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1
00:00:02,603 --> 00:00:04,372
Man:
GOOD AFTERNOON,
LADIES AND GENTLEMEN.
2
00:00:04,438 --> 00:00:06,674
NOW, I DO WANT TO THANK
ALL OF YOU
3
00:00:06,740 --> 00:00:09,643
FOR ATTENDING THIS PREVIEW
OF MY UPCOMING SHOW.
4
00:00:09,710 --> 00:00:13,347
ACTUALLY, I DO PREFER TO CALL IT
A RECEPTION
5
00:00:13,414 --> 00:00:17,751
BECAUSE, AS YOU CAN SEE,
THERE ARE SOME PEOPLE
6
00:00:17,818 --> 00:00:19,053
WHO HAVE JUST ARRIVED
7
00:00:19,120 --> 00:00:21,955
AND I DO WANT YOU TO MEET THEM.
8
00:00:22,022 --> 00:00:23,524
NOW, IT IS QUITE POSSIBLE
9
00:00:23,591 --> 00:00:26,594
THAT YOU HAVE MET SOME OF THEM
BEFORE, AT SOME TIME OR ANOTHER
10
00:00:26,660 --> 00:00:29,863
BECAUSE THEY COME
FROM ALL WALKS OF LIFE
11
00:00:29,930 --> 00:00:32,400
ALL MARCHES OF TIME.
12
00:00:32,466 --> 00:00:35,336
THEY ARE THOSE MEMBERS
OF HUMANITY
13
00:00:35,403 --> 00:00:38,872
AT PERHAPS WHOM
YOU HAVE ALWAYS WISHED TO STARE
14
00:00:38,939 --> 00:00:41,075
OR EXAMINE, OR SCRUTINIZE
15
00:00:41,142 --> 00:00:44,044
IN AN ATTEMPT TO EXPERIENCE
WHAT IT'S LIKE...
16
00:00:44,112 --> 00:00:47,281
YOU WON'T BE SORRY
YOU CAME WITH ME.
17
00:00:47,348 --> 00:00:49,450
EVEN IF IT DID TAKE
SIX PHONE CALLS.
18
00:00:49,517 --> 00:00:50,351
SEVEN.
19
00:00:50,418 --> 00:00:52,253
WAIT TILL YOU SEE
THIS GUY'S WORK.
20
00:00:52,320 --> 00:00:55,589
YOU SEE, I'M DOING A TERM PAPER
ON HENRY ROBERTS' STATUES.
21
00:00:55,656 --> 00:00:57,891
SO FAR, I'VE JUST SEEN
PICTURES OF THEM
22
00:00:57,958 --> 00:01:00,228
BUT NOW I'LL GET TO SEE THEM
UP CLOSE.
23
00:01:00,294 --> 00:01:04,598
THEY'RE SO REALISTIC,
THEY WILL BLOW YOUR SOCKS OFF.
24
00:01:04,665 --> 00:01:09,803
...AND MAY I SUGGEST,
HERE WE STAND.
25
00:01:09,870 --> 00:01:10,838
GENTLEMEN.
26
00:01:14,975 --> 00:01:17,245
( viewers ooh and ah )
27
00:01:18,579 --> 00:01:22,150
( admiring chatter )
28
00:01:29,323 --> 00:01:31,659
AH, LOOK AT THE DETAIL.
29
00:01:31,725 --> 00:01:33,994
THE HAIR, THE FINGERNAILS,
THE WRINKLES.
30
00:01:34,061 --> 00:01:35,829
YET THESE ARE STATUES, DIANA.
31
00:01:35,896 --> 00:01:37,565
CAN YOU BELIEVE IT?
32
00:01:37,631 --> 00:01:39,032
HE IS A GENIUS.
33
00:01:39,099 --> 00:01:40,901
HE'S A GENIUS.
34
00:01:40,968 --> 00:01:42,136
( gasps )
OH, NO.
35
00:01:42,203 --> 00:01:44,037
( horrified cries )
36
00:01:44,104 --> 00:01:45,973
I'M SORRY.
37
00:01:46,039 --> 00:01:47,375
IT'S QUITE
ALL RIGHT.
38
00:01:47,441 --> 00:01:49,443
NO HARM DONE,
NO HARM DONE.
39
00:01:54,715 --> 00:01:55,583
NOT EVEN A DENT.
40
00:01:55,649 --> 00:01:57,084
MR. ROBERTS,
I'VE GOT TO KNOW
41
00:01:57,151 --> 00:01:58,319
HOW YOU MAKE
THESE STATUES.
42
00:01:58,386 --> 00:01:59,353
I AM AFRAID
I HAVE GOT
43
00:01:59,420 --> 00:02:00,788
TO KEEP THAT
A SECRET.
44
00:02:00,854 --> 00:02:03,224
OH, BUT I'M DOING A TERM PAPER
ON YOUR STATUES.
45
00:02:03,291 --> 00:02:05,193
HAROLD, HAROLD...
46
00:02:05,259 --> 00:02:07,328
I DON'T THINK THAT'S
GOING TO IMPRESS HIM.
47
00:02:21,209 --> 00:02:22,743
BINGO.
48
00:02:32,553 --> 00:02:34,455
( thunderclap )
49
00:02:35,423 --> 00:02:37,891
* WONDER WOMAN *
50
00:02:39,126 --> 00:02:40,894
* WONDER WOMAN *
51
00:02:59,680 --> 00:03:02,883
* WONDER WOMAN *
52
00:03:03,984 --> 00:03:06,254
* WONDER WOMAN *
53
00:03:23,371 --> 00:03:26,307
* WONDER WOMAN *
54
00:03:34,948 --> 00:03:37,318
( picking lock )
55
00:03:45,326 --> 00:03:47,795
( picking lock )
56
00:03:51,399 --> 00:03:53,233
OF COURSE, IT'S BECAUSE
THEY ARE SO LIFELIKE
57
00:03:53,301 --> 00:03:54,668
THAT CRITICS PUT THEM DOWN.
58
00:03:54,735 --> 00:03:57,705
ART SEEKS TO INTERPRET LIFE,
NOT MERELY TO IMITATE IT.
59
00:03:57,771 --> 00:04:00,173
HAROLD, I HAVE REALLY
ENJOYED THE ART LECTURE
60
00:04:00,240 --> 00:04:01,309
BUT I'VE GOT TO GO.
61
00:04:01,375 --> 00:04:02,843
SURELY YOU'RE NOT GOING
TO LEAVE NOW
62
00:04:02,910 --> 00:04:05,112
WHEN WE FINALLY HAVE A CHANCE
TO TALK, MISS...
63
00:04:05,178 --> 00:04:07,247
PRINCE, DIANA PRINCE.
64
00:04:07,315 --> 00:04:09,750
AND I REALLY DO HAVE TO GO.
65
00:04:09,817 --> 00:04:11,319
I FOUND YOUR WORK
SO INTRIGUING
66
00:04:11,385 --> 00:04:13,120
THAT I'M 15 MINUTES
LATE ALREADY.
67
00:04:13,186 --> 00:04:14,488
UH, NO, YOU STAY AND TALK.
68
00:04:14,555 --> 00:04:16,790
I'LL GET THE CAR
AND BRING IT AROUND.
69
00:04:16,857 --> 00:04:17,958
BUTTER HIM UP.
70
00:04:18,025 --> 00:04:21,161
TRY TO MAKE HIM TELL YOU
HIS TECHNIQUE.
71
00:04:21,228 --> 00:04:22,463
UM, HAROLD...
72
00:04:23,964 --> 00:04:26,400
I DROVE.
73
00:04:28,936 --> 00:04:31,939
CAR'S IN THE SHOP.
74
00:04:35,443 --> 00:04:37,345
TELL ME, UM...
75
00:04:37,411 --> 00:04:40,514
IS SENATOR FARNUM'S SON
YOUR USUAL ESCORT?
76
00:04:40,581 --> 00:04:45,319
THERE ARE MANY WORDS
I COULD USE TO DESCRIBE HAROLD.
77
00:04:45,386 --> 00:04:48,656
"USUAL" IS BY NO MEANS
ONE OF THEM.
78
00:04:57,998 --> 00:05:02,403
EXCUSE ME, BUT I KNOW
FOR A FACT THAT THIS
ISN'T YOUR CAR.
79
00:05:02,470 --> 00:05:05,272
WELL, UH, ONE OF US
MADE A MISTAKE...
80
00:05:05,339 --> 00:05:06,340
YOU.
81
00:05:06,407 --> 00:05:08,942
HEY, LOOK, LOOK.
82
00:05:11,379 --> 00:05:12,413
START MARCHING.
83
00:05:12,480 --> 00:05:13,947
COME ON.
84
00:05:14,014 --> 00:05:15,483
GO TO THE LEFT, GO.
85
00:05:16,550 --> 00:05:18,719
WHATEVER YOU PLAN TO DO WITH ME
86
00:05:18,786 --> 00:05:20,521
YOU'RE NOT GOING TO
GET AWAY WITH IT.
87
00:05:20,588 --> 00:05:21,989
I KNOW DIANA PRINCE.
88
00:05:22,055 --> 00:05:24,725
SHE ISN'T GOING TO LIKE
WHAT YOU DID TO HER CAR.
89
00:05:24,792 --> 00:05:27,194
WHATEVER YOU PLAN TO DO TO ME.
90
00:05:27,260 --> 00:05:29,096
YOU HEAR ME?
91
00:05:29,162 --> 00:05:30,330
YOU HEAR ME?
