Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

I DID NOT TAKE ADVANTAGE OF CANDY CANE.

CANDY CANE BLACKMAILED ME.

BLACKMAIL? YES.

FOR WHAT? FOR MONEY.

I'M NOT GONNA FORGET ABOUT SENDING A MAN HERE.

SO, OPEN THE DOOR.

DON'T YOU DARE.

OPEN THE DOOR AND JUST KISS HIM.

HE'LL BE PREPPED AND READY TO GO.

DON'T DO IT. I WILL NOT.

IT'S DONE. YOU WILL DO IT.

CANDACE?

YES?

ARE YOU ESCORTING AGAIN?

[ LAUGHS ] NO!

CANDACE, I TOLD YOU NOT TO LEAVE THE HOUSE.

NOW PICK THE PHONE UP. [ BEEP ]

I DON'T KNOW WHY THIS GIRL IS NOT ANSWERING MY PHONE CALL.

I AM YOUR GODDESS.

AND YOU WILL WORSHIP ME.

IT WILL BE YOU AND ME.

[ GRUNTING ]

OKAY, OKAY, OKAY. CALM DOWN. CALM DOWN.

THIS WHORE. AAH!

I TOLD YOU ‐‐

WILL YOU STOP?!

[ BOTH GRUNTING, SHOUTING ]

WILL YOU STOP IT?!

MRS. HARRINGTON! THAT IS MY NAME!

[ INDISTINCT SHOUTING ]

I TOLD YOU TO STAY AWAY FROM MY DAMN HUSBAND!

OW!

[ SHOUTING CONTINUES ]

LET ME GO!

DIDN'T I TELL YOU TO STAY AWAY FROM MY ‐‐

OH! HOW DID YOU SLEEP WITH THAT?

OH, GOD, LET ME GO!

I NEED YOU TO CALM DOWN. LISTEN TO ME.

JUST LISTEN TO ME, SWEETHEART.

YOU'RE STILL HOLDING ME. JUST LET ME GO, DAVID.

I'LL LET YOU GO WHEN YOU CALM DOWN.

OKAY, OKAY.

OKAY?

OKAY.

I'M LETTING YOU GO.

OKAY.

I AM SO SORRY.

ARE YOU? ARE YOU?

W‐WE DIDN'T DO ANYTHING.

OH, YOU KNOW, DO YOURSELF A FAVOR.

DO YOURSELF A FAVOR, AND DON'T SAY A DAMN THING TO ME.

PLEASE. MAGGIE, PLEASE!

DAVID, I'M JUST TRYING TO HELP.

BUT HE DOESN'T NEED YOUR DAMN HELP!

OH!

AAH!

[ KNOCK ON DOOR ] Man: HOTEL SECURITY.

OH, NO.

OPEN UP, PLEASE.

OPEN UP, PLEASE.

VERONICA.

WHAT?

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

[ KNOCK ON DOOR ] Man: HOTEL SECURITY.

ALL RIGHT, ALL RIGHT. NOW, WAIT, WAIT.

WAIT, WAIT. WE NEED TO GET OUR STORIES STRAIGHT.

OH, DAVID, TAKE THE TRASH OUT. PLEASE TAKE THE TRASH OUT.

WE NEED TO MANAGE THIS.

YOU WILL LEARN TO LISTEN TO ME.

YOU WILL LEARN TO LISTEN TO ME!

David: MAGGIE!

PLEASE GO.

[ DOOR LOCKS ] OKAY.

VERONICA, NOW, HOLD ON.

BEFORE WE OPEN THE DOOR, LET'S ‐‐

[ WHIMPERS ]

I'M SO SORRY. WERE WE TOO LOUD?

IS EVERYTHING OKAY.

OH, THIS GUY'S SO HOT I CAN'T KEEP MY HANDS OFF OF HIM.

MM.

I THINK YOU SEE WHY I HAD TO RUSH TO GET IN THIS ROOM, HUH?

[ LAUGHS ] DID SOMEONE COMPLAIN?

YES, MA'AM. OH.

WHO WAS IT?

PROBABLY THAT LADY NEXT DOOR, THAT OLD SPINSTER.

[ GIGGLES ]

WHAT IS HER NAME? UH, MAGGIE DAY OR SOMEBODY?

SHE'S A LONELY WHORE.

SHE DOESN'T LIKE TO SEE MARRIED PEOPLE GETTING IT ON.

[ CHUCKLES ]

I'M SORRY. WE'LL KEEP IT QUIET.

ARE YOU SURE EVERYTHING IS OKAY?

OH, I'M SURE.

LOOK AT THIS FACE.

IS THIS THE FACE OF AGONY OR PLEASURE?

WE'RE FINE.

YOU'RE SURE? YES, GOD.

YOU GOT TO GO. YOU STILL HAVE YOUR JOB.

GO ON, NOW, SO WE CAN FINISH.

KEEP IT DOWN, PLEASE.

YES, OF COURSE. I'M SO EMBARRASSED.

ACTING LIKE LITTLE SCHOOL KIDS, HONEY.

[ GIGGLES ]

HAVE A GOOD EVENING.

THAT'S THE PROBLEM. WE ALREADY ARE.

I COULD SMELL THAT WHORE ON YOU.

HEY.

OH.

VERONICA.

VERONICA.

HER LIPSTICK IS ON YOU, DAVID. HER LIPSTICK IS ON YOU.

I'M SORRY. I DIDN'T ‐‐ I DIDN'T ‐‐

DON'T SAY THAT AGAIN. DON'T SAY IT AGAIN.

I DIDN'T HAVE SEX WITH HER.

THAT'S THE TRUTH. YES, YOU DID.

