Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

GET OUT OF MY HOUSE. ALL RIGHT, THEN.

AH.

TURN OFF THE LIGHTS.

WHAT'S GOING ON? WHAT WHAT IS THIS?

IT'S A CHEMICAL THAT DEPICTS BLOOD.

SO SHE KNOWS?! YES.

Jennifer: WHAT AM I GONNA TELL HIS PARENTS?

WHAT WHAT DO I SAY?

I NEED YOU TO GET JENNIFER SALLISON DOWN HERE NOW!

PIPE DOWN, CRYER. WE DON'T WORK FOR YOU.

DOWN HERE RIGHT NO, I NEED JENNIFER

OH, STOP!

STOP BEING A DRAMA QUEEN AND GET UP.

DIDN'T I TELL YOU TO GET UP?

NO!

[ SCREAMS ]

♪♪♪♪

[ GASPS ]

♪♪♪♪

[ DOOR OPENS, CLOSES ]

Katheryn: OH, OH.

OH, MY... [ STUTTERS ]

[ GROANS ]

HELP ME.

VERONICA?

SHH, SHH, SHH. SHH, SHH.

UH, HANNA, CALL THE AMBULANCE.

OKAY.

[ BREATHES SHAKILY ]

HELP ME.

SHH.

JUST STAY CALM. STAY CALM.

I CAN'T I CAN'T BELIEVE HE DID THAT.

I CAN'T SAY THAT I CAN'T.

HANNA?

HANNA. YES?

THE PHONE!

OKAY.

[ BREATHES SHAKILY ]

THAT SON OF A BITCH.

SHH, SHH. SHH, SHH, SHH, SHH.

YOU KNOW, WHEN YOU SAY THAT, YOU'RE CUSSING YOURSELF, RIGHT?

SHUT UP, HANNA.

[ SCOFFS ]

YOU MIGHT WANT TO CONTROL YOUR BREATHING.

HANNA! I'M CALLING.

[ Dialing ]

HE STABBED ME.

HE STABBED ME. SHH, SHH, SHH, SHH.

TRY TRY TRY TO STAY CALM.

NO, NO, NO! DON'T TAKE IT OUT!

WHY NOT?

YOU MIGHT BLEED TO DEATH. DON'T.

DISPATCHER: 911. What's your emergency? Hello?

YEAH. 911.

YES, WE, UH...NEED AN AMBULANCE.

What's your emergency?

SOMEBODY GOT, UH...

WELL, THEY HURT THEMSELVES.

I WAS STABBED.

What's your emergency?

SOMEBODY HAD AN ACCIDENT.

[ SCOFFS ] THIS WAS NO ACCIDENT.

HE STABBED ME.

♪♪♪♪

Captions by VITAC www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

[ INSECTS CHIRPING ]

DISPATCHER: What's the emergency?

SOMEONE HAD AN ACCIDENT.

Did I hear someone in the background

say they were stabbed, ma'am?

YEAH.

Is the perpetrator still there?

NO.

Who stabbed her, ma'am?

DO YOU HAVE THE ADDRESS?

Yes, we have it here, but who stabbed her, ma'am?

YOU JUST SEND AN AMBULANCE OR FIRE DEPARTMENT

SOMEBODY, PLEASE?

Yes, I will, but we need to know this information

for the police.

LOOK, I DON'T THINK THE INJURIES

ARE LIFETHREATENING OR ANYTHING.

SHE PROBABLY JUST NEEDS A BANDAID.

I MEAN, IT'S A PARING KNIFE.

Who stabbed her, ma'am?

WELL, UM... Did you?

NO, MA'AM.

Okay, then who?

YOU JUST NEED TO SEND AN AMBULANCE.

IT WAS IT WAS IT WAS IT WAS MY SON!

HE STABBED ME!

What what did she say, ma'am?

VERONICA, STAY CALM. HE STABBED ME!

CAN YOU SEND AN AMBULANCE, PLEASE?

What's your name?

"BYSTANDER."

NOW, YOU HAVE THE ADDRESS. THAT'S ALL WE NEED.

GIVE ME THE PHONE. JUST GIVE ME THE PHONE.

Ma'am, I need this information for the police.

LOOK, THERE IS NO DANGER HERE.

YES, THERE IS! MY SON TRIED TO KILL ME!

MY SON TRIED...

TRY TO STAY CALM, PLEASE. JUST CONTROL YOUR BREATHING.

IT'S OKAY. IT'S OKAY.

HANNA? YES?

GIVE ME THE PHONE.

HANNA, GIVE HER THE PHONE.

LOOK, Y'ALL ARE TALKING TOO MUCH.

ARE Y'ALL ON THE WAY? HANNA!

HANNA!

DISPATCH: Ma'am, what is she saying?

THIS WAS MY SON! HIS NAME IS JEFFERY HARRINGTON!

HE'S A BLACK MALE, HE'S 173 POUNDS, 6'1".

HE TRIED TO K

I THINK SHE'S FINE. SHE JUST NEEDS AN AMBULANCE.

Ma'am? Ma'am!

[ TELEPHONE BEEPS ]

THEY'RE ON THEIR WAY.

[ INHALES SHARPLY ]

YOU BITCH.

WANT ME TO PUSH IT IN A LITTLE FURTHER?

♪♪♪♪

WHY DIDN'T YOU LET ME TALK TO...?

