Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

Woman: IT WAS ON THE NEWS.

WHAT ABOUT MY DAUGHTER?

SHE KILLED HERSELF.

Wyatt: WHY'S SHE STILL HERE?

SHE KNOWS YOU'RE GAY, AND SHE'S STILL HERE.

DON'T YOU THINK THAT'S A BIT STRANGE?

STOP IT.

SHE KIDNAPPED ME, DAVID!

SHE WHAT?

AND SHE EXTORTED $7.4 MILLION FROM ME.

Candace: I'M RICH.

IS THIS ANOTHER CON? IT'S LEGIT.

I WOULDN'T LIE TO YOU.

THIS ISN'T A SUICIDE. THIS WAS A HOMICIDE.

WHAT THE HELL DID YOU JUST SAY?

JUST AS I SAID, THIS ISN'T A SUICIDE.

IT'S A HOMICIDE.

ACCORDING TO WHO?

WE'RE WAITING FOR THE M. E. AND THE D. A. NOW.

ARE YOU QUALIFIED TO MAKE THAT ASSUMPTION, SON?

I'M SORRY?

ARE YOU QUALIFIED TO CALL THIS A HOMICIDE?

LET ME EXPLAIN THIS TO YOU.

IF YOU'RE GONNA STAND THERE AND YOU'RE GONNA TELL ME

THAT MY DAUGHTER WAS KILLED AND SHE DID NOT KILL HERSELF,

YOU BETTER BE DAMN SURE.

ARE YOU QUALIFIED TO MAKE THIS ASSUMPTION?!

Veronica: ARE YOU?

NO.

NO, YOU ARE NOT.

THAT IS THE JOB OF THE MEDICAL EXAMINER.

AM I RIGHT?

YES.

SO WHY DON'T WE WAIT FOR HIM TO MAKE THAT CALL?

I'M THE INVESTIGATING OFFICER.

I'M CALLING IT AS I SEE IT.

SOME THINGS DIDN'T ADD UP.

ADD UP HOW?

AS I SAID.

HOMICIDE. YES.

WE NEED TO INTERVIEW YOU ALL.

THAT WON'T BE HAPPENING.

EXCUSE ME?

YOU OBVIOUSLY DON'T UNDERSTAND DEGREES AND THERMOMETERS.

I'M VERONICA HARRINGTON, ATTORNEY‐AT‐LAW.

THIS IS JUDGE DAVID HARRINGTON, AND THIS IS JUDGE JIM CRYER.

DO YOU HAVE ANY IDEA THE AMOUNT OF EXPERIENCE IN THIS ROOM?

THERE'S NO WAY ANYONE HERE IS TALKING TO YOU.

I WILL.

NO, YOU WON'T.

YES...I WILL.

WYATT.

THERE'S SOMETHING I WANT TO SAY.

YOU GOT NOTHING YOU WANT TO SAY. SHUT UP.

LISTEN TO YOUR FATHER, WYATT. WHAT DID YOU JUST SAY?

I SAID, "SHUT UP!" NO!

David: HEY, COME ON, COME ON.

WHAT THE HELL DID YOU SAY?!

TAKE WYATT INTO THE KITCHEN. NOW!

OKAY, JUST GO! JUST GO!

HOW DARE YOU TALK TO ME THAT WAY IN THIS HOUSE RIGHT NOW!

CRYER, LOOK AT ME. LOOK AT ME.

I LOVED YOU!

LOOK AT ME, MAN.

OPEN YOUR EYES.

TAKE CONTROL OF YOURSELF AND FORGIVE HIM.

[ BREATHING HEAVILY ]

I'M SORRY.

JUDGE CRYER.

I'M SORRY FOR YOUR LOSS.

SO YOU'RE THE D. A. ON THIS, JENNIFER?

YES, I AM.

WELL, THERE IT IS. TAKE ME OUT.

I‐I'M SORRY.

NO, GO AHEAD.

I'M DOWN. I'M DOWN. KICK ME.

EVERYBODY ELSE IS.

BUT THAT'S MY DAUGHTER.

JENNIFER, MY DAUGHTER!

NOT YOURS!

MY DAUGHTER.

JENNIFER, MAY I PLEASE SPEAK WITH YOU

IN JIM'S STUDY, IN PRIVATE?

MAY WE BOTH?

OF COURSE.

THANK YOU.

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

NOW, JENNIFER,

I KNOW YOU HAVE IT IN FOR JIM,

BUT HOMICIDE...

THAT WON'T FLY.

NOW, HOLD ON, HOLD ON.

I JUST WALKED IN THE DOOR.

WE'RE AWARE OF THAT,

BUT THIS FAMILY HAS BEEN THROUGH ENOUGH.

SO HAS LIZZIE CASTILE'S FAMILY.

WHAT DOES THAT LITTLE GIRL BEING HIT BY A CAR

HAVE TO DO WITH THEIR DAUGHTER BEING MENTALLY ILL?

I DIDN'T SAY THAT IT DID.

NOW, YOU KNOW

THAT JIM'S DAUGHTER COMMITTED SUICIDE.

DO I? YES, YOU DO.

LET ME TELL YOU WHAT I DO KNOW.

THAT LITTLE GIRL WAS RUN OVER BY WYATT CRYER.

THAT IS WHAT I KNOW.

ARE YOU STILL ON THAT?

YOU HAVE A MAN IN CUSTODY.

HE CONFESSED.

YES, BUT WE BOTH KNOW THAT HE DIDN'T DO IT.

HE WON'T EVEN TELL ME WHERE THE CAR IS.

HOW CAN I BELIEVE HIM?

THERE IS NO EVIDENCE THAT PUTS HIM THERE.

I'M CONFUSED. I DON'T UNDERSTAND WHAT THAT HAS TO DO WITH THIS.