92
00:05:32,600 --> 00:05:36,737
OH, HAROLD, YOU CHUMP!
93
00:05:36,804 --> 00:05:39,172
Trevor:
YOU MEAN SOME GUY PULLED A GUN
ON HAROLD FARNUM
94
00:05:39,239 --> 00:05:40,774
AND LEFT A POEM IN YOUR CAR?
95
00:05:40,841 --> 00:05:43,176
"ONE OF SEVERAL MISSING
TREASURES
96
00:05:43,243 --> 00:05:44,645
"NUMBER NINE, AS OF TODAY.
97
00:05:44,712 --> 00:05:46,880
"FIND THE METHOD
TO THIS MADNESS
98
00:05:46,947 --> 00:05:48,916
FOR I'M SOON
TO STEAL AWAY."
99
00:05:48,982 --> 00:05:49,883
REAL CATCHY.
100
00:05:49,950 --> 00:05:51,819
HAS IRA TAKEN
A LOOK AT THIS?
101
00:05:51,885 --> 00:05:53,921
YEAH, HE SCANNED IT
FOR FINGERPRINTS
102
00:05:53,987 --> 00:05:56,690
AND TRIED TO TRACE
THOSE LETTERS-- NOTHING.
103
00:05:56,757 --> 00:05:58,759
WELL, ONE THING
WE KNOW FOR SURE
104
00:05:58,826 --> 00:06:01,194
IS THAT WHOEVER
LEFT THIS IN YOUR CAR
105
00:06:01,261 --> 00:06:02,730
HAS BEEN STEALING
ART OBJECTS
106
00:06:02,796 --> 00:06:04,131
AND WANTS TO BRAG
ABOUT IT.
107
00:06:04,197 --> 00:06:05,566
UM, WHAT IS
THIS GLASS BOWL?
108
00:06:05,633 --> 00:06:06,634
HAVE YOU
CHECKED IT OUT?
109
00:06:06,700 --> 00:06:08,636
IT'S FAMOUS
HOLLENBECK CRYSTAL.
110
00:06:08,702 --> 00:06:10,571
IT WAS STOLEN
ABOUT TWO WEEKS AGO
111
00:06:10,638 --> 00:06:12,873
FROM A PRIVATE COLLECTOR
IN ALEXANDRIA.
112
00:06:12,940 --> 00:06:17,244
BUT IRA DID COME UP
WITH A LIST OF NAMES...
113
00:06:17,310 --> 00:06:19,146
PEOPLE WHO MIGHT KNOW
WHERE IT IS.
114
00:06:19,212 --> 00:06:21,281
AH, A LIST OF FENCES.
115
00:06:21,348 --> 00:06:23,250
HE SAYS THE MOST
LIKELY CANDIDATE IS
116
00:06:23,316 --> 00:06:24,618
ONE SHUBERT GORING
DOWN ON ST. PAUL.
117
00:06:24,685 --> 00:06:26,520
I'LL GIVE HIM YOUR REGARDS
118
00:06:26,587 --> 00:06:29,122
IF THE CHARADE
THAT I'M GOING TO PLAY WORKS.
119
00:06:29,189 --> 00:06:30,524
NOW WAIT A MINUTE,
DIANA.
120
00:06:30,591 --> 00:06:31,625
WE COULD LET THE POLICE
HANDLE THIS.
121
00:06:31,692 --> 00:06:33,661
YES, BUT WE WERE THE ONES
122
00:06:33,727 --> 00:06:35,896
THAT WERE TIPPED OFF
TO THESE ROBBERIES.
123
00:06:35,963 --> 00:06:38,365
NOT THE POLICE, NOT THE F.B.I.,
BUT US.
124
00:06:38,432 --> 00:06:40,634
THAT'S EXACTLY WHAT WORRIES ME.
125
00:06:40,701 --> 00:06:44,304
WELL, DON'T LET IT WORRY YOU.
126
00:06:44,371 --> 00:06:46,406
I CAN TAKE CARE OF MYSELF.
127
00:07:10,798 --> 00:07:13,501
LOOKS LIKE A GARAGE SALE.
128
00:07:13,567 --> 00:07:16,470
HEY, HARV, HOW ARE YOU?
129
00:07:16,537 --> 00:07:18,939
ALL RIGHT,
LOOKING GOOD.
130
00:07:21,509 --> 00:07:23,376
USE A THREE IRON--
BETTER.
131
00:07:23,443 --> 00:07:24,845
HELLO, HOW ARE YOU?
132
00:07:24,912 --> 00:07:27,114
DON'T ASK,
DON'T BOTHER, FELLOWS.
133
00:07:27,180 --> 00:07:28,649
I CAN MANAGE MYSELF.
134
00:07:36,189 --> 00:07:37,825
WELL, DIANA PRINCE
GOT HER MESSAGE
135
00:07:37,891 --> 00:07:39,727
NO THANKS TO THAT FARNUM KID.
136
00:07:39,793 --> 00:07:41,394
Roberts:
HE I.D.'d YOU?
137
00:07:41,461 --> 00:07:43,531
( chuckles ):
NO BIG DEAL.
138
00:07:43,597 --> 00:07:45,533
WELL, MAYBE
IT'S A GOOD THING
139
00:07:45,599 --> 00:07:48,669
THAT YOU ARE GOING TO BE
ON FIELD ASSIGNMENT
140
00:07:48,736 --> 00:07:50,337
AS OF THIS AFTERNOON.
141
00:07:50,403 --> 00:07:52,005
USUAL BONUS?
142
00:07:52,072 --> 00:07:53,373
15,000.
143
00:07:53,440 --> 00:07:56,644
OH...
WHAT AM I THIS TIME?
144
00:07:56,710 --> 00:07:59,279
YOU ARE A DISGRUNTLED
HOUSE PAINTER.
145
00:07:59,346 --> 00:08:00,548
( chuckles )
146
00:08:00,614 --> 00:08:02,449
WHAT ABOUT THE N.I.M. UNIT?
147
00:08:02,516 --> 00:08:03,951
MM-HMM.
148
00:08:04,017 --> 00:08:06,253
IT IS BUILT INTO THESE GLASSES,
HERE, SEE?
149
00:08:06,319 --> 00:08:08,656
AH...
150
00:08:08,722 --> 00:08:10,357
THIS SHOULD WORK.
151
00:08:10,423 --> 00:08:12,660
HMM...
152
00:08:12,726 --> 00:08:15,996
HMM, VERY NICE.
153
00:08:16,063 --> 00:08:17,765
STUDY THIS.
154
00:08:19,466 --> 00:08:21,234
15,000.
155
00:08:31,478 --> 00:08:33,113
SOMEBODY'S OUT FRONT.
156
00:08:33,180 --> 00:08:37,050
THEY'RE ASKING ABOUT
THE HOLLENBECK BOWL.
157
00:08:37,117 --> 00:08:38,619
POLICE?
158
00:08:38,686 --> 00:08:40,420
NO, SOME LADY.
159
00:08:40,487 --> 00:08:41,989
YES, BUT...
160
00:09:01,008 --> 00:09:01,842
INCREDIBLE
161
00:09:01,909 --> 00:09:04,945
HOW LIFELIKE
SHE IS, ISN'T IT?
162
00:09:06,614 --> 00:09:10,150
WELL, I'M NOT REALLY
INTO STATUES...
163
00:09:10,217 --> 00:09:11,418
MR. GORING.
164
00:09:11,484 --> 00:09:13,253
I'M INTO CRYSTAL...
165
00:09:13,320 --> 00:09:15,956
AS IN...
166
00:09:16,023 --> 00:09:17,324
HOLLENBECK.
167
00:09:19,259 --> 00:09:23,430
MY EMPLOYER IS READY
TO PAY YOU...
168
00:09:23,496 --> 00:09:25,098
$85,000
169
00:09:25,165 --> 00:09:27,835
TO TAKE IT
OFF YOUR HANDS.
170
00:09:27,901 --> 00:09:31,504
HIS NAME IS BOB...
BERTOLUCCI.
171
00:09:31,571 --> 00:09:36,543
MR. BERTOLUCCI'S FONDNESS
FOR FINE ART IS WELL KNOWN.
172
00:09:36,610 --> 00:09:40,547
WHAT IS NOT WELL KNOWN IS THAT
HE WENT INTO HIDING IN BRAZIL
173
00:09:40,614 --> 00:09:42,515
FIVE MONTHS AGO.
174
00:09:42,582 --> 00:09:45,385
WELL, YOU SHOULD SEE
HIS PHONE BILLS.
175
00:09:45,452 --> 00:09:46,754
I HAVE.
176
00:09:46,820 --> 00:09:48,822
LET ME SEE THE CRYSTAL,
MR. GORING...
177
00:09:48,889 --> 00:09:51,591
OR ARE YOU GOING TO TELL ME
THAT, UH...
178
00:09:51,659 --> 00:09:52,793
YOU DON'T HAVE IT?
179
00:09:52,860 --> 00:09:55,595
I'LL SEE WHAT I CAN DO.
180
00:09:55,663 --> 00:09:57,064
EXCUSE ME.
181
00:10:09,877 --> 00:10:11,244
THERE'S SOMETHING FUNNY
ABOUT THAT GIRL.
182
00:10:11,311 --> 00:10:12,780
I AGREE.
183
00:10:12,846 --> 00:10:15,615
WELL, THEN WHY ARE YOU
GETTING THE BOWL OUT?
184
00:10:15,683 --> 00:10:17,150
WHY NOT?