NO, I KNOW IT LOOKS LIKE I DID, BUT...

WHAT DOES IT LOOK LIKE, DAVID? TELL ME WHAT IT LOOKS LIKE.

IT LOOKS LIKE I DID, BUT I DIDN'T.

I HAVE ENOUGH EVIDENCE TO PUT YOU IN THE ELECTRIC CHAIR,

AND YOU'RE STANDING THERE TELLING ME

THAT I'M NOT SEEING WHAT I'M SEEING.

YOU'RE SEEING WHAT YOU'RE SEEING.

BUT I DIDN'T DO WHAT YOU THINK I DID.

I THINK YOU DID.

YOU DID.

NO. I'M TRYING TO EXPLAIN TO YOU, BABY.

DON'T COME NEAR ME. DON'T COME NEAR ME.

WHY IS YOUR SHIRT UNBUTTONED?

BECAUSE I UNBUTTONED IT.

BUT YOU DIDN'T.

NO, I DIDN'T. I‐I'M TRYING TO EXPLAIN.

WE ‐‐

I DIDN'T ‐‐

YOUR PANTS ARE UNZIPPED, BUT YOU DIDN'T DO ANYTHING.

YOU DIDN'T DO ANYTHING. NO, I DIDN'T.

DAVID.

EVEN THOUGH I CAN BE CRAZY,

AND I WORK REALLY HARD TO KEEP CRAZY AT BAY...

I'M SORRY.

I'M SORRY.

DAVID. I JUST GOT TO GO.

JUST DON'T ‐‐ DON'T TOUCH ME. DON'T TOUCH ME.

WAIT, WAIT. WHERE ARE YOU GOING?

WHERE ARE YOU GOING?

I'M GOING ANYWHERE YOU'RE NOT.

NO. NO, SWEETHEART. SWEETHEART.

THIS HAS TO STOP.

I'M COMING HOME.

I DARE YOU.

[ INHALES SHARPLY ]

[ INHALES SHARPLY ] AHH.

WAS THAT GOOD FOR YOU, LOVER?

[ SIGHS ]

[ SIGHS ] SUN'S COMING UP.

SO IS SOMETHING ELSE.

MM.

YOU CAN'T CONTROL YOURSELF, CAN YOU, HUH?

YOU KNOW, A MAN WHO CAN'T CONTROL HIS PENIS

USUALLY CAN'T CONTROL HIS LIFE.

YOU WANT MORE?

GET AWAY FROM ME.

AW.

IT'S ‐‐ YOU ‐‐ IT'S ‐‐ WOW.

YOU CAN'T CONTROL YOURSELF, HUH?

GET AWAY FROM ME.

ALL RIGHT. I'LL LEAVE YOU BE.

DID YOU ENJOY THE PHOTO SHOOT?

GOODNESS.

NOW ‐‐ NOW, THIS IS MY FAVORITE.

THIS, THIS IS GONNA MAKE YOU FAMOUS.

YOU ARE ONE ‐‐

NO, YOU ARE READY FOR THE NEXT ROUND,

AND YOU ARE SATISFIED.

I DREAD THE DAY I EVER LAID EYES ON YOU.

OH.

THAT THING, IT DOESN'T AGREE WITH YOU.

SIGN THE PAPERS.

LET ME EXPLAIN SOMETHING TO YOU, LITTLE GIRL, OKAY?

SIGN THE PAPERS.

NO.

DO YOU ACTUALLY THINK THAT YOU ARE WORTH MILLIONS OF DOLLARS

TO ANYBODY AT ANY TIME?

MY SERVICES ARE.

I'M GIVING YOU A DISCOUNT.

THAT'S NOT HOW IT WORKS, CANDACE.

I CAN'T JUST SIGN A DOCUMENT

AND HAND OVER MILLIONS OF DOLLARS TO YOU.

I DON'T KNOW HOW YOU CAN BE SO SMART IN SOME AREAS

AND SO STUPID IN OTHERS.

THAT'S A PROBLEM WITH PEOPLE LIKE YOU.

PEOPLE LIKE ME?

YES. PEOPLE LIKE YOU.

PEOPLE LIKE YOU WHO WANT MONEY BUT DON'T COME FROM IT,

SO YOU HAVE NOT A CLUE ABOUT HOW IT WORKS.

PEOPLE LIKE YOU...

WHO THINK PEOPLE LIKE ME CAN SIGN PIECES OF PAPER

AND GIVE YOU MILLIONS OF DOLLARS.

THERE'S A LITTLE THING CALLED A GIFT TAX, CANDACE.

MM.

A GIFT TAX.

IF I GAVE YOU $2 MILLION,

I WOULD HAVE TO PAY A GIFT TAX ON THE $800,000 IN TAXES

I'VE ALREADY PAID ON THE MILLIONS OF DOLLARS I MADE

IN THE FIRST PLACE.

THAT'S WHY IT'S NOT GONNA WORK.

YOU SEE, OUR GOVERNMENT IS SET UP

SO THAT THE HAVES CAN KEEP ON HAVING

AND THE HAVE NOTS CAN'T BE HANDED MILLIONS OF DOLLARS

ON A SILVER PLATTER.

IF I GIVE YOU $2 MILLION,

I HAVE TO SPEND $1.2 MILLION FOR THE PRIVILEGE.

IT'S NOT GONNA HAPPEN. DO YOU GET IT NOW?

YES.

GOOD.

ARE YOU DONE?

NO. I'M NOT DONE TILL I GET MY ASS OUT OF HERE.

MY TURN.

I KNOW THAT THERE IS A GIFT TAX.

NOWHERE IN THE CONTRACT DOES IT SAY $2 MILLION.

I WANT $7.4 MILLION.