I‐I CAN'T BELIEVE THAT YOU WOULD HAVE YOUR OFFICERS

TURN THIS INTO A HOMICIDE. LISTEN TO ME.

AS MUCH AS I WOULD LOVE TO NAIL YOUR FRIEND'S ASS TO THE WALL,

I WOULDN'T COME INTO HIS HOME WHEN HIS CHILD HAS DIED...

...TO FRAME HIM. YES.

I WAS CALLED.

THE CORONER'S OFFICE

HAS FOUND SOME INCONSISTENCIES WITH SUICIDE,

AND I'M HERE TO TAKE A LOOK. THAT'S ALL.

NOW, UNLIKE YOU AND HIM, I DO IT RIGHT.

I DO IT ABOVE BOARD.

YOUR OFFICER CLAIMED IT WAS HOMICIDE.

WELL, UNTIL I SPEAK TO THE M. E.,

I DON'T KNOW WHAT HE HAS FOUND.

SO IF YOU'LL EXCUSE ME,

I WILL GO UPSTAIRS AND SPEAK WITH HIM.

OF COURSE.

WILL YOU ‐‐ WILL YOU JUST LET US KNOW WHAT YOU FIND?

YOU ALL WILL KNOW.

CAN YOU LET US KNOW BEFORE YOU TELL EVERYONE ELSE?

YOU WILL KNOW WHEN EVERYONE ELSE KNOWS, MRS. HARRINGTON.

EXCUSE ME.

JEFFERY.

I'VE BEEN TRYING TO CALL YOU,

BUT YOUR PHONE'S BEEN GOING STRAIGHT TO VOICEMAIL.

I JUST WANTED TO APOLOGIZE FOR MY BROTHER'S BEHAVIOR.

I'M SORRY.

I KNOW I SHOULD HAVE BEEN MORE CLEAR.

BUT WHEN I SEND A GUY TO YOUR HOUSE,

YOU WILL KNOW THAT IT'S FROM ME.

TRUST.

ALL RIGHT, WELL, CALL ME BACK.

[ CELLPHONE BEEPS ] MM!

[ KNOCK ON DOOR ]

OH.

[ CHUCKLES ]

WAR.

WHAT'S HAPPENING?

HI. [ GIGGLES ] MWAH.

OH.

HEY.

I THOUGHT I TOLD YOU TO PUT ON A SUIT.

COME ON NOW. YOU KNOW I AIN'T GOT NO SUIT.

I'M SURE YOU SCARED THE HELL OUT OF THESE FOLKS AT THE HOTEL,

LOOKING LIKE THAT.

HELL, YEAH. [ CHUCKLES ]

YOU KNOW I DON'T CARE, THOUGH.

I KNOW.

YOU LOOK GOOD.

I FEEL GOOD.

[ CHUCKLES ] CHAMPAGNE?

A JOINT?

YOU CAN'T SMOKE THAT IN HERE.

OH, HELL. MAN, THAT'S CRAZY.

LOOK AT THIS PLACE.

MUST COST YOU A NICE CHUNK OF CHANGE, CANDY CANE.

[ SIGHS ] YEAH.

HERE.

YO!

[ LAUGHS ]

I TOLD YOU.

THIS 150?

AN EXTRA 50 JUST FOR HOLDING ME DOWN.

YOU KNOW I GOT YOU.

ALL RIGHT. YOU WERE RIGHT.

HE AIN'T COMING AFTER ME, EITHER.

DID YOU SEE THE PICTURES?

HE AIN'T COMING.

DAMN, CANDY.

YOU ARE SOMETHING ELSE.

[ CHUCKLES ]

I GOT HIM, BABY.

I GOT HIM.

YEAH.

YEAH, YOU ALWAYS DID GET IT RIGHT.

MM‐HMM.

DAMN.

SO, HOW LONG YOU GONNA BE HERE?

[ SIGHS ] A FEW DAYS.

I'M LOOKING AT A HOUSE.

OH, YEAH?

YEAH.

WAR, LISTEN.

IF YOU SEE B.,

PLEASE DON'T TELL HIM HOW THIS ALL WENT DOWN.

COME ON. WHO YOU TALKING TO?

YOU KNOW I WON'T EVEN SAY A WORD.

I KNOW. JUST MIGHT COME FISHING FOR SOME INFORMATION.

HOW?

[ CHUCKLES ] YOU KNOW, JUST...

ASKING QUESTIONS.

YOU KNOW, CANDY,

HE'S GONNA WONDER WHERE YOU GOT ALL THIS MONEY FROM.

YEAH. I KNOW.

I TOLD HIM THAT I TOOK THE BAR AND I GOT A JOB.

DAMN, CANDY.

YOU KNOW THAT'S EASY TO VERIFY.

YES.

THAT'S WHY I'M TAKING THE BAR NEXT WEEK AND GETTING A JOB.

STRAIGHT LIKE THAT?

WHO DO YOU THINK YOU'RE TALKING TO?

MY BAD. I FORGOT.

[ CHUCKLES ]

I MAKE THE MAGIC, BABY.

YOU ARE SOMETHING ELSE.

[ GIGGLES ]

BUT, HEY, DON'T WORRY.

I WON'T SAY A WORD.

I KNOW.

NOW...

...WHAT ARE WE DOING ABOUT Q.?

HAS ANYONE SEEN HIM? NOPE.

YOU KNOW THAT FOOL BE A GHOST WHEN HE WANT TO BE.

YEAH.

WELL, I MEAN, HE WON'T COME LOOKING FOR ME HERE, THEN.

YEAH, YOU GOT THAT RIGHT.

BUT DON'T WORRY.

I GOT MY BOYS LOOKING FOR HIM, SO WHEN WE FIND HIM,

I'LL LET YOU KNOW WHAT'S UP.