THEY'RE COMING, AND WATCH YOUR MOUTH.

KATHERYN.

KATHERYN, CALL 911.

SHE ALREADY DID.

NO, SHE DIDN'T.

YES, SHE DID.

[ SOBS ] NO, SHE DIDN'T.

SHH.

VERONICA, STAY CALM. BUT

SHE CALLED THEM. THEY WILL BE HERE ANY MINUTE.

SHE WANTS ME TO DIE.

NO, SHE DOESN'T.

MRS. CRYER?

YES?

I CALLED THEM.

♪♪♪♪

[ CAR DOOR CLOSES, ENGINE STARTS ]

DAVID...

[ EXHALES SHARPLY ]

YEAH?

HANNA TOLD ME.

I'M SORRY.

I NEED JENNIFER SALLISON.

FOR WHAT REASON?

I NEED TO TALK TO HER.

WHY?

BECAUSE I NEED TO TALK TO HER.

DAVID, IT'S VERY SIMPLE. I UNDERSTAND, JIM.

I NEED TO TELL HER THAT SHE KILLED MY SON.

JIM...

JENNIFER IS STILL THE D. A.,

AND SHE IS PROSECUTING YOUR CASE PERSONALLY.

YOU SHOULD NOT TALK TO HER IN THIS STATE OF MIND.

I NEED TO.

I WILL TALK TO HER.

[ SNIFFLES ]

[ COUGHS ]

HAVE YOU SEEN HIM?

NO.

I WILL NOT BELIEVE THAT THIS IS REAL

UNTIL YOU TELL ME THAT YOU HAVE SEEN HIM.

I UNDERSTAND.

I NEED YOU TO GO TO THE MORGUE, DAVID.

I WILL.

[ SNIFFLES ] I NEED YOU TO GO TO THE MORGUE

AND SEE MY SON AND TELL ME THAT THEY MADE A MISTAKE

THAT WYATT CRYER IS FINE.

CAN YOU DO THAT FOR ME, DAVID?

[ BREATHING SHAKILY ]

I WILL GO.

AND THEN I NEED YOU TO COME BACK HERE TO ME

AND TELL ME THAT THEY MADE A MISTAKE.

I WILL. I WILL HANDLE THIS.

[ SOBS ] I...

JIM.

I NEED HIM TO BE FINE. I UNDERSTAND.

THIS IS TOO HEAVY A LOAD, DAVID.

I UNDERSTAND.

[ EXHALES SHARPLY ]

YOU'LL COME BACK HERE AND YOU'LL SEE ME?

I WILL SEE YOU. YOU'LL SEE ME.

YOU'LL MAKE IT THROUGH.

I UNDERSTAND.

[ SNIFFLES ]

OKAY, OKAY, OKAY, OKAY, OKAY, OKAY.

OKAY.

THANK YOU FOR COMING, DAVID. I APPRECIATE IT.

AND I'LL SEE YOU BACK HERE.

YES, YOU WILL.

[ SNIFFLING ]

[ BUZZER ]

[ GASPS ] OKAY.

[ SOBS ]

[ SNIFFLING ]

[ BUZZER, LOCK CLICKS ]

♪♪♪♪

Veronica: [ Echoing ] WHAT IS WRONG WITH YOU?

Wyatt: MAN UP! IT'S JUST A DEAD BODY.

DEAD BODY.

DEAD BODY.

Woman: ALL OF OUR MEMORIES ARE LIES.

LIES.

SHOW UP AND BE THE MAN THAT WE HAVE RAISED.

WE HAVE RAISED.

I WISH I COULD BE THAT CUNNING, THAT CONNIVING,

AS WICKED AS HER.

I'M TIRED! I'M TIRED OF IT!

I DON'T WANT TO BE CAUGHT UP IN THIS TRAP ANYMORE!

YOU'RE A MEAN, CRUEL PERSON.

CRUEL PERSON.

GET AWAY FROM ME. GET AWAY FROM ME.

I LOVE YOU, WYATT.

THERE IS NO "US"! I'M NOT GAY!

I'M NOT GAY!

NOW, I WANT YOU TO FIND A GIRL.

WHAT IS WRONG WITH YOU?

I AM NOT HAVING AN ABORTION!

STOP, STOP!

Landon: JEFFERY, YOU'RE PATHETIC.

I DON'T TRUST YOU. I DON'T TRUST YOU.

I DON'T TRUST YOU.

YOU PEOPLE ARE ALL CRAZY.

CRAZY.

HOW DARE YOU, JEFFERY, BE A HOMOSEXUAL!

BE A HOMOSEXUAL!

SHUT UP! I TALK NOW!

[ INDISTINCT SHOUTING ]

Veronica: YOU ARE A MAN, JEFFERY.

I AM A MAN! I AM A MAN, MOM!

I AM A GAY MAN!

DO YOU WANT TO BE A GIRL?

I'M DONE!

[ SCREAMS ]

[ DISTORTED SCREAM ]

SNAP OUT OF THIS!

[ Ringing ]

[ CELLPHONE RINGS ]

[ CELLPHONE BEEPS ]

JEFFERY, I CAN'T TALK RIGHT NOW.

I I I THINK I KILLED MY MOTHER.

WHAT?

I STABBED HER.

JEFFERY, WHAT?

YEAH.

