Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

WHERE IS SHE? THE WINDSAIL.

SHE'S NOT WHERE YOU SAY SHE IS,

I'M BRINGING YOU BACK HERE,

AND I'M GOING TO CUT YOUR HEART OUT.

CAN YOU TAKE IT, PLEASE?

OKAY, WELL, WHERE WOULD YOU LIKE ME TO TAKE IT TO?

ANYWHERE.

IT WAS A GIFT FROM MY BOYFRIEND,

AND IT TURNS OUT HE GAVE HIS WIFE THE SAME ONE,

SO I DON'T WANT IT. YOU WANT TO BUY IT?

I GOT 500 BUCKS. I'LL TAKE IT.

I'MA GIVE YOU 24 HOURS TO CHANGE YOUR MIND.

WHO DO YOU KNOW OVER AT MORRIS, BENHAM, AND BRACKET?

JUST SET ME UP WITH A SENIOR PARTNER.

I HEARD YOU MENTION MR. WATSON'S NAME.

HE WANTED ME TO TAKE YOU OFF OF LIFE SUPPORT.

HOW THE HELL WOULD HE KNOW WHAT I WANT?!

LOOKS LIKE YOU'VE GOT AN ADMIRER.

I ALWAYS HAVE ADMIRERS, DARLING.

MAN: D. A.'s office.

WHAT'S THIS ABOUT? IT'S ABOUT THE HIT AND RUN.

I'LL GIVE YOU ALL THE INFORMATION.

SUCH AS? A CONFESSION.

[ CLASSICAL MUSIC PLAYING ]

MR. HARRINGTON.

LANDON.

I NEED TO APOLOGIZE TO YOU FOR WHAT I DID YESTERDAY.

THAT WAS VERY UNPROFESSIONAL.

YES, IT WAS.

AND IT'S MY LAST DAY HERE,

SO I JUST WANTED TO LET YOU KNOW.

AND THANK YOU.

OKAY.

YOU KNOW WHY I DID THAT, DON'T YOU?

NO, I DO NOT.

YOUR WIFE.

SHE'S OFF‐LIMITS.

NO. NO.

I DON'T WORK FOR YOU ANYMORE, SO I'M GOING TO TELL YOU.

YOUNG MAN ‐‐ NO, LISTEN ‐‐

THE WAY SHE TREATS YOUR SON IS HORRIBLE.

THE THINGS SHE SAYS TO HIM, BECAUSE HE'S GAY.

HE IS SUCH A GOOD GUY WITH A GREAT HEART.

HE DOESN'T DESERVE ANY OF THAT. HE DOESN'T.

AND IT JUST MAKES ME SO MAD.

DOESN'T IT MAKE YOU ANGRY?

DOESN'T IT?

MY WIFE ‐‐ IT HAS TO.

YOU SEE HIS EYES?

HE'S SO CONFUSED AND HE'S ANGRY.

IT TOOK HIM SO LONG

TO FINALLY BUILD UP THE COURAGE TO TELL YOU TWO,

AND NOW SHE JUST TRASHES HIM BECAUSE HE'S GAY.

IT'S AWFUL.

AND YOU KNOW WHAT'S WORSE?

YOU.

YOU'RE AWFUL BECAUSE YOU ARE ALLOWING IT TO HAPPEN.

YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT.

YEAH? WELL, I KNOW THAT JEFFERY'S NOT SEEING HIS DAD

STAND UP FOR HIM.

THAT IS A LIE.

WHAT, BECAUSE YOU TELL HIM

YOU'RE OKAY WITH HIM BEING GAY,

THAT'S STANDING UP FOR HIM?

WELL, IT'S NOT.

STANDING UP FOR HIM WOULD BE SHUTTING YOUR WIFE DOWN.

LIKE A MAN.

[ SCOFFS ]

MY SON NEEDS TO LEARN TO STAND UP FOR HIMSELF.

AND I'M NOT GONNA ALLOW YOU TO INSULT ME.

MR. HARRINGTON, I'M NOT TRYING TO INSULT YOU.

BUT, ALL DUE RESPECT,

WHEN IT COMES TO YOUR WIFE, YOU BEND AND CONFORM.

BUT WHAT ABOUT YOUR CHILD? WHAT ABOUT JEFFERY?

HE'S YOUR FLESH AND BLOOD.

ARE YOU DONE HERE?

YOU'RE DONE HERE.

GLADLY.

I HAVE ONE REGRET LEAVING HERE,

AND THAT IS JEFFERY.

HE'S LIVING IN AN ABSOLUTE HELL

BECAUSE OF HIS MOTHER AND YOU.

YOUR SILENCE IS ACCEPTANCE.

I AM NOT SILENT.

IF YOUR VOICE IS NOT BEING HEARD,

YOU...ARE...silent.

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

WHAT ARE YOU DOING?

ABOUT TO CHECK OUT.

NO, NO, NO. I TOLD YOU, YOU'RE NOT GOING ANYWHERE.

AND I TOLD YOU THAT I WAS FIRED BY YOURS TRULY HERE.

OKAY, GO GET UNPACKED. I NEED YOU.

NO, MAGGIE. I'M NOT DOING THIS.

NO, LANDON. I DON'T WANT TO HEAR IT.

I'M LEAVING HERE.

