Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

THIS ISN'T GONNA LOOK LIKE SELF‐DEFENSE.

GOT TO FIGURE SOMETHING OUT, CANDACE.

WHY CAN'T YOU SEE IT?

YOUR WIFE IS A COLD‐BLOODED BITCH.

Woman: VERONICA, ARE YOU HAVING AN AFFAIR?

WHAT?

I'LL GET THE MONEY. I JUST NEED A WEEK.

ON THE EIGHTH DAY, YOUR ASS IS DEAD.

...TO TAKE OUT VERONICA HARRINGTON.

YEAH. WHERE HE AT?

HE AT THE HOUSE RIGHT NOW WAITING ON HER

TO WALK THROUGH THAT DOOR.

JENNIFER, DON'T LET VERONICA LEAVE.

Jennifer: SHE'S ALREADY OUT.

PLEASE TELL ME YOU HAVE A PLAN.

THE ONLY PLAN I HAVE RIGHT NOW IS TO FIND OSCAR.

I HAVE ANOTHER PROBLEM.

WHO ARE WE TALKING ABOUT? MY WIFE.

I BELIEVE THERE'S A HIT OUT ON HER.

TAKE YOUR CLOTHES OFF.

[ MOANS ]

Veronica: MAGGIE.

Mrs. Harrington.

THERE'S SOME THINGS ABOUT DAVID THAT YOU NEED TO KNOW.

CAN YOU MEET ME AT MY HOUSE?

Sure. [ LAUGHS ]

IF I GET A CALL THAT MY WIFE HAS BEEN HARMED,

I'M GOING TO COME IN TO THAT CELL AND KILL YOU.

HOW LONG WILL IT TAKE? TO?

GET THE MONEY IN HAND? 30 DAYS.

WHERE DO YOU GET OFF ON DOING THIS?

DOING WHAT? TOUCHING ME SEXUALLY.

TOUCHING YOU SEXUALLY?! YEAH.

PLEASE LET THAT BABY BE WITH ME, I'M BEGGING YOU.

I WOULD LET STRANGERS AND FOSTER CARE RAISE HIM

BEFORE I LET YOU GET YOUR HANDS ON HIM.

HEY, MAN. IS HE DEAD?

I DON'T KNOW.

WHAT IS THAT? IT WON'T HURT YOU.

JEFFERY. WHAT IS THIS?

IT'S LUMINOL. WHAT'S LUMINOL?

IT'S A CHEMICAL THAT DEPICTS BLOOD.

MAGGIE, GO ON IN. I'LL BE THERE IN JUST A SECOND.

AAH! AAH! OH!

GET DOWN.

[ GUNSHOT ]

SHOTS FIRED. SHOTS FIRED. [ SOBS ]

611 WESTCHESTER LANE.

OH, MY FRIEND MAGGIE. REQUESTING BACKUP.

PERPETRATOR IS DOWN. WE GOT ONE FEMALE DOWN.

MY FRIEND MAGGIE.

NEED BACKUP IMMEDIATELY.

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪♪♪

HOW DOES SHE KNOW?

I DON'T KNOW.

AND HOW DID SHE KNOW

TO ‐‐ TO POUR THE LUMINOL ON THE FLOOR?

THE STAINED FLOOR.

DIDN'T YOU CLEAN IT?

I DID CLEAN IT.

AND I BLEACHED IT.

WHAT, THE ‐‐ THE BLEACH DIDN'T GET IT OUT?

APPARENTLY NOT GOOD ENOUGH.

HOW DOES SHE KNOW?

I DON'T KNOW.

YOU TOLD WYATT?

NO.

ARE YOU SURE?

I DIDN'T TELL HIM.

YOU TELL HIM EVERYTHING.

OH, GO TO HELL.

I'M ALREADY IN HELL.

WELL, THANK YOU FOR TAKING ME WITH YOU.

I DIDN'T PUT THE KNIFE IN YOUR HAND.

YOU MAY AS WELL.

YOUR MOTHER LET THAT SON OF A BITCH OUT OF JAIL.

IF YOU WANT TO BLAME SOMEONE, BLAME HER.

DON'T ‐‐ DO NOT ‐‐ DO NOT BLAME ME.

I CAN'T TAKE THIS.

I CAN'T TAKE THIS, CANDACE. THIS IS TOO MUCH.

WE NEED TO FIND OUT HOW SHE KNOWS

BECAUSE I DIDN'T TELL ANYONE.

NOT EVEN YOUR BROTHER? HMM?

NO.

ARE YOU SURE?

AND HE DOESN'T EVEN KNOW HER.

YES, HE DOES.

SHE GOT HIM OUT OF JAIL ONE TIME.

NO. THAT'S IT.

CANDACE, THEY'VE BEEN SLEEPING TOGETHER.

YOUR BROTHER AND MY MOTHER ARE SLEEPING TOGETHER.

WHAT? YES.

[ SCOFFS ]

JEFFERY, STOP, OKAY?

IF I HAD MY PHONE, I WOULD ‐‐ I WOULD SHOW YOU.

SHOW ME WHAT?

VIDEO.

YOU ARE ‐‐

YOU'RE DISGUSTING ME!

