Original subtitles

( girls shouting )

( shouts growing louder )

HE'S LOOKING!

HE'S SMILING!

HE SMILED AT ME!

LANE, WE LOVE YOU!

THE WHOLE WORLD LOVES YOU!

HE SAW ME. HE SMILED AT ME!

DID YOU SEE THAT?

HE NOTICED ME!

LANE, YOU'RE THE BEST!

YOU'RE THE ABSOLUTE BEST!

WE LOVE YOU!

I LOVE YOU!

Man: COME ON, HARRY.

DON'T GIVE ME THAT, HUH.

HOW MANY TIMES YOU SELL OUT THE ARENA IN 24 HOURS?

THAT'S BECAUSE YOU NEVER PROMOTED

A LANE KINCAID CONCERT BEFORE.

HEY, BILL.

THINK WE COULD PLAY A LITTLE TENNIS?

YOU KNOW BETTER THAN THAT, LANE.

YEAH. I'VE BEEN ON THE ROAD SO LONG

I PROBABLY FORGOT HOW TO KEEP SCORE ANYWAY.

WE TALKED PERCENTAGES FIVE WEEKS AGO.

YOU DIDN'T THINK THE KID WAS BIG ENOUGH THEN.

THAT'S YOUR OWN TOUGH LUCK.

MISREPRESENTATION?

HARRY, IS IT MY FAULT YOU DON'T READ THE TRADES?

WELL, YOU SHOULD HAVE ASKED SOMEBODY

WHO'S A LITTLE BIT MORE WITH IT.

( crowd of girls shouting )

( car honks )

OH, HERE, LET ME HELP YOU WITH THAT.

IT'S NO PROBLEM.

I WAS GOING IN THERE ANYWAY.

HEY, EASY WITH THAT.

HE'S NOT A PIECE OF FURNITURE, YOU KNOW.

THAT KID IN THERE IS WORTH TWO MILLION BUCKS.

( doorbell rings )

WE EXPECTING SOMEBODY?

ALRIGHT, HOLD IT!

LANE, LOCK THE DOOR!

SIT DOWN.

WHAT ARE YOU DOING?

TIME TO GO FOR A LITTLE RIDE. COME ON.

WHERE ARE YOU TAKING ME?

TO YOUR JUST REWARD.

Man: LET'S GO.

( thunderclap )

* WONDER WOMAN *

* WONDER WOMAN *

( thunderclap )

* WONDER WOMAN *

* WONDER WOMAN *

* WONDER WOMAN! *

Man: TELL YOU HOW GRATEFUL I AM?

IT'S IMPOSSIBLE.

WELL, THE I.A.D.C. IS GRATEFUL, TOO, MR. SPRINGFIELD.

WITHOUT YOUR COOPERATION

WE COULD NEVER HAVE STOPPED

THAT ATTEMPTED SABOTAGE. THANK YOU.

WOULD THAT ALL DEALINGS BETWEEN GOVERNMENT AND BIG BUSINESS

HAVE SUCH HAPPY ENDINGS.

DADDY, YOU HAVEN'T DONE ANYTHING.

YOU PROMISED ME YOU WOULD.

YOU COULD DROP YOUR NAME

AND MAKE THE POLICE DO SOMETHING.

THIS IS MY DAUGHTER WHITNEY.

WHITNEY, DIANA PRINCE.

HI, WHITNEY. HI.

THE GOVERNMENT AGENT!

I NEVER TOLD YOU THAT.

I PICK THINGS UP.

ASIDE FROM FORGETTING HER MANNERS

AND HAVING VERY BIG EARS

WHITNEY IS QUITE CONVINCED THAT SOME YOUNG SINGING STAR...

LANE KINCAID.

ONE OF HER LATEST IN A SERIES

OF DESPERATE HEARTTHROBS.

FOR SOME REASON

SHE THINKS HE'S BEEN ABDUCTED.

HE HAS. I SAW THEM DO IT.

DADDY, THEY'RE GOING TO KILL HIM, AND IT'LL BE YOUR FAULT.

WHITNEY, MISS PRINCE HAS A PLANE TO CATCH

AND NEITHER SHE NOR I NOR ANYONE ELSE

HAS TIME FOR YOUR NONSENSE.

DADDY, IT'S NOT NONSENSE.

I WISH I COULD STAY, WHITNEY, BUT I DO HAVE TO PACK.

SAY GOOD-BYE TO MISS PRINCE.

GOOD-BYE, WHITNEY.

GOOD-BYE.

I WANT TO TELL YOU AGAIN

THAT I'M VERY GRATEFUL FOR EVERYTHING YOU DID

AND ANYTIME

THAT THERE'S ANYTHING THAT WE CAN DO TO HELP...

WELL, THANK YOU, MR. SPRINGFIELD.

( door closes )

STOP PUSHING ME.

WHO'S PUSHING YOU?

I'M NOT EXACTLY SLEEPWALKING.

