Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

I'LL GET THE MONEY TODAY.

I'M RUNNING LATE.

I JUST NEED TO TALK TO YOU FOR A SECOND.

IS HE RAPING YOU FOR THAT MONEY?

I'M GOOD.

YOU STILL GOT ONE OF THOSE NARC COPS DOWN ON OUR PAYROLL?

Yeah, I need you to pop somebody for me.

The name is Warlock.

I WANT TO SHOW YOU YOUR ROOM.

WHEN WILL THE FUNDS BE AVAILABLE?

JUST AS SOON AS THIS IS PROCESSED.

‐I GOT IT. ‐I HOPE YOU NOT PLAYING GAMES.

‐NO GAMES. ‐HERE.

WHAT'S THIS?

IT'S THE RING YOU'RE GONNA GIVE TO MELISSA.

WHAT THE HELL DO YOU WANT ‐‐ TO TELL ME MY SON HAS BEEN WHAT?

HE DIED.

HE O. D.'d.

[ SNIFFLES ] WHAT?

I'M SORRY, MR. CRYER.

[ SNIFFLES ]

I'M SORRY, MR. CRYER.

WHAT HAPPENED?

I'M NOT SURE.

WHERE WAS HE?

HE WAS FOUND AT A HOTEL.

WAS HE ALONE?

I DON'T KNOW.

PLEASE DON'T TELL ‐‐

PLEASE DON'T TELL ME MY SON DIED ALONE.

I'M NOT SURE.

DO YOU KNOW WHO FOUND HIM?

NO, I DON'T.

WAS THERE A DETECTIVE THAT ASKED YOU ANY QUESTIONS?

‐YES, YES. ‐WHAT WAS THE DETECTIVE'S NAME?

BLAKE.

AND WHAT DID BLAKE SAY?

THEY THINK HE OVERDOSED.

THEY THINK, OR THEY KNOW?

THEY KNOW.

OKAY.

SO THEY TOOK HIM TO THE HOSPITAL?

I‐I THINK SO.

I DON'T KNOW. [ SNIFFLES ]

AND...

WAS HE DEAD THERE?

I'M NOT SURE. I'M SORRY.

♪♪♪♪

OH, NO, NO, NO.

NO. NO.

‐CALM DOWN. ‐NO, I NEED TO GET OUT OF HERE.

‐CALM DOWN. ‐GUARDS?

I NEED ‐‐ GUARD?

HEY, GUARD.

I NEED ‐‐ GUARD.

GET IN HERE. ‐WHAT IS IT?

SON OF A BITCH, JENNIFER SALLISON.

I NEED TO GET OUT OF HERE.

I NEED YOU TO GET JENNIFER SALLISON RIGHT HERE, RIGHT NOW.

‐PIPE DOWN, CYRER. ‐NO.

I NEED YOU TO GET JENNIFER SALLISON'S ASS

DOWN HERE RIGHT NOW. ‐WE DON'T WORK FOR YOU.

NO, I NEED JENNIFER.

[ GRUNTS ]

NO, HANNA, HANNA, HANNA.

PLEASE ‐‐ PLEASE DON'T GO.

I DON'T KNOW WHY YOU WANT ME TO STAY.

BECAUSE I NEED YOU TO DO SOMETHING FOR ME, HANNA.

TO DO WHAT?

I NEED YOU TO GO TO THE D. A.'s OFFICE FOR ME, PLEASE.

MR. CRYER...

HANNA ‐‐ HEY, HEY.

LET ME UP. I'M ALL RIGHT.

I'M OKAY.

I'M ‐‐ PLEASE HANNA.

PLEASE JUST ‐‐ I JUST NEED YOU TO DELIVER A MESSAGE.

NO, NO, NO, I NEED YOU TO JUST GO

AND DELIVER ONE SIMPLE MESSAGE FOR ME.

I'M NOT YOUR MESSENGER.

I'M SORRY YOU ARE GOING THOUGH ALL OF THIS.

IT'S ONE SIMPLE ‐‐

BUT I DON'T WORK FOR YOU OR YOUR WIFE.

I'M HAVING A ROUGH TIME OF THIS.

HANNA, I‐I‐I'LL PAY YOU.

HOW MUCH DO YOU WANT? WHAT DO YOU WANT?

I DON'T WANT YOUR MONEY.

I KNOW THAT, JUST ‐‐

I‐I JUST WANT YOU TO DO ‐‐ HANNA.

I NEED YOU TO DO THIS ONE FAVOR FOR ME.

[ BUZZER ]

I CAN'T BE IN HERE NOW.

I CAN'T BE IN HERE NOW.

I CAN'T BE IN HERE NOW.

HANNA, I CAN'T BE IN HERE.

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪♪♪

[ CHUCKLES ]

THIS MOTHER ‐‐

WHAT UP?

THIS DAMN PHONE.

WHAT?

YOU KNOW DAVID HARRINGTON?

NO, WHO'S THAT?

THIS CAT DID SOMETHING TO MY PHONES, MAN.

YOU WANT ME TO TALK TO HIM?

NO, I'M GONNA HANDLE THIS FOOL.

JUST GOT TO FIND OUT WHAT'S UP FOR US.

I'M GONNA GO TALK TO HIM.

NAH, B. HANG ON FOR A SECOND.