STOP.

IF YOU TOLD YOUR BROTHER, MAYBE THAT'S WHO TOLD HER.

FIRST OF ALL,

I DIDN'T TELL MY BROTHER ANYTHING.

AND HE IS NOT SLEEPING WITH YOUR MOTHER.

THAT IS DISGUSTING.

SECONDLY, WHY WOULD HE TELL HER?

SHE GOT HIM OFF, CANDACE.

NO, NO.

I DON'T BELIEVE IT. I DON'T BELIEVE IT.

THERE IS NO WAY IN HELL.

AS SOON AS I GET MY PHONE, I WILL SHOW YOU.

THAT YOU'LL HAVE TO DO.

OKAY, I WILL GET A NEW PHONE, AND I WILL BACK IT UP.

AND I WILL SHOW YOU.

OKAY.

BUT IN THE MEANTIME, WHO DID YOU TELL?

I DIDN'T TELL ANYONE. I DIDN'T TELL ANYONE.

HOW DID SHE KNOW? I DON'T KNOW!

WELL, YOU BETTER FIND OUT.

HOW?

GO AFTER HER.

MNH‐MNH. I‐I CAN'T. JEFFERY, ARE YOU CRAZY?

I CAN'T.

DO YOU UNDERSTAND THAT IF SHE KNOWS, WE ARE SCREWED?

DO YOU HEAR ME?

I'M NOT GOING BACK TO MELISSA.

JEFFERY.

NO!

FINE.

THEN WE BOTH GO TO JAIL.

YOU ARE THE ONE WHO TOLD ME I NEEDED TO GET AWAY FROM HER,

RIGHT?

JEFFERY... BUT, OH, THAT'S ‐‐ THAT'S OKAY

BECAUSE ONCE SHE HAS HER HOOKS ON YOU,

THEN THAT DOESN'T MATTER.

I'M NOT ‐‐ I'M NOT TELLING YOU TO STAY THERE.

THEN WHAT ARE YOU SAYING?

I'M SAYING, JUST FIND OUT WHAT SHE KNOWS.

AND THEN WHAT?

JUST FIND OUT WHAT SHE KNOWS AND HOW SHE KNOWS IT.

AND THEN WE CAN FIGURE IT OUT FROM THERE.

I CAN'T ‐‐ I CAN'T GO BACK THERE.

OH, NO.

WHAT?

MY CAR KEYS.

WHAT ABOUT THEM?

SHE TRACKED THEM.

HOW? WHAT? ARE YOU KIDDING ME?

NO, SHE HAD TO.

NO. NO, NO, NO, NO.

THAT DOESN'T MAKE ANY SENSE.

HOW WOULD SHE KNOW THAT THE BLOOD STAINS

WERE RIGHT THERE ON THE FLOOR?

LISTEN, IF SHE HASN'T TRACKED THEM ALREADY,

THEN SHE ‐‐ SHE WILL.

IT'S JUST A MATTER OF TIME. HOW? HOW?

HOW? HOW? I DON'T KNOW. HOW DOES SHE FIND OUT ANY OF THIS?

SHE JUST FINDS THINGS OUT.

MY OLD CAR IS IN MY MOM'S NAME.

MY NEW CAR IS IN MY DAD'S NAME.

AND SHE STILL HAS THE INFORMATION TO TRACK THE CAR KEYS.

SO I ‐‐

LOOK, SHE'S CONTROLLING.

SHE CONTROLS EVERYTHING.

WE GOT TO GO GET THOSE KEYS.

WE GOT TO GO GET THOSE KEYS.

JEFFERY, THERE IS NO WAY.

CANDACE, WE HAVE TO.

NO, THAT IS ‐‐ THAT IS A CHANCE THAT I WILL HAVE TO TAKE,

BECAUSE I'M NOT DIGGING.

I'M NOT DIGGING THOSE KEYS UP.

NO.

WE HAVE TO.

YOU HAVE TO.

I CAN'T. I CAN'T DO THAT.

I CAN'T, EITHER.

FINE, FINE.

I...

OKAY, WE WON'T.

YOU JUST HAVE TO MAKE SURE SHE DOESN'T KNOW

THAT YOU WENT TO THE DEALERSHIP TO GET A NEW SET OF KEYS.

OKAY.

I DON'T SEE HOW SHE WOULD KNOW ABOUT ANY OF THIS ANYWAY.

SHE WAS A LITIGATOR.

SHE WAS ONE OF THE BEST AT WHAT SHE DID.

AND SHE WAS A PROSECUTOR.

SHE WAS ONE OF THE BEST.

THEN SHE WAS A DEFENSE ATTORNEY, AND SHE WAS ONE OF THE BEST.

I MEAN, IS THIS STARTING TO MAKE ANY SENSE TO YOU?

I GET IT.

SHE PUTS THINGS TOGETHER, CANDACE.

EVERYTHING HAS MEANING.

EVERYTHING HAS MEANING TO HER.

SHE CALCULATES.

NOTHING IS A COINCIDENCE WITH HER.

IF THERE IS A BLADE OF GRASS

THAT IS LEANING TOO MUCH TO THE LEFT,

SHE WANTS TO KNOW WHY IT'S NOT LEANING TO THE RIGHT.