185
00:10:17,217 --> 00:10:20,153
AFTER ALL, THE POOR GIRL
IS GOING TO HAVE
186
00:10:20,220 --> 00:10:23,657
SUCH A TERRIBLE ACCIDENT
ON HER WAY HOME.
187
00:10:29,997 --> 00:10:32,866
THE CRYSTAL,
IT'S BEEN STOLEN!
188
00:10:32,933 --> 00:10:34,935
WHAT DO YOU MEAN,
STOLEN?
189
00:10:35,002 --> 00:10:37,437
FROM YOU?
YOU'RE A FENCE.
190
00:10:37,504 --> 00:10:40,640
WHAT IS THE WORLD
COMING TO?
191
00:11:18,211 --> 00:11:19,379
UP!
192
00:11:19,446 --> 00:11:20,814
( bell dings )
193
00:11:21,915 --> 00:11:24,184
WAIT, SHE'S COMING DOWN.
194
00:11:25,753 --> 00:11:28,488
DIANA PRINCE IS MAKING
A PHONE CALL...
195
00:11:28,555 --> 00:11:31,191
TO THE POLICE, I THINK.
196
00:11:45,072 --> 00:11:47,107
( engine revving )
197
00:11:59,519 --> 00:12:00,620
COME ON, MAN.
198
00:12:00,687 --> 00:12:01,989
I'M TRYING!
199
00:12:04,424 --> 00:12:06,493
COME ON!
200
00:12:09,997 --> 00:12:12,399
IF YOU INSIST.
201
00:12:14,301 --> 00:12:15,735
( crash )
202
00:12:24,377 --> 00:12:28,348
YOU, UH, KNOW WHAT
THIS MEANS, DON'T YOU?
203
00:12:28,415 --> 00:12:31,284
YOU'RE GOING TO
HAVE TO WALK TO
THE POLICE STATION.
204
00:12:41,461 --> 00:12:44,131
SURPRISE!
205
00:12:44,197 --> 00:12:47,567
HAPPY BIRTHDAY, MY SWEET.
206
00:12:47,634 --> 00:12:48,768
TAD!
207
00:12:48,836 --> 00:12:51,038
OH, TADDY.
208
00:12:51,104 --> 00:12:52,806
AN ORIGINAL
HENRY ROBERTS STATUE!
209
00:12:52,873 --> 00:12:54,707
OH, I'VE WANTED ONE
EVER SO LONG!
210
00:12:54,774 --> 00:12:57,410
I COMMISSIONED HENRY ROBERTS
PERSONALLY.
211
00:12:57,477 --> 00:12:59,212
I GAVE HIM
EXACT SPECIFICATIONS.
212
00:12:59,279 --> 00:13:05,152
UH, MM... DOESN'T IT
LOOK A BIT, UH... FAMILIAR?
213
00:13:05,218 --> 00:13:07,520
WHY, IT'S MR. BANCROFT!
214
00:13:07,587 --> 00:13:08,956
RIGHT!
215
00:13:09,022 --> 00:13:10,757
THAT'S JUST
HOW HE LOOKED
216
00:13:10,824 --> 00:13:12,725
WHEN I MADE HIM DO
THE LIVING ROOM OVER
217
00:13:12,792 --> 00:13:13,760
FOR THE FOURTH TIME.
218
00:13:13,827 --> 00:13:14,995
( chuckles )
219
00:13:15,062 --> 00:13:17,464
HE NEVER DID GET
THE COLOR RIGHT.
220
00:13:17,530 --> 00:13:19,933
OH...
DON'T YOU LIKE IT?
221
00:13:20,000 --> 00:13:22,369
OH, I ADORE IT, TADDY.
222
00:13:22,435 --> 00:13:25,772
THIS WILL BE A BIRTHDAY
I SHALL NEVER FORGET.
223
00:13:25,839 --> 00:13:27,207
MMM...
224
00:13:32,445 --> 00:13:35,182
Trevor:
IRA, IS THIS THE LIST
YOU PROMISED ME?
225
00:13:35,248 --> 00:13:36,649
Affirmative.
226
00:13:36,716 --> 00:13:39,019
It describes ten art objects,
including the bowl
227
00:13:39,086 --> 00:13:40,820
all of which were stolen
228
00:13:40,888 --> 00:13:43,690
under suspiciously
similar circumstances.
229
00:13:43,756 --> 00:13:46,626
HMM, IN EACH CASE,
THERE ARE NO WINDOWS BROKEN
230
00:13:46,693 --> 00:13:50,864
NO LOCKS DESTROYED, NO... NO
SIGN OF FORCIBLE ENTRY AT ALL.
231
00:13:50,931 --> 00:13:54,401
Each case would indicate
an inside job.
232
00:13:54,467 --> 00:13:58,505
HMM? IRA, HAVE YOU BEEN WATCHING
GANGSTER MOVIES AGAIN?
233
00:13:58,571 --> 00:13:59,973
Of course not.
234
00:14:00,040 --> 00:14:02,109
Only Kojak reruns.
235
00:14:03,710 --> 00:14:06,179
OH.
236
00:14:06,246 --> 00:14:08,815
IT LOOKS LIKE THE SAME M.O.
WAS USED TO STEAL
237
00:14:08,882 --> 00:14:11,851
A PAINTING OF A LION
WORTH $90,000...
238
00:14:11,919 --> 00:14:13,553
A STATUE OF A GOAT
WORTH 75 GRAND...
239
00:14:13,620 --> 00:14:17,090
A MODERN ART PIECE,
ANOTHER SCULPTURE.
240
00:14:17,157 --> 00:14:18,625
UH-OH, HERE'S ANOTHER ONE.
241
00:14:18,691 --> 00:14:20,227
Affirmative.
242
00:14:20,293 --> 00:14:23,430
It is advisable that you
investigate the tenth theft
243
00:14:23,496 --> 00:14:26,566
that of the ram medallion
which occurred last night.
244
00:14:26,633 --> 00:14:29,436
IRA, YOU TOOK THE WORDS
RIGHT OUT OF MY MOUTH.
245
00:14:29,502 --> 00:14:33,140
NOW HERE'S ANOTHER WORD FOR YOU:
BYE.
246
00:14:36,709 --> 00:14:39,346
( Ira blows raspberry )
247
00:14:59,532 --> 00:15:01,201
AFTERNOON, MR. ROBERTS.
248
00:15:01,268 --> 00:15:03,003
I STILL HAVE NO INTENTION
OF TELLING YOU
249
00:15:03,070 --> 00:15:03,971
HOW I MAKE
MY STATUES.
250
00:15:04,037 --> 00:15:05,238
YOU DON'T HAVE TO.
251
00:15:05,305 --> 00:15:06,673
I THINK I FIGURED OUT
THE MATERIAL YOU USE.
252
00:15:06,739 --> 00:15:07,607
I DON'T CARE.
253
00:15:07,674 --> 00:15:08,608
TELL ME
IF I'M CLOSE.
254
00:15:08,675 --> 00:15:09,977
WHAT IS WRONG WITH YOU?
255
00:15:10,043 --> 00:15:11,678
YOU SEEM TO
SPEAK ENGLISH
256
00:15:11,744 --> 00:15:12,612
BUT NOT
TO UNDERSTAND IT.
257
00:15:12,679 --> 00:15:13,780
WAIT!
258
00:15:13,846 --> 00:15:14,814
I WILL NOT TELL YOU.
259
00:15:14,881 --> 00:15:16,449
HEY!
NO.
260
00:15:16,516 --> 00:15:18,451
HOLD ON A SECOND.
261
00:15:19,953 --> 00:15:21,254
HEY.
262
00:15:21,321 --> 00:15:23,256
I'M DOING A TERM PAPER
ON YOUR STATUES.
263
00:15:23,323 --> 00:15:24,491
( horn honks )
264
00:15:26,559 --> 00:15:28,261
WHAT A PAIN IN THE...
265
00:15:28,328 --> 00:15:32,099
NO, NO.
HENRY, HENRY.
266
00:15:32,165 --> 00:15:35,002
MR. FARNUM'S PERSISTENCE
IS NOT TO BE DISCOURAGED.
267
00:15:35,068 --> 00:15:36,503
HAD HE NOT INSISTED
268
00:15:36,569 --> 00:15:38,305
DIANA PRINCE ACCOMPANY HIM
TO YOUR OPENING
269
00:15:38,371 --> 00:15:40,207
WE WOULDN'T BE RUNNING
AHEAD OF SCHEDULE.
270
00:15:40,273 --> 00:15:43,076
DO YOU KNOW HOW MANY
TELEPHONE CALLS
271
00:15:43,143 --> 00:15:45,745
I IGNORED FROM HIM YESTERDAY?
TEN. TEN!
272
00:15:45,812 --> 00:15:48,381
I BELIEVE HIS RECORD IS 14.
273
00:15:48,448 --> 00:15:50,317
OH... OH...
274
00:15:50,383 --> 00:15:52,752
I TAKE IT YOU'VE ACQUIRED
THE RAM MEDALLION?
275
00:15:52,819 --> 00:15:55,989
HOW MUCH DO WE FENCE IT FOR?
276
00:15:56,056 --> 00:15:58,525
IT'S WORTH 100,000,
SO START AT 75.
277
00:15:58,591 --> 00:15:59,726
GO NO LESS THAN 60.
278
00:15:59,792 --> 00:16:02,295
EPPERLY WILL TAKE CARE OF IT.
