Original subtitles

(soft dramatic music)

Downloaded from YTS.MX

Official YIFY movies site: YTS.MX

(birds singing)

(soft dramatic music)

- Oh my gosh, are you okay?

(soft dramatic music)

Are you hurt?

What happened? Are you okay?

(soft dramatic music)

We're gonna get you some help, okay?

(soft dramatic music)

I was just jogging right off the highway.

I found this boy. Please send someone.

(soft dramatic music)

I was just running.

- What's going on here?

What's your name, young man?

(soft dramatic music)

Do you know who you are?

(speaking indistinctly)

(switch clicking)

(soft dramatic music)

(glass humming)

(banging)

(footsteps approaching)

- What do you have, dog ears?

You're gonna have to--

- Your cash is in here too.

- Okay, well, see you tomorrow?

- Ella, unmute my phone, play my voicemails.

- [Ella] Voicemail, one.

- [John] Hey, it's John.

The marketing meeting was moved up a week,

and our deadline right along with it,

so we're gonna need the tuning fork recordings pronto.

It's critical we get those demo videos ready.

Call me.

- Delete.

- [Ella] Deleted, voicemail two.

- [Barb] Hi, this is Barb Wilson.

Max said that you are the sounds effects guy.

I have a project that needs your expertise.

- Save.

- [Ella] Saved, voicemail three.

- [Alan] Hey, kid, it's me.

I need closure on this, and I haven't heard back.

I know you don't like visitors, okay?

- Delete.

- [Ella] Deleted, no more voicemail.

(soft piano music)

- [Alex] Mom?

Mom?

When's dinner?

- [Martha] Trudy picked up her wedding dress.

The back ripped, and all the beads, they fell out.

I'm sorry, honey.

She needs it first thing in the morning.

- [Alex] Can we have taquitos?

- [Martha] Listen, honey, grab some money outta my purse

and run on down to the corner and get yourself something,

and bring me a, um--

- A Diet Coke.

- [Martha] Diet Coke, okay?

- Poor Trudy.

- [Ella] Window, window.

- Stop the alarm.

- [Ella] Alarm stopped.

(soft dramatic music)

(knocking on door)

- [Winters] Impeccable timing.

- Hey, Boss.

- I told you I'm not your boss.

- Yeah, you are.

Technically, I have over 100 different bosses

in this building.

- But only the miserly landlord, Harris, pays you.

Therefore, you only have one boss.

- Miserly.

Penny pincher, tightwad, cheapskate.

- Bingo.

- In here?

(soft dramatic music)

Just a small leak, but I fixed it for you.

No, not again, I'll get fired.

- You're not gonna get fired.

I have enough dirt on Harris that you're safe forever.

- If he finds out, he'll get so angry. He's vindictive.

- Unforgiving, vengeful?

Suit yourself.

I'll just return it then.

- Does that have a 1983 stamp date

and an inner tray with matching thermos?

No scratches on the edges.

Holographic graphics.

According to my collector's manual, this one's rare.

Do you want me to put the bug in the air vent?

- Wherever you think is best. I trust you.

- The new couple, in 102.

Blonde, male, five-foot-10--

- Yeah yeah, I don't care about all that, okay?

Only how they sound.

- Do you wanna see where I put my other lunchboxes,

and my poster collection?

- Okay, you know I can't leave this room.

- Because of what's wrong with you?

- Thanks for the sink.

(soft dramatic music)

(footsteps descending)

(soft dramatic music)

(exhaling)

(door closing)

(sighing)

- [Gordon] You know how she is.

- [Becky] She's freaking out over what happened.

- [Gordon] I'm sure.

- [Becky] Imagining shit that never happened.

And you know what? She believes it too.

- [Gordon] You're right. Someone needs to go talk to her.

- [Becky] Yeah, you need to do it.

- Me? - Yes, you, yes.

- Why can't Manny go talk to her?

- Gordon, you're the only one with the balls for the job.

Expect Manny to do it?

When's the last time he did anything worthwhile?

- [Christine] Things are different between us.

- [Scott] Why do we keep going over this?

- [Christine] Can we just talk about this?

- [Scott] There's this thing at work.

I'm under a lotta stress.

- [Christine] You're being so distant.

- [Scott] If you can't trust me,

that's you sabotaging our relationship.

- Wow, don't let him do that.

Don't apologize. He's cheating on you, and you know it.

- [Christine] Please--

(knocking on door)

- [Scott] Maybe I should just go.

(upbeat piano music)

- Hey, sorry to interrupt.

- Interrupt what?

- Oh, it sounded like you had company.

Anyway, do you have any ice? My fridge is out.

(door closing)

- You should have Leonard check that out for you.

- Check what out?

- Isn't your fridge broke?

- Oh yeah, thanks.

- Rosie?

(upbeat classical piano music)

(muffled shouting through wall)

(soft dramatic music)

- [Shawn] Fucking bitch!

Where did you put my fucking money?

Why do you have to act like this?

(muffled shouting through wall)

You are worthless! You are nothing!

(upbeat classical piano music)

(soft dramatic music)

- [Maggie] Did you get help?

(piano music)

(piano breaking)

(singing in foreign language)

(doorknob jiggling)

- Huh, I love what you've done to the place.

Did you get my message?