AND UNTIL SHE GETS THAT ‐‐ THAT RIGHT EXPLANATION,

SHE DOESN'T STOP.

DO YOU UNDERSTAND?

THAT IS MY MOTHER.

I WISH I COULD THINK LIKE THAT.

I WISH I COULD BE THAT CUNNING, THAT CONNIVING,

AND AS WICKED AS HER AND YOU.

[ SPEAKS INDISTINCTLY ]

AND THEN I WOULD BE ONE STEP AHEAD OF ALL OF YOU.

I WOULDN'T BE IN THIS DAMN POSITION.

I'M TIRED! I'M TIRED OF IT!

I DON'T WANT TO BE CAUGHT UP IN THIS TRAP ANYMORE!

ENOUGH.

NO! NO, IT'S NOT ENOUGH!

IT'S NOT ENOUGH, CANDACE!

STOP.

STOP.

[ BREATHES SHAKILY ]

SHH.

[ SNIFFLES ]

WHAT DO YOU THINK SHE IS GOING TO DO?

AS MUCH AS SHE HATES ME...

ANYTHING SHE WANTS.

[ SNIFFLES ]

SHE HATES ME, TOO.

NOT AS MUCH AS SHE HATES ME.

IT'S OKAY.

[ BREATHES SHAKILY ]

SHH.

[ SNIFFLES ]

THE ONLY WAY I MIGHT BE ABLE TO GET HER

IS TO DO HER BEFORE SHE DOES ME.

♪♪♪♪

CALL THE POLICE. HE'S DEAD.

YEAH.

DAMN JUNKIES ALWAYS COME AND GIVE OUR HOTEL A BAD NAME.

[ SIGHS ]

♪♪♪♪

[ CELLPHONE VIBRATES ]

[ CELLPHONE BEEPS ]

HELLO? LLOYD: Ms. Young?

HI, WHO'S THIS?

It's Lloyd Bowman.

WHO?

Lloyd bowman from Freeos Benefit and Trust Allbank.

YES.

We have approved your request.

WHAT?

I spoke to the board,

and I think that we can get your loan to you rather quickly.

IN TWO DAYS?

Yes, we are working on it,

fast‐tracking it for you.

THAT'S GREAT.

I'll call you tomorrow with all the details.

THANK YOU.

Sure.

[ CELLPHONE BEEPS ]

[ Ringing ]

WAR? WAR: Yeah.

I'LL HAVE YOUR MONEY.

I don't want to talk on the phone.

Meet me at your brother's.

BUT, WAR, PLEASE.

You heard me.

[ CELLPHONE BEEPS ]

THANK YOU, YES, YES, YES, THANK YOU.

[ CELLPHONE BEEPS ]

IT'S DONE.

GREAT.

YOU SURE?

YEAH.

[ CHUCKLES ] I'M SURE. OKAY.

TAKE IT.

LLOYD, YOU TAKE IT ALL. OKAY.

TOW YARD, BOTH HOUSES ‐‐

EVERY DAMN THING SHE'S GOT, YOU TAKE IT.

OKAY.

FORECLOSURE STARTS IN 14 DAYS AND CHANGE, RIGHT?

I HEAR YOU.

THANK YOU.

SO I'LL SEE YOU.

NAH, GO ON SAY IT.

I WILL SEE YOU SOON.

YES, YOU WILL BECAUSE I AM GETTING OUT OF HERE.

OKAY, GOOD. ALL RIGHT.

♪♪♪♪

GUARD.

♪♪♪♪

[ ENGINE SHUTS OFF ]

♪♪♪♪

[ SIGHS ]

♪♪♪♪

WELL, YOU MISSED THE LAST BUS AN HOUR AGO.

♪♪♪♪

ARE YOU TOO PROUD TO LET ME GIVE YOU A RIDE?

AND IF YOU DON'T REMEMBER, MY HOUSE IS RIGHT AROUND THE CORNER.

YOU GOT TO BE TIRED...

AND SAD.

HURTING.

SHE HIT ME, BENNY.

YOU HIT HER FIRST.

IS THAT AN EXCUSE?

NO. YOU'RE HER MOTHER.

THAT'S RIGHT.

YOU'RE BOTH WRONG.

BENJAMIN...

[ SIGHS ]

SHE SHOULDN'T HAVE HIT YOU.

SO YOU GONNA SUE THOSE PEOPLE?

MOM, I DON'T KNOW HOW SHE GOT THAT MONEY.

WELL, NOW YOU KNOW. YOU GONNA SUE THEM?

I WILL DO WHAT YOU WANT ME TO DO.

WHAT DO YOU WANT TO DO?

I WANT TO SUE THEM.

WHY?

FOR ALL THE LYING AND THE HELL THEY PUT YOU THROUGH.

YOU GONE ON AND DO THAT.

ARE YOU MAD?

NOPE.

NO.

YEAH, YOU ARE.

I JUST TAUGHT YOU BETTER THAN THAT.

TAUGHT ME TO GET WHAT'S MINE.

I TAUGHT YOU THAT FAIR IS FAIR.