OKAY.

ALL RIGHT.

I'M GONNA GET OUT OF HERE.

OKAY. AND...WAIT.

UM...MAKE SURE YOU, UH, GO GET A SUIT, OKAY?

LOOK HERE, LET ME TELL YOU SOMETHING.

IN MY LINE OF WORK, YOU NEED A SUIT FOR TWO REASONS ‐‐

COURT OR A CASKET.

[ CHUCKLES ]

AND I AIN'T YET ABOUT READY FOR NEITHER ONE OF THEM, BABY.

WELL, THEN YOU NEED TO LOOK INTO ANOTHER LINE OF WORK.

LIKE I DONE TOLD YOU, NOW, CANDY.

WAIT, WHAT DO YOU KNOW ABOUT BLUES TOWING?

NOTHING MUCH.

DUDE GOT POWERED BY THE FEDS.

HIS PLACE SUPPOSED TO GO UP FOR AUCTION.

YOU EVER THOUGHT ABOUT GETTING INTO THAT BUSINESS?

I KNOW HOW TO SLING.

WHICH ALSO TELLS ME YOU KNOW HOW TO RUN A BUSINESS.

LOOK, WHAT IS THE MATTER?

HOW WE 'POSED TO DO THAT, ANYWAY?

I'M WORKING ON SOMETHING.

I'LL KEEP YOU POSTED.

BUT YOU NEED TO KNOW I WANT YOU TO GO STRAIGHT.

YEAH, YEAH. I HEAR YOU TALKING.

LOOK, I GOT TO GO.

YOU KNOW I DON'T JUST TALK.

I KNOW.

LOCK UP.

THANKS, WAR.

ANYTIME, BABY.

MM!

[ GIGGLES ]

[ SIGHS ]

CANDY CANE, CANDY CANE.

GOD, I'M SO GOOD.

[ R&B MUSIC PLAYING ]

[ MUSIC STOPS, ENGINE STOPS ]

[ SINGING INDISTINCTLY ]

HI. WHAT'S UP?

YOU CALLED ABOUT A TOW? YES.

WHAT'S WRONG WITH IT ‐‐ DON'T START?

NO.

SO IT DOES START?

YEAH. IT RUNS FINE.

SO WHY YOU WANT IT TOWED?

I JUST WANT IT GONE. OKAY?

OKAY.

WHERE DO YOU WANT ME TO TOW IT TO?

ANYWHERE BUT HERE.

O...KAY.

WHAT ‐‐ WHAT AM ‐‐ WHAT AM I MISSING?

NOTHING.

SO, THIS YOUR CAR?

YES.

YOU GOT SOME PAPERWORK?

HERE. THANK YOU.

TITLE.

[ PAPERS CRINKLING ]

THE INSURANCE. ALL RIGHT.

OKAY, SO, CAN YOU TAKE IT, PLEASE?

OKAY, WELL, WHERE WOULD YOU LIKE ME TO TAKE IT TO?

JUST ANYWHERE.

UH...I'M SORRY, I ‐‐

IT WAS A GIFT FROM MY BOYFRIEND,

AND IT TURNS OUT, HE GAVE HIS WIFE THE SAME ONE,

SO I DON'T WANT IT. MM.

AND IF YOU WON'T TAKE IT,

I'LL HAVE SOMEONE COME AND DRIVE IT INTO THE ATLANTIC.

[ Laughing ] OKAY.

WE'RE NOT GONNA DO THAT.

WE CAN GET SOME MONEY FOR THIS CAR.

YOU THINK ABOUT SELLING IT?

YOU WANT TO BUY IT?

I CAN'T AFFORD THIS.

HOW MUCH MONEY DO YOU HAVE?

I'VE GOT $100, $200, $300, $400, $500.

I GOT 500 BUCKS. I'LL TAKE IT.

YOU'RE SERIOUS? YEAH. I'M SERIOUS.

YOU GONNA SIGN THIS TITLE OVER RIGHT NOW?

YES.

PSH, OKAY.

OKAY.

SO WHAT YOU GONNA DO FOR A CAR?

WHY IS THAT YOUR CONCERN?

BECAUSE AROUND HERE, YOU'RE GONNA NEED A CAR.

I CAN TELL YOU AIN'T FROM THE CITY.

[ SCOFFS ]

I DON'T WANT TO TALK ABOUT THIS.

[ CHUCKLES ] ALL RIGHT, SO, LOOK,

I'LL THROW IT ON THE FLATBED RIGHT NOW.

YOU'RE GONNA CALL ME UP, TRYING TO CHANGE YOUR MIND?

OKAY, W‐WHAT DO ‐‐ D‐DO YOU HAVE A VIDEO?

YEAH. LET'S PUT IT ON VIDEO.

OKAY. LET'S PUT IT ON VIDEO.

LET'S MAKE A MOVIE.

[ CELLPHONE BEEPS ]

WE LIVE.

HI. I'M SELLING BENNY...UM...

YOUNG.

BENNY YOUNG. THAT'S RIGHT.

BENJAMIN YOUNG.

BENJAMIN YOUNG ‐‐ THIS CAR FOR $500.

MM‐HMM. OKAY?

WHAT ELSE DO YOU NEED?

YOUR NAME.

S‐SERIOUSLY?

FIRST NAME. GO AHEAD. WHAT IS IT?

ERICA.

THERE YOU GO. [ CELLPHONE BEEPS ]

NOW WE COOL.

OKAY.

WELL...I'M‐A TAKE IT.

GREAT. THANK YOU.

BUT I'LL MAKE SURE THE VIN CHECKS OUT.

FINE. DO WHATEVER YOU HAVE TO DO,

AS LONG AS THIS CAR IS TAKEN AWAY.

OKAY.

OKAY.

