Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

WHERE DOES VERONICA LIVE?

I DON'T KNOW.

SHE'S NEVER EVEN GIVEN YOU AN ADDRESS?

NO! AND WHAT DOES THIS HAVE TO DO WITH GETTING HER OUT OF JAIL?

IF I WERE YOU HUSBAND, I WOULD DO EVERYTHING IN MY POWER

TO MAKE SURE THAT YOUR ASS ROTS RIGHT HERE IN THIS JAIL.

PLEASE TELL ME YOU HAVE A PLAN.

THE ONLY PLAN I HAVE RIGHT NOW IS TO FIND OSCAR.

LET'S GET UP AND DO WHAT WE DO.

THE STATE IS REQUESTING NO BAIL.

MRS. HARRINGTON WILL BE RELEASED ON HER OWN RECOGNIZANCE.

BUT, YOUR HONOR!

THIS IS WHERE THE PHONE AT.

WE GONNA GO UP IN THERE.

NOW? YEAH.

JUSTIN?

JUSTIN, GET OVER HERE QUICK!

YOU KNOW THAT GIRL I TOLD YOU ABOUT,

THE ONE THAT CALLED ME A BITCH?

WELL, SHE'S IN THE CAR AND THEY KEEP CIRCLING AROUND THIS BLOCK.

YOU GET OVER HERE. COME ON.

NO! I MEAN IT, RIGHT NOW!

HMM?

BREAK IT.

HE AIN'T IN HERE.

HOW YOU KNOW? YOU AIN'T EVEN BEEN LOOKING.

GIVE ME THIS.

THE PHONE IS HERE.

WHERE?

IT'S IN THIS ROOM.

IT'S IN THIS AREA.

LOOK FOR IT.

[ Voice breaking ] OH, LORD.

WHAT?

IT GOT BLOOD ON IT. IT'S HIS PHONE.

WHERE HE AT, MAN?

OH, LOOK. WHY THE FLOOR LIKE THAT?

SOMEBODY TRIED TO CLEAN IT.

TRIED TO CLEAN IT UP, THEY BLEACHED IT.

THAT'S WHY IT'S FADED LIKE THIS?

YEAH. THEY DID.

WOW.

WE GOT TO GO NOW.

WAIT.

I NEED TO MAKE SURE HE AIN'T UPSTAIRS.

WE GOT TO LEAVE. I NEED TO FIND MY BROTHER.

THESE FOLKS CRAZY IN THIS NEIGHBORHOOD.

YOU KNOW THEY'LL CALL THE POLICE.

WHERE THEY STAIRS AT?

QUITA!

[ SIGHS ]

[ Ringing ]

VERONICA, PICK UP YOUR PHONE.

VERONICA...

WHAT?

I AM SURE GONNA MISS YOU.

WELL, I CAN'T SAY THE SAME ABOUT YOU.

THIS WAY, MRS. HARRINGTON.

AH. WELL...

I'LL SEE YOU.

NO, YOU WON'T.

NO, NO, THAT'S RIGHT, I WON'T.

YOU GOT THAT RIGHT. TELL ME SOMETHING...

YOU GONNA RUSH RIGHT HOME AND FRESHEN UP A BIT?

UNLIKE YOU.

AH.

YOU KNOW, IF I WERE YOU...

I'D GET COMFORTABLE IN HERE.

'CAUSE, OH, JIMMY,

I THINK YOU'RE GONNA BE HERE A WHILE, BABY.

AS I LIVE AND BREATH. [ LAUGHS ]

MRS. HARRINGTON, DO YOU WANT TO GO OR NOT?

YOU SHOULD GO.

[ CHUCKLES ]

MM‐HMM.

I'M GOING.

GOODBYE, BASTARD.

GOODBYE, MY LOVE.

HMM!

[ DOOR CLANGS SHUT ]

BYE‐BYE.

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪♪♪

[ SIRENS CHIRP ]

POLICE!

WHAT?

COME OUT WITH YOUR HANDS UP!

[ HELICOPTER BLADES WHIRRING ]

[ POLICE RADIO CHATTER ]

YOUR NAME?

DAYLON.

LAST NAME?

SMITH.

AND YOU?

LaQUITA MAXWELL.

MAXWELL? YOUR CAR WAS HERE.

WHY WERE YOU BREAKING IN?

I KNOW HER.

YOU KNOW HER?

CANDACE.

CANDACE?

THE LADY WHO LIVE HERE.

YOU DO?

YEP.

IS THAT SO?

