All language subtitles for The.Haves.And.The.Have.Nots.S02E14_English

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
en English Download
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu

Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

DAMN, YOU NEED A DOCTOR.

[ COUGHS ]

I WAS HOPING IT WAS AN UNDERTAKER.

WHY ARE YOU ALL DRESSED UP IN BLACK TODAY?

I'M GOING TO THE FUNERAL.

NO, YOU'RE NOT.

YOU COME TO THAT FUNERAL, IT'S GONNA BE ME AND YOU.

I WANT TO SEE YOU AGAIN.

MS. HARRINGTON, I DON'T ‐‐ I DON'T THINK THAT WE...

DON'T YOU WANT TO KNOW WHAT ELSE I'M CAPABLE OF?

AREN'T YOU CURIOUS?

I JUST FIND IT STRANGE

THAT THE FIRE STARTED AFTER WE SERVED THE WARRANT.

SHE WAS LOOKING FOR JEFFERY'S CAR.

WYATT TOLD HER EVERYTHING.

THE HELL IS WRONG WITH HIM?

WHAT THE HELL DID YOU SAY? WHAT DID YOU SAY TO ME?!

YOU KNOW WHAT I DID.

WHAT DID YOU DO? WYATT?

‐HANNA? ‐YES.

MRS. CRYER NEEDS YOU.

OKAY.

I'LL TAKE CARE OF WYATT.

LORD, HAVE MERCY.

HMM. DID YOU DO THIS, JIM?

DON'T TOUCH ME.

SHUT UP, BOY.

I SAID, "DON'T TOUCH ME."

MY, MY, AREN'T WE SNIPPY.

DID YOU BEAT HIM, JIM?

GOOD FOR YOU.

NOW, WHAT WERE YOU GOING TO TELL HANNA?

EVERYTHING.

WHAT STOPPED YOU?

DON'T WORRY.

I WILL.

SO, YOU TOLD THE D.A...EVERYTHING?

YEP.

AND YOU TOLD THE D.A. THAT I HAVE THE CAR?

OH, YEAH.

I DID BECAUSE YOU DO.

THAT'S CORRECT.

AND YOU'RE HOLDING IT OVER JEFFERY'S HEAD AND MINE.

HOW AM I HOLDING IT OVER YOUR HEAD?

YOU KNOW WHAT?

DON'T PLAY THESE GAMES WITH ME.

YOU KNOW EXACTLY WHAT YOU'RE DOING.

WHAT IS THAT?

I TOOK THE POWER OUT OF YOUR PLAN.

NO STEAM.

SO, NOW WHAT YOU GONNA DO?

HUH?

[ CHUCKLES ]

WELL, I CAN BE VERY RESOURCEFUL,

AS YOU CAN IMAGINE.

MM‐HMM.

YOU DON'T SCARE ME.

I WANT YOU ALL TO PAY.

YOU WANT US ALL TO PAY FOR HELPING YOU?

HOW IS IT HELPING ME,

BY LETTING ME GET AWAY WITH MURDER?

HOW IS THAT HELPING?

YOU ARE AN UNGRATEFUL...

UNGRATEFUL.

THAT'D BE YOUR SON.

YOUR MOTHER AND FATHER AND I

PUT EVERYTHING ON THE LINE FOR YOU.

AND YOU WANT TO THROW IT ALL AWAY

BECAUSE YOU FEEL THE NEED TO?

YOU OWE US.

I DON'T OWE YOU ANYTHING.

YES, YOU DO.

AND I'M THE TYPE OF PERSON...

I COLLECT ON ALL MY DEBTS.

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪♪♪

WELL, YOU'RE GONNA HAVE TO COLLECT FROM PRISON.

NO, SON.

YOU'RE THE ONE GOING TO PRISON.

WOW.

THEY'RE GONNA LOVE YOU THERE.

I ALREADY TOLD HIM THAT.

HMM.

WE DID.

YEAH. AND THAT DOESN'T SCARE ME.

OH, WELL, MAYBE YOU'RE INTO THAT KIND OF THING.

AGAIN, THAT WOULD BE YOUR SON.

IS THAT SO?

MM‐HMM.

AND I LOVE THAT.

YOU KNOW WHY I LOVE IT?

BECAUSE I GET TO WATCH YOU SQUIRM.

EVERY TIME HE'S AROUND ME,

HIS EYES LIGHT UP...

[ Singsong voice ] AND HE GETS AN ERECTION.

[ Normal voice ] AND YOU KNOW IT.

AND YOU CAN'T HELP IT, CAN YOU?

WYATT, ARE YOU SURE

THAT'S THE ONLY REASON YOU ENJOY IT?

HMM?

GO TO HELL.

HMM.

WELL, CONGRATULATIONS, JIM.

YOU FINALLY BEAT HIS ASS.

BUT, LIKE YOU ALWAYS DO,

YOU NEVER BEAT THEM LONG ENOUGH.

SEE, WHEN YOU HAVE SOMEBODY LIKE THAT AROUND,

YOU HAVE TO BEAT THEM INTO SUBMISSION.

A BRUISE OR TWO? [ SCOFFS ]

THAT'S NOTHING.

YOU NEED TO HANDLE HIM.

WELL, AREN'T YOU THE MOTHER F‐‐

MOTHER OF THE YEAR.

HMM.