OKAY. EXCUSE ME.

DONNA. HI. HI.

CAN YOU MAKE SURE THAT LANDON'S FLIGHT RESERVATION IS CANCELED?

AND HIS CAR SERVICE TO THE AIRPORT.

OKAY. THANK YOU.

I'M SORRY, HOW ARE YOU LEAVING?

CAN YOU PLEASE GET TO THE OFFICE?

WE'RE GETTING A TON OF CALLS ABOUT THE FUNERAL, OKAY?

Thanks.

THANK YOU.

UGH.

MAGGIE, HE SHOULD GO.

HE CAN'T. HE'S THE BEST AND I NEED HIM.

YOU'LL THANK ME LATER.

MY WIFE WON'T.

WELL, THAT'S TOO BAD.

I DON'T TRUST HIM.

DID YOU MAKE THE CALL?

WHAT DO YOU KNOW ABOUT THAT?

WHAT ARE YOU TALKING ABOUT?

OH, YOU MEAN THE JOB INTERVIEW FOR CANDACE.

YEAH, SHE'S ON HER WAY DOWN HERE FOR THE INFO NOW.

THEY'LL SEE HER.

AH! THAT MEANS SHE WON'T GO TO SEE JIM.

OH, DON'T COUNT ON IT.

WHY DO YOU KEEP LOOKING AT THAT GUY?

DO I?

YES, YOU DO.

WELL, HE JUST LOOKS FAMILIAR, THAT'S ALL.

IS THIS THE INFO? YES.

OKAY, GREAT. I'LL GIVE IT TO HER.

[ SIGHS ]

SPEAK OF THE DEVIL.

GOOD LUCK.

SO...

MS. YOUNG.

MR. OLD.

I HEAR YOU WANT TO WORK AT MORRIS, BENHAM, AND BRACKET.

YES.

CARE TO TELL ME WHY?

WHY WOULD ANYBODY WANT TO?

YOU WORK TO LIVE.

WELL, YOU CAN LIVE QUITE COMFORTABLY WITHOUT IT.

WE BOTH KNOW THAT.

HMM. WHAT DO YOU KNOW ABOUT IT?

I SET UP THE JOB INTERVIEW.

OH, I THOUGHT THIS CHICK HAD ALL THE POWER.

YES, YOU WOULD.

CARE TO TELL ME WHAT YOU'RE UP TO?

GETTING A JOB. OKAY?

HERE.

THANKS.

I don't trust her.

THAT MAKES TWO OF US.

She needs to be watched.

YES, I KNOW.

WHY ARE YOU SMILING?

SHE AMUSES ME.

SHALL WE GO TO THE OFFICE?

[ SIGHS ] YEAH, SURE.

COME ON, RIDE WITH ME.

[ SCOFFS ] NO WAY.

WHY NOT?

NOT WITH YOUR WIFE LURKING.

LET HER LURK.

COME ON.

UGH, OKAY, FINE.

MAY I TAKE YOUR ORDER, MA'AM?

I'LL JUST HAVE A TEA, PLEASE.

THANK YOU.

SURE.

[ BEEP ]

HI. I'M CALLING ABOUT THE HOUSE ON ABBOTT STREET.

YEAH.

YEAH, I SAW IT ONLINE,

AND I'D LIKE TO KNOW IF I COULD SEE IT IN PERSON.

GREAT.

OKAY, SO I'LL MEET YOU THERE?

SOUNDS GOOD.

THANK YOU. BYE.

HI.

WHAT?

I SAW YOU FROM ACROSS THE ROOM.

AND YOU SAW ME LAST NIGHT. WHAT DO YOU WANT?

WELL, I WAS WONDERING IF I COULD BUY YOU BREAKFAST.

HOW ABOUT YOU BUY YOUR WIFE BREAKFAST?

MY WIFE?

YEAH, THE TAN LINE ON YOUR FINGER.

DID YOU JUST TAKE OFF YOUR RING?

YEAH, ACTUALLY, I DID.

I'M SURE SHE WOULDN'T APPRECIATE THAT.

WELL, I'M SURE SHE WON'T MIND.

SHE PASSED AWAY A FEW YEARS AGO.

BUT I HAVEN'T HAD A REASON TO TAKE IT OFF

UNTIL I SAW YOU.

[ LAUGHS ]

OKAY. LAME LINE, BUT OKAY.

I'M SERIOUS.

HMM. WHAT DO YOU WANT?

YOU KNOW, A GUY SEES A BEAUTIFUL WOMAN IN A HOTEL,

AND HE'D LIKE TO BUY HER BREAKFAST.

[ CHUCKLES ]

I'M A PROSTITUTE.

I CHARGE $25,000 AN HOUR.

CAN YOU AFFORD THAT?

YOUR MOUTH IS OPEN.

I'VE NEVER BEEN WITH A...

YOU KNOW WHAT?

I BELIEVE I'VE GOTTEN THIS ALL WRONG.

HMM.

WILL YOU EXCUSE ME?

I'M SORRY.

THANK YOU.

Hanna: OKAY, I'LL SEE YOU SOON

AND THANK YOU FOR YOUR DISCRETION.

WHOSE CAR IS THAT?

MINE.

IT'S IN MY PARKING SPOT.