YEAH, SHE TOLD ME TO COME OVER.

WHERE IS SHE?

SHE AIN'T HERE.

THEN WHY WERE YOU IN THERE?

OH, SHE TOLD ME TO COME THROUGH THE BACK DOOR.

NO. I DON'T BELIEVE YOU.

I AIN'T LYING.

WHAT'S HER NUMBER?

I AIN'T GOT IT.

SHE'S YOUR FRIEND AND YOU DON'T HAVE HER NUMBER?

YEP!

OKAY.

JUSTIN, THERE'S THAT GUY!

HEY!

YEAH?

COME HERE.

UH... I HAVE NOTHING TO DO WITH THIS.

DO WITH WHAT?

WITH WHATEVER'S GOING ON.

COME HERE.

WHY?

YOU KNOW THESE PEOPLE?

NO, SIR.

DO YOU KNOW HIM?

NO.

HE WAS DRIVING YOUR CAR.

WHO CAR?!

YOURS!

YOU ARE QUITA MAXWELL, RIGHT?

YEAH.

HE WAS DRIVING YOUR CAR.

THAT'S JEFFERY HARRINGTON?

YES.

WHERE MY BROTHER AT?!

I DON'T ‐‐ I DON'T KNOW WHAT YOU'RE TALKING ABOUT.

COME IN THE HOUSE AND TALK TO ME.

UH, OFFICER, I REALLY WOULD RATHER JUST...

COME IN THE HOUSE.

I ‐‐ I DON'T ‐‐

NOW!

COME HERE.

COME HERE.

SO WHAT'S GOING ON?

WHAT DO YOU MEAN?

I MEAN...

YOU HAVE THESE PEOPLE COMING IN AND OUT OF THIS HOUSE.

YOU RUNNING DRUGS OUT OF HERE?

NO.

SO THEN WHAT'S GOING ON?

NOTHING.

SOMETHING'S GOING ON, AND I KNOW IT.

I DON'T KNOW WHAT YOU'RE TALKING ABOUT.

YOU LIVE HERE?

UH, NO. NO, I JUST, UH, CAME TO GET MY KEYS.

SO WHERE'S THE LADY WHO LIVES HERE?

I ‐‐ I DON'T KNOW.

CALL HER.

I ‐‐ I DON'T HAVE MY PHONE.

FIX THAT.

CALL HER.

I DON'T KNOW THE NUMBER.

NO, YOU DON'T.

NO, IT'S ‐‐ IT'S IN MY PHONE. I DON'T KNOW IT BY HEART.

HMM.

THEN WE'LL WAIT.

I REALLY JUST WANT TO GET MY KEYS.

WHAT DID I SAY?

GUYS, TAKE THEM IN.

I'M GONNA WAIT FOR THE OWNER IN THE HOUSE.

ALL RIGHT. SEE YOU BACK AT THE STATION.

MOM, GO HOME. I'LL CALL YOU.

[ POLICE RADIO CHATTER ]

[ GROANS ]

THIS IS A NICE PLACE.

SHE DRINK?

I DON'T KNOW.

COME ON.

SURELY THERE'S SOME WINE AROUND HERE.

I ‐‐ I DON'T KNOW.

WHY DON'T YOU GO FIND ME SOME?

LOOK, MAN, I DON'T ‐‐ I DON'T KNOW WHAT'S WRONG WITH YOU.

I ‐‐ I JUST ‐‐

"LOOK, MAN"?

JEFFERY...

COME ON.

WAIT, WAIT, AREN'T YOU ON DUTY?

YEAH.

YEAH, YOU ‐‐ YOU...

YOU NEED TO LEAVE.

I ‐‐ I JUST...

I'LL HAVE HER CALL YOU WHEN SHE GETS HERE.

SO, JUST, CAN YOU PLEASE JUST GO?

ALL RIGHT. I'LL GO.

OH, BUT LISTEN...

YOU KNOW WHAT SHE SAID ‐‐ QUITA?

KNOW WHAT SHE TOLD THE OTHER OFFICER?

SHE SAID SHE WAS LOOKING FOR HER BROTHER.

SHE ALSO SAID SHE DOESN'T KNOW WHY YOU HAD HER CAR.

AND THEY FOUND BLOOD IN IT.

YOU KNOW WHAT THE WOMAN ACROSS THE STREET SAID?

SHE SAID THREE MEN CAME INTO THIS HOUSE.

ONLY TWO WENT OUT.

SO SOMETHING'S GOING ON THAT YOU DON'T WANT ME LOOKING INTO.

