Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

[ SCREAMS ]

HE'S DEAD.

HOW WOULD SHE KNOW THAT THE BLOOD STAINS

WERE RIGHT THERE ON THE FLOOR?

I DON'T KNOW. HOW DOES SHE FIND OUT ANY OF THIS?

SHE JUST FINDS THINGS OUT.

YOU KNOW SHE CAN TAKE CARE OF THAT BABY.

‐NO. ‐WELL, THEN LET ME HAVE HIM.

GIVING HIM TO YOU IS LIKE GIVING HIM TO HER. NO.

I THINK WE CAN HELP EACH OTHER OUT.

‐HOW? ‐I NEED ONE MORE VISIT.

DAVID?

I HAVE A DEMON THAT IS ON MY BACK,

AND I THINK YOU'RE JUST THE DEVIL TO CHASE HER AWAY.

THE CANDACE GIRL?

NO. WORSE.

WHO?

MY MOTHER.

[ SCOFFS ]

CAN'T HELP YOU WITH THAT ONE.

WHY NOT?

YOU KNOW MY WIFE'S THE JUDGE ON HER CASE.

YEAH, I DO. THAT'S WHAT I MEANT.

NO.

YOU WILL.

YOU THREATENING ME?

NO. I'M INVITING YOU.

TO WHAT?

THIS.

PUT YOUR CLOTHES BACK ON.

I TOLD YOU I'M NOT GAY.

GOD, I HATE YOU. I‐I KNOW. I KNOW.

ENOUGH OF THE "I HATE THE GAYS."

YOU ARE ONE. I'M NOT GAY.

OKAY. YOU'RE NOT ONE.

BUT YOU'RE SURELY TURNED ON BY ONE.

I'M ‐‐ I'M NOT INTO THAT.

WELL, I AM.

LOOK, YOU...

ARE YOU GONNA TALK ALL NIGHT?

OR ARE YOU GONNA JOIN ME IN THE BED?

NO.

WHAT?

CLOTHES OFF.

COME ON.

OFF.

AND LEAVE THE GUN ON THE FLOOR.

WELL, BRING THAT ONE.

AND THE HANDCUFFS.

♪♪♪♪

[ BUZZER ] [ GRUNTING ]

THAT'S ENOUGH! THAT'S ENOUGH!

IF HE'S NOT DEAD, IT'S NOT ENOUGH!

DO YOU WANT TO GET CHARGED FOR MURDER?

HE SHOULD BE CHARGED!

FOR WHO? FOR MY WIFE.

WHAT?

THAT SON OF A BITCH PUT A HIT OUT ON MY WIFE.

YOUR WIFE IS HERE.

SHE'S ALREADY HERE?

YES.

IN THE MORGUE?

NO, SHE'S IN THE INTERROGATION ROOM.

SHE WHAT?

YES. WHAT ARE YOU SAYING?

THE DETECTIVES ARE QUESTIONING HER.

THEY'RE ‐‐ THEY'RE QUESTIONING.

ARE YOU ‐‐ ARE YOU SAYING MY WIFE IS ALIVE?

YES.

THEY'RE QUESTIONING HER ABOUT WHAT HAPPENED AT HER HOUSE.

WHAT HAPPENED? THE MURDER.

WHO WAS MURDERED?

MAGGIE DAY.

MAGGIE DAY WAS MURDERED?

YES, SHE WAS MURDERED AT YOUR WIFE'S HOUSE.

WHAT?

YES.

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪♪♪

LET ME UP.

LET ME UP.

UN‐CUFF ME.

JEFFERY, GIVE ME THE KEY.

NO. I DON'T WANT TO DO THIS.

TOO LATE. YOU ALREADY DID.

LET ME UP! SHH!

KEEP SCREAMING LIKE THAT,

AND YOU'LL MAKE SECURITY COME IN HERE.

JEFFERY, STOP!

I'M NOT GAY! STOP THIS.

WHY ARE YOU SO ANGRY?

JEFFERY, I'M NOT MESSING AROUND.

I KNOW. THEN STOP MESSING WITH ME.

WHY ARE YOU SO ANGRY ALL OF A SUDDEN?

JEFFERY, GIVE ME THE KEY.

HMM. MNH‐MNH.

YOU'RE WAY TOO ANGRY.

I'M NOT ANGRY! I KNOW YOUR TYPE.

JEFFERY! YOU DO SOMETHING WITH A GUY,

AND THEN YOU GET ANGRY AT THE GUY BECAUSE YOU DID IT.

AND THEN YOU'RE JUST PISSED UNTIL THE NEXT TIME.

I WAS THERE.