YEAH, YEAH, YEAH.

( playing gentle melody )

SO, THIS IS MR. LANE KINCAID

WHOM MILLIONS OF YOUNG PERSONS ADMIRE AND ADORE.

WHAT A PLEASURE.

I WISH I COULD SAY THE SAME, BUT I CAN'T.

WELL, THAT'S QUITE ALRIGHT.

AFTER ALL, YOU HAVE BEEN KIDNAPPED.

YOUR LIFE IS IN MY HANDS.

IN OTHER WORDS, YOU'D BETTER KEEP ME ALIVE, WELL AND HAPPY.

BECAUSE IF YOU DON'T, YOU DON'T GET A CENT.

CORRECT?

AND, RIGHT NOW, I FEEL LIKE HAVING A LARGE STEAK.

MEDIUM RARE WILL BE FINE.

SHALL WE ACCOMMODATE THE YOUNG MAN, MR. MORLEY?

YES, SIR.

MR. KINCAID.

DON'T YOU EVER SIT DOWN IN MY PRESENCE WITHOUT BEING ASKED.

SORRY.

IT WAS AN ACCIDENT.

HI, MISS PRINCE.

HI.

WHITNEY. WHITNEY SPRINGFIELD.

WE JUST MET.

YES, I KNOW.

I FOUND OUT FROM MY DAD'S SECRETARY

WHERE YOU WERE STAYING.

YOU WERE LOOKING FOR ME?

YES, I WAS.

MAY I CALL YOU DIANA?

SURE.

THE BROWNFIELD TOWERS ON RODEO DRIVE.

NO, L.A.X.

I HAVE TO GET

TO THE AIRPORT, WHITNEY-- NOT BEVERLY HILLS.

UH, YOU HEARD WHAT I SAID, CABBY.

REMEMBER WHAT I TOLD YOU BEFORE?

RODEO DRIVE IT IS.

I TOLD HIM I TIP 30%, WHICH I DO.

WHITNEY...

PLEASE, DIANA, YOU'VE GOT TO HELP ME.

LANE'S BEEN KIDNAPPED.

HE REALLY HAS.

NOW, THERE'S NO WAY SOMEBODY THAT FAMOUS

COULD BE KIDNAPPED WITHOUT ANYBODY KNOWING ABOUT IT.

I SNUCK UP THERE TO GET HIS AUTOGRAPH

AND I SAW A MAN WITH A MASK AND A GUN

MAKE LANE LEAVE WITH HIM.

IF HE WAS KIDNAPPED

EVEN THE POLICE COULDN'T KEEP IT QUIET, WHITNEY.

MAYBE THEY DON'T KNOW ABOUT IT.

PLEASE, DIANA, FIND OUT FOR SURE.

YOU'RE A SPY-- YOU CAN FIND OUT ANYTHING.

PLEASE, I CAN PAY FOR ANY TROUBLE I CAUSE YOU.

I GET A HECK OF AN ALLOWANCE.

I KNOW. YOU TIP 30%.

HOW MUCH?

You heard correctly, Mr. Ripley.

$2 MILLION.

I WON'T PAY IT.

WITH A LANE KINCAID CONCERT WORTH $1 MILLION COMING UP

and five gold records last year alone

YOU'LL PAY, MR. RIPLEY. YOU'LL PAY.

( girls shouting )

HE'S IN THE PENTHOUSE ON THE TOP FLOOR.

HE'S BLOND, GOOD-LOOKING, KIND OF LONGISH HAIR

GOOD-LOOKING...

I KNOW WHAT HE LOOKS LIKE, WHITNEY.

MAKE THEM LET YOU SEE HIM.

TELL THEM YOU'RE WITH THE GOVERNMENT.

NO, THAT MIGHT SCARE THEM.

TELL THEM YOU'RE A WRITER.

WHY DON'T YOU LEAVE THAT TO ME, OKAY?

AND MEET ME BACK AT THE HOTEL?

OKAY, RIGHT.

DIANA?

THANKS.

YOU'RE WELCOME.

BE CAREFUL.

( all squealing and shouting )

( thunderclap )

$2 MILLION.

YEAH, HELLO.

LET ME TALK TO THE BANK MANAGER, PLEASE.

MR. OVERTON?

YEAH. THIS IS ASH RIPLEY.

Whitney: I SAW A MAN WITH A MASK AND A GUN MAKE LANE LEAVE WITH HIM.

I JUST SAW HIM, WHITNEY.

WHO?

LANE. HE WAS IN HIS ROOM

AS BIG AS LIFE, AS PLAIN AS DAY.

YOU COULDN'T HAVE.

I SAW THEM TAKE HIM AWAY AT GUNPOINT.

DO YOU THINK I MADE IT UP?

NO. I THINK YOU SAW SOMETHING.

YOU PROBABLY JUST MISUNDERSTOOD.

I DIDN'T MISUNDERSTAND.

I KNOW WHAT A MASK IS FOR, AND I KNOW WHAT A GUN IS FOR.

