Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

STOP IT, JENNIFER. STOP THIS.

HE GETTING READY TO POP THAT LAWYER.

HORSE FINNA TO TAKE OUT VERONICA HARRINGTON?

‐YEAH. ‐WHERE HE AT?

HE AT THE HOUSE RIGHT NOW WAITING ON HER TO WALK THROUGH THAT DOOR.

SOMETHING DID HAPPEN TO MY SON, AND I NEED TO TELL JIM.

DON'T GO MENTIONING THAT TO JIM,

GET HIM ALL WORKED UP.

WHEN HAVE YOU EVER CARED ABOUT WHAT JIM IS GOING THROUGH?

‐ALL RIGHT, LET'S GO. ‐NO.

‐I'M TAKING YOU IN. ‐NO, PLEASE DON'T.

PLEASE.

Quincy: [ COUGHS ]

[ WHEEZING ]

HELP ME.

CANDACE...PLEASE... [ COUGHS ]

HELP ME.

I'M ‐‐ I'M DYING.

YOU WANT ME TO HELP YOU?

CALL THE AMBULANCE.

PLEASE.

PLEASE.

NO.

CANDACE, YOU ‐‐ COME ON.

YOU REMEMBER ‐‐

I LOVE YOU. [ GROANS ]

REMEMBER YOU LOVE ME?

YES.

NO.

I REMEMBER... [ SIGHS ]

ME BEGGING YOU TO CALL AN AMBULANCE.

CANDY.

I REMEMBER YOU TELLING ME YOU KILLED MY SON.

I REMEMBER YOU BREAKING MY JAW.

AND I REMEMBER YOU DRAGGING ME OUT THE HOUSE

AND PIMPING ME TO YOUR FRIENDS AND YOUR BUDDIES.

[ WHEEZING ]

DO YOU REALLY WANT TO TALK ABOUT WHAT I REMEMBER?

[ Weakly ] PLEASE...

HELP ME.

PLEASE. I'M BEGGING YOU.

I WILL NEVER HELP YOU.

THEN, I GUESS YOU WANT A MURDER CONVICTION.

NOBODY'S GONNA MISS YOUR ASS.

CANDY, WHAT ARE YOU DOING?

I'M JUST GONNA SIT HERE

AND WAIT FOR YOU TO DIE.

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪ ♪♪

STEP OUT.

‐THIS ISN'T THE POLICE STATION. ‐STEP OUT.

I GOT TO CHECK YOU BEFORE I TAKE YOU IN.

I‐I THOUGHT THEY DO THIS AT THE POLICE STATION.

SOMETIMES. TURN AROUND.

UM...

SO, WHAT WERE YOU DOING AT HER HOUSE?

UH... [ CHUCKLES NERVOUSLY ]

SHE'S A FRIEND.

YEAH? WHAT KIND OF FRIEND?

JUST A FRIEND.

YOU HAVING SEX WITH HER?

WHAT? NO.

NO? WHY NOT?

BECAUSE WE'RE NOT THAT KIND OF FRIENDS.

RIGHT.

IT'S 'CAUSE YOU'RE NOT INTO GIRLS, ARE YOU?

WHAT?

I CAN LOOK AT YOU AND TELL.

YOU KNOW, SHE TOLD ME YOU WERE GAY.

YOU KNOW, I CAN'T STAND YOU QUEERS.

TURN AROUND.

LOOK, THAT'S TURNING YOU ON, ISN'T IT?

NO.

WHAT DO YOU GET OUT OF BEING WITH GUYS, ANYWAY?

DON'T ANSWER THAT.

IT'S DISGUSTING.

YOU KNOW, WHERE I'M FROM,

THEY'D BEAT YOU HALF TO DEATH.

[ SCOFFS ] LOOK AT YOU.

YOU WANT ME, DON'T YOU?

NO.

YOU SURE?

YES, I'M SURE.

YES, YOU DO.

‐NO, I ‐‐ ‐I CAN SEE IT IN YOUR EYES.

I HATE YOU GAYS.

YOU MAKE STRAIGHT MEN LIKE ME SICK.

GET IN THE CAR.

[ SIGHS ]

SO, WHAT DO YOU DO WITH GUYS, HUH?

I'LL BET IT'S DISGUSTING.

WHAT DO YOU DO?

‐I‐I ‐‐ ‐DON'T LIE TO ME.

LOOK AT THOSE LIPS. I KNOW WHAT YOU LIKE TO DO.

I'LL BET YOU WANT TO OFFER ME FELLATIO

SO I DON'T TAKE YOU TO JAIL, DON'T YOU?

NO, I DON'T.

YEAH, YOU DO.

‐NO, I DON'T. ‐YOU SURE YOU DON'T?

‐YES, I'M SURE. ‐YES.

YOU DO.

NO.

[ ZIPPER CLICKS ]

YOU'RE WRONG.

WOMAN: 4456, this is dispatch.

Did you say you have a Harrington in the car,

one Jeffery?

THAT'S AFFIRMATIVE.

Oh, okay.

[ BREATHES DEEPLY ]

WHY DO YOU ASK?

Oh, he's a special one ‐‐ big time.

The D. A. is waiting to talk to him.

OH, YOU HEAR THAT?

WE'RE ON OUR WAY.

How long?

FIVE MINUTES.

Okay, thanks.

OH, AND I'M GONNA NEED A TOW TRUCK

AT BRANDS AND WESLEY... ‐[ SNIFFLES ]

...WHITE SEDAN, BURNT‐UP CLUTCH.