I'LL BE RIGHT BACK.

ALL RIGHT.

[ DOOR OPENS ]

[ DOOR CLOSES ]

[ Voice breaking ] JIM, ARE YOU OKAY?

IT'S ME ‐‐ CELINE.

GO. MOVE. PLEASE, JIM.

I‐I WANT TO BE HERE FOR YOU.

NO, YOU CAN'T BE HERE FOR ME NOW. MOVE, CELINE!

I JUST WANT TO BE HERE FOR YOU. LET ME ‐‐

YOU CAN'T ‐‐ YOU CAN'T BE HERE FOR ME!

I'M PRETTY SURE HE SAID, "MOVE."

CáLLATE.

CóMO?

I SAID, "SHUT UP."

YOU'VE ALREADY BEEN FIRED.

NOW LEAVE.

[ Crying ] I AM NOT GOING ANYWHERE!

THE HELL YOU AREN'T!

VERONICA. WHAT?

THAT WHORE IS RIDICULOUS AND RUDE.

HOW DARE YOU COME INTO KATHERYN'S HOUSE,

WITH ALL THIS MESS, IN THE MIDDLE OF THIS CRISIS?

YOU ARE GETTING OUT OF HERE.

GET OUT, CELINE, NOW!

[ SPEAKING SPANISH ]

UGH! [ SPEAKING SPANISH ]

GO AHEAD. PUT ME OUT. PUT ME OUT.

YOU'RE GETTING OUT OF HERE NOW!

SIT...DOWN.

Katheryn: SHE HAS AN ARRANGEMENT WITH JIM.

SHE KEEPS HER MOUTH SHUT, AND HE KEEPS HER JOB.

MOUTH SHUT ABOUT WHAT?

OH, DON'T TELL ME.

YOU SCREWING THIS, TOO?

YES, HE IS. AND HE LOVES IT.

Katheryn: HE USED TO.

BUT NOW SHE'S OLD AND USED UP, AND HE WON'T EVEN LOOK AT HER.

SO SHE THINKS, WHEN I SAY SHE'S FIRED, THAT HE'LL LET HER STAY.

NOT THIS TIME.

THIS TIME, YOU'RE GONE.

NO. I'M NOT.

[ SCOFFS ]

WELL, YOU CAN GO WILLINGLY,

OR I CAN DRAG YOUR ASS OUT THE FRONT DOOR.

OH. COME ON, KATHERYN.

I'D LIKE TO SEE YOU TRY THAT.

HE CAN'T SAVE YOU NOW.

KATHERYN. HMM?

SHE'S HAD TWO SONS WITH JIM.

ONE'S WYATT'S AGE.

ONE'S, WHAT, 7, I THINK?

SO SHE THINKS THAT SHE'S GOT JOB SECURITY.

AND IF SHE DOESN'T GET HER ASS OUT OF HERE,

SHE'S GONNA NEED REAL SECURITY.

JIM, SAY SOMETHING.

CELINE, I THINK YOU SHOULD LEAVE NOW.

NO. DON'T TOUCH ME! JUST GO.

LEAVE NOW. PLEASE.

OH, GOD.

OH.

IT'S ABOUT HANNA'S DAUGHTER.

WHAT?

THAT'S WHY YOU DON'T WANT ME TO STAY.

NO, THIS IS... JUST ‐‐ JUST GO, CELINE.

GET OUT OF MY HOUSE NOW.

NO, JIM, I'M NOT LEAVING. [ SNIFFLES ]

I'M NOT LEAVING.

SEE, JIM?

SHE WON'T LISTEN TO YOU, LIKE YOU WOULDN'T LISTEN TO ME.

I TOLD YOU TO HAVE AMANDA COMMITTED, DIDN'T I?

YES. YOU DID.

WHY WOULDN'T YOU LISTEN TO ME?

I PROMISED HER I WOULDN'T.

YOU REMEMBER THE LOOK ON HER FACE THE LAST TIME WE DID THAT?

WELL, CAN YOU IMAGINE THE LOOK ON HER FACE NOW?

KATHERYN.

WHAT?

SHE PUT A GUN TO HER HEAD AND PULLED THE TRIGGER...

...ALL BECAUSE MR. "I'LL HANDLE IT" WOULDN'T LISTEN TO ME.

JIM ALREADY FEELS BAD ENOUGH.

NO, HE DOESN'T.

LOOK AT HIM.

HE'S A SOCIOPATH.

HE DOESN'T FEEL PAIN.

OF COURSE HE DOES.

YOU KNOW HE DOES.

NO, HE DOESN'T.

APRIL 7, 1979.

[ Voice breaking ] I WAS 15 YEARS OLD WHEN I MET YOU.

YOU SMILED AT ME...

...AND WINKED.

I WAS SO SHOCKED...

THAT THE STAR OF THE FOOTBALL TEAM WOULD WINK AT ME.

I WAS SO FLOORED.

BUT YOU HAD A PLAN.

YOU KNEW MY LAST NAME WAS HARGRAVE,

AND YOU SEDUCED ME FOR MY MONEY AND MY FATHER'S POSITION.

[ INHALES DEEPLY ]

AND I FELL FOR IT.

I KNEW YOU DIDN'T LOVE ME.

I KNEW YOU DIDN'T WANT ME.

SO I ENDURED...PAIN...

AND THE LIES AND THE HUMILIATION,

JUST TO BE WITH YOU.

[ SNIFFLES ]

APRIL 7, 1979.

I THOUGHT IT WAS MY LUCKY DAY.

I THOUGHT IT WAS A DAY THAT WOULD CHANGE MY LIFE FOREVER.

AND IT CHANGED MY LIFE, ALL RIGHT.

AND HERE I AM, 35 YEARS LATER...

...AND I REALIZE THAT IT WAS NOT A BLESSED DAY.