279
00:16:02,362 --> 00:16:05,198
THREE MORE DAYS, HENRY.
280
00:16:05,265 --> 00:16:07,400
AND THEN NO ART PIECE WE ACQUIRE
281
00:16:07,467 --> 00:16:10,837
WILL BE ANYTHING LESS...
THAN PRICELESS.
282
00:16:10,903 --> 00:16:12,539
HMM.
283
00:16:12,605 --> 00:16:15,742
( chuckles )
284
00:16:15,808 --> 00:16:17,677
( bird whistling )
285
00:16:30,457 --> 00:16:32,092
MY BIRTHDAY.
286
00:16:32,159 --> 00:16:34,127
OF ALL THE DAYS
SOME DREADFUL PERSON
287
00:16:34,194 --> 00:16:35,728
COULD PICK TO RUIN
MY LIFE.
288
00:16:35,795 --> 00:16:41,101
WE PAID $7,428 TO INSTALL
AN ALARM SYSTEM IN HERE
289
00:16:41,168 --> 00:16:44,571
AND WE HEARD ABSOLUTELY
NOTHING LAST NIGHT.
290
00:16:44,637 --> 00:16:46,506
( sighs )
291
00:16:46,573 --> 00:16:48,941
I NEVER THOUGHT I'D
HEAR MYSELF BADMOUTH
292
00:16:49,008 --> 00:16:50,343
THE FREE ENTERPRISE
SYSTEM
293
00:16:50,410 --> 00:16:52,212
BUT IT DOES GIVE
YOU PAUSE, DOESN'T IT?
294
00:16:52,279 --> 00:16:54,714
WELL, WHAT DOES REALLY
GIVE ME PAUSE
295
00:16:54,781 --> 00:16:57,584
IS THAT OUT OF A WHOLE ROOM
OF EXPENSIVE OBJECTS
296
00:16:57,650 --> 00:17:01,521
THE RAM MEDALLION WAS
THE ONLY THING THAT WAS STOLEN.
297
00:17:01,588 --> 00:17:05,158
IT WAS YOUR COUSIN
MARVIN-- HE STOLE IT.
298
00:17:05,225 --> 00:17:07,527
HE ALWAYS HAD HIS EYE
ON THAT MEDALLION.
299
00:17:07,594 --> 00:17:09,496
NOW, NOW, PUMPKIN.
300
00:17:09,562 --> 00:17:11,198
PLEASE FORGIVE HER,
SHE'S VERY UPSET.
301
00:17:11,264 --> 00:17:12,432
YESTERDAY WAS
HER BIRTHDAY.
302
00:17:12,499 --> 00:17:13,900
HER BIRTHDAY.
YES, I KNOW.
303
00:17:13,966 --> 00:17:18,871
( phone rings )
304
00:17:18,938 --> 00:17:21,141
HELLO?
305
00:17:21,208 --> 00:17:23,843
YES, I SUPPOSE--
306
00:17:23,910 --> 00:17:26,113
IT'S FOR YOU.
307
00:17:26,179 --> 00:17:28,281
THANK YOU.
EXCUSE ME.
308
00:17:28,348 --> 00:17:31,084
YOU'D THINK WE WERE RUNNING
AN ANSWERING SERVICE.
309
00:17:31,151 --> 00:17:32,085
TREVOR.
310
00:17:32,152 --> 00:17:33,120
Steve.
311
00:17:33,186 --> 00:17:33,953
OH, HI, DIANA.
312
00:17:34,020 --> 00:17:35,388
GOT ANYTHING?
313
00:17:35,455 --> 00:17:37,390
What I've got
are no fingerprints
314
00:17:37,457 --> 00:17:40,793
NO BROKEN LOCKS OR WINDOWS
AND NO $100,000 MEDALLION.
315
00:17:40,860 --> 00:17:41,794
HOW ABOUT YOU?
316
00:17:41,861 --> 00:17:43,330
Well, um, you know those two men
317
00:17:43,396 --> 00:17:44,831
Wonder Woman brought in,
Goring's men?
318
00:17:44,897 --> 00:17:47,567
YEAH.
One of them made a deal
with the police
319
00:17:47,634 --> 00:17:50,103
fingered a man
that he's pretty sure
320
00:17:50,170 --> 00:17:52,639
is going to fence
the stolen art objects.
321
00:17:52,705 --> 00:17:54,241
YEAH, HIS NAME IS
CARMICHAEL GOODMAN
322
00:17:54,307 --> 00:17:56,309
AND HE RUNS AN ART SUPPLY STORE
DOWN ON GAYLORD.
323
00:17:56,376 --> 00:17:57,977
WELL, COULD BE OUR THIEF
324
00:17:58,044 --> 00:18:00,447
WILL TRY TO GET THE MEDALLION
TO GOODMAN TODAY.
325
00:18:00,513 --> 00:18:02,415
BETTER KEEP AN EYE ON HIM.
Will do.
326
00:18:02,482 --> 00:18:05,285
OH, DIANA, BY THE WAY,
DID YOU KNOW THAT HAROLD FARNUM
327
00:18:05,352 --> 00:18:07,120
TRIED TO CALL YOU EIGHT TIMES
THIS MORNING?
328
00:18:07,187 --> 00:18:10,757
THAT'S NOTHING,
HIS RECORD IS 14.
329
00:18:10,823 --> 00:18:12,259
I BELIEVE IT.
330
00:18:12,325 --> 00:18:15,027
I'LL TALK TO YOU LATER, STEVE.
331
00:18:15,094 --> 00:18:16,429
All right, bye.
332
00:18:19,732 --> 00:18:25,772
WELL, MR. GOODMAN, YOU ARE
ABOUT TO GROW ANOTHER SHADOW.
333
00:18:41,854 --> 00:18:43,823
( tires screech )
334
00:18:43,890 --> 00:18:45,358
( horn honks )
335
00:19:30,503 --> 00:19:31,904
LOOKING FOR MR. GOODMAN?
336
00:19:34,741 --> 00:19:35,708
HOLD IT!
337
00:19:41,180 --> 00:19:43,182
STAY PUT, MR. GOODMAN.
338
00:19:58,365 --> 00:19:59,666
I'M IN TROUBLE.
339
00:19:59,732 --> 00:20:02,502
GIVE ME FIVE SECONDS,
THEN FREEZE ME.
340
00:20:41,908 --> 00:20:42,875
COLONEL.
341
00:20:42,942 --> 00:20:44,210
COLONEL TREVOR.
342
00:20:44,277 --> 00:20:46,346
HAROLD FARNUM,
WE MET ONCE LAST YEAR.
343
00:20:46,413 --> 00:20:49,316
OH, YES, YES.
344
00:20:49,382 --> 00:20:50,483
UH, HOW DID YOU
GET UP HERE?
345
00:20:50,550 --> 00:20:52,552
OH, THEY GAVE ME
CLEARANCE DOWNSTAIRS.
346
00:20:52,619 --> 00:20:55,488
I TOLD THEM I'M DOING A
LITTLE BUSINESS FOR MY FATHER.
347
00:20:55,555 --> 00:20:56,289
I SEE.
348
00:20:56,356 --> 00:20:57,123
WELL, DIANA ISN'T HERE.
349
00:20:57,189 --> 00:20:58,558
OH, I KNOW, I KNOW.
350
00:20:58,625 --> 00:21:01,494
I'VE BEEN TRYING TO REACH HER
SINCE 8:00 THIS MORNING.
351
00:21:01,561 --> 00:21:04,230
WHY DON'T YOU LEAVE A
NOTE FOR HER DOWNSTAIRS?
352
00:21:04,297 --> 00:21:05,898
I CAME ABOUT
SOMETHING ELSE.
353
00:21:05,965 --> 00:21:07,567
LOOK AT THIS, COLONEL.
354
00:21:09,302 --> 00:21:12,939
ROMULUS AND REMUS, THE TWO
ROBERTS STATUES COMMISSIONED
355
00:21:13,005 --> 00:21:14,674
BY THE ITALIAN GOVERNMENT?
356
00:21:14,741 --> 00:21:18,077
WELL, I DON'T SEE WHAT THIS
HAS TO DO WITH THE I.A.D.C.
357
00:21:18,144 --> 00:21:19,512
THAT'S NOT THE POINT.
358
00:21:21,247 --> 00:21:24,384
YOU SEE, I'M DOING
A TERM PAPER ON
HENRY ROBERTS' STATUES.
359
00:21:24,451 --> 00:21:27,387
TRY THE LIBRARY.
360
00:21:27,454 --> 00:21:28,555
NO, I'M TRYING
TO FIND OUT
361
00:21:28,621 --> 00:21:29,889
EXACTLY WHAT
THEY'RE MADE OF.
362
00:21:29,956 --> 00:21:31,023
THEN ASK
HENRY ROBERTS.
363
00:21:31,090 --> 00:21:32,191
I HAVE,
BELIEVE ME.
364
00:21:32,258 --> 00:21:33,460
YOU SEE,
I WANT TO TAKE
365
00:21:33,526 --> 00:21:35,428
ALL THE INFORMATION
I HAVE
366
00:21:35,495 --> 00:21:37,697
LIKE THE PICTURE OF
THE TWINS HERE, OKAY?
367
00:21:37,764 --> 00:21:39,599
I GOT THE PICTURE
OF THE FISHERMAN.
368
00:21:39,666 --> 00:21:42,268
THIS IS THE LADY
READING A BOOK.
369
00:21:42,335 --> 00:21:43,503
HAVE YOU SEEN
ANY OF THESE?