YOU ALREADY GOT YOURS.

YOU GOT THAT HOUSE,

A TOW YARD, AS MANY TOW TRUCKS AS YOU'VE EVER DREAMED OF.

YEAH.

AND I TAUGHT YOU TO WORK HARD FOR IT.

YEAH, YOU DID.

UNLIKE YOUR SISTER.

YOU TAUGHT HER, TOO.

YES, I DID.

BUT SHE'D RATHER STEAL IT THAN EARN IT.

SUING IS NOT STEALING.

YES, IT IS.

IF THEY'VE ALREADY PAID YOU FOR IT,

AND THEY HAVE, BENJAMIN.

THEY HAVE ALREADY PAID YOU FOR IT.

WHY DO YOU CARE SO MUCH ABOUT THESE PEOPLE'S MONEY, ANYWAY?

I DON'T CARE NOTHING ABOUT THEIR MONEY.

THEN WHY DON'T YOU WANT ME TO SUE THEM?

YOU GO ON AND DO IT.

I'M ASKING.

EARN WHAT'S YOURS.

EARN IT.

YOU'VE BEEN GIVEN A SECOND CHANCE AT LIFE

AND EVERYTHING YOU'VE EVER DREAMED OF.

GREED IS ONE OF THE SEVEN DEADLY SINS,

AND IT CAN'T DO NOTHING BUT LEAD TO YOUR DESTRUCTION.

IS THAT WHAT YOU WANT?

MOM. NO, LISTEN TO ME.

WHEN I THOUGHT THAT BOY WYATT CRYER HAD HIT YOU,

BACK THEN, I DIDN'T SAY NOTHING TO THE POLICE ABOUT WYATT

BECAUSE I DIDN'T WANT THE SAME THING

THAT HAPPENED TO YOUR UNCLE TO HAPPEN.

I WANTED TO BE SURE.

I HAD TO BE SURE.

AND DO YOU KNOW WHAT HAPPENED

WHILE I WAS WAITING FOR THE TRUTH?

I WATCHED THOSE PEOPLE'S WHOLE LIFE FALL APART.

I'VE WATCHED DESTRUCTION FALL ALL AROUND THE CRYERS.

I'VE BEEN WATCHING A SLOW DEATH OF THOSE PEOPLE.

I DON'T WANT YOU TO LIVE IN NONE OF THAT.

NOW, LET THIS GO.

EARN YOUR OWN MONEY, BABY.

THAT TOW YARD, YOUR HOUSE...

IS ALL A GIFT.

JUST TAKE IT AND MOVE ON.

OKAY.

OKAY, WHAT?

I WON'T SUE.

YOU WON'T?

NO.

GOOD.

ON ONE CONDITION.

BENJAMIN, IT DON'T WORK LIKE THAT.

YOU DON'T EVEN WANT TO HEAR MY CONDITION?

BENNY, IT... YOU GOT TO MOVE IN WITH ME.

I'M NOT.

YOU JUST SAID I GOT MY SETTLEMENT.

SO IT CAN'T BE THAT BAD, RIGHT?

RIGHT?

I STILL DON'T LIKE THE WAY YOUR SISTER GOT IT.

ALL RIGHT. WELL, THEN I'LL SUE THEM,

I'LL WIN, AND I'LL BUY YOU YOUR OWN HOUSE.

OR I WON'T, YOU COME ON HOME TO THIS ONE WITH ME.

HMM?

[ SIGHS ] BENJAMIN.

I GOT YOU WITH YOUR OWN WORDS, DIDN'T I?

COME ON, YOU STILL GOT CLOTHES AT THIS ONE.

COME ON.

BENNY...

WHAT?

I NEED YOU TO TAKE ME BACK TO YOUR SISTER'S.

MOM. [ SIGHS ]

I GOT TO ASK HER ONE MORE TIME FOR YOUR NEPHEW.

YOU KNOW SHE'S NOT GOING TO GIVE HIM TO YOU.

THEN YOU ASK HER FOR HIM.

I CAN'T RAISE HIM.

SHE'LL GIVE HIM TO YOU.

YOU ASK HER FOR HIM.

MOM, I...

I'LL WAIT IN THE TRUCK.

OKAY, I'LL BRING YOU HOME TO MY HOUSE.

HMM?

AND THEN I'LL GO BACK AND I'LL ASK, OKAY?

OKAY.

OKAY.

COME ON.

OKAY.

♪♪♪♪

[ POLICE RADIO CHATTER ]

[ CAMERA SHUTTER CLICKS ]

MY WIFE...

IT'S MY WIFE.

[ TIRES SQUEAL ]

WAIT, IF THIS IS YOUR PLACE, WHY DOES IT SAY BENNY'S TOWING?

UH, I'M KIND OF LIKE, UH, LIKE THE SILENT PARTNER.

YOU KNOW WHAT I MEAN? LIKE THE MONEY GUY.

YOU'RE FULL OF CRAP.

OH, YOU THINK SO, HUH?

YEAH. WHEN DO I GET MY CAR BACK?

HUH?

DEPENDS HOW FAST YOU GET THROUGH WHAT WE'RE DOING HERE.