I'M NOT A BABY.

I DIDN'T MEAN THAT, WHITNEY.

IF YOU DON'T BELIEVE ME

JUST SAY SO.

I'M SORRY.

NO, JUST FORGET IT.

I'M SORRY.

JUST FORGET ABOUT THE WHOLE THING.

LOOK, YOUR BAGS ARE RIGHT THERE

THE ROOM IS PAID FOR.

JUST GO BACK TO WASHINGTON.

YOU KNOW, ON THE NEWS, THEY SAID

THAT LANE HAD BEEN REHEARSING ALL DAY FOR HIS CONCERT.

WHY DO YOU THINK THEY'D LIE LIKE THAT?

AND WHY WOULD LANE BE IN HIS ROOM

WHEN LOGICALLY HE WOULD BE REHEARSING?

OKAY. IT SOUNDS SUSPICIOUS ENOUGH TO ME

TO DO JUST A LITTLE BIT MORE CHECKING. OKAY?

OKAY.

( gulls cawing )

YOU KNOW, YOU GUYS COULD HAVE AT LEAST

LET ME AND MY BROTHER HAVE SOME TIME TO TALK.

IT'S BEEN TEN YEARS, YOU KNOW.

BUT, THEN, I GUESS THAT DOESN'T MATTER

TO YOU CREEPS, RIGHT?

KING ME.

IT WASN'T MR. CRICHTON'S INTENTION

TO ARRANGE A FAMILY REUNION.

HE DUG UP YOUR BROTHER SO HE COULD SWITCH PLACES WITH YOU.

NOW NOBODY KNOWS.

NOBODY BUT YOUR MANAGER KNOWS THE REAL

LANE KINCAID'S BEEN KIDNAPPED. YOU GOT THAT?

YEAH. IT'S VERY SMART. VERY SMART.

I GUESS YOUR MR. CROCKTON

MUST THINK HE'S HOT STUFF.

THAT'S CRICHTON.

( almost whispering ): CRICHTON. CRICH.

AH. YOU'RE DARN RIGHT HE'S HOT STUFF.

IF I TOLD YOU THE PEOPLE IN HIGH PLACES

AND I MEAN REALLY HIGH PLACES

HE'S KIDNAPPED WITHOUT ANYBODY CATCHING ON

IT'D BLOW YOUR SOCKS OFF.

OF COURSE, NOT ALL OF THEM WERE OBLIGING ENOUGH

TO HAVE A BONA FIDE TWIN WAITING IN THE WINGS LIKE YOU.

YEAH, WELL, MORLEY, YOU KNOW WHAT?

WHAT?

RIGHT NOW, I'D LOVE TO HAVE A B.L.T.

ON WHITE, EXTRA MAYO

LETTUCE, CORN CHIPS...

UM... AND A ROOT BEER--

SEEING THE GAME'S OVER ANYWAY.

OKAY, YOU GOT IT.

( mutters under his breath )

DIDN'T I TELL YOU TO KEEP THE CURTAINS CLOSED?

I'M SORRY.

NOW, YOU, YOU'VE GOT AN INTERVIEW IN A HALF HOUR.

YOU'RE KIDDING.

NO, SOME CREEP FROM THE TRIBUNE

DIDN'T BUY OUR REHEARSAL STORY.

LISTEN.

NOT ONE WORD ABOUT WHAT'S HAPPENED.

THE SAME GUYS WHO BROUGHT YOU IN

IN THAT FURNITURE BOX

THEY COULD JUST AS EASILY

TAKE YOU OUT IN A COFFIN. UNDERSTAND?

BUT THEY PROMISED ME IF I DID AS THEY SAID

THEY WOULDN'T HURT ME OR MELVIN.

LOOK, AS LONG AS I'M STUCK WITH YOU

YOU'D BETTER START ACTING LIKE LANE KINCAID.

YOU'D BETTER...

MELVIN? WHO'S MELVIN?

LANE, SIR.

HIS REAL NAME'S MELVIN; MINE'S MICHAEL.

I DON'T CARE IF YOUR NAMES ARE PUNCH AND JUDY

AND YOU WERE SEPARATED AT AGE NINE

WHEN THE ALASKAN PIPELINE BLEW

AND WASHED AWAY YOUR IGLOO!

AT THE AGE OF FIVE, SIR.

WHEN OUR FOSTER PARENTS...

I DON'T CARE.

FROM NOW ON, YOU'RE LANE KINCAID.

DON'T FORGET THAT.

YES, SIR.

GOOD.

( intercom buzzes )

TREVOR.

DIANA: Steve?

OH, DIANA. YOU AT THE AIRPORT?

UH, NO, STEVE, I'M STILL IN LOS ANGELES.

I THOUGHT THAT SPRINGFIELD THING WAS WRAPPED UP.

Well, it is.

LISTEN, UM, I'LL TELL YOU ABOUT IT LATER.

