Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

Baylor: HE'S ON LIFE SUPPORT. LIFE SUPPORT?

THE MOTHER OF THE LITTLE GIRL SAW THE DRIVER.

THIS PERSON RAN OVER MICHAEL'S GRANDDAUGHTER

AND YOUR SON LIKE A DOG IN THE STREET.

WHAT ABOUT MY GRANDBABY?

SHE DIED.

JEFFERY, I KILLED THAT GIRL.

PLEASE DON'T TURN ME IN!

DETECTIVE BYRON MARSHALL.

I'M TRYING TO INVESTIGATE YOUR SON'S CASE.

WHAT IS SHE DOING HERE? SHE KNOWS.

Officer: HANNA YOUNG, YOU'RE UNDER ARREST.

WHEN THEY WERE BOOKING ME, I TOLD THEM THAT WYATT DID IT.

HE'S BEEN ARRESTED.

Jim: I'M GOING TO GET YOU OUT. POP!

DON'T SAY A WORD TO ANYBODY.

Veronica: I HAVE IT.

NOW, YOU WILL DO WHAT I SAY, OR I WILL TURN YOUR ASS IN.

YOU'RE FREE TO GO. HERE ARE YOUR THINGS.

ARE YOU TELLING ME HE DIDN'T HIT THAT LITTLE GIRL OR MY SON?

[ SNIFFLES ] I'M TELLING YOU THAT YOUR SON IS AT MERCY.

YOU NEED TO ASK FOR DR. BAYLOR.

IS HE BREATHING?

YES.

[ CHUCKLES ]

Jim: MY SON DID HIT SOMEONE,

HE DID NOT HIT LIZZIE,

HE DID NOT HIT BENNY YOUNG.

LYING!

THERE IS THE CAR. HERE IS THE VICTIM.

GET IN THE CAR, WYATT.

YOU MOVED BENNY, YOU TOOK CARE OF HIS BILL,

AND YOU WANT TO GIVE ME MY JOB BACK.

JEFFERY? YOUR MOM WAS SO PERSISTENT THAT WE MEET.

Jeffery: I HAD SEX WITH THE GIRL.

JEFFERY, DO YOU THINK THIS MAKES YOU STRAIGHT NOW?

KILL HER.

NO! NO. NO!

GET ON YOUR KNEES.

Hannah: Sorry you can't make it.

YEAH.

MR. CRYER?

Uh...

[ GASPS ]

WHAT ARE YOU DOING IN MY HOUSE?

AND IF HE WAS IN PRISON FOR MURDER,

HOW THE HELL DID HE GET OUT?!

NOW GET OUT OF HERE

AND DO WHAT THE HELL I SET YOU FREE TO DO.

WHERE IS CANDACE? I DON'T KNOW.

NOW, YOU GET THE HELL OUT OF MY ‐‐

[ BOTH GRUNTING ]

Candace: SOMEBODY TOOK A LOT FROM ME ‐‐

EVERYTHING, BASICALLY.

YOU WANT US TO TAKE CARE OF HIM?

I WANT HIM BROUGHT HERE

SO I CAN HANDLE HIM MYSELF.

NO, NO, NO, NO, NO, NO!

YOU'RE MAKING A BIG MISTAKE!

I'M RUNNING FOR GOVERNOR! [ TIRES SCREECH ]

I WILL HAVE YOUR ASS!

I'LL LEAVE MINE UNLOCKED.

Jim: WHAT WOULD AMANDA BE NEEDING A GUN FOR?

Katheryn: SHE WANTS US DEAD.

[ PANTING ]

[ WOMAN CACKLING ]

[ GUNSHOT ]

[ TIRES SQUEAL ]

Tina: IT WAS YOU.

YOU.

YOU DID IT.

ASKED YOUR DADDY WHY HE BEEN SCREWING MY GIRL.

YOUR DADDY'S BEEN SCREWING CANDACE.

[ SNIFFS ]

[ SIGHS ]

WHAT WOULD YOUR PASSWORD BE?

[ KEYS CLICK ]

[ SCOFFS ]

REALLY, DAD?

YOUR CAR'S FIRST LICENSE PLATE.

BRILLIANT.

WHAT THE HELL, DAD? CANDACE?

CELINE?!

ALL RIGHT.

OKAY.

ALL RIGHT.

[ SIGHS ]

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

[ MID‐TEMPO HIP‐HOP MUSIC PLAYING ]

[ LAUGHS ]

WHOO‐WHEE!

HOW MUCH HAVE YOU HAD TO DRINK?

ONE. [ CHUCKLES ]

IS THAT ALL?

IT WAS A BIG ONE. I SEE THAT.

GIVE IT TO ME, MICHAEL.

COME ON NOW.

NO, GIVE IT TO ME.

[ CHUCKLES ]

MM. MNH‐MNH‐MNH.

NOW GIVE ME YOUR KEYS.

YES, MA'AM.

[ SIGHS ] [ CHUCKLES ]

NOW GIVE ME YOUR KEYS. MNH‐MNH.

YOU WANT SOME COFFEE?

IT WAS JUST ONE, HANNA.

YEAH, BUT YOU'RE A LIGHTWEIGHT.

[ CHUCKLES ]

DO YOU DRINK?