[ CHUCKLES ]

WHY ARE WE IN THE BACK OF THIS TRUCK?

[ VEHICLE APPROACHES ]

WHO'S THAT? SHH, SHH, SHH.

♪♪♪♪

[ ENGINES SHUT OFF ]

♪♪♪♪

War: YOU GOT MY MONEY?

TWO DAYS.

CANDY, YOU TOLD ME YOU HAVE IT.

I'LL HAVE IT IN TWO DAYS.

YOU MADE ME GET OUT MY BED.

NO, NO, NO, NO. I'M ‐‐ I'M GOING TO HAVE IT.

CANDY. LISTEN TO ME.

WAR, I'M GOING TO GET IT FOR YOU.

HOW YOU GETTING IT?

I GOT A LOAN FROM A BANK. THEY CALLED TODAY.

YOU'RE PLAYING ME.

NO.

NO. I GOT A LOAN.

AND THEY'RE GOING TO HAVE IT TO YOU IN TWO DAYS?

YES.

CANDY, THAT DON'T EVEN SOUND RIGHT.

NO FOOL'S GOING TO DO THAT. THEY'RE DOING IT FOR ME.

THEY ARE.

CANDY, I TOOK A FEDERAL JUDGE TO MY BASEMENT

AND HELD HIM FOR YOU.

FOR DAYS FOR YOU.

I TRUSTED YOU.

YOU LIED TO ME.

YOU TOLD ME THAT YOU GOT IT.

I KNOW.

IT MAKES ME...

I GET MAD WHEN I THINK ABOUT IT, CANDY.

WAR, I KNOW.

YOU TOLD ME YOU GOT $400,000.

WAR, PLEASE DON'T GET UPSET.

IT MAKES ME MAD. IT MAKES ME MAD!

YOU WERE MY GIRL,

AND YOU TREAT ME LIKE THAT?

NOW YOU GOT ME OUT HERE TREATING YOU LIKE ONE OF THESE HOES IN THE STREET,

LIKE A PIECE OF ASS BECAUSE YOU LIED TO ME?

YOU DID THIS.

I KNOW.

NOW LOOK AT YOU.

YOU LOST ALL DIGNITY TO ME.

YOU LIKE A REGULAR OLD CRACKHEAD ON HER KNEES

BEGGING FOR A ROCK.

I DON'T WANT TO SEE YOU LIKE THIS, CANDY.

I DON'T.

BUT THAT'S HOW I SEE YOU NOW IN MY MIND.

DAMN.

I'M TRYING TO REDEEM MYSELF, WAR.

HOW? HOW YOU GOING TO DO THAT?

YOU LIED. YOU LIED.

I KNOW.

NOT YOU.

I'M NOT GOING TO DO IT.

YOU KNOW HOW MANY TIMES I CRIED IN MY LIFE, CANDY?

HUH?

WHY DO YOU DO THIS TO ME?

WHY?

WAR, PLEASE.

BITCH, DON'T SAY YOU'RE SORRY.

I'M NOT.

YOU LEARNED?

YES, I HAVE.

NOW YOU GOT ME THINKING ABOUT YOU AND BENNY,

HOW LONG WE GO BACK.

I JUST BROUGHT IT UP BECAUSE I KNOW

YOU MAY HAVE ALREADY STARTED PLANNING.

YOU KNOW ME.

YEAH, I KNOW YOU.

SO YOU DON'T HAVE TO DO ANYTHING TO BENNY, OKAY?

BECAUSE I'M GOING TO GET YOU YOUR MONEY.

I DON'T WANT TO HURT BENNY, CANDY, I DON'T.

THAT'S MY BOY.

I KNOW.

SO WAS MY POPS.

I KNOW.

YOU KNOW WHAT I DID TO HIM.

WE ALL KNOW.

HE CROSSED ME.

I DON'T LIKE BEING CROSSED, CANDY.

I KNOW.

YOU KNOW, YOU KEEP SAYING YOU KNOW,

AND STILL YOU DID THAT.

YOU GOT TWO DAYS.

BENNY'S FINE, RIGHT?

FOR TWO MORE DAYS.

OKAY.

WHAT YOU GOT ON UNDER THERE?

NOTHING.

SEE, THAT'S WHAT I MEAN.

WHAT?

YOU COME HERE DRESSED LIKE THAT? I DIDN'T HAVE TIME ‐‐

THINKING THAT YOU ‐‐ THINKING THAT YOU CAN CHANGE MY MIND

BECAUSE YOU HOT. IS THAT IT?

NO, I DIDN'T HAVE TIME TO PUT ON ‐‐

YOU'RE LYING.

YOU TOLD ME TO COME HERE, AND I'M HERE.

YOU'RE LYING.

WAR, I KNOW BETTER THAN TO LIE TO YOU ANYMORE.

COME HERE.

WAR...

GET YOUR ASS AGAINST THIS FENCE.

CANDY... [ WHISPERING INDISTINCTLY ]

[ GRUNTING ]

STOP.

PLEASE.

[ CRIES ] WAR.

YOU DID THIS. WAR.

WAR.

[ GRUNTING ]

WAR.

