Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

IF HIS MOTHER IS NOT HERE BY TOMORROW,

HE WILL BE PLACED IN FOSTER CARE.

YOU WILL BE AT MY HOUSE FOR DINNER,

OR THE POLICE WILL BE AT CANDACE'S HOUSE

WITH A SEARCH WARRANT.

I THINK YOU MEET JUDGE DAVID HARRINGTON.

YOU WANT ME TO TURN BACK ON THE PHONES OVER AT BENNY'S TOWING?

THAT PUNK IS THREATENING MY SON.

STAY THE HELL AWAY FROM MY SON.

HEY, MAN, YOU HEAR ME?

[ GUNSHOT ]

AAH!

♪♪♪♪

BENNY, STOP! GET OFF, GET OFF! RIGHT NOW!

THE FOOL TRIED TO KILL ME! BACK IT OFF! BACK IT OFF!

HE TRIED TO KILL ME, MAN.

HE TRIED TO KILL ME. FOOL TRIED TO KILL ME.

HOW DARE YOU ASSAULT A JUDGE!

YOU DON'T SCARE ME, SON OF A BITCH.

GET OUT OF HERE. MAKE ME. COME ON.

I'LL MAKE YOU, ALL RIGHT. HUH? COME WITH IT, COME WITH IT.

OH, WHAT, YOU SCARED, HUH?

YOU SCARED 'CAUSE A WHITE BOY SAW THIS?

THAT'S WHAT IT IS. YOU SCARED, HUH?

OH, WHAT? YOU'RE A CHILD. YOU ARE A CHILD.

YEAH, "CHILD." I GOT YOUR CHILD RIGHT HERE.

OH, SHUT UP. YOU GO TO HELL, MAN.

YOU ALREADY ON YOUR WAY THERE. OH, YOU DON'T SCARE ME.

GET THE HELL OUT OF HERE. COME ON, MAKE ME.

OH, I'LL MAKE YOU, ALL RIGHT. I'LL MAKE YOU.

COME ON. WHAT? YOU MAD?

HUH? YOU MAD 'CAUSE YOUR WIFE WANTS ALL THIS?

THAT'S WHAT IT IS. YOU MAD?

YOU'RE A CHILD. A CHILD?

I GOT YOUR CHILD RIGHT HERE, BITCH.

THAT'S A CHILDISH BEHAVIOR. CHILDISH BEHAVIOR!

YOU WIFE LIKES THIS CHILDISH BEHAVIOR.

BACK IT OFF!

WHY DON'T YOU SHUT YOUR BITCH ASS UP?

YOU BETTER GET MY DAMN PHONES ON.

THE PHONES IS THE LEAST OF YOUR TROUBLES.

[ SHOUTING INDISTINCTLY ]

COME ON. KNOCK IT OFF!

STAY BACK. TO HELL WITH HIM.

STAY BACK. YEAH.

GIVE ME THAT. HERE YOU GO. STAY BACK.

YOU REMEMBER THE CAR AND THE COCAINE?

WHAT?!

YOU HEARD ME. WHAT YOU KNOW ABOUT THAT, MAN?

I KNOW ALL ABOUT THAT. YOU THINK THAT WAS SOMETHING?

YEAH, WELL, YOUR WIFE GOT ME OFF THEN,

KIND OF LIKE SHE'LL BE GETTING ME OFF AFTER THAT, YEAH.

NO, NO, SHE WASN'T THE ONE THAT GOT YOU OFF.

KNOCK IT OFF, ALL RIGHT? I GOT HIS ASS.

NO, GET INSIDE. TO HELL WITH YOU, MAN.

GET INSIDE. I GOT THIS, MAN. WHY?

I GOT IT! GO.

YOU'RE LUCKY, MAN. DON'T TOUCH ME!

GET INSIDE! YOU'RE LUCKY.

I GOT THIS. I'M GONNA KILL YOU!

GET IN THERE. STAY IN THERE.

Captions by VITAC www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪♪♪

♪♪♪♪

OH, WHERE THE HELL... YOU ALL RIGHT?

[ THUNDER RUMBLES ]

STAY AWAY FROM ME.

WHERE ARE THEY?

CAN I HELP YOU AT ALL? I SAID, "STAY AWAY FROM ME"!

OKAY, OKAY, ALL RIGHT. ALL RIGHT.

WHERE THE HELL ARE MY KEYS?

WHERE THE HELL...

[ THUNDER CRASHES ]

CAN I TALK TO YOU?

YOU HAVE NOTHING TO SAY TO ME.

YOU NEED TO TALK TO ME, DAVID.

I SAID, "YOU HAVE NOTHING TO SAY TO ME."

YOU NEED TO HEAR ME OUT.

HERE.

GIVE ME THE KEY.

LISTEN TO ME, DAVID.

I'M LISTENING.

THEN LET IT GO.

TURN OUR PHONES BACK ON RIGHT NOW.