I ‐‐ NOT REALLY. I MEAN, JUST A LITTLE BIT.

SO, WHAT'S IN YOUR CUP?

I JUST HAD A BEER.

AND HOW MANY HAVE YOU HAD?

TWO.

NICE.

[ Chuckling ] BOY, PLEASE. NO, NO, NO, NO, NO.

THIS IS NICE, WHAT YOU'RE DOING FOR HIM.

I'M JUST SO HAPPY HE'S HAPPY AND HOME.

YEAH, HE IS.

MICHAEL, I'M SORRY.

I'M ALL RIGHT.

MAYBE I SHOULD LET YOU KEEP THIS DRINK.

NO, NO, I'M FINE, I'M FINE.

YOU WERE RIGHT. I ‐‐ I HAD ENOUGH.

[ EXHALES SHARPLY ]

BUT IT ‐‐ IT DOES FEEL GOOD NOT TO...

THINK ABOUT ANYTHING, YOU KNOW?

OOH‐WHEE, YEAH.

I KNOW.

[ CHUCKLES ]

IT'S BEEN A ROUGH COUPLE WEEKS.

OOH, YOU'RE TELLING.

FOR ME, TOO.

MMMMM, MNH‐MNH.

DON'T DO IT. DON'T GET SAD.

THIS IS A HAPPY MOMENT. LET'S STAY IN IT.

YOU'RE RIGHT.

COME ON. COME ON NOW.

YOU'RE RIGHT.

[ BOTH CHUCKLE ]

YEAH.

[ LAUGHS ] YOU'RE RIGHT, YEAH.

HERE, JEROME, HOLD THIS.

MM. OH!

MM. YEAH.

YOU KNOW WHAT? UH‐HUH?

I AM LOOKING FORWARD TO SOME PEACE AROUND HERE.

[ CHUCKLES ]

WE NEED SOME PEACE.

[ Chuckling ] THAT'S RIGHT. THAT'S RIGHT. AHH.

YEAH. MM‐MM‐MM.

YOU FEEL GOOD.

AND YOU FEEL DRUNK.

[ CHUCKLES ]

YOU KNOW I'M JUST HOLDING YOU, RIGHT?

AND I'M JUST HOLDING YOU...

MM.

...UP.

[ BOTH LAUGH ]

YOU'RE TERRIBLE.

NOW, LET ME GO.

MM, OKAY.

GO ON AND GET SOME COFFEE, MAN.

ALL RIGHT.

[ LAUGHS ]

YOU AND YOUR SEXY SELF.

WHATEVER.

[ Chuckling ] GET AWAY FROM ME.

GIVE ME MY BEER.

[ LAUGHS ] THANK YOU.

OH, WHAT Y'ALL DOING OVER HERE?

MM.

[ HUMS ]

WHO WAS THAT?

BABY, YOU'VE BEEN WATCHING ME THE WHOLE TIME.

NO, I'VE BEEN WATCHING THIS MAN HUG ALL UP ON YOUR LOWER BACK.

[ CHUCKLES ] WHO IS THAT?

I TOLD YOU.

HE'S THE GRANDFATHER OF THE LITTLE GIRL

WHO WAS KILLED BY THE SAME MAN WHO HIT YOU.

[ SIGHS ]

YOU INVITED HIM HERE? YES, I DID.

ALL RIGHT, WELL, TELL HIM TO GO HOME. IT'S LATE.

OH, HUSH, BOY.

DON'T LIKE HOW HE'S HUGGING ALL OVER YOU LIKE THAT.

WHAT?

SEE THE WAY HE WAS LOOKING AT YOU?

HUGGING ON YOU LIKE HE'S TRYING TO GET A PIECE OF YOU OR SOMETHING.

BOY, GO ON SOMEWHERE.

THAT BOY AIN'T COMING HERE.

WHO? QUINCY.

WHAT?

PLUS, I GOT DUDES ON BOTH CORNERS ‐‐

ONE OVER THERE,

AND IF YOU LOOK, I GOT ONE RIGHT THERE.

THAT BOY AIN'T STUPID.

BENNY, I DON'T WANT YOU IN THIS FOOLISHNESS.

I AIN'T INVOLVED IN NO FOOLISHNESS.

THEY'RE JUST LOOKING OUT FOR US.

AND WHAT ARE THEY GONNA DO IF HE COMES AROUND?

OH, WE AIN'T GOT TO WORRY ABOUT THAT.

BENNY, LOOK AT ME.

LOOK AT ME.

YOUR SISTER IS NOT GONNA GET ALL THESE PEOPLE SHOT UP OUT HERE.

COME ON. I'M NOT TRYING TO HEAR ALL THAT.

MAMA, LOOK AT US. COME ON.

THERE'S A BUNCH OF PEOPLE OUT HERE.

WE ALL HAVING FUN, ALL RIGHT? Shh!

I JUST WANT TO MAKE SURE EVERYTHING IS COOL.

THEY'RE JUST LOOKING OUT FOR US, ALL RIGHT?

YEAH, WITH GUNS.

SHE IS NOT ‐‐ LISTEN, SHE'S FINE.

LOOK AT HER OVER THERE.

SHE IS NOT FINE.