YES, I AM, ACTUALLY.

AND I'M A SHOO‐IN WITH YOU SITTING THERE.

GO TO HELL.

WHY DON'T YOU TAKE YOUR SON THERE?

HE'S NOT AFRAID OF PRISON.

THAT'S WHAT HE TOLD ME.

NOT AFRAID.

SO WHY DON'T YOU SHOW HIM WHAT PRISON IS REALLY LIKE?

BECAUSE I AM TOO TIRED.

OH, COME ON, JIM.

WHEN IS THE DEVIL EVER TOO TIRED TO RAISE HELL?

NOW, YOU GET THAT BOY UNDER CONTROL.

AFTER THE FUNERAL, OF COURSE.

I'LL TAKE CARE OF HANNA UNTIL THEN.

LOTS OF PRESS.

YEAH. SHALL I KEEP THEM AT BAY?

YES, BUT NOT TOO FAR.

MAKE SURE THEY GET SOME SHOTS OF JIM'S GRIEF.

GOT IT.

AND SOME SHOTS OF KATHERYN, AS WELL.

AND, YOU KNOW, A SHOT OF DAVID IN THE PAPER

WOULD BE GREAT.

YEAH, THEY ALMOST LOOK SAD.

THEY ARE.

WHATEVER YOU SAY.

THEY ARE. BUT THEY WON'T BE FOR LONG.

THIS LITTLE GIRL HAS MARCHED THEM

ALL THE WAY TO THE GOVERNOR'S MANSION.

I KNOW IT, BUT YOU DON'T HAVE TO BE SO HAPPY ABOUT IT.

JUST GO DEAL WITH THE PRESS.

[ SIGHS ]

CANDACE, DIDN'T I TELL YOU NOT TO COME HERE?

AND I TOLD YOU I WOULD BE HERE.

CANDACE, THIS IS THEIR CHILD'S FUNERAL.

DON'T DO THIS.

WHAT AM I DOING?

YOU SHOULDN'T BE HERE.

WELL, I AM.

AND AGAIN, I SAY, DON'T DO THIS.

DO WHAT? THIS?

HI, JIM.

KATHERYN.

COME ON. COME ON.

CANDACE.

MOVE.

DON'T MAKE ME DRAG YOUR ASS OUT OF HERE.

DON'T.

MS. YOUNG.

[ SIGHS ] OH, MR. OLD.

‐WHAT THE HELL? ‐I THOUGHT WE HAD A DEAL.

I STILL DON'T HAVE THAT INTERVIEW.

WE'RE WORKING ON IT.

I MADE THE CALLS, GAVE YOU THE INFORMATION.

IT'S TAKING TOO LONG.

THIS REALLY IS A VERY BAD TIME.

I'LL SAY. IT'S HORRIBLE.

WHY DON'T YOU LEAVE THESE PEOPLE ALONE?

VERONICA, YOU'RE AGING.

YOU DON'T GET ANY SLEEP, HUH?

DAVID, DO HER A FAVOR.

GO HOME AND WAX THAT ASS.

HOW LONG WILL YOU STAY?

LONG ENOUGH.

CAN I TALK YOU INTO STAYING ABOUT, MM, 30 MINUTES?

CAN I TALK YOU OUT OF THAT LIPSTICK?

IT'S THE WRONG COLOR, HONEY.

YOU SHOULD WEAR SOMETHING MORE AGE APPROPRIATE.

WELL, I WAS LOOKING FOR HOOKER RED,

BUT THEY SAID YOU BOUGHT THEM ALL.

YES! AND I USE THEM DAILY.

YEAH. THE DRUGSTORE WAS EMPTY.

KIND OF LIKE YOUR HOUSE.

I HEARD THAT THERE WAS A FIRE THERE.

I'M SO SORRY.

I WISH YOU WERE THERE.

HOW DO YOU KNOW I WASN'T?

NOW, HOW LONG WILL YOU STAY?

OH, GO AHEAD. CALL QUINCY.

TELL HIM I'M HERE.

I WILL.

I'M SURE THERE'S SOMEWHERE HERE

WE CAN FIND A NICE RESTING PLACE FOR YOU.

OH. WELL, EXCUSE ME,

BUT I'M GRIEVING A FRIEND, MA'AM.

[ SNIFFLES ]

[ SIGHS ]

GET THE ‐‐ OUT OF HERE!

‐DON'T TOUCH ME! ‐WHOA, WHOA. WAIT.

DON'T MAKE A SCENE. COME ON.

LISTEN TO YOUR LOVER.

ALL RIGHT. JUST GET IN THE CAR.

GET IN THE CAR.

I'M SO SORRY, JIM.

YOU ARE UNBELIEVABLE.

I KNOW.

I DON'T THINK IT'S A GOOD IDEA FOR YOU TO BE HERE.

I JUST WANT TO GIVE THEM MY CONDOLENCES.

‐I'LL TELL THEM. ‐NO, YOU WON'T.

WHY ARE YOU DOING THIS?

SHE WAS MY FRIEND, TOO, JEFFERY.

‐NO, SHE WASN'T. ‐SHE WAS.

NO.

[ CAMERA SHUTTERS CLICKING ]

MISS YOUNG.

I'M SO SORRY, MRS. CRYER.

WE'RE HAVING A FEW PEOPLE OVER TO THE HOUSE.