I DON'T KNOW WHAT YOU DID TO THEM,

BUT YOU NEED TO MAKE IT STOP,

'CAUSE YOU'RE HEADING UP THE WRONG ROAD, MY MAN.

THE WRONG ROAD.

NOW, YOU HEAR WHAT I'M SAYING.

YOU AND THAT OTHER PUNK HAD BETTER GET OUT OF THIS TOWN

AND NOT LOOK BACK...

BECAUSE TOMORROW MORNING,

I AM GOING TO BRING HELL ON THIS PLACE

THE LIKES OF WHICH YOU HAVE NEVER SEEN.

I WOULDN'T DO THAT IF I WERE YOU.

YOU'RE NOT ME.

[ CELLPHONE RINGS ]

YOUR PHONE'S RINGING. MY PHONE IS IN MY CAR.

YOUR PHONE IS RINGING IN YOUR CAR.

MY KEYS.

[ RINGING CONTINUES ]

DUST BY THE MORNING.

THAT PHONE CALL MIGHT CHANGE YOUR MIND.

[ RINGING CONTINUES ]

[ RINGING CONTINUES ]

[ CELLPHONE BEEPS ]

HELLO?

ROSE: David.

WHO IS THIS?

Mama Rose.

WHAT IS IT, ROSE?

I know you don't know that kid.

Quite handsome, isn't he?

WHO? Him.

The one in front of you.

ARE YOU WATCHING ME?

We're behind you.

WHAT THE HELL IS GOING ON?

His name is Mitch.

Do you know him?

I KNOW HE WORKS HERE.

You're not thinking.

You know his last name.

NO, ROSE, I DO NOT KNOW HIS LAST NAME.

Mitch Malone, as in a Malone,

as in my Malone, as in my grandson.

That's my grandson.

You got it?

I DIDN'T KNOW THAT, ROSE.

Of course you didn't.

He doesn't want anybody to know that.

He wants distance.

He's only been working the restaurant business,

but he is Mitchell, my grandson,

and he wants nothing to do with the business

until he needs a favor.

I HAD NO WAY OF KNOWING THAT.

I even tried to buy that tow yard for him.

He wouldn't take the money.

He wants his own way. You understand?

So it's important to me that he makes his own way.

I UNDERSTAND.

He's trying to walk the straight and narrow.

Get their phones back on and leave them alone.

I know this kid is banging your wife,

but leave them alone.

Kid doesn't want to be a gangster.

I don't blame him.

He wants to run a tow yard, make his own way.

So I need you to let that happen.

MAMA ROSE...

David, I'm telling you to let this go now.

You know how it goes.

D.'s here. Let it go.

OKAY.

Get the phones back on now.

OKAY.

Thank you.

OKAY.

Have a good night.

NIGHT, ROSE.

[ LINE CLICKS ]

[ CELLPHONE RINGS ]

[ CELLPHONE BEEPS ]

Oscar. IS EVERYTHING ALL RIGHT?

IT'S FINE.

Good.

HAVE THE PHONES TURNED BACK ON AT BENNY'S TOW YARD.

DAVID, ARE YOU SURE?

DO IT NOW.

ALL RIGHT, GIVE ME TWO MINUTES.

Thank you.

[ CELLPHONE BEEPS ]

[ CELLPHONE BEEPS ]

YEAH, HI. THIS IS BRANDON.

I NEED THOSE PHONES TURNED BACK ON RIGHT NOW.

JUST DO IT.

THANK YOU. [ CELLPHONE BEEPS ]

[ ENGINE STARTS ]

[ CELLPHONE RINGS ]

[ CELLPHONE BEEPS ]

♪♪♪♪

[ CELLPHONE BEEPS ]

[ CELLPHONE RINGS ]

[ CELLPHONE BEEPS ]

HELLO?

HI.

Hi.

WHERE ARE YOU?

STILL HERE.

Is he still there?

YEP, HE HASN'T MOVED.

WELL, I SHOULD HAVE JUST STAYED THERE.

WHY?

GRAYSON CANCELED.

[ SIGHS ] THAT DUDE IS SUCH A FLAKE.

I KNOW.

HOW MUCH TIME HAVE YOU PUT IN WITH HIM?

TOO MUCH TIME TO BACK AWAY NOW.

SHALL I COME BACK?

No.

NO?

NO, YOU SHOULD, UH, HEAD TO THE SARANDON HOTEL BAR.

WHY?

By now is when David goes to the bar trolling for drink.

OH, YEAH?

Yeah.

OKAY. SO, HOW SHOULD I MARK HIM?

LET ME THINK.

HIS WIFE IS, UH, EVIL AND AGGRESSIVE.

So he likes dominance.

BUT HIS MISTRESS WAS PASSIVE, BUT STRONG.

So he likes passive.

He's Southern, polite.

LIKE A BAPTIST PREACHER, HE LOVES A DAMSEL IN DISTRESS.

SO BE A DAMSEL IN DISTRESS.

Cry.

Have a man make you cry.

CALL LEE AND ASK HIM IF HE CAN DO IT FOR YOU.