WHAT ARE YOU SAYING? I DON'T KNOW.

SHE SHE WAS SAYING ALL THIS THIS THIS STUFF,

AND AND...

OH, MY GOD.

DID SHE DID SHE SAY SHE WAS GONNA TURN US IN?

NO, SHE WAS SAYING THAT THAT THAT SHE WAS...

OH, MY GOD, I'M A...

IS THAT WHAT SHE WAS SAYING?

NO, I NO, NO, NO. I I, UH...

WHAT WAS SHE SAYING?

IT WAS IT WAS ABOUT WYATT,

AND I I JUST I JUST LOST IT. I I...

OKAY, CALM DOWN.

NO, I KNOW SHE'S GONNA TURN US IN.

I KNOW IT, I KNOW IT. I KNOW SHE'S GONNA TURN US IN.

CALM DOWN. I know she is.

[ SIGHS ] WHERE ARE YOU?

I'M I'M AT I'M AT THE SARANDON.

WHERE DID YOU DO THIS?

AT THE CRYERS'.

AT THE CRYERS'?

YES.

DID KATHERYN CRYER SEE IT?

YES, AND YOUR MOTHER.

MY MOTHER? Yeah.

IS SHE STILL WORKING THERE?

YEAH, I I DON'T KNOW. I DON'T KNOW.

MAYBE SHE WAS THERE BECAUSE OF BECAUSE OF WYATT.

[ SIGHS ]

WYATT?

YEAH, HE DIED, CANDACE.

WHAT?!

YEAH, HE HE OD'd.

Oh, my God.

Okay. NO, I

UM, JUST JUST JUST JUST WAIT THERE.

I CAN'T. I I KNOW SHE'S GONNA TURN US IN.

I I KNOW IT.

SLOW DOWN! SLOW DOWN!

Yeah, but she's gonna turn us in, Candace.

I know it! WAIT THERE.

I WILL BE THERE IN AN HOUR. In an hour?!

CANDACE, I I DON'T KNOW IF I I MIGHT GET ARRESTED BY THEN.

THE THE POLICE MIGHT BE AT YOUR PLACE.

I MEAN, I I'M SURE OF IT.

I'M SURE THEY'RE GONNA BE THERE, CANDACE.

JEFFERY No! No!

NO. WE HAVE TO FIGURE THIS OUT NOW!

JEFFERY, JUST WAIT. JUST CALM DOWN.

I CAN'T. CA

[ SIGHS ]

IS YOUR MOTHER DEAD?

I DON'T KNOW. I DON'T KNOW.

THEN...HOW WOULD YOUR MOTHER TURN US IN

IF YOU KILLED HER?

I DON'T KNOW, BUT IF SHE IS, SHE'S GONNA TURN US IN.

JUST I NEED YOU TO CALM DOWN.

I GOT TO FIGURE THIS OUT, ALL RIGHT?

[ SIGHS ]

I JUST GOT TO BE SOMEWHERE RIGHT NOW.

NO, I NEED YOU HERE NOW!

I'M GO [SIGHS] I'M GONNA HAVE A FRIEND CALL THE HOTEL

AND GET YOU A ROOM.

I'M GONNA LEAVE THE KEY UNDER THE NAME ERICA BOYD.

I'M GONNA NEED YOU TO GO AND GET THOSE KEYS

AND AND AND SWITCH ROOMS, ALL RIGHT?

JUST WAIT THERE.

No one will know you're there.

WAIT THERE. OKAY?

OKAY.

I'LL BE THERE IN AN HOUR.

YEAH.

[ CELLPHONE BEEPS ]

[ SIGHS ]

Okay.

Oh, my...

♪♪♪♪

♪♪♪♪

[ FOOTSTEPS APPROACH ]

JENNIFER.

I TOLD THEM I WASN'T SEEING ANYONE.

WELL, I'M NOT JUST ANYONE.

HOW CAN I HELP YOU, DAVID?

JIM WOULD LIKE TO SEE YOU.

YOU KNOW THAT'S NOT GONNA HAPPEN.

WHY? BECAUSE YOU'RE HIDING FROM HIM?

I AM PREPARING A CASE AGAINST HIM.

WITH NO WITNESSES?

WHAT DO YOU WANT, DAVID?

I WANT YOU TO DROP THIS.

I WON'T.

JIM'S SON IS DEAD.

AND THAT'S WHY I WON'T DROP THIS.

HOW MUCH SUFFERING DO YOU WANT THE CRYERS TO GO THROUGH?

AS MUCH AS LIZZIE CASTILLE'S FAMILY IS SUFFERING,

AND BENNY YOUNG. OH, AND BENNY YOUNG.

YOU'VE ALREADY TAKEN THIS TOO FAR.

HAVE I?

YES.

DAVID, PLEASE.

YOU GAVE THAT BOY ACCESS TO MORE MONEY THAN HE COULD HANDLE,

AND IT KILLED HIM.

NOW, YOU KNOW THAT WAS NOT MY

NOW, STOP IT. I KNOW YOU.

DO YOU? I KNOW YOU.

I KNOW YOU.

[ SIGHS ]

WHAT HAPPENED TO MAGGIE DAY?

MAGGIE DAY? YES.

WHAT'S THIS ABOUT SOME INTRUDER AT YOUR WIFE'S HOUSE?

LOOK, YOU'LL HAVE TO TALK TO VERONICA ABOUT THAT.