THAT WAY, YOU CAN COVER MY TAXES

AND I CAN WALK AWAY WITH A COOL $5 MILLION TO ENJOY.

THERE IS NO WAY IN HELL THAT THAT'S GONNA HAPPEN.

I WAS SO HOPING YOU'D SAY THAT.

I HAVE PLANS FOR YOU.

HMM.

HOW'S YOUR HEART?

OH, COME ON, CANDACE. NOT EVEN YOU'RE THAT CRAZY.

MY HEART IS FINE.

OH.

CANDACE, NO.

HMM.

[ ELECTRICITY POWERS ON ]

ARE YOU GONNA SIGN IT NOW?

NO.

MM.

HOW MANY VOLTS CAN YOU HANDLE?

HOW MANY VOLTS DO YOU HAVE?

MM.

[ ELECTRICITY CRACKLES ] [ GRUNTING ]

CANDACE, STOP IT!

[ ELECTRICITY STOPS ]

ARE YOU READY TO SIGN?

NO.

[ SIGHS ]

OKAY.

[ ELECTRICITY CRACKLING ] C‐C‐C‐‐ NO, STOP!

CANDA‐‐ STOP IT!

THAT HURTS!

[ ELECTRICITY STOPS ] I ONLY CAN IMAGINE.

[ EXHALES DEEPLY ]

SIGN THE PAPERS.

NO.

NO, NO, NO, NO! CANDACE. CA‐‐ WAIT.

WHY ARE YOU DOING THIS?

ARE YOU KIDDING ME?

EVERY DEMON HAS A DEVIL ON ITS TAIL.

NOW JUST SIGN THE DAMN DOCUMENT,

AND YOU CAN GO BACK TO YOUR HUMDRUM LITTLE LIFE.

NO.

N‐NO, NO. BUT I KNOW YOU, CANDACE.

I KNOW YOU DON'T HAVE THE HEART TO KEEP PRESSING THAT BUTTON.

I DON'T HAVE A HEART?

N‐NO, THAT'S NOT WHAT I SAID. I SAID YOU DON'T HAVE ‐‐

[ ELECTRICITY CRACKLING ] CANDACE! STOP IT!

[ ELECTRICITY STOPS ] [ PANTING ]

HMM.

[ SIGHS ]

YOU'RE RIGHT.

MAYBE I DON'T WANT TO KEEP DOING THIS.

I MEAN, I ALMOST BROKE A NAIL THAT TIME.

[ SIGHS ]

ARE YOU GONNA SIGN?

CANDACE.

NO, NO! CAND‐‐

ARE YOU GONNA SIGN?

NO.

WAR?

NO.

I NEED YOU TO FRY SOME BARBECUE.

CANDACE, PLEASE!

WAIT.

DID YOU JUST SAY "CANDACE, PLEASE"?

SAY THAT AGAIN.

CANDACE...PLEASE.

OH.

YOU KNOW, I REMEMBER... ASKING YOU ‐‐

NO, BEGGING YOU TO TELL THAT THING, MAMA ROSE,

TO LET ME GO.

[ SCOFFS ]

AND WHAT DID YOU DO?

I HAD HER TAKE YOU OUT.

AND SHOOT ME.

THERE'S A ‐‐ [ STAMMERS ] SHE DIDN'T SHOOT YOU.

I TOLD HER TO SCARE YOU. THERE'S A DIFFERENCE.

I DIDN'T LIKE THAT.

[ SIGHS ]

I'LL SIGN IT.

NO.

WHAT?

YOU KNOW WHAT?

I'M GONNA WAIT UNTIL I GET OVER WHAT YOU DID TO ME.

WAR.

NO, NO, CANDACE.

PLEASE. [ DOOR OPENS ]

[ DOOR CLOSES ] MM.

HE'S NOT READY.

PLEASE, I'LL SIGN THE PAPERS. PLEASE, CANDACE.

THAT'S OKAY. NO. LIGHT HIM UP.

I'LL LET YOU KNOW WHEN I'M READY FOR YOU TO SIGN THE PAPERS.

CANDACE. NO.

I WILL SIGN THESE PAPERS NOW, CANDACE.

NAH.

I'LL LET YOU KNOW WHEN I'M READY.

ENJOY.

CANDACE.

HAVE FUN. HAVE FUN, WAR.

NO, NO. DON'T ‐‐ DON'T.

[ ELECTRICITY CRACKLING ] [ GRUNTING ]

CANDACE!

[ KNOCKING ON DOOR ]

ARE YOU KIDDING ME?

[ SIGHS ]

[ KNOCKING CONTINUES ]

I KNOW SHE DID NOT SEND A GUY HERE.

[ KNOCKING CONTINUES ]

OKAY, CANDACE.

I'LL PLAY ALONG.

OH! OW!

WHAT THE HELL, MAN?!

WHAT THE HELL'S WRONG WITH YOU?!

YOU KNOW WHAT? GO. JUST GO.

WHAT IN THE HELL'S WRONG WITH YOU?

WELL, YOU DIDN'T HAVE TO HIT ME. I MEAN ‐‐

COME ON, MAN. THAT'S NOT RIGHT.

BRO ‐‐ DOG, YOU DIDN'T HAVE TO KISS ME LIKE THAT.

YOU DON'T EVEN KNOW ME. I DON'T GET DOWN LIKE THAT.

YOU ‐‐ YOU KNOW WHAT? IS CANDACE HERE?

SHE SHOULD'VE TOLD YOU I DIDN'T WANT TO GO ALONG WITH THIS.

I WAS JUST ‐‐ I WAS TRYING TO PLAY ALONG,

BUT I DIDN'T WANT TO DO THIS.