RIGHT NOW, I NEED SOME INFORMATION.

INFORMATION, HUH?

WHAT KIND-- HUMAN TYPE, OR COMPUTER TYPE?

WELL, I THINK A LITTLE OF BOTH.

OH. WELL IN THAT CASE, HANG ON.

I GOT A SURPRISE FOR YOU.

Surprise?

( beeping )

( whirring )

STEVE?

AUTOMATED VOICE: Try again.

IRA?

Affirmative.

THE PATCH CABLE BETWEEN IRA

AND THE PHONE COMPANY

was completed yesterday.

IRA: You are the first to benefit from its installation.

WELL, IMAGINE MY DELIGHT.

WHAT CAN WE DO FOR YOU, KIDDO?

OKAY, FELLAS.

THE SUBJECT IS KIDNAPPING

ONLY THE VICTIM ISN'T MISSING:

ONE LANE KINCAID.

HE SEEMS TO HAVE BEEN REPLACED

by someone else.

Any ideas?

( whirring )

( beeping )

The name Raleigh Crichton is associated

with a dozen rumored kidnappings

in which the victim was replaced by a double.

TREVOR: Oh, yeah. He and I have crossed paths before.

Crichton supposedly arranges it

so that only those closest to the victim know

there's even been a kidnapping.

THAT WAY, IT MAKES IT EASIER FOR THEM TO PAY THE RANSOM

WITHOUT CONTACTING THE POLICE OR THE F.B.I.

Rumor has it he's been very successful.

WELL, HE CERTAINLY FOUND A PERFECT DOUBLE FOR LANE.

Because the Lane Kincaid concert is tomorrow night

it is logical that the ransom will be paid

and the victim will be returned before then.

HIS MANAGER WILL PROBABLY MAKE THE DROP.

I'LL KEEP AN EYE ON HIM.

THANK YOU, FELLAS.

Keep in touch, Diana Prince.

NOW THAT I'VE GOT YOUR NUMBER, IRA, YOU BET.

BYE.

( starts car )

( another car starts up )

MR. RIPLEY.

UH, I KNOW THAT LANE HAS BEEN KIDNAPPED.

I'M HERE TO HELP.

MIND YOUR OWN BUSINESS, LADY.

THAT'S HOW YOU CAN HELP.

WHO ARE YOU?

THAT DOESN'T REALLY MATTER.

YOU CAN'T LET THEM GET AWAY WITH THIS.

YEAH, WHAT I CAN'T DO IS BLOW A CONCERT WORTH A MILLION BUCKS

AND YOU'RE NOT GOING TO MAKE ME.

YOU SEE THIS?

NOW, FROM NOW ON IT'S GOING TO BE IN MY POCKET

BUT IT'S GOING TO BE AIMED RIGHT AT YOU.

NOW YOU, UH, JUST MOVE AHEAD TOWARDS THAT SHACK, OKAY?

SLOWLY.

MOVE IT.

MOVE IT!

GO AHEAD. ALRIGHT, NOW STOP HERE.

SOMETHING DOESN'T SMELL RIGHT.

( sighs )

GET IN, NICE AND EASY.

I'M TRYING TO TELL YOU...

COME ON, GET IN THERE.

( groans ) QUIET.

Diana: YOU'RE MAKING A MISTAKE.

KEEP QUIET!

HE GOT RID OF THE GIRL...

BUT I DON'T LIKE IT.

MAN: Then neither will Crichton. Abort.

( thunderclap )

BLOND MAN: Forget it, Mr. Ripley. The deal's off.

NO!

NO, NO. WAIT A MINUTE!

I FOLLOWED ALL THE INSTRUCTIONS TO THE LETTER, IT'S OKAY!

( tires squeal )

GET IN!

( tires squealing )

ARE YOU OKAY?

YEAH, YEAH.

WHEW!

FLOOR IT.

HELP! HELP!

OVER HERE! OVER HERE!

THEY'RE TRYING TO KILL ME!

( tires squealing )

SORRY, WONDER WOMAN.

YOU WERE INTERFERING IN MY BUSINESS.

NOW, LOOK, UH... YOU KNOW

THIS IS NO CONCERN OF YOURS OR ANYBODY ELSE'S.

DON'T BOTHER WITH THAT, HUH?

I MEAN, BECAUSE

I'M GOING TO TELL YOU THE TRUTH.

BECAUSE THOSE PHONE CALLS FROM THE KIDNAPPERS

THEY WERE EITHER LONG DISTANCE OR SHIP-TO-SHORE

YOU KNOW, AND I DON'T EVEN KNOW

WHO THEY WERE.

AND WHEN YOU TAKE THAT OFF

I'M JUST GOING TO DENY

THERE WAS A KIDNAPPING.

SO THERE'S NO POINT, RIGHT?

Crichton: AFTER ALL WE'VE DONE

TO MAKE IT EASY FOR HIM TO PAY THE RANSOM

THAT FOOL INVOLVED WONDER WOMAN.