SHE'S WORRIED TO DEATH. [ SIGHS ]

LOOK AT HER WATCHING HER PHONE EVERY TWO MINUTES.

WELL, THEN, GO COMFORT HER.

[ SCOFFS ] NO, SHE NEEDS THE REAL COMFORTER.

WHAT'S THAT SUPPOSED TO MEAN?

THE HOLY GHOST.

AW, HERE YOU GO AGAIN. BENNY, I'M TELLING YOU.

WELL, IF SHE AIN'T GOT IT AND YOU AIN'T GONNA TEACH HER HOW TO GO GET IT,

THEN STOP TALKING ABOUT IT.

FOR YOUR INFORMATION, I WASN'T EVEN LOOKING FOR HIM.

SO, WHO YOU LOOKING FOR, THEN?

MY BOSS. YOUR BOSS?

MM‐HMM.

YOU TALKING ABOUT YOUR EX‐BOSS?

NO, MY CURRENT BOSS.

WHO YOU TALKING ABOUT?

MRS. CRYER.

[ LAUGHS ] YOU TALKING ABOUT THE WHITE WOMAN?

WHAT DOES HER COLOR MATTER?

ALL RIGHT.

WHY WERE YOU LOOKING FOR HER?

SHE SAID SHE WAS COMING BY.

THAT'S WHY COLOR MATTERS.

WHAT?

LOOK AROUND HERE.

FIRST OF ALL, I DON'T SEE ONE WHITE FACE.

SECOND OF ALL, AIN'T NO WHITE WOMAN COMING TO THIS HOOD

IN THE MIDDLE OF THE NIGHT.

FROM THE BOUGIE SIDE OF THE NEIGHBORHOOD?

COME ON, AT 1:00 A. M.? COME ON NOW.

IS IT THAT LATE ALREADY? YEAH, IT'S THAT LATE.

LISTEN, SHE AIN'T COMING. YOU NEED TO LET THAT GO.

WELL, SHE SAID SHE WAS COMING,

AND THIS IS A NICE PARTY, THANK YOU.

AND SPEAKING OF THIS PARTY...

[ CHUCKLES ]

...ALL THESE FOLKS DRINKING ALL THIS BEER, EATING ALL THE FOOD ‐‐

HOW MUCH THIS PARTY COST US? LOOK...

DON'T WORRY ABOUT THAT, BOY.

MAMA, LISTEN, I'M HAVING FUN,

BUT YOU KNOW WE AIN'T GOT NO DAMN MONEY TO BE WASTING ON THIS PARTY.

YOU WATCH YOUR MOUTH, AND I'M GOING BACK TO WORK TOMORROW. OH!

MM‐HMM. SO, WHAT'S THAT MEAN? WE GOT TWO WEEKS BEFORE THE LIGHTS CUT OFF?

THE LIGHTS AIN'T GONNA BE CUT OFF.

LISTEN, I SEEN IT. I SEEN THE BILL.

AND STOP TRYING TO HIDE THEM FROM ME.

I KNEW YOU WERE GONNA FIND THEM.

PLAYING THE WHOLE "STUFF THEM BEHIND THE FRIDGE" THING. YOU'RE GONNA CAUSE A FIRE.

WILL YOU PLEASE STOP WORRYING ABOUT THAT

AND HAVE A GOOD TIME?

WE'LL DEAL WITH THAT TOMORROW.

OKAY?

GO ON AND ENJOY YOURSELF.

GO ON. YOU ‐‐ BOY, YOU NEED TO LEARN HOW TO RELAX.

GO ON. GO BACK TO THE PARTY. YOU NEED TO STOP DRINKING.

WHAT? ME? YEAH.

WHERE IS THAT FLASK YOU HAD? [ CHUCKLES ]

YOU'RE DRINKING TOO MUCH OF THAT.

[ CELLPHONE RINGING ]

[ RAP MUSIC PLAYING ]

Benny: C‐MONEY, WHAT'S UP?

HEY.

[ GRUNTS ]

YOU HAVING FUN?

CAN'T YOU TELL?

[ CHUCKLES ]

[ CHUCKLES ]

AIN'T IT PRETTY DOPE TO SEE EVERYBODY?

SURE.

COUSIN BETTY.

[ BOTH LAUGH ]

PLEASE DON'T CALL HER OVER HERE.

SHE ‐‐ SHE DRIVES ME CRAZY.

WHAT ARE YOU TRYING TO DO, BENNY?

YOU CAN'T PROTECT ME FOREVER.

YOU WANT TO BET?

I'M STAYING WITH A FRIEND,

AND IT'S SAFE THERE. OH.

AND WHO'S THIS FRIEND?

HIS NAME IS JEFFERY. [ MAKES BUZZER NOISE ]

WRONG ANSWER ALREADY. HE'S A GUY?

YES. NO.

HE'S GAY.

WELL, GOOD FOR HIM. YOU'RE STAYING HERE.

LIKE I WAS SAYING, HIS NAME IS JEFFERY.

QUINCY KNOWS NOTHING ABOUT HIM.

I'LL BE FINE, I'M OKAY.

BUT I HAVE TO GO.

LISTEN, CANDACE, I'M NOT PLAYING WITH YOU.

NOT LEAVING HERE.