- Yeah, something, something closure.

- Uh, this is, uh--

- Sh.

- This is yours. Marie wanted you to have it.

Do you wanna see what it is?

- Don't touch that, okay. Everything has its place.

Okay.

- You know, Marie got sick a year ago.

Four months ago, she went into the hospital.

Eight weeks ago, I put her in the ground.

Where the hell were you?

- I can't do this right now.

- All that progress and you just threw it away

when she needed you the most.

I must have been a fool, you know,

to think that maybe you loved her.

Wait wait wait, let me guess.

Because of your retrograde amnesia,

you couldn't remember whether you gave a damn or not.

You know what?

Now that she's gone, me and you, we're done, for good.

- Alan?

One of my neighbors, she plays the piano.

She practices every afternoon from four to six,

except weekends and Saturdays,

she'll play once in the morning after breakfast

and once at night around six.

Sunday, she plays--

- What do you want?

- Someone destroyed it.

The piano, late last night.

I just need you to go knock on her door, see if she answers.

And that's all. It's Room 607.

- You're really worried about your neighbor?

- By this time today, she'd have practiced already.

She'd be out of the shower, blow-drying her hair.

- How do you know that?

You know what? Call the cops.

- No.

- Well, great, do it yourself, kid.

- I'd have to leave this room. I can't do that.

- Whew, bye-bye.

- There's more, okay.

Whoever destroyed it, left this playing.

(operatic singing in foreign language)

Alan, when I heard it, I saw something.

But I didn't just see it, I remembered it.

It was a memory.

I think it was from before that day Marie found me.

Okay, I need you to go over there.

I just need you to see what the hell's going on.

- I will not enable you like she did.

And don't expect any more gigs from me,

because from now on I'm using Paul.

- That hack!

- What?

- Fine, fine. Use Paul, I don't care.

But that music.

I saw this door.

- Are you still taking your meds?

- Someone knew I'd be listening, I know it.

- I said, are you still taking your meds?

- What?

- Not what. Answer me, are you still taking your meds?

- Yes, yes, I am!

(operatic singing in foreign language)

- Hey hey hey, is this what I think it is?

(soft dramatic music)

These are apartment numbers.

You've been taping your neighbors' apartments, haven't you?

Just to feed that sick fetish of yours.

That's how you know what the hell they're up to.

- They may not be relationships to you,

but to me, they are my family.

- Huh.

Wow, hey I'm really happy

that you're surrounded by your family,

while the woman who devoted her goddam life to you

wasted away and died!

Hey, news flash, kid.

They're not your family.

They don't know who you are, and they don't care.

- Okay, okay, thanks for stopping by, Dad.

- I'm not your dad, and Marie was not your mother.

As much as she tried to be when she brought you home.

She did everything to help you,

including sacrificing us.

(operatic singing in foreign language)

You know what?

You belong in a psych ward, just like your real mother.

Don't call me.

(operatic signing in foreign language)

- [Ella] Incoming call from John.

- Answer.

- [John] Hello.

- I'm here.

- [John] Did you get yesterday's message?

Our editor needs the tuning fork sound effects right away.

It's a product video. We can't go canned on it.

- You moved up the deadline. There's a queue.

- [John] I'm prepared to pay triple. Are you onboard or not?

- Yeah, yeah, I'm onboard.

(soft dramatic music)

(fork humming)

(soft dramatic music)

- [Maggie] Hey.

(dramatic music)

(hard breathing)

- [Winters] Ella, call John.

- [Ella] Calling John.

(phone ringing)

- [John] Hello.

- Your client with the tuning forks, who is it?

- [John] I'm sorry, but once again?

- Who are we making the recordings for?

Who hired you to make the video?

I don't even see a brand on this product.

What kind of tuning forks are these?

Is this a real gig?

Who hired you to call me?

- [Ella] Call ended.

(knocking on door)

- I haven't gone into 102 yet. I was waiting--

- The piano player in 607,

have you seen her since yesterday?

- No, I haven't seen her in over a month.

- A month?

- Yeah, her window was stuck, so I stuck in my putty knife,

and then with my hammer I--

- Something's wrong.

I didn't wanna ask you, but you have to go check on her.

Okay, you have to see if something happened.

- Whoa, um, is she sick?

Because like Dr. Lee, in 702, maybe he--

- No, she's not sick. She's ...

I heard that ...

There's this ...

I'm sending you on a mission.

I'm sending you on a mission.

I'm the boss, okay, the sergeant,

and you, you're the soldier carrying out the mission.

- You're not making any sense.

- [Winters] Testing, can you hear me?

Testing.

- Hello, hello.

- Private, this is a recon mission, okay.

You're gonna go to Room 607, and you are gonna

report back to me what you see

through this, do you understand?

Go.

Where are you right now?

- [Leonard] Okay, I'm here, Room 607.

- Is there anything out of the ordinary?

Do you see anybody?

- [Leonard] I don't see anybody. It kinda smells funny.

It's unlocked. Should I go in?

Hello, should I go in?

- Yeah, slowly, don't touch anything.

(door creaking)

- [Leonard] It smells bad in here.

- What do you see?

- [Leonard] It's dark. The light switch doesn't work.

- Use your flashlight, Leonard.

- [Leonard] I'm scared.

- That's an order, Private.