RIGHT NOW, YOU'RE NERVOUS AS HELL.

SO...

LOOKS LIKE WE HAVE TWO OPTIONS.

I CAN LEAVE HERE ALL TENSE, CURIOUS.

OR I COULD JUST SIT DOWN, RELAX, HAVE A DRINK...

AND WAIT FOR YOUR FRIEND.

I THINK YOU NEED TO LEAVE.

IF I WALK OUT THAT DOOR...

I'LL GO INTO INVESTIGATION MODE.

IS THAT WHAT YOU WANT?

IS THAT WHAT YOU WANT?

NO.

GOOD CHOICE.

POUR YOURSELF ONE, TOO.

♪♪♪♪

WHERE YOU BEEN?

I'M SORRY I'M LATE.

I'VE BEEN TRYING TO DEAL WITH ALL THIS MADNESS.

YOU HEARD ABOUT THE CRYERS AND THE HARRINGTONS?

YES.

AND HE HIT THAT KID.

AND MY BROTHER.

WHAT?

THAT WAS MY BROTHER.

CANDACE, I AM SO SORRY. I...

GOD, THEY ARE RUTHLESS.

YEAH. SO AM I.

WHAT ARE YOU GONNA DO?

SUE THEM, FOR SURE.

OH, YEAH?

YEAH.

[ SIGHS ] I'M SURE THAT'S GONNA HIT THE PRESS.

ANOTHER THING FOR ME TO DEAL WITH.

GOD, I WANT TO GO BACK TO ATLANTA, MAN.

THIS IS DRIVING ME NUTS.

WHY ARE YOU STILL HERE?

MAGGIE. SHE WANTS ME TO HANG AROUND.

HOW EXHAUSTED ARE YOU?

PRETTY EXHAUSTED.

TOO EXHAUSTED TO MEET A NICE, HOT MAN?

I AM NEVER TOO EXHAUSTED TO MEET A NICE, HOT MAN.

LET'S GO TO YOUR ROOM. I HAVE SOMEONE I WANT YOU TO MEET.

OKAY.

OKAY.

AFTER YOU.

[ BIRDS CHIRPING ]

BOTTLE'S EMPTY.

YOU GOT ANY MORE?

DRINK.

COME ON.

♪♪♪♪

COME UPSTAIRS.

WAIT AGAINST THE WALL.

VERONICA.

DON'T TALK TO ME, YOU HOOD RAT.

I'M QUINCY'S SISTER.

I NEED YOUR HELP.

WHO THE HELL ARE YOU?

DON'T GO TO YOUR HOUSE.

THEY WAITING FOR YOU. WHO?

DON'T GO TO YOUR HOUSE, I'M TELLING YOU.

I'M TELLING YOU RIGHT NOW.

WHAT ARE YOU TALKING ABOUT?

QUINCY'S SISTER ‐‐ QUITA MAXWELL.

GET ME OUT, I'LL TELL YOU.

THIS WAY, MRS. HARRINGTON.

LET'S GO.

[ Ringing ]

VERONICA, PICK UP YOUR PHONE!

HELLO, THIS IS VERONICA HARRINGTON.

LEAVE A MESSAGE AT THE TONE, AND I'LL GET BACK WITH YOU.

[ BEEPS ]

YOUR BELONGINGS.

CHECK EVERYTHING.

DON'T WORRY, I WILL.

ONE NECKLACE.

MY PHONE?

RIGHT HERE.

DAVID.

SIGN HERE.

[ SIGHS ] GLADLY.

ONE THING'S MISSING, THOUGH.

WHAT'S THAT?

MY WIG.

YOUR WHAT?

MY WIG. YOU HARD OF HEARING?

WE HAVE NO WIG ON THIS LIST.

WELL, YOU SHOULD HAVE A WIG. I GAVE IT TO YOU TWO DAYS AGO.

WHERE'S MY WIG, MA'AM?

WE DON'T HAVE A WIG ON THIS LIST.

AND YOU THINK IT'S FUNNY?

I DON'T SEE A WIG ON THIS LIST, MA'AM.

HMM. OKAY.

SORRY.

[ Ringing ]

[ CELLPHONE VIBRATING ]

HELLO?

JENNIFER, IT'S DAVID HARRINGTON.

YES?

DON'T LET VERONICA LEAVE.

SHE'S ALREADY OUT.

THEN DON'T LET HER GO HOME!

WHY? AFRAID SHE'LL RUN INTO YOU AND MAGGIE, ARE YOU?