WE'RE GONNA NEED TO TOW IT TO THE IMPOUND ON THE CORNER.

Copy that.

WHY ARE THEY CALLING FOR YOU?

I DON'T KNOW.

WHO ARE YOU?

I'M ‐‐ I'M JEFFERY.

WHAT YOU WERE ABOUT TO OFFER ME IS ILLEGAL.

YOU UNDERSTAND ME?

WHAT? I WASN'T ‐‐ I WASN'T ‐‐

YES, YOU WERE.

‐[ SNIFFLES ] ‐IT'S A CRIME.

AND I COULD BRING YOU UP ON MULTIPLE CHARGES.

YOU UNDERSTAND?

YOU UNDERSTAND ME?

YES, SIR.

YOU'RE DISGUSTING.

MM.

[ CAR DOOR OPENS ]

[ ENGINE STARTS ]

HELP ME.

WE HAVE...

WE H‐HAVE A SON, CANDACE.

WHO YOU DON'T GIVE A DAMN ABOUT.

HE NEEDS ME ALIVE. [ COUGHS ]

NO, THE HELL HE DOES NOT.

YES, HE DOES.

HE DIDN'T TELL YOU AT THE HOSPITAL?

[ COUGHS ]

TELL ME WHAT?

YOU BETTER GET AN AMBULANCE FOR ME

OR ME AND HIM WILL BOTH DIE.

[ WHEEZES ]

WHAT ARE YOU TALKING ABOUT?

I HAVE HIS MEDICINE.

WHAT MEDICINE?

CALL AN AMBULANCE.

WHAT MEDICINE, QUINCY?

[ CHOKES ]

CALL.

YOU'RE LYING.

HE WAS IN THE HOSPITAL,

AND IF THEY WOULD HAVE KNOWN SOMETHING,

THEY WOULD HAVE TOLD ME.

NO, THEY ‐‐ NO, THEY WON'T.

THEY DON'T ‐‐

IT TOOK THEM FOREVER TO FIND...

[ COUGHS ]

FIND IT THE FIRST TIME.

FIND WHAT?

I'M NOT TELLING YOU NOTHING

UNTIL YOU...

UNTIL YOU GET ME SOME HELP.

[ SIGHS ]

DON'T YOU WANT HIM TO LIVE?

[ COUGHS ]

I KNOW HOW MUCH YOU ‐‐

I KNOW HOW MUCH YOU LOVE HIM.

AND THAT'S EXACTLY WHY YOU'RE BETTER OFF DEAD.

[ GRUNTS ]

I'M GONNA HAUNT YOU FOR THE REST OF YOUR LIFE.

YOU ALREADY DO.

[ COUGHS ]

THAT'S WHY YOU BEING DEAD IS A GOOD THING FOR ME.

[ WINCES ]

HATEFUL BITCH.

WHEN YOU FIND YOUR SON DYING...

[ WHEEZES ]

REMEMBER...

YOU LET HIM DIE.

BYE, QUINCY.

REST IN HELL.

[ EXHALES DEEPLY ]

[ HIP‐HOP MUSIC PLAYS ]

[ INDISTINCT CONVERSATIONS ]

[ SIREN WAILS IN DISTANCE ]

YO, QUI.

WHAT?

YOU FIND HIM?

NO.

HUH. YOU CAN THOUGH.

HOW?

HE GOT HIS PHONE WITH HIM?

YEAH, BUT HE AIN'T ANSWERING IT.

TRACK HIM.

WHAT?

LOOK, WHEN WE RUN FOR HIM,

HE PUT TRACKERS ON US, SO NOW YOU TRACK HIM.

HOW I DO THAT?

I DON'T KNOW. DAYLON DO, THOUGH.

WHERE DAYLON AT?

OH, HE RAN TO THE STORE.

WHEN HE GET BACK FROM THE STORE, TELL HIM COME GET ME.

YOU BET.

HEY.

HORSE STILL AT VERONICA HOUSE?

‐SHH, MAN! ‐DON'T SHUSH ME.

BUT YOU AIN'T SUPPOSED TO KNOW ALL OF THAT.

IS IS STILL THERE?

MAN, LOOK, THAT FOOL WILL WAIT A YEAR IF HE HAVE TO.

WE NEED THIS MONEY. YOU HEAR ME?

WHY YOU ASKING, ANYWAY? ‐I WANT TO KNOW.

WHY, QUITA?

SO I CAN TELL Q WHAT'S GOING ON.

WHAT?

'CAUSE YOU KNOW DAMN WELL HE GONNA BE LOOKING FOR HIS CUT.

‐QUI, MAN ‐‐ ‐WHAT?

I KNOW YOU AIN'T TRYING TO CUT HIM OUT.

NAH, IT AIN'T EVEN LIKE THAT. YOU KNOW WHAT I'M SAYING?

BUT LOOK, LET ME DO THIS JOB, ALL RIGHT?

WHEN DAYLON GET BACK FROM THE STORE,

TELL HIM COME GET ME SO WE CAN FIND WHERE Q AT.

[ CELLPHONE BEEPS ]

SO, WHAT IS THIS?

MUST BE SOMETHING SPECIAL

TO GET YOU TO COME AND SEE ME, JUDGE.

[ CHUCKLES ] YES, IT IS.