[ SCOFFS ] SHE DOESN'T WANT ME HERE.

SHE KEEPS LOOKING AT THE STREET LIKE EVERY FIVE MINUTES

AS IF SHE'S LOOKING FOR A DRIVE‐BY OR SOMETHING.

IT ‐‐ IT WOULD BE BEST IF I LEAVE.

FOR YOUR INFORMATION, SHE'S NOT LOOKING FOR QUINCY.

WHO IS SHE LOOKING FOR? HER BOSS.

KATHERYN CRYER?

YEAH. THAT'S WHAT SHE SAID.

[ SCOFFS ] THAT LADY IS NOT COMING TO THIS NEIGHBORHOOD.

[ Laughing ] THAT'S WHAT I TRIED TO TELL HER.

[ CHUCKLES ]

SHE REALLY THINKS THOSE PEOPLE CARE ABOUT HER.

THEY DON'T GIVE A DAMN ABOUT NOBODY.

WELL, WHAT YOU KNOW ABOUT THEM?

THEY ARE COLD AND...

RUTHLESS.

OH, YEAH? MM‐HMM.

YOU HAVE NO IDEA.

GO AHEAD, TELL ME.

HMM.

YOU KNOW, I HEARD THIS STORY ABOUT JIM CRYER.

HE'S RUNNING FOR GOVERNOR.

MM‐HMM. YEAH. YEAH, SOMETHING LIKE THAT.

WELL, THAT'S HER HUSBAND.

UH‐HUH.

SO, THIS GUY PISSED HIM OFF, RIGHT?

SO HE LOCKED HIM IN THE BASEMENT FOR A FEW DAYS,

PUT A BAG OVER HIS HEAD, PUT A GUN BY HIS EAR,

AND PULLED THE TRIGGER.

HE KILLED HIM?

NO.

HE JUST TOOK EVERYTHING HE HAD ‐‐

MONEY, CAR, EVERYTHING.

FOR WHAT? WHY?

JUST TO SCARE HIM.

HE DIDN'T SHOOT HIM,

BUT THE GUY WAS SO SCARED THAT HE THOUGHT HE WOULD HAVE SHOT.

WELL, YOU SHOULD TELL THAT DUMB‐ASS DUDE TO LEAVE THAT MAN ALONE.

ONE, THE GUY'S NOT DUMB, BECAUSE I KNOW HIM,

AND TWO, IT JUST PISSED THE GUY OFF EVEN MORE.

WHAT'D HE DO?

HE GOT EVEN WITH HIS ASS.

HOW?

I DON'T KNOW THE END OF THE STORY,

BUT WHEN I FIND OUT, I WILL LET YOU KNOW.

[ CHUCKLES ]

IS THIS THE MAFIA OR SOMETHING? THEY SOUND CRAZY.

NOT AS CRAZY AS THE GUY HE MESSED WITH.

SOUNDS LIKE A JACKED‐UP SITUATION.

HOW YOU KNOW SO MUCH ABOUT IT?

YOU FORGET?

I'M FRIENDS WITH HIS DAUGHTER.

OH, THAT'S RIGHT.

MM.

WELL, THE WIFE CAN'T BE THAT BAD.

NO. SHE IS.

MNH‐MNH.

THOSE PEOPLE DO EVERYTHING FOR A REASON.

WELL, THEN WHY'D SHE MOVE ME TO A PRIVATE HOSPITAL

AND PAY FOR ALL MY BILLS?

WHAT?

YEAH.

KATHERYN CRYER?

YEAH, THAT'S WHAT MAMA SAID.

THAT'S INTERESTING.

SO, SHE CAN'T BE THAT BAD.

I KNOW THIS IS HARD FOR YOU.

CAN WE NOT TALK ABOUT IT?

OKAY.

I'D RATHER WE JUST DO THIS IF WE'RE GOING TO DO IT.

OKAY. [ CHUCKLES SOFTLY ]

I'M SORRY.

FOR WHAT?

FOR NOT WANTING TO TALK.

DON'T BE.

JUST...

[ SIGHS ]

JUST THAT I'VE NEVER...

YEAH, I, UH ‐‐ I GET THAT.

I'M GONNA NEED A MOMENT,

SOME LIQUID COURAGE

TO SILENCE THE VOICES IN MY HEAD.

YOU KNOW, I WOULD ASK YOU WHAT THEY'RE SAYING, BUT...

YOU DON'T WANT TO TALK, SO...

[ CHUCKLES ]

[ CHUCKLES ]

MAYBE WE SHOULDN'T DO THIS. EH...

I ALREADY KNOW THAT.

YET HERE I AM.

[ CHUCKLES ]

AND HERE I AM.

MM.

HERE, LET ME, UM,

LET ME GET YOU ANOTHER DRINK.

[ DRINK POURS ]

SO...

HERE WE ARE.

[ SIGHS ]

[ MOANS ]

NOTHING VENTURED, NOTHING GAINED, RIGHT?

[ BREATHING HEAVILY ]

[ THUDDING IN TRUNK ]

[ ENGINE SHUTS OFF ]

Jim: LET ME OUT OF THIS TRUNK!

SEE NOTHING, PEOPLE.

[ MURMURING ]

Jim: I AM A FEDERAL JUDGE!