- [Leonard] Okay.

- Tell me what you see.

- [Leonard] There's plastic everywhere.

- Plastic?

(dramatic music)

Get out. Leonard, Leonard, Leonard, get out of there now!

- [Leonard] Oh my God. Pieces!

- The piano, the piano's in pieces?

- Blood, there's blood (cries).

I am in trouble, aren't I?

- No, I am.

Whoever killed her knows me.

That music sparked my memory, and the tuning forks,

they caused a vision of a little girl.

But I don't know why.

If you see anything that doesn't belong,

if you see anything that seems weird to you at all,

you come right back here to me.

(hard breathing)

(crickets chirping)

(laughing)

- That's funny.

(laughing on TV)

(chuckling)

Hm?

- Turn that down.

- The TV? - Mm-hm.

- Okay.

Because?

- Because I have something that,

that I wanna tell you.

- Go for it.

- Ask you, because you have to be on board.

- Have to be on board what?

- You know the little boy that I

found?

- Yeah, the nut, the nut. Yeah, the crazy kid.

- Don't call him a nut.

- I'm sorry.

- He's not a nut.

- I'm sorry, I'm sorry.

- He's a little boy.

- Yeah, he's a little crazy boy. Okay, go ahead.

- Now, he's not crazy. He's been through things you--

- What's your point? Where are we going?

Where are we going with this?

- So I've been visiting him at the hospital, every day.

And now he's in a facility.

- Okay, where are we going with this, Marie?

- Just hear me out.

- Marie, where are you going with this, Marie?

- Just listen.

- I'm listening.

- He's a ward of the state.

And they said that they can fast-track this adoption,

and I want--

- Whoa, whoa, whoa, whoa.

Please stop, please stop.

If you need it, we can get a puppy.

Okay, you want a puppy, we get a puppy.

I don't need a kid coming into this house.

- Alan, please, I, I can't even explain.

I know I'm ...

I love this boy. I love him.

I can't explain it any other way.

- I'm not good enough, we need, we need a--

- Just, I bonded with this kid. He responds to me.

He doesn't have anyone.

Not a person, no one.

- So what do you wanna do?

- No one has shown up. - What do you wanna do?

- Tell me.

- I wanna go through with the adoption.

I wanna, there's a few papers left.

I've already basically talked to everyone

that I can talk to.

And, the process has already begun, so--

- You know what, let's talk about this in the morning, okay?

- Please, please, please.

I've never wanted anything more.

I mean, besides you (chuckles).

He needs a loving home.

(soft dramatic music)

- Jesus.

(soft dramatic music)

- Sh. Sh.

Just breathe.

Just breathe.

It's okay.

Here.

Forget about the outside.

Feel the shell. Feel it.

Focus on how it feels.

That's good.

(soft piano music)

You ready to go look at the house?

(soft piano music)

This is the living room.

There's Alan's special chair.

The kitchen.

(soft piano music)

(dog barking in distance)

You're home.

And you're safe.

I know you've forgotten where you've come from,

but it's okay.

You don't have to remember.

You can start again.

With us.

(soft dramatic music)

(banging)

- [Maggie] Did you see Mommy?

(hard breathing)

(operatic singing in foreign language)

(recording skipping)

(operatic singing in foreign language)

- [Computerized Voice] Six. Six.

Seven.

Kin.

Dread.

Beta.

Searchlight.

Magenta.

Unsound.

Valley.

Riven.

- Your sounds won't keep you safe anymore.

- What?

- I said, what the hell is the matter with you?

Here.

- I'm not expecting this.

- Well it was in your box, and it has your name on it.

Am I picking up anything?

(soft dramatic music)

- Ella, call Jimmy.

- [Ella] Calling Jimmy.

(phone ringing)

- [Jimmy] Yeah?

- Yeah, those pills you've been sending me, they're no good.

Okay, I'm seeing shit. I just blacked out.

- [Jimmy] Wait, who is this?

- You know damn well who it is.

I'm sending my messenger. Get my order right this time.

- [Jimmy] No can do, Bud.

Look, I have been telling you for how long?

Just go back to your shrink and go to a legit pharmacy.

- I use you so I don't have to go to my shrink

or use a legit pharmacy.

That's the whole point.

- [Jimmy] You are in way over your head, kid.

- What's that supposed to mean?

- [Jimmy] I can't help you. Lose my number.

- [Ella] Call ended.

- Ella, call Dr. Hayworth's office.

- [Ella] Calling Dr. Bill Hayworth.

(phone ringing)

- [Receptionist] Dr. Hayworth's office.

- Hi, I need to get my prescription refilled.

Can I send someone to get them please?

- [Receptionist] What's your name?

- Last name Winters, first name--

- [Receptionist] I know who you are. Please hold.

(soft dramatic music)

- [Receptionist] Sir?

- Yeah.

- [Woman] Your current prescriptions expired six months ago

and you haven't been in for a session in over a year.

You'll need to schedule an appointment

before we can write a new prescription.

- Does the doctor make house calls?

- [Receptionist] House calls?

- Yeah, the ringing in my head, it's loud.

- [Woman] I'm sorry, what?

- Ella, end call. End call!

- [Ella] Call ended.

(phone ringing)

(phone beeping)

- Yeah, hello, Alan here.

