Original subtitles

PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...

WHEN THEY WERE BOOKING ME, I TOLD THEM THAT WYATT DID IT.

YOU DID? YES, I DID.

THEY WILL PROCESS YOU,

AND I'LL HAVE YOU OUT IN A MATTER OF HOURS.

WHAT WOULD AMANDA BE NEEDING A GUN FOR?

SHE WANTS US DEAD.

JEFFERY. OH. YOU KNOW MY SON.

JIM'S GONNA BE A DADDY AGAIN.

I'M CARRYING A CRYER.

YOU HAVE JUST OFFICIALLY BECOME MY ENEMY.

YOU CAN'T AFFORD ME AS AN ENEMY.

YOU'RE RIGHT. [ MUFFLED SCREAMING ]

[ POLICE RADIO CHATTER ]

WHAT HAVE YOU DONE, HANNA?

[ INHALES SHARPLY ] WHAT HAVE YOU DONE?

I'M SORRY.

[ Voice breaking ] YOU TOLD THE POLICE?

MRS. CRYER.

WHAT DID YOU TELL THEM?

I TOLD THEM WHAT I SAW.

HANNA. WHY?

I'M SORRY, MRS. CRYER.

BUT I CAN'T SACRIFICE MY SON FOR YOURS...

NO MATTER WHAT YOU'VE DONE TO HELP HIM.

HANNA YOUNG?

YES. YOU'RE FREE TO GO.

HERE ARE YOUR THINGS.

THANK YOU.

MUST HAVE SOME POWERFUL FRIENDS.

I THINK I USED TO.

MRS. CRYER.

I'M SORRY.

HANNA, I DON'T WANT TO TALK ABOUT THIS.

I KNOW YOU'RE UPSET.

[ SCOFFS ]

THIS IS MY SON. AND WYATT IS MY SON.

SO, I WASN'T SUPPOSED TO SAY ANYTHING?

I THOUGHT YOU WOULDN'T.

YOU THOUGHT WRONG.

YOU SHOULD GO.

I SAW THE SKETCH ON TV.

AND I KNOW YOUR HUSBAND TRIED TO MAKE ME THINK I WAS CRAZY.

BUT I CAN'T DO THIS.

YOU'RE ASKING ME TO UNDERSTAND THAT?

YES.

I'M SORRY, HANNA.

I HAVE TO TELL THE TRUTH.

YOU WOULDN'T EXPECT ANYTHING LESS FROM ME.

[ SNIFFLES ] NO.

ACTUALLY, I EXPECTED MORE.

WELL, I'M SORRY TO DISAPPOINT YOU,

BUT I WON'T BE A PART OF THAT.

I CAN'T.

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

[ SIGHS ] I UNDERSTAND THAT.

AND, UH...

I FIND IT ADMIRABLE.

BUT YOU MUST UNDERSTAND, HANNA.

WHAT IF IT WERE BENNY?

THEN I WOULD HOLD HIS HAND WHILE HE WENT ON TRIAL.

IT'S EASY TO SAY FROM THAT SIDE.

EASY?

NONE OF THIS IS EASY.

MY SON IS STILL FIGHTING FOR HIS LIFE.

MRS. CRYER, I KNOW THAT YOU STILL CARRY A LOT OF GUILT

ABOUT WHAT HAPPENED TO WYATT WHEN HE WAS A BOY.

BUT THIS IS JUST WRONG.

NOW, YOU EXCUSE ME FOR SAYING THIS,

BUT YOU COVERING UP FOR YOUR SON IS NOT THE BEST THING FOR HIM.

YOU THINK THOSE DRUGS WERE A PROBLEM BEFORE?

YOU WAIT UNTIL HE TRIES TO DEAL

WITH THE GUILT OF THIS WITHOUT ANY RESPONSIBILITY.

YOU DON'T KNOW.

I KNOW ENOUGH.

NO, YOU DON'T.

ARE YOU TELLING ME HE DIDN'T HIT THAT LITTLE GIRL OR MY SON?

[ SNIFFLES ] I'M TELLING YOU THAT YOUR SON IS AT MERCY.

YOU NEED TO ASK FOR DR. BAYLOR.

ANSWER ME, PLEASE.

[ SNIFFLES ]

YOUR SON IS AT MERCY.

HE'S AT MERCY HOSPITAL.

YES, OKAY.

AND, AGAIN, I THANK YOU FOR THAT.

AND, AGAIN...

I'M SORRY.

SO AM I.

KATHERYN.

[ SNIFFLES, SIGHS ] IS HE HERE YET?

NO. HANNA.

MR. CRYER. SO, YOU DID THIS.

I DIDN'T WANT TO.

OH, YOU DIDN'T WANT TO, BUT YOU SURE AS HELL DID, DIDN'T YOU?

I DID WHAT I HAD TO DO.

WHAT YOU HAD TO DO

WAS NOT SAY A WORD TO ANYBODY ABOUT ANYTHING.

EXCUSE ME? YOU MUST BE CRAZY.

WHAT DID YOU JUST SAY TO ME?

YOU MUST BE CRAZY.

I'M GONNA DO EVERYTHING I CAN

TO FORGET I EVER HEARD YOU SAY THAT.

JIM. NO.

SHE CAN'T TALK TO ME LIKE THAT ‐‐ BEING DISRESPECTFUL.

WELL, IT'S A GOOD THING I DON'T WORK FOR YOU ANYMORE, THEN, ISN'T IT?

IT'S A VERY GOOD THING.