370
00:21:43,570 --> 00:21:45,572
YES, YES,
I'VE SEEN THEM.
371
00:21:45,638 --> 00:21:47,407
I WANT TO TAKE ALL THE
INFORMATION I'VE GATHERED
372
00:21:47,474 --> 00:21:49,275
FEED IT INTO YOUR COMPUTER
373
00:21:49,342 --> 00:21:52,712
AND SEE IF HE CAN COME UP
WITH WHAT THEY'RE MADE OF.
374
00:21:52,779 --> 00:21:55,014
YOU WANT TO USE
THE COMPUTER?
375
00:21:55,081 --> 00:21:55,815
YEAH.
376
00:21:55,882 --> 00:21:56,916
THAT'S IMPOSSIBLE.
377
00:22:00,887 --> 00:22:04,424
BUT DIANA SAID THAT IRA COULD
FIGURE IT OUT IN NO TIME.
378
00:22:04,491 --> 00:22:07,059
( gasps )
379
00:22:07,126 --> 00:22:08,995
HAROLD, GET
OFF MY BACK.
380
00:22:09,061 --> 00:22:10,162
Harold:
WHAT IS THAT?
381
00:22:10,229 --> 00:22:14,934
THAT'S OUR ROVING
COMPUTER MODULE.
382
00:22:15,001 --> 00:22:16,002
EXCUSE ME.
383
00:22:18,938 --> 00:22:19,972
THANKS, ROVER.
384
00:22:20,039 --> 00:22:21,007
Don't mention it.
385
00:22:21,073 --> 00:22:22,074
COMPUTER MODULE.
386
00:22:22,141 --> 00:22:23,009
HOLD ON A SECOND.
387
00:22:23,075 --> 00:22:24,411
UH, ROVER.
388
00:22:24,477 --> 00:22:26,245
Something else?
389
00:22:26,312 --> 00:22:30,450
ROVER, THIS IS HAROLD FARNUM,
SENATOR FARNUM'S SON.
390
00:22:30,517 --> 00:22:33,319
I HAVE A FEELING WE'LL BE SEEING
A LOT OF HIM HERE.
391
00:22:33,386 --> 00:22:34,787
I'D LIKE YOU TO COMMIT
HIS VOICE PATTERN
392
00:22:34,854 --> 00:22:36,022
TO YOUR MEMORY
CIRCUITS.
393
00:22:37,990 --> 00:22:42,128
SAY SOMETHING, HAROLD.
394
00:22:42,194 --> 00:22:43,129
HI, ROVER.
395
00:22:43,195 --> 00:22:44,063
UH, WHAT DO YOU SAY?
396
00:22:44,130 --> 00:22:46,566
What do you say?
397
00:22:47,967 --> 00:22:49,902
WHAT DID HE SAY?
398
00:22:49,969 --> 00:22:51,003
NO TELLING.
399
00:22:52,472 --> 00:22:56,042
NOW, HAROLD, GETTING BACK
TO THE IRAC COMPUTER
400
00:22:56,108 --> 00:22:57,744
I'M AFRAID I.A.D.C. POLICY
STRICTLY FORBIDS IT.
401
00:22:57,810 --> 00:22:59,646
BUT I KNOW ALL ABOUT COMPUTERS.
402
00:22:59,712 --> 00:23:01,448
I TOOK A COURSE LAST SEMESTER.
403
00:23:01,514 --> 00:23:02,582
KEYPUNCH, YOU NAME IT.
404
00:23:02,649 --> 00:23:03,616
I KNOW IT ALL.
405
00:23:03,683 --> 00:23:05,418
HAROLD, THAT'S NOT THE POINT.
406
00:23:05,485 --> 00:23:09,556
THE POINT IS THAT IT COSTS
APPROXIMATELY $100 PER MINUTE
407
00:23:09,622 --> 00:23:10,557
FOR EVEN ME
TO USE IT.
408
00:23:10,623 --> 00:23:11,924
I COULDN'T
POSSIBLY JUSTIFY
409
00:23:11,991 --> 00:23:17,764
YOU USING IT TO RESEARCH
A TERM PAPER NOW, COULD I?
410
00:23:17,830 --> 00:23:18,598
I GUESS NOT.
411
00:23:18,665 --> 00:23:20,933
WELL, THANKS, COLONEL TREVOR.
412
00:23:21,000 --> 00:23:22,769
HAROLD, I'M SORRY.
413
00:23:22,835 --> 00:23:25,605
LISTEN, I'LL TELL DIANA
THAT YOU WERE IN TO SEE HER.
414
00:23:25,672 --> 00:23:26,839
SHE'LL BE DELIGHTED.
415
00:23:26,906 --> 00:23:27,774
OH!
416
00:23:27,840 --> 00:23:28,841
THANKS.
417
00:23:35,715 --> 00:23:38,017
DELIGHTED SHE MISSED YOU.
418
00:23:39,085 --> 00:23:40,052
WHEW.
419
00:23:46,092 --> 00:23:47,193
ROVER!
420
00:23:52,098 --> 00:23:54,200
THIS IS HAROLD FARNUM.
421
00:23:54,266 --> 00:23:55,267
I know.
422
00:23:55,334 --> 00:23:57,403
TAKE ME
TO THE IRAC COMPUTER.
423
00:23:57,470 --> 00:23:58,538
GOT IT?
424
00:23:58,605 --> 00:23:59,839
The IRAC computer?
425
00:23:59,906 --> 00:24:02,542
YES, TAKE ME
TO THE IRAC COMPUTER.
426
00:24:02,609 --> 00:24:04,711
Okay, follow me.
427
00:24:11,784 --> 00:24:13,119
THE COMPUTER'S IN HERE?
428
00:24:13,185 --> 00:24:14,921
That's right.
429
00:24:14,987 --> 00:24:15,922
THANKS, ROVER.
430
00:24:15,988 --> 00:24:18,090
I'LL RETURN THE
FAVOR SOME DAY.
431
00:24:18,157 --> 00:24:19,992
Don't mention it.
432
00:24:38,645 --> 00:24:39,912
( laughing )
433
00:24:51,290 --> 00:24:55,862
WELL, I GUESS THERE'S ONLY ONE
THING LEFT FOR ME TO DO.
434
00:25:35,167 --> 00:25:38,337
SORRY TO TAKE MY PROBLEMS
OUT ON YOU, BUDDY.
435
00:25:38,404 --> 00:25:40,339
BUT IF I DON'T GET AN "A"
ON THAT TERM PAPER
436
00:25:40,406 --> 00:25:41,874
I'LL NEVER
PLEDGE PI CHI PSI.
437
00:25:41,941 --> 00:25:43,743
THE ONLY WAY TO GET AN "A"
IS TO FIND OUT
438
00:25:43,810 --> 00:25:45,612
EXACTLY HOW YOU GUYS
ARE PUT TOGETHER.
439
00:25:45,678 --> 00:25:47,747
AND SINCE NOBODY
WILL TELL ME
440
00:25:47,814 --> 00:25:50,116
I'LL HAVE TO DO MY
OWN LITTLE ANALYSIS.
441
00:25:50,182 --> 00:25:54,086
I WONDER WHAT KIND OF SURGERY
MARCUS WELBY'D CALL THIS?
442
00:26:00,059 --> 00:26:02,128
( object clatters on floor )
443
00:26:02,194 --> 00:26:05,231
I DIDN'T... I WAS JUST...
HOW, HOW DID YOU DO...
444
00:26:05,297 --> 00:26:07,834
I'LL JUST BE LEAVING,
IF IT'S ALL RIGHT.
445
00:26:18,510 --> 00:26:20,479
COME ON.
446
00:26:20,546 --> 00:26:21,814
COME ON.
447
00:26:23,482 --> 00:26:24,550
NOTHING.
448
00:26:24,617 --> 00:26:26,886
ANOTHER DEAD END.
449
00:26:26,953 --> 00:26:28,988
ALL CARMICHAEL GOODMAN COULD
TELL WONDER WOMAN WAS
450
00:26:29,055 --> 00:26:31,490
THAT HE WAS GOING TO TRY
TO FENCE THE MEDALLION
451
00:26:31,557 --> 00:26:33,292
FOR A MAN NAMED
ED EPPERLY.
452
00:26:33,359 --> 00:26:34,661
THE MAN WHO GOT AWAY?
453
00:26:34,727 --> 00:26:37,196
I HAD HIM CHECKED OUT
WITH THE POLICE
454
00:26:37,263 --> 00:26:39,899
AND CAME UP WITH
A BIG, FAT ZERO.
455
00:26:39,966 --> 00:26:42,234
SO HERE WE ARE BACK
AT SQUARE ONE.
456
00:26:42,301 --> 00:26:43,703
CORRECTION.
457
00:26:43,770 --> 00:26:45,705
HERE YOU ARE BACK
AT SQUARE ONE.
458
00:26:45,772 --> 00:26:47,439
ME, I'M GOING HOME.
459
00:26:47,506 --> 00:26:51,744
SOMEHOW, A NICE, QUIET, BORING
EVENING IN FRONT OF THE TV
460
00:26:51,811 --> 00:26:53,946
SOUNDS AWFULLY GOOD RIGHT NOW.
461
00:26:54,013 --> 00:26:56,548
YEAH.
I KNOW THE FEELING.
462
00:26:56,615 --> 00:26:57,917
GOOD NIGHT.