I CAN'T, BUT I AM TALKING TO THE D. A. IN THE COUNTY WHERE SHE LIVES.

FINE.

THAT IS SO SUSPICIOUS.

THE MISTRESS OF HER HUSBAND

GUNNED DOWN OUTSIDE THE FRONT DOOR?

SHE WAS MY CAMPAIGN MANAGER,

AND VERONICA HAD WITNESSES.

THE POLICE

DAVID, DON'T.

YOU KNOW THAT'S ALL TOO CONVENIENT.

[ SCOFFS ]

IS THAT WHAT THIS IS REALLY ABOUT?

WHAT?

YOU'RE ANGRY WITH ME?

[ SCOFFS ] WHAT ARE YOU TALKING ABOUT?

I'M TRYING TO TALK ABOUT WYATT AND THE CRYERS,

AND YOU KEEP TALKING ABOUT MAGGIE DAY.

WHOSE BODY IS BEING SHIPPED TO D. C.

FOR A STATE FUNERAL DID YOU KNOW THAT?

YES, I DID.

ARE YOU GOING TO BE ATTENDING HER SERVICE, DAVID?

NO, I AM NOT.

WELL, YOU SHOULD.

SHE GOT FURTHER WITH YOU THAN I DID.

WOW.

THE CRYERS' CHILD IS DEAD.

I CAN'T LET THAT INTERFERE, OKAY?

I HAVE A TRIAL TO PREPARE FOR.

SO YOU WON'T SEE JIM?

NO, I WON'T. I WILL NOT.

OKAY.

SO...

SO, ARE WE DONE HERE?

YES.

OKAY. THANK YOU.

GOODBYE.

HOLD ON. WHAT IS IT NOW?

[ SIGHS ]

JIM ASKED ME TO I. D. WYATT'S BODY.

WELL, IT'S NOT HERE YET.

IT'S NOT? NO.

WHERE IS IT?

IT'S STILL AT THE HOTEL. STILL?

IT'S ONLY BEEN 32 HOURS SINCE HE WAS FOUND,

SO WE NEED TO RULE OUT FOUL PLAY.

FOUL PLAY?

YES. WHAT?

DON'T LOOK SO SHOCKED, DAVID.

NOW, WHO WOULD WANT TO HURT WYATT CRYER?

YOU'RE KIDDING, RIGHT?

WHAT ARE YOU SAYING?

I'M SAYING, TAKE A LOOK AT YOUR FRIENDS, DAVID.

NOTHING IS BENEATH THEM. THEY'LL DO ANYTHING TO ESCAPE.

NO, NO, NO. THAT WAS THEIR CHILD.

YES, JUST LIKE AMANDA WAS THEIR CHILD.

AND SHE COMMITTED SUICIDE, SO WHAT ARE YOU TALKING ABOUT?

I WANT TO SHOW YOU SOMETHING.

WHAT?

TAKE A LOOK AT THIS. YOU NOTICE ANYTHING?

JENNIFER, YOU'RE GONNA NEED TO BE MORE SPECIFIC.

HOW DID THE BLOOD SPATTER IN AMANDA'S ROOM

TRAVEL THIS FAR?

FROM THE FLOOR, TO THE WALL, TO THE DESK?

DAVID, COME ON.

I HAVE NO IDEA.

BUT YOU SAID YOURSELF, IT WAS CONSISTENT WITH SUICIDE.

THE INITIAL OFFICER NOTICED IT, AND HE MADE THE RIGHT CALL.

REALLY?

THEN THE M. E., WHO JUST RETIRED, CAME IN AND OVERRULED HIM

THE M. E., WHO'S ALSO A FRIEND OF THE CRYERS.

WHAT ARE YOU SAYING?

I'M SAYING A NEW M.E. CAME IN, LOOKED AT THIS,

AND RECLASSIFIED IT.

AS WHAT?

AMANDA'S DEATH WAS DEFINITELY A HOMICIDE, DAVID.

NO.

JENNIFER, THERE'S NO WAY.

LOOK AT THE EVIDENCE. JENNIFER.

I'M JUST DOING MY JOB.

ARE YOU SERIOUS?

I AM, AND THAT'S WHY WYATT'S DEATH

IS BEING INVESTIGATED AS WE SPEAK.

WELL, THIS IS RIDICULOUS.

LOOK AT IT.

SO UNTIL WE'RE SURE THAT WYATT DIED OF AN OVERDOSE,

HIS BODY WON'T BE GOING TO THE MORGUE.

FINE.

SO WHAT'S THE NAME OF THE HOTEL?

I'LL I. D. THE BODY THERE.

NOT AT AN ACTIVE CRIME SCENE, YOU WON'T.

WHEN WILL THE CRIME SCENE INVESTIGATION BE COMPLETE?

I'M NOT TELLING YOU WHERE HE IS.

COME ON, DAMN IT, JENNIFER, THIS IS ME.

WHAT IS THAT SUPPOSED TO MEAN?

I DON'T EVEN KNOW YOU ANYMORE, MR. "I'M HAVING AFFAIRS NOW."

COME ON, WILL YOU STOP IT? JUST DON'T PLAY THAT GAME.

LET ME AT LEAST LET THE MAN KNOW

FOR SURE THAT IT'S HIS SON.

PLEASE, JENNIFER?

