PLACE UP.

All right? And just come over here.

I'm at the house. Come talk to me.

‐ALL RIGHT. ‐I'll be over here.

ALL RIGHT. ALL RIGHT, I'M OUT.

ALL RIGHT.

[ CELLPHONE BEEPS ]

YO! [ SNAPS ] I NEED YOU TO MOVE YOUR CAR.

‐SORRY, SIR. ‐WHAT?

WE CAN'T LET ANYTHING OFF THE PROPERTY.

[ LAUGHS ] ARE YOU KIDDING ME?

I AM TELLING YOU. I'M SORRY.

LOOK, MAN.

HOLD UP.

THIS IS MY TRUCK, ALL RIGHT?

IT'S MY REGISTRATION RIGHT THERE.

I'M SORRY.

YOU'RE GONNA TAKE MY TRUCK?

SIR, THIS IS FROM THE COURT.

NOTHING CAN LEAVE THIS PROPERTY,

INCLUDING THAT TRUCK.

‐I'M TAKING MY TRUCK. ‐DID YOU HEAR ME?

OH, YEAH, YEAH, YEAH. I HEARD YOU.

‐THANK YOU. ‐LAST TIME.

MOVE YOUR CAR, OR I MOVE IT FOR YOU.

YOU GET IN THAT TRUCK, YOU WILL GO TO JAIL.

THAT'S MY TRUCK. IT'S IN MY NAME.

IT DOESN'T MATTER.

AS AN OFFICER OF THE COURT,

I AM TELLING YOU, NOTHING CAN LEAVE THIS LOT.

MOVE YOUR CAR.

I'M SORRY.

[ CHUCKLES ]

OKAY! OKAY!

YOU GET IN THAT TRUCK, AND YOU WILL GO TO JAIL.

YEAH, ALL RIGHT.

[ ENGINE STARTS ]

ARE YOU CRAZY?

‐YES, SIR! ‐YOU ARE GOING TO JAIL.

YEAH, OKAY, BUDDY.

OKAY.

YEAH, YOU THOUGHT I WAS PLAYIN', HUH?

THAT'S MY CAR!

YOU ARE GOING TO JAIL!

YOU HIT MY CAR!

YOU ARE GOING TO JAIL.

THAT'S RIGHT! THAT'S RIGHT!

[ CELLPHONE BEEPS ]

[ Ringing ]

[ ENGINE SHUTS OFF ]

[ POLICE RADIO CHATTER ]

MA'AM, YOU CAN'T COME THROUGH HERE.

UH, WHAT'S GOING ON?

JUST STAY BACK, PLEASE.

WHAT THE HELL IS GOING ON?

I NEED YOU TO STEP BACK.

I ASKED YOU A QUESTION.

AND YOU GET NO ANSWERS UNTIL YOU STEP BACK.

WHAT'S GOING ON HERE?

WHO ARE YOU?

THE HOMEOWNER.

WHAT'S YOUR NAME?

CANDACE YOUNG.

YOU'RE MS. YOUNG?

THAT'S WHAT I JUST SAID.

AND I ALSO ASKED YOU, WHAT'S GOING ON?

WE HAVE A WARRANT TO SEARCH THIS HOUSE.

FOR WHAT?

YOU TELL US.

I'M NOT PLAYING THESE GAMES.

THEN TALK TO THE D. A.'s OFFICE.

WHAT ARE THEY LOOKING FOR?

I ALREADY TOLD YOU.

OKAY.

WELL, WHILE YOU'RE DOING YOUR SEARCH, I HOPE YOU, UH,

SEE THOSE LAW BOOKS IN THERE BECAUSE I'M A LAW STUDENT.

AND I KNOW MY RIGHTS. OKAY?

TELL ME WHY YOU'RE HERE.

THEN READ IT FOR YOURSELF, MS. LAW STUDENT.

EVIDENCE FOR A HOMICIDE? WHAT THE HELL?

GET ‐‐ GET OUT OF MY HOUSE.

DO YOU KNOW QUINCY MAXWELL?

THAT BITCH KNOW MY BROTHER!

STAY BACK, MA'AM.

SHE KNOW.

YOU KNOW, I SAW A FEW ROCKS ON THE GROUND.

WHY DON'T YOU GO SEE IF YOU CAN SMOKE 'EM?

WHERE MY BROTHER AT?

WAIT, YOU'RE NOT TAKING THE WORD OF AN ADDICT.

WHO IN THE HELL YOU THINK YOU TALKIN' 'BOUT?