OH, THAT SOUNDS GOOD.

IF HE OFFERS YOU SOMETHING, YOU GOT HIM.

OKAY, SO, IF HE BUYS ME A DRINK...

He won't. HE WON'T?

NO, THAT'S TOO FORWARD.

YOU HAVE TO UNDERSTAND HE...

HE'S BEEN MARRIED FOR A LONG TIME.

HE'LL OFFER YOU A HANDKERCHIEF,

SO DON'T HAVE ONE.

OR A TISSUE.

Make sure there's none by the bar, as well, so he can.

LIKE I SAID, IF HE OFFERS YOU SOMETHING, YOU GOT HIM.

OKAY, I GOT IT.

And be mean to him.

[ CHUCKLES ] OKAY.

DON'T ACCEPT HIS INITIAL OFFER.

THAT'S THE BAIT.

You'll see him again.

THAT'S HOW YOU HOOK HIM.

I GOT IT.

Good.

GIRL, THIS IS JUST LIKE OLD TIMES.

YEAH, IT IS.

BUT BIGGER FISH. Yeah.

[ CHUCKLES ]

OKAY, I'M ON IT.

AND FOR THE SECOND DATE, WEAR SOMETHING YELLOW.

WHY?

HE LIKES SOUTHERN CHARM.

[ Southern accent ] WELL, SHOULD I HAVE A SOUTHERN ACCENT?

DON'T DO THAT ACCENT.

I'M JUST KIDDING. [ Ringing ]

THANK YOU.

Who keeps calling you?

NOBODY.

OH, ALL RIGHT.

WELL, I'LL LET YOU KNOW HOW IT GOES.

AND I'LL UPDATE YOU ON THIS END.

Bye. BYE.

[ CELLPHONE BEEPS ]

CHANGE OF PLANS SARANDON HOTEL.

[ CELLPHONE RINGS ]

WHY DO YOU KEEP CALLING ME?

[ CELLPHONE BEEPS ]

[ SIGHS ]

HELLO?

HANNA: Candace?

YES?

I'M AT THE HOSPITAL.

I HOPE IT'S SERIOUS.

YOUR BABY IS STILL HERE.

HELLO?

I HEAR YOU.

WHEN ARE YOU COMING TO GET HIM?

HELLO?

H HELLO?

CANDACE, THEY ARE REALLY GETTING READY

to put him in foster care.

Is that what you really want?

[ CELLPHONE BEEPS ]

HELLO?!

HEL

THIS DAMN GIRL DONE HUNG UP THIS DAMN PHONE.

[ CELLPHONE BEEPS ]

[ CELLPHONE RINGS ]

CANDACE: Hi. This is Candace. Leave a message.

[ CELLPHONE BEEPS ]

[ Ringing ]

Hi. This is Candace. Leave a message.

Mitch: COOL NOW? THAT SON OF A BITCH!

LOOKIT, MAN, IT'S ALL RIGHT. NO, IT'S NOT ALL RIGHT.

HE'S NOT TURNING THE PHONES BACK ON.

WE DON'T EVEN KNOW WHAT HE DID TO THEM.

DON'T WORRY ABOUT THAT. THEY'LL BE ALL RIGHT.

THEY'LL BE BACK ON, ALL RIGHT? HOW CAN YOU BE SO SURE?

I TALKED TO HIM. OH, YOU TALKED TO HIM.

WHO THE HELL YOU THINK YOU ARE?

DON'T QUESTION ME, ALL RIGHT?

I KNOW WHAT I'M DOING.

MITCH, I BEAT HIS ASS OUT THERE.

HE DIDN'T EVEN TURN THE PHONES BACK ON.

WHAT THE HELL MAKES YOU THINK YOU'RE GONNA GET IT DONE?

I DIDN'T SEE YOU BEAT NOBODY'S ASS.

DUDE, I BEAT HIS ASS.

THAT OLD MAN HELD HIS OWN, THOUGH.

DAWG. LOOK, MAN.

I BEAT HIS ASS.

ALL RIGHT, LOOK, I'M GONNA CALL IT A DRAW.

HELL, NO, IT AIN'T NO DRAW.

WE'RE TALKING ABOUT PHONES, ALL RIGHT?

AND I DID TALK TO HIM.

AND, BENNY, SOMETIMES A CONVERSATION'S ENOUGH, ALL RIGHT?

YEAH. I DON'T KNOW WHAT THE HELL YOU WERE WATCHING,

BUT I BEAT HIS OLD ASS OUT THERE.

[ TELEPHONE RINGS ]

GET IT, DUDE.

BENNY'S TOWING.

YEAH.

YEAH, NO, WE JUST HAD A SMALL PROBLEM WITH THE PHONES.

ALL GOOD, THOUGH. UH, WHAT'S THE ADDRESS?

[ TELEPHONE RINGS ]

YEAH, I GOT IT. I GOT IT.

OKAY.

BENNY'S TOWING. YO, IT'S SAM.