WHAT?

YOU SON OF A BITCH!

YOU DON'T WANT TO BE WITH ME,

BUT YOU'LL SLEEP WITH THAT WHORE?

Jennifer, listen to me, please.

GOODBYE, DAVID.

JENNIFER? JENNIFER?!

DAMN IT!

SO I CAME TO SEE YOU OFF.

AH. REALLY?

YES.

SO YOU PLAYING GAMES WITH MY BELONGINGS NOW, MISS D. A.?

WHAT?

MY WIG.

WHAT, IS IT MISSING?

YES. YOU KNOW THAT, THOUGH.

I DIDN'T EVEN KNOW YOU WORE WIGS.

HMM.

I DO.

AND THAT WAS AN $8,000 ONE, SO I WILL BE SUING.

SORRY.

I DON'T SUPPOSE YOU'LL LET ME LEAVE OUT OF THE BACK DOOR?

NOW WHY WOULD I DO THAT?

THE PRESS IS OUT FRONT. HM.

ARE THOSE CORN ROWS READY FOR CAMERA, GIRL?

THEY WOULD DO.

BUT I GOT SOMETHING ELSE FOR YOU.

WHERE DO YOU THINK YOU'RE GOING?

THE FRONT IS THAT WAY.

YES, BUT THE BATHROOM IS THIS WAY.

AND I'M GOING TO SHOW YOU

THE BEAUTY OF A NATURAL BLACK GIRL.

[ CHUCKLES ] GIVE ME A MINUTE.

♪♪♪♪

[ BIRDS CHIRPING ]

COME IN HERE.

COME IN HERE.

SO WHAT TIME DO YOU THINK SHE'LL BE BACK?

I DON'T KNOW.

THAT'S A NICE BED.

WHAT DOES SHE DO FOR A LIVING?

SHE'S IN LAW SCHOOL.

THAT'S NOT A LIVING.

WELL, THEN I GUESS YOU'LL HAVE TO ASK HER.

I WILL.

GOOD.

AND YOU?

[ SIGHS ]

I WORK FOR MY PARENTS.

OH, THE HARRINGTONS.

[ CLEARS THROAT ]

SO...

WHY DO YOU THINK THAT QUITA GIRL

WAS LOOKING FOR HER BROTHER HERE?

I TOLD YOU, OFFICER, I ‐‐ I DON'T KNOW.

HMM.

YOU KNOW, I RAN HIM.

SEEMS LIKE BAD NEWS.

YEAH, I GUESS SO.

YEAH.

YOU, ON THE OTHER HAND, ARE NOT.

NO.

NO.

NO PRIORS.

WELL, THAT D. U. I.,

THAT WAS THE FIRST THING YOU EVER DID WRONG.

YEAH.

YEAH.

GOOD FOR YOU, KID.

YOU KNOW, 'CAUSE USUALLY SOMEBODY LIKE YOU,

I'D GRAB THEM LIKE THIS.

[ GRUNTING ]

[ GRUNTING ]

OKAY, OKAY!

ALL RIGHT.

HIGH‐SCHOOL WRESTLING MOVE.

I SEE.

ARE WE DONE PLAYING GAMES NOW, OFFICER?

YEAH.

YEAH, YOU CAN...

YOU CAN LET ME UP.

[ PANTING ]

YEAH.

[ SIGHS ]

YOU GOT ME.

[ HOLSTER UNSNAPS ]

AND IF YOU EVER DO THAT AGAIN...

I'LL BLOW YOUR BRAINS ALL OVER THIS WALL.

WHY?

YOU ENJOYED IT.

WHAT DID YOU JUST SAY?

YOU HEARD ME.

YOU ENJOYED IT.

[ SIGHS ] YOU'RE CRAZY.

MAYBE WE BOTH ARE.

DON'T...

EVER DO THAT AGAIN.

OKAY.

I'M SORRY.

MAYBE IT WAS THE WINE TALKING.

IT BETTER HAVE BEEN.

[ HOLSTER SNAPS ]

[ SIGHING ]

[ INDISTINCT CONVERSATIONS ]

[ CAMERA SHUTTERS CLICKING ]

[ REPORTERS SHOUTING INDISTINCTLY ]

PLEASE STEP ASIDE.

I'M NOT LEAVING. TAKE ME AROUND BACK, PLEASE.

STRAIGHT AHEAD.

MOVE BACK, MOVE BACK.

SO WHAT DOES THIS GUY LOOK LIKE?