- [Bill] Alan, it's Dr. Hayworth.

- Hey, Doc, what's up?

- Your son called the office, then hung up.

We tried calling him back, but he's not picking up.

Since Marie's, well, you're his emergency contact now.

We're just checking in to make sure he's okay.

- I'll find out, and I'll call you back, all right?

- [Bill] Thank you, Alan.

- Thanks a lot, Doc.

(phone beeping)

Great.

- Hey, is that motorized rotating lens

Francis wants for this available?

- Yes, it's booked.

- Got it.

- Oh, before, I forget, Alan, here's the info

on that new sound designer you asked about.

This guy's really good and said he'd be available.

Alan?

- Huh? Oh, yeah.

I'm sorry, Annie.

I haven't found a sound guy yet.

Could you give me another day or two, okay?

Barry, what's the word on the motorized--

- Rotating.

- Yeah, the motorized rotating lens for Francis?

- It's booked.

- Okay, good.

(soft dramatic music)

- Trudy's wedding dress.

- [Alex] Mom?

- [Martha] Huh? Hm?

- [Alex] What was Dad like?

- [Martha] Oh, well, he was funny,

smart, handsome but,

we're better off, just you and me.

You have his eyes and my heart.

- [Alex] And your butt, maybe.

- [Martha] You fresh boy. And my butt (laughs)

(clicking sound)

- [Alex] What was Daddy like?

- [Martha] Oh, well, he was funny,

smart, handsome but

we're better off, just you and me.

(voices screaming)

(dial tone humming)

- [Computerized Voice] Hawthorne.

Springs.

Aspen.

Delta.

Kill.

Seven.

Sibilance.

Nemesis.

(soft dramatic music)

- [Maggie] Get help.

(soft dramatic music)

(deep breathing)

(operatic singing in foreign language)

(muffled screaming)

(operatic singing in foreign language)

- [Shawn] Your fucking parents.

- [Rosie] Please don't.

(muffled arguing)

- Stop. Stop, please.

Please stop screaming.

Stop screaming at her.

Get your hands off her, you son of a bitch!

(hard breathing)

(phone ringing)

- [Marie] Hello?

Ha ha ha, just kidding.

Leave a message.

- Hey, Doll.

You know what?

I, uh, I forgot to change the stupid filters again, huh?

And the, the, the vents.

The vents are so dusty, filters so damn dirty,

I can practically hear you busting my balls right now.

And then you know what?

Stupid me, I keep forgetting where like I'm putting stuff,

and I, I,

I catch myself.

I catch myself calling you

and asking you to help me look for it.

The other day, I, uh.

I can't do this.

I miss you so much, god dammit.

I can't do this (cries).

(sighing)

(soft dramatic music)

- Yay!

(laughing)

I knew that smile was in there somewhere.

(soft dramatic music)

No, no. Whatever it is,

don't think about it.

(soft piano music)

(bell ringing)

Do you hear that?

Hear that?

Here.

Listen.

(bell ringing)

Whenever the bad thoughts come,

just ring that bell and listen.

(bell ringing)

- What are you doing?

- What do you mean?

- You know, the thing with the kid.

I mean, has the doctor cleared this thing, or what?

What are you doing?

- Hold on.

I just ...

- I have better things for you to be

doing than this.

Let's put this up. Can you put this up?

Hm?

- Well, let me just finish today's entry

before I forget everything, okay?

And just ...

- Yeah, sure, finish whatever.

No problem, I might as well throw my Viagra down the toilet.

(scoffing)

(traffic passing)

- [Ella] Incoming call from Alan.

Incoming call from Alan.

- Answer.

Yeah?

- So you used to have blackouts, am I right?

- Your point being?

- My point being, how's that piano player of yours?

- [Winters] Why don't you just spit it out?

- Fine, no problem, how positive are you

that you haven't left that room?

- Ella, end call.

- [Ella] Call ended.

- You son of a bitch.

- Ella, call Leonard.

- [Ella] Calling Leonard.

(knocking on door)

- What happened to your secret knock?

Leonard.

Leonard, Room 201.

(soft dramatic music)

- Martha and Alex.

She sews my uniforms.

Alex lets me play his games.

- Leonard.

I have to stop what's happening. I can't do it by myself.

- I can't do it. I can't help.

I'm broken.

- Hey, Leonard.

So am I.

That's what makes us a good team, okay?

That's why we need each other.

Leonard.

Leonard, you need to tell me, is there anything

out of the ordinary going on in this building?

- Out of the ordinary?

Like all this?

Or like you spying on people, like that?

- Hey, that's not what I mean.

Have you seen anyone new,

anybody that you haven't seen before?

- No.

I tell you everything.

- I'm missing something. There has to be something.

It's impossible for someone to get in here

without being seen.

That doesn't make any sense. It has to be something.

It's someone who's poking their nose around,

someone you didn't let in their apartment,

someone you, something, somebody--

- There is something.

- Who gave you a bad feeling. - There is something.

- But it's actually nothing.

- What?

- One apartment's empty, but somebody pays for it.

Harris makes me check the smoke detectors twice a year.

- Wait, somebody's paying for an empty apartment?

Since when?

- After you moved in.

A week later, I think.

- Good, go there.

- Come with me.

- I can't.