YOU SAVED ME THE TROUBLE OF HAVING TO FIRE YOUR ASS.

ALL RIGHT, ENOUGH.

I'VE HAD ENOUGH OF YOU, TOO, KATHERYN.

YOU'RE DEFENDING HER AFTER SHE TURNED OUR SON IN?

I KNOW THAT.

SHE DOESN'T EVEN KNOW WHAT SHE SAW.

[ SIGHS ] I HAVE TO GO.

YEAH, YOU GO ON.

BUT, YOU'RE WRONG, HANNA. YOU ARE DEAD WRONG.

NO, WHAT'S WRONG IS YOU THREATENING ME

AND YOU TRYING TO MAKE ME THINK I WAS CRAZY.

I KNOW WHAT I SAW, AND I KNOW WHAT I HEARD!

WHAT DID YOU HEAR, HANNA? WHAT DID YOU HEAR?

AS I TOLD YOU, I HEARD WYATT SAY HE HIT SOMEONE

AND THAT HE THOUGHT HE HAD KILLED THEM.

NOW, YOU ALL MAY BE ABLE TO LIVE THIS WAY, BUT I CAN'T.

I CAN'T WITH THE GUILT. I'M SORRY.

YOU'LL BE LIVING WITH PLENTY OF GUILT

WHEN YOU FIND OUT WHAT REALLY HAPPENED, BELIEVE ME.

WHAT?

YOU HEARD ME.

IS THAT ANOTHER THREAT, MR. CRYER?

'CAUSE I HAD A MAJOR PROBLEM WITH IT THE FIRST TIME.

YES. IT IS.

JIM. STOP IT.

YOU'LL SEE, HANNA.

I HAVE TO GO CHECK ON MY SON.

I DON'T HAVE TIME FOR THIS.

WHAT?

YES.

CHECK ON YOUR SON?

YES.

MY SON IS ALIVE.

WHAT?

YES, HE'S ALIVE.

I THOUGHT THAT YOUR ‐‐

NO.

AND JUST LIKE ALL THE OTHER THINGS

YOU THOUGHT ABOUT MY SON, YOU WERE WRONG.

WELL, JUST LIKE ALL THE THINGS YOU THOUGHT ABOUT MY SON,

YOU WERE WRONG.

I KNOW WHAT I HEARD.

AND THEN YOU JUST ASSUMED THAT IT WAS HIM.

IT ALL MAKES SENSE, MR. CRYER.

IF YOU SAY SO, HANNA.

I KNOW SO.

I HAVE TO GO.

THANK YOU FOR GETTING ME OUT AND FOR ALL YOU'VE DONE.

SURE.

HANNA, WHEN YOU FIND OUT WHAT REALLY HAPPENED

AND YOU COME CRAWLING BACK FOR FORGIVENESS,

KATHERYN MAY FORGIVE YOU, BUT I SURE AS HELL WON'T.

WHAT THE HELL WAS SHE DOING HERE?

FIELDMAN HAD HER ARRESTED.

FOR WHAT? I DON'T KNOW.

SOME FAMILY COURT MATTER.

WHAT KIND OF A FAMILY COURT MATTER?

JIM, DO WE REALLY HAVE TIME TO BE TALKING ABOUT HER?

AND WHAT WAS SHE DOING TALKING ABOUT HER SON?

WHAT WAS THAT?

WHAT ABOUT HIM?

SHE WAS TALKING ABOUT HER SON, KATHERYN.

WHAT WAS THAT ABOUT? YOU HEARD HER.

HE'S ALIVE.

KATHERYN. WHAT?

WHAT DID YOU DO?

I HAD HIM MOVED.

AFTER I EXPLICITLY TOLD YOU NOT TO?

YES.

YOU NEVER LISTEN TO ME.

[ SCOFFS ] WELL, ON THAT WE CAN AGREE.

BUT I DIDN'T WANT HIM TO DIE.

SO, YOU HAD HER SON MOVED,

AND SHE GOES RIGHT AHEAD AND TURNS IN OUR SON.

DO YOU EVEN HEAR YOURSELF?

I DID WHAT WAS RIGHT.

YOU DID WHAT WAS STUPID.

KATHERYN, WHAT IS RIGHT IS NOT GETTING ANY MORE INVOLVED

IN THIS THING THAN YOU HAVE TO.

SHE'S GOING TO SUE US, KATHERYN.

YOU UNDERSTAND THAT AT ALL?

AND NOW, THANKS TO YOU,

SHE HAS ALL THE TOOLS SHE NEEDS TO SUCCEED.

HOW DO YOU THINK IT'S GONNA SOUND IN AN OPEN COURT,

YOU TRYING TO HELP HER SON?

IT WILL SOUND LIKE I TRIED TO HELP HER SAVE HIM.

NO, IT WILL SOUND LIKE YOU'RE TRYING

TO BUY HER SILENCE ‐‐ SIMPLE.

JIM, YOU KNOW IN YOUR HEART THIS IS FOR THE BEST.

NO, KATHERYN, IT'S NOT.

YOU ARE MAKING IT WORSE.

YOU NEED TO STOP.

IF HER SON DIES,

WYATT IS LOOKING AT A DOUBLE HOMICIDE.

HAVE YOU THOUGHT ABOUT, JUDGE CRYER?

[ STAMMERS ] BE QUIET. OKAY?

SHE'S A PROBLEM.

SHE WENT TO THE POLICE.

AND I CAN'T BLAME HER.

WHAT?