YOU FEEL THAT?

MAN, I ASKED YOU A QUESTION. YOU FEEL THAT?

YES.

GOOD.

SO, YOU SAY ONE MORE THING,

AND WHAT COME OUT THE END OF THIS STEEL ‐‐ OOH, BABY ‐‐

IT'S GONNA HAVE YOU SILENT FOREVER.

YOU GOT ME?

I GOT YOU.

TAKE HIM.

[ SPEAKING INDISTINCTLY ]

I'M A FEDERAL JUDGE!

YOU HAVE NO IDEA WHAT YOU ARE GETTING YOURSELF INTO.

I'M A ‐‐

I'M A FEDERAL JUDGE!

[ RESTRAINTS CLICK ]

[ CELLPHONE RINGS ]

MM. UH, ONE SECOND. MY PHONE.

WHO IS THAT? JEFFERY.

WHO IS THAT? YOU AIN'T GOT TIME TO TALK TO HIM.

BENNY, STOP. BENNY, GIVE ME A SECOND.

YOU NEED TO DANCE WITH YOUR BROTHER. COME ON NOW. COME ON!

GOT TIME TO TALK TO HIM?

YO, I'M THE FLYEST ON THE DANCE FLOOR. HEY.

[ MID‐TEMPO HIP‐HOP MUSIC PLAYING ]

TALK TO ME.

YEAH, WE GOT HIM.

YEAH? Yeah.

WHERE IS HE?

HE'S, UH, HERE IN THE WAR ROOM.

AND, YO, HE MAD.

THANK YOU, WAR.

All righty. When you coming?

I'M TRYING TO SHAKE BENNY.

W‐WHY?

HE KNOWS QUINCY'S AFTER ME.

Well, you know Benny's right about that.

WELL, HE CAN'T PROTECT ME FOREVER.

LOOK, CAN, I DON'T WANT YOUR BROTHER ON THIS.

IF "Q" FIND YOU'RE TRYING TO GET OVER HERE ‐‐

I'LL BE FINE. I'LL BE FINE.

How you getting here?

I'LL GET A CAB.

NO, SCRATCH THAT. I'LL SEND SOMEBODY.

Okay, well, have them meet me around the corner.

SO, UM...

I'M GONNA TRY TO SNEAK OUT.

ALL RIGHT.

YO, BE CAREFUL.

"Q" LOOKING EVERYWHERE FOR YOU.

I TOLD YOU I'LL BE FINE.

All right.

NOW, ABOUT THIS FOOL OVER HERE.

YOU SURE YOU GOT THIS?

OH, WAR,

I HAVE NEVER BEEN SO SURE ABOUT ANYTHING IN MY LIFE.

AND WHAT ABOUT ALL THESE FOLK HE TALKING ABOUT

GONNA BE LOOKING FOR ME TOMORROW?

IS THAT WHAT HE SAID?

He been in the trunk, screaming it the whole way here.

THEN LET THEM LOOK.

[ SCOFFS ]

GIRL, YOU AIN'T NEVER BEEN SCARED OF NOTHING, I SWEAR.

NO, I HAVEN'T.

ESPECIALLY NO PUNK‐ASS WANNABE WHO THINKS HE'S GOT SOME POWER.

YEAH, YOU MY CRAZY CANDY CANE.

YES, I AM.

DID YOU GET EVERYTHING I NEEDED ON THAT LIST?

Yeah, it's all set up.

OKAY, GOOD.

WELL, NOW, SEND YOUR BOYS, AND, UH, I'LL ‐‐ I'LL BE READY.

Okay.

HEY.

WHAT'S HE DOING?

MAN, HE OVER THERE SHAKING LIKE A STRIPPER.

[ LAUGHS ]

PUT HIM ON THE PHONE.

All right, I will. SPEAKER.

HEY, BOSS, SOMEBODY WANT TO TALK TO YOU.

CANDACE: Hello, lover.

YOU HAVE LOST YOUR MIND.

YES, DARLING.

Candace.

YES?

I WANT YOU TO TELL YOUR FRIENDS TO LET ME GO.

NO, THAT CAN'T HAPPEN.

YOU HAVE NO IDEA THE PLANS I HAVE IN STORE FOR US,

DO YOU, LOVER?

CANDACE.

You locked me in a basement full of rats

WITH THAT THING YOU CALL MAMA ROSE.

Candace.

THAT...

THAT SMELL.

THERE WERE THINGS CRAWLING ALL OVER ME

in that dark and cold place.

I AM WARNING YOU, CANDACE.

AND I'M WARNING YOU TO SHUT YOUR MOUTH.

YOU HAD BETTER LET ME GO.

THEY DON'T TAKE ORDERS FROM YOU.

THEY BETTER TAKE ORDERS FROM ME, OR THEY'RE ALL GOING TO JAIL.

OH, JIM.

THE THINGS THAT SCARE YOU BEHIND YOUR MANSION WALLS,

WE DON'T GIVE A DAMN ABOUT.

DON'T YOU GET THAT?

You don't get it.

IN A FEW SHORT HOURS, EVERY REPORTER IN THIS STATE

IS GOING TO BE AT MY CAMPAIGN OFFICE.