[ SIGHS ] HE'S BIG.

HOW BIG ARE WE TALKING HERE?

[ LAUGHS ] YOU'LL SEE.

HE HAS DREADS, HE'S TALL.

OOH!

HE'S HANDSOME.

SOUNDS LIKE MY TYPE OF GUY.

I KNOW.

[ BEEPS ]

AFTER YOU.

YEAH.

[ SIGHS ] I DO NOT MISS THIS PLACE.

I HAVE TO COME SEE YOUR HOUSE.

YES, YOU DO.

[ SIGHS ] WANT A DRINK?

[ KNOCKS ON DOOR ]

OH.

WHO'S THAT?

THAT MUST BE HIM.

ALREADY?

HOW DO I LOOK?

YOU LOOK AMAZING.

PERFECT.

UM...

CANDACE, UM...

WHA‐‐ THAT'S ‐‐ THAT'S NOT MY TYPE OF GUY.

WHAT ARE YOU ‐‐ WHAT ARE YOU DOING?

DON'T BE RUDE.

CAN I HELP YOU?

NO, DADDY, BUT YOU CAN HELP YOURSELF, THOUGH.

UH, WHAT'S GOING ON?

LANDON...

SOMEONE TOOK A LOT FROM ME,

AND I'M IN NO MOOD TO MESS AROUND WITH YOU.

CANDACE ‐‐

COME SIT NEXT TO MAMA.

SIT DOWN.

Good boy.

PAY ATTENTION. LOOK AT ME.

LOOK AT ME.

ARE YOU LISTENING?

YES.

OKAY.

THAT OSCAR GUY AT THE BAR THAT DAY...

YOU GAVE ME YOUR PHONE,

AND YOU SHOWED ME ALL THIS INFORMATION

ABOUT HIM FROM A SEARCH ENGINE.

FUNNY THING IS I CAN'T FIND ANY INFO ON HIM.

DO YOU WANT ME TO SLAP YOUR ASS AGAIN?

NO. YOU SURE?

YES. YOU'RE SURE?

NOW HOW DID YOU DO THAT?

WELL, WHAT ARE YOU TALKING ABOUT?

IS HE HARD OF HEARING, CANDACE?

NO, HE'S NOT.

WHAT DID I SAY? LOOK AT ME.

'CAUSE, UM, WE CAN GET OUR FRIEND HERE TO OPEN HIS EARS.

NOW, DO YOU WANT THAT?

NO. CANDACE, CANDACE, THIS IS ME. IT'S LANDON.

OH. YEAH.

WHAT DOES THAT MEAN, EXACTLY?

HMM?

YOU ARE SO PRETTY.

BUT THEY CAN MESS UP YOUR FACE SO BADLY

THAT YOU OWN MOTHER WON'T RECOGNIZE YOU.

ARE YOU THIS PERSON?

YOU HAVE NO IDEA.

NOTHING STOPS ME WHEN SOMETHING GETS IN MY WAY.

NOW, DO WE NEED TO DO THIS?

NO. NO.

WHAT DO YOU WANT TO KNOW?

HOW DID YOU DO IT?

HE ASKED ME TO DO IT.

HE E‐MAILED ME THE LINK, AND HE WANTED ME TO SHOW IT TO YOU.

YOU DIDN'T THINK ANYTHING WAS WRONG WITH THAT?

HE LIKED YOU, CANDACE. HE WASN'T INTO ME,

AND ‐‐ AND HE WANTED TO GET TO KNOW YOU.

I WAS DRUNK, SO I AGREED.

DID HE PAY YOU?

NO, HE DIDN'T.

WHERE IS HE?

I DON'T KNOW.

HE'S LYING.

I'M NOT.

YOU THINK SO?

YEAH.

NO, I SWEAR I'M TELLING THE TRUTH.

NO, HE IS.

HOW DO YOU KNOW?

HE JUST PISSED ON HIMSELF.

THANKS, LANDON.

OH.

DID YOU WANT HIM TO STAY?

I DID PROMISE YOU A DATE.

NO.

[ DOOR CLOSES ]

[ SIGHS ]

Oh, my God.

SO...

YOU'RE QUIET.

WELL, YOU PUT THAT GUN IN MY FACE.

I HAVE NOTHING MORE TO SAY. I STOP TALKING.

YOU DON'T LIKE GUNS, JEFFERY?

NO.

OKAY. NO MORE GUNS.

DON'T YOU HAVE SOME QUESTIONS YOU WANT TO ASK ME?