YOU'RE MORE THAN WELCOME TO COME.

THANK YOU. I WILL.

I KNOW HOW MUCH AMANDA MEANT TO YOU.

SHE WAS A REALLY GOOD FRIEND.

YOU REMEMBER THE ADDRESS.

PLEASE COME.

I WILL.

I'LL BE WAITING.

YOU BETTER NOT BRING YOUR ASS TO THAT WOMAN'S HOUSE.

I WAS INVITED.

I'LL SEE YOU IN A FEW, HANNA.

[ DOOR OPENS ]

STOP CALLING ME ABOUT THIS.

GEORGE, WE REALLY NEED TO TALK ABOUT THIS.

NOT ABOUT THE CRYER SITUATION, YOU DON'T.

THAT'S EXACTLY WHAT THIS IS ABOUT.

WELL, IF YOU WANT TO TALK ABOUT THIS,

GO AND READ ALL OF THE HEADLINES IN THE NEWSPAPER

FROM WHEN YOU ARRESTED HIS SON.

THE BACKLASH, THE EMBARRASSMENT TO THIS OFFICE.

I DON'T WANT TO HEAR IT.

BUT THE SON CONFESSED IN THE INTERROGATION ROOM

AND AGAIN ON THE REPORTS. YOU HEARD THE TAPE.

WHAT I HEARD WAS A KID WHO WAS OBVIOUSLY DRUNK

OR HIGH OR LOOKING FOR ATTENTION.

YOU HEARD JIM CRYER SAY HE HAD A SUBSTANCE‐ABUSE PROBLEM.

YES! BUT I ALSO KNOW THAT HE WAS TELLING THE TRUTH.

LET THIS GO.

SO, WE'RE JUST GONNA LET HIM GET AWAY WITH THIS?

YOU SERVED A SEARCH WARRANT ON THE HARRINGTONS,

WHICH, BY THE WAY, JUST PISSED HER OFF.

AND THESE PEOPLE ARE NOT THE ONES TO PISS OFF

IN THIS TOWN.

I SPOKE TO THE FIRE CHIEF.

HE SAID AN ACCELERANT WAS USED, GASOLINE.

AND?

AND SHE WAS TRYING TO DESTROY EVIDENCE!

WHAT EVIDENCE?

I DON'T KNOW.

I DON'T CARE HOW HOT THE FIRE WAS,

IT WOULD NOT INCINERATE A CAR.

I KNOW THAT.

SO, YOU JUST WANT ME TO LET THIS GO?

YES!

WHAT IF I FIND THE CAR?

THEN WE TALK.

UNTIL THEN, THIS IS OVER.

‐BUT WHAT IF I ‐‐ ‐FIND THE CAR.

[ PEN CLATTERS ]

[ DOOR OPENS ]

Carlos: MAMA?

WHAT ARE YOU DOING HOME?

I HAD THE DAY OFF.

YOU CRYING?

I WAS JUST SAD.

HE'S LOST HIS DAUGHTER.

YEAH, I'M SURE IT IS.

YOU KNOW, THEY FIRED ME.

FROM THE CAMPAIGN.

I'M GONNA GO HOME AND EAT.

I JUST, UH, DROPPED LITTLE JIMMY OFF AT HIS PLAYDATE.

OKAY.

THANK YOU FOR THAT, BY THE WAY.

I APPRECIATE THAT.

I GOT YOU SOME GROCERIES, TOO.

THESE DIDN'T MAKE IT. LITTLE JIMMY ATE THEM.

[ LAUGHS ]

I'M FINE.

YOUR UNIFORMS ARE IN THE TRASH, MOM.

CARLOS, PLEASE.

I JUST NEEDED NEW ONES, THAT'S ALL.

DID HE FIRE YOU?

[ SIGHS ] NO.

MOM.

[ SIGHS ]

HE'S GOING THROUGH A LOT, CARLOS.

WHY ARE YOU DEFENDING HIM, MOM?

‐I'M NOT! ‐YOU'RE DEFENDING HIM.

I AM NOT.

HE JUST LOST HIS DAUGHTER,

WHICH HAPPENS TO BE YOUR HALF SISTER,

SO HAVE SOME COMPASSION.

YEAH, WELL, WE'RE HIS FAMILY, TOO, MOM.

AND HE'S NEVER CARED ABOUT US.

AND HE DOESN'T CARE ABOUT YOU.

THAT'S NOT TRUE.

OH, IT'S NOT TRUE?

NO.

WHY, MOM?

BECAUSE HE LET YOU BE HIS MAID?

DON'T DO THAT.

DON'T TALK ABOUT YOUR FATHER THAT WAY.

YOU DON'T KNOW HIM LIKE I KNOW HIM.

HE WASN'T ALWAYS THIS WAY.

HE JUST ‐‐ HE JUST NEEDS TIME.

THAT'S ALL.

YOU'RE STILL IN LOVE WITH HIM.

YES, I AM.

WHAT WE HAD WAS BEAUTIFUL.

THINGS WEREN'T ALWAYS THIS WAY, CARLOS.

YOU DON'T KNOW ANYTHING.

[ SNIFFLES ]

WELL, HE'S MARRIED, MOM.

AND HE'S GOING ON WITH HIS LIFE,

AND YOU SHOULD, TOO.