NOW GO.

WELL, I AIN'T LEAVING NOWHERE UNTIL I FIND CANDACE.

LEAVE.

MOVE. [ GRUNTS ]

YOU CAN'T JUST COME UP IN HERE.

WHAT ‐‐ OKAY. I'M CALLING THE POLICE.

SHUT UP BEFORE I KNOCK YOUR ASS OUT.

I TOLD YOU I'M LOOKING FOR CANDACE.

I DON'T KNOW WHO THE HELL YOU ARE,

BUT YOU NEED TO GET THE HELL OUT OF MY PLACE.

NOW!

I'M NOT PLAYING WITH YOU.

OH. OH.

[ GRUNTING ] WHERE SHE AT?

[ Straining ] GET YOUR DAMN HANDS OFF ‐‐

SHUT UP! WHERE'S MY SISTER AT?!

GET OUT OF HERE. HELP!

WHERE IS MY SISTER AT?!

OH. OH. WAIT, WAIT, WAIT. WAIT, YOUR SISTER?

THAT'S WHAT I JUST SAID TO YOU.

WAIT, WAIT, WAIT. LET ME EXPLAIN. LET ME EXPLAIN.

ARE YOU BENNY? YES!

OKAY, OKAY. OKAY, OKAY, I'M SORRY.

I'M SORRY, I'M SORRY.

UM...OKAY, I'M SORRY.

I ‐‐ I THOUGHT YOU WERE SOMEONE ELSE.

WHO?

SOMEONE ELSE CAME HERE LOOKING FOR HER?

N‐NO, NO, NO. [ SIGHS ]

WELL, WHERE SHE AT?

WELL, SHE'S NOT HERE.

WELL, WHERE DID SHE GO?

UH, I‐I DON'T KNOW.

HOW LONG SHE BEEN GONE?

A COUPLE OF HOURS.

DID SHE SAY WHERE SHE WAS GOING?

NO, NO. SHE DIDN'T.

[ CHUCKLES ]

DOG, SHE'S NOT ANSWERING MY PHONE CALLS.

SHE RAN TO WHERE I CAN'T GET AHOLD OF HER.

CAN YOU AT LEAST CALL HER FOR ME?

YEAH, YEAH, YEAH, YEAH, YEAH, YEAH.

GO.

AND I'M SORRY.

YEAH. YEAH.

[ Dialing ]

[ Ringing ]

HEY. HI. CANDACE. CANDACE: Hey.

H‐HOLD ON.

WHERE YOU AT?

BENNY, WHAT ARE YOU DOING OVER THERE?

BECAUSE YOU LEFT LIKE I TOLD YOU NOT TO.

WHY THE HELL YOU SNEAKING OUT OF THE HOUSE?

I'M HANDLING BUSINESS, B.

WHERE YOU AT? I'M COMING TO GET YOU RIGHT NOW.

No, I'm fine. NO, YOU'RE NOT FINE.

LISTEN, OKAY? I'M WITH WARLOCK AND HIS BOYS.

I'M GOOD. THEY GOT ME. THEY'RE LOOKING OUT FOR ME.

DON'T WORRY, THEY'RE GONNA BRING ME BACK TO JEFFERY'S.

SO, YOU'RE WITH WARLOCK.

PUT HIM ON THE PHONE.

WARLOCK.

[ DOOR OPENS ]

BENNY.

WARLOCK: Yo.

SHE WITH YOU?

YOU KNOW I GOT HER, B.

LISTEN TO ME ‐‐ DO NOT LET HER OUT OF YOUR SIGHT.

I GOT HER, MAN. I GOT HER.

Put her back on the phone. ALL RIGHT.

HEY, BENNY, I'M GLAD YOU'RE GOOD, MAN.

Appreciate it.

HEY, YOU WANT HIM BACK WHEN HE GET OUT OF THE BATHROOM?

YOU SEE?

LISTEN, YOU AND I GONNA TALK LATER.

Okay.

NOW, GO HOME.

I'M SURE YOU SCARED JEFFERY HALF TO DEATH.

[ Scoffing ] YEAH. WE GONNA TALK ABOUT THAT, TOO.

WHY? WHAT HAPPENED?

I almost broke this fool's jaw.

W‐WHAT?

'CAUSE I COME UP TRYING TO LOOK FOR YOU,

this dude jumps out face‐first trying to kiss me.

OH, NO. OH, GOD.

OKAY, UH, THAT WAS A BIG MISUNDERSTANDING.

YEAH, WELL, YOU BETTER TALK TO YOUR BOY.

LISTEN, CALL ME LATER, ALL RIGHT?

NO, WAIT. CAN I SPEAK TO JEFFERY, PLEASE?

I DON'T WANT TO TALK TO YOU RIGHT NOW.

[ CELLPHONE BEEPS ] [ SIGHS ] I'M SORRY, JEFFERY.

OH.

OH, YEAH. IT'S MINE.

[ SIGHS ]

WAR!

[ DOOR OPENS, CLOSES ]

BRING HIM BACK.

[ SIGHS ] LOOK, BRO, I NEED ONE MORE FAVOR.

I'M GONNA GIVE YOU MY CARD.

IF ANYBODY COMES THROUGH LOOKING FOR HER, GIVE ME A CALL.

ANYBODY LIKE ‐‐ LIKE...

ANYBODY LIKE ANYBODY.

OKAY, OKAY. ALL RIGHT, YEAH.

YEAH? YEAH, YEAH. I GOT IT.

[ SIGHS ]

WYATT?

WYATT.

WHAT ARE YOU DOING HERE?

I WORK HERE.

WHY?

DID YOU DRINK ALL OF THIS?