I WAS THERE WHEN I WAS STRUGGLING

WITH MY OWN SEXUALITY.

IT'S MUCH EASIER ONCE YOU KNOW WHO YOU ARE.

I'M NOT GAY!

OKAY.

LOOK, I GOT TO GET OUT OF HERE.

JUST ADMIT THAT YOU ENJOYED IT.

I'M NOT. OH, YEAH, I KNOW.

YOU'RE NOT ‐‐ YOU'RE NOT GAY. I KNOW.

BETTER YET, YOU TELL YOURSELF YOU ENJOYED IT.

I'M NOT SAYING THAT.

I GOT TO GO. OKAY.

HERE'S THE KEY.

JEFFERY.

I CAN'T REACH THAT KEY OVER THERE.

YES, YOU CAN. JEFFERY.

I GOT TO GO. WHAT?

WHAT ARE YOU DOING?

I JUST DON'T TRUST YOU.

SORRY. WHAT?

LOOK AT YOU. YOU'RE WAY TOO MAD.

AND YOU CAN'T ADMIT THAT IT WAS GOOD AND THAT YOU ENJOYED IT

AND YOU'RE GONNA BE LOOKING FOR SOMEONE TO TAKE IT OUT ON.

AND I DON'T WANT THAT TO BE ME.

SO I GOT TO GO.

JEFFERY, DON'T.

I CAN'T UNDO THESE CUFFS.

YES, YOU CAN. YOU'RE RESOURCEFUL.

I'VE SEEN HOW YOU CAN WORK THOSE LEGS.

WHEW. THOSE LEGS.

WOW. JEFFERY.

WHEN YOU CAN CALM DOWN AND ADMIT THAT IT WAS GOOD

AND THAT YOU ENJOYED IT

AND YOU CAN COME OUT OF THE SHADOWS

OF BEING IN THE BACK OF A POLICE CAR WITH CRIMINALS

AND YOU'RE READY TO HELP ME TAKE DOWN MY MOTHER, CALL ME.

PLEASE, DON'T CALL ME ANGRY

AND THREATENING AND IRATE.

GOOD LUCK.

JEFFERY.

JEFFERY!

DAMN IT!

I NEED TO TALK TO MY WIFE.

SHE IS WITH THE DETECTIVES NOW.

IT'LL BE JUST A LITTLE WHILE. COME ON.

[ BUZZER ]

THANK YOU FOR COMING RIGHT IN.

OF COURSE. YOU WANT A LAWYER?

AM I A SUSPECT? OF COURSE NOT.

YOU KNOW HOW THIS GOES.

YES.

I'M A LAWYER, TOO.

YES, WE KNOW THAT.

OF COURSE YOU DO.

WATER? THANK YOU.

I KNOW THIS IS TROUBLING FOR YOU.

THANKS. SHE WAS MY FRIEND.

I CAN IMAGINE.

SO, TELL ME WHAT HAPPENED.

I DON'T KNOW WHAT HAPPENED.

YOU JUST CAME HOME AND...

I‐I CAME HOME, AND I...

I SAW THE OFFICER STANDING THERE, SO I WENT ‐‐

I WENT TO TALK TO THE OFFICER TO TELL HIM ABOUT ‐‐

I SAW SOMEONE GOING INTO MY NEIGHBOR'S BACKYARD AND...

I JUST MOVED INTO THAT NEIGHBORHOOD.

I DIDN'T... THEY COULDN'T FIND ANYONE.

AN OFFICER TOLD ME THAT.

GO ON.

I CAME HOME AND THEY ‐‐ THEY...

OKAY.

I WAS STANDING WITH THE OFFICER,

AND ‐‐ AND MY FRIEND MAGGIE PULLED UP,

AND I TOLD HER TO GO AND WAIT FOR ME IN THE HOUSE.

I DID THAT.

I DID THAT.

[ CELLPHONE VIBRATES ]

HEY.

DAVID: Make it fast. This is not a good time.

OKAY, BEFORE YOU HANG UP, YOU MIGHT WANT TO HEAR THIS.

WHAT? I found out about the hit.

I ALREADY KNOW THAT JIM SET UP A HIT ON MY WIFE.

No. WHAT DO YOU MEAN, "NO"?

JIM CALLED OFF THE HIT.

WHAT? Yeah.

He called it off. HOW COULD YOU KNOW THAT?

BECAUSE HE STILL HAD TO PAY THE 20K ANYWAY,

AND MY SOURCE WAS PISSED.

IT DOESN'T MAKE ANY SENSE.

MAGGIE DAY IS DEAD.

DO YOU THINK THAT JIM WOULD HIRE SOME THUG FROM THE HOOD?