COME ON, SAM. YOU KNOW WE'RE STILL IN BUSINESS.

NAH, MAN, WE JUST HAD SOME PHONE PROBLEMS,

BUT IT'S ALL GOOD RIGHT NOW.

YEAH, YEAH, YEAH, RIGHT.

OH, THEY'RE ALL PARKED ILLEGALLY?

OOH, CASH, BABY. ALL RIGHT, WE'LL BE THERE.

[ TELEPHONE RINGS ]

BENNY'S TOWING.

YEAH, ADDRESS, PLEASE.

ALL RIGHT, I'M GONNA GET YOU ON THE BOOKS RIGHT NOW.

I GOT, UH, MAYBE LIKE A HOUR, 45.

[ TELEPHONE RINGS ]

YEAH? OKAY.

OKAY.

[ TELEPHONE RINGS ]

BENNY'S TOWING. YEAH.

YEAH, SURE, SURE.

YEAH, ABOUT 50 MINUTES.

ALL RIGHT.

WHAT THE HELL?

DAWG. MITCH.

GET OFF THAT ASS AND START MAKING SOME MONEY, HUH?

DAWG, WHAT'D YOU DO? COME ON, BABY.

I TOLD YOU I TALKED TO HIM.

NAH, YOU DID SOMETHING. YEAH.

NO, I DIDN'T DO NOTHING. WHAT'D YOU DO?

I JUST TALKED TO HIM, THAT'S IT.

HEY. WHAT'D YOU DO? TALKED TO HIM, TALKED TO HIM.

MUST HAVE BEEN THAT ASS WHUPPING YOU GAVE HIM, HUH?

AH! I TOLD YOU. COME ON, BABY.

I TOLD YOU. I TOLD YOU.

OH, HOLD ON.

LET'S GO MAKE SOME MONEY, HUH?

YEAH.

GIRL, IS THIS MAN EVEN COMING?

I DON'T KNOW.

[ SIGHS ] I NEED TO GO TO SLEEP.

LET'S JUST GIVE IT ANOTHER HOUR.

I HAVE TO WORK IN THE MORNING.

I WILL PAY YOU IF IT ALL WORKS OUT.

GIRL, YOU ALREADY OWE ME FOR THE LAST TIME I DID THIS.

AREN'T YOU IN ACTING CLASS?

YES.

AND ISN'T THIS GOOD PRACTICE?

I GUESS.

MM. THANK YOU.

SO THEN YOU SHOULD BE PAYING ME.

GIRL, YOU AND MISS CANDACE GONNA KILL ME.

[ CHUCKLES ]

I THINK THAT'S HIM.

OH, THAT'S HIM?

YOU READY?

YEAH.

[ CLEARS THROAT ]

I DON'T GIVE A DAMN.

I'M SORRY. I CAN'T.

LOOK, I DIDN'T KNOW SHE WAS THERE.

BUT YOU DID KNOW YOU HAD A WIFE.

HOW CAN I MAKE THIS UP TO YOU?

YOU LIED TO ME ALL THIS TIME.

I'LL HAVE A SCOTCH, NEAT.

GO HOME TO YOUR WIFE.

I AM SORRY.

YEAH, I KNOW.

[ SIGHS ]

YOU KNOW WE CAN'T SEE EACH OTHER.

DON'T YOU DARE!

YOU'RE THE ONE THAT'S MARRIED.

DON'T YOU DARE ACT AS THOUGH YOU'RE ENDING THIS WITH ME.

AND IF I HAD KNOWN THAT YOU WERE MARRIED,

I NEVER WOULD HAVE LET YOU GET THIS FAR.

GO. JUST GO.

I LOVE YOU.

[ Voice breaking ] I NEVER WANT TO SEE YOU AGAIN.

I REALLY DO LOVE YOU. GO LOVE YOU WIFE!

OKAY.

IF THAT'S WHAT YOU WANT.

[ SNIFFLES ] BYE.

[ CRYING ]

PARDON ME. HERE.

I DON'T NEED YOUR DAMN NAPKIN!

[ SOBBING ]

[ CELLPHONE BEEPS ]

CANDACE: Hello?

MOM?

IT WORKED.

What did I tell you?

I JUST I WALKED AWAY.

WERE YOU MEAN TO HIM?

YEAH.

GOOD GIRL.

SHOULD I GO BACK?

Not tonight.

HE SCARES EASILY.

GO BACK TOMORROW AND APOLOGIZE.

YOU DID ENOUGH FOR TODAY.

THE SEED IS PLANTED.

WELL...

YOU HAD THIS MAN PEGGED.

YEAH, LIKE MOST MEN, EXCEPT FOR THIS ONE.

WHERE ARE YOU?

I drove to the house in the suburbs.

HE'S HAVING DINNER WITH A FAMILY.

LOOKS LIKE A WIFE AND KIDS.

AND HE LIVES HERE LOCALLY.

YOU SERIOUS? Yeah.