[ SIGHS ]

THE LEAST YOU CAN DO IS LET ME CONFIRM

THAT IT'S WYATT FOR HIS GRIEVING PARENTS.

FINE.

[ SIGHS ]

DETECTIVE BLAKE WILL LET YOU IN THE ROOM.

THANK YOU.

NO PROBLEM.

[ CELLPHONE VIBRATING ]

YEAH?

HEY. I NEED TO SEE YOU.

WHAT?

The Sarandon, room 658.

THAT CAN'T HAPPEN.

LOOK, LOOK. COME ON, LOOK, LOOK.

LOOK, I DID SOMETHING VERY BAD.

WHAT'D YOU DO?

LOOK, JUST, PLEASE, JUST COME. I REALLY NEED YOUR HELP.

DO YOU KNOW WHAT TIME IT IS?

PLEASE, JUST COME. I DON'T KNOW WHO ELSE TO CALL.

Please.

ALL RIGHT, I'M ON MY WAY.

WHAT'S GOING ON?

IT'S A HOMICIDE.

YOU HAVE THE NIGHT OFF.

YEAH, I KNOW.

[ BREATHES DEEPLY ]

OKAY.

BE CAREFUL.

I WILL.

HEY?

I LOVE YOU.

I LOVE YOU, TOO.

[ SIGHS ]

[ SMACKS LIPS, SIGHS ]

YO. YO, WE'VE BEEN SITTING HERE FOR HOURS, MAN.

I KNOW.

THIS DOG AIN'T COMING.

I KNOW, I KNOW, MAN.

COME ON, LET'S ROLL, HUH?

LET'S GET OUT OF HERE, YEAH? COME ON.

SO WHAT DO YOU THINK HE DID, MAN?

IT'S DRIVING ME CRAZY.

[ SCOFFS ] I DON'T KNOW.

I MEAN, HOW DO YOU JUST MAKE OUR PHONES STOP RINGING?

THERE'S A DIAL TONE, THE PHONES AREN'T RINGING.

RIGHT. RIGHT, RIGHT. I I DON'T KNOW, MAN.

IT'S LIKE, WHAT IS THIS, LIKE SOME CSI, LIKE...?

NEXT LEVEL, HUH?

YOU KNOW?

PFFT!

IT'S CRAZY.

WELL, I'M GOING TO JUST BEAT HIS ASS.

WHAT?

YEAH. I BET HE GET 'EM BACK ON THEN?

NAH, NAH, BUT YOU CAN'T DO THAT, MAN.

WHY NOT?

NAH, YOU CAN'T DO THAT.

YOU CAN'T GO AT THESE FOLKS LIKE THAT, MAN.

WHAT ARE YOU TALKING ABOUT?

THEY'RE CLEVER.

AW, MAN.

NOW YOU GOT TO BE CLEVER, TOO, MAN.

I'M TELLING YOU, THIS IS DIFFERENT.

ALL RIGHT. MR. CLEVER, LIKE WHAT?

ALL RIGHT, LET ME BREAK IT DOWN FOR YOU.

YOU GOT TO OUTTHINK AND OUTPLAY THESE GUYS.

YOU GOT TO USE YOUR STREET SMARTS,

YOU KNOW WHAT I MEAN?

LOOK, THEY COME AT YOU, YOU COME AT THEM.

MMHMM.

THEY HIT YOU...

MAN, YOU GOT TO HIM 'EM.

OH, I'M GONNA HIT 'EM, ALL RIGHT.

NAH, THAT'S NOT WHAT I MEAN, MAN.

YOU'RE MISSING THE POINT.

YOU HIT HIS WIFE,

HE HITS YOUR POCKETS, RIGHT?

BUT HE DIDN'T COME DOWN HERE AND TRY TO FIGHT YOU,

YOU FEEL ME?

SO YOU GOT TO HIT HIM WHERE IT HURTS.

MMM. I SEE WHAT YOU SAYING.

SEE, HE HIT YOU IN THE POCKET.

HE HIT YOU WHERE IT HURT.

WELL THEN, LET'S FIND OUT WHERE HE HURTS.

RIGHT. MY MAN.

ALL RIGHT.

RIGHT.

[ Chuckling ] WELL...

WELL, I MEAN, I ALREADY HIT HIS WIFE.

WHAT ELSE?

YEAH. [ CHUCKLES ]

THAT'S ANOTHER THING WE NEED TO TALK ABOUT, TOO.

OH, NO, WE DON'T NEED TO TALK ABOUT THAT.

[ LAUGHS ] MAN.

YO, I DON'T KNOW WHAT YOU'RE DOING,

BANGING OUT THESE OLD BROADS.

HEY, MITCH, DON'T LET THE AGE FOOL YOU, DOG.

THAT OLDASS BROAD HAD MADSKILLS.

OH, MAN, THAT'S CRAZY.

I'M TELLING YOU.

UHH.

BACK ON A SERIOUS NOTE, MAN.

WHAT ELSE YOU KNOW ABOUT THIS DUDE?

BRO, ALL I KNOW ABOUT HIM IS HE'S A JUDGE.

OKAY.

UH...

YEAH, HE'S GOT A SON.

ALL RIGHT.

ANYTHING ELSE?

UH...

BRO, THAT'S IT.

FAR AS I KNOW.

HOW MUCH HE LOVE HIS SON?