MAYBE THIS IS FOR THE BEST.

WHAT IN THE HELL ARE YOU TALKING ABOUT?

HE DID IT, JIM.

KATHERYN. HE DID.

[ STAMMERS, CHUCKLES INCREDULOUSLY ]

You need to quiet in this room, okay?

Cameras, Katheryn.

OUR SON HAS A DRUG PROBLEM, AND HE KILLED ‐‐

[ Sternly ] KATHERYN CRYER, THIS IS YOUR LAST WARNING.

MAYBE WE SHOULD JUST LET HIM PAY FOR THIS.

OH, FOR CRYING OUT LOUD, ARE YOU NOT HEARING ME?

WE HAVE ALWAYS BEEN PROTECTING HIM.

ARE YOU NOT HEARING ME? CAMERAS, KATHERYN.

POLICE STATION, KATHERYN.

EARS LISTENING, KATHERYN.

THIS IS NOT THE TIME OR THE PLACE

TO BE HAVING THIS CONVERSATION.

THIS IS GONNA DESTROY HIM.

I ‐‐ [ SIGHS ] I KNOW THAT.

THAT'S WHY I'VE ALREADY TAKEN CARE OF IT.

HOW HAVE YOU HANDLED IT?

IF YOU WOULD SIT HERE AND ACT LIKE THE CONCERNED PARENT,

MAYBE YOU WOULD FIND OUT.

MAYBE WE SHOULD LET HIM PAY FOR THIS.

[ SIGHS ]

WE HAVE ALWAYS BEEN PROTECTING HIM.

[ Sternly ] KATHERYN.

STOP IT.

STOP IT.

WHY DON'T YOU JUST GO HOME? LET ME HANDLE THIS.

A BABY, JIM? NO, NO.

WITH THAT WHORE?

NO, I'M NOT GONNA HAVE THIS ‐‐ I WILL NOT SIT HERE ‐‐

I'M NOT GOING TO HAVE THIS CONVERSATION

IN A POLICE WAITING ROOM, OKAY?

I UNDERSTAND. YOU'RE UPSET WITH ME.

YOU'RE ALWAYS UPSET WITH ME. I'M USED TO IT.

BUT YOU CANNOT HANG OUR SON OUT TO DRY

BECAUSE YOU'RE MAD AT ME.

WHY DON'T YOU GO TO HELL.

I DON'T NEED TO GO TO HELL. I LIVE IN HELL.

I'M MARRIED TO THE DEVIL, REMEMBER?

OH, I'LL SHOW YOU THE DEVIL.

[ MUTTERS ]

CAN YOU BELIEVE THAT CANDACE GIRL?

[ CHUCKLES SOFTLY ] I KNOW.

SHOWING UP LIKE THAT?

I KNOW.

DO YOU ALSO KNOW SHE'S GONNA BE A PROBLEM

FOR THIS ENTIRE CAMPAIGN?

I KNOW.

WE ARE HANDLING IT.

HMM.

SO AM I.

WHAT DOES THAT MEAN?

IT MEANS I HAVE AN IRON IN THE FRYER MYSELF.

VERONICA.

WHAT?

WHAT ARE YOU UP TO?

JUST DOING WHAT A WOMAN USUALLY HAS TO DO.

ALL RIGHT, AND WHAT IS THAT, EXACTLY?

CLEAN UP A MAN'S MESS.

I WANT TO KNOW WHAT YOU'RE UP TO.

I WANT TO KNOW WHERE JIM WAS RUNNING OFF TO.

I HAVE NO IDEA. [ SIGHS ]

PROBABLY GOING TO MEET HER IN A HOTEL ROOM.

MM. A BABY?

[ SIGHS ]

IF I WERE KATHERYN,

I WOULD CUT OFF HIS BALLS AND HAND THEM TO HIM.

WELL, THEY'RE BOTH OUR FRIENDS, SO LET'S NOT ‐‐

I DON'T LIKE HIM.

THAT IS OBVIOUS.

I MEAN, I USED TO.

YOU KNOW I GENUINELY DID LIKE HIM.

BUT, UGH, HE'S BECOME SUCH AN ASS.

[ CHUCKLES ]

[ Chuckling ] I GUESS HE'S ALWAYS BEEN AN ASS.

BUT NOW HIS ARROGANCE, IT'S ‐‐ UGH.

IT'S APPALLING.

WELL, JIM AND I ARE CONNECTED AT THE HIP FOR AWHILE.

UNFORTUNATELY.

[ SIGHS ]

SHALL WE TALK ABOUT WHAT ELSE IS APPALLING?

WHAT WOULD THAT BE?

JEFFERY BEING PUSHED INTO TALKING TO THAT GIRL.

MM. I KNOW. I DIDN'T WANT HIM TALKING TO HER, EITHER.

YOU DIDN'T?

NO.

HUH. GOOD.

HAPPY TO SEE YOU'RE COMING AROUND.

HMM.

I WANT HIM TO BE WITH A BLACK GIRL, DAVID.

I DON'T WANT HIM TO BE WITH A WHITE GIRL, DAVID.

[ CHUCKLES ]

I SEE.

YOU DON'T WANT OUR GAY SON TO BE WITH A WHITE GIRL.

YOU WANT HIM TO BE WITH A BLACK GIRL ‐‐

OUR GAY SON.

YOU FIND THIS FUNNY?

I FIND THIS RIDICULOUS.

WELL, WE'LL SEE WHO'S LAUGHING AT THE WEDDING.

