Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

WHO LIVES HERE? YOU DO.

SAY WHAT NOW? I BOUGHT IT FOR YOU.

[ Laughing ] YEAH, RIGHT.

YOU NEED TO GET HELP BECAUSE YOU ARE INSANE.

I WAS IN JAIL. YOU WERE IN JAIL?

YOU JUST GOT TO GET ME OUT OF HERE.

ALL RIGHT, ALL RIGHT. COME ON.

I DON'T THINK YOU'RE GOING TO GET CUSTODY.

WE'RE GOING TO DO A SITE VISIT AND CHECK ON HER JOB,

BUT IT'S HIGHLY UNLIKELY THAT YOU'RE GONNA GET THAT CHILD.

AND WE'VE DISCOVERED

THAT YOU ACTUALLY HAVE TWO MORE CHILDREN.

STOP THE INTERVIEW. JOINING US LIVE,

CELINE GONZALES AND HER TWO CHILDREN.

CELINE, WHAT WOULD YOU LIKE TO SAY?

YOU NEED TO GO TO COMMERCIAL NOW!

SO, CELINE, WHAT WOULD YOU LIKE TO SAY?

WHAT THE HELL IS THIS? Shh!

YOU NEED TO STOP THIS. WE'RE LIVE.

FIRST OFF, I‐I ‐‐ I WANT TO SAY THAT I...

THAT I DON'T REALLY WANT TO DO THIS.

WELL, WE CAN CERTAINLY UNDERSTAND THAT.

AND WE CAN SEE HOW HARD THIS MUST BE FOR YOU.

YES, IT IS.

LIKE I SAID, I DON'T WANT TO BE HERE.

WELL, SO, WHY ARE YOU DOING IT?

I WANTED HER TO.

OH, DAMN IT.

SO, FROM WHAT YOU TOLD OUR PRODUCERS, CARLOS,

JIM AND YOUR MOTHER HAVE HAD TWO CHILDREN TOGETHER.

YES, ME AND MY YOUNGER BROTHER, JIMMY.

AND FOR OUR VIEWERS AT HOME, WE DID DO DNA TESTING

ON BOTH CHILDREN, AND THEY ARE BOTH OF THE SAME FATHER.

HOW DID THEY GET JIM'S DNA?

CELINE, WE'D LIKE TO THANK YOU

FOR BRINGING US THAT SAMPLE OF JIM'S DNA.

WE APPRECIATE IT.

SO, JIM, THESE ARE YOUR BIOLOGICAL CHILDREN.

WERE YOU NOT AWARE OF THAT?

Maggie: YOU NEED TO STOP THIS.

YOU NEED TO STOP THE INTERVIEW.

WE'RE LIVE.

JIM?

JIM, AMERICA'S WAITING.

YES, HE WAS ‐‐ HE WAS AWARE.

H‐HE WAS.

Dianna: NOW, CELINE, YOU WERE HIS MAID?

YES.

AND FOR HOW LONG?

28 YEARS.

SO...

FOR AS LONG AS YOU'VE BEEN MARRIED?

IS THAT CORRECT, JUDGE CRYER?

YOU WERE HAVING AN AFFAIR ALL OF THIS TIME?

YOUR WIFE IS HERE.

GUYS, PAN OVER TO HER, PLEASE.

MRS. CRYER, WERE YOU AWARE THAT YOUR HUSBAND

WAS HAVING AN AFFAIR ALL THIS TIME?

[ CHUCKLES ]

WOW.

EVERYONE IS SO QUIET ON LIVE TV.

COME ON, PEOPLE.

THIS IS A TELEVISION INTERVIEW.

YOU HAVE TO SPEAK.

WELL, CARLOS, WHAT WOULD YOU LIKE TO SAY?

I'VE KNOWN ABOUT MY FATHER FOR QUITE SOME TIME NOW.

AND I'VE KNOWN ABOUT THE WAY

HE'S TREATED MY MOTHER OVER THE YEARS.

BUT WHAT MAKES ME SAD IS THAT I NEVER HAD A CHANCE

TO MEET MY SISTER BEFORE SHE DIED.

AND I'VE NEVER MET MY BROTHER.

JIM CRYER IS A RICH MAN

WHO LET HIS TWO CHILDREN GROW UP IN SQUALOR.

HE DOESN'T CARE ABOUT PEOPLE,

ESPECIALLY THE POOR.

NOW HE SAYS HE WANTS TO RUN FOR GOVERNOR AND BE GOVERNOR?

HE SHOULDN'T BE GOVERNOR.

HE CAN'T EVEN GOVERN HIS OWN HOUSE.

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪♪♪

SO, JIM...

WHAT DO YOU SAY TO THAT?

WELL, DIANNA...

HMM.

WHAT EXACTLY WOULD YOU LIKE ME TO SAY?

THIS IS THE MOST UNDERHANDED THING I HAVE EVER SEEN.

I THINK AN APOLOGY WOULD BE A GOOD PLACE TO START.

YOU NEED TO STOP IT NOW.

LISTEN TO ME. THERE'S NOTHING I CAN DO.

WHAT DO THINK OF THAT, CELINE AND CARLOS?

WOULD YOU LIKE AN APOLOGY.

IT'S A BIT TOO LATE FOR THAT.

I STILL THINK THAT,

IF YOU'RE GOING TO RUN FOR GOVERNOR,

AN APOLOGY WOULD BE A GOOD PLACE TO START.

[ SIGHS ] WELL...

I AM SORRY.

WE DON'T NEED AN APOLOGY.

I'M OLD ENOUGH THAT I DON'T NEED A FATHER,

AND I DON'T WANT HIM IN MY LIFE.

BUT MY LITTLE BROTHER NEEDS HIS FATHER.

WELL, THERE YOU HAVE IT.