HE DOESN'T LOVE HER.

HE NEVER HAS.

HE LOVES ME.

HE LOVES ME.

WELL, HE'S GOT AN INTERESTING WAY OF SHOWING IT, MOM.

[ INDISTINCT CONVERSATIONS ]

LADIES, I'LL WALK YOU OUT.

COME.

[ CLEARS THROAT ]

THANK YOU SO MUCH FOR COMING.

I'LL SEE YOU LATER.

HI.

THIS COULDN'T WAIT.

WHAT IS IT?

YOU HAVE A PROBLEM.

WHAT?

YOU WANTED ME TO FOLLOW HER, NOW HERE YOU GO.

[ ENGINE TURNS OVER ]

WHEN WAS THIS?

A LITTLE MORE THAN 12 HOURS AGO.

IS THAT DAVID'S TRUCK?

YES.

WHERE IS IT NOW?

STILL AT THE YOUNG MAN'S HOUSE.

IS IT?

YES. HE WAS DRIVING IT THIS MORNING.

THANK YOU.

YOU WANT ME TO STAY ON IT?

YES.

‐OKAY. ‐AND HIM.

IT'LL COST YOU AN EXTRA $200 IF I HAVE TO GO TO HIS PLACE.

IT'S IN A REALLY BAD NEIGHBORHOOD.

RIGHT, OF COURSE.

MAKE SURE YOU FIND OUT EVERYTHING YOU CAN ABOUT HIM.

I'M ON IT.

THANKS. OH, AND BRUCE.

TELL BARBARA I SAY, "HI."

I WILL.

[ ENGINE TURNS OVER ]

HI.

HI. EXCUSE ME.

WOW, DON'T YOU LOOK GREAT?

THIS DRESS IS SO APPROPRIATE.

THANK YOU.

WHAT'S THE MATTER?

YOU LOOK SAD.

NO, I'M FINE.

ARE YOU SURE?

YES.

IS IT JEFFERY?

NO, NO. I'M FINE.

DAVID, DARLING, SAY HELLO TO MELISSA.

HI.

MELISSA.

NOW, I KNOW JEFFERY IS AROUND HERE SOMEWHERE.

YES, HE'S WITH LANDON.

OOH, WELL, IN THAT CASE, WE SHOULD FIND HIM.

‐YES, LET'S. ‐LET'S GO, DEAR.

WE DON'T NEED YOUR HELP, THANK YOU.

YOU NEED ALL THE HELP YOU CAN GET.

WHY DON'T YOU GO FIND MAGGIE DAY

AND SLEEP WITH HER AGAIN?

DIDN'T HAPPEN IN THE FIRST PLACE.

LIES!

SO THE SMOKE WASN'T ENOUGH?

LEAVE, DAVID.

I'M COMING WITH YOU.

HERE.

I DON'T WANT A DAMN WATER.

YOU SHOULD HAVE SOME.

YOU'RE LIKE A NAGGING WIFE.

I'M JUST TRYING TO BE A FRIEND.

TRYING TO TURN ME ON.

WHAT? COME ON.

YOU KNOW YOU WANT ME TO PITCH ON YOUR TEAM, DON'T YOU?

OKAY. YOU'RE DRUNK AGAIN.

DRUNK MEN TELL NO TALES, JEFFERY.

WHY DON'T YOU HAVE SOME SO YOU CAN TELL THE TRUTH?

‐NO. ‐GO AHEAD.

HEY. STOP IT.

MM.

MAN, YOU NEED TO LOOSEN UP.

NOT IF IT MEANS BEHAVING THE WAY YOU ARE.

SO, WHAT WERE YOU AND THAT GUY DOING IN THE HOTEL?

I MEAN, I DON'T WANT TO KNOW.

I JUST WANT TO KNOW ARE YOU LIKE, FULL‐ON OUT OF THE CLOSET

AND DOING GUYS THESE DAYS?

OR ‐‐ OR WHAT?

CAT GOT YOUR TONGUE... OR SOMETHING ELSE?

YES. WE WERE.

WE HAD SEX.

OH.

AND IT WAS GOOD.

GROSSING ME OUT.

STOP PRETENDING TO BE GROSSED OUT.

THE HELL? I JUST ASKED.

YOU CAN KEEP ALL THE SALACIOUS DETAILS

TO YOURSELF, PLEASE.

SOMETHING TELLS ME YOU REALLY WANT TO HEAR THEM.

YOU'D BE WRONG AGAIN, AS USUAL.

‐OH, YEAH? ‐YEAH.

JUST STOP IT. JUST GIVE IT UP.

JUST COME OUT AND GET WITH IT ALREADY.

I THINK THIS WHOLE DAMN HOUSE HAS GONE CRAZY.

WELL, IF THEY ARE,

IT'S BECAUSE YOU'RE MAKING THEM THAT WAY.

YOU KNOW YOU'VE ALWAYS HAD BIG DREAMS.

BUT THIS BIG DREAM RIGHT HERE...

NEVER GONNA HAPPEN.

[ CHUCKLES ] OKAY.

ALL RIGHT, WYATT.

LET'S SEE WHAT TROUBLE I CAN GET INTO, ALL RIGHT?

SURE.

‐YEAH. ‐YEP.

NOW I KNOW THAT YOU'RE GONNA BE WATCHING ME

AS I WALK AWAY.