OH. SO YOU ARE ‐‐ YOU ARE SO SURE YOU HAVE IT ALL WORKED OUT.

YES, I AM.

MM‐HMM. OH, YOU'RE SURE.

YES.

[ SIGHS ] I KNOW YOU.

WHAT DID YOU DO TO JEFFERY?

HE'S JUST COMING AROUND.

NO, VERONICA, HE IS NOT JUST COMING AROUND.

HE'S COMING OUT, FINALLY FINDING THE STRENGTH TO BE WHO HE IS,

AND YOU DID SOMETHING TO MAKE HIM CHANGE.

I SURE HOPE SO.

WHAT IS IT?

I'M NOT TALKING ABOUT THIS.

WELL, ONE WAY OR ANOTHER, I'LL FIND OUT.

GOOD.

WHAT HAS GOTTEN INTO YOU?

EXCUSE ME?

YOU USED TO BE SO ‐‐ [SIGHS] SO LOVING, SWEET ‐‐

I MEAN, ALWAYS A LITTLE CONTROLLING,

BUT NEVER THIS.

THIS IS ‐‐ WHO IS THIS WOMAN?

VERONICA.

THE SAME VERONICA YOU MARRIED. MNH‐MNH.

DAVID, YOU KNOW THERE'S SEVERAL SIDES TO ME.

I WILL NOT BE PUSHED AGAINST THE WALL.

NO, JEFFERY IS NOT PUSHING YOU AGAINST THE WALL.

DAVID, PLEASE.

NO, VERONICA.

THE ONLY TIME WE'VE EVER REALLY FOUGHT

WAS WHEN YOU WERE GOING THROUGH YOUR ADDICTION TO PAIN PILLS.

AND YOU BRING THIS UP NOW? WHY?

BECAUSE WE'RE ABOUT TO HAVE A REALLY BAD ONE.

IS THAT SO? THAT IS SO.

I WILL NOT TOLERATE THIS.

YOUR BEHAVIOR IS GONNA CREATE SOME SERIOUS PROBLEMS FOR US!

I'LL SAY.

OUR SON IS GAY.

OOH, WHAT'S ON THE RADIO?

LOOK, I AM NOT PLAYING WITH YOU, VERONICA.

WHAT HAS GOTTEN INTO YOU?!

IT'S NOT ME. IT'S YOU.

IT'S YOU ‐‐ YOU BEHAVING THIS WAY.

WHO ‐‐ WHO ARE YOU NOW?

W‐WHO IS ‐‐ WHO IS THIS ‐‐ THIS PRO‐GAY,

"I'M ‐‐ I'M UPSTANDING, I'M HONEST"?

WHO THE HELL ARE YOU? I AM JEFFERY'S FATHER!

AND I AM JEFFERY'S MOTHER!

THEN ACT LIKE IT, DAMN IT!

DON'T YOU DARE INSULT ME.

WHY NOT? YOU'RE DOING IT TO EVERYBODY ELSE.

FINE.

YOU ENJOY YOUR STAY IN THE GUEST ROOM.

GLADLY.

MAYBE I CAN FINALLY SLEEP IN PEACE.

[ BUTTONS PRESSING ]

I SEE YOU GOT HER NUMBER.

YEP.

SO YOU'RE GOING TO TAKE HER ON A DATE?

MAYBE. GREAT.

MAYBE YOU TWO CAN GET YOUR NAILS DONE.

GO TO HELL.

SORRY. HOLD ON.

I'M SORRY.

YOU DIDN'T DESERVE THAT.

YEAH, YOU'RE RIGHT.

I'M JUST...

OKAY, LOOK, I LIKE YOU.

YOU DON'T KNOW ME. BUT I WANT TO.

WHY?

YOU SEEM TO BE A REALLY NICE GUY, AND...

YOU'RE REALLY SEXY AND A LITTLE GREEN.

[ SIGHS ] A LOT GREEN.

ALL RIGHT, UM...

AND THIS IS JUST A LITTLE TOO MUCH FOR ME RIGHT NOW.

I UNDERSTAND THAT, BUT YOU CAN'T RUN FROM IT.

NO, I'M NOT RUNNING FROM IT. I JUST ‐‐ I JUST CAN'T ‐‐

WHAT? YOUR MOM?

[ SIGHS ]

I'VE NEVER BEEN WITH A GIRL, [Chuckling] OKAY?

SO MAYBE I SHOULD GIVE THAT A TRY BEFORE I'M SURE.

MAYBE YOU SHOULD GIVE BEING A BIRD A TRY, TOO.

WHAT?

THAT WOULD PROBABLY BE EASIER

THAN TRYING TO CHANGE YOUR SEXUAL ORIENTATION.

THAT IS RIDICULOUS. [ CLEARS THROAT ]

ACTUALLY, IT'S NOT.

BEING WITH A GIRL WON'T CHANGE WHO YOU ARE.

HAVE YOU EVER BEEN ATTRACTED TO A GIRL, JEFFERY?

YES.

NO, I'M NOT TALKING BECAUSE SHE HAS NICE PURSE OR NICE SHOES.

I'M TALKING SEXUALLY.

AS I SAID, GO TO HELL.

AND HOW DO I KNOW IF I DON'T TRY?

IT DOESN'T WORK THAT WAY.

SEXUALITY ISN'T SOMETHING YOU TRY.

IT JUST IS.

WELL, I HAVE TO TRY.

IS THIS YOUR MOTHER, TOO?