WHY?

JUST CHILL OUT FOR A LITTLE WHILE, MAN.

BRO, I NEED TO TALK TO HIM.

B, JUST HANG OUT MAN.

FOR WHAT? WHY?

LOOK, YOU DON'T NEED TO RUN OUT OF HERE HOT‐HEADED, ALL RIGHT?

BESIDES, HOW OFTEN DO WE GET THE HANG, MAN?

JUST CHILL OUT. COME ON.

WAR, THE MAN'S MESSING WITH MY MONEY.

OH, YEAH, I KNOW THAT FEELING.

I DON'T LIKE IT. ‐YOU FEEL ME?

OH, YEAH. MADE ME WANT TO KILL A FOOL.

NOW THAT'S WHAT I'M SAYING.

YEAH, I FEEL YOU.

CHILL OUT, MAN.

HAVE A SEAT.

♪♪♪♪

JUST CHILL OUT.

I GOT YOU.

[ CHUCKLES ]

NOW YOU'RE THE PEACEMAKER?

HEY, THERE'S A LOT OF DIFFERENT SIDES TO WAR.

♪♪♪♪

[ DOOR OPENS ]

WHAT'S UP?

‐THAT'S A LONG COFFEE BREAK. ‐YEAH.

YOU DIDN'T BRING YOUR BOY ANY?

YOU GOT YOUR OWN.

THAT'S WRONG MAN.

YEAH, ALL RIGHT. YOU CLOSED YET OR WHAT?

NO, AND I WAS ABOUT TO STEP TO THIS HARRINGTON DUDE.

‐WHAT YOU WAITING ON? ‐WELL, WAR OVER HERE.

WHAT'S UP WITH THIS DUDE?

WELL, APPARENTLY I'M TOO HYPE.

WAR WANTS ME TO CALM DOWN.

OH, YEAH? DON'T SOUND LIKE YOU, WAR.

THAT'S WHAT I'M SAYING.

THOUGHT YOU LIKED TO GET IT STARTED.

‐OH, YEAH? ‐YEAH.

YOU DON'T KNOW ABOUT ME, HOMEBOY.

WELL, THAT'S WHAT I HEARD.

YEAH, WHO YOU BEEN TALKING TO?

YEAH, SOME FOLKS HERE AND THERE, ALL RIGHT?

YEAH, WELL, TELL FOLKS TO KEEP MY NAME OUT THEY MOUTH.

YEAH, ALL RIGHT.

COME ON, B, I'M WITH YOU. LET'S JUST ROLL THIS DUDE.

NO, B AIN'T GOING NOWHERE.

‐WHAT? ‐YOU HEARD WHAT I SAID.

YO, WHAT'S UP WITH YOU MAN?

WAR, I APPRECIATE YOU COMING BY TO HANG OUT,

BUT I GOT THINGS I GOT TO DO.

I SAID YOU ‐‐ [ CELL PHONE DINGS ]

NO, MAN, WHAT'S UP WITH YOU?

YEAH, WHY CAN'T HE LEAVE, HUH?

TRYING TO WATCH HIM OR SOMETHING?

NAH.

JUST KIDDING, MAN. THAT'S MY DAWG RIGHT HERE, MAN.

Y'ALL GO AHEAD, MAN. I'M TRIPPIN.

YEAH, YOU GO AHEAD, TOO.

YEAH, I'M GONNA RUN.

‐I'M GONNA HOLLA AT YOU. ‐YEAH, YOU DO THAT.

WHERE'VE YOU BEEN?

YOU KNOW HOW I GET WHEN THAT DUDE'S AROUND.

YEAH, I KNOW.

YOU TALK TO THIS HARRINGTON DUDE?

YOU FIND OUT WHERE HE'S AT?

YEAH, I THINK SO.

ALL RIGHT.

AND IF HE AIN'T THERE, THEN WE GO GONNA WAIT ON HIM.

YEAH, I'M DOWN. I'M DOWN.

LET'S DO IT.

LET'S DO IT.

YOU NEED TO COME MOVE YOUR CAR.

‐I'D BE GLAD TO. ‐RIGHT NOW.

BE MY PLEASURE.

COME ON, LET'S ROLL THIS DUDE.

♪♪♪♪

♪♪♪♪

HERE IT IS. DON'T GET TOO COMFORTABLE.

THIS IS NICE.

WOW, SHE'S GOT THIS ALL FIGURED OUT, DOESN'T SHE.

DON'T GET TOO COMFORTABLE.

OKAY.

IS THIS HOW THIS IS GOING TO BE?

YEP.

OKAY, FINE.

SO BE IT.

SO, HOW DOES IT FEEL?

WHAT?

TO BE A TWO‐BIT WHORE.

YOU TELL ME.

I'M NOT THE ONE DOING IT FOR MONEY.

OKAY, THEN WHY ARE YOU DOING IT?

TO PLEASE MOMMY?

YOU'RE DOING IT FOR MONEY, MELISSA.

I'M DOING IT FOR MY MOTHER AND MY FATHER,

SO I GUESS THAT PUTS US BOTH IN THE SAME BOAT.

WELL, I'M GONNA FIND A WAY OUT OF THIS.

JEFFERY, I DON'T WANT TO BE IN THIS AS MUCH AS YOU DON'T.