YEAH, WELL, YOU DON'T WORK HERE ANYMORE.

AY, HANNA.

YOU NEED TO MOVE IT.

WHAT ARE YOU DOING HERE?

I WORK HERE.

NOT ANYMORE.

WANNA BET?

OKAY.

Katheryn: HANNA!

LET'S SEE.

GOOD MORNING.

HI.

HOW'D YOU SLEEP?

I DIDN'T.

I CAN ONLY IMAGINE.

HAVE A SEAT.

HERE.

IT'S THE NAME OF THE FUNERAL HOME.

NO WAKE, PLEASE.

I WANT HER BURIED RIGHT AWAY.

YES, MA'AM.

[ SIGHS ]

THANK YOU.

I DON'T KNOW WHAT I WOULD DO WITHOUT YOU HERE.

MRS. CRYER, I TOOK THE LIBERTY OF, UM,

CALLING A CLEANING CREW WHO DOES THIS...

...TO COME AND CLEAN HER ROOM.

CLEAN HER ROOM?

YES, I THINK IT NEEDS TO BE ‐‐

KATHERYN, PLEASE.

PLEASE, HOLD.

YES.

YES, MA'AM.

OKAY.

Sit.

CAN YOU ASK THEM TO PACK UP HER THINGS?

I CAN'T LOOK AT IT. I CAN'T.

OKAY.

I CAN HAVE IT STORED IN THE ATTIC, OKAY?

THAT'S A GOOD IDEA.

I WILL LOOK AT IT ONE DAY. I JUST CAN'T TODAY.

MM‐HMM.

EVERYWHERE I LOOK IN THIS HOUSE, I SEE HER.

I'M SO ANGRY.

I JUST WANT TO BREAK EVERYTHING IN HERE.

I KNOW THE FEELING.

I AM NOT GONNA FALL APART TODAY.

[ SIGHS ]

WELL, IF YOU DID, YOU'D HAVE THE RIGHT.

MRS. CRYER,

THIS THING IS GONNA HIT YOU LIKE WAVES.

AND, IF YOU'RE LUCKY, THEY'LL COME ONE AT A TIME.

ONE IS GONNA COME LIKE ANGER.

ONE, LIKE GRIEF.

AND ONE IS GONNA BE SADNESS.

AND I PRAY TO GOD THAT HE ALLOWS YOU

TO EXPERIENCE IT LIKE THAT.

'CAUSE IF IT COMES IN AS ONE WAVE,

IT WILL TAKE YOUR BREATH AWAY.

WAVES.

LET'S PRAY FOR WAVES.

GOOD MORNING.

WHAT THE HELL ARE YOU DOING HERE?

I'M HERE TO WORK.

HANNA. MM‐HMM?

I THINK THE WAVES ALL JUST CAME AT ONCE.

I TOLD YOU, YOU DO NOT WORK HERE.

YOU GET OUT OF MY HOUSE. DO YOU UNDERSTAND ME?

GET OUT OF MY HOUSE NOW. DO YOU UNDERSTAND?

I KNOW THAT YOU'RE UPSET,

BUT I REALLY THINK YOU SHOULD THINK ABOUT THIS.

THINK? THINK?!

JIM! JIM!

CELINE, WHY DON'T YOU JUST LEAVE?

YOU KNOW SHE'S NOT IN THE MOOD FOR YOU RIGHT NOW.

JIM!

I'M NOT GOING ANYWHERE.

WHAT?!

[ SNIFFLES ] OH, YES, YOU ARE.

JUST CALM DOWN.

JIM, I KNOW THAT THIS IS A DIFFICULT TIME FOR YOU BOTH,

BUT I'VE GOT A JOB TO DO AND YOUR WIFE WON'T LET ME.

WELL, NOW.

WYATT, GO TO YOUR ROOM.

I WANT TO SEE THIS.

WYATT, GO TO YOUR ROOM NOW, DAMN IT.

WYATT.

NO.

FOR THE LAST TIME...

I SAID LEAVE.

YOU KNOW WHAT? I'M GONNA GO TO THE KITCHEN.

Jim: NO.

STOP.

CELINE, YOU NEED TO GO... NOW.

OH, OKAY. YOU WANT ME TO GO HOME

UNTIL EVERYTHING CALMS DOWN. I GET IT.

NO, YOU DON'T GET IT.

YOU NEED TO GO. YOU NEED TO LEAVE.

YOU ARE FIRED.

OOH. IT'S ABOUT TIME, JIM.

I'VE HAD JUST ABOUT ENOUGH OF YOU, WYATT.

YEAH? SO HAS SHE.

GO TO YOUR ROOM.

LOOK AT ME.

GET OUTTA HERE.

BYE, BABY MAMA.

GOODBYE, CELINE.

[ CRYING ] OKAY. OKAY.

WE'LL SEE ABOUT THAT.

LOOK AT ALL THESE TRUCKS.

I KNOW, DAWG.

THEY ALL GOING UP, HUH?

YEAH, THURSDAY. AUCTION'S THIS THURSDAY.

I WISH I COULD GET THIS MONEY, MAN.

YEAH, ME TOO, B.

WHAT YOU MEAN, YOU AIN'T GET IT?

NO, MAN. WHY?

WILL PULLED OUT. GO FIGURE.

I TOLD YOU I WOULD.