HE PASSED BY THIS HOUSE FOUR TIMES,

SO I KIND OF HAD A FEELING.

SO I SAT HERE AND WAITED FOR HIM.

I WALKED TO THE MAILBOX.

HIS NAME IS BRANDON MAVEN.

HER NAME IS MARTHA. [ CHUCKLES ]

IT'S LIKE OUT OF A STORYBOOK.

IS IT?

Yeah.

BUT I'M ABOUT TO MAKE IT A NIGHTMARE.

TONIGHT?

NO.

TIMING.

Remember timing.

[ Sighs ] I'm gonna go home.

I'LL CALL YOU TOMORROW.

OKAY.

Okay, bye. BYE.

[ CELLPHONE BEEPS ]

[ SIGHS ]

GOOD NIGHT, BRANDON.

[ ENGINE STARTS ]

♪♪♪♪

HI.

[ GASPS ] OH, YOU SCARED ME.

OH, I'M SORRY.

OH. WELL, SHE'S NOT THERE.

NO? NO.

WHAT ARE YOU DOING?

WALKING MY DOG.

I DON'T SEE A DOG ON THE LEASH.

OH. [ LAUGHS ] WELL...

YOU KNOW, I USED TO WALK HER BEFORE SHE DIED.

AND THEN EVER SINCE THEN, I JUST CARRY THE LEASH WHEN I WALK.

IT'S GOOD EXERCISE, YOU KNOW.

YEAH. YEAH.

[ SNIFFING ] OOH.

DO YOU SMELL SOMETHING? [ SNIFFING ]

NO, MA'AM, I DON'T.

OOH! SOMETHING SMELLS FOUL.

I'M GONNA CALL THE CITY AND HAVE THEM COME OUT HERE

AND CHECK THE SEWER.

[ SNIFFING ] OOH, THAT'S FOUL.

OOH.

OKAY. DO YOU THINK IT'S GAS?

DO YOU THINK IT'S NATURAL GAS?

NO, MA'AM. I DON'T SMELL ANYTHING.

OH, WELL, IF IT IS, THAT'S DANGEROUS, YOU KNOW.

YES. WELL...

[ SNIFFING ] OOH.

WELL, SHE'S NOT HERE. DO YOU HAVE A KEY?

NO, MA'AM.

WELL, ARE YOU GONNA COME BACK LATER?

NO. I THINK I'M GONNA SIT HERE AND WAIT FOR HER.

OH, WELL, IT MUST BE IMPORTANT.

YES, MA'AM, IT IS.

YOU KNOW, I NEVER DID SEE THAT MAN COME OUT OF THAT HOUSE.

IS THAT RIGHT? MMHMM.

YOU SAID YOU HAD A PICTURE OF HIM.

OH, I DO. IT'S RIGHT HERE.

WELL, I DON'T USUALLY TRAVEL AROUND WITH A PICTURE OF HIM,

BUT I HAD IT BECAUSE I WANTED TO CHECK SOMETHING.

I WANTED TO LOOK AT THIS DOOR AGAIN.

YOU KNOW, MY HUSBAND WAS A POLICE OFFICER.

IS THAT SO? OH, YES.

AND MY SON'S A POLICE OFFICER NOW, YES.

AND MY SONINLAW IS THE CHIEF OF POLICE.

OH, OKAY. MMHMM.

NOW, DO YOU KNOW HIM?

YES.

QUINCY.

QUINCY MAXWELL.

QUINCY MAXWELL.

AND YOU SAW HIM GO INTO THIS HOUSE?

OH, YES, I DID.

MY DAUGHTER LET HIM IN.

WELL, I DIDN'T EXACTLY SEE HER OPEN THE DOOR, YOU KNOW.

BUT I DID SEE HIM GO IN.

YEAH, AND RIGHT AFTER HE WENT IN,

A WHITE MAN RAN OUT RIGHT IMMEDIATELY.

AND HE WAS VERY WELLDRESSED.

AND I FIGURED THAT THIS MAN CAUGHT THEM

IN SOME KIND OF A COMPROMISING SITUATION.

BUT YOU'RE SURE YOU SAW HIM GO INTO THIS HOUSE?

OF COURSE I WELL, IT'S ON CAMERA.

I'M NOT CRAZY.

OH, MA'AM, I DIDN'T SAY YOU WERE.

OH, YOU'RE JUST LIKE MY CHILDREN.

IF I FORGET ONE LITTLE THING, THEY THINK I HAVE ALZHEIMER'S.

WELL, IF IT'S ON THE CAMERA,

THE CAMERA DOES NOT HAVE DEMENTIA.

NO, MA'AM, I KNOW. MM.

NO, I SAW HIM GO IN.

OH. I HAVE TO GO.

[ SIGHS ] WHAT ARE YOU DOING HERE?

CANDACE, WHAT DO I HAVE TO DO TO LET YOU GIVE ME THAT BABY?

[ SCOFFS ]

THERE IS NOTHING YOU CAN GIVE ME,

NOT A DAMN THING.