APRIL 7, 1979, WAS A CURSE.

I HATE YOU, JIM CRYER.

I HATE YOU.

I HATE YOU FOR YOUR COURAGE.

I HATE YOU FOR YOUR PRIDE.

I HATE YOU SO MUCH, I WILL NEVER LET YOU GO.

KATHERYN.

I HATE YOU SO MUCH, I HAVE A PASSION FOR MAKING YOU SUFFER.

YOU SHOULD HAVE LISTENED TO ME, YOU SON OF A BITCH.

SO YOU SIT IN THE MISERY OF KNOWING

YOU ALLOWED HER TO PULL THAT TRIGGER.

NOW I'M GONNA TELL YOU ONE MORE TIME.

GET OUT OF MY HOUSE.

NO.

[ SCREAMS ]

GET OUT! OH, THAT'S ALL YOU GOT?!

I HATE YOU! I HATE YOU!

IS THAT ALL YOU GOT?! YEAH? GET OUT OF MY HOUSE!

LET GO! LET GO OF HER HAIR!

GET OUT OF MY HOUSE!

LET GO OF ME! GET OFF ME!

GET OUT OF HERE! I HATE YOU! GET OUT!

GET OUT! GET OUT! I'M NOT LEAVING.

OH, YES, YOU ARE, AND YOU ARE NEVER COMING BACK IN THIS HOUSE.

YOU HEAR ME?

FINE. I'M OUT. I'M LEAVING. I'M OUT.

GET OUT.

Police Officer: MA'AM, YOU CAN'T LEAVE.

TAKE HER OUTSIDE.

LET'S GO, MA'AM.

LET ME GO. LET ME GO!

[ DOOR CLOSES ]

[ Sighing ] I NEED A CIGARETTE.

I THINK I'M GONNA TURN MYSELF IN.

WHAT?

YEAH.

GONNA TELL THEM THAT I HIT THE LITTLE GIRL AND HANNA'S SON.

WHY? SOMEBODY ALREADY CONFESSED.

YEAH, BUT HE DIDN'T DO IT.

I DON'T ‐‐ I DON'T THINK YOU SHOULD DO THAT

'CAUSE YOU'RE IN PAIN RIGHT NOW.

YEAH, THAT'S TRUE, BUT WHY NOT?

WHAT IS THAT GONNA SOLVE?

IT'S NOT GONNA SOLVE ANYTHING.

IT'S GONNA FREE US ‐‐ YOU, ME, ALL OF US.

HOW SO?

I'LL TELL THEM I DID IT.

AND YOU'LL GO TO JAIL.

OKAY.

AND I WILL GO TO JAIL.

WHY?

IT WAS MY CAR.

BUT YOU DIDN'T HIDE IT. YEAH, BUT I ‐‐

YOUR MOTHER DID.

THAT'S FINE, BUT I KNEW ABOUT IT.

[ SCOFFS ]

[ SIGHS ]

I'M GONNA DO IT.

I'M GONNA BURN IT ALL DOWN.

I'M GONNA TELL THEM

THAT YOUR MOTHER HAS THE CAR

AND THAT MY MOTHER AND FATHER COVERED IT UP.

I'M GONNA DO IT.

WHAT? NO.

NO.

[ SCOFFS ]

[ SIGHS ]

WHY ARE YOU SO SCARED OF EVERYTHING?

I'M NOT SCARED.

YEAH, YOU ARE.

YOU'RE SCARED OF YOUR MOTHER.

YOU'RE SCARED OF YOUR TRUTH.

YOU'RE SCARED OF THIS TRUTH.

WHY?

I ‐‐ I JUST DON'T WANT ANYBODY TO GET IN TROUBLE.

NOT EVEN YOUR MOTHER?

PLEASE DON'T DO THIS.

KISS ME.

WHAT?

REMEMBER HOW GOOD IT FELT TO GET EVEN WITH ME?

YES.

THAT'S HOW IT'LL FEEL WHEN WE GET EVEN WITH OUR PARENTS.

NO, I ‐‐ LISTEN.

DON'T DO THIS.

I'M ‐‐ I'M ASKING YOU, FOR ME.

YOU REALLY THINK YOU'RE SPECIAL TO ME?

YEAH. I DO.

YOU LOVE ME.

I DON'T GIVE A RAT'S ASS ABOUT YOU

OR ANYBODY IN THIS DAMN HOUSE.

I'M GONNA DO IT.

CHEERS.

OKAY.

EVERYTHING CHECKS OUT?

IT AIN'T STOLEN?

I ALREADY TOLD YOU THAT.

WELL, YOU KNOW, YOU CAN NEVER BE TOO CAREFUL AROUND HERE.

OKAY, SO, CAN YOU TAKE IT NOW?

I CAN TAKE IT.

GREAT. THANK YOU.

[ CHUCKLES ]

AND I'M, UH ‐‐ I'M SORRY ABOUT YOUR BOYFRIEND, TOO.

WHATEVER.

NO, REALLY, I AM.

UH, IT SUCKS.

IT'S FINE.

NO, IT'S NOT. LOOK AT YOU.

WHAT ABOUT ME? [ CHUCKLES ]

SO MAD, YOU CAN'T EVEN SEE STRAIGHT.

ABOUT TO CRY AND TRYING TO PLAY BIG GIRL.

YOU DON'T KNOW ME. THIS IS TRUE.

BUT I HAVE A SISTER, I WAS RAISED BY MY MOTHER,

AND I UNDERSTAND WOMEN.

YOU KNOW, WE WERE SUPPOSED TO GET MARRIED.

MM.

YEAH.

BUT HE'S MARRIED, WITH A WIFE AND A KID.

MM.

AND I MOVED HERE FOR HIM.

I SHOULD HAVE KNOWN.