[ SCOFFS ] YEAH, RIGHT.

YOU THINK I WANT TO DO THIS ‐‐

HAVE YOU LOOK AT ME LIKE YOU HATE ME,

LIKE I'M SOME LEPER?

YOU ARE TO ME.

I LOVE MY PARENTS, SO IF YOU CAN FIND A WAY

OUT OF THIS THAT GETS US THE SAME RESULT ‐‐

WHAT RESULT?

TAKING CARE OF MY PARENTS.

I CAN'T GUARANTEE YOU THAT, MELISSA.

THEN YOU CAN'T GET OUT OF THIS.

I WILL.

JEFFERY, I HAVE TO TAKE CARE OF MY PARENTS.

MELISSA...

I'M NOT HAPPY HERE.

THIS IS JUST A FACADE.

YOU DO YOU, I'LL DO ME.

WE'LL MAKE HER HAPPY IN BETWEEN.

WHAT'S SO WRONG WITH THAT?

‐IT'S A LIE. ‐AND YOU HAVEN'T LIED BEFORE?

I'M NOT STAYING IN THIS.

I AM ALL FOR GETTING OUT OF THIS.

BUT THE TRUTH IS THIS ‐‐ IF YOU CAN FIND A WAY TO GET ME

OUT OF THIS WITH SOME MONEY FROM MY PARENTS,

THEN I WILL TAKE THAT BITCH OF A MOTHER OF YOURS

DOWN WITH YOU.

I CAN'T STAND HER ASS.

BUT IF YOU CAN'T, YOU NEED TO WALK DOWN THOSE STAIRS

AND KISS AND HUG ME AND GRAB THESE BOOBS AND THIS ASS

LIKE I AM THE HOTTEST GUY YOU HAVE EVER MET.

BECAUSE I HAVE A LOT RIDING ON THIS.

I MEAN IT.

♪♪♪♪

DAVID.

YOU MADE IT.

ONLY TO GET MY SON.

OH, DAVID, THIS IS A FESTIVE OCCASION,

SO DON'T COME HERE RUINING THINGS, OKAY?

COME IN BY THE WAY.

WHERE IS HE?

‐HE'S UPSTAIRS. ‐JEFFERY!

HE'S WITH MELISSA, AND THEY'RE PROBABLY HAVING

A PRIVATE MOMENT, SO YOU MIGHT HAVE TO WAIT.

JEFFERY!

DAD?

MR. HARRINGTON.

MELISSA.

HOW ARE YOU?

SON, WE ARE LEAVING.

HE'S NOT LEAVING.

I FILED FOR DIVORCE AND YOU ARE NOT SAFE HERE

WITH YOUR MOTHER, SO LET'S GO.

HE'S NOT LEAVING.

YOU'RE A FOOL IF YOU THINK HE IS STAYING HERE.

JEFFERY, COME ON.

DAD, WAIT, WAIT.

I'M GONNA STAY HERE.

WHAT?

YEAH.

SON, THE CAT IS ALREADY OUT OF THE BAG.

SHE HAS NOTHING ON YOU NOW.

YES, SHE DOES.

WHAT?

HMM, YOU WANT TO SPEAK?

WHATEVER IT IS, IT CAN'T BE THAT BAD, SO LET'S JUST GO.

COME WITH ME.

OH, IT'S PRETTY BAD.

OOH, IT'S AWFUL.

DRINK, MR. HARRINGTON?

NO, WILL YOU LEAVE US NOW, PLEASE ‐‐

ALL OF YOU. ‐ALICE, I AM SO SORRY.

JUST WAIT IN THE KITCHEN, PLEASE.

MELISSA, YOU SHOULD GO HOME.

MELISSA IS HOME.

SHE AND JEFFERY ARE MOVING IN WITH ME

UNTIL AFTER THE WEDDING AND AFTER THE BABY IS BORN.

HAVE YOU LOST YOUR MIND?

WE'VE ALREADY ESTABLISHED THAT, HONEY.

‐MELISSA. ‐GO ON UPSTAIRS, DEAR.

I'LL CALL YOU DOWN AFTER I TALK TO THIS RAGING MAD MAN,

YELLING AT THE HELP.

SON, YOU HAVE BEEN DOWN THIS ROAD BEFORE.

NOW, YOU LISTEN TO ME.

SHE HAD THE CAR.

SHE DIDN'T TURN YOU IN THEN.

NOW, WHATEVER IT IS NOW, IT CAN'T BE AS BAD AS THAT.

IT'S AS BAD AS THAT.

IT'S PRETTY AWFUL.

WHAT IS IT?

TALK TO YOUR FATHER.

TELL HIM.

SON?

I CAN HELP YOU.

YOU CAN'T HELP HIM WITH THIS.

SHUT UP.

HMM.

FINALLY STANDING UP TO ME, HUH?

WHAT IS IT, JEFFERY?

TELL YOUR FATHER. TALK TO HIM.

SON?

GO ON, SON.

[ SIGHS ]

LOOK, MY DINNER IS GETTING COLD

AND THE CAVIAR IS STARTING TO BREW,

SO IF YOU CAN'T ACCEPT THAT THIS IS A HAPPY OCCASION ‐‐

WE ARE CELEBRATING OUR SON'S ENGAGEMENT.