I KNOW YOU DIDN'T COME ALL THE WAY HERE TO MY OFFICE

JUST TO ASK WHAT THAT IS.

NO, ACTUALLY, I CAME TO CONGRATULATE YOU.

IS THAT SO?

YEAH, YOU FINALLY GOT THE SON OF A BITCH.

OR AS WE SOMETIMES CALL HIM, JIM CRYER.

UH, YOU KNOW, JUDGE HAWTHORNE'S HANDLING IT.

‐IS HE? ‐MM‐HMM.

AND HE HATES HIM AS MUCH AS WE DO.

WELL, THAT IS GOOD.

YOU BET IT IS.

SO, UH, WHAT DO WE HAVE HERE?

UH, THIS IS FOR THE SON.

THROUGH SOME CLOSED RECORDS, I FOUND OUT

THAT HE HAS A TRUST FUND.

MM, YEAH.

I SEE THAT ‐‐ $12 MILLION?

YES.

AND YOU WANT ME TO GIVE IT TO HIM?

LISTEN, IF WE DON'T GET HIM OUT OF THE HOME,

HE WON'T BE ABLE TO TESTIFY AGAINST THEM.

HE IS MY MAIN WITNESS, AND JIM WILL KILL HIM.

JIM WON'T KILL HIS SON.

HE PUT HIM IN JAIL,

AND HE WAS RAPED WHEN HE WANTED TO TESTIFY.

WHAT?

DID YOU READ IT? I MEAN, IT'S ALL IN THERE.

WELL, I‐I SAW THAT,

BUT I THOUGHT YOU WERE EMBELLISHING.

NO, NO, NOT AT ALL.

IT'S ALL IN HIS STATEMENT.

[ SIGHS ] THAT'S A LOT OF MONEY.

I KNOW, BUT HE'S A RESPONSIBLE KID.

HE HIT A LITTLE GIRL

WHILE HE WAS UNDER THE INFLUENCE.

LOOK, I‐I KNOW. I KNOW.

BUT IT DID SOMETHING TO HIM.

HE'S SCARED TO DEATH NOW. HE WON'T GO NEAR ANY DRUGS.

IF I SIGN THIS, YOU CAN TAKE IT TO THE BANK

AND THEY'LL HAVE TO RELEASE THE FUNDS, ALL OF IT.

WE HAVE TO GET HIM OUT OF THE HOME.

THANK YOU.

SURE.

THANK YOU, JUDGE FLORENCE.

I'LL SEE YOU SOON.

‐YEAH, HEY, LISTEN... ‐MM‐HMM?

...ENJOY NAILING HIS ASS TO THE WALL.

WE'RE ALL ROOTING FOR YOU.

[ CHUCKLES ] THANKS AGAIN.

[ FUNK MUSIC PLAYS ]

[ ENGINE SHUTS OFF ]

[ TELEPHONE RINGING ]

‐AH, MAN. ‐BENNY!

HEY, WHAT UP, BRO? HOLD ON FOR A SECOND.

THIS PHONE'S RINGING OFF THE HOOK.

BENNY'S TOWING.

YEAH, WHAT'S THE ADDRESS?

OKAY, WHAT TIME?

AH.

UM, ALL OF OUR DRIVERS ARE ON THE ROAD RIGHT NOW.

IF YOU COULD GIVE ME, LIKE, TWO HOURS I CAN...

WE'LL BE THERE. THANK YOU.

NO, THANK YOU.

[ SIGHS ]

ALL YOUR DRIVERS?

BRO, I'M THE ONLY DRIVER. [ TELEPHONE RINGING ]

DAMN, MAN.

LOOK, THAT'S GOT TO GO TO VOICEMAIL.

NO, NO, NO, SCRATCH THAT. YO, TAVIA.

[ SNAPS FINGERS ] COME ANSWER THIS PHONE.

‐NAH, MAN. ‐"NAH," WHAT?

AIN'T THAT ONE YOUR GIRLS?

YEAH. [ RINGING CONTINUES ]

I‐I'M ALL RIGHT, MAN.

MAN, SHE CAN ANSWER A PHONE.

YOU SHOULD SEE WHAT SHE DO WITH THEM OTHER TRICKS.

[ SIGHS ] UH, NAH, MAN.

MAN, YOU NEED HELP, DON'T YOU?

TAVIA, COME ANSWER THIS PHONE.

‐WHAT DO I SAY? ‐"BENNY'S TOWING"

AND TAKE A MESSAGE. ‐ON WHAT?

GIRL, IF YOU DON'T ANSWER THIS PHONE!

OKAY, OKAY.

BENNY'S TOWING. TAKE A MESSAGE.

DON'T, MAN.

SEE? NOW YOU GOT HELP.

ALL RIGHT, WELL, THAT'S WHAT I WANTED

TO TALK TO YOU ABOUT ‐‐ SOME HELP.

WHAT UP?

I, UH... [ SNAPS FINGERS ]

WANT YOU TO GO INTO BUSINESS WITH ME.

‐WHAT? ‐COME ON, MAN.

I NEED SOMEONE I CAN TRUST, ALL RIGHT?

NOW I CALLED MY FRIEND MITCH UP.

HE'S GONNA COME BY AND TALK TO US, BUT, LOOK,

I WANT YOU IN THIS WITH ME. [ TELEPHONE RINGS ]

I GOT TOO MANY DAMN TRUCKS FOR ONE MAN.

‐BENNY'S TOWING. ‐MITCH.