THAT WOULD BE SLOPPY. THAT WASN'T JIM.

ARE YOU CERTAIN? 100%.

HE CALLED IT OFF. AND I HAVE THE PROOF.

YOU KNOW YOU CAN TRUST ME, DAVID.

YES.

Just thought you should know.

THANK YOU.

AND, HEY, LOOK AT THE BRIGHT SIDE ‐‐

YOUR WIFE'S STILL ALIVE.

YES. BRIGHT SIDE.

THIS IS SO...

WE WOULD ALWAYS MEET FOR TEA

TO TALK ABOUT THE CAMPAIGN

AND TALK ABOUT ALL THAT'S BEEN GOING ON.

THERE'S BEEN SO MUCH PRESS,

SO MANY LIES ABOUT THE CRYERS AND MY FAMILY.

SO YOU HAD NO IDEA ANYONE WAS IN THE HOUSE.

HOW WOULD I KNOW THAT?

HAD YOU BEEN IN THE HOUSE?

NO, I CAME AND SAW THE OFFICER.

I WENT STRAIGHT TO HIM.

HMM. MAGGIE DIDN'T.

MAGGIE DIDN'T.

OH, GOD, THIS IS SO TERRIBLE.

THIS IS TERRIBLE. ARE YOU OKAY?

NO, I'M NOT OKAY.

THIS WAS MY FRIEND.

I DON'T KNOW WHAT I'M GONNA DO WITHOUT HER.

[ DOOR OPENS ]

WHAT'S GOING ON?

YOUR HUSBAND'S OUT THERE.

DAVID!

MAY I SEE HIM, PLEASE?

I NEED TO SEE MY HUSBAND.

‐VERONICA. ‐OH, MY GOD, DAVID!

DAVID! DAVID!

[ CRYING ]

Your bitch is dead.

TAKE ME HOME, SWEETHEART.

PLEASE.

DETECTIVE.

I BELIEVE WE'RE FINISHED WITH YOU QUESTIONS FOR NOW.

BUT WE HAVE MORE.

I THINK IT'S BEST IF WE SCHEDULE ANOTHER TIME.

‐BUT ‐‐ ‐MY WIFE IS EXTREMELY UPSET.

I'M SURE YOU CAN UNDERSTAND.

YES.

YES, WE'LL CALL.

THANK YOU.

I'M SO SORRY, DAVID.

CAN YOU BELIEVE THIS?

THAT SWEET MAGGIE IS GONE.

TAKE ME HOME, PLEASE!

HEY.

WHAT DID SHE SAY?

[ SIGHS ] NOTHING.

WHAT DO YOU MEAN, "NOTHING"?

SHE DIDN'T SAY ANYTHING.

[ GROANS ]

BENNY.

ALL RIGHT, SHE SAID NO.

SO SHE WON'T LET ME HAVE HER BABY.

NO.

AND SHE WON'T LET YOU HAVE HIM?

NO.

OKAY.

OKAY.

I'M SORRY.

THIS IS JUST CRAZY.

I KNOW.

WAS HE AT LEAST ASLEEP?

NO.

SEE, SHE DON'T EVEN HAVE HIM ON A SCHEDULE.

AND HIS MEDICINE IS SO EXPENSIVE,

THOSE PEOPLE TOLD ME. [ SIGHS ]

I HAVE TO TELL HER THAT.

I'LL CALL AND TELL HER THAT.

WELL, I'LL TELL HER TOMORROW. JUST ‐‐

SHE NEEDS TO GIVE HIM HIS MEDICINE IN THE MORNING.

I'LL TELL HER. I'LL CALL HER.

MA.

[ SIGHS ]

HE WASN'T THERE, WAS HE?

WHAT?

THAT BABY WASN'T THERE.

MOM.

BENJAMIN, DON'T LIE TO ME AGAIN.

HE WASN'T THERE.

SHE WAS SUPPOSED TO GO AND PICK HIM UP FROM THE HOSPITAL.

WHERE IS HE?

WHERE IS HE?

I DON'T KNOW.

DID SHE SAY?

NO.

LOOK, DON'T CALL HER. I'M NOT CALLING HER.

NO ONE NEEDS TO BE ARGUING RIGHT NOW.

I'M NOT CALLING HER. WELL, THEN WHO YOU CALLING?

ALIYAH? Hi, Ms. Young.

HI. HOW ARE YOU?

I'm good.

LISTEN, I'M SORRY TO BE CALLING RIGHT NOW.

No problem. WHERE IS MY GRANDSON?

Uh, with your daughter.

NO, HE'S NOT.