AH, MITCH, I AIN'T MESSING WITH HIS SON, MAN.

NAH, THAT'S NOT WHAT I'M SAYING.

WELL, THEN, WHAT YOU SAYING?

YOU FIND A MAN'S WEAKNESS,

TAKE HIS POWER FROM HIM.

FEEL ME?

MMM.

IF HIS SON IS HIS WEAKNESS...

THEN YOU GOT THE POWER, MY MAN.

RIGHT?

I THINK YOU PAY HIS SON A VISIT.

YEAH?

YEAH.

YOU WANT TO DO THAT?

HELL, YEAH.

ALL RIGHT.

IT'S THE ONLY WAY I SEE THIS GOING DOWN.

WELL, LET'S GO PAY HIS ASS A VISIT.

ALL RIGHT, LET'S GO.

[ ENGINE STARTS ]

GO UP THERE AND MAKE A RIGHT.

[ KNOCKS ON DOOR ]

LOOK, YOU CAN NEVER CALL MY HOUSE AGAIN.

I THINK I KILLED MY MOTHER.

WHAT?

YOU HEARD ME.

WHAT ARE YOU SAYING?

I'M SAYING...

I STABBED HER IN THE HEART.

YOU'RE NOT KIDDING?

NO.

ALL RIGHT, TELL ME WHAT HAPPENED.

I NEED TO KNOW WHO I'M TALKING TO.

AM I TALKING TO THE COP

OR AM I TALKING TO THE GUY WHO WAS HANDCUFFED IN BED?

WE DON'T DISCUSS THAT.

WHO AM I TALKING TO?

JEFFERY, JUST TELL ME WHAT HAPPENED.

WHO AM I TALKING TO?

IF I WANTED YOU BUSTED, YOU'D BE GONE ALREADY.

WHY DO YOU HAVE TO MAKE THIS SO DIFFICULT?

I DON'T KNOW, SHE WAS JUST SAYING ALL KIND OF STUFF AND...

ABOUT YOU SLEEPING WITH HER BOYFRIEND?

WHAT?

YOUR FRIEND CANDACE, SHE TOLD ME THE NIGHT YOU WERE ARRESTED,

THAT YOU WERE SLEEPING WITH HIM.

SHE WAS LYING.

SHE THAT'S THAT'S NOT TRUE.

MY MOTHER DOESN'T HAVE A BOYFRIEND.

I WOULD NEVER, I... JUST THAT'S JUST CRAZY.

I DON'T KNOW WHY SHE MAKES UP SUCH CRAP.

OKAY. WHY DID YOU STAB HER?

I, UM...

SHE WAS SAYING SUCH...

AWFUL THINGS TO ME.

AND BEFORE I KNEW IT,

THE KNIFE WAS IN HER CHEST.

[ SIGHS ]

DISPATCH.

NO, NO, NO! NO, NO.

SHH!

PLEASE, DON'T. PLEASE, PLEASE...

JEFFERY. JEFFERY. JEFFERY.

CALM DOWN.

JUST CALM DOWN.

DISPATCH, I NEED TO CHECK A POSSIBLE WARRANT.

MAN: Go ahead.

LAST NAME, HARRINGTON, FIRST NAME, JEFFERY MICHAEL?

It's clean. No warrants.

THANK YOU, DISPATCH.

YOU DON'T HAVE ANY WARRANTS.

WWHAT ABOUT MY MOTHER? IS IS MY MOTHER DEAD?

LET'S JUST GIVE IT A SECOND.

I DON'T WANT 'EM RECORDED TOO CLOSE TOGETHER.

[ SIGHS ]

DAMN.

[ SIGHS ] THIS NIGHT...

[ Sobbing ] I LOST MY BEST FRIEND.

[ SOBBING ]

HEY?

HEY?

IT'S GOING TO BE OKAY.

HEY?

IT'S GOING TO BE OKAY.

I PROMISE.

I NEED YOU TO TAKE ME TO CANDACE'S HOUSE.

I NEED TO SHOW YOU SOMETHING.

♪♪♪♪

[ POLICE RADIO CHATTER ]

JUDGE HARRINGTON. DETECTIVE BLAKE.

WE'RE WRAPPING UP HERE.

IT'S NO LONGER A CRIME SCENE?

NO. NO FOUL PLAY HERE.

GOOD.

DRUGGIES, UH, CLEANED UP BEFORE THEY LEFT, THOUGH.

I SEE.

YOU HERE TO I. D. HIM?

YES.

THERE HE IS.

OKAY.

IS THAT HIM?

CAN YOU TURN HIM OVER?

SURE.

TURN HIM OVER.

IS THAT HIM?

YEAH.

YES, THAT'S HIM. THAT

THAT'S WYATT.

WYATT.

HE'S WARM.

Blake: WHAT?

HE'S BREATHING! CALL AN AMBULANCE!

HE'S BREATHING!

I NEED AN AMBULANCE TO THE SARANDON HOTEL.

[ CELLPHONE RINGING ]

YO.

Benny? YEAH.

CANDACE: Can you do me a favor?

WHAT'S THAT?

JEFFERY JUST TOLD ME HE STABBED HIS MOTHER.

WHAT?

Yeah. Can you call Hanna and see?

YOUR MOTHER, YOU MEAN? AND HOW WOULD SHE KNOW, ANYWAY?