WHAT DO YOU HAVE, HUH?

I KNOW YOU'RE AFRAID OF QUINCY.

THAT WOMAN SHOWED ME A PICTURE OF HIM WALKING IN THIS HOUSE.

SHE SHOWED YOU THAT?

YES!

GIVE HIM TO ME!

DON'T LET HIM GO INTO THE SYSTEM.

I NEED YOU TO LEAVE.

WHAT DO YOU NEED ME TO DO?

BEG AGAIN SOME MORE?

WHAT? GO HOME, HANNA.

WHEREVER THAT IS.

CANDACE, IF HAD THE MONEY,

I KNOW THAT WOULD MAKE YOU GIVE HIM TO ME.

WELL, YOU HAVE TO HAVE SOMETHING.

I DON'T HAVE NOTHING.

NO.

I GOT...

I GOT $867 TO MY NAME.

YOU WANT THAT?

HMM?

GIVE IT TO ME.

HERE. HERE.

[ MONEY RUSTLING ]

HM.

THIS WON'T EVEN BUY ME A PURSE.

NOW WILL YOU CALL?

I WANT MORE.

CANDACE.

TAKE YOUR LITTLE MONEY.

YOU HAVE NOTHING.

NOTHING.

NOTHING TO OFFER ME.

OKAY.

PLEASE.

GET OFF MY PROPERTY, HANNA.

OH, AND DON'T WALK ON MY DAMN GRASS.

WAIT.

THERE IS SOMETHING THAT YOU CAN DO.

ANYTHING.

TELL BENNY TO SUE THE CRYERS.

CANDACE, WHAT IS THAT TO YOU?

WHAT IS IT TO YOU?

TELL HIM TO SUE...

AND I'LL BRING YOU MY SON.

CANDACE, WHY WOULD YOU WYATT HIT HIM.

HE SHOULD PAY.

YOU GOT THAT MONEY FROM THAT MAN.

THAT'S MY MONEY, OKAY?

THAT BOY HIT MY BROTHER.

HE SHOULD PAY, AND YOU SHOULD LET HIM SUE.

YOUR MONEY?

YOUR MONEY?

YOU BLACKMAILED THAT MAN.

BENNY SHOULD HAVE HIS OWN MONEY.

YOU TOOK THAT MONEY FROM THAT MAN.

THEY DON'T OWE BENNY NOTHING.

SO, IF I DIDN'T BUY THAT TOW YARD FOR BENNY,

WOULD YOU LET HIM SUE THEN? THAT WOULD BE HIS CALL.

THAT DOESN'T MAKE ANY DAMN SENSE TO ME.

WHY NOT?

I'M NOT BENNY. I'M NOT DOING THAT.

AND I'M NOT BRINGING YOU MY SON.

HOW ABOUT THAT?

SO YOU'LL BLACKMAIL ME

YOUR MOTHER...

WITH YOUR OWN CHILD?

IT'S NOT BLACKMAIL.

WHO ARE YOU, GIRL?

OKAY.

OKAY.

I'M DONE. [ SCOFFS ]

YOU PROMISE?

'CAUSE YOU'VE SAID THAT BEFORE.

I KNOW.

I KNOW.

AND HERE YOU ARE ONCE AGAIN.

NUMBER ONE

'CAUSE YOU'LL NEVER UNDERSTAND

WHAT IT'S LIKE TO BE A MOTHER

WHO HAS HOPE FOR HER CHILD.

AND NUMBER TWO 'CAUSE HE'S SO PRECIOUS...

...AND SO INNOCENT.

AND YOU...

GOODBYE, HANNA.

[ DOOR CLOSES ]

♪♪♪♪

HI. HI.

MARTY GOT YOU IN HERE?

YEP. IT'S ALL DONE.

GOOD.

SHE SIGNED EVERYTHING.

GREAT.

OF COURSE, SHE MADE ME GIVE IT ALL TO HER IN CASH.

REALLY?

YEAH.

HUH.

I HAD TO GO TO ALL THE BRANCHES

TO GET IT TOGETHER.

BUT YOU DID IT?

YOU GOT IT TOGETHER? YOU GAVE HER THE MONEY?

YEAH, BUT NOW SOME OF THE BOARD MEMBERS

ARE AT MY THROAT ABOUT IT.

AH, WELL...

KATHERYN AND I WILL PERSONALLY GUARANTEE IT.

LET ME GUESS HEATHER AND JOSHUA.

YES.

GOT THAT COVERED.

OKAY, WELL, YOU KNOW,

THEY DID HAVE A GOOD REASON TO BE UPSET

AND WANT TO CONTACT THE POLICE.

WHAT?

WELL, MS. YOUNG FALSIFIED SOME DOCUMENTS.

SHE DID?

YEP.

HER BROTHER'S NAME IS ON THE DEED,

BUT AS YOU CAN SEE,

THE SIGNATURES DON'T MATCH.

IS THAT SO?

HE DIDN'T SIGN IT.