I'LL TAKE THAT AS A YES. [ CLEARS THROAT ]

IF YOU DECIDE TO BE WITH A GIRL, YOU WILL BE WASTING YOUR TIME.

WELL, IT'S MY TIME TO WASTE.

AND WHAT ABOUT HER? WHAT ABOUT HER?

WILL YOU TELL HER SHE'S AN EXPERIMENT?

THAT'S WHAT SHE IS, RIGHT?

I HAVE TO GO.

WHAT? YOU'RE NOT READY FOR THE HARD QUESTIONS?

I‐I'M JUST ‐‐ I'M NOT READY FOR ANY OF THIS.

I'M SORRY.

LANDON, CALL THE TEAM.

WE'VE GOT TO GO TO THE POLICE STATION.

WHAT'S GOING ON? [ SIGHS ]

JUDGE CRYER'S SON WAS JUST ARRESTED.

FOR WHAT?

THE HIT‐AND‐RUN OF LITTLE LIZZIE. [ SIGHS ]

WHAT? YEAH.

[ DOOR CLOSES ]

[ ENGINE SHUTS OFF ]

[ CRICKETS CHIRPING ]

David: I'M GONNA CALL JEFFERY AND TELL HIM

TO FIND A NICE SOMEONE WHO MAKES HIM HAPPY.

I DON'T CARE IF IT IS A MAN,

AS LONG AS I NEVER SEE THAT LOOK IN HIS EYE AGAIN.

WHAT LOOK?

THE ONE HE HAD WHEN YOU TOLD HIM YOU WISHED HE WAS DEAD.

I NEVER SAID THAT.

VERONICA, YOU SAID HE WAS THE ONE WHO MADE IT,

AS IF YOU WISHED HE HADN'T.

DAVID, YOU WILL NOT GIVE OUR SON PERMISSION TO BE A HOMOSEXUAL.

I WILL NOT TOLERATE YOU TREATING HIM THIS WAY.

OKAY.

OKAY.

I KNOW WHAT THIS IS. [ INHALES SHARPLY ]

WOULD YOU CARE TO LET ME IN?

IT'S MAGGIE.

WHO?

MAGGIE DAY.

NOW, HOW DID WE GET ON MAGGIE DAY?

SHE SURE AS HELL IS TRYING TO GET ON TOP OF YOU.

OH.

NOW, THIS IS TRULY INSANE.

THAT WOMAN WANTS YOU, DAVID. SHE IS JUST DOING HER JOB.

AND SCREWING MY HUSBAND IS NOT PART OF IT.

AND SHE'S NOT DOING THAT, SO WHAT ARE YOU TALKING ABOUT?

DO YOU WANT HER?

[ SCOFFS, CHUCKLES ]

I SEE.

YOU'RE TRYING TO GET ON MAGGIE

SO WE CAN GET OFF THE MATTER AT HAND, WHICH IS OUR SON.

[ CELLPHONE RINGING ]

LET ME GUESS ‐‐ MAGGIE DAY.

WHY IS SHE CALLING HERE SO LATE?

JUST... [ CELLPHONE BEEPS ]

WILL YOU JUST GIVE ME MY PHONE BACK?

HI, MAGGIE.

YES, HE'S RIGHT HERE.

UH, DON'T YOU THINK IT'S A BIT LATE

TO BE CALLING ANOTHER WOMAN'S HUSBAND.

NO, YOU WOULDN'T.

WELL, I WILL HAVE TO TEACH YOU

AN APPROPRIATE TIME TO CALL A MARRIED MAN.

HERE'S DAVID.

HELLO.

YES.

WHAT?

WHERE?

OKAY, I'M ON MY WAY.

[ CELLPHONE BEEPS ] CAMPAIGN EMERGENCY?

WYATT'S BEEN ARRESTED.

[ ENGINE TURNS OVER ]

[ POLICE RADIO CHATTER ]

AND I'M TELLING YOU THAT MY SON IS REPRESENTED BY COUNSEL.

YES, SIR. YOU'VE MENTIONED IT.

I WANT TO SEE MY SON, AND I WANT TO SEE HIM NOW!

THE D.A. IS ON HER WAY DOWN.

WHO THE HELL IS THE D. A.?

JENNIFER SALISON.

[ TELEPHONE RINGING ]

DAMN IT.

WHAT? DO YOU KNOW THIS D. A.?

SHE WAS IN MY COURTROOM SEVERAL TIMES.

I HATE HER. SHE HATES ME.

WELL, SOUNDS LIKE MY KIND OF WOMAN.

HOW LONG WERE YOU SLEEPING WITH HER?

ONLY ABOUT A YEAR.

STARTED ON OUR HONEYMOON.

I BOOKED HER A ROOM AT THE L. A. HOTEL

RIGHT NEXT DOOR TO YOU AND ME.

WHEN YOU WENT TO SLEEP,

I WENT NEXT DOOR AND HAD A GREAT TIME.

BASTARD.

DARLING.

YOU WANT SOME WATER?

YEAH.

GOT TO BE HARD ON YOU, WYATT, KILLING THAT LITTLE GIRL.

[ SIGHS ]

I DIDN'T DO ANYTHING.

YEAH, YOU DID.

[ PAPER RUSTLES ]

LOOK AT THE PICTURE.

THAT'S YOU ISN'T IT?

NO.

SO, YOU'RE GETTING HIGH.

NO.

YOU KNOW WE DO HAVE A WITNESS THAT SAW YOU.

SHE'S ON HER WAY HERE.