SHOULD I TAKE OFF THIS JACKET SO YOU HAVE A BETTER VIEW?

LOOK AT YOU. YOU'RE GETTING ALL EXCITED.

JEFFERY, WHO'S YOUR PERV?

HE'S GORGEOUS.

YOU STANDING THERE WATCHING IS REALLY CREEPY.

I WAS JUST WATCHING HIM TOY WITH YOU

LIKE YOU'RE SOME KIND OF TOY FOR A DOG.

DON'T START WITH ME.

I SEE WHY YOU'RE IN LOVE WITH HIM.

HE'S BEAUTIFUL, BUT A BIT OF AN ASS.

LOTS OF SCARS, CHILDHOOD TRAUMA,

THAT KIND OF THING.

SPOILED RICH KID PROTECTED BY HIS PARENTS

ALL HIS LIFE, ALL OF THAT.

BUT HE IS NOT IN THE LEAST BIT INTERESTED IN YOU.

WOULD YOU SHUT UP, PLEASE?

NO, I'M WATCHING HIM.

YOU CAN ALWAYS TELL WHEN SOMEONE IS INTO YOU

WHEN THEY THINK NO ONE IS LOOKING.

HE DOESN'T TRY TO SNEAK A PEEK AT MEN'S ASSES OR CROTCHES.

HE LOOKS AT SKIRTS AND BREASTS.

WATCH HIM, YOU'LL SEE.

HE IS 100% STRAIGHT AND NOT AT ALL INTO YOU.

YOU REALLY NEED TO LET IT GO.

I MEAN, LAST NIGHT,

I THOUGHT YOU WERE SAYING, "WHY? WHY?"

BUT YOU WERE TRYING TO CATCH YOURSELF

FROM SAYING, "WYATT."

THIS IS SAD. HE DOESN'T WANT YOU.

AND I DON'T WANT YOU.

THAT WAS NOT THE CASE LAST NIGHT.

ONE TIME.

ONE TIME AND NEVER AGAIN.

OH, SO HOSTILE NOW.

AND ANGRY WHEN SOMEONE TALKS ABOUT HIM.

MAYBE YOU SHOULD SAVE THAT FOR YOUR MOTHER.

AND MAYBE YOU SHOULD GO SOMEWHERE

AND GO FIND MAGGIE DAY AND GO DO YOUR JOB.

SAVE THE VENOM, DARLING.

HERE COMES THE ONE YOU NEED IT FOR.

GO SOMEWHERE, BOY.

GLADLY, GIRL.

HMM. NOW, THAT WOULD BE YOU, SON.

JEFFERY, LOOK WHO'S HERE.

WHY?

HI.

AND LOOK WHO USED TO BE HERE, STANDING AND TALKING TO YOU.

YOU DON'T HAVE TO LEAVE, LANDON.

STAY.

I'M NOT SOME CHESS PIECE IN YOUR PATHETIC GAME.

[ CHUCKLES ]

NOW, SHE'S SMART.

AFTER WHAT HE DID TO ME AT THAT PRESS CONFERENCE,

YOU WOULD TAKE HIS SIDE?

OH, DON'T ARGUE LOYALTIES WITH ME, SWEETHEART.

I THINK WE'RE EVEN, DON'T YOU?

HOW DO YOU FIGURE?

THE SMOKE WASN'T ENOUGH?

NO. WE'RE NOT EVEN.

AS A MATTER OF FACT,

I HAVE TO LEAVE TO GET EVEN MORE EVEN.

WHAT DOES THAT MEAN?

JEFFERY.

I THINK YOU SHOULD TALK TO MELISSA.

NO, ACTUALLY I SHOULDN'T.

I HAVE NOTHING TO SAY TO HER OR TO YOU.

FINALLY, SON.

STAND UP TO YOUR MOTHER.

OKAY, WELL, I SEE HOW THIS IS GOING.

SO I'M OUT OF HERE.

WHAT IS SHE GONNA DO?

LIVE YOUR LIFE. DON'T WORRY ABOUT HER, SON.

SO, HOW ARE YOU?

I'M NOT TALKING TO YOU.

I KNOW YOU'RE UPSET, BUT LET ME EXPLAIN.

YOU NEED TO LEAVE NOW.

‐BUT YOUR MOM... ‐NOW!

I'LL JUST STAY IN THE OTHER ROOM.

I WON'T BOTHER YOU.

YOU BEING HERE IS BOTHERING ME.

NOW GET YOUR ASS OUT OF HERE.

BUT SHE'LL BE UPSET.

I DON'T GIVE A DAMN. GO!

I'LL JUST BE IN THE OTHER ROOM.

WHAT THE HELL IS WRONG WITH YOU?

DIDN'T I JUST TELL YOU TO LEAVE?

DAMN.

DAVID.

YES?

ANY NEWS ON YOUR HOUSE?

BURNED DOWN.

I MEANT THE CAUSE OF IT.

NO, NOTHING.

YOU KNOW, I FIND IT STRANGE

THAT YOUR CLOTHES WERE FILLED WITH SMOKE AND SOOT,

AND YET YOUR WIFE'S OUTFIT WAS...PRISTINE.

IS THERE SOMETHING YOU'RE TRYING TO SAY?

BE CAREFUL WITH HER.