GO FIND A PIPE.

I KNOW YOU KNOW WHERE MY BROTHER IS.

AND I KNOW YOU DID SOMETHING TO HIM.

AND THEM POLICE, THEY GONNA FIND OUT.

THEY GONNA FIND OUT.

SHE WRONG.

AFTER ALL THE STUFF MY BROTHER DID FOR YOU, AND HE LOVED YOU.

‐GIRL, PLEASE. ‐MY BROTHER LOVED YOU.

AND HE TOOK CARE OF YOU. AND YOU GONNA DO THIS TO HIM?

YOU HAVE NO IDEA.

ACROSS THE STREET, PLEASE.

YOU HEARD HIM.

BOTH OF YOU.

‐[ LAUGHS ] ‐WHAT?

BOTH OF YOU. THIS IS AN ACTIVE CRIME SCENE.

THIS ‐‐ THIS ‐‐ THERE IS NO CRIME SCENE.

MA'AM, NOW.

YEAH!

COME YOUR ASS ON OVER HERE.

QUITA, LET ME ME TELL YOU SOMETHING.

YOU SAY ONE MORE WORD TO ME,

AND I'M GONNA BEAT YOUR ASS IN THESE HEELS.

COME ON.

[ POLICE RADIO CHATTER ]

OH, GREAT.

GUYS, CAPTAIN WANTED YOU GUYS TO CHECK UPSTAIRS.

THANK YOU.

[ CELLPHONE BUZZES ]

[ CELLPHONE BEEPS ]

HELLO?

‐Hey. ‐YEAH?

‐Is Candace there? ‐WHAT?

Did Candace come there?

She said yesterday if the investigation

Was still going on, she would come home.

I'm surprised she didn't show up.

UH, YEAH. WE ARE STILL IN AN ACTIVE SEARCH.

Oh, I know you can't talk.

YEAH, I DON'T THINK THAT'S A GOOD IDEA

FOR HER TO COME BY.

Well, she is.

WHEN?

She should be there by now.

OKAY. I'LL CALL YOU WHEN I'M DONE, HONEY.

[ CELLPHONE BEEPS ]

IS THAT THE HOMEOWNER?

Man: YEAH, THAT'S HER.

I'VE BEEN HERE A FEW TIMES ON CALLS.

I'LL GO TALK TO HER.

OKAY.

MS. MAXWELL, OVER THERE.

THIS A FREE SIDEWALK.

GET OVER THERE!

‐MAN ‐‐ ‐YOU WANNA GO TO JAIL?

MAN!

MOVE IT, NOW!

BRUH! YOU KNOW WHAT?

MS. YOUNG?

YES?

HOW LONG HAVE YOU LIVED HERE?

A FEW DAYS BEFORE THE NIGHT YOU CAME TO MY HOUSE.

YOU PICKED UP JEFFERY, REMEMBER?

YEAH, YOU DO.

UNZIPPED?

YEAH.

YOU PUT HIM IN THE BACK OF YOUR POLICE CAR.

WHILE...

WHILE YOU WROTE A REPORT?

YOU REMEMBER THAT.

DON'T THREATEN ME AGAIN.

A THREAT WOULD BE SCREAMING TO YOUR MOTHER...

AND YOUR WIFE HOW YOU ENJOYED GETTING OFF ON JEFFERY.

A THREAT WOULD BE GOING TO THE DEPARTMENT

AND TELLING THEM THAT YOU SEXUALLY HARASSED HIM.

LOOK, I DON'T KNOW WHAT HE TOLD YOU.

‐BUT ‐‐ ‐DON'T.

NO NOTHING.

YOU DON'T WANNA GO DOWN THIS ROAD WITH ME.

[ SCOFFS ]

I WAS COMING TO HELP YOU.

BUT IF YOU WANT TO GO DOWN THAT PATH,

THE HELL WITH YOU.

I'LL WALK RIGHT IN THAT HOUSE AND LEAD THEM TO THE BACKYARD.

YOU DO REMEMBER THE BACKYARD, DON'T YOU?

YEAH.

SO MAYBE YOU SHOULD ZIP YOUR MOUTH SHUT.

MS. YOUNG, I'M ALL YOU GOT IN THIS SITUATION.

SO ITS EITHER YOU TRUST THAT, OR THERE'S NOTHING I CAN DO.

LET ME TELL YOU HOW I SEE IT.