Ms. Young, I can't discuss ‐‐

LOOK, ALL I WANT TO KNOW IS WHAT'S GOING ON.

WHERE'S MY GRANDSON?

I'm not at liberty to discuss this.

You have to talk to your daughter.

WHERE IS MY GRANDSON? HE IS NOT WITH HER.

I'm sure he is.

MY SON WAS JUST WITH HER.

HE'S NOT WITH HER. He's supposed to be.

LOOK, YOU WANT ME TO CALL THE POLICE? 'CAUSE I WILL.

THIS BABY WAS MISSING FOR THREE YEARS,

AND I'LL BE DAMNED IF I'M GONNA GO THROUGH THIS AGAIN.

NOW, WHERE IS HE?

I can't.

Ms. Young.

I HAD A JUDGE'S COURT ORDER.

WHERE IS HE AT?

Ms. Young, I'm sorry.

I just...I can't.

SORRY ABOUT WHAT?

He was put in temporary foster care.

That's all I can tell you.

FOSTER CARE?

Yes. I'm sorry.

WHAT?

Yes.

CANDACE PUT THAT BABY IN FOSTER CARE?

Yes. Temporarily.

WHERE?

I can't tell you that.

YOU BETTER TELL ME WHERE HE'S AT!

I'm sorry. I can't.

I just ‐‐ DAMN IT.

Ms. Young, I'm sorry.

ALIYAH. I'm sorry.

ALIYAH. I have to go.

Goodbye.

THAT DAMN GIRL.

SHE DID WHAT?

HE'S IN FOSTER CARE, BENNY.

‐MOM. ‐TAKE ME TO HER!

YOU TAKE ME TO YOUR SISTER'S HOUSE RIGHT NOW!

OKAY. OKAY.

JUST CALM DOWN FIRST, ALL RIGHT?

SHE IS SO HELL‐BENT ON KEEPING THAT BABY FROM ME

THAT SHE WOULD PUT HIM IN FOSTER CARE?

YOU TAKE ME TO HER RIGHT NOW.

YOU'RE GONNA HAVE A HEART ATTACK IF YOU DON'T RELAX.

THAT'S ALL RIGHT, AS LONG AS I'M WHOOPING HER ASS

WHEN I'M DOING IT, I'LL DIE HAPPY.

‐CALM DOWN. ‐HAS SHE LOST HER DAMN MIND?!

TAKE ME TO HER! ‐OKAY, BUT ‐‐

TAKE ME TO HER HOUSE RIGHT NOW.

CALM DOWN FIRST. FOSTER CARE?

MOM. FOSTER CARE!

‐MOM. ‐SHE LIVING OVER THERE IN A DAMN MANSION!

FOSTER CARE? NO, SIR. NO, SIR!

‐RELAX. ‐NO, SIR!

MOM.

WHAT IS WRONG WITH HER?

I'M SURE SHE HAS A REALLY GOOD REASON FOR THIS ONE.

TO PUT THAT BABY IN FOSTER CARE

WHEN SHE KNOWS I'M RIGHT HERE?

WHEN SHE KNOWS YOU ARE RIGHT HERE?

AIN'T NO DAMN REASON IN THE WORLD,

OTHER THAN HATE!

SHE HATES ME!

SHE'S SO EVIL THAT SHE WOULD

CUT OFF HER NOSE TO SPITE HER FACE!

GOD, HELP ME!

FATHER, PLEASE, JUST HELP ME.

‐MOM. ‐GOD, HELP ME!

[ SIGHS ]

MOM, IT'S ‐‐ MOVE, BENNY. MOVE.

NOT UNTIL YOU CALM DOWN.

COME ON, BENNY. MOM.

LOOK, MOVE!

‐NOT UNTIL YOU CALM DOWN! ‐MOVE!

♪♪♪♪

LANDON.

HEY. HI.

WHAT'S UP?

WHAT THE HELL IS WRONG WITH YOU?

OKAY, ARE YOU WITH CANDACE?

NO. YOU SURE?

NO. WHY?

NO REASON.

WHAT ‐‐ WHAT ‐‐ WHAT ARE YOU LOOKING AROUND FOR?

WHAT'S GO‐‐ WHAT'S GOING ON, MAN?

I JUST...

YOU JUST WHAT?

NOTHING.

WHAT? WHAT IS IT, LANDON?

NOTHING.

LANDON. WHAT'S GOING ON?

ARE YOU SURE SHE'S NOT WITH YOU?

NO, SHE'S NOT WITH ME. SHE'S NOT HERE.

WHY? WHAT IS IT?

SO, WHAT ARE YOU DOING HERE?

I HAVE A ROOM HERE.