NO.

YOU SHOULD.

I DON'T.

OKAY. [ SIGHS ]

YOU KNOW WHAT? YEAH, I DO.

WHAT'S YOUR STORY?

WHAT DO YOU MEAN?

I MEAN, WHERE DO YOU GET OFF ON DOING THIS?

DOING WHAT?

COMING ON TO PEOPLE?

MISUSING OUR AUTHORITY

AND FORCING PEOPLE TO DO WHAT YOU WANT THEM TO DO?

THAT'S NOT WHAT I'M DOING.

THE HELL IT ISN'T.

IS THAT WHAT YOU THINK I'M DOING?

IF I HADN'T STOPPED YOU UPSTAIRS,

THERE'S NO TELLING WHAT YOU MAY HAVE DONE.

[ CHUCKLES ]

YOU GOT ME ALL WRONG, JEFFERY.

THAT'S YOUR FANTASY.

NO.

NO, NO, NO, NO, NO, NO. I GOT YOU RIGHT.

NO, YOU DON'T.

THEN WHY AM I HERE?

WHY DON'T YOU TELL ME?

[ SCOFFS ] YOU KNOW WHAT?

JUST SAY WHATEVER IT IS YOU WANT TO SAY, 'CAUSE THIS...

[ INHALES DEEPLY ]

THIS IS CREEPY.

I TOLD YOU SOMETHING'S NOT RIGHT HERE.

AND I'M GONNA FIND OUT WHAT IT IS.

OKAY. YOU KNOW WHAT'S NOT RIGHT?

WHAT'S THAT?

YOU.

GO ON.

YOU TOUCHING ME SEXUALLY AND HOLDING ME HERE.

I'M GETTING OUT OF HERE.

TOUCHING YOU SEXUALLY?

YEAH.

YOU'RE GETTING OFF ON THIS.

AND YOU'RE HIDING BEHIND THAT BADGE,

PRETENDING THAT YOU'RE NOT.

[ GRUNTS ]

I'M NOT!

[ GASPS ]

YOU WEARING A WIRE?!

SEE? THERE YOU GO AGAIN.

THERE YOU GO.

TOUCHING YOU SEXUALLY?

HUH?!

I HATE YOU QUEERS!

MNH! REALLY?

HMM? WHAT DO YOU HATE?

[ BREATHING HEAVILY ]

YOURSELF?

IS THAT IT?

YOU FEEL YOU NEED TO BE PUNISHED

BECAUSE YOU'RE CLOSETED, IS THAT IT?

IS IT TOO MUCH FOR YOU TO DEAL WITH, HMM?

DO YOU GO HOME AND YOU HURT YOURSELF?

OH, SO NOW YOU'RE A THERAPIST?

YES, I AM.

AND I KNOW YOUR TYPE, MR. MACHO. RIGHT?

WANTING TO BE IN CONTROL ALL THE TIME, BUT THE TRUTH IS,

YOU WANT TO BE TAKEN CONTROL OF.

RIGHT? THAT'S IT. THAT'S IS WHAT YOU WANT.

YOU DON'T HATE ME.

YOU WANT ME.

DON'T YOU?

YOU'RE SICK.

AND YOU'RE SICK BECAUSE YOU CAN'T ADMIT IT.

WHO TOLD YOU IT WAS WRONG, HMM?

YOUR MOM? YOUR DAD?

DID THEY PUNISH YOU?

HOW DID THEY PUNISH YOU?

WHAT MAKES YOU FEEL LIKE YOU NEED TO LIVE THIS LIE?

YOU GOT ME ALL WRONG.

DO I?

YOU'RE SICK BECAUSE YOU CAN'T ADMIT IT, OFFICER.

NOW GET OUT OF HERE.

I TOLD YOU I'LL HAVE HER CALL YOU WHEN SHE GETS BACK.

NO.

MNH!

[ BREATHING HEAVILY ]

OH, YEAH?

THE BODY DOESN'T LIE.

YOU NEED THERAPY.

GET SOME HELP. SEEK IT.

I WILL BASH YOUR HEAD INTO THIS WALL.

Hanna: HELLO.

YES, THIS IS HANNA YOUNG

CALLING AGAIN TO CHECK ON MY GRANDBABY.

HE'S STILL ASLEEP?

OKAY, BUT ‐‐ BUT HE'S OKAY?

OKAY, THANK YOU SO MUCH.

YES, I'LL BE THERE SOON.

THANK YOU AGAIN. BYE‐BYE.