[ SIGHS ]

WHAT THE HELL WAS THAT? WE LOST SIGNAL.

YOU'RE DAMN RIGHT YOU DID.

YOU KNOW HOW MUCH THIS EQUIPMENT COSTS?

YOU THINK I GIVE A DAMN ABOUT THAT?

THIS WAS AN AMBUSH.

COOL YOUR HEELS, MAGGIE.

"COOL MY HEELS"?

JIM ‐‐ JIM, GET UP.

TAKE OFF YOUR MICROPHONE. EVERYONE ELSE, LEAVE NOW.

DO YOU REALIZE YOU JUST MADE A MAJOR CHANNEL GO DARK?

NO, YOU DID WITH YOUR ANTICS.

YOU SAID THAT WE HAD A DEAL.

[ CHUCKLES ] LOOK, I GOT THE INFORMATION.

I HAD TO PURSUE IT LIKE ANY GOOD JOURNALIST.

THIS ISN'T JOURNALISM.

THIS IS TABLOID TV, AND YOU'RE AWFUL.

GET OUT. AND I MEAN IT.

AND GET OUT NOW.

EVERYBODY, GO ON, GO HOME. GO TAKE THE DAY OFF.

GO ON. GO ON.

NOW. LET'S GO.

THANK YOU.

I CAN'T BELIEVE SHE JUST DID THAT.

WELL, YOU ALWAYS HAVE TO CONSIDER THAT

WHEN YOU LIVE YOUR LIFE LIKE JIM DOES.

MAYBE YOU SHOULD THINK ABOUT THAT.

WHO THE HELL DO YOU THINK YOU'RE TALKING TO?

VERONICA.

STOP IT.

YOU BETTER GET YOUR BITCH, DAVID.

WHAT THE HELL IS GOING ON?

NOTHING.

I JUST WALKED IN ON DAVID AND MAGGIE IN A HOTEL ROOM.

THAT'S ALL.

WHAT?

YES. THEY WERE HAVING SEX.

AND NOW THEY'RE FLAUNTING IT IN MY FACE.

THERE IS NOTHING GOING ON BETWEEN US.

THEN WHY IS SHE ALWAYS IN YOUR FACE, DAVID?

SHE'S MY CAMPAIGN MANAGER.

OH...

YOU CAN'T ‐‐

YOU DIDN'T TELL ME THAT.

WELL, NOW YOU KNOW.

LISTEN, KATHERYN, I HAVE TO GO HOME, OKAY?

YOU HAVE TO COME BY AND SEE MY NEW HOUSE.

IT'S REALLY COMING ALONG NICELY.

SO, GOOD‐BYE, DEAR.

JIM...

WAY TO GO.

YOU SAID YOU WERE LEAVING.

LEAVE!

GET THE HELL OUT OF MY OFFICE.

OKAY, BECAUSE THAT'S WHAT YOU JUST DID.

YOU GOT THE HELL OUT

OF THE RUNNING‐FOR‐GOVERNOR BUSINESS.

SO THANK YOU, JIM CRYER, FOR RUINING THIS FOR ALL OF US,

AFTER ALL WE DID TO MAKE IT HAPPEN.

I AM NOT IN THE MOOD FOR THIS.

GET THE HELL OUT.

YOU KNOW WHAT?

THAT OVER THERE ‐‐ THAT'S THE ONE

THAT TAKES "BARK LIKE A DOG" ORDERS FROM YOU.

I DON'T.

WELL, THIS IS THE BITCH THAT'S ACTING LIKE A DOG.

GET OUT!

AT LEAST I KNOW HOW TO CONTROL MY LITTER.

UNLIKE YOU.

I TOLD YOU TO GET OUT OF THE OFFICE.

DON'T PISS ME OFF.

GET OUT OF MY OFFICE NOW.

[ CHUCKLES ] DON'T PISS YOU OFF.

GET OUT.

JIM, HOW WAS WYATT'S STAY?

HMM?

WHAT DID YOU JUST SAY TO ME?

THE BITCH ASKED YOU A QUESTION.

HOW WAS WYATT'S STAY?

HMM?

YOU ‐‐

YOU DID THAT?

[ CHUCKLES ]

[ SCREAMING ] JIM!

JIM!

[ INDISTINCT SHOUTING ]

HEY!

WHAT THE HELL IS GOING ON?! GET OFF MY WIFE.

GET THE HELL OFF OF MY WIFE.

JIM!

JIM! RELAX!

YOU KNEW ABOUT THIS! NO, I ‐‐

THEN, WHY THE HELL DID YOU SEND ME TO THE PRISON?

I JUST STARTED TO PUT IT TOGETHER.

COME ON, DAVID! OH, YOU'RE MAD AT THE WORLD

BECAUSE YOU CAN'T KEEP YOUR LITTLE PENIS IN YOUR PANTS.

YOU DID THIS. OH, SHUT UP.

YES, I DID. I DID IT.

YOU COULDN'T KEEP HIM IN LINE,

SO I SHOWED HIM WHAT IT WAS REALLY LIKE IN THERE.

SO WHAT ARE YOU GONNA DO ABOUT IT, HUH?

GO!

WHAT ARE YOU GONNA DO? HUH? UGH!

HEY! HEY! HEY! JIM! JIM!

GUYS, GUYS.

LET GO OF ME!

GUYS, GUYS.

DON'T YOU EVER PUT YOUR HANDS ON MY WIFE AGAIN.

WELL, SOMEBODY SURE THE HELL NEEDS TO.

NOT YOU.

WHAT IN THE HELL WAS THAT ALL ABOUT?

SHE IS CRAZY.

WHAT HAPPENED?

TELL ME!

Rita: YOU ALL RIGHT?

YEAH, I'M ALL RIGHT.

YOU DON'T LOOK GOOD.

I'M GOOD.