IF YOU CAN'T DO THAT, THEN YOU'RE ARE JUST GONNA

HAVE TO LEAVE, SWEETHEART. ‐OH, I'M LEAVING.

BUT I'M NOT LEAVING YOU HERE.

Alice: MRS. HARRINGTON?

ALICE, WE SAID THE KITCHEN.

‐THIS IS IMPORTANT. ‐WELL, WHAT IS IT DEAR?

PHONE.

PLEASE EXCUSE ME.

‐DAD, I GOT TO STAY. ‐HELLO.

‐NO, YOU'RE NOT. ‐NO, I HAVE TO STAY.

I CAN'T FORCE YOU TO COME WITH ME.

OH, MY GOODNESS!

KATHERYN.

OH, I'M SO SORRY, KATHERYN.

OH, LISTEN, I'M ON MY WAY OVER THERE.

I'M COMING OVER RIGHT NOW.

I'LL SEE YOU SHORTLY.

BYE‐BYE.

OH, SO MUCH DRAMA.

HMM.

JEFFERY, PLEASE.

HE'S GONNA WANT TO COME WITH ME.

WHY IS THAT?

WELL, IT SEEMS WYATT IS DEAD.

‐WHAT? ‐WHAT?

O.D.'d OR SOMETHING.

OH, JIM.

WHAT?

SON, COME WITH ME NOW.

JIM.

GO SEE ABOUT YOUR JIM.

IT'S OKAY SWEETHEART. I HAVE YOU.

YOUR DAD'S GOT GO GO CHECK ON JIM.

HE ALWAYS DOES.

FIRST, YOUR DAD'S BITCH DIES, AND NOW YOURS DOES.

IT'S KIND OF CRAZY.

HMM.

BUT YOU'VE ALWAYS GOT MELISSA AND THE BABY.

♪♪♪♪

YOU KNOW, BENNY ALMOST CAME CLOSE TO GETTING GOT.

I KNOW.

I WOULD HAVE HATED TO DO THAT.

I KNOW.

WHAT THE HELL TOOK YOU SO LONG?

WE HAD TO CALL THREE BRANCHES TO MAKE THIS HAPPEN.

THAT'S WHY I'M SO LATE.

BANKS CLOSED A WHILE AGO, CANDY.

I KNOW, AND I'M SORRY.

IS IT ALL HERE?

YES.

IT'S ALL THERE, WAR.

DO I NEED TO COUNT THIS?

WAR, IT'S THERE.

CANDY, IF I GET HOME AND THERE'S ONE DOLLAR MISSING ‐‐

WAR, IT'S ALL THERE.

IT'S THERE.

I DON'T THINK I EVER HAD THIS MUCH CASH AT ONE TIME BEFORE.

YOU CAME THROUGH, GIRL.

YEAH, I DID.

YOU ALWAYS DO.

MY DAMN CANDY CANE.

THAT'S ME.

YEAH, YOU PULLED IT OFF, REAL TALK.

OKAY.

GOOD FOR YOU.

SO, ARE WE GOOD?

YEAH, BABY, WE GOOD.

LOOK, I KEEP MY WORD.

I'M NOT THE ONE THAT LIES.

I DO WHAT I SAY I'M GONNA DO.

I KNOW.

AND YOU KNOW I HATE TO NOT DO.

I KNOW, THAT'S WHY I WANT TO THANK YOU

FOR GIVING ME A LITTLE BIT MORE TIME.

YOU BOUGHT THAT TIME.

LOOK, CANDY, I AM SORRY ABOUT ALL THIS.

I'M...

GO AHEAD, YOU CAN SAY IT.

I'M SORRY, TOO.

ME TOO, REALLY.

I SHOULD HAVE TOLD YOU ABOUT THE FOUR MILLION IN THE BEGINNING.

YES, YOU SHOULD HAVE.

BUT THANK YOU FOR HAVING MY BACK.

I DID HAVE YOUR BACK.

I KNOW.

BUT I WAS GONNA BREAK IT.

I KNEW THAT, TOO.

THEY DON'T CALL ME WAR FOR NOTHING, BABY.

YEP.

ALL RIGHT, WE COOL AGAIN.

THAT MAKES ME ‐‐ THAT MAKES ME HAPPY.

I'LL SEE YOU AROUND.

AT MY HOUSE?

YOU KNOW, I MIGHT STOP BY

FROM TIME TO TIME FOR A LITTLE TUNE UP.

WILL I KNOW YOU'RE COMING?

LOOK, WE BACK TO THE WAY WE WERE.

ALL RIGHT, YOU BOUGHT YOUR RESPECT BACK,

TWO MILLION TIMES OVER.

OKAY.

ALL RIGHT.

BUT IF YOU COME BY, YOU'LL CALL FIRST?

I COULD DO THAT.

OKAY.

YOU GONNA ANSWER?

SOMETIMES.

I'M KIDDING.

NO, YOUR ASS NOT, BUT IT'S COOL.

YOU GOOD AT WHAT YOU DO, BABY.

BEST I EVER HAD.

THEN WHY AM I PAYING YOU?

DON'T PUSH IT.

BYE.

BYE.

♪♪♪♪

[ ENGINE STARTS ]

[ CRYING ]

WHY ARE YOU JUST SITTING THERE?