COME ON, MAN.

BENNY, I'M A THUG, BRO.

[ CHUCKLES ] MAN, YOU AIN'T GOT TO BE.

[ SIGHS ] [ TELEPHONE RINGS ]

MAN, HOW YOU PULL THIS OFF ANYWAY?

‐BENNY'S TOWING. ‐WELL, THAT'S A LONG STORY.

‐A LONG STORY? ‐YEAH.

AND ALL THIS YOU?

[ TELEPHONE RINGS ]

‐YEAH. ‐BENNY'S TOWING.

YEAH, MAN, THAT'S WHAT'S UP.

CANDY MUST HAVE HOOKED YOU UP.

WHAT YOU KNOW ABOUT THAT?

OH, I DON'T KNOW NOTHING ABOUT THAT.

WARLOCK, DON'T EVEN ‐‐

NAH, MAN. I SAW HER.

SHE SAID SHE CAME INTO SOME MONEY.

THAT'S ALL.

‐SHE TOLD YOU THAT? ‐YEAH.

SHE SAY HOW SHE GOT IT?

NAH, SHE JUST SAID SHE CAME INTO IT.

YEAH, YOU SURE?

COME ON, MAN, YOU KNOW ME. I WOULD TELL YOU.

YEAH, YOU RIGHT. YOU SEE?

THAT'S WHAT I MEAN, MAN. YOU KNOW I CAN TRUST YOU.

LOOK, RIGHT NOW, I NEED SOME HELP.

AND I FIGURE, YOU KNOW,

IT'S TIME FOR YOU TO GO LEGIT ANYWAY.

‐LEGIT? ‐YEAH.

AH, YOU BEEN TALKING TO CANDY.

SHE SAID SHE WANT ME TO GO LEGIT, TOO.

‐SHE DID? ‐YEAH.

TALKING ABOUT SHE LOOKING FOR SOME BUSINESS

FOR ME TO GO STRAIGHT WITH.

SHE TALKING ABOUT THIS PLACE?

I DON'T THINK SO. BUT MAYBE.

WELL, LOOK, I NEED YOU, MAN.

BENNY, I CAN'T BE DRIVING NO TRUCKS.

MAN, YOU AIN'T GOT TO DRIVE NO TRUCKS,

BUT THERE'S 12 OF THEM OUT THERE.

LOOK, YOU CAN HELP ME GET THIS HUSTLE ON.

MAN, THE OVERHEAD MUST BE CRAZY ON THIS PLACE.

[ TELEPHONES RINGING ] NOPE.

IT'S PAID FOR.

BENNY'S TOWING. PLEASE HOLD.

BENNY'S TOWING.

YEAH, WHERE YOU AT?

[ SIGHS ]

OKAY, COULD YOU GIVE ME, LIKE, A HOUR AND A HALF?

[ ENGINE SHUTS OFF ]

YO, BENNY.

YES, MA'AM, I'LL BE THERE FIRST THING IN THE MORNING.

THANK YOU.

YEAH, WHAT UP, MITCH? YOU, UH, YOU REMEMBER WAR.

‐WHAT'S UP? ‐YEAH, WHAT UP?

OH, COME ON. Y'ALL CAN TALK.

‐NO, HELL, WE CAN'T. ‐WHAT ARE YOU TALKING ABOUT?

‐YO, THIS AIN'T RIGHT, BENNY. ‐WHAT?

GOING BEHIND MY BACK.

BOUGHT THIS PLACE, DIDN'T EVEN TELL ME ABOUT IT.

‐MITCH, IT AIN'T EVEN LIKE THAT. ‐NAH, IT IS.

YOU WAS HOLDING OUT ON ME.

NAH, MAN.

‐YO, THIS FOOL NEED TO CHILL. ‐YO, YOU NEED TO MIND

YOUR BUSINESS, ALL RIGHT? ‐WHAT?

‐WHAT'S UP? ‐MAN, YOU BETTER GET YOUR BOY!

NOW, NOW HOLD UP! HOLD UP!

LISTEN, I CALLED YOU GUYS HERE

BECAUSE YOU'RE THE ONLY TWO PEOPLE I CAN TRUST, ALL RIGHT?

MITCH, THIS IS ME, MAN. THIS IS ME, ALL RIGHT?

COME ON, Y'ALL GOT TO CHILL. LOOK, I GOT THIS PLACE.

I GOT ALL THESE DAMN TRUCKS, MAN.

I NEED SOME HELP.

HOW'D YOU GET IT, HUH?

PROBABLY GOT A LITTLE SOMETHING ON THE LOW,

DIDN'T WANT TO LET ME IN ON IT AFTER I TOLD YOU I WANTED IN.

‐NAH. ‐HOW'D YOU GET IT THEN, HUH?

YOU TOLD ME YOU HAD NO MONEY.

THIS PLACE GOES FOR OVER 500 G's.

I KNOW.

500?

‐YEAH. ‐HOW?

[ SIGHS ] OKAY, OKAY.

LOOK... [ SIGHS ]

MY SISTER CAME INTO SOME MONEY. SHE BOUGHT ME THE PLACE.

THERE, SHE DID IT.

WAIT, WHAT?

YEAH.

SHE BOUGHT ME THIS PLACE.

SHE BOUGHT ME A HOUSE. SHE BOUGHT HER A HOUSE.

WHOA, WHOA, WHOA. SHE DID WHAT?

YEAH.