YOU NEED TO GO BACK TO THE DOCTOR.

RITA, I SAID I'M FINE.

OKAY, BUT I NEED YOU TO GET BETTER

AND GO GET BENNY'S ASS.

YOU KNOW THAT BASTARD JUST CAME UP IN HERE AND TOOK YOUR SON?

HE JUST TOOK YOUR SON, Q.

I'LL GET HIM.

AND YOU KNOW IF I DON'T GET HIM BACK,

MY CHECK GONNA GO DOWN, AND I NEED THAT MONEY.

MAN, HE HIT ME. YOU GOT TO GET HIM.

I WILL.

SO, WHAT YOU GONNA DO?

I GOT IT.

DON'T WORRY ABOUT IT.

YOU SHOULD GET HIS MAMA, TOO.

[ KNOCK ON DOOR ]

WHO IS IT?

POLICE.

WHAT YOU WANT?

OPEN THE DOOR.

YOU GOT A WARRANT?

OPEN THE DOOR.

IF YOU AIN'T GOT NO DAMN WARRANT,

YOU AIN'T BRINGING YOUR MONKEY ASS UP IN HERE.

RITA MAXWELL?

MAYBE.

IS QUINCY MAXWELL HERE? WHY?

QUINCY!

THAT'S MY BROTHER. HE AIN'T HERE.

WHERE IS HE?

HE IN JAIL.

WERE YOU THE CAREGIVER FOR QUINCY DAYLAN YOUNG?

WHO?

DON'T PLAY GAMES. HIS SON?

YES.

I DON'T KNOW WHERE THAT BOY AT.

DID YOU TAKE CARE OF HIM?

NO, HIS GRANDMA DID.

I DON'T KNOW WHERE HE AT.

HE'S IN COUNTY HOSPITAL WITH CHILD WELFARE.

OH. WELL, OKAY.

WAS HE EVER IN YOUR CARE?

NO.

CAN WE COME IN?

NO, YOU CAN'T.

WE NEED TO ASK YOU SOME QUESTIONS ABOUT HIS CARE.

LOOK, I DON'T KNOW NOTHING.

THAT'S NOT MY CHILD,

SO YOU NEED TO TALK TO HIS MAMA OR HIS UNCLE.

THAT'S WHERE HE BEEN LIVING.

WHERE?

HIS UNCLE BENNY YOUNG AT HIS GRANDMAMA'S HOUSE.

AND IF ANYTHING HAPPENED TO HIM, THEY DID IT.

THAT'S WHERE I THOUGHT HE WAS ANYWAY.

CAN YOU CALL THIS LADY?

SHE'S WITH CHILD WELFARE.

SHE HAS SOME QUESTIONS.

WELL, I CAN'T ANSWER THEM.

WELL, IF YOU CAN GET IN TOUCH WITH QUINCY,

WE NEED TO TALK TO HIM.

WELL, YOU CALL HIM, IN JAIL.

Your son is in County.

You need to get down there.

Go get him.

I BET YOU THEY KNOW WHERE CANDACE AT.

THEIR SOCIAL WORKER ‐‐ I BET YOU SHE KNOW.

THEY GOT TO WRITE EVERY DAMN THING DOWN ANYWAY.

YOU WANT ME TO CALL HER?

NO.

I GOT IT.

GO GET HIM, Q.

I'LL GO GET HIM.

TAKE NO PRISONERS, LIKE WE USED TO DO BACK IN THE DAY.

SURE.

SOON AS THE POLICE GO.

HEY.

WHAT YOU DOING HERE?

WAITING ON YOU. WHY?

WELL, WE'VE BEEN AT EACH OTHER'S NECKS LATELY.

I DON'T LIKE IT.

SO CAN I TAKE YOU HOME?

WHOSE CAR IS THAT?

THIS RIGHT HERE?

THAT'S YOU.

NO, YOU WRECKED MY CAR.

NO, THIS IS ANOTHER ONE I GOT FROM THE TOW YARD.

BENNY.

COME ON. I WANT TO SHOW YOU MY TOW YARD.

OKAY.

COME ON, GET IN. DRIVE.

COME ON.

I DON'T KNOW WHERE I'M GOING.

I'LL SHOW YOU.

SEAT BELT.

[ SEAT BELT CLICKS ]

YOU AND THESE CARS.

[ LAUGHS ]

[ ENGINE TURNS OVER ] AT LEAST IT STARTED.

I KNOW, RIGHT? [ CHUCKLES ]

CLEAN IT UP A LITTLE BIT ‐‐ IT'LL BE NICE, THOUGH.

ALL RIGHT.

HERE WE GO.

OH.

[ CHUCKLES ]

[ RHYTHMIC KNOCK ON DOOR ]

[ SIGHS ]

YES?

CAN I COME IN?

NO.

OKAY.

YOU HAVE COMPANY? [ SIGHS ]

WHY?

NEVER MIND.

WHAT DO YOU WANT?

I WAS GONNA TELL YOU WHAT HAPPENED

TODAY AT THE CAMPAIGN OFFICE,

AND I BROUGHT SOME WINE TO TRY TO APOLOGIZE TO YOU.

I JUST WANTED TO SAY THAT I'M SORRY AND...

[ CLEARS THROAT ]

I MISS YOU. THAT'S ALL.

YOU DON'T EVEN KNOW ME.

I'M SORRY I'M NOT ONE OF THESE GUYS

THAT CAN JUST SLEEP WITH SOMEONE AND HAVE NO ATTACHMENTS.

UH, OKAY, LOOK.

LANDON, I'M JUST NOT INTO YOU.

OKAY? I'M SORRY.

IS IT THAT YOU'RE NOT INTO ME

OR YOU'RE SO INTO WYATT THAT YOU CAN'T GET INTO ME?

I'M NOT INTO YOU.