SHE'S MY WIFE.

I KNOW THAT, BUT...

BUT WHAT?

DAVID, ARE YOU SURE SHE'S NOT TRYING TO...

TRYING TO WHAT?

SAY IT.

I DON'T ‐‐ I DON'T KNOW.

I DON'T KNOW, BUT I'VE SEEN STRANGE THINGS

WHEN ‐‐ WHEN WIVES THINK THEY'RE BEING REPLACED.

MY WIFE IS NOT BEING REPLACED.

DAVID, I KNOW THAT.

BUT DOES SHE THINK THAT?

I ‐‐ I DON'T KNOW WHAT SHE'S THINKING.

THIS IS NOT THE TIME OR THE PLACE TO DISCUSS THIS.

I SAW HER LEAVE. IT'S FINE TO TALK.

YOU KNOW I DON'T WANT TO TALK ABOUT HER.

WHY IS THAT?

BECAUSE MY WIFE IS NOT A TOPIC OF CONVERSATION.

IS THAT WITH EVERYONE, OR JUST WITH ME?

MAINLY YOU.

WHY?

BECAUSE YOU'RE ATTRACTED TO ME.

THAT IS NOT TRUE.

IT'S NOT?

NO, DAVID.

I'M NOT JUST ATTRACTED TO YOU.

I SEE YOU.

I SEE YOU, AND I WANT YOU TO BE MINE.

AND THE MORE SHE TREATS YOU LIKE THIS,

THE MORE IT MAKES ME WANT YOU MORE AND MORE.

HEY.

NO. NO. YOU SHOULD HAVE SOMEONE

WHO TREATS YOU THE WAY YOU DESERVE TO BE TREATED.

VERONICA, SHE USED ‐‐ SHE USED TO DO THAT,

BUT SHE'S HAVING A HARD TIME NOW.

GOING THROUGH A ROUGH PATCH.

I'M GOING TO HELP HER THROUGH THIS,

GET US BACK ON TRACK.

ROUGH PATCH?

YES.

ONE HELL OF A ROUGH PATCH, HMM?

ARSON?

WHO SAID ANYTHING ABOUT ARSON?

I HAVE CONNECTIONS, DAVID.

IF YOU DON'T FILE AN INSURANCE CLAIM,

I'M ABLE TO KEEP IT OUT OF THE PRESS.

IS THAT WHAT THE INVESTIGATOR SAID? ARSON?

YES.

AND I CAN'T BURY A STORY ON ARSON

WITH A $3 MILLION INSURANCE POLICY.

THEY'LL CRUCIFY YOU.

THE TWO OF YOU NEED TO COME UP WITH SOME SORT OF STORY

ABOUT A ‐‐ A CANDLE OR A HEATER OR SOMETHING.

I'LL TALK TO VERONICA.

AND THROW AWAY $3 MILLION.

IT'S JUST MONEY.

YOU REALLY LOVE HER.

YES, I DO.

SHE'S NEVER BEEN THIS BAD BEFORE.

I'M GOING TO HELP HER THROUGH THIS.

AGAIN...

SO NOBLE.

SHE'S MY WIFE, FOR BETTER OR WORSE.

FOR BETTER OR WORSE, HUH?

MM‐HMM.

WHERE'S YOUR TRUCK?

WHAT?

YOUR TRUCK.

AT THE HOUSE, I SUPPOSE.

WAS IT IN THE FIRE?

I DON'T KNOW. I HADN'T REALLY THOUGHT ABOUT IT.

JEFFERY TOOK ME TO THE HOTEL.

MAYBE YOU SHOULD ASK HER WHERE IT IS.

WHY SHOULD I?

MAYBE SHE HAS IT.

WHAT IS IT YOU'RE TRYING TO SAY?

NOTHING.

NO. NO. NO. MAGGIE.

YOU DON'T JUST DROP HINTS, YOU DROP BOMBS.

WHAT DO YOU KNOW?

WHAT DO YOU KNOW?

NOTHING.

MAGGIE... WHAT DO YOU KNOW?

I KNOW THAT YOU LOVE YOUR WIFE.

MAGGIE.

NO. NO MORE.

[ INDISTINCT CONVERSATIONS ]

UP. COME ON.

WHERE ARE WE GOING?

JUST COME ON.

SHE NEEDS HER CAR, PLEASE.

I HAVE TO STAY.

WHAT THE HELL IS WRONG WITH YOU?

I HAVE TO STAY HERE WITH YOU.

MELISSA, I AM NEVER GOING TO BE WITH YOU.

DO YOU UNDERSTAND THAT?

BUT YOU HAVE TO.

WHY?

[ CAR DOOR CLOSES ]

‐HI. ‐HEY.

HER AGAIN.

HEY, YOU KNOW YOU SHOULDN'T BE HERE.

NEITHER SHOULD SHE.

NO, I'M TELLING YOU, THE TENSION IN THERE IS REALLY BAD.

WELL, IT'S ABOUT TO GET WORSE.

WHY ARE YOU TALKING TO HER?

SHE WAS JUST LEAVING.

WHY ARE YOU HANGING AROUND?

I'M PREGNANT.

BY WHO?

NO, YOU'RE NOT.

YES, I AM.

WHAT THE HELL?

SO WAIT, MY MOM TOLD ME THAT YOU WERE.