♪♪♪♪

WHAT THE HELL HAPPENED TO THIS HOUSE?

YOUR SON.

WHERE IS HE?

LAST TIME I SAW HIM,

HE WAS PACKING UP HIS THINGS AND LOADING THEM INTO

A BRAND‐NEW CAR AND DRIVING AWAY.

A BRAND‐NEW CAR?

YEP.

WELL, I CANNOT DEAL WITH THIS RIGHT NOW,

BUT IT IS REALLY GOOD TO SEE YOU.

IS IT?

MNH.

MOVED OUT, HUH?

YEP.

WELL...

I JUST WANT A SHOWER.

WHERE HAVE YOU BEEN?

AWAY.

NOW, YOU JUST GONNA LIE TO ME?

HANNA, PLEASE.

PLEASE, WHAT?

CAN THIS WAIT?

NO.

THIS WAITED TOO LONG.

YOU'RE REALLY GONNA MAKE ME DO THIS RIGHT NOW, AREN'T YOU?

YES.

OKAY.

IS THERE SOMETHING YOU WANT TO TELL ME?

ABOUT...?

DON'T MAKE ME DRAG IT OUT.

HAVE ENOUGH RESPECT FOR ME TO AT LEAST, PLEASE,

TELL ME THE TRUTH.

IS THERE SOMETHING YOU WANT TO TELL ME ABOUT WYATT?

WHAT DO YOU WANT?

DON'T.

DON'T DO THAT.

ALL RIGHT.

SO YOU SAW THE NEWS. WHAT DO YOU WANT TO KNOW?

HE TOLD ME.

WYATT?

YEP.

HANNA...

MRS. CRYER...

I'M SORRY. I AM...

SO...VERY...SORRY.

NO NEED TO BE.

YOU UNDERSTAND, RIGHT?

I TOLD YOU...

THAT PROTECTING HIM WAS NOT GONNA BE GOOD.

I KNOW.

AND I TOLD YOU THAT HE WAS GONNA HAVE TO PAY FOR THIS.

YOU SAID THAT, TOO.

YEAH, I DID.

IS IT WORTH IT?

[ SCOFFS ]

HMM?

HANNA...

WYATT IS GONE.

YOUR HUSBAND'S IN JAIL.

YOU WERE IN JAIL.

WAS IT WORTH IT?

IS IT WORTH IT?!

YOU FORGOT ONE.

WHAT'S THAT?

YOU.

IF I LOSE YOU...

CONSIDER ME GONE.

YOU ARE MY ONLY FRIEND.

I DON'T LIE TO MY FRIENDS ‐‐

I NEVER LIED TO YOU.

MMM.

WHEN I ASKED YOU IF HE HIT THAT GIRL,

YOU DIDN'T SAY ANYTHING.

BECAUSE YOU KNEW.

YOU KNEW.

YOU LOOKED RIGHT THROUGH ME AND JIM AND ALL THE REST OF US.

IF YOU HADN'T BEEN HERE WHEN AMANDA DIED,

I DON'T KNOW WHERE I WOULD BE.

MRS. CRYER...

BUT YOU KNEW, DIDN'T YOU?

WHEN I WAS A LITTLE GIRL...

MY UNCLE CAME RUNNING DOWN THE STREET

WITH A TV UNDER HIS ARM.

HE RAN RIGHT THROUGH THE YARD.

NOW, NEXT DAY, THE POLICE CAME AND BROUGHT HIM TO ME.

AND THEY ASKED ME IF I HAD SEEN HIM.

I COULDN'T HAVE BEEN NO MORE THAN, WHAT, 7 OR 8.

MY MOTHER WAS LOOKING AT ME.

SHE DIDN'T WANT ME TO SAY NOTHING...

BUT SHE DIDN'T WANT ME TO LIE.

SO I TOLD THE TRUTH.

TURNED OUT THAT...

SOMEBODY HAD STOLEN THE TV FROM HIS BOSS AT THE SAW MILL.

TWO DAYS LATER, MY UNCLE WAS DEAD OVER A TV.

I THOUGHT MY VOICE HAD KILLED HIM.

AND AS IT TURNED OUT, HE WAS RUNNING WITH IT,

BUT HE DIDN'T STEAL IT.

IT WAS THE MAN AROUND THE CORNER.

SO YOU SEE, I DON'T SPEAK...

UNLESS I'M 100% SURE.

SO THAT'S WHY I DIDN'T WANT TO DO THAT TO YOUR SON.