WHAT DO YOU MEAN?

MRS. CRYER JUST CALLED AND SAID THAT WYATT GOT HURT.

SHE SAID THAT WYATT WAS DEAD.

YOU'RE LYING.

‐JEFFERY. ‐YOU ARE.

‐ABOUT? ‐ABOUT WYATT.

LET'S JUST GO OVER TO THE CRYER'S THEN.

YEAH, LET'S.

OKAY.

[ SIGHS ]

WHY ARE YOU JUST SITTING THERE?

WOULD YOU GIVE ME A SECOND? HE'S DEAD.

THERE'S NOTHING YOU CAN DO ABOUT IT NOW.

‐WHY DO YOU NEED TO BE SUCH A ‐‐ ‐SAY IT.

SEE, NOW THAT'S THE KIND OF LANGUAGE

THAT WILL GET YOU A SPANKING.

[ SCOFFS ]

WHERE ARE YOU GOING?

I'M GOING TO THE CRYER'S.

NOT WITHOUT ME, YOU'RE NOT.

I NEED TO GO AND SEE ‐‐

NO, I NEED YOU TO DRIVE ME BECAUSE I'M DRINKING.

WELL, THEN COME ON.

I AM NOT READY.

MOM.

JEFFERY, SIT DOWN!

DID YOU HEAR ME?

NOW COME AND SIT DOWN, BOY.

DAMN FLORAL PRINTS.

LOOK AT YOU.

TEARING UP.

YOU'RE GRIEVING YOUR MAN.

HE'S NOT MY MAN. HE'S MY FRIEND.

WELL, NOT ANYMORE.

WOW.

IF LOOKS COULD KILL, I'LL BE DEAD.

DO YOU WANT ME DEAD, JEFFERY?

I'M BREATHING AND HE'S NOT.

[ SIGHS ]

IT'S JUST AS WELL.

HE WAS NO GOOD FOR YOU.

THAT BOY WAS RUINING YOU.

NOW YOU CAN BE FREE FOR MELISSA.

WHY DON'T YOU LIKE HER, HUH?

I MEAN, SHE'S PRETTY, SHE'S GOT A GREAT BODY,

EVEN THOUGH SHE JUST EATS WAY TOO MANY CARBS.

I TOOK HER TO LUNCH THE OTHER DAY, AND SHE SAT THERE

AND JUST ORDERED EVERYTHING FRIED AND CARBS.

AND I THINK IF SHE SAW A VEGETABLE,

SHE WOULDN'T EVEN RECOGNIZE IT.

SHE'S JUST, WELL...

YOU KNOW, IT'S TYPICAL OF THESE

POOR BLACK GIRLS BORN IN THE HOOD.

ALL THEY WANT IS THE FRIED CHICKEN.

THEY'RE NOT USED TO ANYTHING ELSE, YOU KNOW?

THEY'RE JUST ‐‐ IN THEIR HOOD,

ALL THERE IS IS A FRIED CHICKEN CHAIN,

THE CHECK CASHIERS,

THE DOLLAR STORE, AND THE LIQUOR STORE.

THAT'S ALL THERE IS, SO YOU CAN'T BLAME HER.

WE CAN CLASSIFY ‐‐

[ SIGHS ]

WHY ARE YOU SO ANTSY?

[ SIGHS ]

SIT DOWN!

‐LET'S GO NOW. ‐SIT DOWN.

I SAID SIT DOWN.

♪♪♪♪

GOD, I HATE IT.

THE BOY IS DEAD.

STOP SAYING THAT.

WELL, HE IS.

[ SNIFFLES ]

THERE THEY ARE ‐‐ TEARS.

NOW WHEN YOU STOP DOING THAT PANSY‐ASS THING

YOU'RE DOING RIGHT NOW,

WE CAN GO VIEW YOUR PRECIOUS WYATT'S BODY.

BUT YOU GOT TO STOP ALL THAT SNOTTING AND CRYING.

DO YOU HEAR ME?

AND YOU LISTEN TO ME.

WHEN WE GET OVER TO THE CRYER'S, YOU WON'T DO THAT.

YOU WILL STAND UP STRAIGHT LIKE A MAN.

YOU WON'T GO IN THERE WHIMPERING AND SAPPY.

DO YOU HEAR ME, BOY?

I'M SO GLAD WE'RE HAVING A BOY.

I CAN GET A DO‐OVER.

I CAN RAISE A MAN...

...NOT LIKE YOU.

EVERY TIME I SEE YOU WALKING AROUND WITH THEM

TIGHT PANTS AND FLORAL JACKETS,

ACTING LIKE SOME KIND OF GIRL ‐‐

JUST JUMPING AND RUNNING AFTER SOME MAN

LIKE YOU CRAZY, I CAN'T STAND IT.

I JUST WANT TO CALL QUINCY TO COME BEAT YOUR ASS AGAIN.

HOW WAS THAT ASS WHIPPING, HUH?

YOU ‐‐ YOU GOT HIM BACK.

YOU GOT HIM GOOD.

GIRL, YOU DID IT.

YOU DID IT, GIRLFRIEND.

THAT'S IT.

NOW JUST DRY YOUR EYES, AND WE CAN GO.