THIS SITUATION JUST KEEPS GETTING BETTER AND BETTER.

[ SCOFFS ] NOT FOR ME.

LLOYD, I'LL TELL YOU THIS IS WHAT I WANT YOU TO DO.

I WANT YOU TO GET MS. YOUNG ON THE PHONE.

I WANT YOU TO TELL HER TO GET HER SWEET ASS

DOWN TO THE BANK IN 24 HOURS

AND RETURN ALL OF THE MONEY.

OR YOU WILL CALL THE POLICE.

YOU'LL HAVE TO HAVE HER ARRESTED,

AND ALL OF HER PROPERTIES WILL BE FORECLOSED ON

BECAUSE OF THE FALSIFIED DOCUMENT.

[ CHUCKLES ] ARE YOU SURE?

LOOK AT THIS FACE.

DO I LOOK LIKE I'M KIDDING?

OKAY.

YOU PROMISE ME THERE IS NO WAY IN HELL

THAT SHE STILL HAS THIS MONEY?

UNLESS SHE CAME DOWN HERE

AND GOT IT FROM THE EVIDENCE ROOM,

SHE DOESN'T HAVE IT.

ALL RIGHT, THEN YOU DO THIS THING.

YOU START NOW. OKAY.

NOW. GO ON, START.

[ DOORBELL RINGS ]

HI. HI.

COME IN.

YOU DON'T LOOK SO GOOD.

I'M JUST TIRED. OH.

THIS WON'T TAKE LONG, I PROMISE.

OKAY.

HAVE A SEAT.

THANK YOU FOR COMING. SURE.

I'VE AMENDED MY WILL.

NOT THIS AGAIN.

I JUST WANT YOU TO READ THIS.

WHAT?

JUST JUST THIS PARAGRAPH.

ARE YOU DYING, AND I DON'T KNOW IT?

[ SIGHS ]

HANNA.

IS IT CANCER?

NO, I'M FINE.

THEN...

WHA WHAT?

WHY?

WE SHOULD ALL BE PREPARED.

SHOULD WE?

WELL, DON'T YOU HAVE A WILL?

NO. HANNA, YOU NEED A WILL.

I DON'T HAVE ANYTHING TO WILL.

WELL, YOU'LL NEED ONE AFTER YOU READ THIS.

WHAT?

READ IT.

YOU'RE LEAVING ME $5 MILLION?!

YES.

MRS. CRYER.

AND DON'T TELL ME YOU DON'T ACCEPT THAT.

I DON'T.

HANNA, NO ONE IN MY LIFE

HAS BEEN THE KIND OF ROCK THAT YOU HAVE BEEN FOR ME.

YOU WILL ACCEPT THIS.

THANK YOU.

YOU'RE WELCOME.

I HOPE YOU OUTLIVE ME.

I WON'T.

WHY DO YOU SAY THAT?

HAVE YOU SEEN THE DRAMA AND STRESS IN MY LIFE?

HAVE YOU SEEN THE DRAMA AND STRESS IN MINE?

BUT YOU PRAY AND KEEP MOVING ON.

I TRY TO.

THANK YOU.

YOU'RE WELCOME.

THAT'S ALL RIGHT. THANK YOU.

I THINK THIS IS THE KINDEST THING

ANYBODY'S EVER DONE FOR ME.

WELL, PEOPLE SHOULD DO MORE FOR YOU.

THANK YOU.

BUT THIS IS ONE OF THOSE THINGS

THAT I HOPE IT TAKES A LONG TIME TO GET.

WELL, ME TOO.

[ CLEARS THROAT ]

I KNOW YOU HAVE A BUSY DAY.

YEAH, I DO.

ARE YOU GOING TO SEE WYATT?

I WAS GONNA BE AT THE HOSPITAL.

I'D LIKE YOU TO SEE HOW HE IS.

OKAY.

I'LL CALL YOU.

THANKS.

MRS. CRYER, UM...

...I HAVE A FAVOR TO ASK YOU, TOO.

ANYTHING.

IF I GO TO JAIL, WOULD YOU GET ME OUT?

ARE YOU PLANNING ON COMMITTING A CRIME?

YEAH.

WHAT KIND?

I JUST NEED YOU TO GET ME OUT.

HANNA, WHAT ARE YOU GONNA DO?

I'LL CALL YOU.

HANNA, YOU TELL ME. WHAT

NOBODY'S GONNA BE HURT.

HANNA, WHAT IS GOING ON?

SORRY. HANNA.

I'M SORRY. HANNA.

HANNA, WAIT.

WHAT'S HANNA!

♪♪♪♪

[ KNOCKING ]

JEFFERY. HEY.

HEY. [ SIGHS ]

JEFFERY.

YOU SHOULD HAVE CALLED ME TO TELL ME YOU WERE COMING.

SORRY ABOUT THAT.

YOU'VE BEEN CRYING? [ SNIFFLES ]

NO.

WELL, YEAH.

YEAH.