SO, WHAT SHE WAS TELLING ME WAS TRUE?

YES.

THE TWO OF YOU SET THIS WHOLE THING UP?

WHAT?

YEAH. SHE PAID HER TO DO THIS.

ARE YOU SERIOUS?

SHE DIDN'T PAY ME.

SO, WHY DID YOU DO IT?

YEAH. WHAT'S GOING ON, LITTLE GIRL?

I'M A WOMAN.

OKAY. WHAT'S GOING ON, LITTLE WOMAN?

NOTHING. I'M LEAVING.

YOU WALK TOWARD THAT CAR AND I WILL BEAT YOUR ASS.

HEY. COME ON, CANDACE, JUST...

‐NO. ‐CALM DOWN.

THAT'S HOW YOU HAVE TO TALK TO THESE KIND OF GIRLS.

I'M NOT THAT KIND OF A GIRL.

DOING THIS YOU ARE.

JEFFERY, I TOLD YOU, YOUR MOTHER IS CRAZY.

WHY WOULD YOU DO THIS TO ME?

[ SNIFFLES ]

HMM?

OH, HEY. NOW YOU WANT TO CRY.

MY DAD HAS CANCER, AND HE'S DYING.

NO. NO, YOU DON'T GET TO DO THIS, OKAY?

YOU ARE TRYING TO TRAP A MAN

ON THE BASIS OF YOU NEEDING MONEY

FOR SOMEONE ELSE.

AND THAT CANCER STORY? IT'S LAME.

[ SNIFFLES ]

NO, IT'S TRUE.

SO, WHAT DOES THIS HAVE TO DO WITH MY MOTHER?

MY MOTHER BORROWED HALF A MILLION DOLLARS

FROM YOUR MOTHER

FOR HIS TREATMENTS AND HIS BILLS.

SHE TOOK OUR HOUSE

AND MY FATHER'S BUSINESS AS COLLATERAL.

THE BUSINESS ISN'T DOING THAT WELL,

SO WE WEREN'T ABLE TO MAKE THE PAYMENTS.

SO YOU HAVE TO LIKE ME OR...

OR ‐‐ OR WHAT?

SHE'S GONNA FORECLOSE ON OUR HOUSE,

AND MY FATHER WON'T HAVE ACCESS TO HIS MEDS

AND THE THINGS HE NEEDS.

SO YOUR MOTHER TOLD ME

I HAVE TO DATE YOU AND MARRY YOU,

AND SHE WOULD GIVE MY FAMILY TIME TO GET ON OUR FEET.

SHE VETTED ME LIKE I WAS RUNNING FOR PRESIDENT.

SHE TOLD ME I HAD TO.

DAMN.

SHE MEANT IT.

SHE SENT ME TO THE DOCTOR

EVERY DAY AFTER MY PERIOD TO TIME MY OVULATION.

SO THAT NIGHT AT DINNER,

I WAS SUPPOSED TO GET YOU DRUNK AND SEDUCE YOU,

AND WATCH PORN WITH MEN IN IT IF I HAD TO,

TO GET YOU TO HAVE SEX WITH ME AND SEE IT THROUGH.

HOW LONG AGO WAS THIS, JEFFERY?

NOT LONG AGO.

WHY WERE YOU TRYING SO HARD IF YOU WERE ALREADY PREGNANT,

AND WHY THE OVULATION STICK?

SHE WANTED TO BE SURE.

AND SHE WANTED YOU TO LIKE IT.

SHE WANTS A GRANDCHILD.

AND SHE FIGURED IF YOU GOT ME PREGNANT,

SHE COULD FORCE YOU INTO MARRYING ME.

SHE WON'T LET UP, JEFFERY.

SHE'S GONNA MAKE YOU BE WHATEVER SHE WANTS YOU TO BE.

SHE HAS YOU EXACTLY WHERE SHE HAS ME.

SO YOU HAVE TO LIKE ME,

OR MY MOM WILL LOSE EVERYTHING.

TELL ME WHAT YOU NEED ME TO DO.

GROW A PENIS AND SOME BICEPS.

HONEY, HE'S GAY. HE WON'T LIKE YOU.

THIS WON'T WORK, OKAY?

‐IT WORKED BEFORE. ‐GET OUT OF HERE.

JEFFERY, PLEASE.

DID YOU HEAR ME? GO.

I'M SORRY, JEFFERY.

WAIT, NO.

ON SECOND THOUGHT...

MEET ME AT THE HOTEL TONIGHT.

I DON'T WANT TO SEE HER.

WELL, YOU'RE ABOUT TO.

AND YOU NEED TO GO TO THE STORE

AND GET SEVERAL PREGNANCY TESTS.

I'M SO SORRY, JEFFERY.

BUT PLEASE, PLEASE,

DON'T TELL YOUR MOTHER I TOLD YOU.

I'M JUST TRYING TO HELP MY FAMILY.

GIRL, BYE.

YOU SEE, JEFFERY?

YOU BELIEVE THIS?

YOU BETTER.

HEY, HEY. DON'T GO IN THERE.

WHAT...

Jeffery: YOU SHOULDN'T BE HERE, CANDACE.

WHAT?

ARE YOU GONNA FOLLOW ME AROUND THE WHOLE TIME?

ALL RIGHT.

I DON'T THINK YOU SHOULD BE DOING THIS.