463
00:28:10,656 --> 00:28:12,291
( pulsing rapidly )
464
00:29:13,986 --> 00:29:15,154
( rattles )
465
00:29:25,697 --> 00:29:26,866
NOW.
466
00:29:27,666 --> 00:29:29,501
( alarm wails )
467
00:29:29,568 --> 00:29:31,303
( alarm dies out )
468
00:29:41,080 --> 00:29:45,251
( machine whistling )
469
00:30:10,809 --> 00:30:12,278
( Rover beeps )
470
00:30:13,245 --> 00:30:15,147
Good morning, Steve Trevor.
471
00:30:15,214 --> 00:30:18,217
THE LAB BOYS ARE GOING
TO HAVE TO DO SOMETHING
472
00:30:18,284 --> 00:30:19,886
ABOUT YOUR SNEAK ATTACKS.
473
00:30:19,952 --> 00:30:21,553
Sorry about that.
474
00:30:21,620 --> 00:30:23,923
YOU GOT MY COFFEE?
475
00:30:23,990 --> 00:30:25,925
Uh-oh. Forgot the coffee.
476
00:30:25,992 --> 00:30:28,060
WELL, WHAT DO YOU HAVE?
477
00:30:28,127 --> 00:30:30,562
IRA, I TAKE IT.
478
00:30:34,366 --> 00:30:37,937
"THE IRAC COMPUTER MUST SPEAK
WITH STEVE TREVOR."
479
00:30:38,004 --> 00:30:39,571
WELL, YOU TELL YOUR BOSS
480
00:30:39,638 --> 00:30:42,474
I'LL BE IN RIGHT AFTER
I FINISH A FEW THINGS HERE.
481
00:30:42,541 --> 00:30:44,110
Now.
482
00:30:44,176 --> 00:30:45,611
He wants to see you now.
483
00:30:45,677 --> 00:30:47,246
WELL, GO ON, TELL HIM.
484
00:30:51,717 --> 00:30:54,120
I'LL JUST BET IRA
PROGRAMMED YOU NOT TO MOVE
485
00:30:54,186 --> 00:30:55,521
UNLESS I CAME WITH YOU.
486
00:30:55,587 --> 00:30:58,224
You guessed it.
487
00:31:00,859 --> 00:31:02,528
OKAY, OKAY.
488
00:31:02,594 --> 00:31:07,166
I'M GOING TO HAVE A REAL LONG
TALK WITH THOSE LAB BOYS.
489
00:31:18,077 --> 00:31:19,145
OKAY, IRA, WHAT DO YOU GOT?
490
00:31:19,211 --> 00:31:20,612
Good morning, Steve Trevor.
491
00:31:20,679 --> 00:31:21,847
LOOK, IRA,
FOR SOME REASON
492
00:31:21,914 --> 00:31:23,382
I HAVEN'T HAD MY
COFFEE THIS MORNING
493
00:31:23,449 --> 00:31:25,484
SO LET'S DISPENSE
WITH THE PLEASANTRIES
494
00:31:25,551 --> 00:31:26,552
GET DOWN TO BUSINESS.
495
00:31:26,618 --> 00:31:28,287
A matter of great importance
496
00:31:28,354 --> 00:31:30,856
has been called to the attention
497
00:31:30,923 --> 00:31:32,324
of the Irac computer
by POLISY.
498
00:31:32,391 --> 00:31:33,259
BY WHO?
499
00:31:33,325 --> 00:31:35,394
The police intelligence system.
500
00:31:35,461 --> 00:31:37,863
Its computer has recorded
another art theft.
501
00:31:37,930 --> 00:31:39,431
WHERE?
502
00:31:39,498 --> 00:31:42,268
A solid gold statue
worth $125,000
503
00:31:42,334 --> 00:31:45,771
was stolen last night
from the Putney Museum.
504
00:31:45,837 --> 00:31:48,307
SAME M.O. AS THE
OTHER THEFTS, I TAKE IT?
505
00:31:48,374 --> 00:31:51,743
No broken windows,
no signs of forced entry.
506
00:31:51,810 --> 00:31:53,112
MUST BE AN INSIDE JOB.
507
00:31:53,179 --> 00:31:55,547
Have you been watching
gangster movies
508
00:31:55,614 --> 00:31:57,984
again, Steve Trevor?
509
00:31:58,050 --> 00:31:59,918
VERY FUNNY.
510
00:31:59,986 --> 00:32:02,854
I'D BETTER GET DIANA
OVER THERE RIGHT AWAY.
511
00:32:02,921 --> 00:32:05,124
You took the words
right out of my mouth.
512
00:32:05,191 --> 00:32:06,658
YOU DON'T HAVE A MOUTH.
513
00:32:06,725 --> 00:32:07,693
GOOD-BYE.
514
00:32:08,827 --> 00:32:10,662
Don't go away mad.
515
00:32:10,729 --> 00:32:15,334
AND AS FOR YOU, COFFEE, CREAM,
NO SUGAR, FIVE MINUTES.
516
00:32:16,168 --> 00:32:17,970
AND A HALF
A GRAPEFRUIT.
517
00:32:31,950 --> 00:32:34,686
( machine pulsing )
518
00:32:43,829 --> 00:32:49,735
( pulses increase
to high-pitched whirring )
519
00:32:59,211 --> 00:33:01,647
WHAT DID YOU
DO TO ME?
520
00:33:01,713 --> 00:33:03,849
SUSPENDED YOUR ANIMATION,
MR. FARNUM.
521
00:33:03,915 --> 00:33:06,485
ELECTRONICALLY
AND MOST EFFECTIVELY.
522
00:33:06,552 --> 00:33:08,520
SEE, ALL OF HENRY'S
SO-CALLED STATUES ARE
523
00:33:08,587 --> 00:33:11,457
AS YOU WERE ABOUT TO DISCOVER,
FLESH-AND-BLOOD INDIVIDUALS
524
00:33:11,523 --> 00:33:15,627
DELICATELY FROZEN
BY A MINUTE STREAM OF ELECTRONS
525
00:33:15,694 --> 00:33:18,564
CONTROLLED
BY A NEURO-IMPULSE MODULATOR
526
00:33:18,630 --> 00:33:21,700
DEVELOPED BY THAT BRILLIANT
NEUROPHYSIOLOGIST
527
00:33:21,767 --> 00:33:23,569
Robert Henry.
528
00:33:23,635 --> 00:33:26,838
PRESENTLY KNOWN TO HIS
FRIENDS AS HENRY ROBERTS.
529
00:33:26,905 --> 00:33:28,006
YEAH?
530
00:33:28,074 --> 00:33:30,376
WHO ARE YOU?
531
00:33:30,442 --> 00:33:35,247
LLOYD MOREAUX, PATRON OF THE
ARTS, AND SOON TO BE MUCH MORE.
532
00:33:35,314 --> 00:33:36,982
YEAH, WELL, LOOK,
MY FATHER'S A SENATOR.
533
00:33:37,049 --> 00:33:37,983
Yes, I've met him.
534
00:33:38,050 --> 00:33:39,618
Fine fellow.
535
00:33:39,685 --> 00:33:41,553
WELL, I'VE GOT OTHER
CONNECTIONS, TOO.
536
00:33:41,620 --> 00:33:44,123
MESS WITH ME, YOU MESS
WITH THE I.A.D.C.
537
00:33:44,190 --> 00:33:46,492
THAT IS PRECISELY
WHAT I WAS COUNTING ON.
538
00:33:46,558 --> 00:33:48,894
Diana Prince has even
bigger connections.
539
00:33:48,960 --> 00:33:51,029
When she figures out what you...
540
00:33:52,464 --> 00:33:53,265
Huh?
541
00:33:53,332 --> 00:33:55,267
NEVER YOU MIND, MR. FARNUM.
542
00:33:55,334 --> 00:33:56,702
NEVER YOU MIND.
543
00:33:56,768 --> 00:33:59,805
THAT'S JUST WHAT I WAS HOPING
TO HEAR, HENRY.
544
00:34:03,075 --> 00:34:06,044
( pulsing decreases, slows )
545
00:34:09,014 --> 00:34:11,583
LET'S MAKE SURE THAT MS. PRINCE
546
00:34:11,650 --> 00:34:14,520
DOES INDEED FIGURE IT OUT,
SHALL WE?
547
00:34:14,586 --> 00:34:18,424
I TRUST YOU KNOW HOW
TO GET TO THE I.A.D.C.?
548
00:34:18,490 --> 00:34:20,326
YES, SIR.
549
00:34:21,960 --> 00:34:25,063
PUT HIM AWAY.
550
00:34:47,719 --> 00:34:49,155
( ringing )
551
00:35:05,070 --> 00:35:07,273
"YOUR TIME RUNS OUT AT MIDNIGHT.
552
00:35:07,339 --> 00:35:09,708
"I'M SURPRISED AT YOU,
MISS PRINCE.
553
00:35:09,775 --> 00:35:11,877
"IF YOU DON'T BREAK
THE CYCLE SOON
554
00:35:11,943 --> 00:35:14,313
YOU'LL NEVER HAVE THE CHANCE."
555
00:35:23,054 --> 00:35:24,223
Trevor:
THE VALUE
OF THE STOLEN ARTWORKS
556
00:35:24,290 --> 00:35:25,224
IS MORE THAN $2 MILLION.
557
00:35:25,291 --> 00:35:26,258
AND IF WONDER WOMAN
558
00:35:26,325 --> 00:35:28,227
HADN'T RECOVERED
THAT MEDALLION
559
00:35:28,294 --> 00:35:30,095
OUR THIEF WOULD BE
WELL ON HIS WAY
560
00:35:30,162 --> 00:35:31,029
TO MAKING IT
$3 MILLION.