YOU'VE BEEN CRYING.

HAVE YOU BEEN CRYING?

WYATT?

YEAH, BUT HE'S OKAY.

REALLY? YEAH.

HE DIDN'T DIE.

WOW.

HE WAS FOUND. AND, UH, HE DID O. D., THOUGH.

BUT HE'S GONNA MAKE IT.

I'M SURE THAT MAKES YOU FEEL GOOD.

YEAH.

SO, I MEAN, WHAT'S GOING ON?

WHAT WERE YOU CRYING ABOUT?

WHAT'S THE POINT IN TALKING ABOUT IT?

IT HELPS.

DOES IT?

OR IS THAT WHAT THEY TAUGHT YOU IN SCHOOL?

NO, IT HELPS.

MY SON.

WHAT? WHAT ABOUT HIM?

[ SIGHS ]

I LOVE HIM SO MUCH.

AND I'M AFRAID.

WHY?

I CAN'T BRING HIM HERE.

MM.

HIS FATHER IS DEAD AND BURIED IN MY BACKYARD.

WHAT IF HE WANTS TO PLAY OUT THERE?

HE CAN'T.

I CAN'T LEAVE HIM WITH MY MOTHER.

JUST I CAN'T.

WELL, CANDACE...

NO, HE

JEFFERY, SHE'S NOT RIGHT.

WELL, SHE'S BETTER THAN MINE, FOR SURE.

YOU DON'T UNDERSTAND.

I SPOKE WITH YOUR MOTHER.

AND SHE WALKS IN KINDNESS.

YEAH, WITH EVERYBODY BUT ME.

BUT YOU'VE DONE A LOT, CANDACE.

AND SO HAS SHE.

BUT PEOPLE CHANGE.

HAS YOUR MOTHER?

NO. NO, SHE HASN'T.

EXACTLY.

BUT THEY'RE TWO DIFFERENT PEOPLE.

MY MOTHER LIVES IN HATE.

SHE CONTROLS EVERYTHING.

SHE NEEDS EVERYTHING TO LOOK PERFECT ON THE OUTSIDE.

YOUR MOTHER DOESN'T CARE WHAT THINGS LOOK LIKE ON THE OUTSIDE.

SHE JUST WANTS IT TO COME FROM A PURE PLACE.

THAT CAN'T BE WRONG.

[ BREATHES DEEPLY ]

I'M GONNA GIVE MY SON UP FOR ADOPTION.

REALLY?

MMHMM.

I CAN'T LEAVE HIM WITH MY MOTHER.

I JUST I CAN'T.

AND...

I CAN'T RAISE HIM.

[ SIGHS ]

I'M SO MESSED UP, JEFFERY.

AND I'M SO BROKEN.

I JUST...

HAVE CONNED TOO MANY PEOPLE.

AND ONE DAY, THIS IS ALL GONNA CATCH UP TO ME.

IT'S...

ACTUALLY, IT'S CATCHING UP TO ME NOW...

EVERY DAY.

I CAN'T BRING HIM INTO THIS.

IT'S IT'S NOT RIGHT.

I CAN'T.

WELL, ARE YOU SURE YOU CAN'T LEAVE HIM WITH YOUR MOTHER?

WOULD YOU LEAVE YOURS WITH YOUR MOTHER?

APPARENTLY SO.

SHE'S, UH, MOVED MELISSA IN,

AND I HAVE TO MOVE IN WITH HER.

JEFFERY.

IF I DON'T PROPOSE THIS EVENING,

THE POLICE ARE GONNA SERVE A WARRANT AT THIS PLACE.

YOU DIDN'T PUT THE KNIFE IN DEEP ENOUGH.

I DIDN'T MEAN TO DO THAT.

YOU SURE?

I SNAPPED.

THEN SNAP AGAIN.

COME ON, CANDACE.

[ SIGHS ]

WHAT ARE WE GONNA DO?

I DON'T KNOW.

YOU ARE THE BAD BITCH.

AND YOU DO ALWAYS SEEM TO HAVE THE ANSWERS.

WELL, THIS BAD BITCH IS TIRED.

AND I'M RUNNING OUT OF ANSWERS.

AND I'M RUNNING OUT OF TIME.

♪♪♪♪

NEXT ON "THE HAVES AND THE HAVE NOTS"...

ISN'T THIS WHAT YOU LIKE, DARLING?

GET YOUR CRAZY ASS OUT OF MY OFFICE.

IS MY BABY GONNA BE OKAY?

YOU'RE NOT PUTTING MOMMY IN JAIL.

THEN YOU SUE!

HANNA YOUNG ON THE RUN?

[ SNICKERS ] NOW, THAT'S FUNNY.

[ LAUGHS ]

YOU'RE GONNA WAKE THIS BABY UP.

YOU KNOW THAT BITCH IS WATCHING, SO LOOK INTERESTED.

WHY DON'T YOU COME OUT OF THE CAR, GO UPSTAIRS,

AND HAVE SEX WITH ME?