WHY ARE YOU HERE SO EARLY?

I ALWAYS GET TO WORK AT 6:00.

IS IT 6:00?

DID YOU DRINK ALL OF THIS?

I ASKED YOU A QUESTION.

YOUR FATHER'S GOING TO BE SO UPSET.

I DON'T GIVE A DAMN.

WELL, YOU SHOULD GIVE A DAMN.

NOW GET UP.

WHY DO YOU CARE?

STOP.

YOU SHOULD BE GLAD THAT I'M THE ONE WHO FOUND YOU.

NOW GET UP. COME ON.

NO.

WHAT IS WRONG WITH YOU?

THIS FAMILY IS WHAT'S WRONG WITH ME.

OH.

THEY'RE SCREW‐UPS.

I REALLY DON'T WANT TO HEAR THIS AGAIN, WYATT, PLEASE.

YOU'VE BEEN GIVEN EVERYTHING. EVERYTHING. AND WHAT DO YOU DO?

YOU GET HIGH. SO, PLEASE, I DON'T WANT TO DEAL WITH THIS.

NOW GET UP.

YOU THINK MONEY'S THE ANSWER TO EVERYTHING?

NO. NO, I THINK YOU THINK

THAT THE MONEY IS THE CAUSE OF ALL YOUR PROBLEMS.

NOW COME ON, WYATT. GET UP.

ALL RIGHT. HELP ME UP.

[ SIGHS ] COME ON.

COME ON.

WHAT ARE YOU DO‐‐

WHAT ARE YOU DOING? WYATT.

DO YOU WANT ME, CELINE?

[ SIGHS ] WYATT, PLEASE.

WHAT ARE YOU DOING, WYATT?

I WANT YOU.

WHAT ARE YOU DOING?

YOUR BREATH SMELLS LIKE YOU'VE BEEN DRINKING BABY'S MILK.

CAN YOU FEEL THAT? STOP.

CAN I FEEL IT?

[ SIGHS ] OH, IS THAT WHAT THAT IS, HUH?

OH, YEAH.

MM. I THOUGHT IT WAS A TUBE OF LIPSTICK.

YOU WANT TO PUT SOME ON?

[ Chuckling ] OH.

OH, LITTLE BOY.

WHEN YOU GROW UP ‐‐ AND I DO MEAN GROW UP ‐‐

THEN YOU CAN COME SEE ME.

UNTIL THEN, GET OFF ME.

IS THAT WHAT YOU TELL MY FATHER?

WHAT?

HOW LONG HAVE YOU TWO BEEN HAVING AN AFFAIR?

WHAT ARE YOU TALKING ABOUT?

I READ THE E‐MAIL.

I HAVE HIS PHONE.

WHORE.

IN MY MOTHER'S HOUSE.

I SWEAR TO GOD, IF YOU DON'T GET OFF ME, WYATT ‐‐

WHAT ARE YOU GONNA DO? WHAT ARE YOU GONNA DO?

GO AHEAD, TRY IT.

OFF ME, PLEASE. GET OFF ME!

GO AHEAD, STRUGGLE. I LIKE IT.

GET OFF ME, WYATT.

WHAT YOU GONNA DO? WHAT YOU GONNA DO?

I'M GONNA TELL YOUR ‐‐ IS HE MY BROTHER?!

I'M GONNA TELL YOUR FATHER. THAT'S WHAT I'M GONNA DO.

GO AHEAD. GET OFF ME!

GO AHEAD.

I'M NOT LETTING YOU UP.

YOU THINK I WON'T TELL HIM? YOU THINK I WON'T TELL HIM?

GO AHEAD AND TELL HIM.

I WILL! I WILL.

RIGHT UNDER MY MOTHER'S NOSE. [ CHUCKLES ]

YOU'RE HORRIBLE. YOU ARE HORRIBLE.

AND WHAT ARE YOU? HUH? WHAT ARE YOU?

YOU'RE A SPOILED, UNGRATEFUL BRAT.

THAT'S WHAT YOU ARE.

YOUR FATHER HAS TRIED TO HELP YOU AT EVERY CHANCE

AND YOUR MOTHER, AND WHAT DO YOU DO, WYATT, HUH?

YOU THROW IT AWAY. YOU THROW IT ALL AWAY!

MY SON ‐‐

MY SON... MY BROTHER?

MY BROTHER? ...HE APPRECIATES EVERYTHING.

HE APPRECIATES EVERYTHING THAT IS GIVEN TO HIM.

HE'S WORKING HIS WAY THROUGH COLLEGE,

AND YOU KNOW WHAT, WYATT?

HE'S DOING IT ALL ALONE WITHOUT HIS DADDY TO CODDLE HIM.

NOW GET OFF ME!

GET OFF ME!

GET OFF ME. DID YOU READ WHAT HE WROTE?

NO! GET OFF ME. GET OFF ME.

LET ME READ IT TO YOU. LET ME READ IT TO YOU.

STOP!

"I CAN'T WAIT TO SEE YOU.

"I'M SO GLAD I FOUND YOU.

"YOU TURN ME ON.

"YOU MAKE ME FEEL YOUNG AND SEXY AGAIN.

I CAN'T WAIT TO SEE YOU."

LOOK AT YOU GETTING ALL EXCITED.

LET ME KEEP READING.

DON'T GET TOO EXCITED YET.

"EVERYTHING IN THIS HOUSE IS OLD AND UNATTRACTIVE.

"YOU MAKE ME RISE AGAIN.

"YOU MAKE ME RISE AGAIN.

"I CAN'T WAIT TO SEE YOU...

CANDACE."

CANDACE?

CANDACE?

YES.

YEAH.