[ JAZZ MUSIC PLAYS ]

OH, HE'S CUTE.

LEAVE HIM ALONE. I'M GOING TO SAY HI.

NO. HEY, STOP IT.

YOU'RE BOTH MARRIED. I'M NOT.

NO.

HI.

I'M GABBY.

COME JOIN US.

SORRY, I'M NOT INTERESTED.

OH, COME ON.

LOOK, I'M NOT INTERESTED.

COME ON.

[ SIGHS ] LADY, STOP IT.

YOU DON'T HAVE TO BE SO DAMN RUDE.

OH, DAMN IT.

BITCH, ARE YOU CRAZY?

HEY, NO NEED FOR THAT LANGUAGE.

GET YOUR DRUNK‐ASS FRIEND AWAY FROM ME.

OKAY, LET'S GO.

WE'RE SORRY.

DAMN RIGHT YOU ARE.

OKAY, GET THE CAR.

TAKE HER ASS HOME.

YOU DON'T HAVE TO BE SO RUDE.

TELL THAT TO YOUR FRIEND.

YOU ASS. YOUR FRIEND IS AN ASS.

[ CLEARS THROAT ] I'M SORRY, JUDGE.

MR. HARRINGTON, ARE YOU OKAY?

YEAH, I'M FINE.

HARRINGTON?

YEAH.

[ SIGHS ]

OH, NO.

WHAT?

I CAN'T TALK TO YOU.

WHAT? WHY NOT?

I'M THE JUDGE ON YOUR MOTHER AND THE CRYERS' CASE.

I CAN'T TALK TO YOU.

HARRY, CAN YOU TELL MY HUSBAND I LEFT, PLEASE?

YES, MA'AM.

OH, JUSTIN. HI.

HI. SORRY I'M LATE.

I HAD A LATE CALL.

I CAN'T TALK TO THIS GENTLEMAN,

BUT CAN YOU APOLOGIZE TO HIM AND PAY FOR HIS DRINKS.

I'M GOING TO HEAD FOR THE BABYSITTER.

GABBY GOT REALLY DRUNK AND OUT OF CONTROL.

I CAN'T TALK TO HIM, BUT APOLOGIZE TO HIM, OKAY?

OKAY.

♪♪♪♪

WHAT THE HELL ARE YOU DOING HERE?

BE IN ROOM 1333 IN 15 MINUTES.

AND I MEAN IT.

DO YOU KNOW WHO YOU'RE TALKING TO?

DON'T MAKE ME WAIT.

[ CAR APPROACHES ]

[ ENGINE SHUTS OFF ]

HEY.

HEY, WHAT ARE YOU DOING HERE?

YOU'RE OUT LATE.

YEAH, I HAD TO RUN SOMEWHERE.

OKAY, WHERE WERE YOU? IT DOESN'T MATTER.

YOU KNOW, CANDACE... DID MITCH CALL YOU?

MM... YOU WAS OUT WITH MITCH?

NO.

WHY YOU BRING HIM UP?

I THOUGHT I SAW HIM AT THE STORE.

NO, HE DIDN'T CALL ME.

THEN MAYBE IT WASN'T HIM.

WHAT'S UP?

LOOK, I, UH, I NEED TO TALK TO YOU ABOUT SOMETHING.

GOOD.

BECAUSE I NEED TO TALK TO YOU, TOO.

GOOD.

OKAY, COME IN.

[ KEYS JINGLE ]

[ LOCK UNLOCKS ]

♪♪♪♪

WHAT THE HELL ARE YOU WEARING?

A DRESS.

WHY ARE YOU ACTING LIKE YOUR MOTHER RIGHT NOW?

YOU FIRST.

ALL RIGHT, WELL, I'M SICK OF YOU LYING TO ME RIGHT TO MY FACE,

AND IT'S GOING TO STOP RIGHT NOW.

ALL RIGHT? SO I WANT THE TRUTH.

OKAY. WHAT DO YOU WANT TO KNOW?

WHERE DID YOU GET THIS MONEY FROM?

IS THAT WHY YOU'RE HERE?

THAT'S NOT ANSWERING MY QUESTION.

FROM JIM CRYER.

SO MOMMY WAS RIGHT.

YES.

I THOUGHT YOU SAID HE GAVE IT YOU?

YES.

YOU BLACKMAILING HIM?

NO.

CANDACE, YOU KNOW I'M NOT PLAYING WITH YOU.

HE GAVE ME THE MONEY.

ALL RIGHT, TELL ME SOMETHING ‐‐

WHY ON EARTH WOULD THIS MAN GIVE YOU $7.4 MILLION?

YOU TELL ME THAT.

COME HERE.

[ SIGHS ]

♪♪♪♪

CLOSE THE DOOR.

[ KEYPAD BEEPING ]

♪♪♪♪

[ SAFE DOOR CLOSES ]

WHAT'S THIS?

I DON'T WANT TO SEE THIS. I DON'T WANT TO SEE THIS.

WHAT IS THIS?

NEITHER DOES THE REST OF THE WORLD.

IT'S WHAT HE'S INTO.

SO YOU'RE BLACKMAILING HIM WITH THESE PICTURES.