THIS IS CRAZY, MAN. IT'S A STEAL, MITCH.

IT'S A SHAME WE CAN'T GET THIS.

SEE? RIGHT THERE.

RIGHT?

[ CELLPHONE RINGS ]

DAMN!

WHAT'S WRONG?

REMEMBER THE CHICK THAT GAVE ME THE CAR THE OTHER DAY?

THAT BROAD THAT WAS MAD AT HER MAN,

SO SHE SOLD IT TO YOU FOR $500?

THAT'S HER CALLING YOU? SHE CALLING ME RIGHT NOW.

MITCH, I GAVE HER 24 HOURS, FAIR AND SQUARE,

TO CHANGE HER MIND. IT'S PAST 24 HOURS.

THAT MEANS THE CAR IS MINE, RIGHT?

YO, BETTER ANSWER THE PHONE, MAN.

MITCH, I AIN'T GIVING THE CAR BACK, BRO.

MAN, LOOK, QUIT TALKING TO ME.

ANSWER THE DAMN PHONE, ALL RIGHT?

[ CELLPHONE BEEPS ]

BENNY'S TOWING.

HEY, ERICA. WHAT'S GOING ON?

IS THAT RIGHT?

HA HA, COME ON. STOP PLAYING.

I DIDN'T THINK THAT.

SO WHAT'S GOING ON? HOW CAN I HELP YOU?

YEAH, NO PROBLEM.

SEE, THE THING ‐‐ MY MOM'S GOT THE CAR RIGHT NOW.

SHE GETS DONE AROUND LIKE 5:00 OR 6:00, SO...

YEAH, YEAH, NO PROBLEM.

Man, she want my address. No, no.

NAH. ALL RIGHT.

HOW ABOUT I GIVE YOU A CALL WHEN SHE GETS BACK,

AND I'LL COME DROP IT OFF TO YOU?

YEAH, SO I'M JUST BUSY WITH A TOW.

SO I CAN COME DROP IT OFF AFTERWARDS.

NO WORRIES. I GOT YOU.

OKAY.

DAWG. WHAT SHE SAY, MAN?

SHE WANTED A BOOK OUT THE CAR. I'M GOOD.

A WHAT? SHE WANTED A BOOK.

HA HA! BOOK, MY ASS, MAN.

WHAT YOU MEAN?

YOU PLAYING STUPID.

SHE'S TRYING TO HOLLER AT YOU, MAN. COME ON.

SHE'S NOT TRYING TO HOLLER. WHEN I WENT OVER THERE,

SHE WOULDN'T EVEN LOOK AT ME TWICE.

YO, LIKE THAT EVER STOPPED YOU BEFORE, MAN.

LOOK, YO, YOU'RE THE ONE WHO SAID SHE FINE, RIGHT?

SHE FINE? BRO, SHE BAD.

RIGHT. SO GO GET IT. RIGHT?

ALL RIGHT. I DON'T KNOW, MAYBE.

I DON'T KNOW, DAWG.

ALL RIGHT.

HUH!

[ CELLPHONE RINGS ]

AGH!

BENNY'S TOWING.

THIS IS HIM.

OH, HEY, MR. WATSON.

YEAH, I APPRECIATE YOU GIVING ME A CALL BACK, MAN.

OKAY, YEAH, LISTEN ‐‐ I WANTED TO HOLLER ABOUT SOMETHING.

YOU THINK YOU FREE A LITTLE BIT LATER?

YEAH.

YEAH, SURE.

HA HA. I'LL CALL YOU "TONY" RIGHT NOW.

OKAY, MAN. I'LL SEE YOU THEN.

OH, MR. CRYER.

WHAT THE HELL ARE THEY...? WHAT ARE THEY DOING?!

I JUST HIRED A CLEANING CREW.

NO!

MR. CRYER, PLEASE DON'T STAY IN HERE.

WHO THE HELL DO YOU THINK YOU ARE?

WHO GIVES YOU THE RIGHT

TO COME INTO MY DAUGHTER'S ROOM AND CLEAN IT UP?

AND WHERE ARE THEY TAKING HER THINGS?!

THEY'RE JUST MOVING THEM TO THE ATTIC, THAT'S ALL.

NO, HANNA!

GET OUT OF MY DAUGHTER'S ROOM RIGHT NOW!

RIGHT NOW! ARE YOU DEAF?!

WHO TOLD YOU TO DO THIS?

NOBODY.

YOU DIDN'T COME UP WITH THIS ON YOUR OWN.

DON'T DO IT ANYMORE. GET OUT OF MY HOUSE.

NO, SIR. I'M JUST TRYING TO DO MY JOB.

I'M TRYING TO DO WHAT I THINK IS BEST.

THEN DO YOUR JOB AND STAY AWAY FROM ME.

YOU SEE ME IN THE HALLWAY,

SO HELP ME, YOU WALK THE OTHER WAY!

I DON'T EVER WANT TO SEE YOU IN THIS HOUSE AGAIN.

CALM DOWN. NOW, YOU SHUT UP!

DEMON!

WHAT THE HELL DID YOU JUST CALL ME?

I SAID "SHUT UP, DEMON!"

IN THE NAME OF JESUS.