LISTEN, DON'T BEAT YOURSELF UP ABOUT IT. IT'S NOT YOUR FAULT.

NO, NO, I'M SMARTER THAN THIS.

COME ON, NOW.

LISTEN, LIFE HAPPENS, ALL RIGHT?

WE GET CAUGHT UP SOMETIMES, YOU KNOW?

I GET CAUGHT UP ALL THE TIME.

IT'S ALL GOOD.

LISTEN, I, UH ‐‐ I FEEL BAD TAKING THIS CAR.

YOU SURE YOU DON'T WANT TO KEEP IT?

OKAY, LISTEN, STOP ASKING ME THAT AND TAKE THE CAR.

[ Chuckling ] OKAY.

PLEASE. OKAY.

YOU WANT A RIDE?

NO. THANK YOU. OKAY.

WELL, YOU GOT MY CARD.

YES.

SO I'M‐A GIVE YOU 24 HOURS TO CHANGE YOUR MIND.

GREAT.

YEAH? YES.

OKAY.

DID YOU GIVE ME THE $500, THOUGH?

[ LAUGHS ] NO, I DIDN'T.

WELL...

ENJOY IT.

I WILL.

BYE. SEE YA.

DAVID, MAY I SPEAK TO YOU PRIVATELY?

YES, OF COURSE.

WE ALL NEED TO HEAR THIS, JENNIFER.

UH...

I, UH ‐‐

I SPOKE TO THE M. E.,

AND HE IS GOING TO RULE IT AS A SUICIDE.

MAY I ASK WHAT WAS IN QUESTION?

SAY IT.

BLOOD SPATTER, BUT I THINK OUR OFFICE SPOKE TOO SOON.

[ Voice breaking ] GOOD.

THANK YOU.

SO, IS EVERYONE FREE TO GO NOW?

YES.

AND, UH, I AM TRULY SORRY FOR YOUR LOSS.

THANK YOU, JENNIFER. MAY I GO SEE HER NOW?

I‐I DON'T THINK THAT WOULD BE A GOOD IDEA.

I NEED TO SEE HER, JENNIFER.

MAYBE YOU SHOULD JUST LET THE M.E. TAKE HER IN,

AND THEN YOU CAN SEE HER DOWNTOWN.

JENNIFER,

THIS IS JUDGE JIM CRYER YOU'RE TALKING TO.

JIM, WHAT JENNIFER IS SAYING IS REALLY FOR THE BEST.

DAVID.

YES.

NOW, I AM PUTTING DOWN

THIS HIT‐AND‐RUN THING FOR THE MOMENT,

BUT IN THE MEANTIME,

THEY ARE ABOUT TO BRING THAT BODY OUT,

SO YOU MIGHT WANT TO TAKE THEM IN THE OTHER ROOM.

THANK YOU.

David: EVERYONE, LET'S MOVE INTO THE SUN ROOM.

OH, MY GOD.

I TOLD YOU, THE BACK STAIRCASE! WHAT ARE YOU DOING?

YOU DID THIS ‐‐ NO.

NO, NO!

YOU BRING HER DOWNSTAIRS! JIM, THIS IS NOT A GOOD IDEA.

DAVID! I NEED TO SEE HER.

ME, TOO. NO, KATHERYN, NO. NO.

YOU LET ME GO, VERONICA.

YOU DON'T UNDERSTAND.

I SAW HER, MR. CRYER.

YOU DON'T WANT TO SEE HER LIKE THIS.

I'VE GOT TO SEE HER LIKE THIS, OR IT WILL NEVER BE REAL.

BRING MY DAUGHTER DOWNSTAIRS NOW, PLEASE.

[ SNIFFLES ]

Jim: NO.

NO.

I'LL DO IT.

[ SNIFFLES ]

[ SOBBING ]

OH. OH, MY GOD.

YOU'RE OKAY. COME ON.

OKAY.

OKAY. [ SNIFFLES ]

I LOVE YOU, BABY.

COME AWAY.

COME AWAY, JIM.

COME ON.

[ SNIFFLES ]

[ SOBBING ]

[ DOOR CLOSES ]

[ JAZZY PIANO PLAYS ]

GIVE ME A DOUBLE SHOT OF THE STRONGEST THING YOU GOT.

DOUBLE SHOT.

MUST HAVE BEEN A LONG DAY.

CANDACE.

HI. HI.

WHAT ARE YOU DOING HERE?

[ SIGHS ] I'M HERE LAYING LOW FOR A LITTLE WHILE.

I WAS IN MY ROOM GOING CRAZY,

SO I DECIDED TO COME GET A DRINK.

HOW ARE YOU?

IT'S ‐‐ IT'S BEEN A CRAZY DAY.

OH, YEAH? YEAH.

YOU WANT A DRINK?

I'LL HAVE ANOTHER ONE, SURE.

I HAVE SOMETHING TO CELEBRATE.

OH, YEAH?

YEP.

WE'LL HAVE ANOTHER, PLEASE.

WELL, I CAN CELEBRATE, TOO.

WHAT'S THAT?

I'VE BEEN FIRED.

FIRED? YEAH.

I'M SORRY.

DON'T MENTION IT.

THE PEOPLE I WAS WORKING FOR WERE HORRIBLE.

WELL...TO HELL WITH THEM.

RIGHT. TO HELL WITH THEM.

[ CHUCKLES ]

ACTUALLY, CHAMPAGNE ‐‐ YOUR FINEST.

BIG SPENDER.

FINALLY.

WELL, AFTER THE DAY I'VE HAD,

I NEED SOMETHING A LITTLE HEAVIER THAN CHAMPAGNE.

WELL, CHAMPAGNE AND TEQUILA IS ABOUT ALL I DO, HONEY.

PERFECT.