MY CAMPAIGN OFFICE!

A FORMER PRESIDENT, THE GOVERNOR OF THIS STATE ‐‐

THEY WILL BE THERE, EACH AND EVERY ONE OF THEM,

EXPECTING ME TO MAKE AN ANNOUNCEMENT

THAT I AM RUNNING FOR GOVERNOR.

What you don't seem to understand is

IF I AM NOT THERE,

THEY ARE GOING TO SEND OUT EVERY STATE TROOPER

AND EVERY FEDERAL AGENT

THEY CAN GET THEIR GREEDY, LITTLE HANDS ON,

AND THEY WILL COME LOOKING FOR ME.

OH, I KNOW THAT.

THAT'S WHY I WANTED IT TO BE TONIGHT.

Brace yourself.

CANDACE.

You had them take me on a dark road

WITH A HOOD OVER MY HEAD TO PRETEND TO SHOOT ME.

I SHOULD'VE LET THEM DO IT.

I AM THE KIND OF BITCH

THAT YOU SHOULD'VE KILLED WHEN YOU HAD THE CHANCE TO.

BELIEVE ME, I'LL REMEMBER THAT.

War.

YEAH, BABY?

KEEP HIM ON ICE.

I'LL BE THERE SOON.

Okay.

[ CELLPHONE BEEPS ]

[ CHUCKLES ]

LET'S CUT THE LIGHTS OFF, FELLAS.

LET'S GIVE THE JUDGE SOME ALONE TIME.

WE'LL BE BACK.

[ SWITCH CLICKS ]

[ DOOR CLOSES ]

UM, I'LL BE BACK.

HERE, KEVIN, TRY THIS.

IT'S GOOD. I THINK I PUT MY FOOT IN THERE.

ARE YOU GOING TO BED?

NO, I'M NOT GOING TO BED.

I'M GOING TO CHECK MY MESSAGES.

STAY OUT OF MY BUSINESS, HEAR?

[ LAUGHS ]

[ CELLPHONE BEEPS ]

Katheryn: HANNA, IT'S KATHERYN.

I'M SORRY.

I‐I TRIED TO CALL YOU,

BUT I'M NOT GOING TO BE ABLE TO MAKE IT OVER.

WE HAVE A HUGE PRESS CONFERENCE TOMORROW

ANNOUNCING JIM'S RUNNING,

AND YOU KNOW I NEED MY BEAUTY REST.

[ CHUCKLES ] [ CHUCKLES ]

RAIN CHECK, OKAY?

SEND BENNY MY LOVE. BYE‐BYE.

[ GROANS ]

[ CELLPHONE BEEPS ]

MICHAEL?

EVERYTHING ALL RIGHT?

YEAH.

YOU SURE?

[ CHUCKLES ]

WHAT ARE YOU GONNA DO IF IT ISN'T?

ALL THIS STAGGERING.

I'M NOT STAGGERING, BABY.

MICHAEL, YOU NEED TO LAY DOWN.

I'M FINE.

JUST LIKE YOU FINE.

[ LAUGHS ] YEAH.

OKAY, COME ON IN MY ROOM AND LAY DOWN AND SLEEP IT OFF.

ARE YOU SURE? UH‐HUH.

ALL RIGHT, LET'S GO.

HEY, WAIT, WAIT, WAIT, WAIT.

YOU DON'T KNOW WHERE MY ROOM IS.

I'M FOLLOWING YOU.

[ Chuckling ] C‐COME ON, MAN.

ALL RIGHT. GO THAT WAY.

MICHAEL, TURN AROUND.

[ CHUCKLES ]

LAY DOWN.

UNH‐UNH.

LAY DOWN.

[ CHUCKLES ]

WHAT'S THAT MAN DOING IN YOUR ROOM?

HE IS MY GUEST, AND HE NEEDS TO SLEEP IT OFF.

HE NEEDS TO TAKE HIS ASS HOME.

HUSH, BOY.

TELL YOU WHAT, I'M WATCHING HIM.

[ CHUCKLES ] AND YOU.

STILL WAITING FOR YOUR BOSS?

SHE JUST LEFT ME A MESSAGE AND SAID SHE COULDN'T MAKE IT.

AH.

TOLD YOU.

I TOLD YOU SHE WAS TOO DAMN SCARED TO COME DOWN HERE.

LISTEN.

THAT WOMAN MOVED YOU TO THE BEST HOSPITAL IN THIS CITY.

SHE PAID EVERY ONE OF YOUR HOSPITAL BILLS.

SHE DON'T NEVER NEED TO COME OVER HERE AND DO NOTHING ELSE.

SHE'S DONE ENOUGH.

HEY, YOU TOLD ME. MM‐HMM.

SO STOP LISTENING TO YOUR SISTER.

HOW YOU KNOW I'M LISTENING TO HER?

[ Laughing ] WHO YOU THINK YOU TALKING TO?

WHERE'S SHE AT?

I DON'T KNOW.

TELL YOU WHAT, SHE BETTER NOT HAVE LEFT THIS DAMN HOUSE.

COME ON.

HEY, Y'ALL, I GOT SOME MORE CHICKEN.

WHAT'S UP, DAWG?

Byron: HANNA.

BYRON.

HEY.