BECAUSE YOU'RE IN LOVE WITH WYATT?

DOES IT MAKE YOU FEEL BETTER TO SAY THAT?

NO.

BUT DOESN'T IT MAKE YOU FEEL GOOD TO HEAR IT?

WHY ARE WE EVEN TALKING?

WAIT.

[ SIGHS ] HERE.

WHAT IS THIS?

IT'S A FLAG WE USED IN SCHOOL.

IF YOU SCREWED SOMETHING UP AND YOU WANTED TO TRY IT AGAIN,

YOU GAVE THAT ‐‐ IT'S LIKE A DO‐OVER PASS.

[ SIGHS ]

OH, BOY.

UM, LANDON...

LOOK, JEFFERY, I JUST WANT TO TRY TO GET TO KNOW YOU,

BECAUSE I KNOW THAT IF YOU GOT TO KNOW ME,

THAT YOU'D ‐‐ YOU'D REALLY LIKE ME.

I DO LIKE YOU.

BUT...

SO WHY ARE YOU SAYING THAT YOU DON'T?

BECAUSE THIS IS ALL...

NEW TO YOU?

YEAH.

I'VE HEARD THAT.

BUT YOUR HEART AND YOUR FEELING AND CARING ‐‐

IT'S NOT NEW TO YOU.

NO, THEY'RE NOT.

WHAT IS IT?

HAVE YOU EVER BEEN IN LOVE?

YES.

WITH SOMEONE THAT YOU COULDN'T HAVE?

YES.

HOW DO YOU STOP WANTING THEM?

LIKE, WHEN THEY CALL YOU, HOW DO YOU NOT RUN TO THEM?

WHEN THEY HURT YOU OR DOG YOU OUT,

HOW DO YOU ‐‐ HOW DO YOU STOP?

I DON'T KNOW HOW TO STOP.

SLOWLY.

SLOWLY?

WHAT ‐‐ WHAT ‐‐ WHAT DOES THAT MEAN?

IT TAKES TIME, BUT, EVENTUALLY, IT PASSES.

BUT YOU HAVE TO GET AWAY FROM THEM.

STOP FORCING YOURSELF TO BE THERE.

AND YOU ‐‐ YOU WALK AWAY EMOTIONALLY, FIRST,

AND HOPE THAT YOUR HEART FOLLOWS.

I KNOW IT'S NO FUN, AND I KNOW

YOU CAN'T SEE ME BECAUSE HE'S IN THE WAY.

MOM?

WHY HAVEN'T YOU BEEN TO SEE MELISSA?

YEAH, YOU KNOW, I'M ‐‐ I'M TALKING HERE.

GET LOST. ALL RIGHT, YOU KNOW WHAT?

I AM SO SICK OF YOU.

YOU ARE SO DAMN MEAN AND EVIL,

IT'S NO WONDER YOUR HUSBAND LEFT YOU.

NOW, ARE YOU GONNA STAND THERE

AND LET THIS GIRL TALK TO YOUR MOTHER THAT WAY?

HMM.

WHAT DO YOU WANT?

WHAT DO I WANT?

WHAT KIND OF QUESTION IS THAT?

JUST WHAT I SAID.

HMM.

ALL RIGHT, JEFFERY, I'LL TALK TO YOU LATER.

NO, NO, NO.

STAY. THIS WON'T TAKE LONG.

YOU'RE RIGHT.

NOW, WHY HAVEN'T YOU BEEN TO SEE MELISSA?

BECAUSE I DON'T WANT TO SEE MELISSA.

WELL, THAT'S A SHAME, BECAUSE SHE'S HAVING YOUR CHILD.

CHILD?

YES.

MY SON IS GOING TO BE A FATHER.

WHAT?

YES, THAT'S WHAT HAPPENS

WHEN YOU HAVE SEX WITH A GIRL, HONEY.

LOOK, I'M NOT GONNA GO SEE MELISSA,

AND I REALLY DON'T WANT TO TALK TO YOU ABOUT THIS.

SO YOU CAN JUST LEAVE.

OKAY.

ARE YOU SURE YOU WANT TO DO THAT?

DAMN SURE.

OKAY.

WHAT MORE CAN YOU DO TO ME, HUH?

I MEAN, YOU GOT A THUG TO BEAT ME UP,

YOU FIRE ME, YOU CANCEL MY CREDIT CARDS,

YOU HOLD A CAR OVER MY HEAD,

YOU...

THREATEN ME WITH PRISON.

DO WHATEVER THE HELL YOU WANT TO DO.

JUST DO IT AND STOP THREATENING ME,

BECAUSE YOU KNOW WHAT?

IT IS GETTING OLD,

AND I AM SO DONE WITH IT.

OKAY.

YOU WILL GO SEE MELISSA.

FEEL GOOD?

WELL, YEAH.

OH, UH, WHAT WAS ‐‐ WHAT WAS THAT?

I'M ‐‐ I'M SORRY.

I‐I DIDN'T HEAR WHAT YOU SAID.

OH, MOM, WAIT.

COME BACK, 'CAUSE WE'RE GONNA DO MORE.

ARE YOU SURE IT'S A GOOD IDEA TO PISS HER OFF?

[ SIGHS ]

I DON'T CARE.

GOOD FOR YOU.

YOU KNOW, WITH YOU KISSING ME LIKE THAT,

IT MAKES ME WANT TO COME IN.

UH...WYATT'S HERE.

[ CHUCKLES ]

HE IS?

YEAH, HE'S SLEEPING.

DID YOU AND HIM...

NO.

HE'S STRAIGHT?

I KNOW.

SO, WHY IS HE HERE?

YEAH, LOOK, I DON'T WANT TO HEAR IT.

JEFFERY, [SCOFFS] I JUST TOLD YOU ‐‐

I KNOW.