I SAID DRY YOUR EYES, BOY.

THAT'S IT.

THAT'S IT.

ALICE!

THIS BITCH IS HARD OF HEARING.

ALICE!

YES.

[ SCOFFS ]

UM...I'M SO SORRY, DARLING.

WE ARE GONNA HAVE TO PUT ALL THE FOOD AWAY.

I'M GONNA HAVE TO GO OUT AND DEAL WITH SOME FOOLISHNESS.

AND, ALICE... ‐YES.

EVERY SINGLE PIECE OF CLOTHING THAT MY SON HAS BROUGHT

INTO THIS HOUSE, THROW IT AWAY, GIVE IT AWAY.

DO ANYTHING WITH IT. GET IT OUT OF HERE.

I BOUGHT ALL NEW THINGS FOR YOU.

THEY'RE UPSTAIRS WHEN YOU GET BACK, OKAY?

THANK YOU.

YES, MA'AM.

MELISSA!

YES.

WE'RE GONNA HAVE TO GO OUT, DEAR.

SO WE'LL CONTINUE THIS WHEN WE GET BACK, OKAY?

IS EVERYTHING OKAY?

YES, JUST ONE OF JEFFERY'S JUNKIE FRIENDS.

IT'S NOTHING TO WORRY ABOUT.

IS HE OKAY?

HE'S DEAD, BUT IT'S FINE.

HMM.

SO, ALICE IS GONNA HELP YOU UNPACK, OKAY?

OKAY.

NOW THERE IS SOME BUBBLE BATH UPSTAIRS

THAT YOU SHOULD TRY.

IT'S LAVENDER. IT'S WONDERFUL.

YOU'LL LOVE IT.

I KNOW IT'S SOMETHING JEFFERY'S

GONNA WANT TO GET INTO WHEN HE GETS BACK.

ALL RIGHT, LET'S GO.

COME ON.

COME ON, BOY.

WHERE YOU GOING?

KISS THIS GIRL.

DO IT AGAIN.

SEE, THAT'S WHAT FEMININE LIPS TASTE LIKE.

YOU LIKE IT?

TRY IT AGAIN.

DO IT AGAIN.

WE GONNA BE ALL RIGHT.

WE GONNA BE ALL RIGHT.

OKAY. OKAY, SWEETIE, BYE.

BYE.

COME ON, WE GONNA BE GOOD

COME ON, YOU GONNA DRIVE YOUR MOMMY?

DRIVE YOUR MOTHER TO THE CRYER'S TO SEE DEAD WYATT.

COME ON.

♪♪♪♪

[ SIREN WAILING ]

MAN, WHAT DO THESE FOOLS WANT?

STEP OUT OF THE CAR, SIR.

MAN, I AIN'T BREAKING NO LAWS.

STEP OUT OF THE CAR NOW, SIR.

DAMN.

WALK BACKWARDS WITH YOUR HANDS ON YOUR HEAD.

‐MAN, I AIN'T DO NOTHING. ‐DO IT NOW, SIR!

MAN, THAT'S SOME BULL RIGHT HERE, MAN.

‐ON YOUR KNEES, SIR. ‐MAN, LOOK...

ON YOUR KNEES.

DO IT.

ARE YOU HARD OF HEARING, SIR?

[ POLICE RADIO CHATTER ]

MAN, WHAT'S WRONG WITH YOU?

YOU AIN'T GOT TO BE SO ROUGH, MAN.

I AIN'T EVEN DO NOTHING.

‐YOU GOT YOUR LICENSE ON YOU? ‐IN MY POCKET.

WHAT ABOUT YOUR REGISTRATION AND INSURANCE?

MAN, YOU NEED TO BE TELLING ME WHY YOU PULLING ME OVER?

‐CAN WE SEARCH YOUR CAR? ‐NO, YOU CANNOT.

Y'ALL AIN'T GOT PROBABLE CAUSE, SO I'M NOT GIVING IT TO YOU.

Y'ALL AIN'T GOT NOTHING ON ME, MAN.

HEY, MAN, YOU AIN'T SUPPOSED TO BE IN THERE.

WE GOT A CALL ABOUT YOU DEALING WARLOCK.

MAN, HOW YOU KNOW MY NAME?

MAN, I DON'T KNOW WHAT YOU TALKING ABOUT?

‐OH, YEAH, I THINK YOU DO. ‐MAN, YOU WRONG, BRO.

WE'RE GONNA POP THE TRUNK.

I AIN'T GIVING Y'ALL PERMISSION, SO THAT'S ILLEGAL.

NOT IF WE GOT A TIP ON YOU, BIG DAWG.

POP THE TRUNK.

LOOK AT ALL THIS CASH.

MAN, THAT AIN'T ILLEGAL.

WHERE'D YOU GET ALL THAT MONEY?

I'M GOING TO THE LAUNDROMAT.

YEAH, THEN THIS SHOULD ALL BE IN QUARTERS.

MAN, YOU AIN'T GOT NOTHING ON ME, BRO.

♪♪♪♪

LOOK WHAT'S IN THE TRUNK.

WHAT THE HELL IS THAT? YO, THAT AIN'T MINE.

DUDE, THAT'S A LOT OF TIME RIGHT THERE, WAR.

THAT IS NOT MINE.

OKAY, OKAY.