OH.

WHY ARE YOU SO WORRIED ABOUT CANDACE?

I THOUGHT YOU KNEW HER.

OKAY. WHAT IS IT? WHAT DO ‐‐ WHAT DO YOU WANT?

WELL, HOW WELL DO YOU KNOW HER?

SHE'S ‐‐ I KNOW SHE'S TROUBLE.

YEAH? YEAH. BIG TROUBLE.

WELL, NOW YOU TELL ME.

WHY? WHAT ‐‐ WHAT ‐‐ WHAT IS THIS?

WHAT HAPPENED?

ALL RIGHT, YOU KNOW A GUY NAMED OSCAR?

NO.

OKAY, WELL, HE WAS IN THE BAR HERE ONE DAY,

AND HE TOLD ME THAT HE WANTED TO MEET HER.

AND HE GAVE ME THIS LINK TO SHOW HER, AND I DID.

AND NOW SHE'S LOOKING FOR HIM.

WHY? I DON'T KNOW.

HE BROKE HER HEART. I DON'T KNOW.

BUT SHE CAME IN HERE WITH THUGS

AND SHE CAME INTO MY ROOM

AND SHE THREATENED MY LIFE.

REALLY? [ CHUCKLES ]

YOU DON'T SEEM SURPRISED.

OH, I‐I DON'T GET SURPRISED BY GOOD, OLD CANDACE.

MAN, I GOT TO GET OUT OF HERE. [ SCOFFS ]

WELL, WHAT ARE YOU DOING HERE?

ISN'T THE CAMPAIGN OVER?

MAGGIE DAY.

WHAT ABOUT HER?

SHE'S STILL RIGHT TO FIND THE RAINBOW

IN THE CLOUD FOR YOUR DAD.

OKAY, OKAY.

YOU ‐‐ YOU GOT TO TELL ME THIS.

IS MY DAD AND MAGGIE HAVING AN AFFAIR?

JEFFERY? ARE THEY?

WHY WOULD YOU ASK ME THAT?

BECAUSE MY MOM SEEMS TO THINK SO.

DOES SHE?

YEAH, THAT'S WHAT SHE KEEPS TELLING ME.

JEFFERY.

THEY ARE. THEY ARE.

HEY, GOOD.

NOT GOOD. NO, IT IS GOOD.

I WANT HIM TO GET WITH HER.

YOU DO? YEAH.

WHY?

SHE MAKES HIM HAPPY.

YOU KNOW WHAT MAKES ME HAPPY, JEFFERY?

WHAT?

GETTING WITH YOU.

LANDON.

WHAT?

YOU'RE DRUNK. I ENJOYED YOU.

YOU'RE DRUNK. JUST ONE MORE TIME.

COME ON.

YOU'RE NOT THAT GOOD.

EXCUSE ME?

I'M SORRY. YOU'RE NOT.

JEFFERY. [ CHUCKLES ]

AND I'VE HAD BETTER.

JEFFERY, YOU TOLD ME THAT I WAS YOUR FIRST.

OKAY, I'VE HAD BETTER SINCE YOU.

WHO ARE YOU NOW?

GOOD QUESTION.

WELL, I COULD BE BETTER.

[ SIGHS ]

LET ME TRY.

YOU'LL NEVER BE AS GOOD AS HIM.

WHO'S THAT?

I DON'T KNOW.

OKAY, HE'S STRAIGHT. YEAH. I KNOW.

[ CELLPHONE VIBRATES ]

GOD, WHAT NOW?

I'M TOO DRUNK FOR THIS.

AND WE NEED TO TALK ABOUT ME NOT BEING GOOD.

I'M VERY GOOD.

OKAY.

WHAT'S WRONG?

JEFFERY, IS THIS RIGHT? WHAT?

OKAY, DOES THIS SAY WHAT I THINK IT SAYS?

WELL, WHAT IS IT? I CAN'T ‐‐ I CAN'T SEE IT.

THIS IS...

DOES IT?

IT ‐‐ IT SAYS MAGGIE DAY GOT SHOT.

WELL, DOES IT SAY SHE'S OKAY?

NO, IT SAYS SHE'S DEAD.

THERE'S NO WAY.

THERE'S NO WAY.

LANDON, MAYBE IT'S ‐‐ THERE'S NO WAY.

OH, MY GOD.

WELL, MAYBE IT'S ‐‐ WAIT, LANDON.

‐THIS CAN'T BE. ‐WAIT, LANDON.

WE FOUND HIM LIKE THIS.

‐ANYONE ELSE AROUND? ‐NO.

DRUGS?

SOME, BUT THEY CLEANED UP MOST OF IT.