YOU WILL NOT TALK TO ME LIKE THAT,

OR I WILL WALK OUT THIS DOOR AND I WILL NEVER COME BACK

AND ALL YOUR COVERING WILL LEAVE WITH ME!

I SAID SHUT UP!

BIND UP THAT WICKED TONGUE RIGHT NOW!

IN THE NAME OF JESUS AND I MEAN THAT.

WHEW.

ARE YOU THROUGH?

GET OUT.

OOH.

YES, SIR. GLADLY.

WHEW.

[ SNIFFLES ]

[ SOBBING ]

Jim: WHY DID SHE DO THIS?

[ SOBBING CONTINUES ]

WHY DID SHE DO THIS?

I DON'T UNDERSTAND.

THIS IS WHY I WANTED THE ROOM CLEANED.

IS THIS WHAT YOU WANTED TO SEE?

I'M SORRY.

I FOUND HER IN HERE.

AND I CAN'T GET THAT IMAGE OUT OF MY HEAD.

I WAS TRYING TO SPARE YOU AND YOUR FAMILY.

SO FORGIVE ME FOR TRYING TO SHOW YOU ALL A LITTLE CARE.

WHY DO YOU CARE?

WHEN I THINK OF YOU,

I HAVE TO ASK MYSELF THAT QUESTION ALL THE TIME.

IT'S NOT HEALTHY, LOOKING AT ALL THIS BLOOD.

I KNOW YOU LOST YOUR DAUGHTER.

I THINK I KNOW WHAT YOU'RE FEELING

AND THE PAIN YOU'RE GOING THROUGH,

BUT I AM NOT THE ENEMY HERE.

YOU CAN'T KEEP FAULTING ME

FOR DOING WHAT I THINK IS BEST,

WITH WYATT, OR IN THIS MOMENT.

TO BE REMINDED OF HOW SHE DIED

IS SUCH A DISSERVICE TO ALL THE LIFE SHE LIVED.

[ SNIFFLING ]

THAT'S WHY THE CLEANING.

YOU UNDERSTAND?

[ SOBBING RESUMES ]

I'M SO SORRY, AMANDA.

I'M SO SORRY, WYATT.

I'M SORRY.

YOU'RE ALL RIGHT.

YOU'RE ALL RIGHT.

BREATHE, BREATHE.

All right.

[ SNIFFLING ]

NO ONE COULD EVER POSSIBLY FORGIVE ME.

GOD WILL.

SO I WENT TO WORK TODAY.

WELL, THAT'S NOT A BAD THING.

HMM.

WHEN DO YOU LEAVE HERE?

TODAY OR TOMORROW.

I DON'T KNOW, A FEW DAYS. WHY?

JUST WONDERING.

I LOVE HANGING OUT WITH YOU HERE.

WELL, THANK YOU, LANDON.

DON'T MENTION IT.

WHAT?

HIM.

UGH, HIM.

I RAN HIM OFF TODAY.

WELL, IT DIDN'T WORK.

I'M IN 2219.

[ LAUGHS ] OH, IT'S LIKE THAT?

ISN'T THAT HOW IT WORKS?

AM I MISSING SOMETHING?

YEAH, DUDE. SHE'S MINE TONIGHT.

[ CHUCKLES ]

OH, OKAY.

I'LL BE OVER THERE.

THANK YOU.

WHAT'D YOU DO, SELL A KIDNEY?

WELL, IF THAT'S WHAT IT TAKES.

SO YOU REALLY WANT TO DO THIS?

ARE YOU REALLY AN ESCORT?

IF I WAS, YOU COULDN'T AFFORD ME.

YOU ASKED FOR $25,000.

HMM. MAYBE I SHOULD'VE ASKED FOR $100,000.

THAT IS $100,000.

YOU ASKED FOR $25,000 AN HOUR.

I THINK I'M GONNA NEED AT LEAST FOUR.

[ LAUGHS ]

WHO ARE YOU?

MY NAME IS OSCAR,

AND I THINK THAT YOU ARE GORGEOUS.

BUT YOU'RE NOT AN ESCORT.

I'M NOT AN ESCORT.

GOOD, BECAUSE I'M ACTUALLY VICE.

AND IF YOU WERE AN ESCORT, I'D HAVE TO TAKE YOU IN.

WELL, VICE,

I DIDN'T TELL YOU WHAT MY SERVICES WERE FOR,

SO YOU COULDN'T ARREST ME.

HMM.

MAYBE YOU ARE AN ESCORT.

HMM.

I DON'T THINK SO, THOUGH. YOU'RE TOO SMART.

TOO PUT‐TOGETHER.

AND YOU'RE NOT A VICE COP.

BECAUSE YOU'D BE THE FIRST COP I KNOW

WHO CAN AFFORD AN ITALIAN HAND‐MADE SUIT.

MAYBE YOU'RE A DOCTOR. OR A LAWYER.

HMM.

TRAPEZE ARTIST? [ GASPS ]

THAT'S IT, TRAPEZE ARTIST.

YOU'RE BORING ME.

NO, I'M NOT. YOU'RE INTRIGUED.

ARROGANT.

SO ARE YOU.

IT'S NICE IF YOU CAN BACK IT UP.

CAN YOU BACK IT UP?

ALL THE WAY.

I'D LIKE TO SEE THAT.