THAT BOY'S PLAYING YOU. NO, HE'S NOT.

HE LOVES ME, AND HE ALWAYS CALLS ME WHEN HE'S IN NEED.

BECAUSE HE KNOWS YOU'RE IN LOVE WITH HIM.

I KNOW.

AND MAYBE I JUST NEED TO GET STRONGER,

AND THEN I CAN GET AWAY,

BUT IT'S GONNA TAKE TIME, LANDON.

WELL, I'M NOT GOING TO WAIT AROUND

FOR YOU TO FIGURE IT OUT.

I'M NOT ASKING YOU TO.

MAYBE HE LIKES RED.

Candace: SO, YOU SEE?

YES, THIS IS NICE.

THANK YOU.

AND YOU OWN THIS? YES.

I'M SORRY, I'M GONNA HAVE TO ASK FOR THE PAPERWORK.

I THOUGHT YOU'D ASK FOR IT.

HERE'S THE PAPERWORK. JUST SIGNED IT.

THANK YOU.

DO YOU ALWAYS ASK FOR THIS MUCH PROOF?

WELL, YOU KNOW, WE HAVE TO BE SURE.

KIDS.

YEAH. YEAH.

SO WHEN CAN HE COME HOME?

WELL, HE'LL BE DISCHARGED FROM THE HOSPITAL TOMORROW.

OKAY. GOOD.

BUT...

BUT WHAT?

THE JUDGE WILL SAY WHERE HE GOES.

BUT I'M HIS MOTHER.

YES, I KNOW.

AND DON'T WORRY, THE COURT USUALLY SIDES WITH THE MOTHER.

OKAY.

HE'S A BEAUTIFUL CHILD.

YES, HE IS.

AND I CAN'T WAIT TO GET HIM IN HERE.

WHAT ABOUT HIS FATHER?

WHAT ABOUT HIM?

WILL HE CHALLENGE THIS?

NO.

OKAY.

THIS SEEMS TO BE IT.

IS THIS THE REALTOR'S NAME WHO SOLD YOU THE HOUSE?

YES.

DO YOU MIND IF I CONTACT HER?

SURE.

OKAY.

I HAVE NEVER HEARD OF CHILD WELFARE

ASKING THIS MANY QUESTIONS.

WHAT'S GOING ON?

NOTHING.

THIS IS ALL ABOUT THE SAFETY OF YOUR SON.

I'M SURE YOU CAN UNDERSTAND.

NO, SHE UNDERSTANDS.

SHE JUST WANTS WHAT'S BEST FOR HER SON.

AND WHAT'S BEST FOR HIM IS BEING HERE WITH ME.

I UNDERSTAND THAT.

BUT I HAVE ONE PROBLEM.

WHAT'S THAT?

YOUR JOB.

WHAT ABOUT IT?

I CAN'T VERIFY IT.

I DIDN'T GIVE YOU THE INFORMATION.

I CALLED THE COMPANY YOUR BROTHER MENTIONED.

MORRIS, BENHAM, AND BRACKET ‐‐ IS THAT WHERE YOU WORK?

YES.

WELL, THEY'VE NEVER HEARD OF YOU.

IS THAT WHAT THEY SAID?

YES.

[ SCOFFS ] OKAY.

WELL, I'LL GIVE THEM A CALL.

I MEAN, I HAVEN'T STARTED THERE YET.

SO YOU DON'T HAVE A JOB?

YES, I JUST HAVEN'T STARTED YET.

WELL, THEN, HOW CAN YOU AFFORD THIS HOUSE?

I JUST WANT MY SON.

AND I'M TRYING TO HELP YOU GET HIM,

BUT YOU HAVE TO HELP ME.

MISS YOUNG, LOOK.

I'M NOT HERE TO JUDGE YOU.

IF YOU'RE AN ESCORT, THAT'S YOUR BUSINESS.

EXCUSE ME?

YOU WERE ONLINE. I DID SOME RESEARCH.

THAT'S NOT MY BUSINESS.

BUT I JUST NEED TO MAKE SURE THAT

THAT CHILD IS NOT IN ANY DANGER.

FIRST OF ALL, THAT'S SOMETHING I DID

TO PUT MYSELF THROUGH SCHOOL.

I HAVEN'T DONE IT IN A LONG TIME.

I'M GONNA PASS THE BAR.

THIS IS A $1.1 MILLION HOUSE

THAT YOU SENT A WIRE FOR, ACCORDING TO THE PAPERWORK.

YOU KNOW WHAT?

I'M SORRY.

MAYBE I CAN EXPLAIN.

OSCAR.

NO, IT'S OKAY.

LOOK AT THIS.

WHAT'S THIS?

THESE ARE MY BANK ACCOUNTS.

I'M IN LOVE WITH THIS WOMAN.

I TAKE CARE OF HER.

I BOUGHT THIS HOUSE FOR HER, AND I'M GONNA MAKE SURE

THAT HER SON GETS EVERYTHING THAT HE NEEDS.

SO YOU BOUGHT THIS PLACE IN HER NAME?

YEAH.

I WANTED TO MAKE SURE SHE FELT SECURE, SO I DID.

WELL, THE JUDGE STILL NEEDS TO KNOW

THAT SHE HAS HER OWN JOB AND HER OWN MONEY.

WHAT DOES THE JUDGE NEED

TO SHOW IN HER ACCOUNT THAT SHE'S STABLE?

I'M SORRY?

WHAT DOES HE NEED?

I'LL WIRE $500,000 RIGHT NOW ONLINE INTO HER ACCOUNT

TO MAKE SURE THAT SHE'S OKAY.

WELL, A HALF A MILLION DOLLARS IN A BANK IN HER NAME

IS A LOT TO SHOW A JUDGE.

OSCAR.

NO, NO, NO. I'M GONNA DO IT.