WELL, BOSS, WE DON'T KNOW FOR SURE.

I MEAN, RIPLEY WAS JUST AS SURPRISED

AS WE WERE WHEN SHE SHOWED.

WELL, I SUPPOSE IT'S ONLY FAIR

TO HEAR BOTH SIDES OF THE STORY

BEFORE TAKING FINAL ACTION.

LOOK, I HAD NOTHING TO DO WITH WONDER WOMAN'S BEING THERE.

THERE'S BEEN NO DOUBLE CROSS, BELIEVE ME.

NOW, AS FAR AS SHE

the police, or anybody else is concerned

there hasn't even been a kidnapping.

ALRIGHT, LOOK, UH...

LET'S ARRANGE ANOTHER DROP, ALRIGHT?

UM... I'LL BRING THE $2 MILLION, ANYTIME, ANYPLACE.

JUST, UH... LET'S MAKE IT SOON, HUH?

So Lane can be fresh for the concert.

LANE IS NOT GOING TO BE IN THE CONCERT.

IT LOOKS LIKE MICHAEL IS.

WHAT?

It's about time you learned a lesson

about carelessness, Mr. Ripley.

I'LL BE IN TOUCH...

AFTER TOMORROW NIGHT.

NO, WAIT, WAIT. UH...

WITHOUT LANE, I'M GOING TO BE RUINED.

You're going to end up with nothing.

BUT IF YOU KNOW HE'S BEEN KIDNAPPED

AND REPLACED BY HIS TWIN...

SEE, HIS MANAGER REFUSES TO REPORT IT.

NOW, IF WE GO AND MAKE A BIG FUSS ABOUT IT

WELL, WE MIGHT BE PUTTING LANE IN EVEN MORE DANGER.

HE'S IN DANGER, ALRIGHT.

I THOUGHT THE MEN WHO TOOK HIM

WERE GOING TO KILL HIM.

WHY DO YOU SAY THAT?

SOMETHING THE GUY IN THE MASK SAID.

HOW COME THEY HAVEN'T CANCELED TONIGHT'S CONCERT?

THAT IS A VERY GOOD QUESTION.

I DON'T SUPPOSE YOU HAVE AN EXTRA TICKET?

YEAH, I DO. MY HOUSEKEEPER WAS GOING TO TAKE ME

BUT WILL YOU GO WITH ME?

I'D LOVE TO.

GREAT.

NOW MAYBE WE'LL FIND OUT WHAT'S GOING ON.

I GOT TO DO SOMETHING.

( snaps fingers ) I GOT IT: LIP-SYNCH.

HE CAN LIP-SYNCH THE SONGS.

YOU KNOW WHAT LIP-SYNCH IS?

GOOD. YES, SIR.

GREAT.

ALRIGHT. NOW, YOU JUST FAKE IT, RIGHT?

YOU MOVE YOUR LIPS TO THE RECORDS.

YOU KNOW ALL LANE'S SONGS, DON'T YOU?

EVERY RED-BLOODED AMERICAN KID DOES.

NO, SIR. MY FOSTER PARENTS NEVER LET ME LISTEN TO RADIO.

YOUR FOSTER PARENTS?

YOUR LOVING FOSTER PARENTS

HAVEN'T EVEN REPORTED YOU MISSING YET!

HEY, HEY, COOL IT.

NOW, I AM THE ONLY PERSON HERE

WHO CARES ABOUT YOU.

I AM THE ONLY ONE WHO CAN HELP YOU NOW.

THE ONLY ONE!

I WANT YOU TO GET ON THAT STAGE TONIGHT

AND I WANT YOU TO PERFORM

AND I WANT YOU TO BE LANE KINCAID!

( sighs )

( softly ): HEY...

COME ON.

I'M SORRY.

COME HERE.

LISTEN, CAN'T YOU DO SOMETHING?

I CAN PLAY A LITTLE GUITAR.

A LITTLE BIT OF SINGING.

YEAH? GET A GUITAR.

TERRIFIC.

ALRIGHT, LOOK.

I'M GOING TO, UH, GET YOU SOME RECORDS.

YOU'RE GOING TO MEMORIZE THE SONGS THAT I TELL YOU

AND YOU'RE GOING TO PRACTICE

YOUR LITTLE HEART OUT ON THE GUITAR, RIGHT?

YES, SIR.

( whispers ): GREAT.

ALRIGHT, NOW, YOU FEEL ALRIGHT, HUH?

NOW, DON'T BE NERVOUS WHEN YOU GET OUT THERE.

JUST REMEMBER, EVERYTHING LIP-SYNCH, OKAY?

ALRIGHT. ALRIGHT. WAIT A SECOND. HOLD ON.

ALRIGHT. ALRIGHT, YOU LOOK GREAT.

GO AHEAD. GO AHEAD. GO ON.

I THINK I'M GOING TO BE SICK.