WELL, I'M ALREADY HERE.

OH, EXCUSE ME. THANKS.

CANDACE, COME ON.

I'M NOT GOING ANYWHERE WITH YOU.

YOU SEE ALL THESE PEOPLE IN HERE?

THEY ARE GRIEVING.

THEY LOVED AMANDA.

SHE WAS A FRIEND OF MINE.

WELL, THEN SHOW YOUR FRIEND SOME RESPECT BY LEAVING.

HOW ABOUT YOU FIND SOME CLEANING TO DO?

I TOLD YOUR ASS THAT THAT BOY HAD YOUR BABY.

AND NOW YOU ARE UP IN THESE PEOPLE'S HOUSE

LIKE YOU'VE NEVER EVEN HEARD ME.

YOU SHOULD BE SPENDING EVERY BIT OF YOUR ENERGY

TRYING TO FIND YOUR BABY

AND NOT BE UP IN THIS WOMAN'S HOUSE.

WHAT THE HELL ARE YOU DOING HERE?

SHE WAS JUST LEAVING.

NO. I WASN'T.

I KNOW YOU WERE SCREWING MY FATHER,

AT THE SAME TIME SCREWIN' UP AMANDA'S HEAD.

JUST GET THE HELL OUT OF HERE.

PUT ME OUT.

HMM. YOU DON'T THINK I WILL?

WHY DON'T YOU GO SIT YOUR ALCOHOLIC ASS DOWN?

CANDACE.

WHY ARE YOU HERE?

BECAUSE I ASKED HER TO COME.

WHAT THE HELL IS WRONG WITH YOU?

LET ME HANDLE THIS.

THIS FAMILY'S RIDICULOUS.

MOVE!

OH.

OOH.

JIM.

LOOK WHO'S HERE.

JIM.

Hanna: MRS. CRYER, SHE WAS JUST LEAVING.

SHE JUST CAME BY TO SAY HOW SORRY SHE WAS ABOUT AMANDA,

AND NOW I'M GONNA WALK HER OUT THE DOOR.

THAT'S NOT NECESSARY.

NO, I'M GONNA HAVE HER LEAVE.

NO!

I REALLY WANT HER HERE. I DO.

WHY?

SHE HAS ANSWERS THAT I NEED, OKAY?

DON'T WORRY. SHE WON'T BE HERE LONG.

PLEASE, ATTEND TO THE GUESTS IN THE GARDEN.

OKAY.

YES, MA'AM.

YES, MA'AM.

GO MAKE SOMETHING.

TRY ME. TRY ME.

HANNA!

HANNA.

THE GUESTS, PLEASE.

THIS GIRL IS GETTING ON MY NERVES TODAY.

EXCUSE ME.

ARE YOU OKAY?

MM‐HMM.

THANK YOU FOR COMING.

SURE.

MAY WE SPEAK WITH YOU IN THE STUDY, PLEASE?

YES.

IS JIM COMING?

YES, HE IS.

PLEASE, HAVE A SEAT.

I'D RATHER STAND.

ALL RIGHT.

WOULD YOU LIKE SOMETHING TO DRINK?

YES.

JIM.

YOU DON'T THINK I'M DRINKING THAT, DO YOU?

AHH.

SO, WHY THE SUDDEN HOSPITALITY?

WELL, I WANTED TO TALK TO YOU.

YOU SAID THAT.

IT'S ABOUT AMANDA.

WHAT ABOUT HER?

WELL, WE HAVE SOME QUESTIONS.

JIM DOESN'T.

HE'S SO QUIET.

HE'S IN MOURNING.

OH, SO RICH PEOPLE DON'T TALK IN MOURNING?

I CAN SPEAK FOR BOTH OF US.

WOW.

YOU HAVE THE BALLS, THE PURSE,

AND NOW YOU'RE SPEAKING FOR JIM.

HMM.

BOY, THIS ROOM HASN'T CHANGED MUCH

SINCE WE BROKE IN THIS COUCH, HUH, JIM?

WHAT DID YOU DO TO MY DAUGHTER?

NO. NO.

SEE THE QUESTION IS,

WHAT DID YOU DO TO YOUR DAUGHTER?

I'M NOT TAKING THE BLAME FOR THIS ONE.

SO EXCUSE ME, BUT I'M IN MOURNING.

I THOUGHT YOU COULD AFFORD A BETTER GRADE OF WHISKEY.

UHH!

NEXT WEEK ON "THE HAVES AND THE HAVE NOTS"...

AAH!

WHY IS MY TRUCK AT YOUR HOUSE?

MY SON BROUGHT IT HERE LAST NIGHT.

‐WHY? ‐YOU WANT TO COME IN?

WE CAN ASK HIM TOGETHER.

BENNY?

OH!

AND IS HE ALSO THE FATHER OF YOUR YOUNGER BROTHER?

WHAT IS GOING ON?

HI, I'M LOUANA.

I'M A PRODUCER FOR THE CHAT NEWS NETWORK.

CAN I SHOWER?

SURE, IN YOUR ROOM.

I AM TELLING YOU THAT WYATT IS OFF THE RAILS.

DO YOU UNDERSTAND ME?

Jim: I HAVE A PLAN IN PLACE FOR WYATT.

THEN DO IT.

I'm gonna come find you.

Run.

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.