ENTER YOUR ACCOUNT INFORMATION RIGHT THERE.

THAT IS NOT NECESSARY.

DO YOU KNOW IT BY HEART?

DO YOU KNOW YOUR ACCOUNT INFORMATION?

YES. DO IT.

OKAY.

ALL RIGHT, THIS SHOULD BE DONE IN ABOUT AN HOUR.

OKAY, WELL, ONCE I SEE THAT,

I WILL TELL THE JUDGE THAT YOU HAVE A STABLE HOME

AND THE MEANS TO TAKE CARE OF YOUR SON.

THANK YOU.

SURE.

IS THIS THE WAY OUT?

I'LL SEE YOU OUT. IT'S THIS WAY.

OKAY.

THANK YOU.

SURE, BUT...

YOU GOT TO PAY ME BACK.

OF COURSE.

I KNOW YOU'RE GOOD FOR IT.

HOW'S THAT?

$1.1 MILLION IN CASH?

I KNOW YOU'RE HOLDING OUT ON ME.

THE WAY YOU JUST LIED TO HER...

[ SCOFFS ] AS GOOD AS A LIAR AS YOU ARE,

I SHOULD BE HOLDING OUT ON YOU.

I KNEW I COULDN'T TRUST YOU.

[ CHUCKLES ]

ALL I KNOW IS YOU GOT TO PAY ME BACK.

DID YOU REALLY SEND IT?

YEAH. CHECK YOUR ACCOUNT.

I WILL.

SO I MUST TRUST YOU TO SEND YOU THAT KIND OF MONEY?

MAYBE YOU DO.

I DO.

NOW, CAN YOU FEED A RICH MAN?

IS THAT TOO MUCH TO ASK?

RESTAURANT?

NO, LET'S, UH ‐‐ LET'S, UH, GRILL OUT HERE.

WE CAN CELEBRATE YOUR SON COMING HOME AND YOUR NEW HOUSE.

AND WE CAN BREAK IN THAT JACUZZI.

SOUNDS LIKE FUN.

OKAY.

COME ON.

BENNY, THIS IS NICE.

I KNOW, RIGHT?

AND I'M MAKING SO MUCH MONEY BEFORE THEY CLOSE DOWN.

OH, YEAH?

OH, YEAH. I WAS LOOKING AT THE RECEIPTS.

MM‐HMM.

THIS IS GREAT. YEAH.

NOW, WHO ARE THESE PARTNERS?

OH, IT'S JUST ONE. IT'S A COMPANY, ACTUALLY.

MM‐HMM.

SO THEY, UH ‐‐ THEY NEEDED SOMEONE TO RUN THIS PLACE.

AND BECAUSE, YOU KNOW, I ALREADY HAD MY OWN TRUCK...

YOU GOT YOUR OWN BUSINESS.

YEAH.

THINGS STARTING TO LOOK UP, HUH?

GOOD.

WHAT IS IT?

NOTHING.

COME ON, WHAT'S WRONG?

NOTHING, BENNY.

WHAT? I LIKE IT? YOU DON'T THINK IT'S GOOD?

YEAH.

THEN WHY AREN'T YOU HAPPY FOR ME?

I AM.

[ Chuckling ] YOU SURE? YES, I AM.

GOOD, 'CAUSE I GOT SOMETHING ELSE I WANT TO SHOW YOU.

WHAT IS IT?

LOOK, I SAID I WAS TAKING YOU HOME, RIGHT?

MM‐HMM.

SO COME ON.

SHOTGUN.

[ CHUCKLES ]

THIS IS A NICE HOUSE.

MM‐HMM.

WHO LIVES HERE?

WE DO.

WHAT?

YEAH, IT'S OURS.

WHAT ARE YOU TALKING ABOUT, BENJAMIN?

[ CHUCKLES ] YOU KNOW THE TOW TRUCK COMPANY?

SO YOU'RE NEVER GONNA BELIEVE WHAT HAPPENED.

ALL RIGHT, THE OWNER OVER THERE THREW THIS HOUSE IN WITH MY 30%.

I GUESS IT BELONGED TO HIS WIFE.

SHE WAS GETTING OLDER, SHE PASSED AWAY.

IN THIS HOUSE?

[ Chuckling ] NO, NOT IN THE HOUSE.

WELL, AND THE OWNER DID WHAT?

WHAT? HE GAVE IT TO ME.

HE WAS IN A LITTLE BIT OVER HIS HEAD AND, UH,

ASKED ME TO HELP HIM OUT. BENNY.

SO I HELPED HIM OUT. NO, BENNY.

WHAT? HE'S N‐‐ HE'S A LITTLE BIT OLDER.

I DON'T KNOW.

AND HE JUST LEFT ALL THIS FURNITURE IN HERE?

I KNOW.

SO I'M JUST GONNA PAY FOR THAT AS I GO ALONG.

LIKE, AS I MAKE MY MONEY, I'M GONNA PAY HIM.

NO, BENNY. WHAT?

THIS IS JUST TOO MUCH.

I'M GONNA MAKE ENOUGH MONEY TO PAY FOR IT.

OH, BENNY, THIS IS MOVING WAY TOO FAST.

[ SCOFFS ] WHY DON'T YOU JUST

GET ON YOUR FEET WITH THE BUSINESS

AND THEN TRY TO TAKE THIS ON?

NICE HOUSE, HUH?

YES, IT IS NICE.

MOVE IN HERE WITH ME.

NO, BOY! WHAT? COME ON.

I'M NOT GONNA BE LIVING LIKE THIS AND LEAVE YOU OVER THERE.

NO, I'M FINE IN MY HOUSE.

NO, YOU'RE NOT. YOU'RE GONNA STAY HERE WITH ME.

[ SCOFFS ] BENNY.

I AIN'T HEARING NOTHING ELSE ABOUT IT.