( crowd cheering )

( pop tune starts playing )

HE LOOKS JUST LIKE HIM.

DO YOU SUPPOSE WE'RE WRONG?

DO YOU SUPPOSE THAT'S LANE AFTER ALL?

WE'LL KNOW AS SOON AS HE STARTS TO SING.

( winding up intro )

* YOU'VE GOT ME ROLLING LIKE A WHEEL ON THE ROAD *

* TURNING 'ROUND AND 'ROUND *

* NOWHERE TO GO *

* I GOT TO FIND OUT IF YOU'RE FEELING IT, TOO *

* IT'S HARD TO TELL *

* SO HERE'S WHAT I DO... *

HE'S FAKING IT.

I GUESS WE KNOW NOW

WHY THEY DIDN'T CANCEL THE CONCERT.

THESE KIDS DON'T BLOW A MONTH'S ALLOWANCE

JUST TO SEE SOMEONE MOVE HIS LIPS--

EVEN IF HE DOES LOOK JUST LIKE LANE.

* ...GO DANCING *

* ALL, ALL, ALL, ALL NIGHT LONG... *

( crowd starts jeering )

* ...GO DANCING *

* ALL, ALL, ALL, ALL NIGHT LONG... *

( music continues )

YOU PULLING OUT?

YOU BETTER BELIEVE IT.

ME AND THE ADVANCE MONEY ARE MOVING TO HIGHER GROUND.

HEY, GIVE HIM A CHANCE. HEAR HIM OUT.

LISTEN, THE ONLY VOICE I WANT TO HEAR RIGHT NOW

IS AN AIRLINE PILOT WELCOMING ME TO CHICAGO.

I'LL WIRE YOU THE MONEY THAT I OWE YOU

WHEN I GET THERE.

LISTEN, YOU OUGHT TO

AT LEAST HEAR HIM LONG ENOUGH.

DON'T USE UP ALL YOUR STRENGTH.

YOU'RE GOING TO NEED IT FOR YOUR NEW BUDDY

WHEN THE PEOPLE OUT THERE KILL HIM.

( loud jeering and hooting )

( music barely audible )

THIS AUDIENCE ISN'T GOING TO PUT UP

WITH THE CANNED MUSIC ANY LONGER.

IF I WAS HIM, I'D START RUNNING NOW.

Young man: GET OFF THE STAGE!

STOP THE TAPE, PLEASE.

( music stops, jeering continues )

( jeering abating )

UM...

NO MORE TAPES.

UH, I GUESS IT'S, UH

TIME FOR REAL MUSIC.

UH, THIS IS MY KIND OF STUFF.

( band strikes up new tune )

( playing slower tempo, jazz-inflected melody )

( band members harmonizing )

* DOO-DOO-DOO-DOO-DOO-DOO *

* DOO-DOO-DOO-DOO-DOO-DOO *

* DOO-DOO-DOO-DOO-DOO-DOO *

* WHEN I THINK OF YOU *

* I THINK OF SUNNY DAYS IN JUNE *

* WARM NIGHTS IN TUNE WITH THE SONG IN YOUR HEART *

* WHEN I THINK OF YOU... *

( crowd starts cheering )

( cheering audible )

HIS MUSIC IS DIFFERENT, BUT IT'S GOOD.

IT'S REALLY GOOD.

WHICH COULD BE BAD FOR LANE.

REALLY BAD.

( enthusiastic cheering )

* NOW THERE'S NOTHING TO DO, BUT WAIT FOR THE SUMMER *

* WAIT FOR THE SUMMER... *

* AND YOU *

* YOU *

* DOO-DOO-DOO-DOO-DOO-DOO... *

HE'S AS GOOD AS LANE.

I TRIED TO TELL YOU.

( both laughing )

HE'S AS GOOD AS LANE!

HE'S WHAT?

YES, SIR. AND THEN HE STARTED DOING HIS OWN STUFF

AND IT'S NOT BAD, MR. CRICHTON.

GIVE A LISTEN.

* I THINK OF RUNNING ON THE BEACH *

* CASTLES IN THE HEAT *

* AND THE SAND ON OUR FEET... *

( cheering and whistling )

VERY WELL, MR. SIMPSON.

MEET MR. LUDWIG... AS ARRANGED.

I HAVE SOME THINKING TO DO.

( hangs up )

WHAT'S GOING ON?

LANE KINCAID IS, AT THIS VERY MOMENT

GIVING THE FINEST PERFORMANCE

OF HIS CAREER.

WHAT?

LANE'S TWIN BROTHER APPARENTLY

IS JUST AS TALENTED AS LANE HIMSELF.

WELL, LET'S HEAR IT FOR MICHAEL.

I GUESS HE FIXED YOUR WAGON, HUH, CROCKTON?

I'D WORRY ABOUT YOUR WAGON IF I WERE YOU, MR. KINCAID.

FOR YOU SUDDENLY HAVE BECOME ABOUT AS USEFUL TO US

AS A DEAD DUCK.