SO YOU REALLY WANT TO SLEEP WITH ME?

WELL, I GAVE YOU THE MONEY.

MAYBE I'LL PAY YOU IF YOU'RE ANY GOOD.

OKAY.

MY ROOM OR YOURS?

[ LAUGHTER ]

GET OUTTA HERE.

THAT'S WHAT I'M TRYING TO DO.

NO, I MEAN, GET OUT OF HERE, AND...

...TAKE YOUR LITTLE MONEY.

MY "LITTLE MONEY"?

MM‐HMM.

I DON'T KNOW.

SOMETHING ABOUT YOU.

I JUST DON'T TRUST IT.

WHAT'S THAT?

COME CLOSER.

SEE?

[ CHUCKLES ]

THAT'S WHY I DON'T TRUST YOU.

YOU'RE NOT EVEN TURNED ON.

WELL, MAYBE YOU CAN HELP ME WITH THAT.

NO. I DON'T TRUST THIS.

OKAY, LOOK ‐‐ I'M SORRY.

BUT THE ONLY REASON I'M THIS FORWARD

IS BECAUSE THAT'S HOW YOU CAME AT ME.

OKAY.

TELL YOU WHAT ‐‐

I'M IN TOWN FOR ABOUT A WEEK ON BUSINESS.

HERE'S MY CARD.

YOU SHOULD GIVE ME A CALL.

NO. I WON'T.

TAKE IT.

OKAY.

I'M JUST GONNA LEAVE IT HERE.

BYE.

CALL ME.

WELL, MISS "YOU DON'T TRUST ANYBODY," TAKE A LOOK.

WHAT'S THIS?

HIS NAME IS OSCAR AIDEN.

HE WAS A COLLEGE ATHLETE.

STARTED HIS GRADUATE YEAR AS A STOCKBROKER

AND NOW HE OWNS HIS OWN INVESTMENT FIRM,

WHERE HE MANAGES MILLIONS OF DOLLARS

FOR SEVERAL COMPANIES ‐‐

WAIT. WHAT? HOW DID YOU FIND THIS?

I'M A PUBLICIST, DARLING. IT'S MY JOB.

WIFE WAS AN ATHLETE. DIED A FEW YEARS AGO.

HE'S A BACHELOR AND HE'S RICH.

YOU MIGHT WANT TO TAKE THAT NUMBER.

OKAY, SO YOU WANT TO LIE TO ME, HUH?

ALL RIGHT.

HAH!

[ CELLPHONE BEEPS ]

YOU'RE GOOD AT YOUR JOB. I TRY.

[ CELLPHONE RINGS ]

OH, THIS IS JEFFERY NOW.

OH, LET ME ANSWER THAT. NO!

OH, COME ON, HE HASN'T BEEN RETURNING MY CALLS.

HI, HANDSOME. HOW ARE YOU?

OKAY, YOU DON'T WANT TO TALK.

LOOK, I'M REALLY SORRY ABOUT YESTERDAY.

WHO IS THIS?

OH, SO YOU DON'T RECOGNIZE ME?

IT'S LIKE THAT?

YOU'RE WITH CANDACE? YEAH.

WHERE?

Who is this?

THAT WAS STRANGE.

WHAT?

IT WASN'T HIM.

WHO WAS IT?

I DON'T KNOW, BUT IT WASN'T JEFFERY.

[ Cellphone rings ]

HI, THIS IS JEFFERY.

PLEASE LEAVE A MESSAGE AFTER THE BEEP.

[ BEEP ]

NO ANSWER.

WELL, MAYBE HE JUST LOST HIS PHONE.

YEAH, MAYBE SO.

WHAT ROOM IS HIS DAD IN?

OH, NO. YOU ARE NOT GETTING ME INTO THAT.

LANDON, WHAT ROOM'S HIS DAD IN?

[ SIGHS ]

1129.

I'LL BE BACK.

PLEASE DON'T DO THAT.

MS. YOUNG.

CALL YOUR SON. WHY?

I THINK SOMETHING'S WRONG.

WHAT MAKES YOU THINK THAT?

YOU NEED TO CALL HIM. WHY?

WHAT HAVE YOU DONE?

JUST CALL YOUR SON.

I THINK HE'S IN TROUBLE.

HI, THIS IS JEFFERY.

PLEASE LEAVE A MESSAGE AFTER THE BEEP.

HE'S NOT ANSWERING. YOU SHOULD GO CHECK ON HIM.

WHAT'S GOING ON?

HOPEFULLY, NOTHING.

HE HASN'T BEEN ANSWERING MY CALLS ALL DAY

AND SOME STRANGE MAN DIALED MY NUMBER.

WHO?

I DON'T KNOW. LANDON PICKED UP.

WHAT THE HELL HAVE YOU DONE?

I'VE DONE NOTHING!

IF YOU HAVE DONE ANYTHING TO HURT MY SON ‐‐

NO, THAT'S YOUR WIFE'S JOB! WHAT ARE YOU SAYING?

SHE FOUND ME AT HIS APARTMENT,

AND SHE WAS PISSED.

I NEED YOU TO GO CHECK ON HIM.

SHE MAY HAVE DONE SOMETHING TO HIM.

WHAT ARE YOU TALKING ABOUT?