Every time I walk out that door, it feels like

my chest is gonna explode, do you understand?

That's what it feels like, okay?

Okay, either way it doesn't matter. It's not ...

It's me they want, okay? It's not you.

They know I need you.

You're ...

(soft dramatic music)

- I'm what?

- You're useful.

You're useful.

Leonard, I'll buy you whatever you want.

Okay, name it. Just help me.

- I don't want any more collectibles.

I just wanna go home and watch cartoons.

I'm going to go peek one last time

so you get off my back.

- Thank you.

You're the most intrepid man that I know.

- Intrepid.

Valiant, bold, fearless?

I'm not any of that.

(soft dramatic music)

(muffled shouting)

(door opening and closing)

- [Ella] Window, window.

- Ella, stop the alarm.

- [Ella] Alarm stopped.

(soft dramatic music)

(knocking on door)

- Leonard, what ...

- Hey, so this is ...

Do I know you?

- No.

I mean, I don't think so.

I mean, I feel like I'd remember.

- Uh, well, this cute girl just came by my house.

She shoved this at me, and then she ran off.

But it's got your address on it.

- Cute? Cute how?

- I don't know.

She had brown hair and green eyes.

- Yeah, yeah, I know who you're talking about.

- Okay. She seemed upset.

Do you want it or not?

(muffled shouting)

Oh my God.

Is that a TEAC? A TEAC 3340?

- Hey, what are you doing?

Hey, what are you doing?

- Who's the dick next door?

- [Shawn] You're nothing, you're worthless!

- Four separate channels.

Can record eight sources simultaneously

or one channel at a time synchronously.

Independent microphone inputs.

Line inputs and outputs, each with their own controls.

Unlimited mixing options.

And a classic '70s analog sound.

(chuckling)

(soft music)

Wow.

(soft music)

Sorry.

I'm kind of an audiophile.

I get it from my dad.

What is this place?

Oh my God, are you a sound effects designer?

- Hey, no, don't walk on that, please.

(laughing)

- Hey, do you mix music and sound effects for live shows?

Because I'm camgirl right now,

but I've got this act I wanna take on the road.

I've got an audition at the Garter Room in a couple days.

- Stop touching things, please.

No, I don't really do that sort of thing, although I could

probably mix circles around whoever you're using.

- Oh, well, that would be me.

I'm trying to produce my own mix track.

- Produce it yourself?

- Yeah.

I haven't found anybody that I like yet.

(muffled shouting)

- You mean you want me to help you produce it?

- Maybe.

- Yeah, I'd love to, I'm just, I'm kinda tied up right now

with a couple things, and even if I was available,

it's not, it's not really the sort of thing I do.

- Look, if you change your mind,

I live in this little house right across the street.

You can come over if you want.

(muffled shouting)

Try telling that guy to suck your balls.

(door opening)

(muffled shouting)

- Suck my fucking balls, bitch!

Did you see that girl?

She was hot, right?

- I found this in there.

- That was in there, the apartment?

- On the floor, in the middle of the room.

- Okay, let's see what's on it.

- Don't.

- I have to.

- I'm going home.

If anything happens to me, you were the best boss.

Boss.

- What are you talking about? Nothing's gonna happen to you.

(door opening and closing)

(soft dramatic music)

- [Disguised Voice] Marie?

- [Marie] Oh God, hi.

- [Disguised Voice] How are we feeling today?

- [Marie] A little better than yesterday,

but not so hot.

- [Disguised Voice] Let's get you hooked up.

- [Marie] Do you know what time the doctor's coming today?

- [Disguised Voice] Oh, you won't need the doctor today.

You're checking out.

- [Marie] What?

He said I'm showing improvement, but I have questions.

- [Disguised Voice] Save the questions.

Let's get this in your PICC line.

- [Marie] What is it?

- [Disguised Voice] Potassium chloride.

- [Marie] What? What's that for?

- [Disguised Voice] For the damage you've done.

(Marie crying)

(soft dramatic music)

[Disguised Voice] I hope you rot.

(banging)

- [Maggie] Is it you?

(knocking on door)

- Harris.

- You know that nice young couple down in 102?

Just moved in, you know the ones.

- How would I know?

- They found this.

Apparently, they're too stupid to know what it is.

They thought the vent was broken.

Can you believe it?

- I don't know what you're talking about.

- Those are my tenants.

- Oh, now you care about them.

It's funny, since you're always screwing them over.

- When am I getting those tapes?

- When I get my deposit back.

- That's the wrong answer. I want them now.

- That empty room, the one that's being

paid for, who's renting it?

- How'd you know about that?

- Those recordings I have of you, they'd ruin you forever.

- Well it's a cash deal.

No paperwork.

They get a key and anonymity, and I get greased.

Triple the going rate.

- Triple?

- Yeah, triple.

You know what?

Your rent-free days, they're over.

Another thing, tomorrow.

Tomorrow, we start our routine building inspection,

so then I'm gonna personally scour every fucking nook

and cranny, looking for more of your damn bugs.

- No, you can't do that.

You have to give more notice than that. It's the law.

- Oh, it's the law.

Well, the notices went out two weeks ago, smart ass.

It was slipped under the door, just like everyone else.

You didn't get yours?

Really (laughs)?

I can swear ...