NO.

HE TAKES CARE OF ME BECAUSE I FULFILL A FANTASY

THAT HE LOVES

AND NO ONE ELSE CAN.

LISTEN, I DON'T ‐‐ I DON'T WANT TO HEAR THAT.

I DON'T WANT TO HEAR NONE OF THAT.

YOU ASKED.

SO YOU'RE A, UH... PROSTITUTE?

HMM?

NO.

I'M HIS...

WHAT? YOU'RE HIS WHAT? YOU HIS WHORE?

HIS WOMAN.

OH.

HE HAS A WIFE.

I DON'T WANT TO BE HIS WIFE. I DON'T WANT TO MARRY HIM.

I JUST PROVIDE A FANTASY.

AND, OF COURSE, HIS WIFE THINKS I'M BLACKMAILING HIM.

BUT SHE DOESN'T ‐‐ SHE DOESN'T KNOW ABOUT THIS.

CANDACE, WHY DO YOU EVEN HAVE THESE PICTURES ANYWAY?

HE'S INTO VIDEO, TOO. WE WATCH VIDEOS.

DO YOU WANT TO SEE THEM?

YOU KNOW WHAT? STOP IT.

THEN STOP ASKING ME.

OKAY.

WELL, I'M NOT SUING HIM.

WHAT?

NO, I'M NOT.

BENNY.

CANDACE, YOU GOT THAT MONEY.

I GOT THE HOUSE AND MY TOW YARD.

I'LL MAKE MY WAY.

BENNY, YOU SHOULD SUE THEM.

WELL, I'M NOT.

I‐IS THIS BECAUSE OF MAMA?

THIS IS BECAUSE OF ME, AND I'M NOT DOING IT.

I GOT ALL I NEED. I'M NOT.

BENNY, WE'RE TALKING MILLIONS OF DOLLARS HERE.

NO.

AND I HAVE SOMETHING ELSE I WANT TO TALK TO YOU ABOUT.

I DON'T WANT TO TALK ABOUT ANYTHING ELSE OTHER THAN SUING.

CANDACE, WE NEED TO TALK ABOUT YOUR BABY.

BENNY.

WHERE IS HE?

CANDACE, WHERE IS HE?

HUH?

HE'S FINE.

MAMA WANTS ME TO ASK YOU ONE MORE TIME.

NO.

CANDACE, YOU KNOW SHE CAN TAKE CARE OF THAT BABY.

NO.

WELL, THEN LET ME HAVE HIM.

[ SCOFFS ]

GIVING HIM TO YOU IS LIKE GIVING HIM TO HER.

NO. WHY?

I WON'T LET HER DO TO HIM WHAT SHE DID TO US.

WHAT DO YOU MEAN? WHAT'S WRONG WITH ME?

YOU'RE MAKING IT SOUND LIKE SOMETHING'S WRONG WITH ME.

I DIDN'T MEAN THAT.

I DIDN'T MEAN THAT.

WHAT'S WRONG WITH ME, BENNY?

CANDY, YOU KNOW YOU'VE BEEN CAUGHT UP IN A LOT OF ‐‐

NO.

NO, I'M NOT GIVING HER MY CHILD.

SO IF THAT'S WHY YOU CAME HERE, YOU COULD LEAVE.

OR WE COULD ‐‐ WE COULD WATCH THE VIDEO.

[ GASPS ]

ANOTHER OPTION ‐‐

WE CAN DISCUSS VERONICA HARRINGTON

BECAUSE I'VE HEARD SOME DISGUSTING THINGS TODAY.

DISGUSTING.

ABOUT?

YOU AND HER.

PLEASE TELL ME THAT'S NOT TRUE.

NO, I DIDN'T COME HERE TO TALK ABOUT THAT.

I CAME HERE TO TALK ABOUT YOU.

OH, REALLY.

WELL, I WANT TO TALK ABOUT YOU.

VERONICA? I MEAN, REALLY?

WHAT THE HELL IS WRONG WITH YOU?

LOOK, I CAME HERE TO TALK ABOUT YOUR BABY, ALL RIGHT?

I'M GETTING OUT OF HERE. LOOK HOW QUICK YOU LEAVE, HUH?

♪♪♪♪

[ DOOR OPENS ]

[ DOOR CLOSES ]

BYE, MR. HARRINGTON.

YOU SURE YOU DON'T WANT TO TALK ABOUT VERONICA?

YEAH, ALL RIGHT.

I'VE HEARD SOME NASTY, NASTY, NASTY THINGS.

SHUT UP!

[ DOOR OPENS ]

[ DOOR CLOSES ]

[ KNOCK ON DOOR ]

[ KNOCKING CONTINUES ]

[ DOOR CLOSES ]

WHY ARE YOU TALKING TO MY WIFE?

ANSWER ME. LET GO OF ME.

YOU WANT TO GO OUT THE WINDOW? LET GO OF ME NOW.

[ CHUCKLES ] YOU KNOW WHAT?

I GOT NOTHING TO LOSE. WE CAN BOTH GO TOGETHER.

DON'T YOU EVER TALK TO MY WIFE AGAIN.