VERONICA WOULD NEVER DO ANYTHING TO HURT JEFFERY.

YOU ARE REALLY, REALLY SAD.

YOU HAVE NO IDEA HOW CRAZY THAT WOMAN IS

THAT YOU MARRIED.

JUST GO CHECK ON YOUR SON!

YOU ARE UP TO SOMETHING!

YOU KNOW WHAT? FINE. DON'T GO. DON'T.

FINE, I'M GONNA CHECK ON MY SON,

BUT I SWEAR TO YOU, CANDACE ‐‐

IF YOU'VE DONE ANYTHING TO HARM MY SON,

YOU WILL REGRET IT.

JUST GO.

[ DOOR LOCKS, HORN HONKS ]

OOF!

HEY. HEY.

BENNY, I HAD THE LONGEST DAY.

HMM.

BUT IT SURE WAS NICE TO NOT HAVE TO TAKE THE BUS.

[ CHUCKLES ]

AND THE CAR DRIVES NICE.

IT'S NICE, HUH? MM‐HMM.

IT GETS GOOD GAS MILEAGE, TOO.

BUT I HAD TO FIGURE OUT HOW TO GET TO THE GAS TANK, THOUGH.

YOU FIGURED IT OUT, EVENTUALLY?

EVENTUALLY, MM‐HMM.

WHAT YOU DOING?

NOTHING.

OH, HELL NO.

I INVITED HIM.

BENNY, I AM TOO TIRED FOR THIS.

DON'T WORRY. IT SHOULDN'T TAKE LONG.

GOOD.

AND YOU ARE IN JUST TIME.

I WAS GONNA ASK HIM SOME QUESTIONS.

WHAT'S ON YOUR MIND, SON?

COME ON, TAKE A SEAT.

SIT DOWN. MA, COME HERE.

SIT DOWN. WHA...?

YOU PUSHING IT.

WELL, I'M NOT THE TYPE TO REALLY BEAT AROUND THE BUSH,

SO I'MA KEEP IT STRAIGHT UP WITH YOU.

IT WAS BROUGHT TO MY ATTENTION YOU TOOK MY MOTHER TO COURT

WHILE I WAS IN THE HOSPITAL. IS THAT RIGHT?

SHE TOLD YOU THAT?

YES, I DID.

OKAY. ANYTHING TO KEEP US FROM BEING CLOSE, I SEE.

IF I HAD WANTED TO KEEP HIM FROM YOU,

I WOULD'VE TOLD HIM THE WHOLE STORY.

WHICH BRINGS ME TO WHY YOU'RE HERE.

NOW, SHE WOULDN'T TELL ME

WHY YOU WANTED TO TAKE ME OFF LIFE SUPPORT SO BAD.

SO I FIGURED I'D BRING YOU TO THE HOUSE

AND ASK YOU MYSELF.

SHE DIDN'T TELL YOU?

UNLIKE YOUR TRIFLING ASS, I STILL TRY TO PROTECT MY CHILD.

YOU WANT TO TELL ME WHY?

BENNY, YOU WERE IN A VEGETATIVE STATE

AND ‐‐ AND I FELT LIKE ‐‐

I FELT LIKE YOU WOULDN'T WANT TO LIVE LIKE THAT.

WHAT WAS MY BATTING AVERAGE IN HIGH SCHOOL?

YOUR BATTING AVERAGE?

I DON'T KNOW.

WHAT'S MY FAVORITE COLOR?

I DON'T KNOW, BENNY.

ALL RIGHT, HOW ABOUT AN EASY ONE?

WHAT'S MY BIRTHDAY?

HMM?

I GET IT.

YOU GET IT.

BUT I'M YOUR CHILD.

YOU DON'T HAVE THE ANSWERS TO ANY OF THOSE QUESTIONS,

SO HOW THE HELL WOULD YOU KNOW

WHAT I WOULD OR WOULDN'T WANT?

AND TO TAKE HER TO COURT?

WHAT THE HELL IS WRONG WITH YOU, MAN?

YOU KNOW SHE CAN'T AFFORD THAT.

I'M SORRY.

I WAS WRONG. I MADE A MISTAKE.

YOU'RE DAMN RIGHT ABOUT THAT.

THAT'S PRETTY OBVIOUS.

AND IF YOU HAD IT YOUR WAY, I'D BE DEAD.

WHY?

TONY. 'CAUSE THIS RIGHT HERE,

THIS AIN'T MAKING NO DAMN SENSE TO ME.

YOU GOT SOME INSURANCE ON ME, OR SOMETHING,

I DON'T KNOW ABOUT?

NO, AND I'M INSULTED THAT YOU WOULD EVEN SAY THAT.

YOU ARE?! YES.

[ SCOFFS ]

I'M SORRY, TONY.

I DIDN'T MEAN TO INSULT YOU.

BUT I FIND IT QUITE INSULTING,

YOU COMING INTO MY HOUSE WITH THIS BULL.

SO WHY DON'T YOU JUST KEEP IT REAL WITH ME?

CUT THE CRAP. MAN TO MAN.

FATHER...TO SON.

WHAT'S THE DEAL?

WHY DID YOU WANT ME UNPLUGGED THAT BAD?

AGAIN, I DIDN'T THINK YOU WOULD WANT TO LIVE LIKE THAT.