CANDY, SHE BOUGHT ALL THIS?

I MEAN, I DON'T KNOW HOW SHE PAID FOR IT,

BUT I'M GONNA GO TO HER PLACE, AND I'M GONNA FIND OUT.

I'LL GET HER TO TELL ME.

BUT WHATEVER SHE DID, SHE PAID FOR IT ALL.

IT'S ALL LEGIT.

BENNY, HOW MUCH WAS YOUR HOUSE AND HERS?

A COUPLE MILLION.

IT'S ALL BOUGHT AND PAID FOR?

YES, MAN.

I TOLD YOU ‐‐ I NEED YOU.

AND, MITCH, I NEED YOU, TOO, ALL RIGHT?

YOU BRING DAVIS HIS TRUCK BACK, COME IN ON THIS WITH ME.

NOW LOOK, JUST 'CAUSE SHE BOUGHT THIS PLACE

DON'T MEAN I DON'T GOT OTHER BILLS.

ALL RIGHT, WE COULD ALL MAKE A LEGIT LIVING RIGHT HERE.

[ TELEPHONE RINGS ]

BENNY'S TOWING.

YO, IS SHE GONNA BE ANSWERING THE PHONES?

I KNOW DAMN WELL YOU AIN'T TALKING TO ME.

LIKE THERE'S SOMETHING WRONG WITH MY VOCABULARY OR SOMETHING.

[ SCOFFS ] YO, WHO'S THE GIRL?

BENNY, BENNY, BENNY.

WHERE CANDY LIVE AT, MAN?

OOH.

WOMAN: You've got the front desk here.

‐HELLO? ‐Yes, ma'am.

YES, HI, UM, CAN YOU TELL ME WHAT TIME CHECK OUT IS FOR ME?

11:00 Monday morning.

If you were to stay another night,

we need payment tomorrow morning.

WELL, I'D LIKE TO.

Okay. That's $65 plus tax.

UH, WELL, I DON'T HAVE THAT RIGHT NOW.

Okay, then, we need you out by 11:00 a. m. Monday morning.

OKAY.

UM...

LISTEN, I WORK AS A HOUSEKEEPER.

MAYBE I CAN HELP YOU ALL CLEAN UP SOME OF THE ROOMS

OR SOMETHING AROUND HERE.

We have enough help.

We need you out by 11:00. Thank you.

OKAY, THANK YOU.

[ RECEIVER CLICKS ]

[ CELLPHONE BEEPS ]

[ CELLPHONE RINGS ]

[ CELLPHONE VIBRATES ]

[ CELLPHONE BEEPS ]

HELLO?

HELLO.

MS. YOUNG.

HI, MS. DeLONG.

I'VE BEEN TRYING TO CALL YOU.

YES, I KNOW.

AND I, UH, SAW WHERE YOU CALLED ABOUT A HOUR AGO.

I HOPE IT'S NOT TOO LATE TO CALL?

NEVER WHEN IT INVOLVES A CHILD.

YOU HAVEN'T BEEN ANSWERING.

YES, I'M SORRY.

I JUST BEEN SO TIRED.

Okay.

I WENT TO YOUR HOUSE.

DID YOU?

YES. WHAT HAPPENED?

I, UH...

I HAD A FIRE THERE.

I CAN SEE THAT. WHERE'S QUINCY JR.?

HE'S HERE WITH ME.

AND WHERE ARE YOU?

I'M AT A HOTEL.

MS. YOUNG, QUINCY JR. CAN'T BE AT A HOTEL.

IT'S NOT A STABLE PLACE.

YEAH, I KNOW, BUT LISTEN, IT'S GONNA BE ALL RIGHT.

UM, AS SOON AS I GET TO WORK,

I'LL TALK TO MY BOSS, AND SHE'LL HELP ME OUT.

HELP YOU OUT HOW?

WELL, SHE OFFERED ME A PLACE TO STAY,

AND I'LL TALK TO HER ABOUT THAT.

I CAN'T ALLOW HIM TO BE IN AN UNSTABLE ENVIRONMENT.

YES, I'M AWARE OF THAT.

YOU KNOW I'M GONNA HAVE TO COME PICK HIM UP.

MS. DeLONG, NO.

I'm sorry.

I put my neck out there for you already.

‐This is just ‐‐ ‐WELL, CAN YOU ‐‐

LISTEN, CAN YOU JUST PLEASE GIVE ME

UNTIL MONDAY EVENING, PLEASE?

MS. YOUNG.

PLEASE.

I WILL GIVE YOU UNTIL 3:00 ON MONDAY

to prove that you have a stable home for him.

If not, I'll have to recommend

that he gets placed with his mother

or in foster care.

‐WELL, WHAT ABOUT IF HE'S ‐‐ ‐I'm sorry.

THAT'S THE ONLY OPTION.

OKAY.

OKAY.

Do you understand?

Okay ‐‐ 3:00.

YEAH, OKAY.

AGAIN, I'M SORRY.

IT'S FINE.

AND I'M GONNA NEED YOU TO ANSWER YOUR PHONE.

Do you understand?

YES, I DO. I DO. I UNDERSTAND.

OKAY.

I'LL CALL YOU AT 2:30 ON MONDAY.

OKAY.

[ CELLPHONE BEEPS ] [ SIGHS ]

YOU GO BACK TO SLEEP, BABY.

I DON'T FEEL SO GOOD.

HMM.

WHAT'S WRONG?

I'M HOT.