561
00:35:31,096 --> 00:35:32,164
YEAH, AND WHOEVER
HE IS
562
00:35:32,231 --> 00:35:34,266
HE'S SURE EAGER
WE DON'T FORGET IT.
563
00:35:34,333 --> 00:35:37,102
YOU KNOW, BOTH OF HIS
RIDDLES SEEM TO INDICATE
564
00:35:37,169 --> 00:35:38,904
THAT HE'S STEALING
THESE ARTWORKS
565
00:35:38,970 --> 00:35:40,105
IN SOME KIND
OF A PATTERN.
566
00:35:40,172 --> 00:35:42,007
YEAH, WELL, WHATEVER
THE PATTERN IS
567
00:35:42,073 --> 00:35:42,974
IT'S ABOUT TO END.
568
00:35:43,041 --> 00:35:44,009
THAT'S ABOUT ALL
569
00:35:44,075 --> 00:35:45,377
WE'VE BEEN ABLE
TO FIGURE OUT
570
00:35:45,444 --> 00:35:47,179
WHICH IS WHY
I HAVE NO CHOICE
571
00:35:47,246 --> 00:35:49,581
BUT TO CONSULT
MR. PERSONALITY IN HERE.
572
00:35:49,648 --> 00:35:50,316
CARE TO JOIN ME?
573
00:35:50,382 --> 00:35:51,750
OH, NO THANKS.
574
00:35:51,817 --> 00:35:54,420
I HAVE NO DESIRE TO MAKE
A BAD DAY EVEN WORSE.
575
00:35:56,188 --> 00:35:57,389
COWARD.
576
00:36:00,726 --> 00:36:03,195
( whirring )
577
00:36:03,262 --> 00:36:06,198
( beeping )
578
00:36:06,265 --> 00:36:08,234
Ira:
Circuits C-5
through D-7
579
00:36:08,300 --> 00:36:09,901
are overheating.
580
00:36:09,968 --> 00:36:11,337
OH, COME ON, IRA.
581
00:36:11,403 --> 00:36:13,272
WE'VE NOT BEEN
AT IT THAT LONG.
582
00:36:13,339 --> 00:36:17,809
We have been at it
for two hours, Diana Prince.
583
00:36:17,876 --> 00:36:19,245
I need a lube job.
584
00:36:19,311 --> 00:36:21,046
OKAY, OKAY.
585
00:36:21,112 --> 00:36:22,614
WE'LL GO ON
TO SOMETHING ELSE.
586
00:36:22,681 --> 00:36:25,083
WHAT ABOUT
THE SECOND RIDDLE?
587
00:36:25,150 --> 00:36:29,321
UH... WHY WOULD THE THIEF WANT
TO EMPHASIZE THE WORD MIDNIGHT?
588
00:36:29,388 --> 00:36:33,024
Perhaps he was referring
to 12:00.
589
00:36:33,091 --> 00:36:34,460
TWELVE.
590
00:36:36,462 --> 00:36:38,029
HE'S STOLEN 11 OBJECTS.
591
00:36:38,096 --> 00:36:40,966
I'LL BET HE MEANS THE PATTERN
ENDS WITH THE 12th.
592
00:36:41,032 --> 00:36:42,834
A logical conclusion.
593
00:36:42,901 --> 00:36:48,274
SO. WHAT PATTERN IS COMPOSED
OF 12 ELEMENTS?
594
00:36:48,340 --> 00:36:51,176
The word "chance"
could be significant.
595
00:36:51,243 --> 00:36:53,479
CHANCE?
596
00:36:55,146 --> 00:36:58,750
UH, LET'S SEE...
597
00:36:58,817 --> 00:37:00,686
HE'S STOLEN A STILL-LIFE
OF SCALES
598
00:37:00,752 --> 00:37:03,322
A JADE SCORPION,
A MOSAIC ENTITLED "CENTAUR"...
599
00:37:03,389 --> 00:37:06,725
LIBRA, SCORPIO AND SAGITTARIUS.
600
00:37:06,792 --> 00:37:07,559
THAT'S IT.
601
00:37:07,626 --> 00:37:10,429
All are symbols of the zodiac.
602
00:37:10,496 --> 00:37:11,897
THAT'S RIGHT.
603
00:37:11,963 --> 00:37:14,533
AND IF THE LAST THING HE STOLE
WAS A BULL...
604
00:37:14,600 --> 00:37:19,271
Next in sequence would be twins,
the symbol for Gemini.
605
00:37:19,338 --> 00:37:20,706
TWINS.
606
00:37:24,876 --> 00:37:27,713
ROMULUS AND REMUS,
THOSE HENRY ROBERT STATUES
607
00:37:27,779 --> 00:37:30,181
THAT WERE SUPPOSED TO BE SENT
TO ROME NEXT MONTH.
608
00:37:30,248 --> 00:37:33,385
TEN TO ONE, THEY ARE TO BE
THE THIEF'S GRAND FINALE.
609
00:37:33,452 --> 00:37:35,287
THANK YOU, IRA.
610
00:37:35,354 --> 00:37:39,325
I AM OFF TO CATCH A THIEF.
611
00:37:39,391 --> 00:37:40,792
A word of caution
612
00:37:40,859 --> 00:37:43,495
Diana Prince-- the thief
obviously wanted
613
00:37:43,562 --> 00:37:45,597
the I.A.D.C.
to reach this conclusion.
614
00:37:45,664 --> 00:37:49,335
His or her reasons
are still unknown.
615
00:37:49,401 --> 00:37:51,637
WELL, I'M AWARE OF THAT, IRA.
616
00:37:51,703 --> 00:37:55,474
THAT'S WHY I INTEND
TO GO AS, UM...
617
00:37:55,541 --> 00:37:57,075
AND BE VERY CAREFUL.
618
00:37:57,142 --> 00:37:58,310
BYE.
619
00:38:03,682 --> 00:38:08,587
Even Wonder Woman cannot be
too careful, Diana Prince.
620
00:39:59,965 --> 00:40:01,366
Okay.
621
00:40:01,433 --> 00:40:03,001
What's this all about?
622
00:40:03,068 --> 00:40:05,604
Moreaux:
IT'S ABOUT YOUR DEMISE,
WONDER WOMAN.
623
00:40:05,671 --> 00:40:08,940
YOUR CAREFULLY PLANNED,
EAGERLY ANTICIPATED DEMISE.
624
00:40:18,316 --> 00:40:19,651
WELCOME TO MY MUSEUM.
625
00:40:19,718 --> 00:40:24,189
SO YOU LURED ME
HERE PURPOSELY?
626
00:40:24,255 --> 00:40:25,290
IT WAS ALL A PLAN
627
00:40:25,356 --> 00:40:26,825
THE ART THEFTS,
THE POEMS.
628
00:40:26,892 --> 00:40:29,461
ALL WERE PART OF AN INTRICATE
CHOREOGRAPHY.
629
00:40:29,528 --> 00:40:31,697
SEE, WE KNEW THAT IF WE INVOLVED
THE I.A.D.C.
630
00:40:31,763 --> 00:40:33,565
YOU WOULD BE INVOLVED.
631
00:40:33,632 --> 00:40:36,201
Diana Prince warned me
there was more to all this
632
00:40:36,267 --> 00:40:38,003
than, uh... met the eye.
633
00:40:38,069 --> 00:40:39,971
WHICH IS WHY,
UPON SOLVING MY RIDDLES
634
00:40:40,038 --> 00:40:41,473
SHE SENT YOU HERE
635
00:40:41,540 --> 00:40:43,642
RATHER THAN COMING HERSELF
WITH THE POLICE.
636
00:40:43,709 --> 00:40:46,578
HOW BORINGLY PREDICTABLE OF HER.
637
00:40:46,645 --> 00:40:49,180
Speaking of boring,
why I am here?
638
00:40:49,247 --> 00:40:52,918
YOU ARE ABOUT TO BECOME
MY LATEST WORK OF ART.
639
00:40:52,984 --> 00:40:55,754
Moreaux:
You see, several people
know that my mentor here
640
00:40:55,821 --> 00:40:57,923
PLANS TO OPEN HIS PUTNEY EXHIBIT
641
00:40:57,989 --> 00:40:59,858
BY UNVEILING A STATUE
OF WONDER WOMAN.
642
00:40:59,925 --> 00:41:01,727
I SHALL BE THERE
FOR THE UNVEILING.
643
00:41:01,793 --> 00:41:03,695
As will you, Wonder Woman.
644
00:41:03,762 --> 00:41:07,065
THIS WILL PRODUCE
AN ELECTRICAL SIGNAL
645
00:41:07,132 --> 00:41:12,003
WHICH WILL PLACE YOU IN A STATE
OF SUSPENDED ANIMATION...
646
00:41:12,070 --> 00:41:13,739
( softly ):
FOREVER.
647
00:41:15,541 --> 00:41:16,708
UM, NO THANK YOU.
648
00:41:16,775 --> 00:41:18,744
I HAVE TWO OF MY OWN
JUST LIKE IT.
649
00:41:22,948 --> 00:41:23,949
UGH!
650
00:41:44,202 --> 00:41:45,804
( man grunts )
651
00:41:57,115 --> 00:42:00,018
AFTER I DESTROY THIS,
YOU'RE GOING TO TELL ME
652
00:42:00,085 --> 00:42:01,152
WHO YOU ARE...