AMANDA'S FRIEND CANDACE?

THAT WOULD BE THE ONE.

WHAT ABOUT HER?

[ SCOFFS ]

HE'S SCREWING HER... ALL OVER THE HOUSE.

THAT GUY THAT AMANDA HAD OVER, HE TOLD US ‐‐

ALL OF US.

THEN I FOUND HIS PHONE AND CONFIRMED IT.

HE IS SUCH A LOSER.

[ SIGHS ]

[ SCOFFS ]

LOOK AT YOU.

LOOK HOW ANGRY YOU ARE.

YOU WANT TO GO UP THERE AND SCRATCH HIS EYES OUT, DON'T YOU?

AND YOU DO KNOW HE HAS A WIFE.

WELL, YOU CAN'T, ANYWAY.

HE'S NOT HERE.

I'VE BEEN SITTING HERE WAITING FOR THAT SON OF A BITCH...

RIGHT HERE.

I'M GONNA GIVE HIM A PIECE OF MY MIND.

DAMN.

YOU GOT ONE HELL OF A BODY.

YOU OUGHT TO WEAR JEANS MORE OFTEN.

I'M DONE.

WANT TO GIVE ME SOME OF THAT ASS?

[ SNIFFLES ]

HUH?

AND GET ME SOME MORE DAMN VODKA!

HANNA.

HEY. I DIDN'T MEAN TO WAKE YOU.

WHAT TIME IS IT?

IT'S A LITTLE AFTER 6:00.

MM. YOU GOT TO BE TIRED.

NO, I'M FINE. [ CHUCKLES ]

YOU GO ON AND SLEEP FOR A FEW MORE HOURS,

AND THEN YOU GO ON TO WORK.

YOU ALL RIGHT?

IT WAS JUST ONE DRINK.

YEAH, BUT IT WAS A BIG ONE.

SEE? THAT'S WHY I DON'T DRINK.

MM‐HMM. GOOD YOU DON'T.

WHERE IS EVERYBODY?

[ CHUCKLES ]

DIDN'T YOU HEAR ME SAY IT WAS AFTER 6:00 A. M.?

THEY ARE GONE.

OH.

I WAS SUPPOSED TO BE HELPING YOU CLEAN UP.

YOU SUPPOSED TO BE GOING HOME.

I DON'T WANT TO GO HOME.

IT'S TOO QUIET.

YEAH, WELL, YOU BETTER.

NO. LET ME HELP YOU.

MICHAEL.

I WILL.

YOU GOT ANY MOUTHWASH?

IN THERE.

YEAH, UNDER THE SINK.

[ CHUCKLES ]

[ WATER RUNNING ]

MICHAEL, YOU KNOW IT'S FINE. I GOT EVERYTHING.

IT WAS JUST SO GOOD TO SEE BENNY HAPPY AND SMILING LAST NIGHT.

IT WAS ALL WORTH IT. I DIDN'T MIND IT ONE BIT.

I'D DO IT AGAIN

AFTER EVERYTHING I'VE BEEN GOING THROUGH

THESE LAST FEW WEEKS AND DAYS.

AND LISTEN, THANK YOU FOR THE LAUGHTER.

OH, ALL I WANTED TO DO WAS LAUGH.

[ LAUGHS ]

AND I EVEN TOOK A SIP OF THAT BROWN LIQUOR

BENNY LIKES SO MUCH.

I MEAN, WHEN NOBODY WAS LOOKING.

[ LAUGHS ]

OH.

OH, BABE, WHAT ARE YOU DOING?

DON'T DO THAT. STOP. STOP.

HANNA, HANNA, HANNA.

DON'T. DON'T, DON'T.

IT'S JUST BEEN TOO LONG FOR ME. I'M NOT DOING THIS. I JUST ‐‐

WHY?

I‐I'M JUST NOT DOING THIS, OKAY?

KISSING IS NOT SEX, BABY.

OOH.

MM.

IT MAY AS WELL BE IF IT FEELS THAT GOOD TO ME.

[ CHUCKLES ] DON'T YOU EVEN LIKE ME?

YES, MICHAEL, I DO.

ARE YOU ATTRACTED TO ME?

MICHAEL, WE ‐‐ [ SIGHS ]

ARE YOU?

YES.

WELL, WHEN'S THE LAST TIME YOU HAD A MAN AROUND HERE, HANNA?

IT'S BEEN A WHILE.

I WANT YOU.

TO DO WHAT?

WHATEVER YOU WANT ME TO DO.

MM. [ CHUCKLES ]

IT'S TALK LIKE THAT THAT LED TO MY TWO KIDS.

MM.

YOU STILL AT THAT AGE?

NO.

I DIDN'T THINK SO. [ CHUCKLES ]

OH? [ LAUGHS ]

WELL, THAT'S NO WAY TO MAKE ME FEEL GOOD, MICHAEL.

I'M JUST SAYING.

I'M JUST SAYING, YOU STILL BEAUTIFUL.

BUT YOUR KIDS ARE GROWN, AND WE'RE GROWN.

YOU NEED TO GO HOME.

OH. PLEASE, GO HOME, MICHAEL.

COME ON.

REALLY...

REALLY, IT'S BEEN TOO LONG FOR ME NOW.

I WANT YOU.

OH, MICHAEL, I'M WAY TOO WEAK FOR THIS.

OH, WE'LL BE WEAK TOGETHER, BABY.

OKAY?

[ EXHALES SHARPLY ]

I TRY TO JUST LIVE MY LIFE AND DO THE RIGHT THING.

I WANT TO STAY BLESSED.

I AM NOT TRYING TO GET UNDER THE...

I'M NOT HAVING SEX WITH YOU, MICHAEL.