OH, I SEE THAT.

I THINK YOU HAD TOO MUCH COVER ON YOU.

I DON'T THINK YOU HAVE A FEVER.

MMMWAH.

IT DOESN'T FEEL LIKE IT.

WHEN ARE WE GOING HOME?

SOON, BABY. SOON.

I HAVE TO TAKE MY MEDICINE.

WHAT MEDICINE?

MY AUNT GIVES IT TO ME MOST DAYS.

WHAT KIND OF MEDICINE, BABY?

I DON'T KNOW, BUT IT MAKES ME FEEL BETTER.

OKAY, WELL...

WHEN I TOOK YOU FROM THE HOSPITAL,

THEY DIDN'T SAY YOU HAD ANY MEDICINE.

‐NO. ‐NO.

OKAY.

BUT I'LL GO TO THE HOSPITAL TOMORROW,

AND I'LL ASK THE DOCTOR

IF YOU HAVE ANY MEDICINE TO TAKE, OKAY?

OKAY.

YOU ALL RIGHT?

YEAH, I'M JUST HOT.

OKAY.

WELL YOU TRY TO SLEEP.

AND IF YOU'RE NOT FEELING BETTER,

I'M GONNA TAKE YOU TO THE HOSPITAL.

NO. I DON'T WANT TO GO.

OKAY, WELL, WE'LL SEE IF YOU'RE FEELING BETTER, OKAY?

OKAY. I'M BETTER.

[ Chuckling ] OKAY.

GO TO SLEEP.

LANDON, WHAT THE HELL ARE YOU DOING?

IT'S DONE.

THANK YOU.

WHEN IS IT RUNNING?

‐NOW. ‐[ GASPS ]

SEVERAL BLOGS AND THREE LOCAL PAPERS ARE PICKING IT UP,

PICTURES AND ALL.

GOOD.

I'M WORRIED ABOUT THIS.

DON'T BE.

ARE YOU SURE THIS IS WHAT YOU WANT?

[ CELLPHONE VIBRATES ]

EXCUSE ME. [ CELLPHONE BEEPS ]

HELLO?

DONALD, HI. I'VE BEEN CALLING YOU.

YEAH, I‐I KNOW.

YES, YES, I‐IT IS A MESS. BUT, YOU KNOW,

DAVID HARRINGTON HAS NOTHING TO DO WITH IT.

AN EMERGENCY HEARING WOULD BE GREAT.

THANK YOU.

NO, JUST DAVID HARRINGTON.

THE OTHERS CAN WAIT TO GET ON THE CALENDAR FOR LATER.

[SIGHS] YES, I KNOW. I'M SURE.

OKAY.

THANK YOU.

[ CELLPHONE BEEPS ]

WHAT'S THAT ABOUT?

DAVID'S BEING RELEASED.

YOU DIDN'T GET THEM ALL OUT?

NO.

MAGGIE, I ‐‐

THAT WAS A VERY EXPENSIVE FAVOR.

TO GIVE YOU TIME ALONE WITH HIM?

I DON'T FEEL GOOD ABOUT THIS.

WELL...

GOOD THING YOU'RE NOT ME, THEN, RIGHT?

GOOD THING.

[ TELEPHONE RINGS ]

YES?

‐MS. SALLISON. ‐YES?

YOU'RE IN LATE.

[ SIGHS ]

I CAN'T BLOW THIS CRYER CASE. WHAT'S GOING ON?

WELL, YOU TOLD ME TO CALL YOU

IF JEFFERY HARRINGTON CAME DOWN LOOKING FOR HIS PARENTS.

YES, I'VE BEEN TRYING TO REACH HIM.

IS HE THERE?

HE'S ON HIS WAY.

OKAY, WHEN HE GETS THERE, HOLD HIM AS LONG AS YOU CAN.

THAT SHOULD BE EASY.

WHY?

‐He was arrested. ‐FOR WHAT?

D.U.I.

‐No. Really? ‐YES.

OKAY, I'LL BE DOWN.

OKAY.

H‐hey, can you do me a favor?

YEAH.

DO YOU HAVE THREE CELLS IN SUCCESSION?

NOT THAT AREN'T WITH FOOLS IN THEM.

[ SCOFFS ]

CAN YOU GET THREE CELLS IN A ROW,

PUT THEM TOGETHER,

AND THEN PUT JEFFERY IN THE MIDDLE?

NOW, JENNIFER...

Come on, Sally.

...YOU KNOW MEN AND WOMEN ARE

ON SEPARATE SIDES OF THE JAIL.

I know. I know.

BUT I NEED YOU TO DO THIS, PLEASE.

WHY?

WELL, I‐I JUST HAVE A GUT FEELING ABOUT IT.

OKAY.

OKAY, I'LL SEE WHAT I CAN DO.

Okay, and I'll be down as soon as I can.

‐BY THE WAY ‐‐ ‐What?

CHECK OUT THAT LINK.

‐WHAT LINK? ‐CHECK YOUR E‐MAIL.

WELL, HOLD ON.

WOW.

JUICY, HUH?

YES, IT IS.

YOU KNOW, FIND THIS NEWSPAPER

AND MAKE SURE TO GET A COPY OF IT ‐‐

TO JIM AND DAVID.

‐YOU AIN'T RIGHT. ‐I KNOW.

AND YOU KNOW THIS KIND OF STUFF IS NOT SUPPOSED TO BE IN THEIR CELL.