If I hear you tapping anyone else or doing anything shady

in this fucking building, I don't give a flying fuck

in hell what you got on me,

I'm gonna bring the heat down on you.

(soft dramatic music)

Have a nice day.

- Ella, call Leonard.

- [Ella] Calling Leonard.

(phone ringing)

- [Leonard] Hello.

- Is Harris doing an inspection tomorrow?

- [Leonard] Yeah, tomorrow we're doing the inspection.

- Why didn't I get a notice?

- [Leonard] Because he leaves you alone.

He never inspects your unit.

- Harris found the bug in 102.

Clearly, you did a very sloppy job, okay.

They are going to find the piano player.

They are going to find Martha and Alex.

They're going to find all of our bugs.

They're gonna pull all of our bugs,

and then we're done for.

Okay, so we need to pull the bugs right now.

Are you even listening?

- [Leonard] If I do it, if I get all the bugs, are we done?

Are we done sneaking?

- No more sneaking. No, never again.

And this way no one else gets hurt, okay?

- [Leonard] Sounds good to me, Boss.

I'll figure out how to get them this afternoon.

- [Ella] Call ended.

- Ella, call Alan.

- [Ella] Calling Alan.

(phone ringing)

- [Alan] You know what, if I would have known

that disowning you was gonna make you talk to me

more in two days than you have in a year,

I would have asked you to move in instead.

Then you woulda gone running in the opposite direction, huh?

- I swear to you, I haven't hurt a soul.

I know I'm fucked up.

Okay, I know that. I realize that.

But I, I, and I don't know why I abandoned Marie.

Something ...

Just something pulled me away, okay, but I, I ...

I need one thing.

- (chuckles) Oh.

- Marie's journals, bring them, please.

My bugs are the only road map I have to figure out

what's happening, and I am about to lose them.

- Enough.

- People are being killed. Marie was killed.

Her journals can help me stop the killer.

I need the info in those journals.

Every nightmare, blackout, episode I've ever had

are in those journals, I need them please.

- You know, I am so done with your conspiracy theories.

- You've hated me from Day One, man.

You want me to fail. You want me to be locked up with Iris.

- You know what? Do not put this on me, all right?

- No, no, because you had to share Marie with me,

because you never wanted kids,

because she could never have any kids of her own,

so she was your perfect match.

And then I came along and I ruined it all for you,

and you have only seen the worst in me ever since.

Right or wrong?

Right or wrong?

- Look, I was not built for this shit, all right?

And I never have been.

(phone beeping)

Ugh.

(inhaling)

- [Becky] In this building lately.

I mean Leonard, he's acting--

- [Computerized Voice] Six.

Six.

Hawthorne.

Springs.

(soft music)

(exhaling)

- What now, what now, what now?

(soft tapping on wall)

(soft dramatic music)

- Rosie?

Is that you?

Do you need help?

- [Shawn] Go on. Take one step outside that apartment.

And I'll kill you.

(birds singing)

(soft piano music)

(recorder beeping)

- [Marie] This is not a normal journal entry, Alan.

I'm gonna tell you but if something happens,

I, I hope you get this.

There is an odd woman. She works here at the hospital.

Or I thought she did.

She comes around checking on me, making small talk,

so over time I ended up telling her about him.

The work we did, his therapy, even my journals

and that my old ones are in the shed.

Today, I admitted I suppressed his memories using sound,

and she demanded to read my journals.

When I told her no, she became enraged

and then stormed out.

She frightened me.

I'm sorry, Alan, but I think we're in danger.

I love you.

(soft dramatic music)

- No no no no no.

(soft dramatic music)

Dammit.

This is not right.

- [Computerized Voice] Riven.

Sycamore.

Threshold.

Yellow.

Mulberry.

Attack.

- [Ella] Window, window.

- Stop the alarm.

- [Ella] Alarm stopped.

- [Computerized Voice] Boulder.

- [Ella] Incoming call from Alan.

- Decline.

- [Ella] Call declined.

Incoming call from Alan.

- Answer.

What?

- If that song triggered something in you,

it might do the same thing for Iris.

Send it right now, okay?

- [Computerized Voice] Valley.

- Ella, end call.

- [Ella] Call ended.

(soft music)

- Ella, record and send to Alan.

- [Ella] Recording.

- Come on.

Boom.

(soft dramatic music)

(hard breathing)

(soft dramatic music)

(door buzzing)

(soft dramatic music)

- Mr. Winters?

- Hi.

What's wrong with her?

- Catatonic schizophrenia, she's had it for some time now.

- Can she communicate with me?

- She can't speak or respond or move.

- Is she gonna be able to hear me?

- I think she can, but you wouldn't know it.

- I see.

I mean, what are we talking about here,

some kind of trauma or something?

- There are environmental triggers,

but genetics play a part too.

- Great.

No no, no no, you don't have to do that.

- You a relative?

- My adopted son, she's his biological mother.

- [Woman On PA] Dr. Blair, Dr. Blair.

Dr. Jay Hamilton, Dr. Jay Hamilton.

- Boy they found with the seashell?

- Yes.

- I was in high school when that happened.

How's he doing?

- He's good, really good.

- You know, when they found her wandering the fields,

I just thought, only a monster could be responsible.

- Yeah.