[ SIGHS ]

[ DOOR CLOSES ]

MOM?

W‐‐

HI.

HI. WHAT'S GOING ON?

WHAT'S WRONG?

MOM, WHAT'S GOING ON? DID SOMETHING HAPPEN?

IS ‐‐ IS SOMETHING WRONG? WHAT IS IT?

HE'S HAVING AN AFFAIR.

HE'S WHAT?

I TRIED TO KEEP THIS FROM YOU, JEFFERY.

OH, NO. I'M ‐‐ I'M SORRY.

HE'S HAVING AN AFFAIR, AND...

WAIT, WAIT. HOW ARE YOU?

ARE ‐‐ ARE YOU OKAY?

THIS HAS NEVER HAPPENED BEFORE.

IT'S NEVER HAPPENED BEFORE.

THIS IS YOUR FAULT.

THIS IS YOUR FAULT.

THIS IS YOUR FAULT.

WHAT? WHAT ARE YOU TALKING ABOUT?

EVER SINCE YOU'VE BEEN TRYING TO BE A HOMOSEXUAL.

WE WERE FINE.

WE WERE FINE.

WE'VE BEEN ARGUING OVER YOU.

BECAUSE YOU WANT TO BE A HOMOSEXUAL.

HOW IS THIS ABOUT ME?

BECAUSE OF YOU, HE MOVED OUT, THAT HE WENT TO THE HOTEL,

THAT HE SLEPT WITH MAGGIE DAY.

IT'S ALL YOU.

ME.

HMM.

DON'T YOU GET IT?

DON'T YOU GET IT?

THIS IS SO MUCH PRESSURE ON YOU, SON.

IS THIS WHAT YOU WANT?

DO YOU WANT TO DESTROY US?

NO, MOM.

DO YOU HATE ME THAT MUCH? NO, THIS IS NOT WHAT I WANT.

NO, I DON'T HATE YOU, MOM.

YOU MUST.

[ DOOR LOCKS ]

WHAT IS SHE DOING HERE?

Candace: [ SIGHS ]

DAMN, VERONICA, YOU LOOK A MESS.

WHAT HAPPENED TO YOUR HAIR?

WHAT IS SHE DOING HERE, JEFFERY?

I'M STAYING HERE.

NO, YOU'RE NOT.

YES, I AM.

YOU KNOW, EVER SINCE YOU WERE A CHILD,

YOU NEVER WANTED TO BE CHANGED.

YOU WERE ALWAYS COMFORTABLE IN YOUR WASTE.

I SEE THIS IS STILL THE CASE.

[ CHUCKLES ]

JEFFERY, WHAT THE HELL IS THIS CHICK DOING HERE?

WHAT IS SHE FILLING YOUR HEAD WITH?

GET OUT OF HERE.

I'M NOT GOING ANYWHERE.

I WANT YOU TO PUT HER OUT, JEFFERY.

I WANT TO SEE YOU PUT ME OUT.

OKAY. FINE.

Jeffery: WAIT, WAIT, WAIT, WAIT. COME ON.

NO, NO, NO. ARE YOU OKAY?

YEAH. I'M FINE.

NO, YOU'RE NOT.

LOOK AT YOU.

WHAT ARE YOU SAYING TO HIM?

[ WHISPERING ]

NO, I AM SO SICK OF THIS HO.

WHAT ARE YOU SAYING TO HIM?

HO?

YES. HO. AND I'M SICK OF YOU.

THE BOY IS GAY. GET OVER IT.

YOU ARE THE WHORE WITH THE "W," "R," AND THE "E."

I DON'T MAKE MY LIVING ON MY KNEES.

DON'T HATE 'CAUSE IT TOOK YOU EIGHT YEARS OF COLLEGE

TO MAKE WHAT I MAKE IN AN HOUR.

YOU DON'T EVEN KNOW WHAT MONEY IS, LITTLE GIRL.

YOU WANT TO BET?

YOU'RE LIKE ONE OF THOSE RAPPERS OR THOSE THUGS WHO SELL DOPE.

YOU GET A $100,000 CAR AND SOME GOLD CHAINS,

AND YOU DON'T EVEN HAVE ANY DAMN HEALTH INSURANCE.

AND, ALL OF A SUDDEN, YOU'RE RICH.

$1 MILLION IS NOT RICH, DARLING.

IT'S TRYING.

IT'S NOT UNTIL YOU CAN PUT AT LEAST $25 MILLION

IN FRONT OF THE NET WORTH AND THE DEGREES

THAT YOU EVEN DESERVE TO BREATHE THE SAME AIR THAT I DO.

SO, YOU ARE NOTHING MORE THAN A LOW‐CLASS STREETWALKER.

MM.

[ BOTH CHUCKLE ]

JEFFERY, I THINK YOUR MOTHER IS THREATENED BY ME.

[ CHUCKLES ] ARE YOU SERIOUS?

THAT'S GOT TO BE IT.

I MEAN, EVERY TIME I COME AROUND YOU,

YOUR BACK CURLS UP LIKE A CAT AND YOUR CLAWS COME OUT.

THAT'S BECAUSE I'M LOOKING AT A HOOD RAT.

OH.

HOW ABOUT YOU GIVE ME YOUR, UH, E‐MAIL ADDRESS,

AND I CAN GIVE YOU SOME TIPS ON HOW TO MAKE YOUR MAN HAPPY.

BECAUSE FROM WHAT I UNDERSTAND,

HE CAME OUT OF A HOTEL WITH MAGGIE DAY THE OTHER NIGHT.

JEFFERY.

I‐I DIDN'T ‐‐ I DIDN'T SAY ‐‐ I DIDN'T SAY ANYTHING.