NOW, WE'RE GONNA PUT YOU IN A LINEUP,

AND SHE'S GONNA RECOGNIZE YOU.

TALK TO ME, AND I CAN HELP YOU.

I HAVE NOTHING TO SAY.

LOOK AT THESE PICTURES.

LOOK AT THEM, THESE PICTURES.

THAT'S WHAT SHE LOOKED LIKE.

THEY COULDN'T EVEN HAVE AN OPEN CASKET.

HER MOTHER WAS IN SO MUCH PAIN.

THE GRANDFATHER.

[ SIGHS ]

ALL THEY WANT IS FOR YOU TO CONFESS.

I HAVE NOTHING TO SAY.

WYATT.

COME ON, MAN.

COME ON.

I CAN HELP YOU.

JUST TELL ME THE TRUTH. TELL ME WHAT HAPPENED.

I HAVE NOTHING TO SAY, DETECTIVE.

OKAY.

KEEP WORKING ON HIM.

HIS FATHER'S IN AN UPROAR.

I DON'T GIVE A DAMN.

WE MAY HAVE SOME LEGAL ISSUES ON THIS.

HOW SO?

FATHER SAID HE'S REPRESENTED BY COUNSEL.

DID HE ASK FOR AN ATTORNEY? NO.

I LIKE PLAYING IT IN THE GRAY,

ESPECIALLY IF I CAN STICK IT TO JIM CRYER.

THAT SOUNDS PERSONAL.

YOU HAVE NO IDEA.

[ SIREN WAILING IN DISTANCE ]

Candace: UNTIE ME.

UNTIE ME!

AND TAKE THIS THING OFF MY HEAD!

[ FOOTSTEPS APPROACHING ]

I CAN HEAR YOU.

HEY, I KNOW YOU'RE THERE. I CAN SMELL YOU.

HELLO?! GET THIS ‐‐

HELLO, CANDACE.

WHO THE HELL ARE YOU?

THEY CALL ME "MAMA ROSE."

I WANT TO GET OUT OF HERE NOW.

[ Chuckling ] I'M SURE.

WHERE'S JIM?

WHO?

JIM CRYER.

I DON'T KNOW WHO YOU'RE TALKING ABOUT.

JIM CRYER.

D‐DON'T PLAY WITH ME.

[ LAUGHS ] OH, JIM.

WELL, THE MORE YOU KNOW AND SAY THAT NAME,

THE DEEPER YOU DIG YOUR GRAVE.

GO ON. JUST MAKES IT TIGHTER.

UNTIE ME.

NOT JUST YET.

YOU SEE, THAT MAN JIM, YEAH, HE'S SPECIAL TO US.

HE SHOWED A LOT OF KINDNESS

TO MY FAMILY WHEN THEY WERE IN NEED.

WE'RE IN HIS DEBT.

YOU ARE IN MY SCOPE.

LET ME OUT OF HERE.

YOU KNOW WHY YOU'RE HERE?

LET ME OUT OF HERE.

DO YOU KNOW WHY YOU'RE HERE?

I'M GONNA TELL YOU ONE MORE TIME ‐‐ LET ME OUT OF HERE NOW!

UH, DO YOU KNOW WHY YOU'RE HERE?

I SAID LET ‐‐

LET ME TELL YOU HOW THIS GOES ‐‐ I ASK THE QUESTIONS, YOU ANSWER!

YOU GO TO HELL!

I VACATION THERE.

LET ME OUT OF HERE NOW.

WELL, YOU KNOW, YOU'RE IN CONTROL OF THAT.

WANT TO KNOW HOW?

YOU'RE NOT ANSWERING ME!

[ SIGHS ] HOW?

TWO OPTIONS.

OPTION NUMBER ONE ‐‐ THIS IS A BUS TICKET.

THIS VOUCHER WILL TAKE YOU ANYWHERE IN THE COUNTRY.

BUS TICKET? YES.

I'M A FIRST CLASS KIND OF BITCH.

I DON'T DO THE BUS.

YOU LEAVE THIS CITY AND DISAPPEAR,

ABORT THAT KID,

AND YOU DON'T SPEAK TO JIM OR AMANDA,

AND YOU DON'T MENTION HIS NAME.

YOU THINK YOU SCARE ME?

YOU'RE NOT LISTENING.

OPTION NUMBER TWO ‐‐

YOU STAY HERE, YOU CONTINUE TO HARASS JIM,

YOU CONTINUE TO FIGHT FOR AMANDA'S INHERITANCE,

AND WE'LL KILL YOUR MOTHER,

AND THEN WE'LL KILL YOUR BROTHER,

AND THEN WE'LL KILL YOU.

THAT DOESN'T SCARE ME.

YOU SEE, MY BROTHER'S ALREADY DEAD.

I CAN'T STAND MY MOTHER, SO [CHUCKLES] BE MY GUEST.

AND I AIN'T AFRAID TO DIE.

SO I'M NOT GOING ANYWHERE.

OKAY.

I CAN SEE YOU'RE STILL NOT READY.

WELL, I'LL HAVE TO COME BACK ‐‐

YOU KNOW, MAYBE IN A WEEK, A MONTH.

WHO KNOWS?

[ CHUCKLES ]

OH, IT COULD BE

AFTER JIM'S IN THE GOVERNOR'S MANSION ‐‐

OR IN THE WHITE HOUSE!

YEAH, HE WILL WIN.

I HAVE A VESTED INTEREST TO MAKE SURE THAT HAPPENS.

SO, IT'S UP TO YOU.