IF YOU DON'T KEEP THEM FROM GOING IN THE BACKYARD,

WELL, NOW, I DON'T NEED TO REPEAT MYSELF AGAIN, DO I?

I THOUGHT YOU WERE GETTING OUT.

I AM. ANY MINUTE NOW.

IF YOU SAY SO.

I SAY SO.

WHY DON'T YOU JUST LET ME WORRY ABOUT ME, OKAY?

I'M NOT WORRIED. ARE YOU?

I'M WORRIED ABOUT ME GETTING OUT OF HERE.

YOU'RE GETTING OUT.

WE GONNA KEEP OUR PLAN?

I SAID WE WOULD, DIDN'T I?

HOW I KNOW YOU AIN'T GONNA BURN ME, JUDGE?

YOU DON'T.

THAT WOULDN'T BE SMART, JUDGE.

LISTEN, YOU JUST GET A HOLD OF WHAT I ASKED YOU TO GET.

‐ALL RIGHT? ‐I GOT IT.

PICTURES, NEGATIVES, AND ALL.

MAKE DAMN SURE YOU GET EVERYTHING.

TRUST ME!

I GOT YOUR PICTURES AND YOUR NEGATIVES.

THAT BITCH WON'T HAVE A COPY NOWHERE.

AND THEN... IT'S LIGHTS OUT.

I CAN'T BELIEVE SHE PUT DRUGS IN MY CAR!

WHAT DO YOU MEAN YOU CAN'T BELIEVE

SHE PUT DRUGS IN YOUR CAR?

SHE IS A LYING WHORE, WARRICK.

OF COURSE SHE PUT DRUGS IN YOUR CAR.

‐DON'T BE AN IDIOT. ‐YEAH, YOU JUST WAIT.

JUST GET ME OUT OF HERE!

I'M GETTING YOU OUT OF HERE. WOULD YOU JUST SHUT UP?

OKAY, JUDGE. OKAY.

WHERE THE HELL ARE YOU, KATHERYN?

[ DOORKNOB RATTLES ]

[ GROANS ]

Veronica: KATHERYN.

KATHERYN, YOU'VE KEPT ME HERE ALL NIGHT.

NOW LET ME GO HOME.

GET OUT.

YOU'RE BLEEDING.

SO ARE YOU.

ARE YOU OKAY?

GET OUT.

KATHERYN.

OPEN THE DOOR.

KATHERYN, YOU KNOW I CAN'T OPEN THE DOOR.

THEN GO OUT THE WINDOW.

I'M NOT GOING.

ARE YOU OKAY?

KATHERYN.

LEAVE!

I'M NOT LEAVING!

I'M NOT GONNA SAY THIS AGAIN.

KATHERYN.

‐WE GONNA START THIS AGAIN? ‐KATHERYN, STOP THIS NOW.

‐JUST STOP IT. ‐STOP WHAT?

STOP IT! I DON'T WANT TO DO THIS ANY MORE WITH YOU!

‐GET OUT OF MY HOUSE! ‐I CAN'T GET OUT OF YOUR HOUSE!

OPEN THE DOOR!

‐GET OUT NOW! ‐KATHERYN, STOP IT!

PLEASE, JUST STOP IT!

I WANT YOU OUT OF MY HOUSE!

I'M NOT GONNA GO RIGHT NOW!

I WANT TO KNOW THAT YOU'RE OKAY! STOP IT!

I WILL NEVER BE OKAY AFTER WHAT YOU DID TO MY SON!

‐KATHERYN! ‐NEVER!

I'M SORRY!

OH, DAVID! HELP ME, PLEASE!

DAVID, HELP ME!

PLEASE. PLEASE HELP ME.

WHAT THE HELL IS GOING ON?

HELP ME, PLEASE! DAVID, HELP ME!

HELP ME!

NEXT ON "THE HAVES AND THE HAVE NOTS"...

STAY AWAY FROM ME, AND I MEAN IT.

WAR MAYBE GETTING OUT.

‐WHEN IS HE GETTING OUT? ‐Soon.

YOU KNOW THAT HE THINKS THAT YOU SET HIM UP.

Justin: HEY, I THINK WE GOT SOMETHING.

ARE YOU MITCHELL MALONE? PUT YOUR HANDS BEHIND YOUR BACK.

YOU'RE UNDER ARREST.

WHAT DO YOU WANT?

THERE'S MONEY IN MY SAFE UPSTAIRS

AND A FEW PERSONAL ITEMS THAT I REALLY NEED.

THEY ALREADY WENT THROUGH THE SAFE.

GUN.