WHAT ARE YOU DOING HERE?

IT'S A PARTY, RIGHT?

YOU SAID YOU WEREN'T GONNA BE ABLE TO MAKE IT.

YEAH, NAH, I FREED UP.

YEAH, WELL, WE WINDING DOWN.

OH, I COULD...HANG OUT FOR A LITTLE BIT.

NO.

LET ME AT LEAST SAY HI TO BENNY.

DON'T NEED TO DO ALL THAT.

HE DON'T KNOW YOU.

YOU DON'T KNOW HIM.

NOW I NEED YOU TO LEAVE.

SO YOU HEARD HIM IN THE BACKGROUND ON THE TELEPHONE.

WHY ARE YOU HERE, BYRON?

SO YOU CAN RUN AND TELL JIM CRYER

EVERYTHING THAT'S GOING ON WITH ME?

NO.

THEN WHAT?

HANNA, IT'S NOT LIKE THAT.

DID HE HIRE YOU TO GET CLOSE TO ME?

IT'S NOT THAT SIMPLE, HANNA.

YES, IT IS.

DID HE HIRE YOU?

YES, HE DID.

WHY?

HE WAS AFRAID THAT YOU WERE GONNA TURN IN HIS SON.

WHY WAS HE AFRAID IF HIS SON DIDN'T HIT MY SON

AND KILL THAT LITTLE GIRL?

BECAUSE HE KNEW

THAT YOU HEARD WYATT IN THE KITCHEN THAT NIGHT,

AND HE WAS AFRAID

THAT YOU WERE GONNA PUT IT ALL TOGETHER

AND DO EXACTLY WHAT YOU DID.

BUT I WAS WRONG.

YES.

YOU WERE.

AND HE WAS JUST TRYING TO PROTECT HIS SON.

MM‐HMM.

SO YOU JUST COME ON IN THERE, AND YOU'RE JUST A LYING SNAKE.

HANNA, I WAS DOING MY JOB.

MM‐HMM. BUT THEN ‐‐

AND ALL THAT HOLDING AND HUGGING

AND TELLING ME ABOUT YOUR WIFE WAS A LIE.

YOU DIDN'T LET ME FINISH.

THEN I GOT TO KNOW YOU. [ SCOFFS ]

I GOT TO SEE WHAT A BEAUTIFUL PERSON YOU ARE ‐‐

A WONDERFUL WOMAN.

AND I WAS ‐‐

LYING.

IT WASN'T ALL A LIE.

NO, YOU'RE A LIAR,

AND I DON'T TRUST YOU,

AND I DON'T WANT YOUR ASS AROUND HERE ANYMORE.

PLEASE GO.

HANNA, PLEASE LET ME TRY TO EXPLAIN MYSELF.

SURE.

WHEN I FIRST MET JIM CRYER, I WAS AT ONE OF ‐‐

EXCUSE ME,

AFTER ALL THOSE WORDS YOU USED TO EXPLAIN,

PLEASE ADD, "AND I STILL LIED TO HER."

HANNA.

AND THEN SAY, "SHE TRUSTED ME."

AND THEN SAY ‐‐

OKAY.

I GET IT.

NO, YOU DON'T.

'CAUSE IF YOU DID,

YOUR ASS WOULDN'T BE STILL STANDING HERE.

YOU'D BE LONG GONE.

GOOD EVENING, BYRON.

[ CELLPHONE BEEPS ]

[ Ringing ]

[ CELLPHONE BEEPS ]

[ SNIFFING ]

THAT SON OF A BITCH.

QUINCY. QUINCY!

WHAT'S UP, MA?

DIDN'T I TELL YOU

NOT TO BRING YOUR ASS BACK INTO MY HOUSE?

I WAS HUNGRY.

GET OUT OF HERE.

YOU COOK THIS?

NOW, QUINCY.

WHAT ARE YOU MAD AT?

[ SIGHS ] GET OUT.

NOW.

WHERE YOU GOING AT 2:00 IN THE MORNING?

DID YOU HEAR ME, BOY?

FOOD'S GOOD.

OKAY.

OKAY.

OKAY. [ DIALING ]

HOW'D YOU KNOW I WAS HERE?

I COULD SMELL YOU.

YOU'RE STINKING UP MY HOUSE AGAIN.

NAH, IT'S CALLED "HORNY."

IT'S CALLED "GUTTER,"

AND IT'S ALL OVER YOU.

AND I CAN PUT IT ALL OVER YOU.

STOP, QUINCY. LET ME GO NOW.

STOP IT.

LET ME GO. LET ME GET THEM DRAWERS.

NO. GET OUT.

KISS ME. NO!

I'M NOT GONNA TELL YOU AGAIN, QUINCY.

AND I'M NOT GONNA TELL YOU AGAIN.

AAH! AAH! LET ME GO!

KISS ME. OH!

I'M NOT GONNA TELL YOU AGAIN.

[ GRUNTING ]

OH, I LIKE THAT.

YEAH! YEAH.

STOP IT. OKAY. OKAY. OKAY.

BITE ME AGAIN.

I LIVE FOR THIS STUFF, BABY.

LIVE. I LOVE IT.

DIANA MAXWELL,

KENDRA,

DAVID,

ANGELA,

CRYSTAL.