I DIDN'T KNOW SHE WAS YOUR WIFE.

BULL. YOU SET IT UP.

NO, I DIDN'T.

WHO DO YOU THINK YOU ARE?

I'M A COP. I KNOW YOUR KIND.

WELL, YOU'RE WRONG, COP.

WHAT ARE YOU UP TO?

PARANOID, AREN'T YOU?

YOU NEED A DRINK.

DON'T PLAY GAMES WITH ME.

[ GLASS SLAMS ]

YOU KNOW, YOU SHOULD REALLY GO SEE SOMEONE.

WHAT THE HELL ARE YOU DOING HERE?

I COME HERE OFTEN.

IF YOU WERE A GOOD COP, YOU WOULD KNOW THAT.

OR ‐‐ OR ‐‐ OR DO YOU?

BECAUSE YOU WERE PRETTY PROMPT.

YOU DON'T MAKE DEMANDS OF ME, UNDERSTAND?

DO YOU UNDERSTAND?

BUT YET AND STILL YOU WERE PROMPT.

AND YOU SEEM LIKE SOMEONE

WHO LIKES TO HAVE DEMANDS PUT ON THEM.

RULES, PROMPTNESS,

RESTRICTIONS, PUNISHMENT,

AND MAY‐‐

MAYBE THAT'S WHY YOU MARRIED A JUDGE.

SO YOU'RE EVALUATING ME.

YOU DON'T EVEN HAVE A DEGREE.

OKAY, THE COP HAS DONE HIS HOMEWORK.

WELL, I HONESTLY DO INTRIGUE YOU,

RIGHT?

I MEAN, SHE DID SEEM A LITTLE OLD FOR YOU.

DON'T MENTION MY WIFE.

IT'S OKAY. IT MAKES SENSE, THOUGH.

I'M WARNING YOU.

HAVE A DRINK.

RELAX.

RELAX.

WHAT HAPPENED TO THAT ARROGANT COP

WHO WAS TOUCHING ME AND GETTING AROUSED?

LOOK, YOU CROSSED THE LINE WHEN YOU TALKED TO MY WIFE.

AND YOU CROSSED THE LINE WHEN YOU TOUCHED MY ASS.

SHE IS PRETTY THOUGH, YOUR WIFE.

YOU WANT ME TO MAKE YOU DISAPPEAR?

DO YOU?

ARE YOU DONE?

IT'S JUST YOU AND ME IN HERE.

WHO IS ALL THIS MACHISMO FOR?

IS IT FOR YOU?

BECAUSE IF IT'S FOR ME, I DON'T NEED IT.

I JUST WANT TO TALK.

AND DRINK.

I'M NOT INTERESTED IN TALKING ABOUT YOUR WIFE,

AND I DON'T WANT TO KNOW HER.

AND I DON'T WANT TO SEE HER.

HELL, I DIDN'T EVEN KNOW YOU WERE MARRIED.

AND I DEFINITELY DIDN'T THINK THAT I WOULD RUN INTO HER.

DO YOU WANT TO KNOW WHAT I DO THINK?

I THINK YOU'RE A CREEP WHO HIDES BEHIND A BADGE.

I THINK YOU ARE DISGUSTING.

YOU WEAR CHEAP AFTERSHAVE,

AND YOU NEED TO LEARN HOW MANSCAPE.

SO...

I HAD NO IDEA THAT THIS WAS GOING TO HAPPEN.

BUT SINCE IT DID...

LOOK, I DON'T LIKE YOU OKAY?

BUT HERE WE ARE, OFFICER JUSTIN.

HERE WE ARE.

WHY AM I HERE?

FIRST, YOU HAVE THIS DRINK.

I THINK WE CAN HELP EACH OTHER OUT.

HELP EACH OTHER?

MM‐HMM.

HOW?

OKAY, THANK YOU.

[ RECEIVER CLICKS ]

THE D. A. s OFFICE JUST TOLD ME

YOU HAD YOUR TIME WITH JIM CRYER.

I NEED ONE MORE VISIT.

I NEED YOU TO OPEN THE GATE,

OPEN HIS CELL, TURN YOUR BACK, DON'T LET ANYONE ELSE IN.

MEET ME AROUND BACK.

[ BUZZER SOUNDS ]

[ GATE CLOSES ]

♪♪♪♪

[ DOOR CLOSES ] WHAT THE HELL IS GOING ON?

HEY.

DAVID.

[ BOTH GRUNTING ]

♪♪♪♪

NEXT, ON "THE HAVES AND THE HAVE NOTS"...

THIS WAS MY FRIEND.

I DON'T KNOW WHAT I'M GOING TO DO WITHOUT HER.

YOU THREATENING ME?

I'M INVITING YOU.

TO WHAT?

THIS.

YOU TAKE ME TO HER RIGHT NOW!

YOU'RE GOING TO HAVE A HEART ATTACK IF YOU DON'T RELAX.

THAT'S ALL RIGHT. AS LONG AS I'M WHIPPING HER ASS

WHEN I'M DOING IT, I'LL DIE HAPPY.

YOU KILLED MAGGIE DAY.

OH.

WOULD YOU HAVE PREFERRED IT BE ME?