653
00:42:01,219 --> 00:42:02,387
AND WHERE YOU ARE.
654
00:42:02,453 --> 00:42:03,989
WAIT, WONDER WOMAN.
655
00:42:06,658 --> 00:42:08,093
HAROLD?
656
00:42:08,159 --> 00:42:10,161
Moreaux:
Mr. Farnum is unable to answer.
657
00:42:10,228 --> 00:42:14,132
IN FACT, RIGHT NOW MR. FARNUM IS
UNABLE TO DO MUCH OF ANYTHING.
658
00:42:14,199 --> 00:42:15,967
Let him go.
659
00:42:16,034 --> 00:42:19,571
AFTER THE N.I.M. UNIT
IS PLACED ON YOUR WRIST.
660
00:42:22,240 --> 00:42:23,241
Right now.
661
00:42:23,308 --> 00:42:25,176
RIGHT NOW, I CAN PUT AN END
662
00:42:25,243 --> 00:42:27,212
TO ALL OF MR. FARNUM'S
VITAL FUNCTIONS.
663
00:42:27,278 --> 00:42:30,816
Would you like that,
Wonder Woman?
664
00:42:47,032 --> 00:42:47,799
YOU WIN.
665
00:42:47,866 --> 00:42:50,568
I WON THE DAY I PLANNED THIS.
666
00:42:50,636 --> 00:42:54,005
The rest was simply
a matter of time.
667
00:42:59,978 --> 00:43:05,817
NOW, LET'S SEE... HANDS
ON YOUR HIPS, I THINK.
668
00:43:05,884 --> 00:43:07,085
YES, THAT'S IT.
669
00:43:07,152 --> 00:43:08,119
WELL, NOW, SMILE.
670
00:43:09,554 --> 00:43:13,224
SMILE THE SMILE YOU WOULD LIKE
TO WEAR THROUGH ETERNITY
671
00:43:13,291 --> 00:43:16,594
BECAUSE WEAR IT THROUGH ETERNITY
YOU SHALL.
672
00:43:16,662 --> 00:43:20,231
( electronic whining )
673
00:43:20,298 --> 00:43:23,468
HENRY, SAY GOOD-BYE
TO THE ONE PERSON IN THE WORLD
674
00:43:23,534 --> 00:43:25,003
WHO COULD HAVE STOOD BETWEEN US
675
00:43:25,070 --> 00:43:28,139
AND EVERYTHING IN THE WORLD
WORTH STEALING.
676
00:43:36,948 --> 00:43:38,684
YES, THEY DO TAKE
RATHER A LONG TIME
677
00:43:38,750 --> 00:43:40,551
BUT I THINK IT'S WORTH IT,
DON'T YOU?
678
00:43:40,618 --> 00:43:42,153
OH, UH, WOULD YOU EXCUSE ME?
679
00:43:49,695 --> 00:43:51,663
LADIES AND GENTLEMEN.
680
00:43:51,730 --> 00:43:53,832
I WANT TO SAY
THAT I AM DEEPLY HONORED
681
00:43:53,899 --> 00:43:56,567
THAT SO MANY OF YOU
HAVE CHOSEN TO ATTEND
682
00:43:56,634 --> 00:43:58,536
THIS FORMAL OPENING
OF MY NEW SHOW.
683
00:43:58,603 --> 00:44:01,072
AND SO, TO HONOR YOU...
684
00:44:01,139 --> 00:44:04,710
MY LATEST, AND HOPEFULLY,
MY BEST CREATION.
685
00:44:04,776 --> 00:44:05,944
IF YOU PLEASE.
686
00:44:09,214 --> 00:44:15,253
( crowd murmurs in amazement )
687
00:44:21,693 --> 00:44:23,161
AH, LADIES
AND GENTLEMEN.
688
00:44:23,228 --> 00:44:27,098
PLEASE, MAY I HAVE
YOUR ATTENTION?
689
00:44:27,165 --> 00:44:30,201
AS YOU KNOW, I HAVE
SUPPORTED HENRY'S WORK
690
00:44:30,268 --> 00:44:31,536
FOR THREE YEARS NOW...
691
00:44:31,602 --> 00:44:34,172
HELPED HIM MONETARILY
AND SPIRITUALLY
692
00:44:34,239 --> 00:44:38,243
AS HE STRUGGLED TO PERFECT
HIS TECHNIQUE.
693
00:44:38,309 --> 00:44:41,412
BUT WHATEVER DEBT HE MAY HAVE
INCURRED IS NOW FORGOTTEN
694
00:44:41,479 --> 00:44:45,416
FOR I, THROUGH HIM,
HAVE CREATED A MASTERPIECE.
695
00:44:47,185 --> 00:44:49,620
HIS STATUE CAPTURES
THE VERY HEART AND SOUL
696
00:44:49,687 --> 00:44:51,056
OF THE GREAT LADY IT DEPICTS
697
00:44:51,122 --> 00:44:54,960
AS WONDER WOMAN HERSELF
WOULD HAVE TO ADMIT, HMM?
698
00:45:08,874 --> 00:45:10,909
REEL HIM IN.
699
00:45:17,182 --> 00:45:20,285
WHAT A FAMILIAR VOICE
YOU HAVE, MR. MOREAUX.
700
00:45:20,351 --> 00:45:21,787
YOU TRICKED ME.
701
00:45:21,853 --> 00:45:24,722
WELL, I HAD TO FIND OUT
WHO YOU WERE SOMEHOW.
702
00:45:24,790 --> 00:45:27,859
I WAS SURE THE MODULATOR
WOULD WORK, EVEN ON YOU.
703
00:45:27,926 --> 00:45:30,461
IT MAY VERY WELL HAVE WORKED
704
00:45:30,528 --> 00:45:33,398
IF I HADN'T SWITCHED IT
FOR ONE OF MY OWN BRACELETS.
705
00:45:33,464 --> 00:45:36,802
OH... THAT WASN'T PART
OF THE CHOREOGRAPHY.
706
00:45:36,868 --> 00:45:39,771
NEITHER WAS YOUR RETURNING
HAROLD FARNUM
707
00:45:39,838 --> 00:45:41,539
AND THOSE OTHER STATUES
TO NORMAL.
708
00:45:41,606 --> 00:45:45,143
BUT THAT'S PRECISELY
WHAT YOU'RE ABOUT TO DO.
709
00:45:45,210 --> 00:45:46,744
SHALL WE?
710
00:45:50,816 --> 00:45:52,550
Harold:
SO MOREAUX FIGURED OUT
711
00:45:52,617 --> 00:45:54,920
HOW TO COMBINE ROBERTS'
KNOWLEDGE OF ELECTRONICS
712
00:45:54,986 --> 00:45:56,754
WITH HIS OWN KNOWLEDGE OF ART
713
00:45:56,822 --> 00:45:58,456
SO THEY COULD MAKE A KILLING.
714
00:45:58,523 --> 00:46:00,391
OOPS, BAD CHOICE
OF WORDS.
715
00:46:00,458 --> 00:46:02,060
WELL, UNFORTUNATELY,
YOU STUMBLED
716
00:46:02,127 --> 00:46:04,495
ONTO THEIR PLAN
TO REMOVE WONDER WOMAN.
717
00:46:04,562 --> 00:46:06,031
HEY, YOU KNOW,
ONE GOOD THING
718
00:46:06,097 --> 00:46:07,532
ABOUT WHAT THOSE GUYS
DID TO ME
719
00:46:07,598 --> 00:46:11,937
IT GAVE ME A LOT OF TIME
TO THINK... WHICH I DID.
720
00:46:12,003 --> 00:46:14,739
MOSTLY ABOUT US.
721
00:46:14,806 --> 00:46:15,841
US?
722
00:46:15,907 --> 00:46:17,876
WHAT ARE YOU DOING TOMORROW?
723
00:46:17,943 --> 00:46:19,878
AS IN NIGHT?
724
00:46:19,945 --> 00:46:21,813
THERE'S A PARTY
AT THIS FRATERNITY
725
00:46:21,880 --> 00:46:24,149
I'M GOING TO PLEDGE,
NEAR THE COLLEGE...
726
00:46:25,851 --> 00:46:26,784
WHAT?
727
00:46:26,852 --> 00:46:29,821
MY TERM PAPER.
728
00:46:29,888 --> 00:46:31,656
I DON'T HAVE A TOPIC ANYMORE.
729
00:46:31,722 --> 00:46:33,191
IT'S DUE IN THREE DAYS!
730
00:46:33,258 --> 00:46:34,225
OH, GOSH...
731
00:46:34,292 --> 00:46:35,260
DIANA, I'M GOING
TO HAVE TO GO WORK
732
00:46:35,326 --> 00:46:36,828
ON THAT PAPER
TOMORROW NIGHT.
733
00:46:36,895 --> 00:46:38,763
HEY, LISTEN,
I UNDERSTAND.
734
00:46:38,830 --> 00:46:40,231
BUT I'LL MAKE IT
UP TO YOU.
735
00:46:40,298 --> 00:46:41,266
I WILL, I PROMISE.
736
00:46:41,332 --> 00:46:42,300
NO HURRY, HAROLD.
737
00:46:44,669 --> 00:46:45,837
NO HURRY.
738
00:46:54,812 --> 00:46:59,650
* WONDER WOMAN... *
739
00:46:59,717 --> 00:47:02,253
* WONDER WOMAN... *
740
00:47:14,532 --> 00:47:16,201
* WONDER WOMAN. *
50813
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