Ripley: WHAT'S THE MATTER WITH HIM, HUH?

WHY DOESN'T HE CALL?

WHAT'S HE WAITING FOR?

HE MUST HAVE HEARD OUR KID WENT OVER BIG.

YEAH, SURE HE WENT OVER BIG.

BUT HE'S NOT LANE.

IT'LL TAKE YEARS TO GET HIM TO THAT PLACE.

I WANT LANE BACK.

I WANT LANE AND MICHAEL.

THERE'S NOTHING WRONG WITH THAT, HUH?

I MEAN, I'M GOING TO PAY.

MAYBE THE KIDNAPPER FIGURES YOU GOT NOTHING TO LOSE NOW.

MAYBE HE THINKS YOU'LL TRY A DOUBLE CROSS

IF HE TRIES TO RETURN LANE.

AW, COME ON, HE'S GOT TO RETURN LANE.

WHAT ELSE IS HE GOING TO DO WITH HIM?

NO.

HE WOULDN'T.

OH... I'M AFRAID NO BRILLIANT ALTERNATIVE

OCCURRED TO ME DURING THE NIGHT.

THE BOY IS JUST TOO GREAT A LIABILITY.

ALERT SAMSON AND LUDWIG.

WE'LL DISPOSE OF HIM AT THE YARD.

YES, SIR.

LOOK, SERGEANT, I WANT TO SPEAK TO YOUR SUPERIOR.

HELLO? HELLO?

COPS WOULDN'T BELIEVE YOU?

ARE YOU KIDDING?

AFTER THAT CONCERT LAST NIGHT?

WHAT HAVE I DONE?

THERE'S GOT TO BE SOMEBODY THAT CAN HELP US.

WAIT A MINUTE.

THERE WAS THIS LADY AT THE JUNKYARD.

SHE KNEW ABOUT THE KIDNAPPING.

BUT I DON'T KNOW WHERE TO FIND HER.

I DON'T EVEN KNOW WHO SHE IS.

WHITNEY, RETRACE YOUR STEPS, OKAY?

YOU'VE GOT TO REMEMBER WHAT THAT MAN SAID

WHEN HE KIDNAPPED LANE.

I'M TRYING.

( sighs )

THINK.

HE MUST HAVE SAID SOMETHING.

SOMETHING THAT MADE YOU THINK

THEY WERE GOING TO KILL HIM.

LANE SAID SOMETHING LIKE, "WHERE ARE WE GOING?"

AND THE MAN SAID SOMETHING LIKE...

"TO GET WHAT YOU DESERVE.

"TO... TO GET YOUR REWARD...

YOUR JUST REWARD."

HE SAID, "I'M TAKING YOU TO YOUR JUST REWARD."

THAT'S WHAT MADE ME THINK

THEY WERE GOING TO KILL HIM.

BUT IF THEY WEREN'T GOING TO KILL HIM

WHY WOULD THEY SAY THAT?

THEY MUST BE TALKING ABOUT WHERE THEY'RE HOLDING HIM.

THEY TOOK HIM WHERE?

HIS MANAGER SAID

THAT THE PHONE CALLS SOUNDED LONG DISTANCE, SHIP-TO-SHORE.

"YOUR JUST REWARD..."

OPERATOR, THIS IS AN EMERGENCY.

GET ME THE COAST GUARD.

THE NAME OF A BOAT!

MAYBE.

JUST MAYBE.

LET'S GO, KID.

YOUR SINGING DAYS ARE OVER.

IN FACT, IT LOOKS LIKE ALL YOUR DAYS ARE OVER.

DIDN'T CRICHTON SPEAK TO ASH?

IT'S TOO RISKY.

WHAT CAN I SAY?

IN OUR BUSINESS THESE THINGS HAPPEN.

COME ON.

LET'S GO.

COME ON.

THANK YOU, CAPTAIN.

GOOD.

I'LL BE WAITING.

WHAT'D THEY SAY?

THERE IS A BOAT OUT OF MARINA DEL RAY

CALLED YOUR JUST REWARD

AND THE COAST GUARD IS TRYING TO LOCATE IT.

DO YOU THINK THEY'VE KILLED LANE YET?

WELL, FROM WHAT MY BOSS IN WASHINGTON

HAS TOLD ME ABOUT THE KIDNAPPERS

IF THEY HAVEN'T KILLED HIM YET

IT'S ONLY BECAUSE CRICHTON HASN'T FIGURED OUT

THE TIDIEST POSSIBLE WAY TO DO IT.

( aircraft engine running )

Man on radio: Skyview Three to Central.

They are now in a gray sedan, license number 2-4-7-P-C-E.

( phone rings )

YES.

THAT'S RIGHT.

WHAT HAVE YOU GOT?

WELL, DO YOU KNOW WHERE THEY'RE HEADING?

OKAY, WELL, PLEASE KEEP ME POSTED.

THANK YOU.

WHAT'S HAPPENING?