THAT'S YOUR WHOLE FAMILY.

IF YOU DON'T LET ME GO,

I WILL KILL THEM ALL.

NOW LET ME GO.

YOU THINK YOU CAN LET AN ANIMAL OUT THE CAGE

AND THINK HE WON'T BITE YOU?

YOU MUST BE CRAZY.

OH...

YOU FORGET.

I HAVE THE KEYS TO THE CAGE.

BUT YOU AIN'T STRONG ENOUGH TO PUT ME BACK THERE.

[ CHUCKLES LIGHTLY ]

YOU WANT TO BET?

NOW GET OUT OF MY DAMN HOUSE,

OR YOUR WHOLE FAMILY DIES.

OKAY.

[ EXHALES DEEPLY ]

YOU'LL COME AROUND.

YOU GOT MY NUMBER.

JUST CALL ME WHEN YOU'RE READY.

OH, AND YOU GOT MINE.

CALL ME WHEN YOU'RE READY.

I'M READY NOW.

QUINCY. QUINCY.

I'M TALKING ABOUT FOR YOUR FUNERAL.

NOW GET OUT OF MY HOUSE.

THAT'S HOW YOU LIKE THAT.

HAVING FUN YET?

I'M TIRED AND I WANT TO GO LAY DOWN.

GO IN THE HOUSE AND GO TO SLEEP.

BENNY.

YOU HEARD ME.

LISTEN, I DON'T ‐‐

I'M STAYING AT JEFFERY'S.

I CAN'T SEE YOU AT JEFFERY'S.

BENNY, PLEASE.

I DON'T CARE NOTHING ABOUT YOUR EXHALING.

TAKE YOURSELF IN THE HOUSE.

SHE DOESN'T WANT ME HERE.

LISTEN. YOU AIN'T LEAVING HERE.

BENNY. I DON'T WANT TO HEAR IT.

YOU DO REALIZE

THAT THERE ARE ONLY TWO BEDROOMS IN THAT HOUSE, RIGHT?

ALL RIGHT, SO SLEEP IN MY ROOM.

I'LL SLEEP ON THE SOFA.

[ SIGHS ] OKAY.

OKAY. GOODNIGHT.

FOR YOU.

ALL RIGHT.

LOOK, TOMORROW, WE'RE GONNA FIGURE THIS OUT.

ALL RIGHT? UH‐HUH.

ALL RIGHT. ALL RIGHT.

ALL RIGHT. LOVE YOU.

OVER HERE. GIVE ME SOME SUGAR, GIRL.

MM. HEY, MAMA.

WHAT?

COME OVER HERE AND HUG YOUR DAUGHTER.

MNH‐MNH. I'M GOOD. I'M GOOD.

COME ON.

REALLY, I AM. I LOVE YOU.

I LOVE YOU MORE. YOU BETTER.

[ DOOR CLOSES ]

SORRY, BENNY.

[ MOANING ]

OH, DAVID. OH.

DAVID.

OH.

[ SIGHS ]

I KNOW.

YOU KNOW WHAT?

I KNOW YOU CAN'T DO THIS.

[ SIGHS ]

YOU'RE RIGHT.

I LOVE MY WIFE.

I KNOW.

AM I A FOOL TO LOVE HER THIS MUCH?

NO.

YOU'RE HUMAN.

SOMETIMES...

SHE MAKES ME SO ANGRY,

AND AT THE SAME TIME,

I‐I LOVE HER FROM A PLACE

THAT DOESN'T EVEN FEEL LIKE REALITY.

I LOVE HER FROM SOMEWHERE... BEYOND WHAT MY SOUL IS,

IF THAT MAKES ANY SENSE.

[ SIGHS ]

IT'S BEAUTIFUL.

MY WIFE IS BEAUTIFUL IN SO MANY WAYS.

[ SIGHS ]

I'M SORRY, DAVID.

[ CELLPHONE BEEPS ]

[ Ringing ]

[ CELLPHONE RINGING ]

[ RINGING CONTINUES ]

[ CELLPHONE BEEPS, RINGING STOPS ]

UH, HI. UH, YES.

THIS IS VERONICA HARRINGTON.

I SEEM TO HAVE LOCKED MY KEY IN MY ROOM.

YES, UH, CAN YOU SEND SOMEONE UP TO LET ME IN?

I KNOW. IT'S LATE.

UH, CAN YOU PLEASE HURRY?

THANK YOU.

NEXT ON "THE HAVES AND THE HAVE NOTS"...

THIS CHICK IS RUTHLESS.

LISTEN TO ME, SON. SHUT UP.

NO. I NEED YOU TO LISTEN TO ME ‐‐

I SAID SHUT UP!

CANDACE. YES?

ARE YOU ESCORTING AGAIN? NO!

I AM NOT ABOUT TO LET YOUR SISTER GET YOU KILLED!

I'M NOT HAVING IT! I'M GONNA BE FINE.

I'LL BE FINE!

IT'LL BE YOU AND ME.

CANDACE, NO.

AND THEN I WILL BREAK OUT THE TOYS

AND THE BONDAGE SCENES.

DON'T YOU ‐‐ [ BOTH SHOUT INDISTINCTLY ]