I DON'T KNOW WHY THESE YOUNG KIDS

CHOOSE OUR HOTEL TO COME AND O. D.

THIS HAPPENS A LOT HERE.

WHO ELSE WAS IN THE ROOM.

NOT SURE.

‐WE NEED SECURITY CAMERAS. ‐I'LL GET ON IT.

THEY ARE GIVING THIS PLACE A BAD NAME.

YOU KNOW WHAT THE COLLEGE KIDS ARE CALLING IT?

THE DO‐DIE INN.

YOU KNOW, IT'S TERRIBLE.

I WISH THEY WOULD STOP COMING HERE.

THIS IS A NICE PLACE. MY FATHER BUILT THIS PLACE.

I UNDERSTAND. DO YOU MIND?

YEAH. THIS BOTHERS ME TO NO END.

IT REALLY DOES.

IT REALLY DOES.

OUTSIDE, PLEASE.

[ CELLPHONE BEEPS ]

‐YOU CALLING THIS IN? ‐YEAH.

YOU CAN'T TELL HER THIS ON THE PHONE.

NO, I WON'T. SHE'S GONNA FLIP OUT.

[ SIGHS ] I KNOW. I KNOW.

[ TELEPHONE RINGS ]

JENNIFER SALLISON.

YOU NEED TO COME TO THE SARANDON HOTEL.

WHAT'S GOING ON? We got a problem.

WHAT IS IT? Wyatt Cryer.

HOW BAD? GET DOWN HERE.

YOU NEED TO GET DOWN HERE.

HOW BAD?

JENNIFER, JUST GET DOWN HERE.

I'M ON THE WAY.

♪♪♪♪

[ INHALES SHARPLY ]

[ EXHALES SHARPLY ]

[ CELLPHONE BEEPS ]

[ CELLPHONE VIBRATING ]

[ VIBRATING CONTINUES ]

[ Ringing ]

[ CELLPHONE BEEPS ]

[ SNIFFLES ]

[ CELLPHONE BEEPS ]

[ Ringing ]

[ CELLPHONE VIBRATING ]

[ CELLPHONE BEEPS ]

HELLO.

HANNA?

MRS. CRYER.

YOU DON'T WORK FOR ME ANYMORE, REMEMBER?

No, I don't.

CALL ME KATHERYN.

HOW ARE YOU?

I'M FINE.

Where are you?

I HAVE A PLACE.

OH, GOOD. IS IT NICE?

WHAT DO YOU WANT?

[ EXHALES ]

HANNA, I'M SORRY.

ABOUT...?

All of this.

I'm mainly talking about the fact

that I didn't give you the money.

I SHOULD HAVE GIVEN IT TO YOU.

BUT I WAS JUST SO BLIND‐SIDED

BY THE FACT THAT YOU WERE LEAVING.

I NEVER THOUGHT THAT YOU DIDN'T HAVE ANY PLACE TO GO.

I'M FINE. ARE YOU SURE?

YES. Well, where are you staying?

I SAID I'M FINE.

UH, HANNA, ARE YOU REALLY SURE?

I WANT TO ‐‐ Yes.

I CAN BRING YOU THE MONEY RIGHT NOW.

NO.

You know, and I have some rental property.

It's really nice.

IT'S BY THE LAKE, AND NO ONE'S STAYING IN IT.

YOU CAN STAY THERE AS LONG AS YOU WANT, AND ‐‐

NO, THANK YOU. I'M FINE.

AND AS I SAID, I'M OKAY.

YOU DON'T HAVE TO WORRY ABOUT ME, OKAY?

I'LL TALK TO YOU LATER. PLEASE, DON'T HANG UP.

MRS. CRYER. CALL ME KATHERYN.

LISTEN, WE DON'T HAVE ANYTHING ELSE

TO TALK TO EACH OTHER ABOUT.

I NEED YOUR HELP.

[ SCOFFS ] DO YOU?

WHAT?

SO YOU OFFER SOMETHING WHEN YOU NEED SOMETHING.

NO.

WELL, YOUR TIMING IS ALWAYS SUSPECT.

DON'T DO THIS, HANNA. YOU KNOW THAT'S NOT ME.

I REALLY DO NOT HAVE THE STRENGTH FOR THIS RIGHT NOW.

AND YOU THINK I DO RIGHT NOW?

I'M WORRIED. MRS. CRYER, I HAVE TO GO.

Wyatt.

WHAT ABOUT HIM?

HE HAS HIS INHERITANCE, AS YOU KNOW,

AND WE CAN'T GET IN TOUCH WITH HIM.

OKAY?