- Did they ever find out what happened?

- Nope, nothing.

- You did a good thing.

- Thank you.

- I think you should talk to her.

Tell her about her boy. I think she'd like it.

- Okay.

Thank you very much.

- [Woman On PA] Dr. Davis, telephone please,

Dr. Davis, telephone please.

- Hi, Iris.

Can you hear me?

You wanna give me a sign or?

I, uh, I guess I should apologize.

I mean, all those years and we never

brought him here to visit you.

Marie never wanted to.

You know, the funny thing is, I,

I feel guilty about it now.

I don't know.

Maybe seeing him woulda helped you and him.

I raised your boy.

I mean, I tried to at least.

And I guess I could have done a better job.

(soft dramatic music)

- [Nurse In Distance] Hold that in.

(soft dramatic music)

Hey, um,

does this sound, sound familiar to you?

(operatic singing in foreign language)

(knocking on door)

(knocking on door)

- I don't have time for this right now.

- You've been watching me with that.

I came in earlier, and I saw it, and I knew.

I let men watch me for a living.

I know what it feels like.

Somebody's eyes, when someone looks at you,

there's a contact, there's a vibe.

I can feel your fucked up vibe.

When I came in earlier, I saw it.

You knew exactly who I was when you

opened that door, didn't you?

You put that girl up, just to make me come over.

It's fine.

(soft dramatic music)

Hey, I'm used to it.

Men have been watching me since

before I had my first period.

They usually just pay for it.

I just wanted you to be different.

Are you different?

- I think you're in danger.

- What?

- You have to keep away from me, away from here.

- Ow, let go, you're hurting me.

- It wasn't my messenger. Someone lured you here.

I'm sorry for watching.

Okay, I just, when I noticed you, it made me feel ...

You have to go.

Ella, call Leonard.

- [Ella] Calling Leonard.

We're sorry, you have reached a number

that has been disconnected or is no longer in service.

If you feel have reached--

- Ella, end call.

- [Ella] Call ended.

- Ella, call Leonard.

- [Ella] Calling Leonard.

We're sorry, you have reached a number that has been--

- End call.

- [Disguised Voice] I have your messenger.

I'll get Alan.

And you are to blame.

Because you forgot about me.

- Stop.

- I'll kill them.

- What?

- The way I killed Marie.

(device smashing)

(knocking on door)

- The journals?

- They're gone, taken.

I saw Iris.

There's more to this than I thought.

- [Winters] Yeah, tell me about it.

- [Alan] What do you have?

- They're recordings being left in each

of the apartments in the building.

Layers under layers under layers of sound.

There's a message in here somewhere.

- Help me. I need your help to figure ...

I have pieces.

Okay, do you understand?

I have pieces that I need to find out how they fit together.

I don't know how to do that.

- Neither do I, kid.

You started to remember when you were little,

but Marie stopped you.

You remember how?

Sounds.

She made you listen to different sounds.

You'd think of something horrible.

She shifted your attention.

Now look at what you do for a living?

Huh? Boom.

You've buried your memories a little more every day.

- Do you hear that?

When I was little, I was,

I was held captive somewhere by my father.

We were kept in small rooms, no outside contact.

- You've regressed back to that time.

Now you're holding yourself prisoner.

- My father, he,

he would lure people back to the house somehow,

and he'd bring them in the garage and,

he'd butcher them.

The same way he'd butcher deer,

the same way he would rip off their skin

and take out their organs,

he butchered the people the same way,

and this song, this song, it would play over and over

and over again, and Iris, Mom, she went crazy,

and then she started seeing things and hearing--

- Kid kid, kid kid.

Listen to me.

Marie mentioned a woman who was interested in you.

And when you were young, you had dreams of a girl.

Could they be the same person?

(knocking on door)

- [Computerized Voice] Maggie.

Six.

- Leonard probably.

(soft dramatic music)

- Stay the fuck away from my bitch.

- [Alan] What the fuck are you doing?

(punches striking)

(Winters groaning)

(groaning)

(hard breathing)

- Rosie, what are you doing here?

- Sorry.

Shawn really did a number on you, didn't he?

He's gone now.

I'm not sure for how long, but oh.

After he beat you, I finally stood up to him.

I told him that he was probably gonna take the fall

for Harris' death, and I wasn't gonna deny it.

- Harris, what are you talking about?

- They found him a couple hours ago.

Mrs. Arenberg found him.

- Mrs. Arenberg?

- Yeah, apparently her dryer didn't get fixed properly,

and so she went to complain about it,

and she found him there, cut from head to toe.

- My friend Alan ...

My dad, did you see him here?

- No, just Shawn and that woman.

I wanted to say thank you.

- For what?

Another notch on the long list of getting my ass kicked?

Don't mention it.

- For sticking up for me.

I'm gonna go, and I'm not coming back.

Stay safe, okay, neighbor?

(soft piano music)

(groaning)

(soft dramatic music)

- Hey.

Hey.

Hey.

Fuck.

(soft dramatic music)

- [Computerized Voice] Hawthorne.

Springs.

Aspen.

Delta.

Maggie.

Kill.

Six, seven, six.

Sibilance.

Kin. Nemesis. Dread.