I HOPE YOU'RE NOT AFRAID OF THE DARK.

[ LIGHT SWITCH CLICKS ]

OHH, JIM.

[ SIGHS ]

YOU HAVE MESSED WITH THE WRONG ONE ‐‐

THE WRONG ONE.

[ SIGHS ]

[ WHIMPERS ]

[ CRICKETS CHIRPING ]

E‐EXCUSE ME.

UM, HI, I'M ‐‐

HANNA YOUNG.

YES.

WELL, WE'VE BEEN EXPECTING YOU.

THE DOCTOR'S IN WITH YOUR SON RIGHT NOW.

OKAY. COME RIGHT THIS WAY.

THANK YOU.

CAN I GET YOU SOME COFFEE OR ANYTHING?

NO, THANK YOU. I'M FINE.

[ MONITOR BEEPING ]

LORD, LORD, LORD.

HI, I'M DR. BAYLOR.

HI. YOU MUST BE HANNA YOUNG.

YES, I AM. HOW IS HE?

HE'S STABLE. NOT MUCH HAS CHANGED.

BUT WE ARE SEEING SLIGHT BRAIN ACTIVITY.

OH, REALLY? YES.

OH, JESUS, THANK YOU.

WHAT I'D LIKE TO DO IS START HIM ON SOME AGGRESSIVE DRUGS

TO REDUCE THE BRAIN EDEMA ‐‐ THE SWELLING.

I THINK IF WE CAN GET MORE OXYGEN TO HIS BRAIN

BY REDUCING THE SWELLING,

HE MIGHT START TO BREATHE ON HIS OWN.

WHAT?

NOW, IT'S A LONG SHOT.

I DON'T WANT YOU TO BECOME TOO HOPEFUL.

BUT I THINK WE SHOULD TRY.

ALL I NEED IS YOUR PERMISSION.

THEY TOLD ME AT THE COUNTY THAT THERE WAS NO HOPE.

NO, THAT'S NOT ALTOGETHER TRUE.

[ SIGHS ]

LORD, THERE'S HOPE.

YES. BUT SLIGHT.

[ CHUCKLES SOFTLY ]

ALL I NEED IS A LITTLE BIT.

THAT'S ALL.

THE SIZE OF A MUSTARD SEED.

DO IT.

DO IT.

I HAVE TO TELL YOU THE RISKS.

DR. BAYLOR, THEY ALREADY HAD ME READY

TO PLAN A FUNERAL FOR MY CHILD.

THERE ARE NO RISKS.

DO IT.

I'LL GET STARTED RIGHT AWAY.

THANK YOU.

YOU HEAR THAT, BABY?

YOU HEAR THAT, BABY?

YOU FIGHT, BABY. YOU FIGHT.

AND WE GOT US SOME HELP.

[ CRYING ]

WE GOT US SOME HELP.

[ SMOOCHES ]

HI.

ANY WORD ON WYATT? NO. [ SIGHS ]

DAVID, THE D.A. IS JENNIFER SALISON.

OH, NO.

I KNOW. I KNOW.

SHE HATES US. YEAH.

SHE LOST THE MALONE CASE IN MY COURTROOM,

AND SHE'S CARRYING ONE HELL OF A GRUDGE.

YOU HAVE EVERYTHING IN PLACE?

YES.

THEN LET'S DO THIS THING.

I'M WITH YOU.

THANKS.

KATHERYN, YOU'RE OKAY? KATHERYN ‐‐ SHE'S FINE.

HI. I'M SORRY FOR THIS, JUDGE.

HI.

HELLO.

JIM, ARE YOU OKAY? YEAH, I'M FINE.

OKAY, GOOD.

ALL RIGHT, THIS IS HOW WE'RE GONNA MANAGE THIS.

I THINK THAT WE SHOULD ‐‐ N‐NO. STOP, STOP.

I'LL HANDLE IT. WHAT?

I SAID I'LL HANDLE IT. I HAVE IT UNDER CONTROL.

OKAY, J‐JIM, I UNDERSTAND THAT THIS IS AN EMOTIONAL TIME,

BUT THIS COULD DERAIL YOUR HOPES OF EVER BEING GOVERNOR.

IT HAS TO BE HANDLED CAREFULLY.

THIS TOWN IS A POWDER KEG.

THEY ARE IN AN OUTRAGE OVER THIS,

AND "THIS" BEING YOUR SON.

MAGGIE, I SAID I'LL HANDLE IT.

HAVE YOU SEEN THE MOB OF PRESS? THEY'RE AT THE GATE.

YOU NEED TO LET ME HANDLE THIS.

[ SIGHS ]

ARE YOU NOT LISTENING TO A WORD I'M SAYING?

LANDON, TELL HIM.

JUST HEAR ME OUT.

WE NEED TO ISSUE A STATEMENT.

I WILL FLOAT IT TO ALL THE BLOGS.

I WILL GIVE INSIGHT ABOUT THE STATE OF THE FAMILY

ON BACKGROUND NOT ON RECORD.

WE WILL IN‐‐ ARE YOU FINISHED.

YES.

NO, LANDON.

NO.

JIM.

I'VE GOT IT, MAGGIE.

JIM, THIS IS A CRISIS.

DON'T YOU THINK I KNOW THAT?

IT'S MY SON WE'RE TALKING ABOUT.

I'M DEALING WITH THIS, MAGGIE, NOT YOU.

DAVID, LET US DO OUR JOB HERE.

PLEASE, PLEASE TALK SOME SENSE INTO HIM.