I WANTED INFORMATION.

AND I GOT IT.

WYATT HIT THAT LITTLE GIRL.

HANNA, IT'S NOT THAT SIMPLE ‐‐

OH, NO, NO, NO, NO, NO, NO.

AND YOU KNEW IT.

AND YOU COVERED IT UP.

AND HE HIT MY SON.

AND THEN YOU...

YOU PAID FOR HIS BILLS AND YOU HAD HIM MOVED,

AND I THOUGHT YOU DID THAT 'CAUSE YOU CARED.

[ SCOFFS ]

BUT THAT WAS YOUR GUILT.

THAT IS NOT WHY I DID THAT.

THEN WHY DID YOU DO IT?

WHY WERE YOU HERE FOR ME WHEN I HAD CANCER?

BECAUSE I'M A CHILD OF GOD.

YEAH.

THERE, YOU HAVE ME BEAT.

WHY DIDN'T YOU TELL ME?

THERE WAS NO REASON TO TELL YOU.

YOU ALREADY KNEW.

BUT YOU WOULDN'T CONFIRM IT.

I DIDN'T THINK YOU WOULD COME BACK.

I DON'T DESERVE FOR YOU TO COME BACK

AFTER THE WAY I'VE BEHAVED.

AND YOU STILL WON'T TELL ME.

IT'S AN OPEN INVESTIGATION, HANNA.

I'M NOT ALLOWED TO TALK ABOUT IT.

[ SCOFFS ]

OKAY, OKAY, YEAH.

YOU AND ALL THE LAWYERS HAVE THE SAME LANGUAGE.

SO YOU'RE JUST GONNA QUIT?

THAT'S ALREADY DONE.

WHAT WILL I DO WITHOUT YOU?

LADY, THERE ARE PLENTY OF PEOPLE THAT CAN CLEAN YOUR HOUSE.

[ SCOFFS ]

THIS IS NOT ABOUT THIS PLACE.

I DON'T GIVE A DAMN IF THIS HOUSE IS CLEANED.

YOU'RE MY FRIEND.

YOU LIED TO ME.

I PROTECTED MY SON.

YOU LIED.

I CHOOSE MY SON.

AND RIGHT NOW, I'M CHOOSING MINE.

HANNA, YOUR SON IS FINE.

MY SON IS FALLING APART.

WYATT IS IN TROUBLE.

I NEED YOU! PLEASE!

PLEASE, WHAT?

YOU CANNOT LEAVE.

KATHERYN, YOU DON'T UNDERSTAND, DO YOU?

WHAT?

YOU CAN'T PUT THIS OUT THERE

AND THINK YOU'RE NOT GONNA REAP THIS BACK.

I WON'T LET YOU LEAVE.

YOU DON'T HAVE A CHOICE!

DON'T I?

CAN I HAVE MY CHECK, PLEASE?

HANNA...

MRS. CRYER, CAN I HAVE MY CHECK, PLEASE?

I REALLY NEED IT.

NO.

I NEED THAT MONEY.

YOU GET PAID ON THE FIRST.

AND IF YOU'RE NOT HERE TO GET IT,

THEN I WILL MAIL IT TO YOU.

DON'T DO THIS TO ME.

DON'T LEAVE ME.

MRS. CRYER...

YOU HAVE WORK TO DO.

NEXT ON "THE HAVES AND THE HAVE NOTS"...

YOUR SON AND CANDACE DID SOMETHING TO MY BROTHER.

I KNOW IT, I KNOW THEY DID.

I'LL CALL YOU LATER.

HE KNOWS SOMETHING! THAT POLICE OFFICER KNOWS SOMETHING!

WHAT DO YOU MEAN, HE KNOWS SOMETHING?

HE WAS ASKING ME ALL KINDS OF QUESTIONS, CANDACE.

HE WAS JUST COMING ONTO ME,

AND HE WAS J‐J‐JUST CRAZY. HE WAS A CREEP!

TELL THE MAN WHAT HE WANTS TO KNOW SO YOU CAN PUT OUR PHONES BACK ON AND WE GET BACK TO WORK.

NO, I'M NOT DOING THAT, ALL RIGHT?

HE CAN TALK TO HIS WIFE.

[ Voice breaking ] WHAT CAN I GIVE YOU TO MAKE YOU STAY?

THAT'S THE PROBLEM WITH THE RICH.

YOU'RE ABLE TO BUY ANYTHING YOU WANT,

BUT YOU HAVE TO BEG FOR WHAT YOU NEED.