HOW MUCH THIS HOUSE COST?

LISTEN, I TOLD YOU IT WAS PART OF THE TOW TRUCK DEAL.

ALL RIGHT? SO JUST RELAX.

YEAH, NO, THIS DON'T FEEL RIGHT, BABY.

[ SCOFFS ] WHAT'S THE MATTER? IT FEELS PERFECT.

LIVE IN HERE WITH ME.

HERE'S WHAT WE'RE GONNA DO.

WE'RE GONNA SELL YOUR HOUSE.

EVERYTHING WE GET FROM IT,

WE'RE GONNA PUT RIGHT IN YOUR SAVINGS ACCOUNT.

BENNY. WHAT?

DON'T YOU EVER WANT SOME MONEY IN THE BANK,

LIKE, EVER IN LIFE?

WE COULD PROBABLY GET LIKE $50,000 FOR THE HOUSE.

YEAH, I KNOW.

COME ON, MOM.

TRUST ME.

THIS IS JUST HAPPENING SO FAST.

DON'T YOU BELIEVE IN GOD?

UH, BOY, YOU KNOW I DO.

WELL, THEN, WHY CAN'T THIS BE YOUR BLESSING COMING TRUE?

HMM?

LET ME THINK ABOUT IT, BENNY.

WELL, WHILE YOU THINK...

NO.

YOU KNOW QUINCY'S GONNA COME BY, LOOKING FOR THAT BABY.

HE'S GONNA COME RIGHT TO THE HOUSE.

SO WHY DON'T YOU JUST STAY IN HERE WITH ME

WHILE WE FIGURE OUT WHAT TO DO WITH HIM?

HE WON'T EVEN KNOW WHERE WE ARE.

I DON'T KNOW.

[ SCOFFS, CLICKS TONGUE ]

[ KEYS JINGLE ] GIVE ME THESE KEYS.

I AIN'T YOU GIVING YOU THESE KEYS BACK UNTIL YOU SAY YEAH.

[ CHUCKLES ]

WELL, YOU KNOW I KNOW HOW TO RIDE A BUS.

WELL, IF YOU HAVEN'T LOOKED AROUND,

AIN'T NO BUSES AROUND THESE PARTS.

[ CHUCKLES ]

HMM?

IF YOU HAVEN'T NOTICED. HUH?

OKAY.

YEAH?

OKAY.

OKAY.

I'LL STAY...

ONE NIGHT.

COME ON.

LET ME SEE THIS ROOM I'M GONNA STAY A NIGHT IN.

COME ON. COME ON.

LOOK AT THIS.

BAM!

[ CHUCKLES ]

OH, BENNY.

MM. MM‐HMM.

[ EXHALES SHARPLY ]

MM. MM, MM.

THIS IS NICE.

MM‐HMM.

HEY.

AND YOU BETTER NOT HAVE NO MEN IN HERE.

OH, BENNY, YOU DON'T WANT TO GO DOWN THAT ROAD.

YOU'RE GONNA MAKE ME TALK ABOUT THAT WOMAN.

I DON'T WANT TO TALK ABOUT HER.

YEAH, AND YOU BETTER NOT BE SEEING THAT WOMAN.

I'M NOT. I'M NOT.

COME ON. COME CHECK YOUR CLOSET OUT.

THAT'S NOT MY CLOSET.

THEN WHY ARE ALL YOUR CLOTHES IN HERE?

BENNY.

OH!

OH!

OH, BENNY, NOW THIS IS TOO GOOD TO BE TRUE.

YEAH, YEAH, WHATEVER. LOOK, I'M STARVING.

WHY DON'T YOU COME DOWNSTAIRS AND MAKE MY FAVORITE?

OH, AIN'T NO FOOD IN THIS HOUSE.

PLEASE. WE GOT CLOTHES, WE GOT FOOD, WE GOT DRINKS.

JUST MAKE MY FAVORITE ‐‐ EXTRA SPICY.

[ Chuckling ] OH, OKAY.

WELL, GET ON OUT OF HERE AND LET ME

THROW ON SOME CLOTHES, AND I'LL COME ON DOWN AND ‐‐

LET YOU DO YOUR THING.

OH.

LORD, HAVE MERCY.

YOU REALLY DID SEND IT.

WHERE'S MY BEER?

YOU'RE IMPATIENT.

[ Chuckling ] HERE.

THANK YOU.

YOU'RE WELCOME.

THANK YOU.

FOR WHAT?

FOR THE MONEY.

WELL, YOU GOT TO GIVE THAT BACK.

I WILL.

AS SOON AS THE JUDGE SEES IT.

WHY DID YOU DO IT?

CANDACE, IT'S ONLY 500 GRAND.

AND I LIKE YOU.

NOBODY'S LIKED ME THAT MUCH.

WELL, THAT'S BECAUSE YOU DON'T LET ANYBODY IN.

YOU'RE RIGHT.

TILL NOW.

SO YOU THINK YOU'RE IN?

YOU'RE INTO ME.

[ BOTH CHUCKLE ]

AND I THINK THAT YOU REALLY, REALLY LIKE ME.

SO COCKY.

WELL, WE'VE ESTABLISHED THAT.

SO ARE YOU.

YOU KNOW HOW I KNOW IT?

HOW?

'CAUSE I'M REALLY INTO YOU.

OKAY.

CONFESSION TIME.

OKAY.

[ SIGHS ]

YOU'VE BEEN REALLY GOOD TO ME THESE PAST FEW DAYS.

BETTER THAN ANYBODY.

WELL, YOU'VE BEEN GOOD TO ME.

HAVE I?

YEAH.

I MEAN, YOU STILL GOT TO GIVE ME MY MONEY BACK.

I'LL THINK ABOUT IT.

COME ON, DON'T PLAY.

I WILL.