NO, MAGGIE, YOU HAVE TO LET US HANDLE THIS ONE.

WELL, I'M BEING TOLD BY THE REVEREND

THAT HE'S BANDING TOGETHER A MARCH

TO HEAD THIS WAY IN THE MORNING.

MR. CRYER, YOU SHOULD LISTEN TO HER.

YOU SHOULD LISTEN TO ME. ALL OF YOU SHOULD LISTEN TO ME.

I'M GONNA HANDLE THIS MY WAY.

OKAY? MY WAY. HEY!

YOUR FIVE MINUTES WERE UP SIX MINUTES AGO.

NOW, I WANT TO GO IN THERE AND SEE MY SON RIGHT AWAY,

OR YOU ARE GONNA BECOME INTIMATELY AWARE

OF THE PHRASE, "WOULD YOU LIKE FRIES WITH THAT?"

IS THAT THE BASTARD?

SIR, PLEASE.

NO, IS THAT HIM?

THAT'S WHAT WE'RE TRYING TO FIND OUT.

WHERE'S YOUR DAUGHTER?

SHE SHOULD'VE BEEN HERE BY NOW.

CAN YOU LOCATE HER?

I CAN ONLY HOLD HIM FOR SO LONG.

[ CELLPHONE BEEPS ]

[ SIGHS ] I'LL CALL TO SEE.

HAVE HER HURRY.

MY DAUGHTER HAS A DRUG PROBLEM.

I'LL TRY TO GET HER ON THE PHONE.

SO? YEAH, THE MOTHER'S NOT HERE.

GREAT.

FATHER THINKS SHE'S OUT GETTING HIGH SOMEWHERE.

THIS FATHER IS GOING TO SHUT US DOWN IN A SECOND.

YEAH, I KNOW. I KNOW.

TRY HARDER TO GET A CONFESSION.

IN A FEW SECONDS, HAVE AN OFFICER COME IN

AND WHISPER SOMETHING TO ME.

ALL RIGHT?

IS MY DAD OUT THERE?

NO, I DIDN'T SEE HIM.

CAN I CALL HIM?

YEAH.

YEAH, LET ME, UH ‐‐ LET ME GET YOU A PHONE.

HEY, UH, YOU MUST BE TIRED.

YOU SMOKE?

YEAH.

[ CLEARS THROAT ]

THANKS.

[ DOOR CLOSES ]

YOU'VE JUST BEEN IDENTIFIED BY THE BABY'S MOTHER.

WHAT?

YEAH.

OKAY, I NEED MY DAD.

YEAH, THAT'S JUST NOT HAPPENING, NOT RIGHT NOW.

YOU'RE GOING TO JAIL.

NO.

[ SIGHS ] NO.

LOOK, UH, THAT BABY'S MOTHER,

SHE'S GOING THROUGH A ROUGH TIME.

DON'T YOU WANT TO HELP HER OUT, MAKE HER FEEL BETTER?

I KNOW YOU DIDN'T MEAN TO DO THIS.

JUST TELL ME WHAT HAPPENED.

LET'S GIVE HER SOME PEACE.

COME ON, WYATT, I KNOW YOU'RE NOT A BAD GUY.

YOU COME FROM A GOOD FAMILY.

TALK TO ME SO I CAN HELP YOU.

ALL RIGHT.

SO, YOU'RE AT A CRACK HOUSE. YOU'RE GETTING HIGH.

YEAH.

WHAT HAPPENS NEXT?

I DON'T REMEMBER A LOT OF IT.

ALL RIGHT. ALL RIGHT.

JUST TELL ME WHAT YOU REMEMBER.

[ SIGHS ]

I WAS WALKING TO MY CAR.

I FELT SOMEONE'S HANDS IN MY POCKET, SO I GRABBED THEM.

THEN THEY HIT ME.

WHO?

TWO GUYS.

GO ON.

[ SIGHS ]

I FELL.

THEY WERE STOMPING ON ME,

BUT SOMEHOW I MANAGED TO GET UP AND GET THEM OFF.

I GOT TO THE CAR.

AND THEY WERE HANGING ON, SO I FLOORED IT.

BLACK SEDAN?

YEAH. BLACK SEDAN.

GO ON.

[ SIGHS ]

[ SIGHS ]

NEXT ON "THE HAVES AND THE HAVE NOTS"...

JUDGE CRYER.

WHERE IS MY SON? HE'S BEEN ARRESTED.

I ALREADY TOLD THEM. You shut up.

WHY DON'T YOU DO US BOTH A FAVOR AND QUIT?

YOU'D LIKE THAT, WOULDN'T YOU? WHAT ARE YOU GONNA DO TO ME?

WE'RE PREPARING TO GIVE YOU AN ABORTION.

THIS IS THE PART OF THE BRAIN RIGHT HERE

THAT CONTROLS THE MOTOR SKILLS.

NOT ABLE TO BREATHE ON HIS OWN, WILL HE DIE?

CAN IT GO THROUGH A PROFESSOR?

YOU DON'T WANT TO KILL A PROFESSOR.

WHAT ARE WE GONNA DO ABOUT PLAN "A"?

PULL THE TRIGGER. THAT'S WHAT WE'RE GONNA DO.

THIS IS AN UGLY BUSINESS, JIM.

YES, IT IS AN UGLY BUSINESS, DAVID.

I NEED TO FIND AN EX‐CON.

HIS NAME IS NORMAN HUGHIN.

HE'S GONE UNDERGROUND.