IF MY SON DIES, HANNAH, I WON'T HAVE ANY CHILDREN LEFT.

MRS. CRYER. KATHERYN.

KATHERYN, I DON'T KNOW WHAT I CAN DO ABOUT THAT.

YOU CAN PRAY FOR ME.

THAT I WILL DO.

BETTER YET, PRAY FOR MY SON.

I WILL.

[ SNIFFLES ]

I HAVE LIVED MY LIFE, HANNA.

I HAVE MADE MY BED, AND I AM WILLING

TO SUFFER THE CONSEQUENCES.

BUT MY CHILDREN ‐‐

TO SEE THEM, BORN TO JIM AND I ‐‐

THEY DID NOT CHOOSE THIS.

AND TO SEE THEM, AND THEN TO SEE YOU AND BENNY

AND HOW GOOD HE TURNED OUT.

WELL, I STILL HAVE CANDACE.

BUT YOU GOT ONE RIGHT, HMM?

YES, I DID.

BUT THAT DOESN'T STOP THE OTHER ONE

FROM HURTING FOR ME NOT GETTING IT RIGHT.

THAT'S TRUE, BUT I STILL KEEP SEEING HIS FACE.

Who?

WYATT. [ SNIFFLES ]

HE'S CALLING ME.

HE'S JUST CALLING FOR ME.

You don't know where he is?

I DON'T HAVE A CLUE.

WELL, THEN ALL YOU CAN DO IS WAIT.

[ SNIFFLES ]

I'M SO AFRAID.

I AM SO AFRAID.

THAT IS MY CHILD, HANNA.

I've lost one.

I CANNOT LOSE ANOTHER ONE.

AND I AM ALL ALONE IN THIS HOUSE.

IT IS SO EERIE.

THERE'S NO LAUGHTER HERE.

NO JOY.

JUST PAIN.

THE WALLS ‐‐

THEY'RE BLEEDING WITH PAIN.

And I'm afraid.

I'M SO SCARED ‐‐

SO SCARED THAT EVERY TIME THE PHONE RINGS,

IT'S GONNA BE BAD NEWS.

I KNOW THAT FEELING.

So you know what I'm going through.

YES, I DO.

WILL YOU DO SOMETHING FOR ME?

WHAT'S THAT?

Just as a friend, okay?

[ SIGHS ] MRS. CRYER.

WELL, IF YOU CAN'T DO IT AS A FRIEND,

CAN YOU DO IT AS A CHILD OF GOD THAT YOU ARE?

WHAT'S THAT?

IF I GET THAT CALL, WILL YOU BE HERE FOR ME?

WHO'S GONNA BE THERE FOR ME IF I GET THAT CALL?

I will.

PLEASE, I HAVE NOBODY ELSE.

I DON'T THINK YOU'RE GONNA GET THAT CALL,

BUT IF YOU DO, I WILL BE THERE FOR YOU.

THANK YOU.

[ SNIFFLES ] THANK YOU.

LISTEN.

UNTIL THAT TIME, THOUGH,

WE DON'T HAVE ANYTHING TO SAY TO EACH OTHER.

I UNDERSTAND.

I'M SORRY.

GOOD NIGHT.

GOODBYE.

[ CELLPHONE BEEPS ]

[ SHIP HORN BLOWS ]

THANK YOU.

YEAH.

YOU DIDN'T LOOK HAPPY TO SEE ME.

I WAS TRYING TO UNDERSTAND.

I THOUGHT...

THAT I WAS DEAD.

YES.

BUT I'M ALIVE.

YES, YOU ARE. HMM.

SO YOUR PLAN DIDN'T WORK.

MY PLAN? YES.

WHAT ARE YOU TALKING ABOUT?

I KNOW YOU HAD THAT MAN IN MY HOUSE.

I DID NOT. YES, YOU DID.

NO, NO, JIM HAD SET SOMETHING UP.

JIM? YES.

REALLY? SO, WHY WOULDN'T YOU TELL ME?

I TRIED TO TELL YOU THAT I WAS KEEPING YOU

IN JAIL TO PROTECT YOU.

YOU KNOW, EVEN IF JIM WAS RESPONSIBLE,

WHICH I DON'T BELIEVE HE WAS,

I THINK A PART OF YOU WANTED IT TO HAPPEN.

NO, YOU'RE WRONG.

WELL, YOUR WHORE IS DEAD NOW, SO...

YOU DID THAT?

WHAT? VERONICA.

WHAT? I INVITED THE WOMAN OVER FOR SOME GIRL TALK.

YOU KILLED MAGGIE DAY.

OH?

WOULD YOU HAVE PREFERRED IT BE ME?