HE DIDN'T HAVE TO.

THE LOOK ON YOUR FACE ‐‐ YEAH.

YEAH, THE LOOK ON YOUR FACE SAYS IT ALL.

AND, VERONICA, YOU MIGHT WANT TO BLEND THAT FOUNDATION BETTER.

AND TELL YOUR HAIRDRESSER TO GET A BETTER CLOSURE FOR THAT WEAVE.

JEFFERY, DO YOU WANT TO TALK ABOUT THE CAR?

NO. NO, I ‐‐ I DIDN'T SAY ANYTHING.

WHAT CAR?

I‐I DIDN'T ‐‐ I DIDN'T SAY ANYTHING.

DO YOU WANT TO PLAY THESE GAMES?

NO. WHAT CAR?

I WANT YOU TO PUT HER OUT, JEFFERY.

[ SIGHS ] OKAY. ALL RIGHT, OKAY.

CANDACE, CAN YOU PLEASE LEAVE?

NO.

PLEASE.

NO.

WHY ARE YOU SO UPSET?

[ SIGHS ] OKAY.

WHAT DOES SHE HAVE ON YOU?

PLEASE.

I'M NOT LEAVING YOU HERE WITH THIS DIABOLICAL, TWISTED WITCH.

NOPE. SEE?

ALL RIGHT, MOM, SEE?

SHE'S ‐‐ SHE'S NOT GONNA LEAVE.

OKAY? SO JUST PLEASE DON'T ‐‐ DON'T ‐‐

JEFFERY. JEFFERY, JEFFERY, JEFFERY.

JEFFERY, SWEETHEART.

ON SECOND THOUGHT, IT'S OKAY.

I WANT HER TO STAY.

I'LL LEAVE.

I'LL LEAVE.

MOM, WAIT, WAIT, WAIT.

WHAT ARE YOU GONNA DO? NO.

SHE SHOULD ABSOLUTELY STAY.

SO, HOW LONG WILL YOU BE STAYING, DARLING?

AS LONG AS I NEED TO, DARLING.

FOR AT LEAST A DAY?

AT LEAST. OKAY.

[ CHUCKLES ]

ENJOY YOUR STAY.

I WILL. ENJOY THE SALON.

[ BOTH CHUCKLE ]

[ DOOR CLOSES ]

JEFFERY.

THAT WAS NOT GOOD.

[ Dialing ]

[ CELLPHONE VIBRATES, BEEPS ]

HELLO?

YO.

I KNOW WHERE SHE IS.

WHERE?

2435 TILLMAN DRIVE.

She's there right now.

I'M ON MY WAY.

And, Quincy.

WHAT?

SHE'S THERE WITH A MAN.

SAY WHAT?

Yes.

I'LL TAKE CARE OF IT.

DON'T HURT HIM. DON'T HURT HIM.

SAY WHAT?

QUINCY, DON'T HURT HIM.

THIS DUDE, WHOEVER THIS ‐‐ IT'S DONE.

HE'S MY SON.

WHAT?

No, just rough him up a little bit like you did Jim Cryer.

GIVE HIM A LITTLE...TASTE OF REALITY.

ALL RIGHT.

APARTMENT 7.

I GOT IT.

OKAY.

GREAT.

[ CELLPHONE BEEPS ]

[ ENGINE TURNS OVER ]

Hanna: OH, MICH‐‐ OH, NO.

MM.

MM.

OOH, MICHAEL.

OOH, LORD.

I WANT YOU SO BAD.

OH.

MICHAEL, REALLY, I AM TOO WEAK FOR THIS.

OH.

OH, WAIT, WAIT, WAIT, WAIT, WAIT.

JUST GO WITH IT.

OH, WAIT.

OKAY, WAIT.

WHAT, WHAT, WHAT, WHAT, WHAT?

MY SON IS GONNA COME BACK.

YOU WANT ME TO STOP?

YOU WANT ME TO STOP, BABY?

HUH?

NO.

♪♪ SAY THAT YOU WANT TO ♪♪

♪♪ FLY AWAY WITH ME ♪♪

NEXT WEEK ON "THE HAVES AND THE HAVE NOTS"...

WHERE IS HE? I HAVE NO IDEA.

HE DIDN'T ANSWER.

OH! [ GAGGING ]

DOES JIM KNOW THAT YOU'RE WORKING FOR KATHERYN?

DOES KATHERYN KNOW THAT YOU'RE WORKING HERE?

Benny: IF I WASN'T WORRIED ABOUT SEEING YOU NAKED,

I'D HAVE DRUG HIS ASS OUT HERE

AND BUST HIM IN THE BACK OF HIS DAMN HEAD

AND LEFT HIM IN THE GUTTER WHERE YOU FOUND HIM.

YOU HAVE TO SLAM HER ASS,

AND THE ONLY WAY TO GET HER OFF YOUR BACK IS TO BREAK HERS.

EVERY LOCAL OUTLET IS HERE AND EVEN SOME HEAVY HITTERS.

YEAH, NO, I SAW BARRON EARLIER.

YOU KNOW SHE'S GONNA ASK QUESTIONS ABOUT GAY RIGHTS.

JUST MAKE SURE YOU KEEP HER AWAY FROM THE HARRINGTONS,

ESPECIALLY VERONICA.

MELISSA, TWO PEOPLE HAVE TO LIKE EACH OTHER IN ORDER TO HAVE SEX.

I CAN DO BETTER. JUST TELL ME WHAT YOU NEED ME TO DO.

THIS IS QUITE A TURNOUT.

IT IS.

YOU ARE EXCEPTIONAL AT YOUR JOB.

THANK YOU.

THEN GO DO IT.