I know. I know.

YOU'RE TRYING TO GET ME FIRED.

WHO GOT YOU THE JOB?

OKAY.

‐Thank you. ‐OKAY.

ALL RIGHT.

I'LL HAVE SOMEBODY MAKE SURE THEY SEE IT.

MAKE SURE THEY SEE IT BY ACCIDENT.

YES, I WILL.

THANKS A LOT.

SEE YOU IN A FEW.

I GOT HARRINGTON HERE.

[ BUZZER ]

[ DOOR CLOSES ]

♪♪ ♪♪

[ DOORBELL RINGS ]

‐HEY, WHAT'S UP? ‐WHAT'S UP, MAN.

LONG TIME NO SEE. ‐YEAH.

YEAH, I HEARD ABOUT YOUR PARENTS, MAN.

‐OH, YEAH, MAN. ‐IT'S CRAZY.

SO, YOU KILLED THAT KID, HUH?

THAT'S INSANE. ‐PETE, MAN...

PETE, DID YOU BRING WHAT I ASKED FOR OR WHAT?

YEAH.

YEAH I GOT IT.

OKAY, COOL. SHOW IT TO ME. LET'S GO.

WHERE'S THE MONEY?

‐I GOT JEWELRY, MAN. ‐JEWELRY?

LOOK MAN, THIS IS NICE STUFF HERE.

I'M NOT A PAWN SHOP, WYATT. COME ON.

LOOK, MAN, THEY DIDN'T LEAVE ANY MONEY HERE.

WELL WHAT ABOUT CREDIT CARDS?

YEAH.

‐THEY LEFT YOU CREDIT CARDS? ‐THEIR CREDIT CARDS.

ALL RIGHT, WELL, GIVE ME THEIRS.

THEY'RE GONNA KNOW THAT YOU USED THEM.

SO WHAT, MAN. THEY'RE IN JAIL, RIGHT?

ALL RIGHT, WELL, SHOW ME. LET'S SEE WHAT YOU GOT.

CARDS FIRST, MAN.

ALL RIGHT, MAN. COME ON.

[ SIGHS ]

ALL RIGHT, LET'S GO.

ALL RIGHT, COOL.

ALL RIGHT.

HERE YOU GO.

‐GREAT. ‐YOU GOT IT?

YEAH, DID YOU GET THE, UM...

PAPER. ‐REHAB PAPERS, YEAH.

YEAH, HERE YOU GO.

THIS STUFF STILL WORK?

YEAH, MAN ‐‐ PEE IN THE BAG, SHAKE IT UP, POUR IT IN THE CUP,

GIVE IT TO THE LAB, THEY WON'T DETECT A THING.

YOU CAN GET AS HIGH AS YOU WANT.

WHAT'S THE NAME OF THIS PLACE ANYWAY?

IT'S IN EUROPE.

THEY WON'T KNOW YOU NEVER WENT THERE.

PETE, THIS IS THE DISTRICT ATTORNEY.

SHE MIGHT CALL.

YEAH, AND IF SHE DOES,

SHE'LL GIVE THEM THE CASE NUMBER.

ALL THEY DO IS VERIFY THE NUMBER.

THEY DON'T GIVE OUT ANY INFORMATION ABOUT THE PATIENT.

ARE YOU SURE? YEAH, I'M SURE, MAN.

THIS IS MY STUFF, I'M TELLING YOU.

OKAY.

OKAY.

YOU SURE THESE CARDS ARE LEGIT?

YEAH.

YOU HAVEN'T SEEN MY PARENTS AROUND HERE, HAVE YOU?

NO.

MAN... [ SCOFFS ]

IF THEY I WAS THIS CLOSE, THEY WOULD KILL ME.

HEY, DID YOU GET THE STUFF?

YEAH, YEAH.

YOU GOT TWO OPTIONS.

[ Chuckling ] OH, YEAH.

COME ON.

GOTCHA.

WAIT.

WHAT IS THIS? I KNOW YOU HAVE MORE.

YEAH, WELL THAT'S ALL YOU CAN AFFORD RIGHT NOW.

I'M NOT GONNA GIVE YOU THAT. ‐OH, COME ON, PETE.

NO.

WHAT IS THIS GONNA DO?

WELL, WHEN YOU GIVE ME SOME CASH,

THEN I CAN GIVE YOU MORE.

PETE, I'M GETTING $12 MILLION ANY DAY NOW.

YEAH, WELL, THEN, WHEN THAT HAPPENS,

THEN I CAN GIVE YOU THE BIGGER STUFF, MAN.

BUT FOR RIGHT NOW, CREDIT CARDS WILL DO FOR THAT.

PETE, LISTEN TO ME. I HAVE ALWAYS PAID YOU.

I'M GETTING MY INHERITANCE.

IT'S $12 MILLION, MAN.

DO YOU WANT TO BE MY MAIN GUY,

OR DO I NEED TO FIND ANOTHER?

YEAH.

NOW WE'RE TALKING.

WYATT, THAT'S 80 GRAND.

IF I DON'T PAY THE GUY THAT GAVE IT TO ME,

HE'S GONNA KILL ME, AND THEN HE'S GONNA KILL YOU.

YOU'LL GET THE MONEY.

DON'T YOU TRUST ME?

I WILL IF YOU SHARE IT.

LET'S DO IT.

HEY, CAN I INVITE SOME FRIENDS OVER?