HE TOLD ME HE STABBED HER IN FRONT OF HER.

[ SIGHS ] WHAT?

Well, did he kill her?

I SURE IN THE HELL HOPE SO.

CAN YOU CALL HANNA, PLEASE?

[ SIGHS ] I MEAN, IS

UGH, IS THERE ANOTHER WAY TO FIND OUT?

WHAT ARE YOU TALKING ABOUT?

I don't know about me calling Mom right now.

WHY?

'CAUSE SHE'S PISSED OFF AT ME.

WHAT?

I don't think she's going

Uh, I don't think she's going to want to talk to me.

WHY? WHAT WHAT DID THE GOLDEN BOY DO?

LOOK, IS THERE ANOTHER WAY?

IF THERE WAS ANOTHER WAY, I WOULD'VE ALREADY DONE IT.

CAN YOU CALL HANNA?

OKAY. I'LL CALL HER,

BUT SHE'S NOT GOING TO TELL ME NOTHING ABOUT VERONICA.

Why not?

CANDACE.

[ SIGHS ] JUST CALL HER AND CALL ME BACK.

SHE'S NOT GOING TO TELL ME, EITHER.

OKAY.

ALL RIGHT, I'LL CALL HER.

[ CELLPHONE BEEPS ]

WHERE WHERE'S THE AMBULANCE?

THEY'RE ON THEIR WAY.

YOU DIDN'T CALL THEM.

YES, I DID.

NO, YOU DIDN'T.

KATHERYN, KATHERYN, CALL THEM.

HANNA, DID YOU CALL THEM?

YOU KNOW I DON'T LIE.

NO, YOU DON'T.

SHE HATES ME, KATHERYN.

PLEASE CALL THEM.

SHE ALREADY CALLED.

PLEASE. PLEASE CALL THEM.

OKAY.

THANK YOU.

[ CELLPHONE DIALS, BEEPS ]

WOMAN: 911. Are you calling about the emergency on Ganville?

YEAH. UH, IS THE AMBULANCE ON ITS WAY?

Yes, ma'am. Is everything okay there?

YES, IT IS. Is she breathing?

YES. Okay.

They should be there any moment.

GOOD. THANK YOU. Yes, ma'am.

I TOLD YOU I CALLED THEM.

YES, YOU DID.

I DON'T LIE.

NO, YOU DON'T.

NO, YOU DON'T.

'CAUSE YOU'RE A PERFECT LITTLE CHRISTIAN, RIGHT?

NO, I'M NOT PERFECT.

NO, YOU'RE NOT.

'CAUSE YOU'RE ENJOYING THIS A LITTLE TOO MUCH.

AND THAT'S NOT VERY CHRISTIAN, HANNA.

VERONICA, SHE IS NOT ENJOYING THIS.

YES, SHE IS.

NO, SHE'S NOT.

WHAT I'M NOT ENJOYING IS YOUR WHORISH,

NASTY ASS RUNNING AFTER MY SON.

HANNA. I'M SORRY, MRS. CRYER,

BUT I'M TRYING TO FIND SOME COMPASSION FOR THIS WOMAN,

BUT GOD KNOWS SHE IS TRYING ME RIGHT NOW.

OKAY, NOW I'M TRYING YOU.

[ SIGHS ] THIS IS ALL TOO MUCH.

I'M SORRY.

[ DOORBELL RINGS ] FINALLY.

[ SIGHS ]

LET'S SEE HERE.

OH.

ALL RIGHT, LET ME SEE.

THEY SAY IT WAS AN ACCIDENT?

NO. MY SON STABBED ME.

WHAT?

YES.

IS HE HERE?

NO.

ARE YOU SURE?

YES, I'M SURE. WHAT ARE YOU STANDING THERE FOR?

I NEED ASSISTANCE.

WELL, IF HE'S IN THE HOUSE, WE HAVE TO WAIT FOR THE POLICE.

WE WERE TOLD IT WAS AN ACCIDENT.

[ SIGHS ] THERE'S NO ONE HERE.

TAKE CARE OF HER, PLEASE.

LET'S SEE.

I'M DYING HERE.

OKAY. WELL, LET'S SEE.

WE'RE GOING TO GET YOU STABLE AND THEN WE'LL TRANSPORT YOU.

OKAY, NOW, HOW LONG IS THIS KNIFE?

6 INCHES.

LESS THAN AN INCH. IT'S A PARING KNIFE.

THERE'S NOT MUCH BLOOD.

NO. IT LOOKS LIKE IT GOT THE IMPLANT.

I DON'T HAVE IMPLANTS.

OKAY, MA'AM.

WELL, IF YOU DID, IT MAY HAVE SAVED YOUR LIFE.

THIS LOOKS SUPERFICIAL.

YEAH. COME ON, LET'S JUST TRANSPORT YOU, OKAY?

CAN YOU WALK?

CAN I WALK? I HAVE A KNIFE IN MY CHEST.

[ GASPING ]

NOW CAN YOU WALK?

[ SIGHS ]

[ GROANING ]

KATHERYN, UH, WILL WILL YOU GET MY PURSE?

[ SIGHS ]

YOU HAVE MY PURSE? YES.

OKAY. THANK YOU.

BYE, KATHERYN. HERE YOU GO.

[ STIFLED LAUGH ] [ DOOR CLOSES ]

[ STIFLED LAUGHING ]

I'M SORRY.