NO, VERONICA, DON'T TWIST IT.

WHY DID YOU LET JIM PUT A HIT OUT ON ME?

STOP IT.

JIM WOULD NOT GO TO THE HOOD

AND GET A COMMON STREET GANG TO SET UP A HIT.

AND JIM WOULD NOT HIRE A CRIMINAL SO DUMB

THAT HE WOULD SIT IN A HOUSE FOR DAYS

AND LEAVE DNA ALL OVER THE PLACE.

AND HE CERTAINLY WOULD NOT HIRE SOMEONE

WHO WOULD SHOOT A WHITE WOMAN

IF HE WAS PAID TO SHOOT A BLACK WOMAN.

SO HOW DID YOU DO IT?

DO WHAT? YOU SET IT UP.

I DON'T KNOW WHAT YOU'RE TALKING ABOUT.

TELL ME.

LOOK IN THE REAR‐VIEW MIRROR. LOOK.

WHO IS THAT FOLLOWING US?

SECURITY. FOR ME.

[ CHUCKLES ]

OH, SO YOU GONNA SHOOT ME NOW?

THERE.

WHAT IS THIS?

YOUR WISH.

DIVORCE PAPERS.

THAT'S WHAT YOU WANTED, ISN'T IT?

AFTER EVERYTHING I DID TO GET MAGGIE OUT OF OUR LIVES,

NOW YOU WANT ME TO SIGN SOMETHING?

YOU GAVE THEM TO ME, DIDN'T YOU?

I WON'T DO IT.

FINE.

IT AIN'T HAPPENING.

TEAR IT UP. IT'S ALREADY FILED.

THEN I'LL CONTEST IT.

YOU DO THAT.

DAVID, IF I READ IN THE PAPER

THAT YOU HAVE FILED A DIVORCE DECREE AGAINST ME

AFTER YOU LET THAT TRASH PLANT PICTURES

OF BENNY YOUNG AND MYSELF

AND TELL LIES ABOUT JIM AND ME ‐‐

YOU LET HER DO THAT ‐‐

AND I WILL MAKE EVERY DAY OF YOUR LIFE A LIVING HELL.

GOOD.

BECAUSE HELL WOULD BE BETTER THAN WHAT I'M GOING THROUGH NOW.

WELL, YOU BETTER HAVE THAT FILING PULLED.

SAY, THAT'S YOUR CAR BEHIND?

YES.

[ TIRES SCREECH ]

GET OUT. WHAT?

I SAID GET OUT.

NO. I'M NOT GETTING OUT.

GET OUT, OR I WILL DRAG YOUR ASS OUT.

[ CHUCKLES ]

NOW...

THAT'S THE HUSBAND I WANT.

I WOULD LOVE TO SEE THAT.

[ LAUGHS ]

I GOT TO GET READY FOR THIS.

MOST EXCITEMENT I'VE HAD IN THIS MARRIAGE

IN ABOUT FIVE OR SIX YEARS. [ LAUGHS ]

[ SCREAMS ]

ALL THIS BECAUSE YOUR BITCH IS DEAD, DAVID?

HUH? ALL OF THIS BECAUSE SHE'S DEAD?

YOU DIDN'T ACT LIKE THAT WHEN I NEEDED YOU.

NOW BLONDIE IS DEAD,

AND YOU'RE DRAGGING ME OUT OF CARS.

GOODBYE, DARLING!

SERENA, CALL THE OFFICE, OKAY?

HI.

WAS ‐‐ WAS HE FOUND LIKE THIS?

YES.

IT'S OVER THERE.

BLAKE. ‐NO.

OH, I'M SORRY. WE FOUND HIM NON‐RESPONSIVE.

BUT ‐‐ BUT HE'S NOT DEAD. JENNIFER.

IS HE DEAD?!

YES.

NEXT ON "THE HAVES AND THE HAVE NOTS"...

YOU SHOULDN'T GO OVER THERE.

I SAW A MAN GO IN THERE, AND HE NEVER CAME OUT.

WHAT THE HELL?

THAT OLD BROAD ACROSS THE STREET ‐‐

SHE WAS WATCHING EVERYTHING.

I DON'T TRUST YOU ‐‐ ANY OF YOU. YOU PEOPLE ARE ALL CRAZY.

WAIT, QUINCY WAS LOOKING FOR HER.

IF HE DONE FOUND HER... WHAT?

YOU THINK SHE DID SOMETHING TO HIM?

‐GUARD. ‐JIM, I CAME TO APOLOGIZE.

YOU GO TO HELL, DAVID.

YOU GO STRAIGHT TO HELL.

HANNA, IS MY SON DEAD?