BEING A BURDEN ON YOUR MOTHER

AND NOT BEING ABLE TO TAKE CARE OF YOURSELF.

HAVING TO BE CHANGED AND WASHED.

I MEAN, THAT'S A BURDEN, BENNY.

IS THAT WHAT YOU WOULD'VE WANTED?

HONESTLY?

NO.

I KNEW IT. I KNEW IT.

YOU'RE A SOLID MAN,

AND I KNEW YOU WOULDN'T WANT TO LIVE LIKE THAT.

THAT'S WHY I WAS SO ADAMANT ABOUT HAVING YOU TAKEN OFF.

SEE, YOU'RE STILL NOT TELLING ME EVERYTHING.

TELL HIM, TONY.

TELL HIM WHAT?

THERE'S NOTHING ELSE I NEED TO TELL HIM.

I'VE TOLD HIM EVERYTHING!

GET OUT.

NAH, YOU GONNA STAY HERE.

NO, HE NEEDS TO GO.

THIS SLIMY BASTARD AIN'T GONNA TELL YOU THE TRUTH.

WELL, THEN, WHAT'S THE TRUTH?

LOOK, I GOT TO GO.

LET ME TELL YOU SOMETHING, MAN.

TELL YOU SOMETHING, BRO ‐‐ YOU AIN'T GOING NOWHERE

UNTIL YOU TELL ME WHAT I WANT TO HEAR.

BENNY, LET HIM GO.

WHY, SO Y'ALL CAN KEEP ME IN THE DARK SOME MORE?

HMM?

IS THAT FAIR? HMM?

IS IT?

WHAT YOU GOT TO HIDE?

IT'S NOT WORTH IT.

JUST A LOWDOWN DIRTY DOG WHO CAN'T BE TRUSTED.

THAT'S ALL YOU NEED TO KNOW, OKAY?

OKAY?

FINE.

DON'T TELL ME.

GET OUT, TONY.

WHAT WAS THAT ABOUT?

NOTHING, I HOPE.

WHAT'S GOING ON?

IT'S FINE.

YOU SEE? I TOLD YOU ‐‐ HE DOESN'T GIVE UP.

Oscar: NO, I DON'T.

WELL, YOU SHOULD.

NOT MY STYLE. FORMER ATHLETE.

GOOD FOR YOU. WOW.

I'M JUST TRYING TO SIT HERE WITH MY FRIEND AND TALK, SO...

WELL, HOW ABOUT YOU LET ME BUY YOU A DRINK

AND SIT WITH ME?

I TOLD YOU ‐‐ I DON'T TRUST YOU.

OKAY. I'LL JUST TALK TO MY CLIENTS IN AUSTRALIA.

IT'S MORNING THERE.

YOU KNOW, WAIT.

WHAT DO YOU KNOW ABOUT AUCTIONS?

WELL, I KNOW THERE CAN BE SOME PRETTY GOOD DEALS.

WHY?

HOW DO YOU BID ON THEM?

HOW ABOUT YOU LET ME BUY YOU A DRINK

AND I'LL WALK YOU THROUGH IT?

HOW ABOUT I BUY YOU A DRINK?

OKAY, WELL, JUST SO YOU KNOW,

I CHARGE $25,000 AN HOUR FOR MY INFORMATION.

OKAY, WELL, GOOD THING I HAVE A CREDIT.

YOU MIND?

YEAH. THAT'S MY CUE.

HAVE FUN.

BYE, LANDON.

[ FOREBODING MUSIC PLAYS ]

[ VEHICLES ARRIVES ]

HELLO, WYATT.

HI.

LISTEN, I'M SORRY I TOOK SO LONG,

BUT I GOT DELAYED IN COURT.

THAT'S NO PROBLEM.

THIS IS DETECTIVE MALLORY. YOU REMEMBER HIM.

HOW YOU DOING? YEAH.

SO YOU WANTED TO SEE ME?

YEAH.

WHAT'S THIS ABOUT?

IT'S ABOUT LIZZIE AND BENNY YOUNG.

WHAT ABOUT THEM?

IT WAS ME. I HIT THEM.

I WAS DRIVING THE CAR.

[ SIGHS ] OKAY.

LISTEN, CAN WE GO AROUND BACK AND TALK?

YES, PLEASE.

RIGHT THIS WAY.

NEXT WEEK ON "THE HAVES AND THE HAVE NOTS"...

SO HELP ME GOD, IF ‐‐

CANDACE, WHAT IS GOING ON?!

OH, MY GOD.

DON'T YOU TOUCH ME. I WILL SCREAM.

YOU'RE NOT GOING ANYWHERE

UNTIL YOU TELL ME ‐‐ WHERE'S MY SON?

WHAT, EXACTLY, DID YOU DO TO HIM, QUINCY?

I JUST HIT HIM A FEW TIMES. DAMN. HE'LL LIVE.

ARE YOU SURE THAT'S ALL?

HE BEAT ME UP REALLY BAD.

SON OF A BITCH.

WE HAVE A SEARCH WARRANT. FOR WHAT?

WE'RE LOOKING FOR YOUR SON'S CAR.

YOU UNLEASHED A MURDERER ON OUR SON?

YES, I DID, AND I TOLD HIM TO BEAT HIM, BEAT HIS ASS!