[ LAUGHING ]

I'M SORRY. I'M SORRY.

I'M SORRY. I'M SOR

I AM SO SORRY. [ LAUGHS ]

I'M SORRY. I AM SORRY, MRS. CRYER.

I KNOW I SHOULDN'T BE LAUGHING.

II'M SORRY.

MY SON IS STILL DEAD, HANNA.

I'M SORRY.

GO HOME.

I'M SORRY.

[ INSECTS CHIRPING ]

[ CELLPHONE RINGING ]

[ Ringing ]

[ CELLPHONE BEEPS ]

HELLO?

HEY. Hey.

I'VE BEEN CALLING YOU.

YEAH, I'VE BEEN DEALING WITH SOMETHING.

What's going on?

NOTHING.

ARE YOU ALL RIGHT?

WHY DO YOU ASK?

I WAS JUST WONDERING.

WHAT DO YOU WANT?

What do you mean?

WHAT DO YOU KNOW, BENNY?

WHAT? You calling for information.

What do you want? WHAT ARE YOU TALKING ABOUT?

BOY, DON'T PLAY GAMES WITH ME.

I'M NOT PLAYING.

OKAY, THEN, BYE.

WHAT WHEN ARE YOU GOING TO BRING MY TRUCK BACK?

I'm headed home now.

ALL RIGHT, WELL, WHERE ARE YOU?

AT THE CRYERS'.

WELL, WHY ARE YOU OVER THERE?

WHY WAS VERONICA AT YOUR HOUSE?

'CAUSE I NEEDED TO TALK TO HER.

About what?

MOM, LOOK, I'M NOT

BOY, DON'T "MAMA, LOOK" ME.

I TOLD YOU THAT THAT MAN'S BEEN ASKING ME ABOUT YOU AND HER.

I KNOW.

BENNY, YOU NEED TO STOP MESSING AROUND WITH HER.

I KNOW THAT.

THEN WHY WAS SHE THERE, BENNY?

LOOK, MA, I WANTED TO TALK TO HER.

ABOUT WHAT?

WHY ARE YOU AT THE CRYERS' HOUSE?

SO YOU NOT GOING TO ANSWER ME?

NOT TILL YOU ANSWER ME.

THEIR SON DIED.

WHAT? Yeah.

AW, MA, I'M I'M SORRY TO HEAR THAT.

YEAH.

That's just crazy. Her son and her daughter?

YEAH. AND I'M NOT GOING TO LET MINE DIE

BEHIND SOME WHORISHASS OLD WOMAN.

YOU BETTER LEAVE THAT WOMAN ALONE, BENNY.

DO YOU UNDERSTAND ME?

I HAVE.

THEN WHY WAS SHE AT YOUR HOUSE?

Well, because I wanted to talk to her.

ABOUT WHAT?

I got a problem.

WHAT PROBLEM?

I'M HANDLING IT.

A PROBLEM THAT YOU NEED HER FOR?

WHAT IS IT?

LOOK, I'M NOT GOING TO TELL YOU. YOU'LL JUST WORRY ABOUT IT.

WELL, NOT TELLING ME IS NOT GOING TO MAKE ME NOT WORRY.

I GOT IT.

What is it, Benny?

MA.

LOOK, I'M GOING TO HAVE TO CALL YOU BACK.

WAS VERONICA STABBED BY JEFFERY?

HOW YOU KNOW THAT?

WAS SHE?

I SAID, I'M GOING TO HAVE TO CALL YOU BACK.

Look, is she all right?

IS THAT WHAT YOU CALLED ME FOR?

Nah, Ma, is she all right, though?

BYE, BENJAMIN.

MA, IS SHE ALL RIGHT?

HI. HI.

THEY ALREADY TOOK HER TO THE HOSPITAL.

WE DON'T NEED THE POLICE.

THIS IS ABOUT WYATT CRYER. WE NEED TO SEE KATHERYN CRYER.

MISS SALLISON.

IS SHE HERE? YES.

I NEED TO SEE HER RIGHT NOW.

COME ON IN.

JEFFERY? Yeah?

I'M ON MY WAY TO THE HOTEL TO SEE YOU.

JEFFERY: I'm not there.

WHERE ARE YOU?

With Officer Justin.

OFFICER JUSTIN THE COP?

Yeah.

WHERE?

Standing in your backyard.

WHAT?

NEXT ON "THE HAVES AND THE HAVE NOTS"...

WELL, WELL, WELL. WE MEET AGAIN.

... TO COME INTO MY HOME?

HAVE YOU LOST WHAT LITTLE BRAIN YOU HAD?!

ARE YOU KIDDING ME?! MA'AM? MA'AM.

Candace: JEFFERY, WHAT ARE YOU DOING HERE?

HAVE YOU BEEN DRINKING?

I TOLD YOU THAT I DON'T HAVE IMPLANTS.

MA'AM, I'M LOOKING AT THE XRAY.

WELL, THE XRAY IS WRONG.

SON, I NEED YOU TO STAY AWAY FROM YOUR MOTHER.

I'M TRYING, DAD, BUT SHE KEEPS COMING AT ME.

WHAT DOES SHE HAVE ON YOU?

CAN YOU SEND ME A PICTURE OF OSCAR?

YOU WON'T BELIEVE THIS.

WHAT?!