(operatic singing in foreign language)

(horn honking)

(train passing)

(soft dramatic music)

(horn honking)

(horn honking)

(soft dramatic music)

- [Maggie] He left your door unlocked?

- Yes.

- [Maggie] Go get help, now.

(soft dramatic music)

- [Computerized Voice] Six, six, seven.

Sycamore.

Hawthorne Springs.

Home.

(soft dramatic music)

(hard breathing)

(soft dramatic music)

(hard breathing)

(soft dramatic music)

- [Marie] Get up. Get up.

(dramatic music)

(traffic passing in distance)

(engine starting)

(soft dramatic music)

(horn honking)

(horn honking)

(soft dramatic music)

(train passing)

(soft dramatic music)

(soft piano music)

- Leonard, what have you done?

- Please don't be angry.

I never wanted to hurt anybody.

I didn't wanna be duplicitous.

- Duplicitous?

- Deceitful, sly.

Sneaky.

- Leonard?

You've been useful.

(dramatic music)

- No, no, no no.

(soft dramatic music)

You were the best boss.

(soft dramatic music)

(train passing in distance)

(soft dramatic music)

- [Maggie] Hey, you remember this?

You remember what I showed you on the beach?

(soft dramatic music)

- Maggie?

Hello?

- [Maggie] Hi.

- [Winters] Maggie, is that you?

I can't believe it.

(soft dramatic music)

- Did you say hi to Dad?

- [Winters] What have you done to those people?

- They're not people anymore.

Marie was my favorite.

- I would have died for you.

- It's not too late for that.

(soft dramatic music)

(train passing in distance)

(soft dramatic music)

(hard breathing)

- Alan, Alan.

- They don't make me like they used to, huh, kid?

- You finally came to help with my mix tape.

How neighborly.

- What the fuck is your problem already?

- That bitch made you forget about me.

That's my fucking problem.

I came to make you remember.

- So that's what this is about, revenge?

How original.

I remember everything now. Can we all go home?

- Prove it. Prove you remember.

Tell me how it started. Tell me how it began.

- It began. - Tell me.

- Wait wait wait.

It began when Mom started to lose her grip.

Dad, Dad snapped.

- Then what?

- He wouldn't let us outside, kept us in our rooms.

He kept us prisoner.

- And?

- He killed people.

He brought them home, and he killed them.

He made you.

He made you help him.

The way you helped him before when we'd go hunting.

The way you helped him gut and skin the deer,

he made you help with the people.

(crying)

You protected me.

- From our rooms, we'd hear the bad noises,

so we made up our own games.

Knocking on the walls, talking through them, singing.

Do you remember?

- Yeah I do.

When he came home, he knew I left,

and so he beat me up and he messed me up here,

and then when, when,

when he saw that I was broken,

he saw that I couldn't remember things,

he abandoned me and he abandoned Mom.

What did he do to you?

(soft dramatic music)

- He sold me.

He let men rape me.

I was just a little girl.

I was just a little girl.

(crying)

But I was strong.

And you,

you were a coward.

You could have gone for help that day, and you didn't.

Then someone would havee found me,

and I coulda had a normal life too.

You had everything.

And all this time, you never had to remember a goddam thing.

- Wait, no no no, you're wrong.

I did remember you, just not in the way that you thought.

- You are such a liar.

- Stop it.

You read the journals.

That day Marie found me, I whispered something

into that seashell, you read that, right?

Remember what I whispered into it now?

It was your name.

You showed me that, do you remember?

How to make a wish if you couldn't see the stars.

That's the last thing I did

before I forgot about everything.

You were my wish.

(crying)

That's why I can't have normal relationships.

That's why I couldn't deal with Marie getting sick,

because I was going to lose her the way that I lost you.

Losing you,

that's what broke me.

(hard breathing)

Please, let Alan go.

He never asked to be a part of any of this.

Kill me, do whatever you want. Just let him go, please.

- Why would I kill you?

Now that I have you.

You're my baby brother.

You're home now.

- Are you gonna lock me in a room?

(soft dramatic music)

- Do you still love me?

- Yeah, I do.

(soft dramatic music)

- Good.

(dramatic music)

- What are you doing? No, no, no, Maggie.

- Stop, stop.

- Maggie no, no.

No, no, no.

Fuck.

Fuck!

(soft dramatic music)

No.

No no, no no, no.

- It's all right.

Hey, hey.

- No. - Come on.

- No, no, no.

(hard breathing)

- Come on.

It's all right, it's all right.

Come on.

Here we go. Here we go, come on.

Come on, come on.

Help me up.

Come on, come on, come on.

Help me up.

(groaning)

(soft dramatic music)

- [Maggie] Remember me.

- It's all right, come on.

Here we go.

(crickets chirping)

It's okay.

I'm all right. I'm all right.

Oh yikes.

(crickets chirping)

(dog barking)

(owl hooting)

- Hey, that's the last of it?

- Yeah.

- Cool, now what do you say we do

a little pizza and beer tonight?

- That sounds amazing?

- I'll go hook us up.

- Hey, Alan.

- Huh?

- Thanks again for letting me stay.

I won't be a nuisance.

- Hey, hey hey.

I'm glad you're home, kid.

Maybe we finish Marie's puzzle tonight?

- Yeah, that'd be nice.

- I'll go hook the pizza up.

(soft piano music)

(soft music)