‐OH, I DON'T KNOW MAN. ‐COME ON, JUST LIKE OLD TIMES.

‐COME ON, MAN, WE WERE 16. ‐SO, WHAT?

YOUR PARENTS ARE GONE.

COME ON, LET'S DO IT.

‐ALL RIGHT, ALL RIGHT, OKAY. ‐COME ON, MAN!

OKAY, ALL RIGHT, YEAH.

WHAT'S THAT? HEY!

VERONICA, ARE YOU HAVING AN AFFAIR?

[ Chuckling ] WHAT?

WHAT'S THIS?

OKAY.

MAGGIE DAY.

SHE WOULDN'T.

SHE DID.

WHY WOULD SHE DO SOMETHING LIKE THIS?

SHE'S AFTER DAVID.

SHE'S AFTER DAVID, AND SHE'S TRYING

TO DESTROY JIM AND ME TO GET TO HIM.

WHAT DO YOU MEAN SHE'S AFTER DAVID?

‐SHE WANTS HIM, KATHERYN! ‐YOU ALWAYS SAY THAT!

SHE SAT IN MY LIVING ROOM AND TOLD ME THAT SHE WANTED HIM.

THERE SHE IS.

YOU SURE DID GIVE HER ENOUGH AMMUNITION

WITH THIS PICTURE.

WHO IS THIS WITH YOU?

NOBODY.

WELL HE SURE LOOKS LIKE SOMEBODY TO ME.

LET IT GO, KATHERYN.

‐YOU NEED TO TELL ME. ‐KATHERYN!

I DON'T WANT TO TALK ABOUT THIS WITH YOU, OKAY?

LET IT GO, ALL RIGHT?!

I'M SORRY, KATHERYN. I'M SORRY.

I‐I JUST CAN'T TALK ABOUT IT IN HERE

BECAUSE THESE WALLS HAVE EARS, OKAY?

WE HAVE TO BE CAREFUL IN HERE.

LOOK, I ASSURE YOU, I PROMISE YOU I WILL TELL YOU.

JUST LET IT GO.

OKAY.

DO YOU THINK DAVID HAS SEEN THIS?

KNOWING MAGGIE DAY AND THIS D. A...

HE'S SEEING IT RIGHT NOW.

"DAVID HARRINGTON FEELS RAILROADED BY JIM CRYER."

JIM, YOU KNOW I HAD NOTHING TO DO WITH THAT.

WHAT IN THE HELL IS SHE TRYING TO DO?

IS SHE TRYING TO SEPARATE US, SPLIT THE ‐‐

DOES SHE WANT YOU TO RUN FOR GOVERNOR INSTEAD OF ME?

IS THAT WHAT'S GOING ON?

I HAVE NO IDEA WHAT HER PLAN IS.

YEAH.

I CAN UNDERSTAND HER WANTING TO SEPARATE THE TICKET,

SEPARATE YOU AND I, BUT WHY IN THE WORLD, DAVID,

WOULD SHE WANT TO SEPARATE YOU AND YOUR WIFE?

READ IT.

LOOK AT THE PICTURE.

THAT'S YOUR VERONICA.

YOU'RE FINALLY DEAD, YOU BASTARD.

[ SIGHS ]

[ KNOCK ON DOOR ]

DAMN IT.

‐WHO IS IT? ‐WARLOCK.

HEY, WARLOCK.

CANDY, I NEED TO TALK TO YOU.

OKAY.

CAN WE TALK INSIDE?

MM, IT'S LATE.

WHY, LET'S TALK ‐‐ LET'S TALK OUT HERE.

‐"IT'S LATE"? ‐YEAH.

IT'S ME, BABY.

‐BUT, IT'S REALLY ‐‐ ‐HEY.

WAR, COME ON.

DON'T WORRY ABOUT THAT. IT'LL ONLY TAKE A MINUTE.

‐[ GROANS ] ‐HEY, NOW.

YOU PLAYED ME FOR A DAMN FOOL.

YOU GOT MILLIONS,

AND YOU ONLY GAVE ME 150 GRAND.

NO, I CAN EXPLAIN IT.

YOU TOLD ME IT WAS $400,000.

BITCH, I WILL KILL YOU, AND YOU KNOW IT.

BITCH, I WILL KILL YOU!

‐WAR! ‐I'LL KILL YOU!

I'LL KILL YOU!

NO!

NEXT ON "THE HAVES AND THE HAVE NOTS"...

GO GET DAVID HARRINGTON, LET HIM OUT RIGHT NOW,

OR YOUR LIFE IS GONNA CHANGE RATHER QUICKLY.

‐WHY YOU WANT HIM TO HELP? ‐WAR?

‐YEAH. ‐I TOLD YOU ‐‐ I TRUST HIM.

GUY'S GONNA BURY US.

ARE YOU HERE INSULT MY FATHER'S LEGACY, JENNIFER?

NO, BUT THERE ARE ABOUT 45 OF MY COLLEAGUES WHO WILL BRING IN

A CLASS‐ACTION LAWSUIT AGAINST HIS ESTATE.

I'M STILL PISSED THAT HE PUT HIS HANDS ON ME, DAVID,

AND YOU DEFENDED ME THEN.

YOU'RE GETTING HARDER AND HARDER TO DEFEND.

YOU USED TO TELL ME THE TRUTH.

NOW YOU'RE RUNNING AROUND LYING TO ME ABOUT EVERYTHING.

HOW DID YOU GET THIS PLACE?