TELL THAT TO THE D. A.

OKAY, CANDACE.

OKAY.

YOU SET ME UP, BITCH.

I GOT YOU.

I GOT YOU.

I GOT YOU.

♪♪♪♪

♪♪♪♪

YOU NEED TO TRY TO EAT SOMETHING.

I CAN'T.

YOU HAVEN'T EATEN ALL NIGHT.

‐COME ON NOW. ‐I CAN'T EAT.

[ DOORBELL RINGS ]

I'LL GET IT.

HANNA, PICK IT UP.

PICK IT UP YOUR DAMN SELF.

JEFFERY, PICK IT UP.

JEFF...

PLEASE TELL ME IT'S NOT TRUE.

I'M SORRY, JEFFERY.

OH, NO.

[ GROANS ]

IT'S ALL RIGHT.

NO.

NO, NO.

IT'S ALL RIGHT.

[ CRYING ]

NO.

JEFFERY, PLEASE.

[ CRYING ]

JEFFERY, WHAT DID I TELL YOU?

IT'S FINE, VERONICA.

NO IT ISN'T, JEFFERY.

HE WAS MY FRIEND.

YES, YES.

RIGHT.

HE WAS YOUR FRIEND, BUT WE ARE HERE

TO SHOW STRENGTH FOR KATHERYN, RIGHT?

VERONICA, IT'S FINE.

WE ALL KNOW HOW MUCH HE LOVED HIM.

YES, WE DO.

HANNA.

MY SON DOES NOT NEED TO BE COMFORTED.

NEITHER DOES MINE, BUT YOU DO IT ANYWAY.

JEFFERY, YOU WILL NOT BEHAVE THIS WAY.

HE JUST FOUND OUT HE LOST HIS FRIEND, VERONICA.

[ SCOFFS ]

I UNDERSTAND THAT,

BUT WE DON'T ACT THAT WAY IN THIS NEIGHBORHOOD.

PAIN HAS THE SAME BEHAVIOR ANYWHERE.

NO, DARLING IT DOESN'T ‐‐ NOT ON THIS SIDE OF THE TRACKS.

YOU SEE, ON THIS SIDE OF THE TRACKS WE ARE CIVILIZED.

HE'S ACTING LIKE HE'S ON YOUR STREET.

NOW JEFFERY, STOP.

‐VERONICA. ‐NO, KATHERYN, THIS BOTHERS ME.

IT'S SO ‐‐ IT'S JUST ‐‐

‐SO WHAT? ‐MEN DON'T ACT LIKE THIS.

HE'S A MAN.

HE'S DOING IT ‐‐ HE'S UPSET.

IT'S OKAY, JEFFERY. ‐STOP TOUCHING MY SON.

I WILL AS SOON AS YOU STOP TOUCHING MINE.

THIS WAS A MISTAKE. I'M SORRY.

WE SHOULDN'T HAVE COME HERE.

I‐I NEEDED A DRIVER AND I WANTED TO CHECK ON YOU, KATHERYN.

I'VE HAD A DRINK OR TWO MAYBE.

IT'S ALL IN MODERATION.

I'M FINE, VERONICA

YOU DIDN'T HAVE TO COME.

I JUST DIDN'T WANT YOU TO HEAR ABOUT IT ON THE NEWS.

OKAY, THEN MAYBE WE'LL JUST LEAVE, OKAY?

HMM?

WHERE IS HE?

JEFFERY, WE'RE GOING. LET'S GO.

NO, I'M NOT LEAVING.

JEFFERY, YOU'RE MAKING A FOOL OUT OF YOURSELF ‐‐

SITTING HERE CRYING OVER A MAN.

GET UP, LET'S GO.

WE'RE LEAVING. ‐I'M NOT LEAVING.

I WANT TO SEE HIM, I CAN'T BELIEVE ‐‐

‐STOP IT! ‐VERONICA.

KATHERYN, THIS IS CRAZY.

I UNDERSTAND, JEFFERY.

I‐IT DOESN'T SEEM REAL UNTIL YOU SEE SOMEONE YOU LOVE.

WYATT WAS HIS FRIEND.

OH, HE'S NOT CRYING BECAUSE IT WAS HIS FRIEND.

HE'S CRYING BECAUSE HE'S...

[ SNIFFLES ]

LET'S GO.

LET'S GO, BOY. NOW!

I'M NOT LEAVING.

HE LOVED HIM.

THIS IS SICK.

NOW YOU GET YOUR ASS IN THE CAR, AND YOU STOP EMBARRASSING ME.

HOW DARE YOU BE THIS PERSON?

I TOLD YOU NOT TO BE THIS.

I TOLD YOU NOT TO DO THIS.

IT'S OKAY, JEFFERY. YOU GO ON AND CRY, BABY.

I KNOW THIS HURTS.

I'LL HAVE FREDERICK DROP YOU HOME.

NO, JEFFERY IS DRIVING ME HOME.

HE WANTS TO STAY.

‐HE'S LEAVING. ‐VERONICA!

NO, KATHERYN.

WAIT A DAMN MINUTE.

THIS WOMAN JUST LOST HER SON.

ARE YOU REALLY DOING THIS?

LOOK AT THIS BOY!

THIS BOY IS HURTING.