TEQUILA SHOTS ‐‐ TWO, PLEASE.

OOH, LOOKS LIKE YOU'VE GOT AN ADMIRER.

MM.

I ALWAYS HAVE ADMIRERS, DARLING.

I BET YOU DO.

[ LAUGHS ]

HE'S GOT GOOD SHOES, A $4,000 WATCH,

A NICE SUIT, NICE PACKAGE.

THE SUIT'S ITALIAN.

THE WATCH IS ACTUALLY $15,000 ‐‐ SUBTLE, UNDERSTATED.

THE SHOES ARE 3 GRAND.

THE ITALIAN SUIT IS ACTUALLY HAND‐STITCHED,

AND THE PACKAGE, WELL, I'VE SEEN BETTER.

YOUR BACK IS TO HIM.

YEAH, I PEEPED HIM WHEN HE WALKED IN.

WOW.

YOU'RE BETTER THAN ME, AND I GET PAID TO PAY ATTENTION.

OR AT LEAST I WAS.

[ SIGHS ] YOU WANT TO TALK ABOUT IT?

NO.

OKAY.

HAVE YOU SPOKEN TO JEFFERY?

SO YOU INSIST.

WHAT DOES HE HAVE TO DO WITH YOU BEING FIRED?

GOD, HIS MOTHER'S SUCH A...

I'M CONFUSED.

I WAS WORKING FOR HIS MOTHER.

WHAT?

WELL, HIS FATHER.

THE CAMPAIGN, THE CRYER‐HARRINGTON, UM ‐‐

WAIT, NO.

WHEN I SAW YOU AT THE CAMPAIGN OFFICE,

I THOUGHT YOU WERE JUST THERE VOLUNTEERING,

BUT YOU WORKED FOR THEM? YES.

AND TODAY WE HAD A PRESS CONFERENCE,

AND I SET HER BIGOTED ASS UP.

I HAD THIS GAY‐RIGHTS ACTIVIST

ABSOLUTELY ANNIHILATE HER UP THERE.

OR SO I THOUGHT.

SHE'S SUCH A SNAKE.

I HATE HER SO MUCH.

BUT AT THE SAME TIME, I LIKE HER.

SHE JUST WIGGLES OUT OF THINGS, ALMOST TO APPLAUSE.

MM.

SO YOU'RE THE PUBLICIST FOR THE CAMPAIGN.

YEAH. I WORK FOR MAGGIE DAY.

[ GASPS ]

THIS TOWN IS TOO SMALL.

[ CHUCKLES ] YEAH.

WELL, I'LL BE BACK IN ATLANTA SOON.

SO, HOW DID IT GO OVER WITH JIM CRYER TODAY?

[ SCOFFS ]

GREAT, ACTUALLY.

HE WAS THERE?

NO.

SO HOW DID IT GO OVER GREAT?

WAIT A SECOND.

HOW DID YOU KNOW HE WAS LATE?

OH, YOU SAW THE PRESS CONFERENCE.

UH, NO, I WAS OUT ALL DAY, GETTING MY HAIR DONE, SHOPPING.

YOU KNOW...THE USUAL.

SO HOW DID YOU KNOW?

I HEARD.

YEAH. I MEAN, HE WASN'T LATE.

HE ACTUALLY NEVER SHOWED UP.

WHAT? [ CHUCKLES ]

NOPE, HE WASN'T THERE.

BUT ‐‐ BUT THAT TRAGEDY ACTUALLY SAVED HIS CAMPAIGN.

HE'LL PROBABLY WIN.

THE NUMBERS WENT THROUGH THE ROOF.

YOU KNOW, PEOPLE LOVE A SAD STORY.

UH, WHAT TRAGEDY?

HIS DAUGHTER.

WHAT ABOUT HER?

SHE COMMITTED SUICIDE.

AMANDA?

YEAH.

YOU DIDN'T KNOW?

NO.

YEAH.

I MEAN, IT WAS REALLY SAD.

YOU KNOW, I'LL PULL UP THE STORY ON MY PHONE.

[ DOOR OPENS ]

HEY.

HEY.

OH, NO.

WHAT?

EVERY TIME YOU'RE SITTING IN THE DARK,

I KNOW SOMETHING'S WRONG WITH YOU.

I WAS JUST PRAYING.

[ SIGHS ]

WHAT'S WRONG WITH YOU.

I JUST HAD A DAY, BENNY.

[ SIGHS ] LORD, HAVE MERCY.

WELL, LET ME TAKE YOUR MIND OFF IT.

HMM?

I HAVE A SURPRISE FOR YOU.

OH, BENNY, I AM NOT IN THE MOOD.

COME ON, WHATEVER'S ON YOUR MIND,

I'M SURE THIS IS GONNA TAKE YOUR MIND OFF IT.

[ SCOFFS ] WHAT IS IT?

IT'S OUTSIDE.

COME ON, COME CHECK IT OUT. OH, BENNY.

COME ON.

[ SCOFFS ]

GO ON.

COME ON, BRING YOUR PURSE.

WHY I GOT TO BRING MY PURSE?

ALL RIGHT, NOW, CLOSE YOUR EYES.

OH. COME ON, CLOSE THEM.

NO PEEKING. CLOSED.

O‐OKAY, BENJAMIN.

I'M WATCHING YOU. ALL RIGHT.

NOW WATCH.

OKAY.

KEEP THEM CLOSED. KEEP THEM CLOSED.

ALL RIGHT, OKAY, ALL RIGHT.

COME ON. COME ON.

WAIT, BENNY. I GOT YOU. I GOT YOU.

KEEP THEM CLOSED.

OKAY, STAY HERE.

STAY HERE. WHAT?

KEEP THEM CLOSED. STAY RIGHT HERE.

OOH. DON'T CHEAT.

SURPRISE!