HAVE YOU EVER MADE LOVE IN A HOT TUB?

NOT A BRAND‐NEW ONE.

♪♪ WOMAN ♪♪

♪♪ SO SOFT TO THE TOUCH... ♪♪

LET'S DO IT.

ARE YOU ASKING?

♪♪ OH, HO ♪♪

I'M DEMANDING.

♪♪ WHOA, WOMAN ♪♪

♪♪ I NEED TO HOLD YOU SO DAMN MUCH ♪♪

COME ON.

♪♪ NEVER LET YOU GO ♪♪

♪♪ NO, NO ♪♪

♪♪ HOW YOU TREBLE SO BEAUTIFULLY ♪♪

[ LAUGHS ]

♪♪ SKIN SMELLS SO SWEET ♪♪

♪♪ MAKING ME SEE ♪♪

♪♪ WOMAN, BE FREE ♪♪

♪♪ DON'T GO BACK AGAIN ♪♪

Hanna: THAT WAS GOOD.

OOH.

I KNOW.

THIS IS A NICE HOUSE.

MM‐HMM.

MM‐HMM.

LET ME TELL YOU SOMETHING.

YOU KNOW WHAT?

FOOD TASTES EVEN BETTER WHEN YOU GOT A NICE HOUSE.

[ CHUCKLES ]

YEAH, WELL,

THE CELL RECEPTION IN HERE ISN'T ALL THAT GOOD.

I NEED TO CALL ALIYAH. SHE WAS SUPPOSED TO CALL ME

AND TELL ME WHAT THE JUDGE SAID ABOUT Q.

OKAY.

[ SIGHS ]

I THINK...HE SHOULD BE WITH CANDACE

RIGHT NOW.

FOR HIM TO GO THROUGH THE SAME THING?

BUT SHE'S DIFFERENT NOW.

BENNY, ALIYAH TOLD ME SOMETHING.

WHAT?

SHE COULDN'T VERIFY CANDACE'S JOB.

WHAT?

MOM, I WENT THERE.

SHE CALLED...

AND THEY SAID THEY'D NEVER HEARD OF HER.

ARE YOU SURE?

'CAUSE I WENT THERE.

I SAW THE NAME TAG ON THEIR DOOR.

THAT GIRL CONNED YOU, BABY.

NO, SHE DIDN'T.

NO, SHE DIDN'T.

THIS IS DIFFERENT.

WELL, THE CHILD WELFARE WORKER

SAID SHE CALLED THE PLACE.

MAYBE SHE CALLED THE WRONG PLACE.

BENNY, THAT'S THAT WOMAN'S JOB.

YOU SAW HER, AND YOU KNOW SHE'S SERIOUS.

GO ON AND CALL HER YOURSELF.

ASK HER. SHE'LL TELL YOU.

I WILL.

[ KNOCK ON DOOR ]

YOU'RE STILL HERE.

YES, I AM STILL HERE.

I'M SORRY ABOUT TODAY.

IT'S OKAY.

I'M FINE.

YOU KNOW, I'M ‐‐ I'M NOT A DEFEATIST,

AND I DON'T LIKE BEING BEATEN AT MY OWN GAME, BUT ‐‐

MAGGIE, WHY DON'T YOU SAY WHATEVER THE HELL IT IS

YOU CAME HERE TO SAY, AND THEN YOU GET THE HELL OUT.

CELINE'S ON EVERY MAJOR NETWORK.

IT DROPPED, AND BECAUSE I WAS BLINDSIDED,

I WASN'T ABLE TO MANAGE IT.

OKAY.

JIM, I THINK YOU SHOULD GIVE UP RUNNING FOR GOVERNOR.

OKAY.

IS THAT IT?

YEAH.

I'LL, UH...

PREPARE A SPEECH FOR YOU TOMORROW.

I'M SORRY.

[ DOOR CLOSES ]

I KNOW THAT LOOK IN YOUR EYES.

JIM...

WE'VE BEEN FRIENDS FOR A LONG TIME.

BUT IF ANYTHING HAPPENS TO MY WIFE,

I WILL SHOW YOU AN ENEMY LIKE YOU'VE NEVER SEEN.

[ SIGHS ]

YEAH.

NO, I'M NOT HAVING A VERY GOOD DAY.

YOU SAW THAT, HUH?

YEAH, LISTEN.

I NEED A BLOODBATH.

THERE'S AN OFFICER NAMED TERRELL,

THERE IS A PROFESSOR NAMED CANON,

AND THERE IS A LAWYER NAMED HARRINGTON.

NO.

VERONICA.

YES.

I WANT THEM ALL DEAD.

[ CELLPHONE BEEPS ]

I WILL SHOW YOU AN ENEMY

THE LIKES OF WHICH YOU HAVE NEVER SEEN.

[ CLICKS TONGUE ]

NEXT ON "THE HAVES AND THE HAVE NOTS"...

AAH! [ ENGINE REVS ]

I SHUT OUT MY MOM, AND I WILL SHUT YOUR ASS OUT, TOO.

YOU WILL NOT LOOK DOWN YOUR NOSE AT ME LIKE I'M A LEPER.

I'M GAY! DEAL WITH IT.

AND YOU STOPPED MAKING LOVE TO ME.

OF COURSE I DID. YOU WENT CRAZY ON ME.

YOU THINK I'M LIKE A GIGOLO NOW? THAT'S HOW I GOT ALL THIS STUFF?

I'M ASKING QUESTIONS TO KEEP FROM THINKING CRAZY THINGS.

IT TAKES A LOT FOR ME TO HOLD MY PEACE,

BUT THERE WAS A TIME THAT I'D HAVE DRAGGED YOUR ASS

IN THAT YARD AND BEAT THE HELL OUT OF YOU.

SIT YOUR ASS DOWN.

DADDY, STOP IT!