CAN'T YOU SEE THAT? WHAT KIND OF MOTHER ARE YOU?

ONE WHO PROVIDES FOR HER CHILD.

ARE YOU TRYING TO SAY I DON'T?

GET UP. GET UP.

‐YOU NEED TO GO, VERONICA. ‐MOVE!

‐VERONICA! ‐YOU TURNED MY CHILD LOOSE.

‐GET UP! ‐HANNA!

GET UP, GET UP, JEFFERY.

STEP BACK.

‐I'M SORRY. ‐STEP BACK.

I'M SORRY.

I CAN'T DO THIS.

I'M SORRY.

THIS IS WHY I DIDN'T WANT TO COME OVER HERE.

THIS IS WHY I ASKED YOU TO WAIT.

I ASKED YOU TO.

I SAID, "LET'S JUST SIT HERE AND WAIT JEFFERY."

BUT NOT YOU, NO.

YOU WANTED TO JUST RUSH OVER HERE.

I WANTED YOU TO GET ALL OF THIS GRIEF OUT OF YOUR SYSTEM.

‐GET IT OUT OF HIS SYSTEM? ‐I WASN'T TALKING TO YOU!

HANNA.

NOW, JEFFERY, I WANT YOU TO GET UP LIKE A MAN.

STOP ALL THESE TEARS.

STOP BEING A DRAMA QUEEN BOY, AND GET UP.

STOP ACTING LIKE A WOMAN.

DO YOU HEAR ME?

YOU'RE ACTING LIKE AN OLD SISSY AT A FUNERAL.

YOU STOP IT!

NO, THIS IS NOT YOU.

WHY DO YOU KEEP LOOKING AT THAT BOTTLE?

BECAUSE I WANT TO HIT YOU OVER THE HEAD WITH IT.

JEFFERY, NO.

[ LAUGHING ]

OH, KATHERYN.

HE'S NOT GONNA HIT ME.

[ LAUGHS ]

MNH‐MNH.

HE'S NOT GONNA HIT ME.

WHAT'S STOPPING YOU?

THE FACT THAT YOU'RE MY MOTHER.

THAT'S NOT WHAT IT IS.

YOU DON'T HAVE THE HEART.

YOU SEE, REAL MEN NEED A HEART TO GO TO BATTLE,

AND YOU DON'T HAVE THE HEART.

I'M A MAN.

A MAN WHO'S SITTING HERE CRYING OVER ANOTHER MAN.

HE WAS MY FRIEND.

YES.

HE WAS YOUR FRIEND.

BUT WE ALL LOVED WYATT.

LOOK AROUND YOU.

LOOK, LOOK, LOOK!

LOOK!

LOOK AT ALL THESE WOMEN IN THIS ROOM.

DO YOU SEE ANY OF THEM BEHAVING

THE WAY YOU'RE BEHAVING RIGHT NOW?

DO YOU SEE ANY OF THEM BEHAVING

THE WAY YOU'RE BEHAVING RIGHT NOW?

NONE OF THEM ‐‐

NOT THE POOR, DOWNTRODDEN MAID,

NOT EVEN HIS MOTHER.

NOW, WHAT DOES THAT TELL YOU?

WHAT SHOULD IT TELL ME?

IT SHOULD TELL YOU THAT YOU'RE OUT OF LINE.

SO MY LOVE FOR HIM IS OUT OF LINE?

YES.

VERONICA, I'LL HAVE FREDERICK DRIVE YOU HOME.

NO, KATHERYN, I WANT THIS BOY TO GET IT.

HE'S GONNA GET IT TODAY.

HE IS GOING TO GET IT TODAY.

NOW, COME ON.

COME ON, SON.

I'M SO SORRY. I'M SORRY.

I SHOULDN'T HAVE BROUGHT HIM.

I SHOULDN'T HAVE BROUGHT HIM HERE AGAIN.

HE HASN'T BEEN HIMSELF.

CAN YOU IMAGINE HE WANTS TO HIT ME IN THE HEAD WITH A BOTTLE?

NO, THAT'S ‐‐

THAT'S LIKE SOME KIND OF GHETTO BITCH IN A CLUB.

THAT'S NOT MY SON. THAT'S NOT WHO YOU ARE.

DIDN'T I TELL YOU TO GET UP?

DIDN'T I TELL ‐‐ ‐STOP!

NEXT ON "THE HAVES AND THE HAVE NOTS"...

‐I THINK I KILLED MY MOTHER. ‐DISPATCH.

THEY ON THE WAY.

YOU BITCH.

YOU WANT ME TO PUSH IT IN A LITTLE FURTHER?

WHO WOULD WANT TO HURT WYATT CRYER?

YOU'RE KIDDING RIGHT?

WHAT ARE YOU SAYING?

TAKE A LOOK AT THIS.

JEFFERY JUST TOLD ME HE STABBED HIS MOTHER.

WHAT? Did he kill her?

I SURE IN THE HELL HOPE SO.

SHE IS PROSECUTING YOUR CASE PERSONALLY.

YOU SHOULD NOT TALK TO HER IN THIS STATE OF MIND.

I NEED TO.

THIS IS ABOUT WYATT CRYER.

WE NEED TO SEE KATHERYN CRYER.

I NEED TO SEE HER RIGHT NOW.