WHAT?

I THINK I BOUGHT YOU A NEW CAR.

BENNY, WHAT?

NO, REALLY, LISTEN. THIS GIRL SOLD IT TO ME.

I BOUGHT IT ‐‐ IF SHE DON'T CHANGE HER MIND.

YOU BOUGHT THAT FOR ME?

I BOUGHT THIS CAR FOR YOU, MA.

SICK OF SEEING YOU ON THAT DAMN BUS.

WE CAN'T AFFORD THIS.

MOM, YOU'RE NOT GONNA BELIEVE WHAT I GOT THIS CAR FOR.

WELL, WHATEVER YOU GOT IT FOR, WE CAN'T AFFORD IT.

WE GOT IT NOW ‐‐ AS LONG AS SHE DON'T CHANGE HER MIND.

WHAT?

LISTEN, I'M TELLING YOU, SHE SOLD IT TO ME.

I GUESS HER BOYFRIEND GAVE IT TO HER OR SOMETHING.

I DON'T KNOW. SHE SOLD IT TO ME.

AND AS THEY SAY, HER MISFORTUNE [CHUCKLES] IS OUR GOOD FORTUNE.

IT'S A NICE CAR.

"IT'S A NICE CAR"?

COME ON, YOU SHOULD BE HAPPIER THAN THAT.

YOU OKAY? YEAH.

COME ON, MA, I THOUGHT YOU'D BE MORE EXCITED, RIGHT?

NO MORE STANDING IN THE RAIN, TRYING TO WAIT ON THE BUS.

NO MORE GETTING UP AT 5:00 A.M. TRYING TO GET TO WORK BY 8:00.

COME ON.

I KNOW.

I APPRECIATE IT.

WHAT'S WRONG WITH YOU?

MY BOSS.

WHAT'S GOING ON OVER THERE?

THEIR DAUGHTER COMMITTED SUICIDE.

NO. YEAH.

OH, MOM, I'M SORRY.

IT WAS HORRIBLE, BENNY.

I HATE IT FOR THEM. LORD, HAVE MERCY.

YOU ALL RIGHT?

I FOUND HER, BENNY.

OH, MY GOSH, MOMMY.

CAN'T GET THE IMAGE OUT OF MY HEAD.

I'M SORRY.

COME HERE.

I'M SO SORRY, MOMMY.

[ SMOOCHES ]

I WISH THERE WAS SOMETHING I COULD DO.

THERE IS.

WHAT DO YOU NEED?

TAKE ME FOR A DRIVE.

YOU WANT TO DRIVE?

I DON'T KNOW WHERE I'M GOING.

WHAT DO YOU MEAN?

YOU KNOW WHERE YOUR SISTER IS?

YEAH.

TAKE ME TO HER.

WHY? I NEED TO SEE HER.

OKAY.

WHEN DO YOU WANT TO GO?

RIGHT NOW.

OKAY.

I'M GONNA GO GET THE KEYS.

OKAY.

SURE YOU'RE OKAY?

MM‐HMM.

JUST TAKE ME TO HER.

[ SIGHS ] I'LL BE RIGHT BACK.

[ DOOR OPENS ]

[ DOOR CLOSES ]

OH, NO, NO, NO.

NO.

MOVE. NO!

JEFFERY, I'M NOT KIDDING AROUND. MOVE.

SO THIS IS WHAT YOU'RE GONNA DO, HUH?

DESTROY YOURSELF?

AND EVERYBODY HERE.

NO. I'M NOT GONNA LET YOU DO THAT.

IF YOU DON'T GIVE ME THIS DAMN BOTTLE,

I'M GONNA BREAK IT OVER YOUR HEAD.

OKAY.

OKAY, WYATT.

HERE.

I DON'T WANT ANY.

[ SCOFFS ] YOU NEED IT.

NO, THANKS.

WHERE ARE YOU GOING?

I'M NOT GONNA WATCH YOU DO THIS.

I'M LEAVING.

JEFFERY, IT'S JUST A DRINK.

NO, IT'S NOT JUST A DRINK.

IT'S YOU DESTROYING YOURSELF, AND...

I DON'T WANT TO DO IT.

WHAT ABOUT WHAT YOU'RE DOING?

WHAT AM I DOING?

BEING WITH THAT GIRL.

DOING WHAT YOUR MOTHER WANTS.

THE HELL WITH IT.

THE HELL WITH THE DAMN CAR. THE HELL WITH OUR PARENTS.

THEY'RE MONSTERS, JEFFERY!

I DON'T BLAME AMANDA FOR CHECKING OUT.

YOU DON'T MEAN THAT.

YOU WANT TO BET?

I'LL TELL THE D.A. EVERYTHING.

GONNA TELL THEM ABOUT JIM AND HIS WHORES,

ABOUT YOUR MOTHER KEEPING THE CAR.

I'M SICK OF IT!

I'M GONNA TELL HIM.

WHAT THE HELL DID YOU JUST SAY?

NEXT WEEK ON "THE HAVES AND THE HAVE NOTS"...

COME ON, YOU WANT A DRINK?

YOU WANT A DRINK? THERE!

YOU KNOW, I TRIED TO TELL YOU, CANDACE.

I‐I‐I KNOW, BUT I DIDN'T THINK S‐SHE WAS SUICIDAL.

SHE WAS MY FRIEND.

IF YOU DON'T STOP THIS, DAUGHTER,

YOU'RE GONNA END UP DEAD, TOO.

DO YOU WANT HIM TO DO WHAT AMANDA DID?

OH, DAVID.

I THINK YOU'RE TOUCHING ME.

I THINK YOU'RE TOUCHING ME,

AND YOU'RE NOT ALLOWED TO TOUCH ME,

EVER SINCE YOU PUT YOUR HAND ON THAT WHORE!