THEY'VE GOT LANE

IN A CAR HEADED AWAY FROM THE OCEAN

AND THE POLICE ARE AFTER THEM.

WELL, LET'S GET GOING.

WE'RE NOT DOING ANY GOOD HERE.

MAYBE THERE'LL BE A--

YOU ARE GOING HOME, YOUNG LADY.

NO, DIANA, NO.

LISTEN, WHITNEY

WHATEVER DOES FINALLY HAPPEN, I DON'T WANT YOU INVOLVED.

DIANA, PLEASE.

WHITNEY.

ALRIGHT, I'LL GO.

BUT YOU'D BETTER PROMISE

TO CALL AND KEEP ME POSTED.

I PROMISE, NOW GO.

( tires screeching )

( tires screeching )

( siren wailing )

MR. LUDWIG SHOULD BE READY BY NOW

DON'T YOU THINK?

WE'LL SOON FIND OUT.

( siren wailing )

LUDWIG WILL LOSE THEM IN NO TIME.

GOOD.

THEN LET'S TAKE CARE OF OUR IMMEDIATE PROBLEM

SO WE CAN JOIN THEM AT THE AIRPORT.

WHAT DO YOU MEAN YOU LOST THEM?

WELL, HAVE YOU ANY IDEA WHERE THEY'RE HEADED?

THANKS ANYWAY, LIEUTENANT.

JUNKYARD.

( engine rattling )

( sighs )

Whitney: NO.

WHITNEY!

IT WON'T EVEN TURN OVER.

YOU SHOULD ALWAYS TAKE A TAXI

WHEN YOU HAVE TO GET SOMEWHERE, DIANA.

WHAT ARE WE GOING TO DO NOW?

YOU ARE GOING TO LISTEN TO ME, YOUNG LADY

AND DO NO LESS THAN WHAT I TELL YOU.

NOW I WANT YOU TO GO OVER TO THAT STORE, CALL THE POLICE.

TELL THEM TO GET OUT TO THE JUNKYARD

AT WASHINGTON AND 89th IMMEDIATELY.

AND THEN YOU STAY PUT.

PROMISE.

WHAT ARE YOU GOING TO DO?

I'M GOING TO CALL YOUR FATHER

UNLESS YOU PROMISE.

OKAY.

GO.

( thunderclap )

( thunderclap )

LET ME SHOW YOU SOMETHING.

SO HOW DO YOU LIKE YOUR NEW MANAGER SO FAR?

HE'S GOOD, BUT I MISS ASH, YOU KNOW?

BUT HE COULDN'T HANDLE THE KIDNAPPING THING TOO WELL.

WELL, THE POLICE AND THE F.B.I.

WEREN'T TOO THRILLED WITH HIS BEHAVIOR, EITHER.

THERE YOU GO.

WELL, I DON'T KNOW ABOUT YOU, BUT THIS GIRL SAVED MY LIFE.

SHE DESERVES MORE THAN AN AUTOGRAPH.

AND IF IT WEREN'T FOR HER

WE'D NEVER BE TOGETHER AGAIN.

Man: HEY, LANE, MICHAEL, LET'S GO.

WELL, IT WAS GOOD SEEING YOU AGAIN, DIANA.

SO LONG.

THANK YOU VERY MUCH FOR ALL YOUR HELP.

IT WAS NICE MEETING YOU, MISS PRINCE.

OKAY. BREAK A LEG, GUYS.

( cheering and applause )

I MAY AS WELL DIE NOW, DIANA.

WHAT?

I HAVE NOTHING LEFT TO LIVE FOR.

( disco music begins )

WELL, HOW ABOUT A HOT FUDGE SUNDAE AFTER THE SHOW?

WITH PEANUTS?

THE WORKS.

YOU'RE ON.

* YOU'VE GOT ME ROLLING LIKE A WHEEL ON A ROAD *

* TURNING ROUND AND ROUND, NOWHERE TO GO *

* I GOT TO FIND OUT IF YOU'RE FEELING IT, TOO *

* IT'S HARD TO TELL, SO HERE'S WHAT I DO *

( audience clapping to beat )

* AND EVERY TIME I WANT MORE *

* I TAKE YOU OUT ON THE FLOOR *

* I WAS MADE FOR DANCING *

* ALL, ALL, ALL, ALL NIGHT LONG *

* YES *

* I WAS MADE FOR DANCING *

* ALL, ALL, ALL, ALL NIGHT LONG *

( disco music continues )

( cheering and applause )

* THE DAYS AND NIGHTS ARE MOVING BY ME AND YOU *

* IT'S SUCH A CRAZY LOVE, YOU TEAR ME IN TWO *

* I SPEND MY TIME... *

( cheering )

* IT'S A CRAZY LOVE *

* YOU CAN SEE IT IN MY FACE *

* AND EVERY TIME I WANT MORE... *

* WONDER WOMAN *

* WONDER WOMAN *

* WONDER WOMAN! *